Fried chicken and a $45 bottle of sparkling wine?
What were you doing on New Year’s Eve?
I’m Glenn Whipp, columnist for the Los Angeles Times, host of The Envelope newsletter and the guy wondering how many New Year’s resolutions you’ve broken so far this year.
Let’s take a look back — and a look forward — because that’s what we’re contractually obligated to do this time of year.
Three films I’m looking forward to in 2026
Every year, some editor at The Times buzzes my inbox with a request to gather my hopes and dreams into a purely speculative list of movies I’m looking forward to seeing in the coming 12 months. That email serves as a marker that the Earth has orbited the sun once again and it’s time to buy a new planner — because I’ll be damned if I’m going to let Google Calendar know what I’m doing 24 hours a day, 365 days a year.
I was asked to contribute two movies to the list last year, and I chose “One Battle After Another” and “Materialists.” So … one masterpiece that should go on to win the Oscar for best picture and the movie that seems to be the most hated film of 2025. Seriously, people will approach me at parties and say, unprompted, “You know what movie I despised? ‘Materialists.’” And then, after unloading on how much they loathed the characters in Celine Song’s romantic drama, they’ll shift gears and go on a diatribe about late-stage capitalism.
(My New Year’s resolution: find better parties.)
You could say, then, that I got one right and one wrong, though I was partly looking forward to “Materialists” because Song had regaled me with tales of her Manhattan matchmaking days over a couple glasses of wine one night and I wanted to see how she’d weave these stories into a movie. And it turned out that was the best part of the film. So there. No more emails about “Materialists,” please.
At least Song’s film saw the light of day. Looking back on our 2025 list, there are still movies that haven’t made it to theaters. The “Untitled Trey Parker/Matt Stone Film,” once scheduled for July 4, now has a title, “Whitney Springs,” but no new release date. Neither does Terrence Malick’s biblical drama, “The Way of the Wind,” which Malick has reportedly been editing for a good six years now. That movie didn’t make our 2026 list, but, fingers crossed, it might resurface sometime in the next decade when we throw together another of these.
So what movies am I looking forward to seeing when it stops raining (talk about biblical drama) and we start turning the calendar’s pages? I raised my hand for three, and I’m confident this trio will satisfy, mostly because of their directors’ track record. To see everyone else’s picks — including a few I would have chosen myself — read the full list here.
“Disclosure Day”: I liked it better when this was simply known as “Untitled Steven Spielberg UFO movie.” What more do you need to know beyond that description and a prime summer release date? That’s enough to sell a few hundred million dollars in tickets and make me giddy with anticipation. We don’t know much at the moment, other than that Spielberg is working again with “Jurassic Park” and “War of the Worlds” screenwriter David Koepp. There’s an eye-catching billboard with an image that looks alien and kind of birdlike … unless you study it while standing on your head and then it looks … human? Who knows? ALL WILL BE DISCLOSED, the tagline promises, hence the title. So we’ll just have to wait. But from all appearances, we’re not in “E.T.” territory with this one.
“The Adventures of Cliff Booth”: Do we need a stand-alone Cliff Booth movie? Quentin Tarantino thinks so, though not enough to direct the sequel he wrote to his hit 2019 film “Once Upon a Time in … Hollywood.” That’s OK, as Brad Pitt, who won an Oscar for playing Booth, the ass-kicking stuntman, enlisted David Fincher to sub in. It’ll be their fourth collaboration, following “Se7en,” “Fight Club” and “The Curious Case of Benjamin Button,” a track record that offers some optimism that a film elevating Booth from Rick Dalton’s loyal sidekick to a leading character is an idea worth pursuing. (Leonardo DiCaprio apparently turned down an offer to reprise Dalton in a cameo.) If nothing else, the movie’s 1977 setting, eight years after the events in “Once Upon a Time,” will give us the chance to revel in another glorious L.A. time capsule.
“Werwulf”: Robert Eggers calls his upcoming medieval werewolf movie the “darkest thing I have ever written, by far.” Let that sink in for a moment. Eggers’ filmography includes the suffocating madness found in “The Witch” and “The Lighthouse” and the chilling terror of a malevolent, shape-shifting, lustful vampire in “Nosferatu.” These are not light movies. So what are we in store for here? Apparently a member of Eggers’ sound team said he needed a hug after reading the “Werwulf” script. I couldn’t verify this, but I want this to be true. There will be blood — and fog. One other thing we know is the setting, 13th century England, which means that the film’s dialogue will be in Middle English. How fareth thoue with that? I’m sure the cast, which includes Eggers regulars Aaron Taylor-Johnson, Lily-Rose Depp, Willem Dafoe and Ralph Ineson, had fun, verraily.
There you have it: Spielberg, Fincher, Eggers. A sci-fi thriller, a sequel I still can’t believe exists and a monster movie. All three of these might miss the mark. And, honestly, any list missing the guaranteed pleasures of “Practical Magic 2” is immediately suspect.
But that’s the folly of blindly looking ahead. You never know.
Happy New Year! And, as always, thanks for reading.