Month: February 2026

A POPULAR attraction found across America is finally making its way to the UK.

Slick City Nottingham will have the world’s first UV AirGlider – a gravity-powered aerial coaster that makes you feel like you are flying.

Slick City already has 95 sites across America and the Nottingham site will mark the company’s first amusement park in Europe when it comes next month.

Inside the new attraction, there will be a mix of dry slides with different drops and twists.

For example, you could head on Fast Lane – a four-lane slide that has been built for friendly competitions with high-speed sliding.

Then there’s Royal Flush – a slide that features a sheer drop and then you spin around in a massive bowl, that will feel like you’re in a flushing toilet.

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There’s even one slide – Avalanche – that is meant to make you feel as if you are skiing downhill, just without the snow.

Alternatively, you could head on Big Wave, which first has a steep drop and then builds speed as you slide back and forth along a blue half-pipe.

Then on the UV AirGlider, visitors will be strapped in and gravity will propel them along a track – with a ultra-violet theme – hanging in the air to make them feel as if they are soaring through the sky.

There’s a freestyle air court and sport air court as well, which are specifically designed with a cushioned and bouncy base making them the ideal spots for parkour tricks.

The attraction – which will span over 4,600sqm – will be designed for children aged four-years-old or over, with children under 12 needing an adult with them.

But there will be a soft play area for little ones aged three-years-old or younger.

And parents can sit back in the onsite cafe with a coffee as well.

The Nottingham site will be the company’s first standalone indoor slide park in Europe.

Slick City launched back in 2021 and has grown rapidly, with Keely Buchanan, park manager at Slick City Nottingham saying “it’s pure adrenaline for every age”.

Many people have taken to social media to express their excitement for the opening, with one person even asking whether there will be adult-only sessions, which is something the company does at its American sites.

There are a number of different ticket types available including 90 minute and 120 minute sessions.

For a 90 minute session, admission costs £19.95 per person.

If you want 120 minutes of fun, then it will set you back £24.95 per person.

You can also add on the AirGlider, which costs £4 for one ride or £10 for three rides – though the three rides must be used by the same person.

It is worth noting you will also need to grab a pair of CitySocks, which cost £3 a pair – but you can keep and re-use them.

In other attraction news, these are the 20 most-visited attractions in England that are completely free to enter.

Plus, a new ‘floating park’ with sauna and lido to open in popular London district – in huge £5billion upgrade.

McInnes says he hopes Findlay and captain Lawrence Shankland, who has been missing since 17 January with a hamstring injury, will be back for the final pre-split game against Motherwell on 11 April.

Another key figure, midfielder Cammy Devlin, is due back in “two or three weeks” according to McInnes, as is defender Stephen Kingsley.

Hearts are four points clear of Rangers at the top of the Premiership.

“As it stands we had 11 players unavailable to train today, but we’ve still got enough to train and put a strong team out and a strong squad out on Saturday,” McInnes said.

“So my focus is the ones that are available, and just trying to get one or two who are in the 50-50 category available for the weekend.

“It’s easy to feel sorry for yourself, easy to think: ‘why us? why me?’ But it’s unrealistic to go through a full campaign [without injuries].

“It’s a league for as reason, you have to go through these different tests and challenges.

“There’s no doubt we’re getting challenged at the minute. Once we get through the next four games we will ideally be a bit stronger going into the final run in.

“It will almost feel like a transfer window opening up in April. So you’ve got to take the good with the bad.”

Midfielder McEntee went to see a specialist on Wednesday morning for a shoulder issue after a scan revealed “fairly positive” news.

Baningime has some bruising on his lower leg and McInnes says the midfielder is hopeful he can train on Friday and feature at Tynecastle against Aberdeen.

Kerjota, meanwhile, picked up a hip strain in a closed door friendly against Dundee on Tuesday but may well be fit to play too.

Holidaygoers returning home need to be careful about what they bring back

With the February half-term still underway for many regions across the country, plenty of families will be eagerly packing their bags for some much-needed winter sun. For anyone keen to bring back goodies for their friends and relatives, there are certain rules they need to follow to avoid being stopped at UK airports.

In a recent warning by the Department for Environment, Food and Rural Affairs (DEFRA), the government agency urged holiday-goers to be mindful of what they try to bring back home. In a post on Facebook, a statement reads: “Travelling back from a half term trip abroad?

“To protect UK farmers and animals from diseases like Foot and Mouth, meat and dairy products can’t be brought into Great Britain. Check the rules before travelling.”

There are numerous guidelines on the Gov.uk website regarding bringing food into Great Britain, including rules on meat, dairy, fish, fruit, vegetables, nuts, seeds, and pet food. You can bring the following into Great Britain from any country without any restrictions:

• bread, but not sandwiches filled with meat or dairy products
• cakes without fresh cream
• biscuits
• chocolate and confectionery, but not those made with a lot of unprocessed dairy ingredients
• pasta and noodles, but not if mixed or filled with meat or meat products
• packaged soup, stocks and flavourings
• processed and packaged plant products, such as packaged salads and frozen plant material
• food supplements containing small amounts of an animal product, such as fish oil capsules

There are restrictions on bringing meat, dairy, fish and animal products and fruit, vegetables, nuts and seeds into Great Britain from abroad. If you’re bringing in any food or animal products protected by the Convention on International Trade in Endangered Species of Wild Fauna and Flora (CITES), you may need to apply for a CITES permit.

Meat, dairy, fish and animal products

The rules on bringing meat, dairy, fish and other animal products depend on the country you’re bringing it from. From the EU, Switzerland, Norway, Iceland, Liechtenstein, the Faroe Islands and Greenland, you can bring in the following for personal use:

• fish
• poultry, for example, chicken, duck, goose and any other products made from these meats
• other animal products, for example, eggs and honey

Due to recent and ongoing outbreaks of animal diseases in the EU, there are rules about bringing in most meats and all dairy products. You are allowed to bring in a maximum of 2kg per person of powdered baby milk, baby food, or special food required for medical reasons. You can only bring these items if they don’t need to be kept cold before using, and they must be in branded, unopened packages (unless you are currently using them).

There are restrictions on meat, dairy and animal products for human consumption. You cannot bring in any of the following:

• cheese, milk and dairy products like butter and yoghurt
• pork
• beef
• lamb
• mutton
• goat
• venison
• other products made from these meats, for example sausages

If you’re bringing food from a country outside the EU, Switzerland, Norway, Iceland, Liechtenstein, the Faroe Islands and Greenland, the following rules apply. You cannot bring in:

• meat or meat products
• milk or milk-based products, except powdered infant milk, infant food or special food needed for medical reasons

You can bring in up to 2kg per person of:

• honey
• powdered infant milk, infant food, or special food (including pet food) needed for medical reasons – you can only bring it in if it does not need to be refrigerated before use, and is in branded, unopened packaging (unless in current use)
• live mussels or oysters
• snails – these must be preserved or shelled, cooked and prepared
• frogs’ legs – these must be the back (hind) part of the frog with the skin and internal organs removed
• insect protein

You can bring in up to 20kg per person in total of fish, including:

• fresh fish – must be gutted
• fish products
• processed fish – must be dried, cooked, cured or smoked
• lobsters
• prawns

You cannot bring in caviar unless you have a CITES permit.

Fruit, vegetables, nuts and seeds

The rules on bringing fruit, vegetables, nuts and seeds depend on the country you’re bringing it from. From the EU, Switzerland or Liechtenstein, you can bring in the following for personal use:

• fruit
• vegetables
• nuts and seeds

From other countries outside the EU you cannot bring in most fruit or vegetables unless you have a ‘phytosanitary’ (plant health) certificate for them. You can get a certificate from the plant health authorities in the country you’re leaving. You can only bring in the following without a phytosanitary certificate:

• pineapple
• kiwi
• coconut
• citrus fruits, such as oranges, lemons, limes and grapefruit
• kumquat
• persimmon
• durian
• curry leaves
• banana and plantain
• mango
• dates
• passion fruit
• guava
• processed and packaged plant products, such as packaged salads or frozen plant material
• peeled and processed nuts or nut butters
• certain grains, such as rice

Pet food

The rules on bringing pet food depend on the country you’re bringing it from. From the EU, Switzerland, Norway, Iceland, Liechtenstein, the Faroe Islands and Greenland. You cannot bring in pet food if it contains meat or other animal products from pig, cow, sheep, goat or deer.

You can bring in pet food made with other ingredients (for example, chicken) if it is commercially packaged with the manufacturer’s name and address. You can bring up to 2kg per person. From countries outside the EU you cannot bring in pet food, unless your pet needs it for health-related reasons.

You can bring in up to 2kg per person of pet food needed for health-related reasons, from any country. The pet food must:

• not need to be refrigerated before use
• be in branded, unopened packaging (unless it is currently in use)

Your pet must be travelling with you. You should have evidence that the pet food is needed for health-related reasons, such as a letter from your vet. Contact the Animal and Plant Health Agency (APHA) if you want to bring in more than 2kg of health-related pet food per person.

You’ll need to provide:

• details of why you cannot buy the specific pet food in Great Britain
• a letter from your vet confirming your pet needs this specific food

Check if you need a CITES permit

You may need to apply for a permit or certificate if you’re bringing any food or animal products protected by the Convention on International Trade in Endangered Species of Wild Fauna and Flora (CITES) into Great Britain. This includes foods such as caviar and eel fillets and beauty products containing caviar extract. Check if you need a CITES permit.

You can apply for a CITES permit online. When travelling to Great Britain, you’ll need to arrive at one of the ports or airports that handles CITES items. Border Force can seize your items if you do not have a CITES permit and they think you’ve brought them into the country illegally.

This text traces the evolution of Kuwait from a modest fishing community to a significant regional trade hub under the long-standing Al-Sabah dynasty. While the nation initially sought British protection to avoid Ottoman rule, it eventually achieved full independence in 1961. Although the country officially became sovereign in June, the National Day holiday was rescheduled to February to avoid the intense summer heat. This modern celebration now honors the 1950 inauguration of Sheikh Abdullah Al-Salim Al-Sabah rather than the literal date of the British departure. The source also places this history within a broader global news context, mentioning various international political and financial events from early 20 … 

London, United Kingdom – Legal experts have documented almost 1,000 incidents in which pro-Palestine voices have been allegedly targeted in the United Kingdom, data that they say represents a “systematic effort” to repress the country’s solidarity movement.

The European Legal Support Center (ELSC) said on Wednesday that it has verified 964 cases of “anti-Palestinian repression” from January 2019 until August 2025, including students being investigated over their solidarity, activists being arrested, employees facing disciplinary procedures and artists having their events cancelled.

The findings of the study, carried out in collaboration with researchers at Forensic Architecture, are a “sample indicative of a far wider and deeper pattern”, said the group comprising lawyers and legal officers.

The ELSC pitched the report as an Index of Repression, a database that is open to the public.

“We’re launching this database to show that repression of the Palestine solidarity movement in Britain is pervasive,” Amira Abdelhamid, ELSC’s director of research and monitoring, told Al Jazeera.

One documented case involves a University of Warwick student who was reported to police by their university for carrying a sign that drew parallels between Israel and Nazi Germany during a campus rally in November 2023.

The student was arrested for “racial aggravation against the Jewish community” and investigated by their university. But in January 2024, after the ELSC stepped in, the police dropped the student’s caution and deleted all associated records. The university confirmed in March that there would be no further disciplinary action.

ELSC said “Zionist advocacy” groups, journalists and media outlets were involved in 138 incidents – including UK Lawyers for Israel (UKLFI), a pro-Israel organisation that it said played a part in 29 of the documented cases.

“The goal of this analysis is to denaturalise this politically produced process,” the group said. “This strategic targeting across sectors represents a kind of division of repressive labour. It aims to dismantle solidarity at every stage, from the formation of political consciousness in universities and schools, to its expression in culture, to its organisation in public spaces.”

Another incident involved a football club’s kit manager who was dismissed after posting his views about Israel’s conduct on social media.

The case of Dana Abuqamar, a University of Manchester student, is also analysed in the database. The Home Office revoked her visa after she told Sky News that, after 16 years of Israel’s blockade of Gaza, “We are both in fear (of) how Israel will retaliate … but also we are full of pride.”

She later clarified that her comments were not in support of the October 7 attacks into southern Israel, during which more than 1,000 people were killed. The UKLFI reported her to the police and her university, but in 2024, she won a human rights appeal.

“The main immediate goal of this anti-Palestinian repression is to depoliticise the movement, to make it seem as though it’s not a legitimate political and ethical struggle, but rather a security problem, a problem of so-called anti-Semitism or a breach of compliance,” ELSC’s Abdelhamid said.“I don’t think that has succeeded … two years on we still see people resisting the repression happening in Britain [and] speaking up and acting for Palestine and against the genocide.”

Since Israel’s onslaught on Gaza began in October 2023, tens of thousands of Britons have rallied in support of Palestine.

According to YouGov, one in three Britons have “no sympathy at all for the Israeli side in the conflict” after Israel killed more than 70,000 people in two years and decimated the Gaza Strip.

The government, led by Labour leader Keir Starmer, has long been accused of cracking down on pro-Palestine solidarity because of a wave of arrests during demonstrations and due to its proscription of Palestine Action as a “terror” organisation – a ruling recently deemed unlawful by the High Court.

In January, Human Rights Watch said that its research found a “disproportionate targeting of certain groups, including climate change activists and Palestine protesters, undermining the right to protest freely and without fear of harassment”.

DREAMING of swapping British grey skies for year-round sunshine?

Good news: moving abroad to a place by the beach may be easier than you’d think, plus you can even save hundreds of pounds on rent every month and cut the cost of food, beer, and tax.

From European coastal cities to Caribbean islands, these expat hotspots provide year-round sun, and your money can stretch much further.

Here’s our pick of sunshine spots with affordable rent, cheap drinks and laid-back lifestyles – plus how to actually go about moving there in 2026.

Portugal

With 300 days of sun a year, world-class cuisine and a laid-back vibe – why would you not want to move to Portugal?

It turns out many Brits have been asking themselves this question. In fact, the country is becoming an increasingly popular choice for British expats.

Portugal has recently overtaken Spain in the rankings for most desirable relocation spots for Brits, according to 1st Move International.

And it’s no surprise this European hotspot is becoming so popular to relocate to, with plenty of postcard-perfect towns to explore and an extensive, stunning coastline.

From the cobbled streets and grand cathedral of Faro Old Town, to kayaking through Benagil Cave, there’s plenty to explore here that feels worlds away from the UK grind.

The Algarve has long been a popular choice for Brits to settle down in, with its golden coves, affordable bars and a sizeable expat community.

And with around 3000 hours of sun a year, and beaches like Praia da Marinha on your doorstep, the southernmost tip of Portugal is pretty hard to beat.

Plus, one of the best parts about this region is its affordability.

A bottle of local beer will only cost you €0.95 (83p), and a meal at a restaurant averages just €13.68 (£11.97) according to data from Wise.

Those looking for a younger crowd and a trendy feel can opt for the country’s capital, Lisbon.

Hop on the vintage yellow tram and spend your days stopping off at magnificent castles, strolling the city’s lively, narrow streets and finding treasures at flea markets.

In the evenings, the capital glows orange with dramatic sunsets. These views are best enjoyed outdoors at a tapas bar, with a glass of local wine and some affordable petiscos (small plates) to snack on.

Expat Lauren Clark relocated from busy London to laid-back Lisbon, and reflected on just how much cheaper her day-to-day has been.

And rent in this region is inexpensive, too. We found charming, traditional apartments from just €400 (£350) per month on the “Rightmove of Portugal” site, Idealista.

“I have been amazed how my money has been able to go further compared to back home.

“At many bars, restaurants and quiosques, you can still purchase a top-quality house white or red for just a few euros.

“A ride on a regional train service – such as from the 40 minutes from Lisbon to Caiscais – will set you back only a couple of euros.

“Meanwhile, the monthly ‘Navegante’ travel pass gives you unlimited use of public transport – including the famous trams – in the capital area for less than £30 per month”.

Barbados

Ever wished you could ditch the work desk to sip from coconuts on the white sandy beach of a tropical island?

It’s safe to say that the views working from Barbados beat those of back home.

Plus, relocating to Barbados may be easier than you think – especially if you already work remotely.

With the Welcome Stamp visa, you can spend a year on the island as a non-national working remotely for businesses based elsewhere in the world.

You must receive an income of at least £36,000 per year to receive this renewable visa, plus individuals must make an initial payment of £1,500.

But once you’ve bagged your Welcome Stamp, you can enjoy your lunch breaks on the beach and spend weekends exploring the island.

Some of the very best beaches include the lively Mullins Beach, as well as Paynes Bay, popular among sun-seekers and green sea turtles alike.

Top-quality rum cocktails can be found at beach bars dotted around the island, whilst local Bajan food can be enjoyed at affordable spots like Fisherman’s Pub in Speightstown.

And with a beer averaging BDS $5 (£1.83) and the average meal costing you BDS $40 (£14.67), you can laze on the sands without stressing about spending too much money.

“Once you know where to go, you can get a fish cutter sandwich for around 18 Barbadian dollars” (£7) says expat Polly Gould.

“In the evening, you can pop to Oistins (Barbados’ smallest town known for its Friday night Fish Fry) for fish, salad and sides for $35 BDS (£12.87).”

“The island is small and easy to get around, and people are really friendly and welcoming,” agrees fellow expat Nicola.

“The weather is a constant 30°C or thereabouts all year round, the white sand beaches and crystal clear aquamarine seas are stunning, and it’s still possible to get off the beaten track, which we love.”

Plus, the rent here can be super affordable too, even for beachfront properties.

We found apartments overlooking the sea of Silver Sands beach from £684 a month on rental site Terra Caribbean.

Cyprus

Cyprus sees hot summers with highs of 30°C and mild winters reaching 14°C, making it a year-round winner for sun seekers.

Top beaches include the turquoise crescent of Coral Bay frequented by families, as well as Nissi Beach in Ayia Napa, which is popular among party-goers.

Pair this with beautiful mountain scenery and plenty of historical sites to explore, and you won’t be short of things to do in this slice of Mediterranean paradise.

“In the summer it’s a hive of activity – boat trips along the coastline, buggy and jeep safaris in the Akamas, amazing fresh food in the family-owned restaurants” says expat Anna Warburton.

“In the winter it’s a select group of locals and expats – it’s like living in a real life soap, like Emmerdale but much warmer and with less murder.” 

Areas such as Paphos are popular for brilliant beaches and great value for money when it comes to property, whilst Limassol has lots of job opportunities and a luxury-feel marina.

Plus, apart from the change in surroundings and warmer temperatures, a move here won’t feel like too much of a change.

Cyprus uses the same plug socket style as the UK, and cars drive on the left hand side of the road.

In fact the country has lots of familiar favourites from the UK, including M&S supermarkets and even a Wagamamas restaurant. So you won’t be missing your home comforts!

In fact, Brits enjoy Cyprus so much that they make up the second-largest population of non-national residents after Greek expats.

According to Wise, the average restaurant meal costs just €15.00 (£13.12) whilst a bottle of local beer will set you back just €3.00 (£2.60).

Plus you can find apartments to rent from as little as €390 (£341) per month on popular Cyprus marketplace site Bazaraki.

Australia

You may have seen old friends and colleagues cropping up all over Australia on your Instagram feed recently, and there’s a reason everyone seems to be flocking out there.

The ‘Aussie effect’ is certainly real – and may leave you more relaxed, upbeat and with more sun-kissed skin than ever before.

It’s no surprise that days spent surfing, sunbathing and exercising can leave you looking and feeling more youthful.

And with influencers and celebs like Love Island star Patsy Field ditching the UK for a life down under, it seems a lot of Brits have followed suit.

Sunny Perth has the highest population of English residents in Australia, with almost one in ten Perth residents being born in England.

Perth blends sugar-white beaches such as Cottesloe with street art and sculptures, giving the city a relaxed and artsy feel. Plus, trips to Rottnest Island to spot quokkas are an adorable perk of being based here.

Sydney is another popular choice. Here you can enjoy an equally exciting and healthy lifestyle in a major city where the beach is your backyard.

5am run clubs rule the mornings, whilst post-work routines can look like a dip in the Bondi Icebergs before debriefing the day with your mates on the beach. Is there any better way to fast-track that sun-kissed glow?

The trendy bars of Melbourne, the South Bank of Brisbane, the burnt orange sunsets of the Gold Coast – the options are endless in this vast and varied country.

Expat Lewy (lewyp23 on TikTok) and his partner moved to Adelaide in South Australia, and has since raved about his relocation.

Lewy described leaving the UK to escape “miserable weather and negative people”, and now enjoys sunny weather, a cheaper cost of living and a salary increase since relocating.

“It’s highly likely that we will never live in the UK again because it cannot offer us the life we’ve got now”, he said in one TikTok video.

There are multiple visa options when it comes to relocating to Australia, including a Work-stream permanent visa if you manage to land sponsored employment.

And with the Skills in Demand visa having launched in December of 2025, it has now become even easier for skilled workers to make the move.

If your profession makes the list of skilled occupation shortages, you may be able to land this four-year visa. Occupation shortages include midwives, electricians and headteachers.

We’ve found studio apartments to rent in Perth from as little as £460 per month on Australian rental site realestate.com.au.

Spain

Spain remains a solid choice for Brits relocating abroad for a spot of sun and an inexpensive lifestyle.

As the country with the most Blue Flag beaches in the world, there’s no shortage of stunning shores to pick from if you want to live by the beach.

Benidorm‘s Playa de Levante has an unbeatable upbeat atmosphere, whilst the scenic Playa de la Caleta in Cádiz sits between two castles.

But Spain’s appeal goes far beyond its beaches. The country offers a relaxed Mediterranean lifestyle, excellent food, and a strong expat community – all whilst being just a short flight from the UK.

Whether you’re after a relaxed retirement or a vibrant city scene, there’s a corner of Spain to suit every type of expat.

The Costa del Sol remains one of the most popular areas, with destinations like Marbella, Estepona and Nerja offering sunshine for more than 300 days a year.

Think palm-lined promenades, bustling tapas bars and a social atmosphere that makes it easy to meet new friends and fellow expats.

Costa Blanca is another solid choice thanks to its affordable lifestyle and charming seaside towns.

Places like Alicante and Torrevieja blend a beachy lifestyle with modern amenities, with many drawn to the relaxed pace and easy access to shops and transport links.

For those looking for city life, Barcelona and Madrid offer a completely different side of Spain.

Barcelona is buzzing with bold architecture, busy markets and a thriving cafe culture, whilst Madrid boasts elegant boulevards and classy late-night dining.

Food and drink across Spain is often far more affordable than in the UK.

A glass of local wine at the neighbourhood bar is part of the daily rhythm rather than a special occasion, and costs between €2 – €5 (£1.75 – £4.40) on average.

And with a local beer averaging at €3 (£2.60) and a cappuccino costing just €1.90 (£1.66), there’s no need to worry about spending too much whilst you’re out socialising.

“On average, most retirees can live comfortably on around €30,490 (£26,500) per year, covering housing, utilities, food, healthcare, and leisure” says Mike Harvey, managing director at 1st Move International.

“Those opting for coastal or rural areas typically find their money goes further than in major cities.

“Almería, Granada, Murcia, Lugo, and Torrevieja are some of the cheapest places to retire in Spain”.

Idealista is a popular site for properties to rent in Spain, and we’ve found apartments listed for as little as £447 per month in Costa Brava.

As court documents tied to the late financier Jeffrey Epstein continue to surface, the scandal has become an international embarrassment, exposing how quickly powerful men can turn into reputational liabilities. That discomfort reached New Delhi, where Microsoft cofounder Bill Gates was expected to deliver the keynote address at the AI Impact Summit but ultimately did not attend amid criticism and apparent unease within the Modi government over his past meetings with Epstein. The spectacle was revealing. Public moral outrage travels swiftly when scandal threatens reputations and diplomatic optics. Yet that sensitivity to association sits uneasily beside a domestic reality in which sexual violence against women unfolds with brutal regularity, drawing neither comparable embarrassment nor consequence. The contrast is grotesque. A political culture capable of signalling discomfort towards a global scandal remains strikingly untroubled by the everyday brutality faced by women at home.

Under the Modi administration, the news cycle churns with reports of gang rapes like factory output — steady, relentless, and numbing in repetition. The rapes have become so common that they are reported like the weather. Heatwave deaths. Flash flood. Five-year-old abducted, raped, murdered. And like the weather, only God is responsible. Not the rapist. Not the court. Not the police. Definitely not the prime minister.

Between the time this piece was commissioned and published, a five-year-old was gang-raped in Meerut, a 26-year-old was gang-raped in Faridabad, and a 17-year-old was gang-raped in Odisha. A 42-year-old was gang-raped in Delhi’s suburbs. A 12-year-old girl was kidnapped and gang-raped in Bikaner. There were more gang rapes in Bihar, Chhattisgarh, Rajasthan, and Kanpur. I could give you statistics, but numbers could never convey the larger, all-encompassing terror of living with predators. The threat of sexual violence is as constant as gravity. The cases are gruesome — intestines pulled out, rods inserted, tongues cut out, acid thrown, decapitation, strangulation, and burning. When I look at government data about rape — an average of 86 women are raped every day — it feels as grisly as stumbling upon a mass grave in Excel sheets.

Prime Minister Narendra Modi and his home minister, Amit Shah, ostensibly obsessed with restoring law and order at any cost, seem entirely unconcerned that India is the gang rape capital of the world on their watch.

The most alarming instance of this was when convicted rapist and Bharatiya Janata Party politician Kuldeep Singh Sengar, found guilty of raping a minor in 2017 and a native of Makhi village in Unnao district of Uttar Pradesh, was granted bail by a high court, raising the possibility of his reintegration into the very social and political landscape that had once enabled his impunity. A high court granted him bail in December. Thankfully, it was stayed by the Supreme Court, but only after infuriated women gathered in Delhi to protest. Sengar had raped a teenager, who was also gang-raped by his associates. Her father was murdered in police custody. A case was registered only after she threatened to burn herself in front of the chief minister’s residence. Her tragic story showcases how Indian men, like the Modi administration, remain remarkably unembarrassed about the state of affairs.

Sadly, this is not an aberration; it is the system speaking in its mother tongue.

Public memory matters because each new case unfolds against the residue of the ones we were told would change everything. In 2012, I read about the “Nirbhaya” gang rape three days after the incident, on my way from the airport. I had been deliberately avoiding the news until she ended up at Safdarjung Hospital, and my editor needed a health update from me. After I learned all the details of what men had done to this young woman, I thought the world would stand still. A threshold had been crossed. Something told me the world would start anew. There were protests, and people everywhere would know her name, and something like this would never happen again.

All of my naivety was drowned in a chorus of “Not All Men”, as the gang rape was turned into something viral to hang a hashtag on. The refrain did not defend innocence so much as redirect attention away from accountability and back towards male comfort.

It is impossible for me to hear of such cases and not think: What if it were me? My body. That rod. Those men. The suffering and mutilation of women’s bodies is so reliable that there is now a market to help ease our fear. Security apps. Pepper sprays and wearable panic alarms. Every time I write about this subject, I sit with the absolute inadequacy of the written word in the face of men who film the rapes, brag about them, and get rehabilitated nevertheless.

It wouldn’t be out of place to call this moment unprecedented, but it is beyond that. It is existential. Whether it is the United States or India, women are watching the same choreography of power protecting itself, as men of consequence close ranks and wait out the storm. The similarity lies not in scale or context, but in the recurring spectacle of institutions cushioning powerful men while survivors fight alone. For a while now, both countries — allegedly the biggest and the oldest democracies — have been on a trajectory of self-destruction, with men leading the way. Under Modi as well as Trump, rape has become an extension of politics. Women are violated no longer by men alone, but by courts, hospitals, and newsrooms, too. It is the age of monsters. It did not begin with Epstein, Gates, or Sengar, of course, but they are the symbols of it.

While the middle class was busy buying into the dream of upward mobility, careerism, and two bedrooms in a gated suburb, we let thugs cultivate a wholesale misogynist empire that runs on hate for women. I do not know what to do with the rage I feel. What do you do when you are constantly told that your body, your people, your gender are disposable? I don’t know.

What I do know is that the teenager who survived Sengar is still fighting for justice. I know that the survivors of Epstein’s sex trafficking network are fighting for justice, too. These women are fighting with heart and soul and sweat and muscle. I know that I have no right to be despondent while they stand tall, looking every inch the hero they are. I also know that nobody puts up a fight like that unless you love your sisters.

At this dark hour, it feels important to place on record that as the Modi administration recoils theatrically from the shadow of the Epstein scandal at the summit stage, the satire writes itself. A government that cannot, or will not, protect its women should be far more ashamed of what is ordinary than of what is scandalous.

The views expressed in this article are the author’s own and do not necessarily reflect Al Jazeera’s editorial stance.

At more than 2,700 feet, “The Great Wall of Los Angeles” is one of the longest murals in the world and among the most important public artworks in the city. Created by artist Judy Baca between 1974 and 1984, the mural is a groundbreaking depiction of Southern California history from the viewpoint of women and minorities and a potent national symbol at the intersection of art and activism.

Baca’s leadership of the collaborative project made her a legend in the art world. She is the co-founder and artistic director of Social and Public Art Resource Center, or SPARC, a community mural nonprofit and has been hailed as one of the most influential figures of L.A.’s Chicano muralism. “The Great Wall” is on the National Register of Historic Places, and Baca is a National Medal of Arts recipient.

But now Baca, 79, has come under criticism from some of those who have worked most closely with her in recent years.

In interviews, 10 former SPARC employees — including two managers — accuse Baca of using her nonprofit to benefit her private, for-profit art practice, Judy Baca Inc. They allege Baca personally benefited from a $5-million Andrew W. Mellon Foundation grant to expand “The Great Wall,” sold the project’s archives to the Lucas Museum of Narrative Art at a large profit to herself, and has blurred the line between her nonprofit and for-profit endeavors.

Baca and SPARC’s board chair, Zojeila Flores, vigorously deny any impropriety or misuse of funds. In an interview, they said grant funds were used appropriately and that Baca maintains a mutually beneficial profit-sharing agreement with SPARC.

Baca ascribes the criticism to disgruntled former employees and hopes SPARC can finish its work on the mural “without more of this sort of rage and hostility and anger and hate.” It’s on schedule to be completed by 2028, she said, showing The Times sections of the mural in progress at a rented space at Bergamot Station Arts Center, an acclaimed, high-end gallery in Santa Monica.

Artist Judy Baca talks to the media after starting to paint a new section of “The Great Wall of Los Angeles” as part of a LACMA exhibition on Oct. 26, 2023.

(Genaro Molina / Los Angeles Times)

Baca supporters believe she is a visionary who has used the reputation she earned with “The Great Wall” to continue lifting underserved communities.

“I don’t know how to better serve a community than to represent them well,” said Kelly Watts, who, as a teen in the 1980s, participated in painting “The Great Wall” as a student artist. Watts now lives in Tennessee and said she isn’t familiar with the inner workings of SPARC but that what matters to her is Baca’s guidance over the years. “Judy has been a mentor of mine and has always been a really positive influence on me and my growth as an artist.”

The $5-million grant

At the root of the allegations is Baca’s 2017 announcement that she intended to expand “The Great Wall” to include hundreds of feet of new imagery, representing history from the 1960s up to the present day. The mural, which is in a floodwater channel that runs through the leafy Valley Glen neighborhood in the San Fernando Valley, originally concluded with depictions of two Olympic gold medalists, track star Wilma Rudolph and Native American runner Billy Mills. Baca also sought to add interpretive stations, illuminate the mural at night and build a pedestrian bridge over the Tujunga Wash flood control channel to provide a better view of the work.

Judy Baca painting “The Great Wall of Los Angeles” in 1983.

(SPARC Archives / SPARCinLA.org)

Baca’s goals were boosted in 2021 when the Mellon Foundation — one of the largest and most important nonprofit funders of art projects in the nation — supported “The Great Wall” plans with a $5-million grant to be paid over three years, ending in 2024. The grant was distributed through Mellon’s newly formed $250-million Monuments Project “to express, elevate, and preserve the stories of those who have often been denied historical recognition.” (Los Angeles County Museum of Art, the Emmett Till Interpretive Center in Mississippi and other noted institutions also received separate grants.)

Among those who question Baca’s stewardship of the grant are Pete Galindo, a former director of the Great Wall of Los Angeles Institute, which SPARC formed to oversee the mural expansion, and Carmen Garcia, who served as director of SPARC for six months ending in early 2023. Both alleged Baca required SPARC employees to also do work for Judy Baca Inc., Baca’s private business for her art.

Garcia resigned after repeatedly raising concerns about alleged misappropriation of Mellon grant funds, which Baca denied, and calling for the board to investigate Baca. She said she was “forcefully” led out of the building.

Galindo was fired in February 2022 after less than a year in his role. He alleges Baca terminated him in retaliation for questions he raised about how she was using the grant and objecting to her work assignments. Before his Great Wall Institute role, Galindo said he had known Baca for nearly 30 years, beginning as a UCLA student in 1996 and later working in various roles on a variety of SPARC initiatives, including as a community public art director.

According to documents reviewed by The Times, including Galindo’s offer letter and a spreadsheet with Mellon grant line items, Galindo’s $75,000 salary was paid through SPARC and the grant, which stipulates the money be used “to support the preservation, activation, and expansion of one of the country’s largest monuments to interracial harmony through civic engagement and muralist training.” But Galindo alleged Baca assigned him work outside SPARC and the Great Wall: to help sell her personal artwork, aid in fixing a termite infestation in her archives and help to manage the production of a mural titled “La Memoria de la Tierra: UCLA,” which was not related to “The Great Wall.”

The Times reviewed a series of text messages between Galindo and Baca in which Baca asked Galindo to help with jobs outside his Great Wall duties, including dealing with termites. The messages included a question to Baca from Galindo confirming she’d like the team to “print the UCLA mural at scale for review.” Baca replies that she will call momentarily. Another group chat between Galindo and two other SPARC employees is about meeting to move Baca’s belongings out of her office at UCLA in 2021.

Baca denied Galindo’s allegations, including that she asked Galindo to help manage the UCLA mural — a task outside of the Mellon grant’s purview. She said the project was brought to her personally and she referred the work to SPARC. The mural was completed on-site through a research and teaching facility known as the Digital/Mural Lab, she said. SPARC received money for the project, Baca wrote in a statement, although Baca got paid a commission — an “established practice” at SPARC for paying artists for their work.

In an interview, SPARC board chair Flores declined to say how much Baca earned from that project or Baca’s specific commission rate. However, on a hypothetical $200,000 project she said about $58,000 could go to SPARC for costs and fees. The remaining $142,000 could go to other vendors and Baca.

For decades, Baca brought in dozens of commissions to SPARC without being paid, SPARC said in a statement. The board voted to change that in recent years with a so-called “fiscal sponsorship arrangement,” which allows paid projects to piggyback on SPARC’s tax-exempt status. In this case, Baca earns a commission and SPARC receives funds for employee work on projects.

SPARC’S website currently lists nine board members. Baca and Flores are included, as is Mercedes Gertz, who rents an art studio in SPARC’s building. Baca’s cousin, Anthony Salcido, serves as the board’s finance chair. Bookkeeper Gloria Thompson is also Baca’s cousin.

“Mr. Salcido began working with SPARC only after consultation with legal counsel and Board approval, with Judy recused from the vote,” Flores wrote in an email. “Ms. Thompson began with SPARC as a volunteer and later became bookkeeper following formal consultation with legal.”

In 2022, after he was fired from SPARC, Galindo wrote a letter to Emil J. Kang, then the Mellon Foundation’s program director for arts and culture, to allege that Baca had misused the Mellon grant money by asking him to do work for her personal business.

“Throughout my time as the Great Wall of Los Angeles Institute Director, she focused my work on her personal exhibitions, sale of artworks, training her personal assistant, overseeing commissions, press and documentation,” Galindo wrote in the letter, concluding, “While Judy’s contribution to the field over the years cannot be denied, her treatment of employees, unequal pay scales and overall exploitation of staff and artists is anathema to the values and ideals of social justice movements and the monuments they inspire.”

Baca said she could not comment on personnel matters, but in a statement, SPARC said, “We strive to be fair and professional in all our personnel matters.”

Judy Baca poses in front of her artwork “La Salsera” at LA Plaza de Cultura y Artes in downtown Los Angeles in 2024.

(Christina House / Los Angeles Times)

Galindo said he did not receive a reply to his letter from Kang or the Mellon Foundation.

The Mellon Foundation issued a statement to The Times, confirming it had received Galindo’s letter, which “was handled in accordance with Mellon policy on third party complaints about our grantees.” The foundation added that it “does not comment on issues pertaining to internal matters of its grantees.” SPARC’s grant status never changed.

Garcia, who was hired as SPARC’s executive director after Galindo left the organization, remembered dealing with heightened inquiries from Mellon representatives, including culture program director Kang. Once, she said, the foundation asked SPARC for additional information on how grant money was being spent.

SPARC said in its response to The Times that such questions from funders were routine.

“Mellon consistently reviews all of its grantees’ performance, as is standard for nonprofit funders,” SPARC said.

Baca told The Times that she was unaware that Mellon had raised questions about how the grant was being used. However, in a text exchanged with Garcia in 2023 and reviewed by The Times, she indicated she had spoken to Kang at a National Medal of Arts event in Washington, D.C.

“They will ask us to improve some things but generally we had a long discussion and lots of laughs about me ‘hating the interrogation by a bunch of white me[n],’” Baca wrote. “He got a laugh out of it and knew they were a pain in the a—.”

When asked about the text she sent to Garcia, Baca said, “It was an informal conversation at a White House reception. We didn’t talk about the specifics of the grant itself. The conversation really was about the review process.”

Who should profit from ‘The Great Wall’?

Work on “The Great Wall of Los Angeles” began in 1974 and was completed over five summers by Baca with the help of many now well-known artists including Isabel Castro, Ulysses Jenkins, Judithe Hernández, Patssi Valdez, Margaret Garcia, Christina Schlesinger and Judy Chicago. More than 400 young people and their families — many from underserved neighborhoods — also contributed to the project, including 80 youths recruited from the juvenile justice system.

The collective effort made “The Great Wall” a work of social justice, and in 1976 led to the founding of Baca’s nonprofit, SPARC, with its stated mission of producing, preserving and promoting, “activist and socially relevant artwork,” and fostering “artistic collaborations that empower communities who face marginalization or discrimination.”

“The Great Wall of Los Angeles” on April 9, 2025.

(Carlin Stiehl / For The Times)

Some former SPARC employees feel that Baca has failed to honor the community that toiled to create “The Great Wall.” They have expressed concern that Baca has benefited unfairly from the project, and, in particular, the sale of work related to it.

Flores disagrees, writing, “For 50 years, SPARC has used art to empower communities facing marginalization and/or discrimination. This currently includes immigrant populations traumatized by ICE. Further, SPARC ensures that working artists can remain in Venice, a neighborhood with deep artistic and cultural roots.”

When “The Great Wall” was originally copyrighted in 1983, authorship of the work was attributed to both “Judith F. Baca” and the “Social Public Art Resource Center.” In 2011, however, after a restoration effort led by SPARC in which the mural was completely painted over, the project was again copyrighted, this time solely under Baca’s name. Former employees question the ethics of Baca’s profiting off a celebrated community effort, but Flores said Baca has always retained ownership of her work and that, “Owning a copyright is not the same as owning an artwork itself.” Baca, Flores said, evenly splits copyright licensing fees with SPARC.

Baca sold “The Great Wall” archives to the Lucas Museum in 2021. The sale included more than 350 objects and ephemera, including concept drawings, site plans, sketches and correspondence with community leaders, scholars, historians and collaborators.

A Lucas Museum representative declined to comment on how much the museum paid for the archive or whether or not the acquisition was made from Baca or SPARC.

Galindo said he was told by former SPARC executive director Carlos Rogel that it sold for $1.5 million. Rogel declined a request for comment. Another source close to SPARC, who asked to remain anonymous out of fear of retaliation, also said the sale was for $1.5 million.

Baca and Flores declined to say what the archives sold for. In an emailed response, Flores wrote that Baca was the owner of “The Great Wall” archive and was not paid by SPARC to produce that work.

“Nonetheless, following the sale, and although Judy was not required to do so, she generously donated $521,000 to SPARC,” Flores wrote.

Galindo and other former employees also expressed concern about Baca’s rising salary and believe it is out of proportion with SPARC’s mission of uplifting and aiding underserved communities and youth. In the two years prior to receiving the Mellon grant, Baca made $42,916 and $50,000, respectively. The year after SPARC received the grant, Baca’s salary rose to $215,000. In 2023, she made $236,149, and the following year, $211,004. The increase in Baca’s salary is discussed in an internal email and executive board meeting minutes reviewed by The Times, which state that SPARC’s board voted to set Baca’s annual compensation to be commensurate with what Baca was paid before she retired as a UCLA professor and that the additional money should come from the Mellon grant. Records of her 2025 and 2026 salaries were not currently available.

“The Great Wall of Los Angeles” depicts the history of California through the 1950s. An expansion to be completed in 2028 will add scenes from the 1960s to 1990s.

(Carlin Stiehl/For The Times)

SPARC said in a statement that Baca’s salary “is lower than the market rate for similar non-profit CEOs and lower than the market value commissioning rate for artist Judy Baca who is the author of The Great Wall Mural.”

Ongoing work on “The Great Wall” is currently done by a variety of people. For the new panels, which begin with the civil rights era of the 1960s, research is done by Baca and her team from the Great Wall Institute (there is currently no institute director, according to SPARC’s website). From there, Baca creates rough drawings, and drafts are made by artists from SPARC’s Digital/Mural Lab. Baca suggests edits and gives directions, and later she will add her own personal touches.

Eventually, colorations are submitted by various artists, and Baca does one final hand coloration of the entire piece. During The Times’ visit to see the mural expansion in progress, two artists were painting on sketches that had been fine-tuned by Baca and printed onto giant panels. These panels will eventually be attached to the wall of the flood water channel where “The Great Wall” resides, Flores said.

Former SPARC digital mural artist Toria Maldonado alleged it was not always clear if the work they were doing was for SPARC or for Judy Baca Inc. They were asked on occasion to work on assignments that appeared to be for the benefit of the latter, Maldonado said.

Maldonado said they and two other SPARC employees once redrew the 1960s segment of “The Great Wall” for a private collector. Baca, Maldonado said, “was selling a print, and wanted to refine it, and had us do that assignment.” Maldonado shared a checklist with The Times featuring notes about what work needed to be done on the segment, including shading Malcolm X’s hair.

In an email, Flores called Maldonado’s allegations, “factually inaccurate” and “misleading.”

“Judy was the owner of the segment referenced. It was hand-colored by Judy and assistants whom Judy paid personally, and this work was done in her personal studio,” Flores wrote. Baca’s studio is a Frank Gehry-designed space at her Venice home.

Maldonado said that they had never been to Baca’s personal studio and that their salary was always paid through SPARC.

From May through August 2023, segments of “The Great Wall” were exhibited at Jeffrey Deitch Gallery in L.A. Baca didn’t sell any works during that show, Flores wrote in an email, but in 2025, “a coloration by Judy’s hand of a segment presented in that show was sold. This work was created in Judy’s private studio and owned by her.” Baca declined to disclose how much the segment sold for. SPARC began showing more of “The Great Wall” expansion in February at Jeffrey Deitch Gallery. The original panels will not be for sale, but “if a work of Judy’s is sold at the show, she receives the proceeds as the owner of the work,” Flores wrote.

The room where art happens

Galindo and Garcia also alleged that SPARC inappropriately leases its premises to board member Gertz and others.

Since 1977, SPARC has been housed in a former Venice police station and jail, a 1920s Art Deco building owned by the city of Los Angeles. In 2000, the city signed a lease allowing SPARC to use the building for free until 2055. That agreement stipulates the property be used for “production, exhibition, promotion and distribution of and education about public art on a nonprofit basis.” SPARC can sublease portions of its building to those engaged in similar work with a city official’s approval. It must submit annual financial reports to the city with earnings from such deals.

The Times reviewed Instagram posts made by Gertz touting a 2023 exhibition of her personal art at SPARC, another in 2024 advertising a holiday sale, as well as one that shows her working in her studio inside the building. SPARC said Gertz pays market rate for her studio but declined to specify how much that is, only that it is, “equivalent to the rent paid by all the other artists who sublet space in the building.”

Judy Baca outside her Venice nonprofit, the Social and Public Art Resource Center, better known as SPARC, in 2021.

(Gary Coronado / Los Angeles Times)

According to documents obtained through a California Public Records Act request, the city only has one sublease on file for SPARC from 1991. When asked if the city had approved SPARC’s deal with Gertz, Amy Benson, the director of the city’s real estate services division, wrote in an email that she had no further information to provide.

Flores wrote in an email that she was unable to speak to the specifics of a question about whether or not SPARC submits annual financial reports, inclusive of its subleasing income, to the city but noted, “we will follow up to make sure that the City has the documents you mention.” According to the latest available tax filings, SPARC made $64,991 in “rental property income” in 2024 and $57,590 in 2023.

Asked if Gertz’s use of SPARC for her personal, for-profit art practice, violates SPARC’s understanding of the lease, Flores wrote, “Our understanding is that our lease allows any use of the premises that is reasonably consistent with our nonprofit mission… Ms. Gertz uses her studio to weave textiles and also to lead art workshops for immigrants in the community, an activity that we think is entirely in keeping with our mission.”

Baca has also sold her personal art for profit at SPARC. When Baca’s art is for sale she “is treated like all other artists” and receives 60% of profits, the nonprofit said in a statement.

According to SPARC’s website, of the eight exhibits presented by SPARC in Venice and at Bergamot Station since 2022, five showcased Baca’s work, including on “The Great Wall,” and one featured work by Gertz. The remaining two shows accounted for roughly five months of programming in more than three years.

“I’m certain there are hundreds of artists in Los Angeles making socially engaged work who would benefit from a solo exhibition at SPARC,” Galindo wrote in an email.

Concern about a plague is growing in the Canary Islands, with officials on alert in the sunny Spanish holiday hotspots of Lanzarote, Tenerife, Gran Canaria and Fuerteventura

The threat of a plague is growing in four Spanish holiday hotspots.

Lanzarote, Tenerife, Gran Canaria and Fuerteventura have seen clouds of locusts descend in recent days. While the short-horned grasshopper breed is not harmful to people, it could pose a threat to agriculture, including vineyards, if the situation escalates into a plague, as happened 20 years ago.

Videos have been posted on social networks showing hundreds of locusts flying around the countryside. The insects have arrived from the western Sahara due to recent wet but warm weather. The locusts have hit several parts of Lanzarote, including the popular tourist locations of Arrecife, Costa Teguise, Famara, Uga and Tahíche.

There have also been swarms on the other Canary Islands, including in the north of Tenerife. Twenty years ago, a plague of this insect affected Lanzarote, wreaking havoc on crops and people’s daily lives. At that time, the number of locusts was so large that teams of firefighters were called in to eliminate them.

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The locust is an insect that, over the centuries, has arrived from the African continent with the winds from the east, along with the suspended dust of the Sahara Desert.

According to the Food and Agriculture Organisation of the United Nations (FAO), it is the most destructive migratory pest in the world and, in response to environmental stimuli, it can form dense and highly mobile swarms.

They have the capacity to destroy crops by ingesting their weight in food each day. A swarm of one square kilometre can contain up to 80 million adults and has the capacity to consume the same amount of food per day as 35,000 people.

Lanzarote’s government has already mobilised its environmental services, which will be vigilant for the next 48 hours. Leaders are confident the swarms will not escalate into a plague.

“The next two days are going to be key. If they are adult specimens that have arrived exhausted, they will die and nothing will happen. If we see copulations, that would mean that they are reproducing. We would have to see it between this afternoon and tomorrow,” said the head of the Environment of the Cabildo, Francisco Fabelo.

“We already experienced this in 2004, and at the end of the eighties, there was another similar episode. On both occasions, it was very striking, with specimens all over the roads, but they did not cause damage inside.”

The Canary Islands experienced one of the most serious episodes of desert locust in October 1958, when large swarms from Africa devastated crops on the islands and, especially, in the south of Tenerife, in municipalities such as Arico, Fasnia, Granadilla de Abona and the Güímar Valley.

Tomato and potato plantations suffered significant damage and the plague forced the mobilisation of planes from the Ministry of Agriculture to fumigate from the air, while residents and farmers tried to combat the insects from the ground with rudimentary methods such as bonfires, noise or poisoned baits.

A similar episode had already occurred in 1954, when another swarm devastated more than 10,000 hectares of crops on the islands. Agricultural leaders on the islands say they do not fear another repeat and have stressed the islands have the means to combat the problem.

The driver of the car involved in a fatal crash in which British heavyweight boxer Anthony Joshua was injured has appeared in court in Nigeria.

Joshua’s personal trainer, Latif Ayodele, and strength coach, Sina Ghami, died on 29 December after their vehicle collided with a stationary lorry near Lagos, Nigeria.

The former world heavyweight champion, 36, was treated in hospital for his injuries.

Adeniyi Mobolaji Kayode, who was driving Joshua when their car crashed, has been charged with causing death by dangerous driving, reckless and negligent driving, driving without due care, and driving without a valid driver’s licence.

The 46-year-old appeared at Sagamu Magistrates Court in Ogun state near Lagos on Wednesday, when the case was adjourned until 13 March.

Prosecutors told the court they needed further time to prepare evidence.

Joshua was discharged from hospital two days after the Lexus SUV crashed on the busy Lagos-Ibadan expressway, in south-west Nigeria. Ghami and Ayodele were both pronounced dead at the scene.

Kayode, who was making his second appearance at court, is yet to enter a plea.

Petworth in Sussex features cobbled streets, 40+ antique dealers, and a 700-acre park with a 17th-century stately home housing an internationally significant art collection

At this time of year, there’s nothing quite like strolling through a picturesque UK town before settling into a welcoming pub. There’s one particular spot that’s absolutely worth the journey.

The unspoilt English town of Petworth in Sussex feels like a step back in time, boasting charming cobbled lanes brimming with antique emporiums. Independent shops nestle amongst the streets, alongside cafes, delis and inviting pubs that create the perfect setting for an idyllic day out.

Petworth Antiques Market alone houses over 40 dealers, where you can uncover everything from exquisite furniture pieces to ornaments and an array of home accessories.

When hunger strikes, drop into The Hungry Guest delicatessen on Middle Street before heading out to explore the expansive 700-acre Petworth Park, which sits beneath the magnificent 17th-century Petworth House.

Inside, guests can wander through the 17th-century stately home and discover a treasure trove featuring an internationally significant collection of art and sculpture. You might even recognise it from films such as Napoleon, Rebecca, and Maleficent, as well as its appearance on Netflix’s Bridgerton.

One Tripadvisor reviewer remarked: “Pretty Petsworth. Petsworth House is a beautiful period home with an amazing Mural up the staircase. The artist who painted the mural can be found hiding behind one of the pillars in the painted mural. A favourite of Turner – the famous artist who used to stay here and paint. The grounds and lake are really pretty.

“The Town nearby has some beautiful medieval houses, which are antique shops, as well as a great antique market. A great place to walk around and have afternoon tea. One of my favourite historical towns.”

Another visitor said: “Our first visit to Petworth and we thoroughly enjoyed it. Although the house isn’t particularly impressive from the outside, the artwork within certainly is worth viewing. We did a guided tour with an extremely knowledgeable gentleman, which was greatly enjoyable and informative.”

They added: “I’m not even a great art fan, but he brought everything to life. Afterwards, we enjoyed a coffee in the cafe and a lovely walk around the estate in the sunshine. I would say it is more suited to adults than children, but we really enjoyed our visit.”

Petworth lies just over half an hour’s drive from Chichester and roughly 50 minutes from Portsmouth. If you appreciate nature and wildlife, keep your eyes peeled for the hundreds of deer roaming freely throughout the grounds.

The grounds represent one of the finest surviving examples of English landscape design by celebrated architect Lancelot ‘Capability’ Brown. From this location, visitors can take in breathtaking views across the South Downs, with the estate providing an ideal viewpoint.

It’s also an ideal destination to leave behind the chaos of everyday life for an invigorating stroll. Worth noting too that Petworth received such acclaim, it was recognised as one of Britain’s most scenic towns by Condé Nast Traveller earlier this year.

So if you’re considering a day trip within the UK, Petworth makes for a charming and peaceful excursion this winter.

Feb. 25 (UPI) — Nobel Prize-winner and scientist Richard Axel announced he is resigning as co-director of Columbia University’s premier interdisciplinary brain research center following recent revelations of his relationship with disgraced financier and convicted sex offender Jeffrey Epstein.

Axel announced in a statement that he was stepping down as co-director of the Zuckerman Mind Brain Behavior Institute “to focus on research and teaching in my lab.”

Several high-profile individuals have been fired, resigned and even arrested since late January when the Department of Justice released more than 3 million additional pages of information about its investigation into Epstein, who died by suicide in a Manhattan jail in 2019 while awaiting his sex trafficking trial.

The files — and names they contain — have drawn intense public attention, as demands for accountability grow for wealthy and well-connected associates of Epstein whose ties to him have come under renewed scrutiny.

Axel’s relationship with Epstein was revealed in the recently released documents, showing the two corresponded since at least 2010.

“My past association with Jeffrey Epstein was a serious error in judgment, which I deeply regret,” Axel, 79, said.

“I apologize for compromising the trust of friends, students and colleagues. I recognize the problems that this has caused, and I will work to restore this trust. What has emerged about Epstein’s appalling conduct, the harm that he has caused to so many people, makes my association with him all the more painful and inexcusable.”

Axel told New York Magazine in 2007 that he first met Epstein in the 1980s. The documents recently released showed that the two frequently connected over the years since at least 2010.

Columbia said in a separate statement that it has seen no evidence that Axel violated any university policy or the law.

“However, Dr. Axel made clear that in light of this past association, and the continued fallout from the release of DOJ files, he felt it appropriate to relinquish his position as co-director,” the university said.

“The university agrees with this decision, while at the same time recognizing his extraordinary contributions to the university and his dedication to his colleagues, to his students and to science.”

The school said Axel was also resigning from the Howard Hughes Medical Institute.

Axel won the Nobel Prize in Physiology or Medicine with Linda Buck in 2004 for discoveries related to how the sense of smell works, specifically their identification of odorant receptor genes and how those receptors detect and process smell, according to the Nobel Prize.

Fallout from the Justice Department’s recent release of Epstein files has impacted the lives of several high-profile individuals, including former British Ambassador to the U.S. Peter Mandelson, who was arrested this week on suspicion of misconduct in public office over accusations of leaking government information in emails to Epstein.

Andrew Mountbatten-Windsor, formerly known as Britain’s Prince Andrew, was also recently arrested on similar charges over allegations that he passed confidential information to Epstein.

Morocco sentenced 18 Senegalese football fans last Thursday following disturbances at the Africa Cup of Nations final.

Senegal’s Prime Minister Ousmane Sonko has followed his country’s football association in denouncing Morocco’s jailing of 18 Senegalese fans following January’s Africa Cup of Nations (AFCON) final in Rabat.

The Teranga Lions supporters were arrested during the final in the Moroccan capital, which was controversially suspended as the Senegal players left the pitch in protest against the late award of a penalty to the host nation.

Fans, in response, attempted to enter the field of play during the match on January 19, leading to the arrest of 18 people who were later charged with hooliganism and violence against security officials.

Prison sentences were handed out last Thursday to them, ranging from three months to one year, along with fines of up to 5,000 dirhams ($545).

“It seems this matter goes beyond the realm of sport and that is regrettable,” Sonko told the Senegalese parliament on Tuesday.

“For two countries that call each other friends, like Morocco and Senegal, things should not have gone this far.”

The 18 fans have denied any wrongdoing but have not appealed the sentence. Senegal, however, will seek a royal pardon from Morocco’s King Mohammed VI.

“If they do not, we have agreements that bind us and allow us to request that the supporters serve their sentences in their own country,” Sonko added.

The Senegal Football Association had immediately spoken out at the time of the sentences, describing them as “incomprehensibly harsh”.

“Clashes occur in numerous stadiums around the world, including every weekend in Morocco, without resulting in such sanctions,” Bacary Cisse, the president of the FSF’s communications committee, said.

“The treatment of these supporters therefore appears disproportionate.”

Defence lawyer for the 18, Patrick Kabou, had said on February 6 that they were still “waiting to learn the charges”.

He added that some had chosen to go on hunger strike against their detention and treatment.

In response to the sentencing, Kabou echoed the “incomprehensible” sentiment, saying his clients were “victims”.

Senegal were the eventual winners of the final after the match resumed following the players’ protest, securing a 1-0 win in extra time.

Tayari Jones was feeling intense pressure to deliver a follow-up to her 2018 bestseller, “An American Marriage.” She was three years past her publisher’s deadline. Worse, she had begun to suffer symptoms of what was ultimately diagnosed as Graves’ disease, a serious autoimmune condition that attacks the thyroid. At the time she didn’t know what was causing pain in her right leg and the intense itching on her arms, legs and torso — or why her handwriting had “gone funky.” Meanwhile, 200 pages in, the novel she owed Knopf Publisher and Editor in Chief Jordan Pavlin wasn’t coming together.

She confided to a close friend, “This book got me feeling like a clown right now.” Jones began to doubt that she was ‘worthy’ of another literary success.

“You know how musicians say ‘that band was swinging’? I wasn’t swinging,” Jones, who lives in Atlanta, tells me during a recent phone call.

She says she turned to an empty notebook, and began word doodling — scrawling random words, going wherever her pen took her. “Kin,” the magnificent novel that emerged, is out now. Oprah recently announced that it’s her latest book club pick (the second time Jones has been honored with the selection).

“Kin: A Novel” by Tayari Jones

(Knopf)

“Kin” was supposed to have been an entirely different book — an of-the-moment novel about gentrification in the New South — but what materialized from Jones’ creative experiment was a tiny Louisiana town called Honeysuckle, amid the 1950s and Jim Crow. Then, as Jones puts it, “Annie and Vernice [her main characters] introduced themselves.” All of Jones’ previous fiction has been contemporary, and at first she didn’t know what to make of the path Annie and Vernice were leading her on. “I don’t write historical,” observes Jones, “I’m a writer of my own era.” Not to mention she’d always been suspicious of writers who claim their characters came to them fully realized.

Even at that point, Jones still believed Vernice and Annie might just be part of a larger backstory, perhaps parents to protagonists she had yet to conjure. “So I stuck with it to find out.” The more she wrote, the more the puzzle pieces began to fit together. Annie’s journey out of Louisiana takes her through a sharecropping brothel in Mississippi, then on to Memphis where she is convinced she will find and reunite with her mother. Meanwhile, Vernice attends Spelman (the HBCU Jones is a ’91 graduate of).

Jones began to suspect that she’d had a previously undetected ulterior motive for moving her book to the past. She wondered if “Kin” was actually an effort to better understand her parents, particularly her mother, a former economist who’d been active in the civil rights movement. “My mother is a very tight-lipped person,” Jones says. “I knew very little about her life, and maybe this was my imagination trying to crack the code.”

Jones’ progress wasn’t without its setbacks. She was deep into the writing of “Kin” when her Graves’ disease flared in earnest. Her blood pressure spiked. She got winded just climbing the stairs to her bedroom. She landed in the emergency room with a life-threatening “thyroid storm,” requiring surgery and daily medication. Then her eyesight deteriorated, which necessitated a month of radiation. But she powered through, and sent off the manuscript.

Jones’ editor, Pavlin, admits the novel she received was a surprise. “But it was as perfect a novel as I’ve ever read,” she says. “No publisher in their right mind would stand on anything as insignificant as a contractual description in the face of such a work.”

“Kin” deftly alternates points of view between Vernice and Annie, narrating events by way of a vernacular that would be at home on a front porch rocking chair. When Annie takes a job at a nightclub in Memphis, she says of its penny-pinching owner: “The man was tight as a skeeter’s teeter.” Jones is equally adept at the delicate prose, as in this description of a well-worn family Bible: “The paper, thin as butterfly wings, was heavy with wisdom.”

While Jones had Toni Morrison’s short story “Recitatif” in mind while writing “Kin,” her take on the subject is singular. “Vernice and Annie remain friends because each of them is the keeper of the other’s true self,” she says. “Friendship is particularly meaningful because it’s a relationship you’re constantly recommitting to — reupping.”

Now that “Kin” is out in the world, and Jones has weathered the bumpy road to publication day, we asked her if she’s nervous about how it will be received eight years after her previous novel was published. “I am not ambitious now in the way I was then,” she says. “I’ve learned what success can and cannot do for a person. You have to learn to be satisfied. People say ‘don’t rest on your laurels,’ but what are laurels for?”

Haber is a writer, editor and publishing strategist, and co-founder of the Ink Book Club on Substack. She was director of Oprah’s Book Club and books editor for O, the Oprah Magazine.

As his USC team slid further off the NCAA tournament bubble, falling flat against its fiercest rival, frustrated coach Eric Musselman couldn’t help but lament what might have been.

If the Trojans had Rodney Rice, maybe things would have gone differently in his second season.

“I haven’t really talked about it in a long time,” Musselman said. “But we’ve got three games left, so I’m gonna bring it up now. To run our offense and stuff without a guy like him is problematic for sure.”

Of course, after losing 81-62 to crosstown rival UCLA,, there wasn’t much else for USC to find solace in Tuesday night. Maybe Rice, who has been out since late November, would have elevated the Trojans’ ailing offense. Maybe freshman Alijah Arenas, who didn’t debut until late January, could have found his stride faster with a full offseason.

No amount of what-ifs, however, will fix what ails USC during its final three games. The loss to UCLA was its fourth straight. As of Tuesday night, the Trojans were firmly out of the tournament field, a fact that Musselman was well aware of.

That’s not set in stone yet. But the question now is whether the Trojans even have the capacity to climb back into the March mix.

That path back for USC would certainly be smoother with a more potent offense. Sixth-year senior Chad Baker-Mazara led the team with 25 points against UCLA in spite of playing through a sore knee.

But the rest of the Trojans offense shot under 30% — another issue that Musselman traced back to Rice’s absence.

“The lack of shooting is really hurting us,” Musselman said. “I haven’t really talked about it in a long time. But not having Rodney Rice’s shooting is killing us. It kills our spacing. It kills our help to the ball.”

The arrival of Arenas, the Trojans highly touted freshman, was supposed to solve that. Instead, 10 games into his college career, Arenas is struggling mightily with his offensive efficiency.

USC coach Eric Musselman reacts to the Trojans’ loss to UCLA at Pauley Pavilion on Tuesday.

(Eric Thayer/Los Angeles Times)

Arenas had four first-half turnovers in nine minutes and didn’t hit a shot from the field until midway through the second half. The freshman has shot just 8 of 29 over his last three games. He finished Tuesday with 10 points, four rebounds and five turnovers.

“It’s a learning curve for him,” Musselman said. “He’s an incredible talent who has an awesome ceiling, and he’s got an incredible future. But in a game like tonight — he’s learning. You can see it out there. He’s learning on the fly.”

There’s not much time left to learn. The Trojans will face No. 12 Nebraska on Saturday, before traveling to Washington, which beat them earlier in the season, a few days later. A rematch with UCLA awaits at Galen Center the following Saturday.

USC won’t stand much of a chance against that slate if it can’t find some consistency on either end, but the Trojans had their moments Tuesday. They fired out to an early lead thanks to Baker-Mazara, who followed up a 13-point outburst Saturday by knocking down three consecutive 3’s in a three-minute stretch.

Later, near the midway mark of the second half, Baker-Mazara hit another 3 to cut the UCLA lead to just five points. And for a brief moment, it seemed USC might find a way.

But then, in the waning seconds of the shot clock, UCLA star guard Donovan Dent let a deep three pointer fly with 10 minutes remaining. It swished. A sold-out crowd at Pauley Pavilion roared.

Dent finished with 30 points, while the Trojans never recovered. Musselman, meanwhile, was left thinking of something his wife, Danyelle, had said to him.

“Take a 20-pointer scorer off of any team and see what they do,” Musselman recalled his wife saying. “Take Dent off of them and let’s see what they do. That’s a fact.”

But the facts, for USC, are pretty grim at this point. And with just three games remaining, time is running out for the Trojans to change that.

The extra baggage charge would have been more than half what she paid for the tickets

A woman avoided paying a £30 luggage charge on Ryanair thanks to a simple hack that cost her just £2.59. Laura Poole, 33, paid a tiny amount to send her clothes in the post, rather than adding £30 to the cost of her flight by checking a bag in as excess luggage.

Laura says she has “better things to spend her money on” and swerved the additional charge by squeezing her outfits into her gym bag, wrapping it in a Lidl carrier bag and dropping it off at her local Tesco Express InPost locker. She flew to Glasgow from Bristol on February 22, paying £57.48 for her return flights.

Staying in Glasgow for a month on a business trip, she shipped “at least” five outfits including suit jackets and dresses – all for just £2.59. Dropping her parcel off on the Thursday evening before her Sunday morning flight, Laura’s parcel arrived safely in Glasgow just after she arrived.

Inspired by Vinted and their parcel shipping process, Laura says she has received comments from trolls saying she us “stupid” but has also been hailed a “genius” online.

Ryanair’s baggage fees are famously dynamic—they change based on your route, travel dates, and, most importantly, when you buy them. ^{The general rule is: the later you wait, the more it costs. If you forget to book online and show up at the airport, you can expect to pay at the highest end of those ranges (up to £60 per bag).}

If your bag is already checked but weighs more than your purchased allowance (e.g., your 20kg bag actually weighs 22kg) you will pay £11 more per kilo. If you try to take a bag to the gate that is too big for your allowance (like a “cabin bag” when you only paid for a “small personal item”) you can pay £75 for the bag to be put in the hold.

Laura, a public speaker and trainer, from Cardiff, said: “I have better things to spend her money on. I actually did it before, this is the second time I’ve done it. So I knew it worked. “I got the idea from Vinted because they’re using InPost lockers for that. I was curious and thought ‘I wonder how much it is?’

“If it’s only that much for postage on Vinted it can’t be as much as Royal Mail. I’ve always been really frugal and am part of the FIRE community – financial independence and retire early. Lots of people are super frugal and I have better things to spend my money on than really expensive baggage fees.

“I’m here for a month this time as well and I thought I’m going to need more than a backpack, so I got my gym bag, stuffed it with clothes and wrapped it in a Lidl bag and taped it up. People on Vinted send stuff in anything – I thought ‘that’ll do’.”

Laura also packed enough clothes to last her two to three days in her cabin backpack. “I would not post anything that I loved,” she added. “For example I’ve got a scarf I’ve had for 10 years and my grandad’s t-shirts – who is not around anymore. That stuff goes in my backpack.

“Obviously I don’t want to lose my clothes and there are lots of clothes in there. It’s insured for up to £50. My thought process is if anything goes wrong, or it doesn’t arrive in time, I’ve got time to buy new clothes. I do public speaking so I need to look good. Suit jackets, trousers, all sorts I threw it all in, dresses as well.

“I must have at least five different outfits and then loungewear and stuff as well”.

Sharing her plans on Facebook, her post went viral. Laura said: “There are always trolls whenever anything goes that big and people are always negative, but overall I’ve never been called a genius so much in my life.”

She will use the InPost locker system when she returns from the trip next month and will save another £27.41.

To prepare for his role on the 1984 comedy “Revenge of the Nerds,” Robert Carradine spent two weeks wearing “nerd clothes,” a wig and glasses everywhere he went.

This included heading to fraternity row at the University of Arizona during rush week while in character with a fellow actor. They asked the head of a fraternity if they could join.

“The guy took one look at us and said, ‘No way,’ ” Carradine recalled in 1990. “By the time the first day of shooting rolled around, I was in full flight as a nerd.”

Carradine, who played Lewis Skolnick, the king of the college nerds with a signature laugh, in the “Revenge of the Nerds” movie franchise, has died. He was 71.

In a Monday statement to Deadline, Carradine’s family said he struggled with bipolar disorder and died by suicide.

“It is with profound sadness that we must share that our beloved father, grandfather, uncle, and brother Robert Carradine has passed away. In a world that can feel so dark, Bobby was always a beacon [of] light to everyone around him,” the statement said. “We are bereft at the loss of this beautiful soul and want to acknowledge Bobby’s valiant struggle against his nearly two-decade battle with Bipolar Disorder.

“We hope his journey can shine a light and encourage addressing the stigma that attaches to mental illness. At this time we ask for the privacy to grieve this unfathomable loss. With gratitude for your understanding and compassion.”

The youngest of a prolific Hollywood family, Carradine’s siblings include actors David and Keith and architect Christopher, of Walt Disney Imagineering. David Carradine died in 2009 at age 72. Their brother Bruce, who died in 2016, was also an actor.

Keith Carradine told Deadline that his family wanted everyone to know about Robert’s struggle with bipolar disorder.

“We want people to know it, and there is no shame in it,” he told the outlet. “It is an illness that got the best of him, and I want to celebrate him for his struggle with it, and celebrate his beautiful soul. He was profoundly gifted, and we will miss him every day. We will take solace in how funny he could be, how wise and utterly accepting and tolerant he was. That’s who my baby brother was.”

The youngest son of prolific character actor John Carradine, Robert Carradine was born on March 24, 1954, in Los Angeles. Known for both his film and television work, Carradine made his debut in a 1971 episode of the long-running western “Bonanza.” His first film appearance was in the 1972 John Wayne western “The Cowboys.”

During his 50-year Hollywood career, he appeared alongside his brother David in a 1972 episode of “Kung Fu” and the 1973 Martin Scorsese film “Mean Streets.” David, Keith and Robert joined other sets of acting siblings to portray sets of real-life siblings in the 1980 Western “The Long Riders.” Carradine also landed roles in Hal Ashby’s 1978 Vietman War drama “Coming Home” and Samuel Fuller’s 1980 World War II epic “The Big Red One.”

While Carradine found success in the family business, he also had a love for racing.

“There are certain people who are supposed to be race car drivers,” Carradine told The Times in 1991. “And I’ve got that. I’ve got that thing that makes me have to race. I have to do it.”

At the time he was balancing both careers, racing at the Grand Prix level in a Lotus Esprit Turbo SE. But it was clear he would have chosen racing over acting if he could.

“The thing about racing that appeals to me is your destiny is in your own hands at that moment,” Carradine said. “I won a race in the Lotus at Road America, and I won it. And that’s it. You can’t do better.”

In the 2000s, Carradine charmed a new generation of fans as lovable TV dad Sam in “Lizzie McGuire.”

“There was so much warmth in the McGuire family and I always felt so cared for by my on-screen parents,” the show’s star Hilary Duff wrote in her Instagram tribute to her on-screen dad. “I’ll be forever grateful for that. I’m deeply sad to learn Bobby was suffering. My heart aches for him, his family, and everyone who loved him.”

Jake Thomas, who portrayed Lizzie’s brother Matt on the show, said he “looked up” to Carradine, who he’s known for most of his life.

“My heart hurts today,” Thomas wrote in his Instagram tribute. “[H]e was one of the coolest guys you could ever meet. Funny, pragmatic, sometimes cranky, always a little eccentric. He was a talented actor, musician, and director. But more than anything, he was family.”

Carradine is survived by his three children — actor Ever Carradine, Marika Reed Carradine and Ian Alexander Carradine — as well as his brothers, nieces (including actor Martha Plimpton), nephews and grandchildren, according to Deadline.

In her tribute to her father, Ever Carradine described him as a “sweet, funny dad” and “the guy that’s always there.”

“Growing up in the 70s and 80 with a single dad in Laurel Canyon is not exactly the recipe for a grounded childhood, but somehow mine was,” Carradine wrote on Instagram. “Whenever anyone asks me how I turned out so normal, I always tell them it’s because of my dad. I knew my dad loved me, I knew it deep in my bones, and I always knew he had my back.”

“My dad was a lover, not a fighter. He was all heart, and in a world so full of conflict and division, I think we can all take a page out of his book today, open our hearts and feel and share the love,” she added.

President Trump on Tuesday awarded Team USA’s hockey goalie Connor Hellebuyck the Presidential Medal of Freedom, the nation’s highest civilian honor.

The American team won the Olympic gold medal on Sunday, the first time in 46 years, on the anniversary of the team’s legendary triumph over the USSR, known as the “Miracle on Ice.” They won in a 2-1 overtime game against Canada, with Hellebuyck’s performance widely lauded throughout the tournament. He received credit for the second assist on the tournament-winning goal.

“I just want to say a … very big congratulations to Team USA,” Trump said in the opening moments of his speech, adding that he asked team members to vote on awarding the medal to Hellebuyck. “I just want to tell you that the members of this great hockey squad will be very happy to hear based on their vote and my vote — and in this case, my vote was more important — that I will soon be presenting Connor with our highest civilian honor.”

Hellebuyck, 32, plays for the National Hockey League’s Winnipeg Jets.

The Presidential Medal of Freedom has previously been awarded to politicians, religious leaders, artists, fashion designers and others who have made significant contributions to American society. Prior athletes who have received the honor include soccer legend Lionel Messi, former Los Angeles Laker Magic Johnson and Olympians Katie Ledecky, Simone Biles and Megan Rapinoe.

The men’s team visited the White House earlier Tuesday and several members attended the State of the Union address.

The team has been a source of controversy for the administration after FBI Director Kash Patel was seen chugging beer in their locker room after their victory in the midst of multiple law-enforcement emergencies, including Americans trapped in Mexico in the aftermath of the killing of Mexico’s most powerful cartel leader, Nemesio Rubén Oseguera Cervantes.

In video posted on social media, Patel appears to hold out a phone in the locker room as Trump invites the team to the White House and says he will also have to invite the U.S. women’s hockey team, which also won a gold medal, or “be impeached.”

During his State of the Union address, the president claimed that the women’s team would be visiting the White House “very soon.” The team earlier announced that it had turned down the White House’s invitation this week.

“We are sincerely grateful for the invitation extended to our gold medal-winning U.S. Women’s Hockey Team and deeply appreciate the recognition of their extraordinary achievement,” the team said in a statement. “Due to the timing and previously scheduled academic and professional commitments following the Games, the athletes are unable to participate. They were honored to be included and are grateful for the acknowledgment.”

Rapper-turned-Olympian patron Flavor Flav invited them to party with him and with other Olympic athletes in Las Vegas instead.

Steve Hermon, West Brom commentator for BBC Radio WM

Eric Ramsay’s reign was nothing short of disastrous. His tenure lasted just 44 days, which happens to be the same as Brian Clough’s infamous spell at Leeds United in 1974.

That featured in a movie about the legendary manager’s life, The Damned United, and it had elements of comedy, but if the Welsh head coach’s stay at The Hawthorns were to be made into a film, the genre would have to be horror.

The 34-year-old leaves with a litany of unwanted records.

It is the shortest reign of any permanent Baggies boss in their history, he oversaw their heaviest home defeat in the second tier as they were hammered 5-0 by Norwich City, and his win percentage is 0%.

Taking just four points – courtesy of four draws – in his eight league games has dropped the club deep into a relegation battle.

Ramsay refused to say it, but he knew that Tuesday night’s game with Charlton Athletic was a must-win.

He told me in his interview after the 1-1 draw that it wasn’t good enough and that “what will be, will be”, as if knowing what was to come just minutes later.

The former Minnesota United boss and his assistant, Dennis Lawrence, were summoned into a boardroom meeting with chairman Shilen Patel after his media duties were complete, and the axe fell.

The Welshman accepted in his final interview with me that he was “not blameless”, and while he is no doubt a clever man, switching immediately to a 3-4-3 formation with players not equipped to play that way was not a smart move.

He promptly ditched it after another loss to Portsmouth.

Questions must also be asked of the players, whose failure to take chances has led to a second sacking of the season, and the third in less than a year, but the hierarchy must also provide answers to the fans.

Their naive decision to give the job to a second young head coach in a row has put the club at risk of an unthinkable drop into the third tier for only the second time in their history.

But there won’t be time to analyse a host of mistakes now.

James Morrison begins a third spell in interim charge in the space of less than 11 months.

The former midfielder is unbeaten in the three games he’s overseen and said, in his own words after the Swansea City FA Cup victory just hours before Ramsay’s arrival six weeks ago, West Brom is “in his DNA”.

With 12 games to go, he will do all he can to keep the club he loves in the Championship.

Meanwhile, back at boardroom level, and just days before the second anniversary of his takeover of the club, Patel will begin the search for his fourth head coach.