show biz

ZOE Ball has bid her final farewells to her BBC Radio 2 show today.

The radio presenter, 55, announced she would be leaving her beloved Saturday show earlier this month, with today being her final time on air.

She was greeted by fans outside Broadcasting house before taking to the airwaves.

It comes just a year after Zoe stepped down from her breakfast programme on the same station, after hosting it for six year.

Though Zoe won’t be completely absent from the airwaves – continuing to host specials on the station less frequently.

Presenter Romesh Ranganathan today handed over to Zoe before her show kicked off at 1pm.

EYE ON THE BALL

Zoe Ball breaks silence on shocking Radio 2 exit as Strictly rumours swirl

HAVING A BALL

Inside Zoe Ball’s decision to quit her Radio 2 show after chaotic year

Romesh compared Zoe leaving to a “death in the family” and shared heartfelt messages from fans, before adding: “It’s your last show! I’m gonna miss seeing you every Saturday.

“How are you feeling?”

Zoe replied: “It’s my last Saturday show … I’m feeling like everybody else is feeling at this time of year …

“Don’t worry I won’t be a stranger.”

Romesh also teased the rumours that Zoe is taking over from Tess Daly and Claudia Winkleman as the host of Strictly Come Dancing next year.

He said: “Is it true you’re leaving your Saturday show because of …”

He then quipped: “Sally on traffic, it’s that, let’s put that down now.”

Zoe played along and said: “Sally and I have been in love with each other for a long time and we’ve decided we can’t possibly work in the same building anymore because the magnetism is too much.”

Zoe’s announcement comes after she was included in the BBC’s “Golden Ten” shortlist of presenters tested for the perfect on-screen partnership to replace Claudia Winkleman and Tess Daly.

The Sun revealed that Zoe Ball was one of the ten stars put through their paces in order to find the perfect on screen partnership in a top-secret chemistry test.

The news has sparked excitement that Ball could be in the running to replace Tess and Claudia as Strictly Come Dancing host.

Only a few years ago, Keith Lee was a professional MMA fighter, doing food delivery and making social media videos to ease his social anxiety.

On Thursday night, however, Lee found himself under the glare of bright lights and walking the red carpet outside the historic Hollywood Palladium on Sunset Boulevard about to be recognized as TikTok’s “Creator of the Year.”

He and hundreds of other creators had gathered for TikTok’s first American awards show. And they had good reason to celebrate.

Only a few minutes before the start of the inaugural show, they got word about a deal that would allow TikTok to keep operating in the U.S. through a joint venture controlled by a group of U.S. investors that includes tech giant Oracle Corp. TikTok confirmed the deal in an email to employees and said it is expected to close next month.

“[TikTok] is the best way to reach people and I know so many people who rely on it to support their families,” said Lee, who has 17.3 million followers of his casual restaurant reviews. “For me, it’s my career now so I can’t imagine it not being around.”

Creators — many of whom are based in Southern California — rely on the app as a key source of income, while businesses and brands turn to the platform and its influencers to promote their products.

Many had worried that the app might disappear after the Supreme Court upheld a ban on the platform because of national security concerns raised by President Trump in 2020.

Trump subsequently allowed TikTok, which has offices in Culver City, to keep operating in the U.S. and in September signed an executive order outlining the new joint venture.

Comedy creator Adam W., who attended the awards show, called the news “game changing.”

With 22.6 million followers on TikTok, Adam W. has amassed a massive audience for his videos that parody pop culture trends.

In one, he’s a contestant on “The Bachelor,” surrounded by a line of lookalike blond models; in another, he’s drinking matcha lattes with Will Smith.

“That’s so good to hear,” said Adam W. of the new ownership. “So many people are able to make careers off of TikTok. There’s so many people out there who go to TikTok to get away from their reality and it means a lot to them, so I think it’s really valuable for us to have.”

TikTok said the awards show is intended to celebrate the influencers who’ve helped transform the app into a global force that has shaped the way younger Americans shop and consume entertainment.

“You represent a truly global community of over 1 billion people on TikTok,” Kim Farrell, the app’s global head of creators, said at the event. “This year, you showed the world just how much impact creators have.”

Despite the historic moment, the awards show was not without technical glitches. Screens that were intended to display clips of contestants and visuals during speeches were dark the entire night.

The two-hour show, in which creators received awards in several categories, featured a range of skits parodying TikTok cultural moments, from Jools Lebron telling the crowd to “be demure,” to Rei Ami of K-Pop Demon Hunters shooting a Labubu cannon into the crowd.

“TikTok definitely changed my life,” Lee said in an interview. “I always planned my life around food, so I’m blessed to just turn the camera on and do the same thing.”

The new ownership of TikTok should allow the app to rebound after it lost market share amid uncertainty over its future, said Max Willens, an analyst at EMarketer.

“This past year, because a lot of advertisers weren’t really sure whether TikTok was going to stay or go, it did kind of slow the momentum that we had seen on that platform,” Willens said. “We think that moving forward that is going to wind up just being a blip.”

After two turbulent years with Eamonn Holmes at GMTV, Anthea Turner walked away from the show on Christmas Eve 1996 – she still believes his envy of her National Lottery show was the problem

A popular television presenter who worked with Eamonn Holmes says there was almost instant friction when she joined him on an iconic daytime TV show.

Eamonn has been one of the most recognisable stars on British television for decades and has worked with a long line of famous faces, including his ex-wife, Ruth Langsford.

But he hasn’t jelled with every colleague he has ever worked with. According to Anthea Turner, Eamonn took exception to her background when she joined him on the GMTV sofa in 1994.

“Eamonn is a trained journalist and I’m not,” she told The Times. “That caused tension from the start… The other thing was I didn’t have my ass on that sofa for very long before I was asked to present the National Lottery too, and I think that also annoyed him.”

Anthea’s first lottery show appearance attracted a huge TV audience of around 22million. Eamonn reportedly lobbied GMTV bosses to get her sacked, accusing her of being “too ambitious” and giving her the disparaging nickname ‘Princess Tippy Toes.’

She told The Sun: “I was always asked if I was ambitious and, if I said yes, I was made out to be a ruthless person who would walk over anybody to get where I wanted. It would be said that I was hormonal, or I was stamping my feet.’

She added: “And yet ask that question to a man, and if he’s ambitious, we think: ‘What a guy’. You’d never hear anyone say that about Eamonn or Phillip Schofield. No, they’re just doing their job.”

Anthea walked away from the “toxic” situation at GMTV on Christmas Eve 1996. Over a decade later, the former Blue Peter presenter said she was still “hurt” by the way she was perceived.

Speaking on the Miranda Holder Weekly Fashion Podcast, she said: “I haven’t weighed myself down with anything from the past, or any of that negativity.

“Nobody likes injustice, nobody wants to be misrepresented. It hurts, it really hurts.”

In a televised reunion in 2018, Anthea said that she had mixed feelings about Eamonn, saying: “There is a fine line between hate and love isn’t there? We were chatting in the break, Eamonn and I are a bit lazy and it’s easier to stay friends.”

Her remarks sparked a somewhat tense atmosphere in the This Morning studio, with Eamonn’s then-wife Ruth Langsford visibly taking exception to Anthea calling him her “ex.”

Ruth stressed that she and Eamonn were “properly married,” before Anthea interrupted her, saying: “Ah but we were telly husband and wife.”

While Anthea and Eamonn were said to have put an end to their bitter feud with her This Morning appearance, she later said that any talk of a friendship was exaggerated, telling the Express:”I don’t think Eamonn and I speak lots. “Those are just headlines saying that we reunited.”

She added: “Obviously, there was the hullabaloo. In fact, I went to Belfast where he was doing a show, and I remember going up there, it must have been about 15 years ago, and we signed a Good Friday Agreement.”

For the latest showbiz, TV, movie and streaming news, go to the new Everything Gossip website.

LILY Allen hosted a glittering Christmas party last night at London’s most notorious nightspot Stringfellows – turning heads in a sexy Santa outfit.

The singer, 40, slipped into a figure-hugging red mini dress trimmed with fluffy white fur, complete with lace suspenders adorned with bows. 

The provocative look was teamed with a velvet red Santa cape as she embraced festive glamour.

Lily styled her hair in a Sixties-inspired blow-dry and accessorised with a classic Chanel handbag. 

She added extra height with a pair of skyscraper white heels, which featured a matching fur embellishment.

Never one to take herself too seriously, the cheeky star was spotted sticking out her tongue as she posed and mingled with guests.

Lily took to the dancefloor with a host of celebrity pals including pop sensation Olivia Rodrigo. 

She also shared a playful moment dancing with the London Gay Men’s Chorus, who attended the bash. 

Fellow singer Ella Raye was among the guests too, wowing in a sheer red stocking dress as she joined Lily for a photo.

Bono’s daughter, Jordan Hewson, was seen at the star-studded event, lounging on a sofa with Lily.

The party took place at Stringfellows, the legendary gentlemen’s club founded by Peter Stringfellow in the 1970s. 

Originally opening in Soho before moving to Covent Garden, Stringfellows quickly became synonymous with celebrity excess, glamour and late-night debauchery. 

Over the decades, it has welcomed everyone from Hollywood stars to rock royalty, cementing its status as one of London’s most infamous nightlife institutions.

The Christmas bash comes during a significant year for Lily, who has launched new music widely described as a “revenge” album following her split from husband David Harbour. 

The record draws on heartbreak and betrayal after Lily publicly accused the actor of cheating. 

Fans have praised the project for its raw honesty and cutting lyrics, marking a bold new chapter in her career.

Phil Wickham has released 14 Christian worship albums, has been Platinum certified and nominated for American Music Awards, Dove Awards, Billboard Music Awards and Grammys — but all of his vocal training and performances couldn’t prepare him to step into the shoes of one of his Biblical heroes with the upcoming animated musical film “David.”

Directed by Phil Cunningham and Brent Dawes, “David” marks the second animated film this year for Angel Studios. April’s “The King of Kings” made $60 million and is the second-highest-grossing film from the studio following “Sound of Freedom,” which made $184 million. The film hits theaters on Friday. If the release date sounds familiar, it could be because the third installment in the multibillion-dollar “Avatar” franchise, “Avatar: Fire and Ash,” is released on the same day. Presale numbers for “David” are at $15 million on 3,100 screens, but with “Avatar” tracking to open between $135 million and $165 million, and “The SpongeBob Movie: Search for SquarePants” also tracking between $13 million and $20 million, it would seem to be a true David vs. Goliaths for ticket sales.

That in itself could be daunting, but for Wickham, the biggest obstacles came long before release dates were decided. Despite playing in arenas with thousands of fans, he had a “secret dream” of voicing a character in an animated film. A character “that carried courage and faith and had some grand adventure.” But because he’d never chased that dream, he realistically put a limit on that particular goal. Even when the opportunity arose, he was hesitant when going into a casting meeting.

“I’m unoffendable. [I said to producers], if I suck, then just tell me because I don’t want to waste anybody’s time. And also, I don’t want to be bad in a movie as much as you don’t want to make a bad movie,” says Wickham.

The contemporary Christian artist, who recently finished sold-out concerts at Downey Calvary Chapel and the Wiltern, had never tried his hand at voice acting. Not only did he get the role, but he also had to help bring to (animated) life one of the most well-known stories in the Bible. The tale of David — the boy who was anointed to become the king and along the way felled the giant Philistine warrior Goliath with a rock and a slingshot — has become synonymous as the most famous of underdog representations and tests of faith in the Bible. The character and story is also one of Wickham’s favorites.

Phil Wickham always wanted to voice an animated character, especially after seeing “The Lion King.”

(Colton Dall)

“When this came across my desk, so to speak, I was just like, man, I could tell you that story, but I didn’t know if I had it in me. I didn’t know if I was a good actor. I didn’t know if I could voice a character, but I knew I wanted a shot,” said Wickham.

A curious revelation for Wickham was discovering that the singing that he’d been doing most of his life would not work on-screen, at least not for this project. He was asked to tone down things, to sometimes “talk through” lyrics and to generally make the music more dramatic for the screen.

“I thought, OK, I got this. This is why they hired me, because I’m a singer. But that ended up being the hardest part because they didn’t want me to sound like me,” Wickham said.

“Singing became a background to just being the character, which honestly, in some ways, was the hardest thing. Maybe even for my ego as as an artist.”

It was definitely a process that required lots of fine-tuning and looking at David as not just the king and hero that Wickham had grown up reading about at home and in Southern California churches. Sitting in the pews in Downey, the singer reflected on why he got into music and why Christian entertainment is on the rise.

“I found out really quick that I loved being a part of moments where people were encountering the same hope and faith that I encountered in my room alone,” Wickham said of songwriting and performing. He grew up with Christianity all around him, but has seen a spike in popularity for music and movies dealing with faith-based fandom.

“For this movie ‘David’ to come out at this time … I think that the world is looking for stuff to hope in. I think people are just searching and finding out more and more the truth that if we look around us at the world of man, we’re not going to find real solutions. So that maybe if we look up, we will.”

Emily in Paris is back for even more drama, this time around though, one of its key stars was missing.

Emily in Paris season five has dropped but subscribers have been left scratching their heads over the whereabouts of Emily’s friend and rival, Camille deLalisse.

From the get-go of the Netflix rom-com drama, Camille deLalalisse (portrayed by Camille Razat) played a pivotal role, forming part of the love triangle with Emily ( Lily Collins ) and Gabriel (Lucas Bravo).

So when fans noticed that Camille was absent from all 10 new episodes, it sparked speculation about her fate and potential return.

Camille’s journey in Emily in Paris seemed to reach a natural end in season four after she called off her wedding to Gabriel, but her story wasn’t quite finished.

She soon found out she was pregnant, only to later discover it was a false positive. However, Camille kept this secret for a while, hoping to keep Gabriel in her life.

At the same time, Camille was navigating a budding relationship with artist Sofia, but due to lingering feelings for her ex-fiancé, things didn’t pan out.

Eventually, she revealed the truth, and the entire ordeal made Camille realise her desire for a family, leading her to announce plans to adopt a baby on her own.

Season four concluded with Camille moving into a new flat, complete with nursery space, leaving behind her tumultuous past with Emily and Gabriel.

While Camille was noticeably missing from season five, this doesn’t necessarily rule out her return in future series.

Taking to Instagram to discuss her departure from the programme, Razat revealed: “After an incredible journey, I’ve made the decision to step away from Emily in Paris.

“It has been a truly wonderful experience, one filled with growth, creativity, and unforgettable memories.

“I’m deeply grateful to @starmandarren and the entire team at @netflix and @paramountpics for their trust and for giving me the opportunity to bring Camille to life and leaving the door open for her return, as she will always be a part of Emily In Paris world.”

However, Razat has numerous other ventures lined up, revealing she’s wrapped filming on Nero The Assassin for Netflix and The Lost Station Girls for Disney+.

The 31-year-old also disclosed that she’s launched her own production company Tazar Production, which will concentrate on developing music videos and short films, though has already begun work on a feature film.

Wrapping up her Instagram message, Razat noted: “This character has meant a lot to me, and I feel that her storyline has naturally come to an end. It felt like the right moment to explore new horizons.

“I leave the show with nothing but love and admiration for the cast, crew, and fans who have supported us along the way. Thank you for the beautiful ride.”

Emily in Paris is available to stream on Netflix.

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

The shocking deaths this week of Rob Reiner and Michele Singer Reiner reached far beyond Hollywood. Their legacy will go far beyond show business thanks to their committed political activism for causes they believed in.

Mary McNamara pulled together the different strands of Rob Reiner’s life and career, noting, “As an artist and a public figure, he put his money where his mouth was and remained invariably sincere, a powerful and compelling trait that has become increasingly rare in a time of the sound-bite inanities, muddy thinking, obvious contradictions and outright falsehoods that threaten our public and political discourse.

“Reiner mastered many mediums and wielded a broad palette but his signature artistic trait was empathy. No story was too small, or too brutal, to be examined with kindness and an understanding that the most grave injustice we can commit is to choose apathy or revenge when connection and transcendence are always possible.”

Meg Ryan and Billy Crystal in the movie “When Harry Met Sally…”

(MGM / Library of Congress via AP)

Amy Nicholson took a deeper look at his film career, while Robert Llloyd surveyed his work on television.

Josh Rothkopf and I rolled out a list of his 10 best movies as a director, which includes his astonishing early run, titles like “This Is Spinal Tap,” “The Princess Bride,” “Misery,” “A Few Good Men” and “The American President.” All of those come in little over a decade.

Tribute screenings have already been announced around Los Angeles, including “When Harry Met Sally…” at the New Beverly on Dec. 30–Jan. 1 and then again on Jan. 3 at Vidiots, which will also be showing “A Few Good Men” on Jan. 6 and “The Princess Bride” on Jan. 18. More screenings are sure to follow.

‘Love & Basketball’ 25th anniversary

Sanaa Lathan and Omar Epps in the movie “Love & Basketball.”

(New Line Cinema)

On Saturday, the Academy Museum will host a 25th anniversary screening of “Love & Basketball” with writer-director Gina Prince-Bythewood in attendance. Starring Sanaa Lathan and Omar Epps, it is one of the great romantic films of recent decades, the story of two young athletes struggling to reconcile their feelings for each other with their individual careers and ambitions.

In his original review of the movie, Eric Harrison wrote, “The movie is smarter than it has to be, but it’s the sort of low-key smart that can be easily overlooked. Writer-director Gina Prince-Bythewood doesn’t care if you recognize how hard it is to juggle two distinctly different types of movies (make that three, since the romance and sports elements here don’t obscure the feminist fable that is the film’s heart). … This is Prince-Bythewood’s first feature film as both a writer and director, and she shows admirable command of her craft.”

In an interview from 1990, Prince-Bythewood talked about the difficulty of casting the two leads, worrying whether she should find basketball players who could learn to act or actors who could persuasively play basketball.

“There were a lot of sleepless nights,” Prince-Bythewood said. “Is this a love story or a basketball story? I finally realized it’s a love story first. It doesn’t matter how great the basketball is if you don’t care about the character or the love story.

In 2020, Sonaiya Kelley spoke to Prince-Bythewood, Lathan, Epps, producer Spike Lee, actors Gabrielle Union, Alfre Woodard, Tyra Banks and Regina Hall for a definitive oral history of the film.

“When I first started out writing it, my goal was to do a Black ‘When Harry Met Sally…,’” said Prince-Bythewood. “I love that movie, but I wasn’t seeing myself in movies like that.”

‘Metropolitan’ 35th anniversary

The cast of Whit Stillman’s 1990 movie “Metropolitan.”

(Rialto Pictures)

On Sunday afternoon, the American Cinematheque at the Aero Theatre will have a 35th anniversary screening of “Metropolitan” with writer-director Whit Stillman and actor Taylor Nichols there for a Q&A. Set during the week between Christmas and New Year’s among a very specific social set of young New Yorkers — labeled in the film as the Urban Haute Bourgeoisie — the film is a delicately detailed comedy of manners. It would earn Stillman an Oscar nomination for original screenplay.

In her original review, Sheila Benson wrote, “Filmmaker Stillman is a pointillist, working in the tiniest, most meticulous degrees. If he seems at times as controlled and distanced as his own UHBs, his impulsive, romantic ending betrays him. Stillman understands caste, class and deportment as perfectly as Audrey’s idol, Jane Austen, and by the time he’s through, so do we.”

In a 1990 interview, Stillman spoke about making a movie about such a specific social set, one that many viewers of the film will not have been a part of. “I think people will enjoy the fact that the film has texture,” he said. “They will sense that there is a joke there, even if they don’t get it.”

Points of interest

Nancy Meyers with ‘Father of the Bride’

Kimberly Williams, left, Martin Short, Steve Martin and Diane Keaton in the 1991 version of “Father of the Bride.”

(Disney / Touchstone Pictures)

Director Nancy Meyers had to pull out of a recent Q&A scheduled for a screening of “Something’s Gotta Give,” which starred her frequent collaborator Diane Keaton. Meyers is now set to appear at the American Cinematheque at the Aero Theatre on Saturday for a Q&A after 1991’s remake of “Father of the Bride,” directed by Charles Shyer and co-written by Shyer and Meyers. As far as we can tell, this will be Meyers’ first public appearance since Keaton’s death in October.

The film stars Keaton alongside Steve Martin, as a couple who are arranging the wedding of their daughter, with Martin Short showing up as an overbearing wedding planner.

In his original review, Michael Wilmington wrote, “Midway through ‘Father of the Bride’ … Martin Short shows up, as the effete, snobbish wedding coordinator that Leo G. Carroll played in the original, and steals the movie from Martin, steals it from everybody. Short’s handling of this silly little role — an outrageous poseur named ‘Franck Eggelhoffer’ who insists on calling himself Frawwnk and acts like a post-disco Mischa Auer — has perfect pitch and real wigged-out comic genius.”

David Lowery and ‘The Green Knight’

Dev Patel in the 2021 movie “The Green Knight.”

(A24)

On Saturday, Vidiots will host a screening of 2021’s “The Green Knight” with writer-director David Lowery in person. Based on the 14th century poem “Sir Gawain and the Green Knight,” the film stars Dev Patel as Gawain, nephew of King Arthur, who, after winning a mystical challenge on Christmas, is told he has one year to complete another adventure.

In his review, Justin Chang wrote, “What does it mean to be a knight, or even just to be human? It isn’t an easy question, and ‘The Green Knight,’ in taking it seriously, isn’t always an easy film. But by the time Gawain reaches his journey’s end, in as moving and majestically sustained a passage of pure cinema as I’ve seen this year, the moral arc of his journey has snapped into undeniable focus. He plays the game; he accepts the challenge. His example is worth following.”

Oliver Stone’s ‘Nixon’

Joan Allen and Anthony Hopkins in the movie “Nixon.”

(Sidney Baldwin / Cinergi Pictures Entertainment)

On Sunday, the Laemmle Royal will have a 30th anniversary screening of Oliver Stone’s “Nixon” with the filmmaker in person for a Q&A to be moderated by Times contributing writer Tim Greiving.

Starring Anthony Hopkins as Richard Nixon and Joan Allen as his wife, Pat (both were nominated for Oscars for their performances), the film covers the political life of the politician who rose to being president only to leave the office in disgrace.

In his original review, Kenneth Turan wrote, “Mostly (though not completely) gone is the disturbing, lunatic Oliver Stone, the bad-boy writer-director who infuriated the political establishment with ‘JFK’ and outraged sensibilities nationwide with ‘Natural Born Killers.’ He’s been replaced by a filmmaker very much on his best behavior, a thorough researcher who consulted 80 books and published a heavily footnoted screenplay. If Quentin Tarantino made a film in the style of Sir Richard Attenborough, the surprise could not be greater. And ‘Nixon’ is in many ways an impressive, well-crafted piece of work.”

Netflix’s American Primeval launched in January 2025, but BBC’s 2022 western series The English starring Emily Blunt is being hailed as the superior show

Three recent TV western series tower above the rest. The latest arrival is American Primeval, which landed on Netflix at the start of this year. The series delivers an unflinchingly realistic and brutal portrayal of existence on Utah’s lawless frontier, following a mother and child fighting for survival.

Their trek brings them face-to-face with settlers living by their own code, indigenous peoples protecting their territories, and Brigham Young’s Mormon militia. The unrelenting brutality stands in sharp opposition to the sanitised portrayals of the Wild West seen in 1990s pictures such as Tombstone and Dances With Wolves.

Yet it isn’t simply violence for its own sake. It features outstanding performances and centres its narrative on the Mountain Meadows Massacre, a grotesque and shameful chapter in American history that was probably unfamiliar to most viewers before this series.

Audiences have hailed the programme as “absolutely phenomenal” and “raw and unflinching”, whilst Empire magazine characterised it as “a raw, bloody odyssey that will pierce your skull like a hatchet flung face-first”, noting: “Nostalgia has been stripped away completely, scalped in favour of a grimy, far more authentic journey that takes us back to how the so-called land of the free really came to be.”

The Guardian offered a more critical view, branding it a “samey western that’s far less clever than it thinks it is”. I dispute that verdict.

Godless

If you were gripped by American Primeval, there’s another Western miniseries that many reckon is even better. Godless, a Netflix original released in 2017, shares the Old West setting and intense violence of American Primeval, but offers a unique twist. Godless spins a classic tale of revenge. Jeff Daniels portrays crime boss Frank Griffin, who, along with his band of outlaws, is on the hunt for Roy Goode, a former member who betrayed them.

As Roy flees from his past, he ends up in a secluded New Mexico mining town predominantly inhabited by women. His arrival lures Griffin’s deadly gang to the town, forcing the residents to stand their ground.

The series was lauded as a “work of confident artistry”, an “unrelentingly brilliant” and “clandestinely old-fashioned mash-up of all the great Westerns you ever knew and loved”. It also bagged three Primetime Emmy Awards.

The English

But there’s another modern western TV series that trumps them both. The English, a BBC production that flew somewhat under the radar upon its 2022 release, stars Emily Blunt, Chaske Spencer, and Rafe Spall. Set in 1890, it follows Lady Cornelia Locke (Blunt) who journeys from England to the American west seeking vengeance against the man she holds responsible for her son’s death.

Whilst it rivals both American Primeval and Godless in terms of its grim portrayal of the Old West, the series also shines a light on another disturbing element of 19th-century existence that seldom appears on our screens: syphilis and the devastating toll it takes on the body. The show also presents one of the most chilling figures in recent memory: Black-Eyed Mog, a bonnet-clad, spectacle-wearing Welsh matriarch who presides over a brutal clan controlling the plains from their fortified stronghold.

Critics awarded it five stars, praising a script “as gorgeous as the landscape”, which “evokes the pitilessness of the old west” and poses the question of “how many of us would remain sane, and morally sound, in a lawless land where – for hundreds of miles at a time – no one could hear you, or anyone who got in your way, scream”.

THE slashing deaths of Hollywood star Rob Reiner and his wife have sparked a raft of questions, many of which stem from their alleged killer son, Nick.

Here is a look at five mysteries that leave glaring holes in the murder investigation, from hazy information about Nick’s mental health to debates on his unconfirmed motivation.

Nick, 32, is accused of murdering his parents, filmmaker Rob, 78, and his wife Michele, 68, after a chaotic weekend that spiraled from a celebrity bash to a late-night arrest near the University of Southern California.

The couple was found dead at their Brentwood home on Sunday with their throats slashed.

Nick was arrested later that night and is charged with two counts of first-degree murder, meaning he could face the death penalty if convicted.

However, his fate is still hanging in the balance, as his arrest is complicated by missing hours, unclear motives, and unanswered questions about what he did while his parents lay dead.

READ MORE ON ENTERTAINMENT

CALL FOR HELP

New Rob Reiner scene details revealed by first cops to arrive at his home

TROUBLING HISTORY

Nick Reiner was ‘violent’ with parents at least once before murders

Here is what has been revealed about the case and what remains to be revealed.

WHAT HAPPENED AT CONAN O’BRIEN’S PARTY?

On Saturday night, Rob, Michele, and Nick were all said to have attended a star-studded holiday party hosted by comedian Conan O’Brien.

And according to several insiders, the night reportedly went sideways for the trio.

Guests present at the party claimed that Nick behaved erratically the entire night

According to the Wall Street Journal, there was one awkward moment where Nick interrupted Saturday Night Live alum Bill Hader during a private conversation and was told to butt out.

Nick was said to have asked Hader odd questions like ” What’s your name? What’s your last name? Are you famous?”

One witness told the Daily Mail, “Nick just stood there and stared before storming off.”

Tensions escalated when multiple attendees saw Rob, Michele, and Nick locked in a heated argument.

At one point, a guest suggested calling the police, Daily Mail reported.

“They got into an argument, the father and son. It got so bad and loud someone wanted to call the police to report it,” an insider told the outlet.

Timeline of Rob and Michele Reiner’s death

Rob Reiner and his wife of Michele Singer Reiner were found dead in their Los Angeles home on December 14, 2025.

Timeline:

• December 13, 2025: Reiner and his wife Michele attended a holiday party on the evening of December 13 with their son, Nick.
• Sources conveyed to The U.S. Sun that the couple and their son were engaged in a heated public argument while at the event.
• December 14, 2025: Reiner and Michele were found dead in their Brentwood home in Los Angeles at around 3:30 pm PST.
• The couple’s daughter, Romy, reportedly discovered her parents’ bodies.
• Online police records show Reiner and Michele’s 32-year-old son, Nick, was arrested at 9:15 pm PST on December 14.
• December 15, 2025: Authorities in Los Angeles announce that Nick Reiner was arrested and charged with murder.
• Nick was booked into a Los Angeles jail at 5:04 am and was being held on $4 million bail, which was later revoked.
• December 16, 2025: Los Angeles District Attorney Nathan Hochman formally charged Nick Reiner with two counts of first-degree murder.
• Hochman said his office would consider the death penalty in Nick’s case.
• Nick’s scheduled court appearance on December 16 was postponed due to what his attorney said was a procedural issue.

But O’Brien reportedly intervened before anyone rang 911, the insider claimed.

“But Conan stepped in and said, ‘it’s my house, my party, I’m not calling the police.’ He talked them out of calling the police.”

“When the s**t was hitting the fan, somebody said we need to call the police. The conversation was about getting this kid put into a mental-health hold,” the source told the Mail.

Nick eventually stormed off the party.

Outlets have also reported that Rob confided to friends that he is scared of Nick.

“I’m petrified of him,” Rob told his friends.

“I can’t believe I’m going to say this, but I’m afraid of my own son. I think my own son can hurt me.”

WAS NICK HIGH ON DRUGS?

No official details have been released saying Nick was on drugs or drunk at the time of the alleged killings.

But questions are swirling because he has a documented history of substance abuse, and the hours after the party, and after he is believed to have fled the family home, are still largely unaccounted for.

Nick had a substance abuse problem for years, his parents also tried to help him recover from it.

WAS NICK ON MEDS FOR SCHIZOPHRENIA?

According to a TMZ report, Nick was receiving care from a Los Angeles-based rehab facility that focuses on mental illness and substance abuse, and costs $70,000 a month.

Nick had been diagnosed with schizophrenia, and a report claims his behavior became increasingly “alarming” as doctors worked to fine-tune his treatment.

Things got worse three to four weeks before the murders after doctors changed his medication, leaving him even more unstable.

“Nick was out of his head,” a source told TMZ, with the report also alleging his substance abuse made his condition worse.

COULD HE GET OFF ON MENTAL HEALTH GROUNDS?

Nick’s defense could try to lean on mental health in court, but that doesn’t mean he will walk free.

One avenue his attorney, Alan Jackson, could explore is having him declare mentally unfit for trial, which would pause the proceedings while he is evaluated and treated.

That’s different from an insanity defense, which argues he wasn’t legally responsible at the time of the alleged killings.

Los Angeles criminal defense lawyer Daniel Rubin told Fox News the defense strategy will depend on “the weight and admissibility” of evidence, witness testimony, the events before the deaths, “the defendant’s mental health issues,” and any mitigating factors.

Rubin said if Reiner is found mentally incompetent, a judge can order a formal competency assessment by specialists.

“If he is found ‘incompetent,’ he will need to be medicated or treated to the point where he will be able to assist in his own defense and understand the proceedings,” Rubin added.

This process could take several weeks to several months.

If a judge finds him unfit, the case typically goes on ice while doctors work to restore competency, and it can restart if he stabilizes.

Even if he’s never restored, that doesn’t mean he goes home; he could still be held in a secure hospital setting rather than a prison.

And if he’s found fit and later convicted, prison is still very much on the table.

WILL HE GET HIS PARENTS’ FORTUNE?

If Nick already has cash or there is a trust that allows discretionary payouts, it’s possible funds could be used toward his legal bills while the criminal case is pending – because he’s presumed innocent and the inheritance question isn’t “final” yet. 

Some reports say that, until there’s a conviction or a civil finding, he isn’t automatically treated as disqualified in every setting. 

But any move to use estate or trust cash could trigger an immediate probate war, with other relatives or beneficiaries pushing to freeze payouts while the murder case is pending.

If Nick is convicted, California’s so-called “slayer statute” would likely kick in, a law that blocks someone from inheriting from a person they feloniously and intentionally killed.

In that scenario, he’d be treated as if he died before his parents for inheritance purposes, meaning he wouldn’t collect from their estate.

If he’s barred, the money would typically flow to other heirs or whoever is next in line under the will or trust.

Rob and Michele’s combined estate has been estimated at around $200 million, making the financial stakes enormous as the case heads toward court.

Welcome to Screen Gab, the newsletter for everyone who wants to spend some time revisiting Rob Reiner’s indelible mark on pop culture.

For many of us, it was already that time of year when we pop in our DVD of “When Harry Met Sally…” or figure out which streaming service has it in its library (or digitally rent it, if none do), and passively recite every quotable moment until Harry’s breathless declaration of love on New Year’s Eve necessitated our full performance. It was a comfort watch in the best sense because of how joyous and hopeful it left so many of us, even cynics, feeling. This year, as the tradition now becomes layered with sadness following the tragic deaths of Reiner and his wife, Michele Singer Reiner, there’s at least comfort in knowing all the Hollywood magic he brought to life (whether he was directing, or starring in a production) that was full of humanity, humor and heart, and accompanied us at different stages of our lives, can continue to do so. Members of our film team took a look at some of Reiner’s best films, many of which can be streamed. And TV critic Robert Lloyd reminded us of Reiner’s contributions to television, particularly through shows like “All in the Family” and “New Girl” (“Lettuce, tomato, lettuce, meat, meat, meat, cheese, lettuce” — iykyk).

But if it’s all too soon, we get it. Maybe our other streaming recommendations can provide an escape — one is a TV drama about a disillusioned Broadway director returning home to his amateur community theater, and the other is a mystery thriller with an unlikely duo teaming up to investigate the case of a missing girl.

Also in this week’s Screen Gab, “Emily in Paris” actor Samuel Arnold stops by Guest Spot to tell us about the behind-the-scenes adventures of the show’s Italian-set fifth season.

ICYMI

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(Robert Gauthier / Los Angeles Times)

What the Oscars moving to YouTube means for broadcast TV: The Academy Awards will stream on YouTube beginning in 2029, ending a more than five-decade run on broadcast television and marking the show’s biggest distribution shift in its history.

How do Lifetime and Hallmark keep Christmas movies fresh? Pickleball and the NFL: For the two cable networks, tapping into niches, hobbies and sports teams allows them to invite new audiences in, while keeping loyal viewers satisfied with a break in formula.

Diversity and representation of women on streaming TV series in sharp decline, UCLA study shows: The latest edition of the Hollywood Diversity Report released Tuesday determined that the top shows in 2024 were less culturally diverse than the previous year.

Hollywood was built on movie stardom. AI is changing the rules: Synthetic performers are forcing Hollywood to rethink how fame works and who gets to claim it. Even as the technology races ahead, legal concerns are mounting.

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Recommendations from the film and TV experts at The Times

Harry McNaughton as Charlie Summers, a disillusioned Broadway director returning home to his amateur community theatre in “Happiness.”

(Andi Crown Photography / PBS)

“Happiness” (PBS app, pbs.org)

What could be better, at this festive time of year, or any other time, than a backstage musical comedy set in an amateur theatrical company in New Zealand’s fifth-largest city? Harry McNaughton plays Charlie Summers, whose Broadway dream dies when he’s fired as the director of a “Cats” revival and, losing his work visa, returns home to New Zealand for what he hopes will be only a couple of days. Naturally, it turns out otherwise, with Charlie drawn reluctantly into the production of a new musical, “The Trojan Horse,” at the Pizazz theater, run by his mother (Rebecca Gibney) and stocked with a original twists on classic characters: a dictatorial director, the always-cast leading lady, a talented ingénue, a buff electrician with a great voice and the shy high school music teacher who wrote it, making themselves and their desires quickly felt. (There’s a feminist thrust to the plot.) The songs are tuneful and witty, the performances fun, the atmosphere charged but charming. Presented in six 20-minute episodes as part of “Masterpiece Theater.” — Robert Lloyd

Emma Thompson as private investigator Zoë Boehm and Ruth Wilson as art conservationist Sarah Trafford in “Down Cemetery Road.”

(Matt Towers / Apple TV)

“Down Cemetery Road” (Apple TV)

Nothing says the holidays like a gripping crime drama where everyone’s a suspect! Apple TV’s smart and unvarnished British series follows Zoë Boehm (Emma Thompson), a private investigator who hasn’t the time or bandwidth for social niceties, shows of emotion or combing her hair. She’s thrown together with homemaker and art restorer Sarah Tucker (Ruth Wilson), a passive suburbanite who likes 4 Non Blondes.

Their sparring personalities create the undeniable chemistry that’s at the heart of this eight-part series, while the drama’s unexpected turn of events and fast pacing make it hard to hit pause. The two women are connected when a deadly residential explosion rocks Sarah’s neighborhood. A woman was killed, but her young daughter, who made it out alive, has mysteriously disappeared. The quest to find the girl pulls the odd-couple investigators into a complex and dangerous cover up by the Ministry of Defense, and they discover the explosion was in fact an orchestrated assassination.

Morwenna Banks’ adaptation of Mick Herron’s debut novel of the same name, “Down Cemetery Road” also features the PTSD-plagued Downey (Nathan Stewart-Jarrett), the villainous Amos (Fehinti Balogun), bumbling agent Hamza Malik (Adeel Akhtar) and his sociopathic boss, C (Darren Boyd). But it’s Thompson’s gruff character who gets the best lines, such as the one she says to a potential client: “I don’t drink Prosecco and I don’t bond emotionally.” The show has already been renewed for a second season. — Lorraine Ali

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Samuel Arnold as Julien in Season 5 of “Emily in Paris.”

(Netflix)

Every office needs a deliciously snarky employee who is too fabulous to work, but still manages to grace the room with their presence to boost the vibe. In “Emily in Paris,” that person is Julien. The quippy, sharply dressed and gossip-loving character, played by Samuel Arnold, has been a bright spot in the series over its run. Initially the guy who liked to remind Emily she was une ringarde American, he’s softened his stance on his fish-out-of-water colleague. But as the Agence Grateau luxury marketing team ventures to Italy this season, which is now streaming, his side eye shifts focus to a new co-worker. Over email, Arnold shared what it was like shooting outside their usual setting and the animated series he returns to over and over. — Yvonne Villarreal

The Grateau team spent time in Italy this season. Some filming took place in Rome and Venice. What’s a memory or experience that stands out from filming there? Did any place there become a go-to spot for you when you weren’t shooting?

Rome was incredible, both on and off screen. One moment that really stands out is when Ashley Park and her choreographer, Carlye Tamaren, taught us one of Ashley’s dance routines. Everyone did so well — and Bruno Gouery was absolutely hilarious. When we weren’t filming, one of our favorite meeting spots was the rooftop at the Minerva Hotel. It’s stunning. In Venice, we would all gather in Bruno Gouery’s room and play a pirate dice game that Lucien Laviscount introduced us to. The city itself felt like a dream.

The series revolves around Emily and her fish-out-of-water experience of building a new life in Paris. How would this series look if it were titled “Julien in Paris”? Five seasons in, what would a slice of his life look like if you could pitch it to Darren Star?

If the show were called “Julien in Paris,” it probably wouldn’t be very exciting — Julien is a Parisian. He has Paris on lock. I like to think he sees himself as the prince of the city. Now, Julien in New York City — opening his own marketing firm there — that’s a different story. I can already feel the drama.

Julien is very discerning and could spot the games Genevieve was playing. How do you think he handled her, and the position he was in, knowing this secret could damage Emily and Mindy’s friendship?

I think Julien handled it pretty well. It’s not a great position to be in. When one friend hurts another, the right thing to do is to encourage the person at fault to do the right thing. And when someone like Genevieve — played by the absolutely lovely Thalia Besson — tries to stir up trouble, Julien definitely knows how to deal with that in the best possible way.

With all the love triangles (and squares), who would you, Samuel, pick for Emily — Gabriel or Marcello? And for Mindy — Nicolas or Alfie?

I don’t think I should be picking men for those women. What I can say is that they should follow their hearts and embrace whatever comes with that. Honestly, we should all try to do the same.

What have you watched recently that you’re recommending to everyone you know?

I recently watched “Safe House” [Netflix], with Lucien Laviscount as a badass action hero. The casting is great, the ending really catches you off guard, and Lucien does his own stunts — which makes it even more impressive.

What’s your go-to comfort watch — the movie or TV show you always come back to?

“Rick and Morty” [Hulu]. It never gets old. It’s funny, packed with pop-culture references — which I love — and the voice acting is just incredible.

Abbey Clancy shared the sad news that her family pet – her cat Maggie – has passed away at the age of 20 just weeks after they welcomed a new puppy

Abbey Clancy has said she is ‘heartbroken’ after the death of her beloved cat Maggie. The 39-year-old model took to social media to share the sad news their family pet had passed away at the age of 20.

Posting a photo of two of her children cuddling Maggie to her Instagram stories, she wrote over the top: “‘Goodnight my beautiful baby. You were one in a million. 20 years with you I’m heartbroken.”

In another snap the mum-of-four posted a pic of one of her sons cuddling Maggie on what looked like the kitchen floor and wrote: “Lost without you baby,” followed by a red love heart.

Her sad news comes just weeks after Abbey – who shares daughters Sophia Ruby, 14, Liberty Rose, 10, and sons Johnny, seven, and six-year-old Jack with football pundit husband Peter Crouch, 44 – welcomed a new furry friend into the family.

READ MORE: Abbey Clancy ‘gutted’ as she prepares for major personal milestone

Speaking on The Therapy Crouch podcast she does with Pete, Abbey revealed she’d recently got a new pet dog for her daughter Liberty. This is in addition to their black labrador, cavapoo, tabby cat, a stray kitten they recently adopted from Portugal and a lizard, which was a birthday request from her youngest son Jack for his fifth birthday.

The latest addition is a ‘teacup’ Maltese dog called Bambi, which is the same breed as Abbey’s mum’s dog, Bella. She said: “Lib was saying please, mummy, can I get a Bella? And I just thought, you know what? I’m going to get one.”

Though Pete protested he didn’t want any more pets in the house, Abbey didn’t listen and came home with Bambi in November. He recalled: “I’m sitting there on a Sunday, and Abbey walks in with it under her jumper, saying ‘It’s arrived!’ I just couldn’t believe it. We talk about losing the dressing room, right? I’ve lost the household.”

Abbey has insisted her love of having animals in the house stems from her own childhood when she wasn’t allowed pets. And the one pet she did have – a kitten – was given away by her mum to a policeman. She shared: “I’ve still got PTSD from my childhood because I was never allowed a pet. The one kitten I had, my mum gave away to a policeman.”

In a chat with OK! magazine, Abbey said: “I wasn’t allowed pets growing up. My mum was a bit of a clean freak, too – so I’m reliving my childhood through my kids. Every time they want a pet, I’m like ‘yeah’.

“I’m surprised Pete let us bring the stray cat home. He’s often said that if we introduce another human or animal in this house, he’s running away.”

Abbey also has a horse called Enzo that she rides every day and is in talks with animal charities to offer mistreated horses a new lease of life in the grounds of her sprawling country estate in Surrey.

Husband Pete joked: “I’m worried that, you know, we’re basically opening up a horse sanctuary.” It’s said that animal-mad Abbey is just waiting to be vetted before their new houseguests can move in.

She said: “Some have been rescued, they’ve been treated badly, they are rehabilitated but are homeless. You won’t be able to ride them, they’re just companions. But what better way to live out their remaining years than in the Crouch clan?”

READ MORE: M&S’ coffee and cake hampers are now under £5 in time for Christmas gifting

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