SHOW BIZ

THE Rolling Stones have called off plans for a UK and European tour next summer.

It would have been their first string of live dates since their huge Hackney Diamonds tour in the US in 2024 – which sold almost one million tickets.

It’s understood the band – who’ve sold over 250 million records worldwide – were looking at plans to play huge stadiums across Europe and the UK after pulling the plug on dates in 2025.

An American music critic said Keith Richards, who turns 82 on Thursday, told his bandmates Mick Jagger, 82, and Ronnie Wood, 78, he couldn’t commit to the trek at this time.

They added: “The Rolling Stones had all the big promoters throwing loads of ideas and dates at them for next summer.

“But when they properly sat down to discuss the tour, Keith said he didn’t think he could commit and wasn’t keen on a big stadium tour for over four months.”

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A spokesperson said at the time: “The band were looking to tour earlier this year but couldn’t make it work either.

“It’s hard for their fans but The Stones will get back onstage when they’re good and ready.”

In September, Ronnie confirmed to The Sun that he was waiting on the nod on the 2026 tour dates.

He also confirmed they had been working on their next album, which was recorded at Metropolis Studios in Chiswick, west London.

Ronnie said: “You will be getting new music from the Rolling Stones with an album next year. It is almost done. ”

Their last album, Hackney Diamonds, came out in 2023 and was their first record of original material in 18 years.

The album went straight to No1 in the album charts and spawned hits including Angry, which had Sydney Sweeney in the official music video.

Michele Singer Reiner, who was killed along with her husband, filmmaker Rob Reiner, on Sunday at their home in Los Angeles, was a photographer who moved from still images into filmmaking and later into producing, with work that blended performance, politics and persuasion. She was 70.

Singer Reiner was gigging as a photographer in the late 1980s, visiting film sets as part of her income. One of those sets was “When Harry Met Sally …,” the romantic comedy Rob Reiner was directing in New York, a film that would go on to become one of the era’s defining hits. Having divorced actor and director Penny Marshall eight years earlier, Reiner said he noticed his future wife across the set and was immediately drawn to her.

Scripted by Nora Ephron, the film was originally written to leave its central couple, played by Meg Ryan and Billy Crystal, separate, crossing paths over the years without ending up together. But after meeting Singer Reiner, Reiner reconsidered. He rewrote the final scene so the characters reunite and marry, an ending that helped make the film a beloved classic.

The two married in 1989, months after the film’s release. They went on to have three children: Jake, born in 1991; Nick, born in 1993; and Romy, born in 1997.

Hours after the couple were found dead at their Brentwood home, Nick Reiner — who had struggled for years with substance-abuse issues — was taken into custody and booked into Los Angeles County jail on suspicion of murder, according to jail records. He had spoken publicly about getting sober by 2015, when he worked with his father on “Being Charlie,” a semi-autobiographical film about addiction and recovery that Rob Reiner directed and Nick co-wrote.

After their marriage, Singer Reiner worked on several of Reiner’s films, as a special photographer on “Misery,” his 1990 adaptation of the Stephen King novel, among others. Their marriage also became a working partnership. As Reiner’s career expanded beyond studio films into documentaries and political projects, Singer Reiner — who earlier in her career had photographed the cover of Donald Trump on the photo of his 1987 bestseller “The Art of the Deal” — was closely associated with those efforts, collaborating on films and advocacy campaigns that increasingly overlapped.

Their civic strand emerged early. In the 1990s, she and Reiner started the I Am Your Child project, an effort aimed at raising awareness about early childhood development and expanding access to support services for parents.

The initiative coincided with Reiner’s emergence as one of Hollywood’s most prominent political voices. He was a founding board member of the American Foundation for Equal Rights, which led the legal fight to overturn Proposition 8, the California ballot measure that banned same-sex marriage. He was also a central figure behind Proposition 10, the California Children and Families Initiative, a landmark policy that created an ambitious statewide early childhood development program.

In the last decade, Singer Reiner moved more fully into producing. Her credits included such Reiner-directed projects as “Shock and Awe” (2017), “Albert Brooks: Defending My Life” (2023) and this year’s “Spinal Tap II: The End Continues,” as well as “God & Country,” a 2024 documentary examining Christian nationalism in the United States.

As news of their deaths spread, tributes emphasized the Reiners’ shared public life. Laurie David, an environmental activist and documentary filmmaker who was a close friend of the couple, wrote on Threads that “Rob & Michele — always referred to as Rob & Michele — were an extraordinary couple who worked side by side to make the world a safer, fairer and more just society.”

Former President Bill Clinton and former Secretary of State Hillary Clinton also issued a joint statement calling the couple’s deaths “heartbreaking” and pointing to what they described as the Reiners’ “active citizenship” in defense of “inclusive” democracy. “They were good, generous people who made everyone who knew them better,” the statement said.

Former House Speaker Nancy Pelosi called the loss “devastating,” writing that while Reiner was creative, funny and beloved, Singer Reiner was his “indispensable partner, intellectual resource and loving wife” in all of their endeavors.

A clear favourite has emerged to take the Strictly Come Dancing crown, say bookies and fans.

Three nervous celebrities are going into the Strictly Come Dancing final but only one can win – and it’s increasingly clear who that will be. Despite the final being touted as the closest in years, a single star is surging ahead in the battle for the Glitterball trophy that will take place on Saturday night.

Former England footballer Karen Carney, 38, has leapt ahead of all the others in the running and has been named as the far-ahead favourite to take the title, with people piling in to back her. It’s something of a last-minute upset since social media star George Clarke, 26, has long led the market, but is now drifting away.

West End star Amber Davies, 29, who has been in the dance-off for two weeks running now but managed to survive, is now thought to be the least likely to win the competition with professional partner Nikita Kuzmin and is predicted to finish third behind runner-up George and winner Karen.

One fan wrote: “The odds are slowly beginning to suggest we do have our winner” but added: “I think it’ll be the closest final we’ve had in years which is always a refreshing change after the past few years!”

Others said they would be switching their vote from Balvinder to the football star. One wrote: “Karen! I like George but I’ve been less moved by his story and I think the Karen/Carlos pairing is endlessly fun.” Another agreed: “As a Bal fan, im now gonna be voting for Karen.”

Lee Phelps for William Hill explained: “Karen Carney has taken firm control of the Strictly betting ahead of the final, and her move into 2/5 from 6/5 shows just how strongly punters are backing her to lift the Glitterball. After weeks of favouritism see-sawing between the two, Clarke has now eased out to 15/8 from 4/5, indicating that momentum has swung decisively in Carney’s favour at the ideal moment.

“Amber Davies’ survival in the dance-off hasn’t gone unnoticed either, with her trimmed into 20/1, but the market is clearly focused on a straight fight at the top as we head into the final.”

Others dismissed the predictions, with one fan writing: “Omg why is Karen such a strong favourite to win when George is going to win?” Another pointed to the huge fanbase he has thanked to his vast online following who are ready to vote for him.

They said: “I hate to get my hopes up, but I saw the strictly results show post of Facebook, and majority of the comments were saying their votes go to George and they want him to win. Not only that but he has his fanbase, and has been top of the polls. It’s looking promising.”

Another agreed: “What also helps George is the same thing that likely helped Ginge win I’m A Celeb – he’s in with some of the biggest stars in the UK YouTube scene, so if they post the vote link the same way they did for Ginge I think it’ll be a real uphill battle for Karen or Amber.”

Strictly Come Dancing’s live final is at 7pm on Saturday on BBC One and BBC iPlayer

PREGNANT The Saturdays singer Vanessa White has wed her fiancé in a stylish London ceremony.

Vanessa looked stunning as she posed with her husband hunky model and musician Emmanuel Lawal.

The Saturdays singer confirmed the news on social media alongside some gorgeous snaps of her wedding.

Vanessa looked stunning in a white gown with lace insets as she showed off her baby bump, as Emmanuel looked stylish in a dark suit and white shirt.

The series of snaps showed the couple signing the wedding register, smiling in their car and holding hands together.

A sweet snap of Vanessa feeding her new husband as they sat in the restaurant was particularly beautiful.

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After the ceremony, the loved up couple headed to Alex Dilling at Hotel Cafe Royal for dinner.

Vanessa said: “We wanted it to feel like a long date.”

The couple travelled all day in a flying spur from Bentley Motors which saved Emmanuel from having to find a parking space near Regent Street.

The Chef closed the restaurant for them to use exclusively with endless courses arriving.

“We were there for hours,” the couple said. “We didn’t get home until 11pm.”

Vanessa captioned the images: “The Lawal’s such an honour for us to share our special day with @britishvogue.

“A few thank you’s. @bentleymotors, what a dream family you have been to us over the many years. @mytheresa.com@mytheresa.men you made us feel GREAT!

“My husband designed my engagement ring and surprised me with bespoke bands from @sholabranson… yeah.

“@christianlouboutin they will NEVER leave our wardrobes. @alexdillingcaferoyal@adills1 you my friend are a legend. Mind blown. Delicious. Hospitality we will never forget.

“15+ years with my darling talented friend @kom_makeup. adore you.

“And to the magician @georgewilliamvicary who you actually never notice taking any photo’s until you see them. Thank you for capturing life long memories in the moment.”

As one fifth of the band The Saturdays, Vanessa shot to fame in 2008 with her fellow girl pals Mollie King, Frankie Bridge, Una Healy and Rochelle Humes.

After the group split in 2014, Vanessa appeared on I’m A Celebrity in Australia and was the fourth celeb to be evicted from the jungle.

She’s now a model and influencer and regularly shows off her stunning stylish looks online.

Vanessa revealed only last month that she was pregnant and engaged.

The singer showed off her large bare bump in a series of stunning snaps on Instagram.

She wore a white vest top rolled up to show off her tum and blue jogging bottoms, and there was a noticeable sparkling ring on her engagement finger.

Vanessa wrote: “there’s a V and E in love.”

Vanessa keeps her personal life largely private on social media, but last year she rekindled her romance with her new husband, Emmanuel.

He is one half of production duo AUDIOCOMINGSOON with fellow fashionista Ashton Gohil.

The talented twosome have performed at prestigious events including Samuel L. Jackson’s One For The Boys Fundraiser and a Louboutin collection launch.

Cazzu made a special announcement Monday: Come 2026, she will be touring in the U.S. for the first time.

The Argentine singer will kick off her seven-show U.S. tour April 30 with a performance at the San Jose Civic in San José. Her jaunt across the country will end May 10 at the 713 Music Hall in Houston.

Along the way, the “Loca” artist will stop at the Cal Coast Credit Union Open Air Theater in San Diego on May 1 before performing at the YouTube Theater in Inglewood on May 2.

Her debut U.S. tour is an extension of her ongoing Latin American tour, which just wrapped up its most recent leg earlier this month with a concert in her native Argentina.

Before landing in the U.S., Cazzu will play a handful of shows in Argentina in January and February, and will also perform at the Isle of Light Music Festival in the Dominican Republic on March 7.

All her previous and upcoming shows are in promotion of her fifth studio album, “Latinaje,” which was released April 24. The project infused a unique blend of the sounds of South America that helped inform Cazzu’s musical tastes, including Argentine chacareras, cumbias santafesinas, tango and Brazilian funk.

Following the release of her LP, the Latin Grammy-nominated artist spoke with The Times in April about her influences and the work that went into making the project.

Inspired by Puerto Rican and Mexican musicians who have incorporated regionally specific sounds into their music, Cazzu aimed to highlight elements of Argentine folk music in her latest offering. “Perhaps there is a space where us Argentines can showcase our roots to the world,” she told The Times.

Hailing from the environmentally diverse Jujuy region of Argentina, Cazzu said her hometown of Fraile Pintado is a far cry from the metropolitan life of Buenos Aires.

“It’s a region that has a mixture of cultures,” Cazzu noted. “It’s my identity as a person but also as an artist. The folklore is alive there, [as well as] Andean folklore.”

Her homages to several traditional Indigenous and Argentine songs connect the new-age sounds that Cazzu has frequently employed to the lush history of a country with a rich musical background.

“It’s beautiful to give these songs a second life,” Cazzu said. “In 80 years, when I am no longer here, it would be beautiful if someone would revive something of mine.”

EastEnders star, Balvinder Sopal, was voted off Strictly Come Dancing on Sunday in the semi-final, leaving just three celebrities fighting for the Glitterball trophy

Strictly Come Dancing fans were divided when Balvinder Sopal left the show on Sunday. The EastEnders star, 47, and professional partner, Julian Callion, competed in her record-breaking sixth Strictly dance-off against reality TV star Amber Davies and Nikita Kuzmin before their luck finally ran out.

On her exit, Balvinder said of her time on the show: “Everyone’s been brilliant. The minute you walk into this building, it’s like a massive hug. Every single time. I’ve walked in, people have just held me and gone ‘you know, you’re all right’, it’s such a wonderful place to work.”

After her tearful farewell dance, many viewers flocked to social media to congratulate the Suki Panesar star, with some saying Balvinder should have stayed in the competition.

READ MORE: Strictly fans figure out why Balvinder Sopal left and say ‘it’s really not fair’READ MORE: Strictly’s Amber Davies breaks silence after tense dance-off and bitter backlash

Praising her determination after ending up in the dance-off a record-breaking six times, one took to X, declaring: “Balvinder highlighted what the show is about, improving each week and when knocked down battling strong to get back up again! Balvinder and Julian Callon deserved to be in the final as been such a great journey for them both and for viewers to watch.”

Meanwhile, another lamented: “You fought so very hard and you made it so far off the back of sheer determination and strength. You broke records. You opened hearts. You lived your dream and gave it your all. Here’s to you Bal Sopal, forever a strictly winner of our hearts.”

There was also the feeling by some viewers, that now finalist, Amber Davies, had an unfair advantage over Balvinder because of her musical theatre background.

The Love Island winner has a string of West End credits under her belt, including The Great Gatsby. However, Amber insists the disciplines are worlds apart.

The reality star’s friend, TikTok star, Hannah Lowther, also told the Mirror that the kind of dance training usually offered in drama schools is “completely different” to what is expected on Strictly.

However, while there was a wealth of support for Balvinder on social media, there were other viewers who thought her time on the show had been up for a while.

Taking to X, one said: “I’ve enjoyed watching Balvinder, but it was definitely her time to go. She did well to stay in so long.” Meanwhile, another shared: “Definitely the right decision. Lovey lady and such a warrior, but she was out-danced by Amber. The right three are in the final.”

And those three are George Clarke, Karen Carney and Amber, who find out their fate on the sequin-strewn final on BBC One on Saturday.

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

HOME And Away star Rachael Carpani shared a tragic post detailing her health struggles before her sudden death.

The Australian actress, 45, died after “a long battle with a chronic illness”, according to her heartbroken parents.

In 2021, she was rushed to hospital in Sydney after suffering from acute abdominal pain.

The issues caused Carpani, also known for her role in hit Aussie TV show McLeod’s Daughters, to even spend a few days in an intensive care unit before she was taken in for surgery.

She wrote at the time: “I was admitted to emergency with acute abdominal pain just over a week ago and spent a few days in the ICU.

“Was then moved to the surgical ward.”

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Carpani said the pain had existed for some time before her issues severely worsened all of a sudden.

She added: “Basically it was a case of me not listening to my body and the pain [I tend to work through pain!] and allowing myself to get quite ill.”

She urged all her followers to always take note of any health woes and to get them checked out as soon as possible.

In a now heartbreaking post from last year, Carpani shared images of herself posing for a photoshoot following a bout of surgery.

Alongside the smiling images, Carpani explained: “My first time back in front of a camera for a photoshoot two days ago.

“No hospital gown, no awesome surgery socks ….[have to admit I miss the comfort].”

It is unclear what surgery the actress was recovering from at the time.

In June 2023, Carpani also underwent surgery on her eyes.

She wrote on Instagram: “After a life with horrific short-sightedness, wearing glasses from the age of 5, I bit the bullet and got ‘eyeball’ surgery.”

She later confirmed it was phakic intraocular lense replacement which is a vision correction surgery where a permanent artificial lens is implanted in the eye.

In an emotional statement, the star’s parents announced her shock passing.

They said: “It is with great sadness that Tony and Gael Carpani announce that their beautiful daughter, beloved Australian actress Rachael Carpani, unexpectedly but peacefully passed away after a long battle with chronic illness.”

She passed away on December 7 in the early hours of the morning.

Her family has said the funeral will be a “private event”.

Carpani was best known for her role as Jodi Fountain in the hit early 2000s series, McLeod’s Daughters.

She appeared on the show between 2001 and 2009 and earned two Logie nominations for her on-screen performance.

The Logies are Australia’s annual awards for television, celebrating Australian TV shows and personalities.

In 2007, Rachael was nominated for a Silver Logie for most popular actress, as well as the biggest award of the night, the Gold Logie.

She had also appeared in a number of films, including The Very Excellent Mr Dundee, Hating Alison Ashley and The Way Back.

More recently, she had a recurring role in hit Aussie soap Home and Away, playing Claudia Salini, an on-screen villain.

Rob Reiner was born into the lineage of comedy thanks to his father, television pioneer Carl Reiner, and he first gained recognition as an actor, including his Emmy-winning role on “All in the Family.” And while there is certainly a streak of humor through almost all of his films, what marks Reiner’s work as a director is his astonishing versatility, able to switch styles from one project to the next with remarkable ease. The run of films that begins with his feature directing debut, 1984’s “This Is Spinal Tap,” on through 1986’s “Stand by Me,” 1987’s “The Princess Bride,” 1989’s “When Harry Met Sally…,” 1990’s “Misery,” 1992’s “A Few Good Men” and 1995’s “The American President” is simply breathtaking for its mastery across the specrum of popular Hollywood moviemaking.

‘This Is Spinal Tap’ (1984)

Harry Shearer, left, Christopher Guest and Michael McKean in the movie “This Is Spinal Tap.”

(Archive Photos / Getty Images)

Though not strictly the first to explore the form, Reiner’s first feature as director more or less cemented the concept of the “mockumentary,” presenting itself as a documentary on the (fictional) rock band Spinal Tap. Reiner appeared onscreen as Marty DiBergi, director of the faux film-within-the-film, forming a neat transition from his career as an actor to director. And while this year’s sequel “Spinal Tap II: The End Continues” was not particularly well received, the legacy of the original, still among the most quotable comedies ever made, remains untouchable. — Mark Olsen

‘The Sure Thing’ (1985)

Made amid the teen sex comedy craze of the 1980s, Reiner’s second film, about two college students sharing a cross-country car trip together, had something special and different about it — namely the performances of John Cusack and Daphne Zuniga, who both brought an openhearted tenderness to a story that might have toppled into cynicism. The emotional earnestness that would often come through in Reiner’s work first emerged here, making what could have been a run-of-the-mill exercise into something more. — M.O.

‘Stand by Me’ (1986)

Wil Wheaton, left, River Phoenix, Jerry O’Connell and Corey Feldman in the movie “Stand by Me.”

(Columbia Pictures)

Based on a novella by Stephen King, “Stand by Me” is about four boys — played by Wil Wheaton, Corey Feldman, Jerry O’Connell and River Phoenix — who find their friendship tested during a particularly eventful Labor Day weekend of 1959. Approaching the story with a mix of dewy nostalgia and incisive clarity, the film earned Reiner the first of three nominations from the Directors Guild of America. — M.O.

‘The Princess Bride’ (1987)

Robin Wright and Cary Elwes in the movie “The Princess Bride.”

(20th Century Fox / Kobal / REX / Shutterstock)

It would be inconceivable to not include “The Princess Bride” in any consideration of Reiner’s best, as the swashbuckling fantasy romance embodies a sense of playful inventiveness and anything-can-happen ethos. An elderly man reads a story to his grandson as the action comes to life in the tale of a farm boy and a princess who are fated to be together, if only they can overcome all manner of trials and challenges. The movie has now enchanted multiple generations of children and adults alike. — M.O.

‘When Harry Met Sally…’ (1989)

Meg Ryan and Billy Crystal in the movie “When Harry Met Sally…”

(Castle Rock Entertainment)

As much as any other movie, “When Harry Met Sally…” (scripted by Nora Ephron) has come to embody the modern romantic comedy with its will they-won’t-they tale of two good friends who come to realize they may also work as something more. Grounded by the charming performances of Meg Ryan and Billy Crystal, as well as a strong supporting cast including Carrie Fisher and Bruno Kirby, the film has a rare warmth. It was Reiner’s mother Estelle who delivered the unforgettable punchline, “I’ll have what she’s having.” — M.O.

‘Misery’ (1990)

Kathy Bates and James Caan in “Misery.”

(Archive Photos / Getty Images)

Reiner named his production company Castle Rock Entertainment in honor of his deep love for Stephen King’s fiction and after making a splash with “Stand by Me,” there was no way he wasn’t going do something scarier as a follow up. (You get a hint in “When Harry Met Sally” — look at the hardcover Crystal is skimming.) King’s captive-author nightmare gets classed up by two knockout performances calibrated in perfect harmony: Kathy Bates’ psycho fan, a turn that earned her an Oscar, and James Caan as the bedbound writer. At the time, Caan was an actor in need of a second chance. Reiner was it. — Joshua Rothkopf

‘A Few Good Men’ (1992)

Jack Nicholson, left, and Tom Cruise in the movie “A Few Good Men.”

(Mondadori Portfolio / Mondadori via Getty Images)

Reiner seemingly conquered yet another movie genre with this tightly wound military courtroom thriller and received his only Academy Award nomination, for best picture. Reiner was also recognized with nominations from the Directors Guild, Producers Guild and Golden Globes for the film. Written by Aaron Sorkin and featuring a cast that includes Tom Cruise and Demi Moore, this has Jack Nicholson’s volcanic delivery of the now-legendary line, “You can’t handle the truth!” — M.O.

‘The American President’ (1995)

Michael Douglas and director Rob Reiner on the set of “The American President.”

(Archive Photos / Getty Images)

A president as a romantic lead? Such things actually happened during the Clinton era. Reiner injects warmth and realism to Sorkin’s swaggering original script, loaded with wonky dialogue and walk-and-talks. But it’s the careful steering of Michael Douglas as a widowed U.S. leader and rising star Annette Bening as an extra-persuasive eco-lobbyist that distinguish this gentle comedy, one that seems positively alien to our current climate. Widely known for his vigilant activism in later years, Reiner’s on-screen politics were no less optimistic. — J.R.

‘Rumor Has It’ (2005)

Jennifer Aniston and Kevin Costner in the movie “Rumor Has It.”

(Melissa Moseley / Warner Bros. Pictures)

Not many would dare to take on a sort-of sequel to a movie as beloved as “The Graduate,” but Reiner brought a casual ease to the tale of a woman, played by Jennifer Aniston, who believes her mother and grandmother were the inspiration for Charles Webb’s original source novel. Though reviews at the time largely savaged the movie, it now seems just the kind of self-assured studio comedy audiences yearn for, buoyed by Shirley MacLaine’s outrageous performance as a woman who may be the real Mrs. Robinson. — M.O.

‘Albert Brooks: Defending My Life’ (2023)

Albert Brooks, left, and Rob Reiner in the documentary “Albert Brooks: Defending My Life.”

(HBO)

Reiner received two Emmy nominations for this documentary tribute to comedian, actor and filmmaker Albert Brooks, a friend of Reiner’s since the two met as teenagers at Beverly Hills High. It’s captured as an expansive conversation with the two sharing a meal in a restaurant. As much as the film is a portrait of Brooks, it also reflects Reiner’s own unique position as someone who knew show business and its ups and downs with a rare intimacy. — M.O.

Yellowstone actress Hassie Harrison will star alongside 1923’s Brandon Sklenar in upcoming Western thriller The Rescue, marking their first time working together despite both appearing in the Yellowstone universe

Yellowstone stars Hassie Harrison and Brandon Sklenar are set to finally share the screen in the forthcoming Western thriller, The Rescue.

Despite both actors playing key roles in the television sensation crafted by Taylor Sheridan, their characters are a century apart.

Harrison is renowned for her role as rodeo girl Laramie in the main drama, while rising star Sklenar portrays Spencer Dutton in the popular prequel series, 1923.

Both have since secured successful roles in other recent projects, with Harrison leading the critically acclaimed thriller film Dangerous Animals and Sklenar featuring in major films such as Drop and The Housemaid.

Details about their joint project remain hush-hush after Deadline announced last week that Harrison would be joining the Sklenar-led Western thriller The Rescue, reports the Express.

However, it’s been confirmed that the film will centre on a modern-day rodeo cowboy whose skills are challenged outside the arena.

The director of Old Henry, Potsy Ponciroli, is at the helm of the flick, penned by John Fusco.

Reports also confirm that the film is slated to start production this coming summer.

It has reportedly been a top priority title since its initial development by Skydance before merging with Paramount. The Rescue is now one of the first films greenlit by the newly formed studio regime.

Harrison is slated to feature in the forthcoming thriller Raven, which boasts a star-studded cast including Anthony Mackie, Pablo Schreiber, Ben Foster, and Ron Livingston.

As for her return to the Yellowstone universe, it remains a mystery. The franchise is set to grow with several spin-offs and sequel series on the horizon.

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Kelly Reilly and Cole Hauser are confirmed to reprise their roles as Beth Dutton and Rip Wheeler, respectively, in the upcoming sequel tentatively titled The Dutton Ranch.

Additionally, another spin-off currently under development, The Madison, will narrate the tale of a different ranching family and stars Michelle Pfeiffer, Suits’ Patrick J. Adams and Kurt Russell.

On the other hand, actor Sklenar is lined up to star in the Sheridan-scripted military thriller F. A. S. T., where he’ll play a former special forces commando recruited by the DEA to lead a raid on a major drug dealer.

The ensemble cast also features Juliana Canfield, LaKeith Stanfield, Jason Clarke, Sam Claflin, and Trevante Rhodes, with direction by Ben Richardson, who has directed several episodes of Sheridan-created dramas.

Yellowstone is available for streaming on Paramount+.

MONTY Python star Eric Idle has revealed the heartbreaking final conversation he had with Rob Reiner only hours before he was stabbed to death.

Idle said he spoke with a healthy and happy Reiner, 78, for over an hour on the phone as the beloved director opened up on his thoughts on the future.

Hollywood was left in shock after reports emerged that Reiner and his wife Michele, 68, had been stabbed to death at their home on Sunday afternoon.

Their troubled son Nick, 32, is now reportedly a person of interest in the double homicide investigation.

Daughter Romy, who lives across the street from her parent’s $13.5million estate, reportedly discovered the couple with fatal injuries consistent with multiple stab wounds.

Tributes have flooded in for Reiner and Michele since.

FINAL DAYS

Devastating last pictures of Rob Reiner & wife taken before couple found dead

British actor and comedian Idle led the way as he revealed his heartbreaking last talk with Reiner took place just one day before the suspected double murder.

Idle, who first met the When Harry Met Sally director over 50 years ago, wrote: “Rob Reiner was a lovely man. I spoke to him last night for over an hour. I always enjoyed his company.

I met him at his Dad’s in 1975. He was telling me about filming at Stonehenge and his thoughts for the future.

“This is so awful. I shall miss him. A clever, talented and very thoughtful man. So awful.”

Investigations into the death of the Hollywood super couple are still ongoing.

Police rushed to the six-bedroom home just after 3:30pm on Sunday afternoon after an emergency call was reportedly made by Romy, 28.

LAPD Captain Mike Bland quickly confirmed the force are investigating an “apparent homicide”.

Detectives from the Robbery Homicide Division have now been assigned to the case.

LAPD Deputy Police Chief Alan Hamilton told reporters at the scene that investigations will continue throughout the night with multiple family members set to be interviewed.

He added that there was no sign of forced entry into the home.

No arrests have been made with no suspects named at the moment, cops confirmed.

Investigators are set to speak to son Nick about the horror stabbing, according to multiple sources who have spoken with the family.

Nick, who reportedly lives in LA, has rarely been seen publicly since he opened up about his struggles with drug addiction in 2016.

He admitted to first going to rehab at the age of 15 and said his addiction issues even left him homeless.

Romy had shared pictures of her dad on holiday just last week alongside the heartbreaking caption: “Thankful for family, health, and followers of any age.”

HOLLYWOOD ICON

Reiner, raised in the Bronx by comic father Carl, was a huge presence in the movie industry after more than five decades as a top director and actor.

He started his career in front of the camera where he played Michael “Meathead” Stivic on the iconic sitcom “All in the Family” for eight years.

He then moved into directing with his most notable projects including the 1984 cult classic This Is Spinal Tap, The Princess Bride in 1987, and When Harry Met Sally in 1989.

In 1993, he was nominated for an Academy Award for “A Few Good Men,” which starred Jack Nicholson, Tom Cruise and Demi Moore.

Reiner’s production company Castle Rock Entertainment, which he co-founded, also helped to create Seinfeld and The Shawshank Redemption.

He would move between acting and directing right up until his death.

His most notable role in the past 15 years was as Jordan Belfort‘s dad in The Wolf of Wall Street alongside Leonardo DiCaprio.

This year he starred in both the critically acclaimed series The Bear and featured in the Spinal Tap II: The End Continues.

Michele was also known for her work as a producer and photographer.

Her most well known project saw her take the photo of Donald Trump which appears on the cover of his 1987 book Trump: The Art Of The Deal.

Reiner and Michele had been married since 1989 and shared three children together.

They first met while Reiner was directing When Harry Met Sally.

TRIBUTES POUR IN

Tributes for the beloved Hollywood couple quickly flooded in after reports of their deaths were announced.

John Cusack, who starred in Reiner’s film The Sure Thing, said: “Shocked by the death of Rob Reiner – a great man.”

Actor Josh Gad described Reiner as “one of the greatest directors of our time”.

Lord Of The Rings star Elijah Wood later posted: “Horrified to hear of the passing of Rob Reiner and his wonderful wife Michelle.

“So much love to their kids and family.”

Dozens of mourning fans took to the streets of Brentwood to pay their respects to the couple.

Among them was Larry David and Billy Crystal, according to neighbours.

Reiner was also a political force through his Democratic Party activism.

He was widely appreciated for his work as an outspoken supporter for LGBTQ equality and early childhood development.

Former US president Barack Obama paid tribute to Reiner saying he and his wife Michelle were “heartbroken by the tragic passing of Rob Reiner and his beloved wife, Michele”.

Former House speaker Nancy Pelosi described him as “creative, funny, and beloved” as she also paid tribute to Michele.

“Stereophonic,” David Adjmi’s heralded drama that won five Tony Awards including best play, is ready for its Los Angeles close-up.

The first national tour production, which opened Wednesday at the Hollywood Pantages Theatre, seems right at home in the music capital of the world. The play about a 1970s rock band on the brink of superstardom takes place in recording studios in Sausalito and L.A., where the Laurel Canyon vibe is never out of sight.

The visual crispness of this L.A. premiere goes a long way toward dispelling doubts that the Pantages is the wrong venue for this ensemble drama. If there’s a problem, it isn’t the cavernousness of the theater. The production, gleaming with period details on a set by David Zinn that gives us clear views into both the sound and control rooms, comfortably inhabits the performance space, at least from the perspective of a decent orchestra seat.

The play, which includes original music from Will Butler, the Grammy-winning artist formerly of Arcade Fire, has a sound every bit as robust as one of the blockbuster musicals that regularly passes through the Pantages. The songs, crushed by the actors at top volume, are Butler’s indie rock re-creation of cuts for a part-British, part-American band that bears such a striking resemblance to Fleetwood Mac that a lawsuit brought by a former sound engineer and producer of the group was eventually settled.

Adjmi, like Shakespeare, takes his inspiration where he finds it. And like the Bard, he makes his sources his own, alchemizing the material for novel ends.

The touring production of “Stereophonic” makes clear just how integral the original cast was to the success of the play.

(Julieta Cervantes)

Unfolding in 1976 and 1977, “Stereophonic” offers a fly-on-the-wall perspective of a band at a crossroads. While recording a new album top-heavy with expectations, the group falls prey to romantic conflicts and self-destructive spirals, to toxic jealousies and seething insecurities. The prospect of fame magnifies pathologies that have been intensifying over time.

Diana (Claire DeJean) is the Stevie Nicks of the band. Beautiful, achingly vulnerable and awash in lyrical talent, she is entangled in a relationship with Peter (Denver Milord), the Lindsey Buckingham of the group, who strives for musical perfection no matter the cost.

Their connection is as professionally enriching as it is personally destructive. Diana’s ambition is matched by her self-doubt. She’s susceptible to a Svengali yet doesn’t want anyone to tell her how to write her songs.

Peter, angrily competitive, can’t help resenting the natural ease of Diana’s talent, even as it’s her song from their first album that has put the band back in the spotlight. His genius is ferociously exacting while hers seems to spring naturally from her soul.

Artistically they depend on each other, but the tension between them is unsustainable. And as the play makes clear, there’s no way to keep their personal lives out of the studio.

DeJean and Milord are the most captivating performers in the ensemble. The other actors are solid but this touring production makes clear just how integral the original cast was to the success of the play.

Daniel Aukin’s production, which had its New York premiere at Playwrights Horizons in 2023 before moving to Broadway the following year, hasn’t lost its confident flow. The storytelling is lucidly laid out. But the tantalizing peculiarities of the characters have been whittled down.

The British band members suffer the worst of it. Emilie Kouatchou’s Holly moves the character away from the obvious Christine McVie reference, but her role has become vaguer and less central. Cornelius McMoyler’s Simon, the drummer and weary manager, fills the bill in every respect but gravitas, which must be in place if the character’s ultimate confrontation with Peter is to have the necessary payoff.

No one could compete with Will Brill, who won a Tony for his strung-out portrayal of Reg, a deranged innocent whose addictions and dysfunctions create farcical havoc for the band. Christopher Mowod can’t quite endow this “sad man in a blanket,” as Simon dubs his bundled-up bandmate, with the same level of fey madness that Brill was able to entertainingly supply.

These casting differences wouldn’t be worth noting if it weren’t for their impact on a play that distinguishes itself by its observational detail. Everything is just a little more obvious, including the two American sound guys bearing the brunt of the artistic temperaments running riot in the studio.

Jack Barrett’s Grover, the sound engineer who lied about his background to get the job, sands off some of the character’s rough edges in a more straightforwardly appealing version of the character than Eli Gelb’s bracing portrayal in New York. Steven Lee Johnson’s Charlie, the dorky assistant sound engineer, is an amiable weirdo, though I missed the way Andrew R. Butler played him almost like a space alien in New York.

The play has been edited, but it’s still a bit of an endurance test. Art isn’t easy for the characters or for us. But the effort isn’t in vain.

Adjmi’s overlapping dialogue and gaping silences, orchestrated in a neo-Chekhovian style, renders the invisible artistic process visible. By the end of the play, the tumultuous human drama behind creative brilliance emerges in poignant, transcendent glory.

MOLLY-MAE Hague and Tommy Fury looked all loved up as they cuddled up on a festive day out with daughter Bambi.

The influencer and businesswoman, 26, hailed the moment “everything” as they posed for a selection of snaps.

They headed to a winter themed event where their two-year-old daughter looked delighted as she pulled on a helmet and some chunky winter snow boots.

Doting dad Tommy, 26, wearing a black puffer jacket held Bambi tight as she hovered above the snow while Molly-Mae beamed at his other side.

She donned a long-line black coat and matching scarf as she wrapped up against the elements.

The Maebe brand founder styled her hair in a chic bun and opted for natural make-up.

MOL’S OUT

Molly-Mae Hague flashes her bra in see-through top on night out without Tommy

BUILDERS BEWARE

Watch Molly-Mae’s sister Zoe confront builders who wolf-whistled as she ran

The bunch then posed for a super sweet selfie before following up with another playful snap which Molly-Mae captioned with a series of white love heart Emoji icons.

She then captured a glimpse of Bambi on a roundabout with the star’s pal Tayla-Blue Watts and Tommy, as well as Tayla’s daughter Storie.

The little girls were then treated to a visit from Santa.

Molly-Mae uploaded a snap of their very special visit and wrote: “Went and found Santa going around the houses.

“Pjs and dressing gowns.”

Tommy also captured Santa’s visit on his Instagram Stories with the words: “Ending the day with finding Santa and making sure he knows we’ve been good this year.”

He also shared snaps of the family playing in the snow and put: “Another special weekend with my family.

“All that matters. Always.”

It came just days after Molly-Mae enjoyed a night out in Manchester with her pals while Tommy and Bambi spent the evening at home.

Molly-Mae Hague – Five Ways She Spends Her Wealth

MOLLY-MAE Hague has raked in a whopping £48K a week. Yet what five things has the mum of one spent out on?

NIGHT OUT

Molly-Mae joined a group of pals to celebrate the 30th birthday of Erin Jones, her close friend and assistant.

The celebrations took place at upmarket restaurant Sexy Fish, where the group had booked out a private dining area.

Molly-Mae shared a series of snaps from the night out, including one of Erin’s giant birthday cake, which read “not me turning 30”.

The evening is a rare sight for Molly-Mae, who has previously detailed how she doesn’t enjoy going out and very rarely goes near alcohol.

Meanwhile, her partner Tommy was on duty as he enjoyed a “daddy and daughter date night” with their daughter Bambi.

The pair headed to Bambi’s “favourite” restaurant, Pizza Express, before enjoying dessert at a nearby ice cream shop.

Sharing a picture of the toddler to his Instagram Stories, the boxer admitted that Bambi has him “completely wrapped around her little finger”.

Molly-Mae and Tommy rekindled their relationship at the beginning of the year after splitting in 2024 due to Tommy’s relationship with alcohol.

They have since gotten back on track and are in the process of renovating their new family home and preparing to have their first Christmas together since reuniting.

However, things haven’t been smooth sailing when it comes to parenting Bambi, as the couple admit she’s a handful.

The first-time mum, who previously confessed parenting so far has been an “emotional rollercoaster”, said last week that Bambi is like having a “teenager”.

Taking to social media, Molly-Mae asked fans if there was anything they wanted to know, when one asked how life had been with Bambi.

She replied: “She definitely keeps me on my toes.

“The way Bambi acts it’s like she’s a teenager in a two year old’s body. She knows exactly how to work both me and Tommy.”

Rob Reiner, a writer, director, producer, actor and political activist whose career in Hollywood spanned more than six decades and included some of the most iconic titles in movie history, was found dead Sunday with his wife, Michele Singer Reiner, at the home they shared in Brentwood. He was 78.

“It is with profound sorrow that we announce the tragic passing of Michele and Rob Reiner,” a spokesperson for the family said in a statement Sunday. “We are heartbroken by this sudden loss, and we ask for privacy during this unbelievably difficult time.”

Reiner will be remembered as the director of the seminal 1980s rom-com “When Harry Met Sally,” the actor whose character “Meathead” faced off regularly against Archie Bunker, and the political activist who backed early childhood programs in California and railed loudly for years against President Trump.

The oldest child of comedian Carl Reiner and singer Estelle Reiner, Robert Reiner was born March 6, 1947, in the Bronx, N.Y. Raised by a father who won 11 Primetime Emmys and a Grammy in addition to the Mark Twain Prize for American Humor, Rob Reiner attended Beverly Hills High School and studied film at UCLA. He then went to work in Hollywood as an actor and writer before moving on to directing and producing.

Reiner’s writing credits in the 1960s included “The Smothers Brothers Comedy Hour,” “The Glen Campbell Goodtime Hour” and the TV movie “Where the Girls Are.” In the 1970s, he wrote several episodes of “All in the Family” as well as the Primetime Emmy Awards telecast in 1978 and episodes of “The Tonight Show Starring Johnny Carson.”

Reiner married Penny Marshall, star of TV’s “Laverne & Shirley,” in 1971 and adopted Tracy, the daughter Marshall had from a previous marriage. Reiner and Marshall divorced in 1981.

He wrote for the first “Comic Relief,” hosted by Robin Williams, Billy Crystal and Whoopi Goldberg. That and the dozen “Comic Relief” telethons that followed raised awareness and money to fight poverty in the U.S. and elsewhere.

“This Is Spinal Tap” in 1984 further established Reiner’s comedic sensibilities in the American milieu. His work took a dramatic turn when he directed the 1986 adaptation of Stephen King’s novella “Stand by Me,” which starred Wil Wheaton, River Phoenix, Corey Feldman and Jerry O’Connell, but he returned to comedy with 1987’s “The Princess Bride” starring Cary Elwes, Robin Wright and Mandy Patinkin. Also in 1987, he co-founded production company Castle Rock Entertainment.

Then he directed what would emerge as one of the most beloved rom-coms ever — “When Harry Met Sally,” starring Crystal and Meg Ryan.

On the set of the movie he met photographer Michele Singer and the two married in 1989, the year the film came out. They went on to have three children, Jake, Nick and Romy, born in 1991, 1993 and 1997, respectively.

Reiner was finally nominated for a best picture Academy Award in 1994 for “A Few Good Men,” starring Jack Nicholson and Tom Cruise, though the movie lost out that year to Clint Eastwood’s Western “Unforgiven.”

Reiner’s work had sweeping cultural impacts. Three of his movies, “When Harry Met Sally,” “The Princess Bride” and “This is Spinal Tap,” are on the National Film Registry. The phrase “up to eleven,” coined in “This Is Spinal Tap” during an improvised sequence between Reiner and Christopher Guest, is in the Oxford English Dictionary.

“It’s weird that something that we just threw off like that suddenly becomes part of the lexicon of our lives,” Reiner said on NPR’s “Fresh Air” in September. “It’s very strange how these things have taken root.”

In 2015, Reiner was the producer on “Being Charlie,” a drama based on his family’s struggles while son Nick was addicted to hard drugs and rotating in and out of rehabs and homelessness.

“It was very, very hard going through it the first time, with these painful and difficult highs and lows,” Reiner told The Times in 2015. “And then making the movie dredged it all up again.”

Growing up, Reiner balanced conflicting feelings about his relationship with his own father, who was someone he strongly admired. But he also felt as though his father didn’t fully know him. That dichotomy inspired a scene in “Stand by Me” when Gordie declares his father hates him.

“Loving your father and looking up to your father doesn’t necessarily mean you’re feeling that back,” Reiner said on “Fresh Air” in September, recalling how writing that scene made him cry. Reiner, added, however, that he had two “great guides” in his life, his father, who died in 2020, and “All in the Family” creator Norman Lear.

Reiner was a writer on “The 40th Kennedy Center Honors” in 2017, capping a career that included myriad variety show writing credits. “Spinal Tap II: The End Continues,” which he directed, was his final project as a scribe. “Spinal Tap at Stonehenge: The Final Finale,” due out in 2026, was his final directing credit.

Reiner was nominated five times for supporting actor Emmys for his “All in the Family” work, winning in 1974 and 1978. He was up for two Emmys in 2024 for the documentary “Albert Brooks: Defending My Life.”

A staunch liberal, Reiner also emerged as a force in California politics and child welfare and education issues, and campaigned for presidential candidates including former Vice President Al Gore, endorsed former Secretary of State Hillary Clinton for president and spoke up for President Biden’s reelection. Reiner was also an unapologetic critic of President Trump.

He campaigned in California against tobacco use and in 1998 saw the passage of Proposition 10, which called for a tax on tobacco products to be spent on early childhood programs. Reiner became chairman of the First 5 California Children and Families Commission in January 1999. He resigned in March 2006 amid accusations that the commission had used tax money to boost his campaign for the ultimately unsuccessful Proposition 82, which would have raised income taxes on wealthy Californians to pay for preschool for 4-year-olds. An audit later concluded that he and the commission had not violated state law.

“Rob Reiner has always put California’s kids first, and I thank him for the great work he has done over the last seven years,” then-Gov. Arnold Schwarzenegger said in a statement at the time. “Because of Rob’s efforts, California has become a national leader in providing early childhood health and education services for our youngest children and their families.”

Times editor Brittany Levine Beckman contributed to this report.

Netflix viewers have just uncovered a surprising link between the Knives Out thriller series and Daniel Craig’s famous James Bond franchise.

Netflix viewers have just spotted a surprising link between the beloved Knives Out trilogy and Daniel Craig’s iconic 007 films.

The streaming giant has just released Wake Up Dead Man, which marks the third thriller in the Rian Johnson whodunit franchise.

Craig reprises his role as eccentric detective Benoit Blanc and takes on a seemingly impossible murder case.

Wake Up Dead Man has bagged a stellar 92% Rotten Tomatoes score, with many viewers already crowning it as the best thriller in the series.

This comes as no surprise considering its talented cast, which includes Josh O’Connor, Glenn Close, Josh Brolin, Kerry Washington, and Mila Kunis.

But the ensemble cast has caught moviegoers’ attention with more than just their acting chops. Many have pointed out that each instalment in the franchise has featured at least one actor that Craig worked with during his James Bond days.

Taking to Reddit, one fan posted a series of images of Bond actors who have also appeared in the Knives Out trilogy.

They shared their discovery, writing: “Something interesting I noticed after watching the movies back to back. With Wake Up Dead Man featuring Andrew Scott and Jeffrey Wright , Daniel Craig has worked again with at least one other actor from his James Bond movies on all 3 Knives Out films.”

Fans of the series will remember that the first film featured Oscar nominee Ana de Armas as nurse Marta Cabrera.

Craig and de Armas also collaborated in No Time to Die, in which the actress played CIA agent Paloma.

However, as some fans on Reddit pointed out “Ana de Armas was a Knives Out actor in a Bond movie, not the other way around,” since she joined the Bond universe two years after starring in the mystery film.

Craig later reunited with fellow Bond star Dave Bautista in Glass Onion, the Knives Out sequel.

Spectre fans will remember Bautista as terrifying henchman Hinx, a character worlds away from his light-hearted Glass Onion role as gamer Duke Cody.

Irish actor Andrew Scott also featured in the same 2015 Bond film as intelligence agent Max Denbigh.

Scott plays misguided writer Lee Ross in Wake Up Dead Man, though he sparingly shares scenes with Craig.

Another No Time to Die star, Oscar nominee Jeffrey Wright also reunites with Craig in the new Knives Out film.

Wright plays Bishop Langstrom, who serves as something of a mentor for main character Father Jud Duplenticy (O’Connor).

Fans were especially thrilled to see this duo collaborating again, four years after Wright played Bond’s ally Felix Leiter.

Responding to the Reddit thread, one fan penned: “God I love Jeffery Wright,” with someone else agreeing: “Was the best surprise seeing him!”

And a third added: “The Jeffrey wright one really made me happy. Didn’t know he was in it!”

Wake Up Dead Man: A Knives Out Mystery is streaming now on Netflix

AFTER nearly two decades of filling Saturday lunchtimes with her wit and warm charm, Zoe Ball is stepping away from her BBC Radio 2 show.

The beloved presenter will air her final programme on December 20, bringing an end to a chapter that has made her a fixture of British radio.

Her announcement comes after she was included in the BBC’s “Golden Ten” shortlist of presenters tested for the perfect on-screen partnership to replace Claudia Winkleman and Tess Daly.

The Sun revealed that Zoe Ball was one of the ten stars put through their paces in order to find the perfect on screen partnership in a top-secret chemistry test.

The news has sparked excitement that Ball could be in the running to replace Tess and Claudia as Strictly Come Dancing host.

Earlier this series, the duo dropped a bombshell, revealing they would be stepping away from the beloved BBC dance show for the final time.

HUGE GOAL

Radio 2’s Sara Cox stunned as her ultra-marathon total nears £2m

BETS ARE OFF

Bookies suspend betting on Strictly replacement after Zoe Ball quits Radio Two

Bookies have now suspended betting on who the replacements could be following Ball’s announcement.

Amid all these changes, there have also been personal developments in her life.

Zoe revealed she has a mystery “lodger” who, she joked, has “won more awards” than her.

The Radio 2 presenter dropped the hint on her “Dig It” podcast, confessing that her multimillion-pound pad now has a very special new resident.

While Zoe has hinted at a mystery man, the status of their relationship remains unclear.

Her last public romance was with construction worker Michael Reed, which ended in 2023.

Zoe was married to DJ Norman Cook (better known as Fatboy Slim) for 18 years, before splitting in 2016.

The couple, who co-parent their children Woody and Nelly, have stayed close since their split, with Norman even calling Zoe his “soulmate.”

It comes after Zoe quit the Radio 2 breakfast show at the end of 2024 following the heartbreaking loss of her mum, Julia Peckham, to cancer in April last year.

She left the coveted slot she’d held for six years to “focus on family,” and took a four-and-a-half month break from the radio following her mother’s death.

At the time, Zoe shared a touching tribute to her late mum on social media, saying: “Sleep tight dear Mama. 

“Thank you for teaching us how to love unconditionally, to always show courage and empathy, and how, even in the darkest of days, laughter is the greatest of gifts.”

Opening up about her grief, Zoe revealed she found the first birthday of her mum, Julia, since her death especially hard.

She said: “It’s a year and a bit since we lost mum, and I found her birthday this year, the toughest, the toughest, you know, a whole year later.

“That was brutal. It was a week of absolute weeping, I still get quite emotional sort of talking about mum, even now.”

Speaking on her podcast, Zoe choked back tears as she admitted suffering an “emotional breakdown” during a this “brutal” period of her life last year.

The presenter bravely told how she was left unable to move on the kitchen floor after being struck down with grief following her mum’s passing.

It’s been a chaotic time for Zoe and her family with her dad, TV legend Johnny Ball, revealing earlier this year he had been secretly fighting prostate cancer.

The 87-year-old broadcaster endured three brutal months of daily radiation treatment back in 2022, but is now “through it” and feeling”fine”.

She has admitted she occasionally questions whether leaving her flagship BBC Radio 2 Breakfast Show was the right move, after stepping down to spend more time with her teenage daughter.

This year brought another blow when a yob smashed Zoe’s car window and stole her handbag while she was appearing on The One Show.

“Someone had smashed the front window of my car, that’s never happened to me before,” she revealed.

Initially frozen from the shock of the attack, she said: “I got in and I had a massive cry.”

Despite leaving her regular radio show, she promises fans she isn’t disappearing completely, with special broadcasts lined up over the festive season and into the new year.

The 55-year-old broadcasting favourite is set to be replaced by presenter Emma Willis.

She said: “I have loved being betwixt my dear friends Romesh (Ranganathan) and Rylan (Clark), and you know, I love you all to bits, but I’m not disappearing completely.

“Obviously, it’ll be Christmas Crooners and I’m doing an eras show in the new year, more on that later.

“But I am thrilled to tell you that you will be in the safest of hands, because there is a superwoman who is no stranger to you all, but this does mean that she will officially become a member of the Radio 2 family.“

The adored host first took to the air as co-host of the Radio 1 Breakfast Show nearly thirty years ago, before becoming the first female DJ to host the primetime slot solo.

Zoe was the BBC’s second-highest paid presenter while she was hosting the coveted morning slot, pocketing £950,000 between April 2023 and 2024, just behind Gary Lineker.

Zoe had been one of the contenders to replace the much-loved pair on Strictly, amongst others including Alan Carr and Rylan Clark.

After quitting her radio show, the mum-of-two is now pipping the rest at the top.

Emma Willis, who is due to replace Ball on her Radio 2 show from next weekend, said:

Willis said: “I’m a huge fan of Radio 2, so I’m absolutely chuffed to be joining the family, and it’s a real honour to follow in the huge footsteps Zoe leaves behind, who’s someone I admire and adore.

“I’m very much looking forward to spending my Saturday lunchtimes with the Radio 2 audience and I’ll happily be the filling to a Romesh and Rylan sandwich!”

Los Angeles police are investigating an apparent homicide at the Brentwood home of Rob Reiner, where two people were found dead Sunday afternoon.

The bodies of a 78-year-old man and a 65-year-old woman were found at the home in the 200 block of Chadbourne Avenue, according to Police Capt. Mike Bland.

Law enforcement sources told The Times that a family member was being questioned in connection with the death. .

The sources, who were not authorized to speak publicly about the ongoing investigation, confirmed that there was no sign of forced entry into the home. The names of the victims have not been released.

Margaret Stewart, a Los Angeles Fire Department spokesman, said the department was called to the residence around 3:30 p.m. for medical aid. Inside the home, fire personnel discovered the bodies of the man and woman.

Rob Reiner and wife Michele Reiner attend the 46th Kennedy Center Honors gala at the Kennedy Center for the Performing Arts in Washington in December 2023.

(Kent Nishimulra / AFP via Getty Images)

Reiner, 78, has had a five-decade-long career in Hollywood.

Early in his career, he played Michael “Meathead” Stivic on the iconic sitcom “All in the Family” from 1971 to 1979, alongside Carroll O’Connor as Archie Bunker.

As a director, Reiner helmed a string of hits including “When Harry Met Sally,” “The Princess Bride” and “This Is Spinal Tap.” His work took a dramatic turn when he directed the 1986 adaptation of Steven King’s novella “Stand by Me.”

Reiner was finally nominated for an Academy Award for 1993’s “A Few Good Men,” which starred Jack Nicholson and Tom Cruise, though the movie lost to Clint Eastwood’s western “Unforgiven.”

Reiner also was a leading political voice in Hollywood.

He was a co-founder of the American Foundation for Equal Rights, the organization that led the fight to overturn Proposition 8, which banned same-sex marriage. He’s also been active in children’s issues through the years, having led the campaign to pass Proposition 10, the California Children and Families Initiative, which created an ambitious program of early childhood development services.

Proposition 10 was considered landmark policy. Reiner enlisted help in the effort from Steven Spielberg, Robin Williams, and his own father, comedy legend Carl Reiner.

Reiner was married to Penny Marshall, star of “Laverne & Shirley,” from 1971 to 1981. He met photographer Michele Singer on the set of “When Harry Met Sally” and the two married in 1989, the year the movie came out.

Michele Singer Reiner began producing films over the last decade, including “Shock and Awe,” “Albert Brooks: Defending My Life” and “Spinal Tap II: The End Continues,” all directed by her husband. She also produced “God & Country,” a look at Christian nationalism in the U.S.

By Sunday evening, law enforcement had swarmed Reiner’s sprawling estate in Brentwood, though an eerie quiet hung over Chadbourne Avenue, which had been sealed from the public with yellow crime scene tape.

Police cars were stationed at either ends of the block where the Reiner residence is located while a chopper circled overhead.

Officers spoke to a young man inside of the sealed off area, who left the scene around 7:30 p.m. in a white Tesla and declined to speak to the media.

Councilmember Traci Park, whose Westside district includes Brentwood, said in a statement that the LAPD had increased patrols in the neighborhood “out of an abundance of caution.”

“As we continue to wait for more updates, I want to express my profound concern and sadness at the news coming out of Brentwood,” Park wrote in the statement. “We are in close contact with LAPD as the homicide unit continues their investigation.”

This breaking news story will be updated.

Times staff writer David Zahniser contributed to this report.

Strictly Come Dancing’s Amber Davies was the subject of brutal comments from social media trolls after defeating Lewis Cope in a dance off but is brushing off the abuse to focus on the positives

Amber Davies has praised her Strictly Come Dancing co-stars after making it through to the final. The 29-year-old former Love Island star is partnered with Nikita Kuzmin, 27, and they have survived 12 weeks and three dance-offs to make it all the way to next Saturday’s grand finale.

On Sunday night, TV fans watched as Strictly judges unanimously voted to save Amber and Nikita after they danced against EastEnders star Balvinder Sopal and her dance partner Julian Caillon – a week after they had saved the duo in a dance off against Emmerdale’s Lewis Cope and dancer Katya Jones.

The 23rd season of Strictly has been fraught for some of the contestants as they have faced abuse online, with Amber targeted after defeating Lewis, and for her West End stage career, which some have felt has given her an unfair advantage in the contest. And the star has seen comments reach beyond criticism to become nothing short of bullying.

READ MORE: ‘Perfect’ Christmas Day dress that shoppers will ‘wear for years to come’ now £28READ MORE: Strictly Come Dancing’s Balvinder Sopal voted out as she misses grand final

On Sunday night, following the latest results show, Amber took to social media to tell her fans and lavish praise on her fellow contestants – and embrace all the positive experiences she has enjoyed over the past few months. Sharing a photo of herself with defeated semi-finalist Balvinder, the stage star wrote: “To do this experience next to you has been the biggest gift & life lesson, your strength and resilience has inspired me every single day. You are one of a kind, I will always be #TeamBal.”

In a video message to followers, Amber explained that she was supporting her fellow finalists, YouTube star George Clarke and footballer Karen Carney, as they all faced a final together. She said via Instagram: “I just wanna come on here and say in the close to a decade I’ve been in the public eye, I’ve never experienced an outpouring of love the way I have in the last 48 hours.”

She continued: “And to make the Strictly final is…I’m speechless. From how it started, I genuinely can’t believe I’ve made it to the end, but you know, I’ve just realised, I think I’ve needed to do Strictly to realise that there is so much kindness in this world.”

And she explained: “Like Nikita said, we’re stronger when we’re kinder and I’m going to literally enjoy every single second of this week. I’m rooting for George, I’m rooting for Kaz, and I’m just gonna be there to enjoy the ride.”

On Saturday night, Nikita took an opportunity during the live show to defend Amber, who has endured weeks of social media abuse. He told Amber in the Clauditorium: “You have had so much hate every single day from the moment you joined, you’ve had so much hate this week, and yet, you came every single day into the training room with a big smile, ignoring everybody.

“And just giving me love, giving me a ginger shot as well. But you gave so much love, you always were kind, so caring, you care more about me when I’m supposed to care about you. You care about me every single day, you are such a lovely kind person.

“And I think sometimes, and I speak to the audience at home, just please be kind because it costs nothing and you [Amber] don’t deserve none of it. You only deserve love because without you, I wouldn’t be here, and the show wouldn’t be as good as it is.”

Following Sunday’s results show, Amber shared photos of herself with Nikita on the dancefloor alongside an upbeat message about their final week on the show. She began by writing on Instagram: “Strictly 2025 finalists,” alongside an emotion-filled face emoji.

She wrote: “To those who have supported and voted for us from day one, you are the reason we are here and have made it!! 12 live shows, 3 dance-offs, 3 40s!!!! It’s not about winning for me, it never EVER has been, it’s always been about making the most of this incredible opportunity that was gifted to me so last minute. And now I will wholeheartedly cherish every single second of this last week with my partner in crime, one last week of pushing, laughing, learning, growing & of course knowing me lots of crying.”

She added: “I feel an overwhelming emotion of gratitude to you @bbcstrictly the greatest team in the world. Let’s go DANCE OUR HEARTS OUT FOR US @nikita__kuzmin TEAM BLOMMING CHAOS MADE IT TO THE END.”

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ZOE Ball celebrated her daughter Nelly’s 16th birthday with a big bash this weekend, reuniting with her ex husband Norman Cook for the milestone.

The party coincided with the shock news that Zoe has quit her Radio 2 show after just seven months at the helm.

Zoe shares Nelly and son Woody, 24, with Norman, who she split from in 2016 after 18 years together.

But the former couple remain on good terms, and reunited for their daughters big birthday this weekend.

Sharing an insight into the bash, Zoe posted a reel on Instagram and wrote: “Baby Girls Early 16th Birthday Party…oldies snuck in before it kicks off

“We love you beautiful noodle, can’t wait for the gossip.”

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The bash featured giant balloons spelling out Nelly’s name, along with a banner which read “Holy s**t you’re 16”.

Nelly’s older brother Woody was there to celebrate his sibling, as Zoe shared a snap of her two kids together.

Their dad, Norman, also appeared in high spirits as he donned a shirt with Nelly’s face printed across it.

It seems that Norman, also known as Fatboy Slim, was fittingly behind the DJ decks for the night, too.

The bash came just hours after it was revealed that Zoe has quit her BBC Radio 2 lunchtime show.

Zoe took on the show just seven months ago, after she stepped down from the station’s breakfast show.

She is set to be replaced by Emma Willis, who says she is a “huge fan” of the show.

Speaking on air on Saturday, Zoe told listeners: “I have loved being betwixt my dear friends Romesh (Ranganathan) and Rylan (Clark), and you know, I love you all to bits, but I’m not disappearing completely.

“Obviously, it’ll be Christmas Crooners and I’m doing an eras show in the new year, more on that later.”

“I am thrilled to tell you that you will be in the safest of hands, because there is a super woman who is no stranger to you all, but this does mean that she will officially become a member of the Radio 2 family.”

Emma said she is excited to be taking on the role: “I’m a huge fan of Radio 2, so I’m absolutely chuffed to be joining the family – and it’s a real honour to follow in the huge footsteps Zoe leaves behind, who’s someone I admire and adore.”

The new host signed off: “I’m very much looking forward to spending my Saturday lunchtimes with the Radio 2 audience and I’ll happily be the filling to a Romesh and Rylan sandwich!”

The news comes as Zoe is one of the “Golden Ten” shortlist of presenters that BBC bosses have lined up to step into the shoes of Claudia Winkleman and Tess Daly.

The Sun revealed that Zoe was one of the ten stars put through their paces in order to find the perfect on screen partnership in a top-secret chemistry test.

George Clooney plays the title character in Netflix’s “Jay Kelly,” a Clooney-esque movie star who is seemingly on top of the world — but is, in fact, at a crossroads. He’s finished his latest movie and is at a point in his career where he’s begun to worry that every project could be his last. His hope to spend the summer with his youngest daughter, Daisy, is squashed when he realizes she’s set to travel in Europe before heading off to college in the fall. (Jessica, Jay’s eldest daughter, barely speaks to him.) His mentor, a British director who cast him in his first movie, has recently died; on top of the looming sense of mortality is the guilt Jay feels for not attaching his name to the director’s final project in order to get the financing. And after the funeral, Jay runs into the former friend who brought him to that fateful audition as emotional support — and who remains bitter that Jay got the role and “stole his life.”

Instead of sitting down to process these conflicts, Jay decides to run away from them, dropping out of his next movie to follow Daisy to Europe. His professional entourage — a group that includes his longtime manager and friend Ron (Adam Sandler) and his no-nonsense publicist Liz (Laura Dern) — immediately springs into action, accompanying Jay on a chaotic trip abroad, with the final stop being an Italian film festival where Jay is set to receive a career achievement award.

“I did have an idea of an actor having a crisis of some sort, and it would be a journey forward and backward at the same time,” says writer-director Noah Baumbach of the spark that eventually became “Jay Kelly.” As Jay flees Hollywood, the city and its people continue to haunt him. Visions of himself as a young actor float in and out of his mind as he recognizes the mistakes he made by screwing over his friend and neglecting his older daughter. But no matter where he goes — even on board a crowded train from Paris to Tuscany — he’s instantly recognized as the A-list star that he is. Jay Kelly cannot escape himself no matter how hard he tries.

Laura Dern, George Clooney and Adam Sandler in “Jay Kelly.”

(Peter Mountain / Netflix)

Baumbach wrote “Jay Kelly” with British actor and screenwriter Emily Mortimer, who also appears in the film as Jay’s go-to makeup artist: “It really wasn’t until I brought Emily into it that it started to shape itself more into the movie you see,” Baumbach says.

One might assume that the pair’s years in the business (now in their 50s, Baumbach and Mortimer both got their start in the mid-1990s) informed their depiction of fame and stardom, but Baumbach is adamant that he didn’t set out to write a satire of their industry. “As Emily and I were focusing on the characters and the story, meaning started to reveal itself,” he explains. “Part of our job is to be open and aware of that.”

It tracks that a megastar like Jay would be surrounded by a close-knit circle of people managing his life, which led to Baumbach and Mortimer exploring those complicated relationships. One central storyline is the friendship between Jay and Ron, who have worked together for decades. Despite his devotion to his wife and kids, Ron’s top professional priority is Jay, and the inherently transactional nature of their relationship is a conflict that slowly bubbles up to the surface. There’s simply no getting around the fact that the person Jay is the closest to is also someone who takes 15% of his earnings.

Filmmaker Noah Baumbach.

(Sela Shiloni / For The Times)

It’s an awkward situation that many who work in the entertainment industry will recognize — but it’s also a humorous truth, the kind that underscores all of Baumbach’s films. “Jay Kelly” isn’t his first film set, at least in part, in Los Angeles. In “Greenberg,” Ben Stiller’s title character is a cantankerous and neurotic New Yorker who has fled west after a nervous breakdown. In the autobiographical “Marriage Story,” Adam Driver’s Charlie, a New York-based theater director, finds himself trapped in L.A. during his divorce from his actor wife, Nicole (Scarlett Johansson).

Baumbach, a Brooklyn native, calls his relationship with Los Angeles complex. “It’s a place I don’t always love being in,” he says — a bit of an understatement. But he’s more fascinated than repulsed by the city. “I was never drawn to be satirical about it. I think it’s such an interesting, strange place. [My films that] take place here do so for a reason. With ‘Greenberg,’ L.A. is a metaphor for loneliness. In ‘Marriage Story,’ Charlie is forced to fight for a home outside of where he feels his home is.” And at the end of the day, where else could a star like Jay reside? “I mean, Jay Kelly couldn’t have lived in New York, right?”

There is, of course, show business, an industry that values make-believe and vanity and couldn’t possibly exist anywhere else. “Ron has the line, ‘Death is so surprising, particularly in L.A.,’” Baumbach says, reciting Sandler’s dialogue from early in the film. “[These characters are] living in a place that, for the most part, doesn’t change — and that helps support the collective illusion that we’re all going to live forever.”

Jay Kelly might not, but the movies will.

National treasure Dame Judi Dench has admitted she is concerned that social media is taking over, and believes that theatres could pay the price

Dame Judi Dench has admitted she fears for the future of theatre. In an interview to promote a new TV show with fellow theatre star Kenneth Branagh, Judi was asked if theatre had evolved since she first took to the stage in 1957.

She said: “All I can hope is that theatre has evolved. With the onset of social media and I believe a marked lack of interest in the Arts, I fear that the younger generations won’t have the benefit or interest in the theatre like we all had.”

Judi, 91,insisted the stage had been a huge help to her acting during an incredible career. She is known for starring in such roles as Ophelia in Hamlet, Juliet in Romeo and Juliet and Lady Macbeth in Macbeth.

She said: “In every single play or production I have ever done, I’ve learnt something new. That comes not just from the play or the director, but also from your fellow actors. Each production offers countless opportunities to keep learning and growing.

“I knew in Antony & Cleopatra that there was a line of Cleopatra that was intended to get a laugh – on the 100th performance I got the laugh.”

In Peter Hall’s 1987 National Theatre production of Antony and Cleopatra, Judi Dench took Shakespeare’s character and re-created it from her own personality and imagination. She was alongside Antony Hopkins as Antony. Critics have described it as one of Dench’s greatest performances.

Michael Billington wrote in the Guardian: “Dench gave us a Cleopatra whose sexuality stemmed from her volatility, intelligence and wit: a woman of infinite variety who was enthralling company and an irresistible magnetic force, drawing Anthony Hopkins’s jaded warrior of an Antony back to Egypt.”

But it didn’t always go this week. Recalling her first ever stage performance playing Ophelia in 1957, Dench told Branagh: “I was in a kind of haze. We opened at the Liverpool Playhouse. It didn’t go well.

“They didn’t like somebody completely unknown playing the part. It was a bit dodgy.” Thankfully, she was encouraged and kept on in the theatre company and given smaller roles to build up her confidence again. She would go on to become one of the great British actors.

Dench has won an Oscar, two Golden Globes and six Baftas. As well as her stage performances, she is well known for portraying M in eight James Bond films.

Tea with Judi Dench sees her joined by Branagh for a one-off show on Sky Arts. They reflect on their remarkable careers and personal journeys in an intimate and insightful discussion. Dench said they share a similar sense of humour and she added: “What I admire most is his attitude to work, his commitment to what he does, and of course his sense of humour – those are the first things that stand out. Also, his respect for the theatre and the work he does.”

* Tea with Judi Dench airs 22 December on Sky Arts, Freeview, and streaming service NOW

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MICKEY ROURKE is trying to get his movie career back on track – despite his Celebrity Big Brother disgrace.

The veteran Hollywood star was booted off the ITV reality show earlier this year for his “unacceptable behaviour.”

But luckily for Mickey his name has been linked to two big-screen biopics.

One is about the life of Black Sabbath legend Ozzy Osbourne while another will be on US country legend Johnny Cash.

One of my Hollywood insiders said Mickey’s name had repeatedly come up in meetings about the films when discussions turned to casting the older versions of the music legends.

They told me: “Producers here don’t even know about the Celebrity Big Brother thing, Mickey is golden in the States.

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“This town also loves an underdog, and movie bosses think Mickey still has an Oscar-worthy performance they can wring out of him.

“He was a top actor back in the day — he would have been on a par with James Dean and Marlon Brando if he hadn’t taken wrong turns and gone down a bad path.

If the evil overlords of Hollywood give us the green light we could be filming in the spring

Jack Osbourne

“There are scripts in the pipeline on Ozzy and Johnny, and Mickey’s name has come up in meetings about both projects.

“They want to portray Ozzy’s final days before that amazing show at Villa Park, and they want a performance like Mickey gave in The Wrestler.

“They’re confident he could do it.”

It’s understood streaming giants Amazon MGM and Apple are interested in both projects, with big-name directors in the frame to oversee it — including Martin Scorsese.

Ozzy’s son Jack Osbourne first told me they were working on a film about his dad’s life before Ozzy’s homecoming show back in July.

Jack said: “We do have the film on the way. We have a lot of good forward momentum on the Ozzy biopic.

“We have a director attached now and the script is done and Sony Studios is going to be producing it.

“We are really excited about it so maybe we will do the premiere here in Birmingham.

“If the evil overlords of Hollywood give us the green light we could be filming in the spring so maybe it will be out summer 2027 — fingers crossed.”

I’m sure Mickey will be crossing his toes, as well as his fingers, that he gets the part.

JAMIE LEE: IT’S FREAKIER ONLINE

HER long-awaited sequel to 2003’s Freaky Friday – imaginatively titled Freakier Friday – went down a storm with fans.

And Hollywood legend Jamie Lee Curtis says she knows exactly why we are seeing a resurgence in sequels and prequels.

Speaking to comedian Geoff Norcott on this Times Radio show, Jamie said: “Nostalgia is very hot right now.

“Because people are feeling so freaked out by what’s happening that you cling, you cling to nostalgia to make you feel safe.”

Jamie, whose new film Ella McCay is out now, went on to slam cancel culture and attacks on free speech.

She added: “We’re all trying to figure out, what can we say? What can’t we say?

“The echo chamber is awful. Social media is awful. You say something that you believe in, you get hammered for it. I mean, hardcore.

“It’s hard to hold on to both the frustration you’re feeling but the sense of optimism and hope.

“I feel hope because I believe that the hatred is imploding, and I think we’re seeing it.”

IT’S STAR SHREK

THE life of a Bizarre reporter isn’t all red carpets and bubbly – sometimes you end up in a swamp with an ogre and a talking donkey.

Our Jack was invited backstage at the latest adaptation of Shrek: The Musical at Colchester’s Charter Hall to meet the cast before they kicked off their near sold-out run at the venue.

With Red Dwarf’s Danny John Jules as Donkey and CITV’s Chris Edgerley as Lord Farquaad, the show is based on the hit 2001 film starring Mike Myers and Eddie Murphy.

Shrek and Princess Fiona are played by Joseph Rawlings and Rachel Jerram.

A refreshing change from the annual festive panto, the cast delivered a brilliant version of the big screen hit with a seriously impressive set to match.

Shout out to Ceris Hine as the perfectly executed Gingy, delivering our favourite Gingerbread Man performance of the year.

Chatting backstage about playing the pint-sized villain, Chris explained how spending the show on his knees left him in agony at times.

He said: “I’m a lot taller than Farquaad so I’m knee-padded up to the hilt but it’s worth it.

“Halfway through rehearsals we had to add extra padding as it was hurting too much.

“Hopefully the audience will have as much fun as we do.”

Unlike the fairytale dictator, this musical certainly doesn’t come up short.

JAMIE’S SO FESTIVE

Jamie Cullum: The Pianoman At Christmas @ Royal Albert Hall, London

★★★★★

THERE’S nothing more festive than a trip to London’s Royal Albert Hall at Christmas – although a Jamie Cullum show there beats anything else to get you in the spirit.

Inspired by his criminally underrated 2020 album The Pianoman At Christmas, his two-hour seasonal spectacle, backed by a big band – “this is what expensive musicians sound like,” he half-joked – was an absolute treat.

And soon there will be more. He said of himself and wife Sophie Dahl : “We are trying to write the film of the Pianoman At Christmas.

“I told her I was going to announce it tonight so now we have to finish it.”

His voice is as smooth as a pricey whiskey and sounded just as great doing his original numbers as it did with family favourites Frosty The Snowman and Jingle Bells.

And as for Hang Your Lights, it deserves to be a modern Christmas classic.

Forget the turkey and mistletoe, Jamie Cullum’s annual festive show should be a staple of everyone’s Christmas.

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LILY’S SKIT ON STRANGER FLINGS

DAVID HARBOUR has another TV show to avoid, after his ex-wife Lily Allen called up Dakota Johnson to bring her infamous “Madeline” to life on Saturday Night Live.

During the show, Lily performed her explosive track Tennis – with Dakoka playing the “other woman” Madeline.

At the end of Lily’s performance, Dakota brought Madeline to life and appeared to reveal for the first time what this other woman may have told Lily about allegedly getting with David behind her back.

Dakota said: “I hate that you’re in so much pain right now.

“I really don’t want to be the cause of any upset.

“He told me that you were aware this was going on and that he had your full consent.

“’If he’s lying about that, then please let me know.

“Because I have my own feelings about dishonesty. Lies are not something that I want to get caught up in.”

Dakota then planted a kiss on Lily’s cheek as she said: “Love and light, Madeline.”