Zimbabwe

Zimbabwe’s governing party moves to extend Mnangagwa presidency to 2030 | Civil Rights News

Mnangagwa allies push for a term extension to 2030 as ZANU-PF factions split and opposition promises a legal fight.

Zimbabwe’s governing ZANU-PF has said it will begin a process to extend President Emmerson Mnangagwa’s term by two years, potentially keeping him in power until 2030.

The plan was endorsed on Saturday at the movement’s annual conference in the eastern city of Mutare, where delegates instructed the government to begin drafting legislation to amend the Constitution, Justice Minister and ZANU-PF legal secretary Ziyambi Ziyambi said.

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Mnangagwa, 83, is constitutionally required to leave office in 2028 after serving two elected terms. Any change would require a constitutional amendment – and potentially referendums – legal experts say.

Delegates erupted in applause after the motion passed, reinforcing ZANU-PF’s pattern of securitised rule since independence in 1980. The party controls parliament, giving it significant leverage, though some insiders warn that a legal challenge would be likely.

Mnangagwa has previously insisted he is a “constitutionalist” with no interest in clinging to power. But loyalists have quietly pushed for a prolonged stay since last year’s disputed election, while rivals inside the party – aligned with Vice President Constantino Chiwenga – are openly resisting an extension.

Blessed Geza, a veteran fighter from the liberation war and a Chiwenga ally, has been using YouTube livestreams to condemn the push, drawing thousands of viewers. Calls for mass protests have gained little traction amid a heavy police deployment in Harare and other cities.

The president made no mention of the extension during his closing remarks at the conference. Chiwenga has not commented on Mnangagwa’s term extension bid or the protests.

Dire economic situation

Mnangagwa came to power in 2017 amid promises of democratic and economic reforms following the toppling of the longtime President Robert Mugabe.

Mnangagwa has presided over a dire economic collapse marked by hyperinflation, mass unemployment, and allegations of corruption. Critics accuse ZANU-PF of crushing dissent, weakening the judiciary, and turning elections into a managed ritual rather than a democratic contest.

Legal opposition figures have warned that any attempt to rewrite the Constitution will face resistance in court.

“We will defend the Constitution against its capture and manipulation to advance a dangerous unconstitutional anti-people agenda,” opposition lawyer Tendai Biti said in a statement on X.

Ten elderly activists – most in their 60s and 70s – were arrested in Harare on Friday for allegedly planning a protest demanding Mnangagwa’s resignation.

They were charged with attempting to incite “public violence” and remain in custody pending a bail hearing on Monday. Earlier this year, authorities detained nearly 100 young people in similar circumstances.

The renewed manoeuvring has exposed an accelerating power struggle inside ZANU-PF. One faction wants Mnangagwa to remain until 2030; another is preparing the ground for Chiwenga, the former army general who helped topple Robert Mugabe in the 2017 coup.

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US pauses most visa applications from Zimbabwe | News

The announcement marks the latest restriction imposed by the Trump administration on travellers from Africa.

The United States has announced a pause on all routine visa applications for citizens of Zimbabwe.

The State Department said in a statement on Thursday that the US embassy in Zimbabwe would pause all routine visa services starting from Friday “while we address concerns with the Government of Zimbabwe”.

The embassy described the measure as temporary and part of the Trump administration’s efforts to “prevent visa overstay and misuse”.

Most diplomatic and official visas would be exempt from the pause, the US said.

The US has enforced new travel restrictions on citizens from several African countries under President Donald Trump’s broader immigration enforcement policies.

In June, the US put in place travel bans on citizens from 12 countries, seven of them in Africa.

It increased restrictions on seven other nations, three of them African.

The US has also demanded that 36 countries, the majority of them in Africa, improve their vetting of travellers or face a ban on their citizens visiting the United States.

Zimbabwe, Malawi and Zambia were all on that list of 36 countries asked to improve their citizens’ travel documentation and take steps to address the status of their nationals who are in the US illegally.

“The Trump Administration is protecting our nation and our citizens by upholding the highest standards of national security and public safety through our visa process,” the US State Department said on Thursday.

The announcement came days after the US unveiled a pilot project requiring citizens of two other African countries, Malawi and Zambia, to pay a bond of up to $15,000 for tourist or business visas.

The bond will be forfeited if the applicant stays in the US after their visa expires.

The new bond policy announced on Tuesday requires Malawians and Zambians to pay bonds of $5,000, $10,000 or $15,000 as part of their application for a tourist or business visa to the US.

Under the programme, citizens of those countries must also arrive and depart at one of three airports: Boston’s Logan International Airport, New York’s John F Kennedy International Airport or Dulles International Airport near Washington, DC.

The visa bond pilot programme will start on August 20, the State Department said.

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Rams linebacker Nate Landman wears his pride on body, helmet

The lion’s amber gaze fixes forward on Nate Landman’s left bicep, its mane fanning across the curve of his arm. Above Landman’s wrist, a zebra bends to graze, while a giraffe behind steps through a stand of wind-bent acacia trees.

Together, they form a tattooed sleeve of Zimbabwe — an inked landscape of home carried by the Rams’ newest defensive signal-caller.

“There’s not many Zimbabwe migrants in the United States,” Landman said, “so to represent my country and have this platform to do it is huge.”

Rams linebacker Nate Landman shows tattoos on his left arm of a lion, giraffe and zebra from his native Zimbabwe.

Rams linebacker Nate Landman shows tattoos on his left arm of a lion, giraffe and zebra from his native Zimbabwe.

(Ira Gorawara / Los Angeles Times)

At age 4, Landman’s family of six traded the southern tip of Africa for Northern California, chasing wider playing fields and educational opportunities for their children. Twenty-two years later, the red soil and wild coastlines of his first home still ride with him — in the way he stalks, strikes and erupts.

So when tight end Davis Allen cut through a seam and caught a pass during Saturday’s training camp session, Landman tracked him with the patience of a predator. He measured each step, sprang forward and then uncoiled, thumping the ball out of Allen’s grip to send it skidding to the turf.

After witnessing several of those jarring shots, safety Quentin Lake coined the nickname “Peanut Punch Landman,” a nod to Landman’s ability to force fumbles.

“He has just a knack for the ball,” Lake said.

The Atlanta Falcons were the first to detect that hunch, scooping Landman out of Colorado as an undrafted rookie. In each of the last two seasons, he forced three fumbles.

That instinct — and the trust he’s earned — fast-tracked Landman’s role with the Rams. Signed as a free agent in March, Landman wasted little time winning over Rams defensive coordinator Chris Shula, who stuck a green dot on Landman’s helmet, designating him as a commander of the defense.

“The way that he understands the game, he’s able to talk to everybody on the defense,” Rams inside linebackers coach Greg Williams said. “It was almost a no-brainer when coach Shula came to me and said, ‘I think Nate should have the green dot.’”

And for the Rams, that leadership and knack for creating turnovers came at a bargain. In a defense that doesn’t spend big at linebacker, Landman — who signed a one-year, $1.1-million contract — arrived as a low-cost addition with high potential return.

“He’s a great communicator. He’s got great command. He’s got the ability to elevate people,” coach Sean McVay said, adding, “I just like the way that this guy’s got a great vibe.”

Before Landman became an on-field general for the Rams, he was in teacher mode, offering teammates a primer that had nothing to do with playbooks.

During a team meeting, Landman unfurled a map of Africa, tracing its outline with his finger before shading the small patch of land he calls home — wedged right above South Africa — to give his locker room a visual pin on where his story began.

“A lot of guys don’t know that Africa, the continent, is full of just individual countries,” Landman said. “They think it’s states and stuff. So it’s cool to be able to share that with them — not everybody believes when I say I’m from Africa.”

Amid that crash course, one question kept resurfacing.

Are there lions and deer roaming around?

“A lot of people are fascinated,” Landman said. “It’s such a rare thing, that’s why I’m so proud of it.”

Though it’s been a few years since Landman last stood on Zimbabwean soil, his family ties still tether him there. And as football sent him crisscrossing the United States, his homeland’s hues and emblems have come along for the ride.

The tattoo sleeve climbs into his chest, framing a map of Africa with Zimbabwe shaded deep. He still eats sadza nenyama , the maize-and-meat staple that fed his childhood. And in his parents’ home, light falls on a gallery of African vignettes and keepsakes.

His helmet bears the same allegiance, Zimbabwe’s flag tagged proudly on the back.

“I love wearing that Zimbabwe flag on the back of my helmet,” Landman said, “and I’ll do that as long as I’m in the NFL.”

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Desperate Zimbabweans get in debt to pay for lifesaving blood transfusions | Health News

Bulawayo, Zimbabwe – When Lloyd Muzamba was critically injured in a car accident on the Harare–Bulawayo highway in 2023, he needed an urgent blood transfusion to save his life. Despite being admitted at Mpilo Central Hospital, the biggest public health facility in Zimbabwe’s Matabeleland region, a shortage of supplies meant the doctors didn’t have enough for him.

In desperation, Muzamba’s family turned to their only other option – a nearby private hospital that sold them the three pints of blood. But at a cost of $250 per pint, Muzamba – who earned a $270 monthly salary and had no savings – could not afford it.

With time running out, the family had to make a plan. Eventually, Muzamba’s uncle sold a cow for $300 and asked other relatives to contribute the balance.

Two years on, the now recovered Muzamba says the incident has left him psychologically wounded, as he worries about other emergencies when people may need lifesaving blood.

“Three pints can be a small number; others might need more than that. But due to the costs involved, it becomes life-threatening,” said the 35-year-old, who works in a hardware store in Bulawayo.

“I could not get the blood without paying or making a payment plan. It was a painful experience for an ordinary Zimbabwean like me.”

Muzamba’s is not an isolated case.

With ongoing currency woes, rising costs of living and high levels of poverty, desperate Zimbabweans in need of care face life-threatening delays due to financial barriers. This includes blood shortages – despite supplies being free in public health facilities.

Tanaka Moyo, a mother of two in the capital Harare, also experienced the stress of needing to pay for emergency blood supplies during the delivery of her second child.

After excessive postpartum haemorrhaging, the 38-year-old street vendor needed four pints of blood.

Together with her husband, a security guard, she had struggled to raise money for the birth of their child. The sudden need for a blood transfusion was a shocking unplanned cost.

“My husband ran around and borrowed money from a microfinance institution. The interests are steep and conditions stringent, but he had to act quickly,” said Moyo.

“At the hospital, they insisted the blood was free – but it was not available.”

Plaxedes Charuma, a gynaecologist in Bulawayo, says “postpartum haemorrhage is the leading cause of maternal mortality”. The prevalence of the condition means that hospitals should always have supplies on hand to deal with maternal blood loss emergencies that arise, health experts say.

Zimbabwe hospital
A maternity ward at a hospital in Harare, Zimbabwe [Philimon Bulawayo/Reuters]

According to the Community Working Group on Health (CWGH), a network of civic health organisations in Zimbabwe, the country faces a high demand for blood transfusions, and those most affected are pregnant women.

“About half a million pregnancies are expected in Zimbabwe, and in some of these, there is excessive blood loss, requiring transfusion of at least three pints of blood,” said Itai Rusike, CWGH’s executive director.

“Maternal mortality in Zimbabwe remains unacceptably high,” Rusike told Al Jazeera. “Timely blood transfusion prevents maternal deaths, which in Zimbabwe stands at 212 women dying per every 100,000 live births.”

‘Free blood for all’

Generally, there are two major types of blood transfusions: allogeneic and autologous. Autologous transfusion refers to self-same blood donation by an individual for their own use later. Allogeneic transfusion, which is the most common in Zimbabwe, involves administering blood donated by one person to another who matches their blood type.

The National Blood Service Zimbabwe (NBSZ) is the body that oversees blood donation and distribution in the country. It operates as an independent not-for-profit entity, but it is mandated by law to collect, process and distribute blood throughout Zimbabwe.

While the Ministry of Health and Child Care is permanently represented on its board of directors, NBSZ functions independently of hospitals and government health institutions. It is not present in every facility, but maintains decentralised distribution from five regional centres: Harare, Bulawayo, Gweru, Masvingo and Mutare.

Historically, patients in Zimbabwe paid for blood, but over the years the government worked on lowering costs – from $150 a pint in 2016 and prior to $50 by 2018.

The government then went a step further in July that year, deciding that blood would be made free at all public health institutions.

“The free blood for all move is going ahead as planned and mechanisms have already been put in place to finance the move, and come July 1 [2018], blood will be available for free,” said then-Minister of Health and Child Care Dr David Parirenyatwa during the June 2018 World Blood Donor Day celebrations.

However, despite the policy, hospitals continue to face shortages.

This May, there was a critical lack of blood in public hospitals, a situation that threatened the lives of thousands of people, the Ministry of Health and Child Care said in a statement. Al Jazeera contacted ministry spokesperson Donald Mujiri to ask about the shortage and the implementation of the free blood policy, but he did not respond to our requests for comment.

NBSZ, meanwhile, said that May’s shortage was due to operational and systemic challenges that disrupted its ability to carry out routine blood collection activities.

“Without timely financial support, we faced constraints in mobilising outreach teams, securing fuel, and procuring essential supplies,” Vickie Maponga, NBSZ communications officer, told Al Jazeera.

“Additionally, the crisis was exacerbated by a seasonal dip in donations, particularly from youth, who make up over 70 percent of our donor base.”

These shortages regularly result in patients on the front line needing to buy blood at private clinics. In most cases, the patient is physically transferred to the private facility for the transfusion, where they pay the costs. In some cases, the patient pays and the private hospital sends the blood to them in the public hospital.

Blood drive
A World Blood Donor Day awareness street march in Zimbabwe [Courtesy of NBSZ]

Crucial blood donations

The World Health Organization (WHO) aims to ensure that all countries practicing blood transfusions obtain their blood supplies from voluntary blood donors.

The NBSZ told Al Jazeera that a sustainable blood supply in Zimbabwe depends on cultivating a culture of regular, voluntary donations, particularly among the youth and underserved communities.

The service has a mobile outreach model, through which it brings blood donation drives directly to schools and communities. To further engage the youth, Maponga said they also started a club that “encourages young people to commit to donating blood at least 25 times in their lifetime”.

“We also integrate blood donation awareness into school programmes and partner with tertiary institutions to maintain continuity post-high school,” she said.

Ivy Khumalo, 32, is one of those who has been donating blood since she was in high school. But she says the lack of blood donation centres around her now limits her ability to give as an adult.

“As a school child, it was [first started] as a result of peer pressure, but I found it fascinating,” Khumalo said. “It was only when I was an adult that I made a personal decision to continue donating out of love to save life and help those in need.”

But since moving from Bulawayo to Hwange, she said, donating blood has become expensive as the nearest centre is in Victoria Falls, over 100km (62 miles) away.

NBSZ says it routinely deploys mobile blood drives around the country. It also says it offers donors incentives.

“Regular donors who meet specific criteria such as having made at least 10 donations, with the most recent within the past 12 months, qualify for free blood and blood products for themselves and their immediate family members … in times of medical need,” explained Maponga.

However, for keen donors like Khumalo, the effort to reach a far-off donation site is a barrier to entry.

“In such circumstances, it is no longer a free donation as I spent money going there. In the end, most of us decide to stay home despite the passion for blood donation,” she said.

CWGH’s Rusike says the NBSZ and Ministry of Health and Child Care must urgently devise innovative and sustainable ways to increase the number of eligible blood donors.

“The government should utilise the Health Levy Fund of 5 percent tax on airtime and mobile data as it was set up to specifically subsidise the cost of blood and assist public health institutions to replace obsolete equipment and address the perennial drug shortages in our public health institutions,” he said. “That money should be ring-fenced and used for its intended purpose in a more accountable and transparent manner.”

Blood testing lab
A woman works at a National Blood Service Zimbabwe (NBSZ) lab [Courtesy of NBSZ]

Promises and shortages

Authorities say that as of mid-2025, Zimbabwe’s national blood supply is showing good progress, and NBSZ has already collected over 73 percent of its half-year target (the 2025 annual target is 97,500 units).

The blood service also says the Ministry of Health and Child Care plays a central role in both subsidising and overseeing the cost of blood within the public health sector.

“Since 2018, this [free blood policy] is made possible through a government-funded coupon system, which absorbs the full cost of $250 per unit, resulting in zero cost to the recipient [in public hospitals],” said Maponga.

The NBSZ maintains that it operates on a cost recovery basis. It says the entire chain of collecting, processing and distributing a pint of blood costs $245. The agency charges $250, making a $5 profit per pint.

However, prices at some private facilities can reach as much as $500 per pint, Zimbabweans say. This has sparked heated debate on social media, as the high cost remains far out of reach for many people.

“NBSZ does not have regulatory authority over how those institutions price their services to patients,” said Maponga, explaining that while blood itself is donated freely, the journey from “vein to vein” involves a complex and resource-intensive process.

Observers, however, say more can be done to lower the costs of blood transfusions.

“At closer look, the whole chain of blood transfusion can cost less than $150 by strategically deploying available resources, use of financial donor stakeholders like corporates, and also holding the government accountable to fund the whole process,” said Carlton Ntini, a socioeconomic justice activist in Bulawayo.

The issue of free blood in the public hospitals is noble, Ntini said, but without full implementation, it remains a false hope and only benefits the “lucky” few, as shortages are the order of the day.

“In reality, any amount above $50 per pint of blood will still be high to Zimbabweans, and it’s a death sentence,” he said.

Meanwhile, for patients, the cost of essentials only adds to an already stressful situation.

Muzamba was fortunate in that his family did not claim back the money they gave him for his blood transfusion. But Moyo and her husband struggled to settle their $1,000 loan debt, which escalated to $1,400 after interest.

“It psychologically drained me more than the physical pain as I wondered, ‘Where would I get such money in this economy?’” said Moyo. “The government must own up to its promises – it’s not only about being free, but must be accessible.”

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Embeth Davidtz roars with directorial debut ‘Don’t Let’s Go to the Dogs Tonight’

Embeth Davidtz’s home is so quiet. Nestled in Brentwood Park, the 59-year-old actor’s spacious yet cozy place feels like a sanctuary, the skylight in her kitchen offering plentiful afternoon sun. Once owned by Julie Andrews, the house is where Davidtz feels most comfortable. It’s taken most of her life to find somewhere that made her feel that way.

“I seldom leave,” she says, smiling. “I’m not someone who likes to run around. I like being here.”

She’s lived in this house for about 20 years — it’s where she and her husband raised their children, now 22 and 19. She moved to Los Angeles in 1991 and before then, hers was a completely different world. Lately, that world has rarely been far from her thoughts.

In the early 1970s, when Davidtz was eight years old, she moved from America with her South African parents to Pretoria, in the midst of that country’s apartheid system. Long wanting to come to terms with the institutional racism she witnessed during her childhood, she has done something that previously had never held much interest: write and direct a movie. Pivoting from an on-screen career of stellar, precise performances in movies like “Schindler’s List,” “Junebug” and “Bridget Jones’s Diary,” Davidtz has at last made a directorial debut with “Don’t Let’s Go to the Dogs Tonight” (in theaters Friday), a gripping and somber drama based on Alexandra Fuller’s acclaimed 2001 memoir about growing up in colonial Rhodesia (now Zimbabwe). The film is about Fuller’s family, but it’s also very much about the lessons Davidtz never wants to stop learning herself.

“It’s a constant processing,” she says of how she is always reckoning with her past. “I think I’ll probably have to grapple with it till the day that I die — what I remember seeing.”

A family sits at a dining table. their daughter sitting on the table.

Davidtz, Lexi Venter and Rob Van Vuuren in the movie “Don’t Let’s Go to the Dogs Tonight.”

(Coco Van Oppens / Sony Pictures Classics)

Set in 1980, the year that the African region known as Rhodesia, ruled by a white minority, would become the independent nation of Zimbabwe, “Don’t Let’s Go to the Dogs Tonight” features Davidtz as Nicola, an angry, alcoholic policewoman whose privileged life crumbles as the Zimbabwean War upends the country’s racial power imbalance. However, the movie is not told from Nicola’s perspective but instead, from that of Bobo, her 8-year-old daughter (played with beguiling immediacy by newcomer Lexi Venter), who reflects Fuller’s own blinkered worldview at the time. As Bobo provides voice-over narration, we witness a disturbingly naturalized culture of colonialism in which our main character, a seemingly innocent child, bikes through town with a rifle slung on her back and parrots the racist attitudes espoused by white landowners around her.

Zimbabwe isn’t South Africa, but when Davidtz read Fuller’s stark memoir, the similarities of racial injustice were striking.

“She cuts you off at the knees,” says Davidtz. “You recognize it, then you feel shame.”

Davidtz was born in Indiana, but after some time in New Jersey, her family moved to Pretoria when she was eight. Her 17 years in South Africa left their mark. Even though she’d never written a screenplay before “Don’t Let’s Go to the Dogs Tonight,” she had been working on something about her upbringing. But after reading Fuller’s memoir, Davidtz says, “I remember thinking, ‘Well, that’s the definitive book on it. I’m never going to be able to write a book like that.’”

“I wouldn’t say mine was a happy childhood,” she continues. “I think it was very unhappy in ways. Did I love Africa? Yes. But was it an idyllic childhood? No.”

Bobo’s bigoted views — the girl has come to believe Black people don’t have last names and are secretly terrorists — weren’t what Davidtz experienced growing up. “My family didn’t act that same way, they didn’t speak that same way, but you were part of the system by being there,” she says.

Like Bobo’s family, Davidtz did not enjoy many luxuries, except in comparison to the help around her. “If you had servants in your home, you were part of the system,” she says. “[My parents] certainly were not out marching for civil rights. They fell in that gray area.”

Not that Davidtz excludes herself from the racist mindset that’s evident in Bobo, who enjoys spending time with her family’s housekeeper, Sarah (Zikhona Bali), despite treating her as beneath her. That relationship picked an emotional scab for Davidtz. “There’s uncomfortable memories that I have,” she admits. “I remember playing with [Black] children and being bossy and being just an a—hole.”

Her personal connection to “Don’t Let’s Go to the Dogs Tonight” goes deeper. Fuller’s mother was a drinker; in Davidtz’s family, it was her father, who studied applied mathematics and physics in the States. She sees his alcoholism as the byproduct of an idealism that got crushed.

“He was a physical chemist; he was a scientist,” she says, “and his whole thought was this altruistic thing of, ‘I’m going to take everything that I’ve learned and bring it back [to South Africa].’ That’s where the alcoholism emerged. That government that was running South Africa really tightly controlled everything that my father did. I think they were highly suspicious of somebody coming from America. He very much felt his wings were clipped. And so the bottle got raised.” (These days are happier ones for her dad: “He’s medicated; he’s calmer,” she says. “He doesn’t drink anymore.”)

A woman crosses her arms in a light, airy living room.

“This [performance] was hard and it was scary, but it was necessary,” Davidtz says of her turn in “Don’t Let’s Go to the Dogs Tonight” as a racist farm owner in Rhodesia.

(Matt Seidel / For The Times)

Davidtz can’t quite pinpoint where her passion for performing originated. “No one else has it,” she says of her family. “I really think that 7-year-old me sat in my living room in New Jersey watching the ‘Sonny & Cher’ show. Cher with that hair was just the most glamorous, amazing thing I’d ever seen. And then, suddenly, we land in this dirty, dusty farmhouse with my dad in decline and no television.”

Davidtz escaped Pretoria — at least in her mind — by going to the movies, including an early, formative screening of “Doctor Zhivago,” David Lean’s 1965 historical romance. “My mind was blown by the sweep, the story, the epicness,” she recalls. “Maybe I wanted, somehow, to remove myself from that dirt and squalor and aspire to something.”

“Don’t Let’s Go to the Dogs Tonight” doesn’t contain the gratuitous violence you often see in films about racism. In its place is a codified class structure ruled by its white characters, who strongly encourage the locals to vote for approved candidates in the upcoming election in order to maintain the status quo. But once revolutionary Robert Mugabe comes to power, that old system gives way, leading to an unsettling scene in which Nicola wields a whip to keep Black Africans off what she considers to be her farm.

The questionable optics of a white woman telling a story about Zimbabwe entered Davidtz’s mind. She did her homework about the region, even though she ultimately had to shoot in South Africa because of Zimbabwe’s current political unrest. She spoke with her cinematographer, Willie Nel, about how the film had to look.

“I need the light shining through her eyes like that,” Davidtz remembers. “I want the closeup on the filthy fingernails. This is the way Peter Weir gets in super-close, how Malick [shows] skies and nature.” And she made sure to center her pessimistic coming-of-age narrative on the white characters, condemning them — including young Bobo.

“I don’t think a Black filmmaker could tell the experience of a white child,” she says. “I think only a white filmmaker could tell that. [Bobo] misunderstands a lot of what [the Black characters are] doing. That was deliberate — I tried to handle that really carefully. I’m certainly not trying to make the white child sympathetic in any way.”

She was just as adamant that Nicola be an utterly unlikable, virulent bigot. “You needed her to be diabolical in order to show what really was happening there,” says Davidtz. “I saw people behave like that.”

This isn’t the first time she’s played the villain, but she wanted to ensure there was nothing sympathetic or devilishly appealing about Nicola. Recalling her portrayal of the superficial, materialistic Mary Crawford in the 1999 adaptation of “Mansfield Park,” Davidtz observes, “She was just cheerfully going about her life — being diabolical, but with a smile. She was charming. That was more acceptable, more palatable.” She allowed none of that here, tapping into the desperation of a woman whose self-worth is wrapped up in the subjugation of those around her.

The veteran actress has often done terrific work by going small, her breakthrough coming as a Jewish maid prized by Ralph Fiennes’ sadistic Nazi in 1993’s “Schindler’s List.” More recently Davidtz has earned rave reviews in series like “Ray Donovan” and “The Morning Show.” She doesn’t do showy and she’s the same in person, appealingly modest and soft-spoken. But in “Don’t Let’s Go to the Dogs Tonight,” she gives a boldly brazen performance as Nicola, a portrait of ugly, entitled hatred. Although Davidtz felt anxious playing such a demonstratively racist character — especially around her Black cast — she also found it a refreshing change from how she usually approaches a role.

“This [performance] was hard and it was scary, but it was necessary,” she says, Getting herself to such a dark place for “Don’t Let’s Go to the Dogs Tonight” was easy, though. The trick? “I didn’t have time,” she says. “Everything was focused on only the three hours [a day] that I had with the kid. It was like, ‘I got to get this quick,’ and I was on my last nerve, which was great for the character — I was pretty worn down by the time we shot a lot of my stuff.”

A woman sits with two sweet-looking white dogs, one a French bulldog.

“When you’ve been in a place where things have been so wrong, you spot it really quickly in other places,” Davidtz says of injustices occurring both in America and abroad. The actor and director is photographed at home with her two rescue dogs, Parfait (front) and Zoomie.

(Matt Seidel / For The Times)

Similarly to “The Zone of Interest,” which Davidtz reveres (“I love that film,” she declares, awed), “Don’t Let’s Go to the Dogs Tonight” illustrates the insidiousness of bigotry by stripping away the simplistic moralizing. Bobo, her parents and the other white settlers benefit from an unjust system, always presented matter-of-factly, as the adults relish their domestic bliss at the expense of the indentured locals. I ask Davidtz if she’s showing us what everyday evil looks like.

“Evil’s a strong word,” she replies. “I’d say ‘oblivious’ or ‘unconscious’ or ‘culpable.’ It’s all of the above. I really wanted to reveal something the way ‘The Zone of Interest’ revealed something. It’s the casual racism. An ordinary person watching [the film] goes, ‘Oh, my God, that was normal to them. That was their normal.’ Then you see the full picture. Then, the evil of it shows up.”

In her memoir, author Fuller writes about her later political awakening, a process Davidtz underwent as well. “I saw moments around me — horrible, violent police arresting men on the streets, the people chucked into the back of police vans,” she says. “Just that terrified feeling inside and knowing, ‘If you’re white, you’re safe. If you’re Black, you’re not.’ Then as I got older, [there was] the disconnect between what I’m seeing and what is right.”

According to Davidtz, “the scales fell off” once she attended South Africa’s liberal Rhodes University in the early 1980s and started taking part in protest marches. “I felt like that was the big awakening,” she says, “but it’s an awakening that continues.”

There is one frequent sound in the calm oasis of Davidtz’s home: the chatter of news broadcasts. “It’s often on in the background,” she says, “but I think it’s a habit that’s eroding my peace of mind.” She admits to the same conflicted feelings many in Los Angeles have, a desire to stay informed of everything that’s happening — the ongoing war in Gaza, the stories out of Ukraine, the violent ICE raids in Southern California — but not succumb to despair and anger. No amount of quiet can tune out the world, and Davidtz doesn’t want to.

“When you’ve been in a place where things have been so wrong, you spot it really quickly in other places,” she says of the injustices occurring both here and abroad. “One thing that we can do is say what we think.” Remembering her own childhood, and pondering what prompted her to make this movie, she suggests, “I think it comes from watching something silently for a long time. I think that part of me will never want to not say, ‘I don’t think this is right.’”

With “Don’t Let’s Go to the Dogs Tonight,” Davidtz is speaking up, but she knows those bad old days aren’t over. In fact, they’ve never been so present. As the film ends, Bobo takes one last look at the town and the locals that shaped her. There’s a glimmer of hope that, one day, this girl will outgrow the racism she’s ingested. But the land — and the pain — remains. Davidtz has not allowed herself to look away.

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England v Zimbabwe: Shoaib Bashir takes six wickets to seal huge win

In a year when pace bowling will be so crucial to England’s hopes, and with a number of seamers absent, those on show did little to press their claims.

The biggest opportunity was to Cook, who has been prolific for Essex. It would be harsh to write off anyone after one Test, and it could be that he picked a bad time to have a poor game. His average speed of 77.9mph was the slowest recorded by an England seamer since 2006 and was not compensated by accuracy.

Atkinson has credit in the bank after 52 wickets in 2024 and will surely improve, while Tongue showed glimpses of why England rate him so highly. In his three-Test career, he has been England’s second-fastest bowler behind Mark Wood.

At least Stokes was able to get through three sprightly spells across the match, including bowling the first over on Saturday. When he returned in the afternoon, he found extra bounce to Madhevere and Brook clung to his flying one-hander.

Bashir was undercooked before this Test, being sent on loan from Somerset to Glamorgan. He improved the more he bowled, a fuller length and straighter line to better the five-wicket haul he took in this ground against West Indies last year.

The lbw to get Williams was fortunate and Curran surrendered, but the flight to Tafadwa Tsiga, who charged and was bowled, was delightful.

Blessing Muzarabani holed out and Raza sliced to slip. When Tanaka Chivanga was lbw, Bashir had the first six-wicket haul by an England spinner in a home Test since Moeen Ali in 2017.

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England v Zimbabwe: Blessing Muzarabani ready for England in Trent Bridge Test

Back trouble restricted Muzarabani’s playing time with Northants, but the injury did not affect the learning process.

On the field, Ben Sanderson showed him how to bowl a full length in English conditions. Off the field, he formed a tight bond with Saif Zaib, Jack White and Ben Curran, the latter now a Zimbabwe team-mate.

Even when he could not play for Northants, the county still put Muzarabani to work.

“When I was injured I was touring the sponsorship boxes at Northampton,” he says. “I’d go in there and start conversations with fans. It really helped me to communicate, how to carry myself as a professional – outside cricket, just being a good human being.”

Brexit ended the Kolpak era and Muzarabani returned to the plan to resume his international career. He was back in Zimbabwe colours in late 2020, a “better bowler” for his sojourn in England.

Now his career is really gathering pace. A growing reputation as a white-ball operator has earned Muzarabani an Indian Premier League deal with Royal Challengers Bangalore, under coach and compatriot Andy Flower. Muzarabani will head for India straight after the Test in Nottingham.

The whip in Muzarabani’s action have led to comparisons with South Africa’s Kagiso Rabada. With his height and skid, they may be more similarities with former England pace bowler Steven Finn.

Zimbabwe’s chequered past means there are few very meaningful statistics to overhaul, although Muzarabani has the chance to carve his niche. This year no team play more than Zimbabwe’s 11 Tests, meaning he can build from his current 51 wickets towards becoming only the second bowler from the country to reach 100.

The other to top three figures, external is Heath Streak, his 216 unlikely to be overhauled. Even Streak cannot match Muzarabani’s average of 21.84, by far the lowest of any Zimbabwe bowler to have sent down at least 60 overs in Test cricket.

Zimbabwe have not played a Test against England since 2003.

Before then some of the country’s most famous cricketing moments came against the English: Eddo Brandes at the 1992 World Cup, England coach David Lloyd proclaiming “we flipping murdered ’em” in the first drawn Test with the scores level in Bulawayo in 1996.

And 2025?

“England are one of the best teams in the world,” says Muzarabani. “We believe in ourselves. We believe can win. We just have bring our ‘A’ game to beat these guys.”

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