John Bobich, in his 26th season coaching San Pedro High basketball, knows a few tricks in the coaching trade. All you had to do is listen and watch in the third quarter when he put 6-foot-5 junior Aidan Applegate into the game. Applegate was crouching at the scorer’s table waiting to be buzzed in.
“This is your chance,” Bobich told him.
Applegate had a shot blocked, which didn’t deter him. By the fourth quarter, he was comfortable and confident, scoring eight points in the quarter and finishing with eight rebounds to help San Pedro pull away from Granada Hills 64-51 in a Marquez tournament game between two potential City Section Open Division playoff teams.
Applegate said when he heard Bobich’s words of motivation, he thought, “It’s my opportunity to show what I could do.”
Bobich has known Applegate since he was 8 years old. In fact, Bobich knows most of his San Pedro players from coaching or seeing them play in local recreation leagues. His son is on the team. San Pedro is 12-4 and favored to win the Marine League. Ricky Alonso led the scoring with 19 points and Elias Redlow, AJ Bobich and Chris Morgan added 10 points apiece.
Granada Hills received 20 points from Kristapor Kedikian. Applegate celebrated his 17th birthday with the team serenading him.
Girls basketball
Birmingham 54, Kennedy 46: The Patriots (14-3) received 21 points from Kayla Tanijiri.
If you buy books linked on our site, The Times may earn a commission from Bookshop.org, whose fees support independent bookstores.
Books can be a refuge from (waves arms) all this, even when they take you deeper into the darkness of 2025. There is a grace in the relationship between book and reader, with nothing but your eyes and brain and the words on the page. Thank goodness for the hearts and minds of the authors who imagine and construct these worlds, who ask these rigorous questions, who spend their lives with words. It’s a pleasure to join with a couple of my fellow book critics in selecting some of our favorite books of the year. — Carolyn Kellogg
Our picks for this year’s best in arts and entertainment.
“Audition: A Novel” by Katie Kitamura
(Riverhead)
“Audition” By Katie Kitamura Riverhead: 208 pages, $28
This is one of those books the less explained the better. Kitamura is one of our most exacting novelists, with never a careless word. On its surface, “Audition” is about an actress, her husband and a young man in New York City. As you’d expect with this setup, the ideas of self, performance and identity are in the mix. Every observation, theater visit and glimpse into their apartment becomes quietly important. The marriage’s past spools out with such clarity that what they have for breakfast becomes ominous. Every relationship has secrets, but this one’s are transformative. Elements of this book that cannot be prized apart also cannot cohere. It’s an astonishing accomplishment of form and narrative. It’s a rare book that can surprise like this one does. And it’s a delight to read. — C.K.
“Flesh: A Novel” by David Szalay
(Scribner)
“Flesh” By David Szalay Scribner: 368 pages, $28.99
Emotionally stunted men aren’t particularly hard to find in fiction. But Istvan, the antihero of Szalay’s fifth novel, is an extreme and engrossing case. Born in poverty and surviving an adolescence of sexual violation, wartime PTSD and drug abuse, he enters early adulthood destined to be a casualty if not a menace. But a lucky chance gives him money and a relationship, until his failure to deal with past traumas catches up with him. This novel, winner of the Booker Prize, uses a blunt, clipped style to advantage, exposing Istvan as an exemplar of both toxic masculinity and hinting at what’s required to escape it. — Mark Athitakis
“Flashlight” by Susan Choi
(Farrar, Straus & Giroux)
“Flashlight” By Susan Choi Farrar, Straus & Giroux: 464 pages, $30 Should anyone think controlling metaphors are so 20th century, please pick up Choi’s new novel about family, exile and the different ways the titular humble tool works on literal, figurative, allegorical and visceral levels. When Louisa is 10, she and her Korean-born father go for a walk by the ocean; he’s carrying a flashlight to guide their footsteps. That night he disappears and Louisa is found half-dead in the surf; she has to shine a light onto her past in an effort to heal this loss. However, it’s her father’s past that signals this expansive book’s great theme of loneliness, even in the midst of other human beings. — Bethanne Patrick
“Shadow Ticket” by Thomas Pynchon
(Penguin Press)
“Shadow Ticket” By Thomas Pynchon Penguin Press: 304 pages, $30
That in this his 88th year Thomas Pynchon has published another novel, beginning in 1930s Milwaukee, of all places, packed full of punny names per usual, featuring a lug of a detective, successful with women who flirt as exquisitely as they dance or sing or grift, then shifting to Europe where it can be hard to sort out, from moment to moment, who’s in power, is more than anyone could have hoped for. “Shadow Ticket” is a detective novel that is also an anti-Nazi romp, with improbable motorcycles and flying machines. In The Times, critic David Kipen hailed Pynchon’s classic style as “Olympian, polymathic, erudite, antically funny, often beautiful, at times gross, at others incredibly romantic, never afraid to challenge or even confound.” This book is more accessible than “Gravity’s Rainbow,” more cheerful than “The Crying of Lot 49” and more political than “Inherent Vice.” It’s also still Pynchon, in all his goofy paranoiac glory. Rejoice. — C.K.
“The Director: A Novel” by Daniel Kehlmann
(S&S/Summit Books)
“The Director” By Daniel Kehlmann S&S/Summit Books: 352 pages, $28.99
Kehlmann’s stunning novel about Austrian filmmaker G.W. Pabst makes every reader a collaborator, at least about their level of comfort with fascism. The real-life Pabst, who returned to Europe after a disappointing sojourn in Hollywood, fell in readily with Hitler’s propaganda machine, to include directing “The White Hell of Pitz Palu” starring none other than future Third Reich filmmaker Leni Riefenstahl. History may never know precisely why Pabst played along, and Kehlmann uses this uncertainty to great effect, inventing scenes juxtaposing art versus propaganda, sleekly privileged Nazis against frail prisoners, and historical truth with the chaos of dementia. — B.P.
“The Last Supper: Art, Faith, Sex, and Controversy in the 1980s” by Paul Elie
Today’s culture wars didn’t start in the ‘80s, but Elie’s rich cultural history shows how the decade ushered them into the mainstream. Sinead O’Connor tore up a photo of the pope on live network TV, Martin Scorsese’s “The Last Temptation of Christ” sparked protests, Salman Rushdie’s novel “The Satanic Verses” made him a literal target, and legislators fumed about public art. Religion sat at the center of all of these donnybrooks, and questions of culture and faith had real-world consequences: AIDS victims, especially in the demonized LGBTQ community, took their pleas to religious leaders on the streets and in the pews. It was a vibrant and dispiriting time, and Elie’s history is a sharp cross-cultural study that speaks to the present as well. — M.A.
“One Day, Everyone Will Have Always Been Against This” by Omar El Akkad
Novelist Omar El Akkad’s despair at the unfolding genocide in Palestine drove him to write this, his first nonfiction book. It’s part cry of anguish, part memoir that examines how the systems we enjoy in the western world are allowing Israel to perpetrate violence in Gaza in real time. The book poured out of El Akkad, though normally a slow writer: “I was writing quite furiously for months on end,” he told Dan Sheehan of Lithub. On Nov. 19, that furious outpouring won the National Book award in nonfiction. “It’s very difficult to think in celebratory terms about a book that was written in response to a genocide,” El Akkad said in his acceptance speech, refusing to let the reason for his book go unspoken. “It’s difficult to think in celebratory terms when I have spent two years seeing what shrapnel does to a child’s body. It is difficult to think in celebratory terms when I know that my tax money is doing this and that many of my elected representatives happily support it.” The book provides a vital moral questioning and point of connection. — C.K.
Perhaps this novel is really a thinly disguised memoir about the author’s mother — but what a brilliant disguise Gish Jen has concocted to give her Chinese-born mother, posthumously, a full voice that speaks to the pain of intergenerational misogyny and abuse. After the mother’s, Loo Shu-hsin’s, childhood story is told, her statements (in the U.S. she was known as Agnes) appear in boldface as stark counterpoint to her daughter’s searching questions. “Bad bad girl! Who says you can write a book like that? I laugh. That’s more like it.” Ultimately this novel-plus-memoir morphs into an artist’s origin story, one in which the artist understands that there is no creative work without origins, no matter how twisted their roots. — B.P.
Taylor is one of the most emotionally perceptive fiction writers working today, and his third novel, set in the New York art world, is his best. Its hero, Wyeth, is a Black painter anxious about being pegged as simply a Black painter; he’s exhausted with what he considers the easy pandering (and bad art) surrounding identity politics. But a budding romance and unusual restoration project prompts him to question his certainties. Covering high and low, the sexual and the intellectual, Taylor’s book is a New York social novel distinct from the swagger of “The Bonfire of the Vanities” or the fevered melodramas of “A Little Life.” — M.A.
“Sister, Sinner: The Miraculous Life and Mysterious Disappearance of Aimee Semple McPherson” by Claire Hoffman
This marvelous biography of Aimee Semple McPherson reasserts her vital place in Los Angeles’ history. She was a celebrity, a brilliant performer, an inspiring preacher with a nationwide flock devoted to her writings and radio programs. She was, too, genuinely called to her Pentecostal Christianity, at least at first, which author Claire Hoffman writes about with great sensitivity. Her climb was slow and earned; she spent many years on the road, pitching tents and preaching to diverse audiences. Then to Los Angeles, where her grand church, the Angelus Temple, was built in Echo Park. In 1926, she vanished at Venice Beach and was thought to have drowned. She reappeared — after a memorial service attended by thousands — with stories of a dramatic kidnapping. It was a sensation. Reporters raced to find the kidnappers and, instead, turned up evidence of a tryst. Hoffman unspools the scandal, which included headline-grabbing trials, in page-turning detail. What she shows us is a woman whose spiritualism, stage presence and charisma propelled her into a place of celebrity and fame that became a trap. — C.K.
It’s 2119 when scholar Thomas Metcalfe sets out to find the sole copy of a poem, “A Corona for Vivien,” written by one Francis Blundy in 2014. Much of the speculation about the poem’s whereabouts centers on a dinner party that allows McEwan to flash his tail feathers in describing a late-capitalist tableau of quail and ceps, anchovies and red wine, high-minded conversation and low lamplight. Is it a spoiler to share that a tsunami has wiped out most of Europe, leaving scattered archipelagos as repositories of things once known? Definitely not, in light of who narrates the book’s second half. Don’t miss this, among the author’s best. — B.P.
“Murderland: Crime and Bloodlust in the Time of Serial Killers” by Caroline Fraser
In the ‘70s and ‘80s, America was overpopulated with notorious serial killers like John Wayne Gacy, BTK and Ted Bundy. By the ‘90s, though, evidence of that brand of savagery declined. What happened? In “Murderland,” Pulitzer winner Caroline Fraser considers the theory that the derangement was tied to smelters that released mind-warping levels of arsenic and lead into the atmosphere until regulations kicked in. Braiding memoir, pop science and true crime, Fraser delivers a remarkable, persuasive narrative about how good-old-fashioned American values — manufacturing might, westward expansion, cheap leaded gas — turned into a literally toxic combination. — M.A.
“Stone Yard Devotional: A Novel” by Charlotte Wood
An atheist walks into a convent. … That’s not the start to a joke but the premise of this 2024 Booker Prize-shortlisted novel. The unnamed narrator leaves Sydney (husband, house, grievances) to live with a rural religious order. Even as she works alongside the nuns, worldly troubles rush in: The bones of a murdered nun are accompanied by famed climate activist Sister Helen Parry, disrupting the quiet. The narrator knows Sister Helen from schooldays and wonders whether our past actions affect our present circumstances, all while the women battle a rodent infestation that might not be out of place in a horror story. In other words, it’s riveting prose about how humans beat back despair. —B.P.
Prophète’s blunt, bracing novel concerns Cécé, a young Haitian woman whose world has fallen out from under her — she’s endured an absent, drug-addicted mother, a recently dead grandmother, and a slum life that leaves her with few options beyond prostitution. An unlikely escape hatch arrives in the form of Instagram, and as her posts about her Haitian life gain traction, she becomes a prize — and a target — for rival gangs. Cécé can be read as a portrait of contemporary Haiti, a parable about influencer culture or a distressing study of exploitation. However it’s read, Prophète’s vision is piercing and memorable. — M.A.
Take your AI-hallucinated definitions and send them in a rocket ship to Mars, baby! The Merriam-Webster dictionary is back in print in a new edition. In its first update since 2003, it’s added 5,000 new words, 20,000 new usage examples, and 1,000 new idioms and phrases (hello, “dad bod”). But that’s not the most important part, which is that this is a beautiful, solid, immutable printed book. It will never randomly serve up some flaky incorrect definition or reference. Merriam-Webster’s dictionary captures language in a moment, with the full history and understanding of the way it evolves. It was crafted by researchers and etymologists who love words (“comes from the Greek word etymon, meaning ‘literal meaning of a word according to its origin’ ”). The Merriam-Webster website is hugely popular — keep using it! — but an actual printed dictionary will never let you down, and be good for another 20 years. — C.K.
Fireworks lit the stage and the audience roared as pop star Nicki Minaj walked out hand-in-hand with Erika Kirk Sunday in a surprise appearance at Turning Point USA’s annual convention in Phoenix.
“I love this woman; she is an amazing woman,” said Kirk, the widow of Charlie Kirk, who headed the right-wing student organization until he was killed in September. “Words are words, but I know her heart.”
Minaj, who has surprised some fans in recent months by embracing the MAGA movement, praised President Trump and mocked California Gov. Gavin Newsom.
“I have the utmost respect and admiration for our president,” Minaj said. “I don’t know if he even knows this but he has given so many people hope that there is a chance to beat the bad guys and to win and to do it with your head held high.”
Minaj then read some of her former social media posts mocking Newsom, calling him “Newscum” and “Gavie-poo.”
“Imagine being the guy running on wanting to see trans kids, haha, not even a trans adult would run on that,” she said. “Normal adults wake up and think they want to see healthy, safe, happy kids — not Gav.”
Minaj then urged boys to “be boys.”
“There is nothing wrong with being a boy,” she said. “How about that? How powerful is that? How profound is that? Boys will be boys and there is nothing wrong with that.”
Minaj praised Turning Point USA, saying the organization is encouraging youth to connect with God.
“There has been a lack of that in our media, in our everyday conversations,” she said. “Christians have been being persecuted right here in our country in different ways.”
Minaj drew attention from the Trump administration in November, when she publicly backed the president’s assertions that Christians face persecution in Nigeria, a claim the Nigerian government has disputed.
WASHINGTON — President Trump filed a lawsuit Monday seeking $10 billion in damages from the BBC, accusing the British broadcaster of defamation as well as deceptive and unfair trade practices.
The 33-page lawsuit accuses the BBC of broadcasting a “false, defamatory, deceptive, disparaging, inflammatory, and malicious depiction of President Trump,” calling it “a brazen attempt to interfere in and influence” the 2024 U.S. presidential election.
It accused the BBC of “splicing together two entirely separate parts of President Trump’s speech on January 6, 2021” in order to “intentionally misrepresent the meaning of what President Trump said.”
The lawsuit, filed in a Florida court, seeks $5 billion in damages for defamation and $5 billion for unfair trade practices.
The BBC said it would defend the case.
“We are not going to make further comment on ongoing legal proceedings,” it said in a statement.
The broadcaster apologized last month to Trump over the edit of the Jan. 6 speech. But the publicly funded BBC rejected claims it had defamed him, after Trump threatened legal action.
BBC chairman Samir Shah had called it an “error of judgment,” which triggered the resignations of the BBC’s top executive and its head of news.
The speech took place before some of Trump’s supporters stormed the U.S. Capitol as Congress was poised to certify President-elect Joe Biden’s victory in the 2020 election that Trump falsely alleged was stolen from him.
The BBC had broadcast the hourlong documentary — titled “Trump: A Second Chance?” — days before the 2024 U.S. presidential election. It spliced together three quotes from two sections of the 2021 speech, delivered almost an hour apart, into what appeared to be one quote in which Trump urged supporters to march with him and “fight like hell.” Among the parts cut out was a section where Trump said he wanted supporters to demonstrate peacefully.
Trump said earlier Monday that he was suing the BBC “for putting words in my mouth.”
“They actually put terrible words in my mouth having to do with Jan. 6 that I didn’t say, and they’re beautiful words, that I said, right?” the president said unprompted during an appearance in the Oval Office. “They’re beautiful words, talking about patriotism and all of the good things that I said. They didn’t say that, but they put terrible words.”
The president’s lawsuit was filed in Florida. Deadlines to bring the case in British courts expired more than a year ago.
Legal experts have brought up potential challenges to a case in the U.S. given that the documentary was not shown in the country.
The lawsuit alleges that people in the U.S. can watch the BBC’s original content, including the “Panorama” series, which included the documentary, by using the subscription streaming platform BritBox or a virtual private network service.
The 103-year-old BBC is a national institution funded through an annual license fee of 174.50 pounds ($230) paid by every household that watches live TV or BBC content. Bound by the terms of its charter to be impartial, it typically faces especially intense scrutiny and criticism from both conservatives and liberals.
