Lainey Wilson and Devlin “Duck” Hodges made a splash last weekend, getting married Sunday at a picturesque waterfall in Tennessee.
And unlike at Wilson’s recent headlining gig at the Stagecoach Festival in Indio, nobody had to evacuate because of dangerously high wind.
“You could hear the water trickling down and birds singing, and we had a nice spring breeze,” the country singer and “Yellowstone” actor told Vogue, which had an exclusive on the event. “I arrived in a white horse-drawn carriage and walked down the aisle with my Deddy to join Duck at the altar.”
Yup, she said “Deddy.” She also said at Stagecoach — once the wind had slowed down and she was performing as promised — that she hoped her fans “sat in your cars and drank some tequila” when they were hastily and temporarily evacuated.
On Sunday, a friend took the couple through their vows as they were standing on a cobblestone ledge at the foot of a waterfall on the 121-year-old Ruskin property about an hour out of Nashville.
The groom wore a bespoke mallard green suit and ornate bolo tie for the ceremony, per Vogue, while the bride rocked some 5-inch Louboutin heels under her Oscar de la Renta gown. She also kept some blinged-out, custom-made high-heeled cowboy boots nearby just in case. Perhaps for the reception?
There was a 12-piece jazz band, Wilson told the fashion publication, and a Cajun meal that reflected her Louisiana roots. The caterer? It was her very own Nashville bar, Bell Bottoms Up, which turns 2 years old at the end of this month.
Wilson and Hodges, an NFL quarterback-turned-entrepreneur, met on a blind date in 2021 that started with a dinner on the water in Hendersonville, Tenn., and ended up at a honky-tonk. “We’ve been pretty inseparable since,” the Grammy winner said.
They got engaged a couple of days before Valentine’s Day in 2025. The retired athlete, who played for the Los Angeles Rams in 2021, is now a Memphis-based real estate agent who specializes in land and recreational properties.
The most recent death on Mt. Wilson claimed the life of a man identified as New Zealand-born, L.A.-based composer Mark Smythe. Following the tragedy, his colleagues and family poured out their hearts as they remembered a man they called smart, funny and a true supporter of his peers.
Smythe died Saturday at 53 after suffering a cardiac emergency on a hiking trail, according to the coroner’s online database. His cause of death was atherosclerotic cardiovascular disease, in which plaque builds up in arterial walls and can lead to a heart attack.
The Sierra Madre Police Department said Saturday that a man — at that point unidentified — died after having a medical emergency on the trail and that no foul play was suspected. First responders arrived at the site around 10 a.m. and administered aid but were unable to save his life.
Smythe had been head of the department of Composing for Visual Media at Los Angeles Music College since last summer, according to his website. Among other honors, he was nominated for a 2023 Society of Composers and Lyricists Award for his work scoring the movie “The Reef: Stalked.”
Kate Ward-Smythe, the composer’s sister, acknowledged his death late Sunday on Facebook.
“It is a comfort to know that he was doing one of the things he loved, hiking in the hills, and we are grateful to his wonderful friends (and emergency service responders) who tried so hard to resuscitate him,” she wrote.
“Mark was a strong larger than life connector in LA, as a professor, composer, musician, and loyal friend. He was also fiercely talented, and an absolute cheerleader for music performance and recording across multiple genres.. he was only just getting started and had so much more to give .. We are heartbroken and trying to process this tragedy, as are all Mark’s friends and family.”
Bear McCreary, known for scoring TV series including “Outlander,” “The Walking Dead,” “Black Sails” and “Snowpiercer” and movies including “Happy Death Day,” “Godzilla: King of the Monsters” and Blumhouse’s “Fantasy Island,” called news of Smythe’s death “awful and surreal,” saying they had just been chatting at a mutual friend’s party a few weeks ago.
“Mark’s enthusiasm and humor were off the charts,” McCreary wrote Sunday on Instagram. “He brought a shark with a bowtie to the red carpet of an SCL awards ceremony when he was nominated for his work on a shark movie – hilarious! When he found out I was writing a metal album, he curated his favorite German folk metal bands for me (turning me on to his favorite band, Finsterforst).”
Having said he always thought he would get to know Smythe better one day, McCreary called his death “a stark reminder to spend time with the people you care about while you can.”
John Massari, who has more than 150 music credits stretching back to “Little House on the Prairie” and contributed music to TV series including “Dancing With the Stars,” “Pawn Stars” and “It’s Always Sunny in Philadelphia,” said in comments that “Mark was a bright light and a refreshing spirit in our community. He is greatly missed.”
“I’m so deeply sad to lose my friend. Mark, I miss you and love you. Thank you for your love, passion, humor, and joy and for always making me feel loved and valued,” singer Baraka May, whose voice can be heard in “Avatar: Fire and Ash,” “Wicked: For Good” and “Beavis and Butt-Head,” wrote Monday on Instagram.
“He was funny and snarky and whip-smart, yet when we collaborated, he just melted into the music and gushed like a fan with child-like wonder. What a tremendous heart and mind!” the vocalist wrote. “I had the honor of collaborating with him on three of his beautiful pieces as a conductor, and I loved his boyish, genuine joy and excitement even in our rehearsals. He wrote and voiced his music beautifully, which often felt haunting, romantic, deep, and sensitive, and his bass playing was so beautiful and thoughtful. He was such a vivid, enthusiastic music lover, and I was very much looking forward to making more music with him.”
The Los Angeles Film Conducting Intensive also mourned the loss, saying online that “Mark was a brilliant talent and a genuine friend to all, a true pillar in our scoring community.
“During the pandemic, Mark generously joined our 2020 New Music Project to support new repertoire for our music community during a time of great uncertainty and when most traditional pieces could not be performed.”
The Hollywood Music in Media Awards remembered Smythe winning a career-propelling prize at the organization’s 2013 ceremony, soon after he arrived in L.A. from New Zealand.
“He quickly built a distinguished body of work for film, shorts, and television, earned multiple HMMA nominations, served as COO of the Society of Composers & Lyricists, and returned to present at the 2018 HMMA Gala,” the organization wrote. “Mark’s talent and generosity enriched our community — he will be greatly missed.”
Smythe’s death was the second this month on Mt. Wilson. On May 3, a man identified as John McIntyre, 66, was declared dead on the same trail after falling down a ravine at Mt. Wilson Road and the Little Santa Anita fire break in Sierra Madre. His cause of death was blunt force injuries.
Sophia Wilson scored in stoppage time for her first goal of the season and the Portland Thorns defeated Angel City 2-1 on Sunday.
After a scoreless first half at BMO Stadium, Pietra Tordin’s header opened up the scoring for the Thorns (4-1-1) in the 76th minute. In her professional soccer debut, rookie defender Carolyn Calzada provided the assist.
Wilson doubled the lead in stoppage time with a left-footed blast into the side netting. It was her first goal of the season after taking all of last year off for the birth of her daughter. Her last goal for the Thorns came on Nov. 1, 2024.
Second-half substitute, forward Prisca Chilufya trimmed the lead in half in the final minute of stoppage time for Angel City.
Japan International Jun Endo made her return from injury as a substitute in the 62nd minute for Angel City (3-2-0).
Lainey Wilson didn’t seem too worried about the high winds that temporarily shut down Stagecoach on Saturday night.
Headlining the festival’s main stage after an hour-long delay — during which fans were ordered to evacuate Indio’s Empire Polo Club before being allowed back in — Wilson looked out at the crowd in front of her and said of the unplanned break: “I hope y’all sat in your cars and drank some tequila.”
Lainey Wilson performs.
(Allen J. Schaben / Los Angeles Times)
The whoops across the field suggested that might’ve been what happened.
Only the third woman to headline Stagecoach in the past five years, Wilson offered a tight, punchy showcase of the riff-heavy country-rock that’s made her one of Nashville’s biggest stars (after a decade-long come-up in which she’s said she lived in a camper trailer).
“Can’t Sit Still” and “Wildflowers and Wild Horses” were swaggering and Stones-y; “Country’s Cool Again” rode a funky down-home groove. To fill the big stage — it evoked a kind of desert oasis with a glittering horseshoe and a couple of prop cacti — Wilson brought along a horn section and background singers who turned “Dreamcatcher” into a psychedelic roots-soul fantasia.
Not long into the show, Wilson welcomed Little Big Town and Riley Green for an appealingly sloppy rendition — complete with drinks in plastic cups — of Merle Haggard’s “I Think I’ll Just Stay Here and Drink.” Then she let Green, whose scheduled performance was scotched because of the wind, stick around to do his “I Wish Grandpas Never Died.” (Also called off Saturday was Journey’s set on the Mustang stage.)
Wilson’s only other guest was the little girl she ushered onstage and pronounced “cowgirl of the night” during “Things a Man Oughta Know.” After that came the singer’s dreamiest hit, “Somewhere Over Laredo,” and an especially sultry take on “Watermelon Moonshine,” the nostalgia-drunk love song from 2023 that’s probably still her finest moment.
We went back for a second day of Stagecoach and spent most of the day holding on to our hats. Before strong winds resulted in the short-lived nighttime postponement and evacuation of the festival, Day 2 had plenty of gusto that carried us through the afternoon and evening, including sets from Bush and Teddy Swims along with some high-octane cooking with Guy Fieri. When crowds were called back after the wind-related fiasco that pushed everything back for headliner Lainey Wilson and caused Journey and Riley Green to cancel their performances, fans who returned still got to witness Wilson triumph over the elements and get down and dirty with Pitbull at Diplo’s Honky Tonk. Luckily the unexpected havoc didn’t blow away all the good vibes. Here are the best, worst and windiest from Day 2.
Guy Fieri features his latest smokehouse dish during the Stagecoach Country Music Festival.
(Evan Schaben / For The Times)
Food lessons from the Guy Fieri fever dream
Stagecoach is known for strange bedfellows (see: Emo Nite with Ashlee Simpson Friday) but Guy Fieri with Wynonna Judd, Billy Bob Thornton, Gavin Rossdale and Gavin Adcock is so odd it seems like an AI hallucination. I promise you it happened Saturday afternoon.
“Everybody loves food. That’s the common denominator,” Fieri told the crowd, which included a woman who impressively dressed up as Fieri, fake mustache/goatee and a flame-covered bowling shirt.
“Flavortownnnnn!” Judd said as she walked onto the demonstration stage at Guy’s Stagecoach Smokehouse.
“Just so you know, we could do our own cooking show,” Fieri said as he introduced her.
Each of the stars was paired with a chef, which included Eric Greenspan, Mark Murphy, Aaron May and Hunter Fieri.
Thornton made salmon and fried okra with spicy hummus with Hunter Fieri. The “Landman” star said the key for good fried okra is to use cornmeal. He also shared his favorite chili, which isn’t hot for the sake of being hot.
“Calabrian chili has a flavor,” Thornton said.
He also told the crowd of a new delicacy he discovered: white grapes dipped in spicy Dijon mustard.
“It blew my mind,” Thornton said.
Adcock, meanwhile made a giant prime rib sandwich and beer-battered onion rings.
“I’m a big beef guy,” Adcock said.
Meanwhile, Bush frontman Rossdale was doing what Fieri said was a first for Stagecoach — he made an Asian dish of smoked chicken dredged and flash-fried and shared with two sauces: one a Japanese rice wine and the other a sweet sauce.
Speaking of strange things, here’s my pitch for an “Odd Couple” reboot: Rossdale and Adcock with Fieri as the wacky neighbor. Someone point me to the Paramount+ tent so I can pitch it. (Vanessa Franko)
Teddy Swims performs Saturday on the Mane Stage during the second day of Stagecoach in Indio.
(Allen J. Schaben / Los Angeles Times)
Does Teddy Swims just live here now?
Has anyone checked on Teddy Swims’ house in whatever city he lives in besides Indio? The tattooed soul-rock singer played Stagecoach on Saturday night after doing both weekends of Coachella, and once again he brought out David Lee Roth to sing Van Halen’s “Jump” — an indelible ‘80s staple these guys are double-handedly willing into a Gen Z anthem. (Mikael Wood)
Diplo introduces Sydney Sweeney, who gave out her Syrn lingerie to the crowd at Diplo’s Honkey Tonk on the second day of Stagecoach.
(Evan Schaben / For The Times)
Theo Von crowd surfs, Sydney Sweeney tosses out lingerie and Shaboozey parties in Diplo’s Honky Tonk
If the first Stagecoach fever dream of Saturday was the unlikely cast of Billy Bob Thornton, Wynonna Judd, Gavin Rossdale and Gavin Adcock cooking and chopping it up with Guy Fieri at the Stagecoach Smokehouse, a close second was Diplo’s early evening set in the Honky Tonk.
Already billed as Diplo with podcaster-comedian-Ella Langley duet partner Theo Von and Barstool Sports media personality Caleb Pressley, it also attracted some special guests. Actor Sydney Sweeney showed up to toss panties from her Syrn lingerie brand into the crowd. (She has a pop-up Syrn saloon on the festival grounds).
The “Euphoria” star wasn’t the only surprise during the set — “A Bar Song (Tipsy)” hitmaker Shaboozey also made an appearance. Even though they played some of his songs, he didn’t perform. Like Sweeney, Shaboozey also has a pop-up saloon at the festival, his promoting upcoming record “The Outlaw Cherie Lee & Other Western Tales.”
And when you think things couldn’t get any weirder, Von went crowd-surfing. Stay weird, Stagecoach. (VF)
Singer and guitarist Gavin Rossdale and drummer Nik Hughes of Bush perform on the Mustang Stage at sunset as extreme weather begins to move in during the second day of Stagecoach.
(Allen J. Schaben / Los Angeles Times)
Catching up with Bush’s blustery Saturday evening set
Just before we were told to evacuate Friday night, I was about to write about Bush’s Stagecoach debut on the Mustang Stage.
Even as the weather turned colder and the winds turned gnarlier, Gavin Rossdale seemed to be having a great time as the band ripped through a 50-minute set packed with hits including opener “Machinehead,” “Everything Zen,” “Swallowed,” “Glycerine” and set-closing sing-along “Comedown.”
Stagecoach festivalgoers evacuate the Mane Stage after announcements were broadcasted to evacuate the area due to extreme high wind gusts during the second day of Stagecoach.
(Allen J. Schaben / Los Angeles Times)
The wind advisory and short-lived postponement nearly blew the fest away
Due to high winds, Stagecoach promoter Goldenvoice postponed the festival Saturday night until further notice and crowds were evacuated. An “emergency evacuation” message showed up on screens on the festival’s Mane Stage saying “the festival has been postponed until further notice. Please move quickly and calmly to the nearest exit.”
At 8:42 p.m., the festival advised via its mobile app that Stagecoach would resume momentarily. “We are working to open doors and prep the site for your safety,” the alert said. Just before 9 p.m. the gates were reopened. Stagecoach updated its schedule for Saturday night after a temporary evacuation due to high winds. Journey, which had been scheduled to play the Mustang Stage, did not perform; Riley Green, set to play the Mane Stage, also didn’t perform. Lainey Wilson, who was set to headline the Mane Stage, played an hour later than originally scheduled at 10:30 p.m. (VF/MW)
Lainey Wilson performs on the Mane Stage during the second day of Stagecoach.
(Evan Schaben / For The Times)
Lainey Wilson takes the stage after the wind After an hourlong delay due to high winds, Lainey Wilson kicked off her headlining set at Stagecoach on Saturday night with a one-two punch of “Can’t Sit Still” and “Wildflowers and Wild Horses” — each a solid example of the riff-heavy country-rock that’s made Wilson one of the biggest stars to come out of Nashville in the last 10 years.
“Y’all ready to sing it loud tonight?” she asked the crowd, which was maybe a bit thinner than it might’ve been thanks to fans who left before the festival announced it was reopening. Those who stuck around seemed plenty willing to bellow along. (MW)
The one item on Pitbull’s Stagecoach agenda
Pitbull hit the Mustang Stage an hour later than expected Saturday night after gusty winds forced Stagecoach to evacuate attendees for more than an hour, but Mr. Worldwide didn’t let a delay stop the fun.
“We came here to do one thing and one thing only,” he said from the stage early in the set.
The one thing? Party.
After an intro featuring his DJ and full band that included Metallica’s “Enter Sandman” and Beastie Boys’ “(You Gotta) Fight for Your Right (To Party!),” Mr. Worldwide appeared, flanked by a half dozen dancers in revealing costumes, to open the raucous set with “Don’t Stop the Party.”
After the song he thanked everyone at Stagecoach for staying and also name-checked some Goldenvoice employees, including Stagecoach booker Stacy Vee, as well as Lainey Wilson, who had just wrapped her headlining set on the Mane Stage.
He followed up the moment of gratitude with “Hey Baby (Drop It to the Floor)” and “Hotel Room Service.”
Later on in the set, Lil Jon joined Pitbull for “Jumpin” before being showered with more gratitude from Pitbull and the crowd. Then the pair performed “Damn I Love Miami.”
I’d like to start a petition for Stagecoach to book Pitbull every year — and bring him to Coachella too! (VF)
Ready to sing along from your couch? The Amazon Music Stagecoach Saturday livestream has you covered. For a heartfelt ballad, you’ll be able to tune in as Teddy Swims and Lainey Wilson take the Stagecoach stage. Take a trip back in time to watch Bush perform, then end the night tuning into Mr. Worldwide taking over the desert as Pitbull closes out the Saturday performances.
The festival will be livestreamed on Amazon Music, Prime Video and Twitch. On Sirius XM’s the Highway (channel 56), you can listen to exclusive interviews and live performances. Their station Y’allternative will also be covering the festival on Saturday.
Here are updated set times for the Stagecoach livestream Saturday performances (times presented in PDT):
Channel 1
3:10 p.m. Kevin Smiley; 3:30 p.m. Braxton Keith; 4:05 p.m. Redferrin; 4:40 p.m. Corey Kent; 5:35 p.m. Teddy Swims; 6:20 p.m. Treaty Oak Revival; 7:20 p.m. Little Big Town; 8:20 p.m. Riley Green; 9:30 p.m. Lainey Wilson; 11 p.m. Pitbull
Channel 2
3:10 p.m. S.G. Goodman; 3:30 p.m. Lane Pittman; 4:05 p.m. Benjamin Tod; 4:40 p.m. Michael Marcagi; 5:20 p.m. Willow Avalon; 5:55 p.m. Billy Bob Thornton & the Boxmasters; 6:40 p.m. Chase Matthew; 7:20 p.m. Charles Wesley Godwin; 8:10 p.m. Bush; 9:10 p.m. Gavin Adcock; 10:20 p.m. Two Friends
Sirius XM The Highway
4 p.m. Corey Kent; 6:30 p.m. Little Big Town; 7:50 p.m. Riley Green; 9 p.m. Lainey Wilson
Sirius XM Y’allternative
9 a.m. the Red Clay Strays; 11 a.m. Larkin Poe; 12 p.m. Ole 60; 1 p.m. Sam Barber; 2 p.m. the Marcus King Band; 6 p.m. S.G. Goodman; 8 p.m. Treaty Oak Revival
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Jay-Jay Wilson stunned the Belfast crowd with a devastating first-round knockout of Donegal’s Darragh Kelly, handing the Irishman his first professional defeat in just 37 seconds.
‘The Moville Mauler’ Darragh Kelly saw his unbeaten record ended as he was stopped by seventh-ranked lightweight Jay-Jay Wilson in the main event at PFL Belfast.
Wilson had originally been scheduled to face Derry’s Paul Hughes, but the bout was rearranged after Hughes withdrew due to a knee injury.
The New Zealander, who was returning from defeat to Archie Colgan last October, slipped Kelly’s early jabs before landing a left kick and following up with a powerful left hook that ended the contest almost immediately, silencing the SSE Arena.
“I landed the side kick, set my base and once I saw it connect I sat on the hook, and that was all she wrote,” said Wilson after the victory.
Despite entering as the away fighter, Wilson embraced the occasion and the crowd.
“Ireland, I love you guys… even though you were against me,” he said, before targeting Alfie Davies for a potential June bout in San Diego.
Confident in his preparation, Wilson added: “I know what I’m capable of… I put my confidence in the work I do in the gym.”
The victory marked a significant moment for “The Maori Kid”, who also spoke about representing his background and inspiring others.
“If I can do it, anyone can do it,” he said. “I want to lead the way for troubled youth.”
In the co-main event, Ballymena’s Rhys McKee marked his PFL debut with a hard-fought victory over Lohoré, earning a unanimous 30-27 decision after a competitive three-round contest.
Having been controlled early through grappling, McKee grew into the fight, finding success with his jab and striking in the second round.
The decisive moment came in the third, when McKee dropped Lohoré with a right hand before finishing strongly to secure victory.
“It was unbelievable… what a night in Belfast,” McKee said.
“All I wanted was to be excited about fighting again and PFL answered.”
The 30-year-old, whose bout was only confirmed in March, admitted it was a challenge but never considered turning it down.
“When PFL asks you to fight in your home city, what can you say? You have to do it.”
McKee also reflected on the significance of competing in front of a home crowd.
“That will stay with me for the rest of my life. These nights are rare, you have to take them in.”
Looking ahead, he added: “I’m coming for the PFL rankings… put Rhys McKee up.”
