wilson

Former US Vice President Kamala Harris among those to hail Wilson as Las Vegas Aces centre continues record run.

A’ja Wilson fine-tunes her shooting touch after every practice. That extra work has defined her greatness since being drafted first overall in 2018.

On Thursday, she received a voice message from former Vice President Kamala Harris congratulating her on redefining greatness leaguewide after she was named the WNBA’s MVP for a third straight year and for the fifth time overall.

“Obviously, that is an honour,” Wilson said. “A woman of our history, and I’m so appreciative to be able to share that moment with her through the phone call and the message of her delivering that I won my fifth MVP.”

In addition to becoming the first player to three-peat, Wilson won the award in 2020 and 2022.

Commissioner Cathy Engelbert, Aces owner Mark Davis and team President Nikki Fargas accompanied Wilson’s mother, Eva, who presented her daughter with the trophy.

“Each one of these has not been taken lightly,” Wilson said while flanked by all five of her MVP trophies. “In my heart, they’ve always been so special. But this one here, I cried a little bit harder. This one here is just a little bit different. … When you dream as a young girl, you dream so big and you write your goals out, and you just never imagine that you were able to just check them off.

“And when you’re able to check them off – small wins, big wins – it truly means a lot. And so I think that’s why I cried a little bit harder on this one, because 15-year-old A’ja wasn’t sitting up here dreaming about being a five-time MVP. She wasn’t dreaming about being a three-time champion. She was dreaming about surviving this world.”

The 30-year-old Wilson once again led the league in scoring with an average of 26.2 points per game while shooting nearly 53 percent from the field. She averaged 9.4 rebounds per game, a career-best 3.2 assists and 1.9 blocks.

Wilson has the defending champion Aces back in the WNBA semifinals for the eighth consecutive season although Las Vegas is down 2-0 in the best-of-five series against Golden State. Game 3 is on Friday.

“This is great. I love it, not going to take for granted, shine her up, let’s do it,” Wilson said on Thursday. “But tomorrow, when it comes to hoisting it in front of the fans, I love the fans, … but I doubt I will be doing that. I’ll be warming up with my team. … Everyone in this room knows the competitor that I am. Everyone knows what my main focus is, and that is to get a game.”

Wilson received 65 first-place votes and nine second-place votes for a total of 713 points from a national panel of sportswriters and broadcasters. Minnesota’s Olivia Miles received six first-place votes and 40 second-place votes (442 points) while Indiana guards Kelsey Mitchell and Caitlin Clark followed with 287 and 212 points, respectively.

No WNBA player besides Wilson has more than three MVPs. Sheryl Swoopes, Lisa Leslie and Lauren Jackson each have a trio. On the NBA side, Kareem Abdul-Jabbar has six, and Michael Jordan and Bill Russell each have five.

“A’ja Wilson is one of one,” Fargas said. “She’s now standing in a category that no other WNBA player in the history of the league has accomplished. She’s in the conversations with the Michael Jordans and the Wayne Gretzkys of the world – where she belongs.”

The NFL has issued suspensions for two officials involved in confrontations with players during Sunday’s games, including one who was caught on camera apparently cursing at Arizona Cardinals tight end Trey McBride.

“The NFL confirmed today that line judge Jeff Seeman has been suspended for two games and referee Adrian Hill has been suspended for one game, each for an instance of unprofessional conduct toward a player in Sunday’s Arizona-New York Giants (Seeman) and Miami-Minnesota games (Hill),” the league said Monday in a statement. “The suspensions were issued by NFL Vice President of Officiating Ramon George.”

Late in the Cardinals’ 36-24 loss to the New York Giants, McBride argued a non-call with Seeman. A video of part of the interaction between McBride and Seeman, posted on X by ESPN’s Adam Schefter, appears to show the line judge shouting, “F— you!” at McBride two times.

NFL Players Assn. executive director JC Tretter posted a clip of the interaction that zoomed in on Seeman as he shouted toward McBride.

“This kind of behavior from an official towards a player is unacceptable,” Tretter wrote. “Players are consistently held accountable when the roles are reversed. We expect the NFL to hold officials to the same standard.”

CBS reporter Aditi Kinkhabwala reposted Tretter’s post and commented that she was “standing right there” during the interaction between McBride and Seeman.

McBride “was heated for sure, but I never heard a curse from him,” Kinkhabwala wrote. “The harshest he got was, ‘You’re ruining the game.’”

The other incident took place early in the Minnesota Vikings’ 15-10 victory over the Miami Dolphins. On a play that was whistled dead because of a neutral zone infraction, Vikings linebacker Eric Wilson appeared to be shoved into Hill, who was knocked to the ground. When Wilson attempted to help Hill to his feet, the official jumped up and appeared to yell at the player and point for him to move away.

“That was funny, honestly,” Wilson told reporters. “I ended up apologizing to him and explained the situation. He was cool about it. He understood what was happening. He just said he was trying to get me — he didn’t want us fighting apparently, me and the Dolphins guy. So he was just trying to break us up.”

The NFLPA said it had no further comment on either incident other than Tretter’s X post. The NFL Referees Assn. did not immediately respond on Monday to multiple requests for comment.

The Associated Press contributed to this report.

Las Vegas Aces star A’ja Wilson said she apologized to her teammates for getting a technical foul late in an eventual 98-89 playoff loss to the Indiana Fever on Tuesday night in Indianapolis.

But the four-time league MVP is not apologizing for her actions that led to the foul being called.

With about 4 minutes left in the fourth quarter and the Aces down by 11, Wilson drew a foul against Indiana’s Sophie Cunningham. As Cunningham protested the call, Wilson walked over to a Fever fan who had been standing in front of his seat in the second row behind the basket and pointing in Wilson’s direction.

Visibly upset, Wilson stood directly in front of the fan, who had been pulled back into his seat by a woman sitting next to him, while yelling at him. She was quickly pulled away by teammate Cheyenne Parker-Tyus, but was still upset as she walked away.

Speaking to reporters after the game, Wilson said that there are “just certain things that I’m not going to allow anymore because it’s just unacceptable.”

“I don’t know if you guys know me, but I don’t really get into the bulls—. I don’t,” Wilson said. “I try to play my game, keep it pushing. But if I’m just walking, because I just got the foul, I’m chilling — and if I see a man come at me, taking steps towards me and pointing at me, I don’t give a damn what you said. I don’t give a damn how you said it, the tone. That is unacceptable.”

Online video footage shot from the stands shows that the man was standing in front of his seat as the play unfolded. He appears to take a step or two while pointing and yelling after the foul was called.

“I didn’t exactly see what happened. I kind of saw the aftermath,” Aces coach Becky Hammon told reporters after the game. “I’ve never seen A’ja Wilson go like that. So whatever was done, I can tell you she felt very disrespected in that moment. I’ve never seen her really react like that ever. So whatever it was, it doesn’t have any place, I don’t think, in an arena.”

The fan eventually was escorted out of the seating area but was allowed to return to his seat. The Fever said in a statement that arena security spoke with the man and witnesses and “determined there was no violation of the Fan Code of Conduct.”

Wilson was assessed a technical foul for unsportsmanlike conduct.

“Yeah, I’m apologizing to my team for that,” she told reporters. But, Wilson added, “you don’t have to like me. You don’t have to love me. You can hate me with all your heart. … But I guarantee you will respect me.”

The decisive Game 3 of the series is Thursday in Las Vegas.

Hallmark films have mastered the art of escalating low-stakes situations into high-stakes emotional emergency plotlines. They have made a lucrative business out of absurdities.

The town’s ice sculpture competition is in danger of being canceled forever. How can the Christmas celebration in Colorado go forward without a nice spruce? The only way to really save the bakery is to have a life-size gingerbread house competition.

It’s a proven formula that leans into the ridiculousness of mundane situations but earns its audience every holiday season. Whether it’s watching the movies for comfort or to turn a viewing party into a drinking game, millions of people tune in to laugh or cry watching them.

The Hallmark situations can be predictable, comfortable and wholesome, which can come off as absurd for a film plotline. Their sincerity and humor come from the cast’s commitment to the mundane, said Ron Oliver, writer and director of many Hallmark films.

A scene from “The History of Concrete.”

(Magnolia Pictures)

“Funny is only funny if you don’t think it’s funny,” he said. “We know that’s ridiculous. But at the same time, if the actor commits to it, it makes it seem real, then the audience gets it.”

He likes to think they’re laughing along with the idiosyncratic elements of the movies, and as long as it is creating a communal atmosphere, Oliver is all for it.

“If there’s anything we need these days, it’s a sense that people belong somewhere,” he added.

The formula isn’t what makes a movie a Hallmark movie. The structure has existed since God wore shorts, said Oliver. The channel’s achievement has been its ability to turn the structure into a recognizable brand through its stories.

When filmmaker John Wilson was in between jobs after finishing his HBO show “How To With John Wilson” during the writers’ strike, he attended a seminar on how to write and sell a Hallmark film.

After seeing what makes the Hallmark brand recognizable, Wilson decided to adapt the style into his own genre of making a documentary about concrete titled “The History of Concrete,” hoping the structure would help him finance the film.

John Wilson in “The History of Concrete.”

(Magnolia Pictures)

“But it’s very loose and almost impossible to even identify at points,” he said.

Instead of mocking the genre, Wilson subverts the Hallmark elements into his style of documenting, which finds the filmmaker recording trivial life moments — a person sitting on a pole, for example, or someone ruining a perfectly good jar of peanut butter by dipping their fingers into it — alongside his contextualizing narration.

“I both embrace but betray certain rules,” he said.

The seminar told him to avoid mentioning Christianity in the context of Christmas, so he pivoted to a Buddhist community with an annual tradition of running around a school in New York. The formula prefers to stay away from trauma. Instead, he made the death of one of his subject’s fiancées one of the main plotlines of the film.

“The actual Hallmark of it all fits in a way because that’s the kind of living proof that this rhythmic cyclical way of storytelling is actually soothing and attractive to people over long periods of time, to be able to return to this thing that they can trust and understand,” he added.

A scene from “The History of Concrete.”

(Magnolia Pictures)

In Wilson’s film, the entrance point is concrete, but what begins to unravel is a romance story involving a boy who has a movie idea, needs money to make a movie and tries everything he can to sell it — a signature love trope for most Hallmark movies.

Throughout the film, Wilson goes from pitch meeting to pitch meeting trying to finance his art. In the process, Wilson meets other eccentric characters that share his passion of filmmaking but have their own interests, like clearing gum from a sidewalk, immortalizing a person’s tattoo after they’re dead, and music.

“I’m just finding different ways to court this industry that doesn’t seem ready for this relationship,” Wilson said. “I’m trying to find some consensual way into it, but I eventually just need to perform the romantic gesture of doing what feels right and what comes naturally to me.”

The love story is the kind of theme that sometimes it’s OK to lean into, even though he’s constantly battling whether he should explore it in his films, Wilson added.

A scene from “The History of Concrete.”

(Magnolia Pictures)

Oliver believes that battle is a product of the cynicism that exists in society. Pledging love and respecting someone or a relationship can make people feel so uncomfortable that leaning into these tropes of life can feel humorous, and that’s where the laughs from a Hallmark film come from.

“They’re realizing that they’re being emotional about somebody who can’t find the right Christmas sweater,” he said.

The people in “The History of Concrete” aren’t funny because Wilson makes them out to be ridiculous. He doesn’t emphasize their eccentricities or tell the audience what makes them funny. He simply lets them be themselves. He captures their personality through a curiosity lens.

The humor comes from their passions not seeming worthy of the level of seriousness with which they pursue them. These people love something so much that their devotion mirrors the kind of energy normally reserved for higher stakes.

“There’s no definition of normal that sticks,” Wilson said.

A Christmas celebration isn’t objectively a life-or-death situation, and neither is concrete. But when people care deeply about them, those seemingly mundane things can take on an emotional significance the audience understands.

“Even if it’s something absurd … [the casts] are also committed to the idea of making it real,” Oliver said.

LAS VEGAS — Four-time MVP A’ja Wilson scored 18 points and grabbed 10 rebounds to lead the Aces to an 89-79 victory over the Sparks on Tuesday night and clinch at least a No. 3 playoff seed for Las Vegas.

The Aces (30-13), on a six-game winning streak, will get home-court advantage in the first round of the playoffs, which begin Sunday. If the standings hold, they would face No. 6 seed Washington (27-16) in the best-of-three series.

Chelsea Gray scored 17 points for the Aces, Stephanie Talbot had 14 points and Jackie Young totaled 14 points and 11 assists.

Nneka Ogwumike, who was honored before the game, scored 17 points to lead the Sparks (16-27). Erica Wheeler added 16 points.

The Aces used a 15-point run in the first quarter to take early control, going up 17-5. They led by 17 points when the Sparks went on their own long run, an 11-point spurt in the second period to cut the lead to 35-29.

The Sparks then remained within striking distance, but never closed the gap. Las Vegas’ 10-point run in the third period put the Aces back in control with a 63-45 lead.

The Aces presented Ogwumike, an eight-time All-Star and 2016 MVP, with a flower bouquet before the game. Ogwumike, who announced Aug. 19 she would retire after this season, also received a standing ovation from the crowd. She also is president of the players’ union.

The Sparks played without Dearica Hamby (left knee) and Cameron Brink (right ankle). Hamby, who played in the Aces’ organization from 2015-22, averages 14.4 points and 7.0 rebounds. Brink, the second overall pick in the 2024 draft, averages 9.5 points and 5.0 rebounds.