Wicked

Animated movie “Zootopia 2” hopped to the top of the box office in a big weekend for family-friendly films.

The sequel to the 2016 film from Walt Disney Co. brought in $156 million in the U.S. and Canada over the five-day Thanksgiving weekend, according to studio estimates. The film’s production budget was estimated at $175 million to $200 million.

In total, “Zootopia 2” collected $556 million in global box office revenue, including $272 million in China, a once-massive market for Hollywood films that has cooled in recent years. The haul for “Zootopia 2” in China marked that country’s highest opening ever for a non-local, animated movie.

The movie likely benefited from its strong franchise recognition in China — Disney opened a “Zootopia”-themed land at Shanghai Disneyland in 2023 and embarked on an extensive marketing campaign before the film’s release. The original film had a total box office haul in China of $236 million.

Universal Pictures’ “Wicked: For Good” came in second at the domestic box office with a five-day total of $93 million.

The period between Thanksgiving and Christmas has traditionally been an important time for studios and theaters to attract moviegoers with family-friendly fare or big blockbusters, which can provide a big bulk of the year’s box office revenue.

“Zootopia 2” and “Wicked: For Good” were seen as two of the major films released toward the end of the year that could drive massive ticket sales. The third — Disney’s 20th Century Studios’ “Avatar: Fire and Ash” — will be released in theaters next month.

The reception for “Zootopia 2” and “Wicked: For Good” also points to the demand for family films. Though the overall box office has been uneven this year, films geared toward children and families have largely performed.

Disney’s live-action adaptation “Lilo & Stitch” brought in more than $1 billion in global box office revenue and Warner Bros.’ “A Minecraft Movie” wasn’t far behind, with nearly $958 million.

For officials in Singapore, one Australian man’s actions at the “Wicked: For Good” premiere earlier this month wrought enough chaos to keep him out of the country — for good.

Singapore’s Immigration and Checkpoints Authority has deported and barred 26-year-old Johnson Wen from reentering the country after he crashed the yellow carpet and accosted star Ariana Grande, according to several reports. A representative for the authority did not immediately respond to a request for comment on Monday.

Singapore’s the Straits Times reported that Australian national Wen arrived in the country earlier this month on a 90-day social-visit pass to attend the movie musical’s premiere and for a vacation. The self-proclaimed “Troll Most Hated” was seen in video jumping over the fan barricade onto the other side of the carpet. He ran toward Grammy winner Grande with his arms and legs flailing before grabbing her roughly around the neck and shoulders. He turned and smiled for the cameras before Grande’s co-star Cynthia Erivo interfered and separated Wen from Grande. He was arrested, charged and later released.

Wen, who has a history of crashing other celebrity events including concerts down under by Katy Perry and the Weeknd, was charged with being a public nuisance days after the incident. Shortly after that, he was convicted and sentenced to nine days in jail.

During his trial in Singapore, Wen said he was “going to stop,” according to the Straits Times. His courtroom statement, however, doesn’t seem to match up with his tone on social media.

Wen re-shared video of the incident Sunday on Instagram. “Dear Ariana Grande thanks for letting me join the Red Carpet 💛,” he captioned the video.

“Wicked: For Good” premiered Friday, a year after after the first “Wicked” film. The sequel also stars Michelle Yeoh, Jeff Goldblum, Marissa Bode and Jonathan Bailey. Jon M. Chu directs both films.

Times assistant editor Christie D’Zurilla contributed to this report.

Elphaba and Glinda have changed the box office, at least for this weekend.

“Wicked: For Good” — the conclusion to Universal Pictures’ two-part film franchise — hauled in an estimated $150 million in the U.S. and Canada this weekend, marking the second-highest domestic opening this year, trailing only blockbuster hit “A Minecraft Movie.” Globally, the film grossed about $226 million.

The opening weekend audience for “Wicked: For Good” skewed even more female (69%) than the first film, which counted 61% of its viewers as women, according to data from EntTelligence.

Lionsgate’s “Now You See Me: Now You Don’t” came in a distant second at the domestic box office with $9.1 million. The third installment of the illusionist franchise has now brought in a cumulative $36.8 million in the U.S. and Canada and a total of $109.4 million globally across its two weekends.

Disney’s 20th Century Studios’ “Predator: Badlands,” Paramount Pictures’ “The Running Man” and “Rental Family” from Searchlight Pictures rounded out this weekend’s top five.

The Cynthia Erivo and Ariana Grande-led film was bolstered by a massive marketing push that began early last year before the first “Wicked” movie debuted. Though the films are based on the hit Broadway play, Universal wanted to expand awareness of the story to markets that had been less exposed to the theatrical show.

As a result, the franchise has partnered with more than 100 brands, including toy companies like Lego and Mattel as well as more unexpected firms such as household goods giant P&G and online Asian supermarket Weee!, where director Jon M. Chu serves as chief creative officer.

The film’s opening weekend success also points to a demand for female-focused franchises.

After 2023’s “Barbie” grossed $1.4 billion at the global box office, there were countless calls for more films geared toward women. But this year, many of the big-budget movies were male-leaning, and the narrower returns at the box office have prompted questions about whether films were reaching all possible demographics.

“Women continue to be a really underserved audience,” said Shawn Robbins, director of movie analytics at Fandango and founder of the website Box Office Theory. “In terms of large blockbusters, it’s been a minute since there’s been a female-skewing movie on the scale of ‘Wicked’ or ‘Lilo & Stitch.’”

Back in 2024, Universal conjured a pink and green tornado that swept pop culture.

From themed drinks at Starbucks and dolls of Elphaba and Glinda, to joint appearances by stars Cynthia Erivo and Ariana Grande at the Olympics and throughout a heavily-publicized press tour, “Wicked” was everywhere.

As the conclusion of the two-part film franchise heads to theaters at the end of the week, the marketing for “Wicked: For Good” has accelerated.

There are still themed Legos, but now also Gain laundry scent boosters, Swiffers and Pottery Barn bedding. There was a “Wicked” night on rival network ABC’s “Dancing With the Stars” and a “Wicked: One Wonderful Night” musical event broadcast on NBC.

The complete takeover of culture was all part of Universal’s plan to build one of its biggest and most important franchises, which has already brought in nearly $759 million in worldwide box office revenue for the first film, not to mention the haul from merchandise sales, theme park tie-ins and other categories.

Beyond the immediate revenue, “Wicked” also gives Universal a rare, female-focused franchise, an underserved audience, particularly as so many recent films have been geared toward men.

The success of the Broadway play, which has run for more than two decades, gave Universal the confidence in its potential for the big screen, said David O’Connor, president of franchise management and brand strategy at Universal Pictures. He’s also been a fan of the stage production almost from the beginning — he watched a table reading on the Universal lot, saw the musical additions to the script and finally, its run in San Francisco.

“For us, you had this potential to really take the fanship and really make ‘Wicked’ into a cultural imperative,” he said in a call from New York ahead of the film’s premiere. “When you think about the characters, the two leads, the themes of friendship, identity and empowerment, and how that resonates universally, and then, of course, the fantastical worlds of Oz and Shiz and Munchkinland, it just seemed like such a great opportunity for us.”

“Wicked” has proved to be a key boost to Universal’s lineup of blockbuster franchises.

Though the studio boasts series like “Jurassic Park,” “Despicable Me” and “Fast & Furious,” it has lacked the deep roster of intellectual property that rivals like Walt Disney Co. and Warner Bros. have, said Brandon Katz, director of insights and content strategy at data firm Greenlight Analytics.

The series “has really emerged as a much-needed, fresh tentpole for Universal,” he said. “There’s such a waterfall of value that this two-part franchise creates that Universal will be banking out on this for years to come.”

The two films were shot back-to-back, with a combined production budget of $300 million, reportedly split evenly between the two.

So far, interest for the second film is high — as of Thursday, “Wicked: For Good” was the highest ticket pre-seller of the year, according to Fandango. It is also the highest PG-rated ticket pre-seller ever on the Fandango platform, passing 2017’s live-action “Beauty and the Beast,” 2019’s animated hit “Frozen 2” and the first “Wicked.”

The film is tracking to haul in $150 million to $160 million in its opening weekend, according to estimates from industry analysts.

And the film’s appeal to women is crucial, particularly in a year when there were few films geared toward female viewers. Despite the persistent debates about the dearth of female-focused films, there have been few big, recent hits, other than 2023’s “Barbie” and last year’s “Wicked.”

“Every three or four years, female audiences are rediscovered with some hit,” said Alisa Perren, professor in the department of radio-television-film at the University of Texas at Austin’s college of communication. “It’s kind of striking how little mainstream female [films] have been released.”

To court all audiences, including those who were familiar with the play as well as those new to the story, Universal leaned into its so-called Symphony program to leverage all arms of the company to promote a film.

The program has been used previously for films like “Despicable Me” and has become a critical part of the marketing campaign, O’Connor said.

One new strategy the company used for supporting this franchise was building a “Wicked” fair, which was held on set in 2023 in London and allowed more than 200 partners to get a feel for the story, see the filmmakers and actors and meet heads of departments, like costumes and props. The studio has done set visits in the past, but nothing like this.

That open house was pivotal in driving partnership agreements and started to fuel the franchise’s success, O’Connor said. One of those was Lego, which signed on with “Wicked” after the fair and has been a partner on both films with product lines and an episode of “Lego Masters.”

Because not all geographic markets had the same built-in awareness of the Broadway play, getting corporate brands on-board was key to increasing knowledge of “Wicked” around the globe, he said.

Though “Wicked: For Good” marks the conclusion to the two-film series, O’Connor was coy about what’s next for the franchise.

“Our focus remains on building experiences that will deepen that connection to ‘Wicked,’” he said. “And all I can say is, we are very committed to ‘Wicked,’ but it’s probably too early to share much more than that.”

Do you like your “Wicked” sweet or sour?

How you answer may be the key in how much you enjoy the sequel, “Wicked: For Good,” which opens today and is on track to sell more tickets in its first weekend than its predecessor.

Will the new movie once again cast a spell at the Oscars? The answer, for the moment, is confusifying.

I’m Glenn Whipp, columnist for the Los Angeles Times, host of The Envelope newsletter and someone hoping to see a movie at the Village before the Olympics land in L.A. in 2028. Which film should they book to kick off its revival?

‘Wicked’ can’t defy gravity this time

Cynthia Erivo, left, and Ariana Grande perform at the 97th Academy Awards in March.

(Myung J. Chun / Los Angeles Times)

Who wasn’t charmed by the first “Wicked” movie last year? Film critics gave it more than a pass, with reviews scoring a respectable 73 grade on aggregator site Metacritic. Audiences loved it, powering the film to a $758 million worldwide box office haul. And Oscar voters fell in line, rewarding “Wicked” with 10 nominations and wins for production design and costumes. Gratitution abounded.

Repeating success is a taller order, our beloved Dodgers notwithstanding. As noted, multiplexes should be full this first weekend and, you’d expect, the lucrative Thanksgiving weekend as well. But the reviews haven’t been as kind this time around. “Wicked: For Good” sits at a 60 on Metacritic. Empire magazine’s review sums up the sentiment: “‘Wicked: For Good,’ sure — but not quite Wicked: For Great.”

Sequels rarely land as well as the original film, so the drop-off isn’t surprising. And, if you’ve seen the Broadway musical, you already knew this was coming. All the best songs are packed into the show’s first act, culminating in the soaring, sustaining final notes of “Defying Gravity.” But you can only beat that gravitational force for so long before you fall flat on the ground.

That splat you hear is “Wicked: For Good.”

Not everyone feels that way. The Vulture review sports the grabby headline: “‘Wicked: For Good’ is actually better than the first.” Times film critic Amy Nicholson agrees in her write-up titled: “The first one was a candy-colored slog, but ‘Wicked: For Good’ is pleasantly sour.”

Which brings me back to the question I first asked you: What are you looking for in a “Wicked” movie? I enjoyed all the spirited dancing and singing and, yes, the bright, candy colors of the first movie. You want a slog? The sequel takes almost an hour to bring together the two characters you truly care about — Elphaba and Glinda.

To get to that moment, you have endure a lot of filler, as if the musical doesn’t have enough material to sustain two movies totaling nearly five hours. (It doesn’t.)

The so-so critical reaction shouldn’t keep “Wicked: For Good” from picking up a best picture nomination, provided the movie’s fans keep showing up at theaters through the end of the year. With so many high-profile festival films — “The Smashing Machine,” “After the Hunt,” “Die My Love” among them — failing to connect with audiences and critics, there’s room at the inn. Academy voters will likely keep the light on.

Equaling the first film’s 10 nominations will be difficult. Cynthia Erivo and Ariana Grande opened the Oscars ceremony last year in spectacular fashion, but a reunion might not be in the cards. The pair were arguably co-leads in the first movie. “For Good” belongs more to Glinda than Elphaba, charting the Good Witch’s journey from complacency and compliance to … less complacency and compliance. Maybe Glinda’s going to learn from all this and take principled stands moving forward, though the movie doesn’t do enough to convince me. Grande’s dimple has more depth.

Still, Grande figures to score another supporting actress nomination and, who knows, she may well win. Voters love big theater-kid energy in this category, giving Oscars to Jennifer Hudson (“Dreamgirls”), Anne Hathaway (“Les Misérables”), Ariana DeBose (“West Side Story”) and Zoe Saldaña (“Emilia Pérez”) in recent years.

Erivo, placed in the more competitive lead class, might not be as fortunate, as she no longer centers the movie. She still masterfully conveys Elphaba’s vulnerability and sadness, but she’s also saddled with a chemistry-free love story with Capt. Fiyero (Jonathan Bailey). I won’t count her out. But Erivo could well lead the “snubs” and surprises list come nominations morning.

Repeat nominations in production design and costume design, the two Oscars the first movie won, seem safe bets. Hair and makeup does too, as does sound since voters love movies heavy on music. “Wicked: For Good” might pick up another nomination in the newly created casting category, as it won’t be a spot where voters feel like they’re repeating themselves. And while the first movie didn’t have any new songs, “For Good” sports two. Look for “The Girl in the Bubble,” sung by Grande, to pop.

Eight nominations? That’d be a win. The loss would be if “Wicked: For Good” followed the path of the two “Black Panther” movies. The first, a critical, commercial and cultural sensation, earned seven nominations, including best picture, and won three Oscars. The less-regarded sequel picked up five nods, winning one. It was not nominated for best picture.

Sometimes being popular isn’t enough.

Read more coverage of ‘Wicked’

CYNTHIA Erivo ended up in floods of tears after paying a visit to her old school in South London to watch students perform one of the hit songs from Wicked.

Cynthia, 38, took time out of her busy schedule pre Wicked: For Good hitting cinemas to surprise the lucky students of La Retraite Roman Catholic Girl’s School in Clapham Park, who had no idea she would be paying them a visit.

The star made her dazzling entrance in the best possible way: by quietly sneaking into the room as students one by one noticed she was standing there.

The students looked on in utter disbelief, tinged with obvious excitement, before squealing and jumping for joy.

During the surprise gesture, organised by Greg James and his team at Radio 1, Cynthia sat front row in the audience of an auditorium while a starstruck group of teenage girls sang Wicked’s song For Good.

It was a very emotional moment for Cynthia, who couldn’t help but break down in tears.

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Speaking about the touching performance once the song had wrapped up, Cynthia described how it was “very overwhelming” for her to be back at the school where she herself performed in a number of stage productions.

“I went to this school and left over 20 years ago so to come back and listen to you singing that song is really wonderful.

“Well done everyone, it’s so nice to see you all and be back here.”

As her voice was breaking, Cynthia told the equally emotional students: “I’m just really glad to have heard that. I’m not OK at all!”

The star then took questions from the teenagers, where one fan asked when she knew she wanted to perform for a living.

Cynthia replied: “I knew when I was five-years-old, there was something I just knew about singing, what it felt like to sing, what it felt like to connect and what it felt like to perform which I’ve always loved. That never changed.

“When I was five I was asked to sing Silent Night at the nativity play, I don’t know why they asked me to sing, I was playing a shepherd.

“But something about the way people reacted sparked a bit of joy. And I loved the fact that something I did made people happy.”

After taking more questions Cynthia, who didn’t have a father figure during adulthood, imparted words of encouragement to the group, encouraging them to never diminish the power of dreaming alongside putting in the work.

“I was right where you were, literally.

“I had some really wonderful teachers who helped and guided.

“Don’t be afraid of dreaming of those things and don’t be afraid of the hard work.”

Cynthia is currently finishing off her leg of premieres for Wicked’s eagerly anticipated sequel Wicked: For Good, set to come out in cinemas on Friday.

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Alongside co-lead and pop powerhouse Ariana Grande, she’s walked many red carpets, defended Ari on the Yellow Brick Road from a recent fan attack, and undertaken countless amounts of interviews.

Though the leading ladies have created many unintentional memes during their Wicked days, it’s been a whirlwind of fun, emotion, and amazing talent watching everything unfold.

IN her blue gingham dress, brown pigtails and trusty dog Toto by her side, Dorothy Gale is one of the most famous characters in Hollywood history.

But 86 years after original actress Judy Garland skipped down the yellow brick road, the school girl from Kansas is back on the big screen – being played by a Pilates instructor who lives in Surrey.

Bethany Weaver, 30, has been unveiled as the woman portraying Dorothy in the big budget movie Wicked: For Good, which hits cinemas this Friday.

However, The Sun can reveal she only appears on screen for 69 seconds and says a total of six words — and Bethany’s friends may not even recognise her, as her face is never shown on screen.

It follows on from last year’s first film, simply titled Wicked, and completes the tale of the witches of Oz, Elphaba, played by Cynthia Erivo, 38, and Ariana Grande, 32, as Glinda.

But while the first musical extravaganza was a prequel to The Wizard of Oz, the second instalment’s plot runs parallel to that of the 1939 film, telling the tale from an entirely different perspective.

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That means viewers will once again see Dorothy with the Tin Man, the Scarecrow and the Cowardly Lion.

Explaining the decision not to show her face, director Jon M. Chu, 46, said: “I didn’t want to step on who you think Dorothy is in whatever story that you came into this with.

“[The sequel] is still Elphaba and Glinda’s journey, and she is a pawn in the middle of all of it.”

Cynthia added: “I think that’s such a wonderful thing to do because then everyone gets to keep the Dorothy that they know.”

The film studio went to major lengths to keep her identity a secret, stopping her from attending the major premieres.

The cast and crew were banned from following or interacting with her on social media and on Instagram, she only had 1,041 followers before being formally announced.

She has had a string of theatre jobs in Oklahoma and Broken Wings after training at The Urdang Academy, and recently helped to choreograph a production of Charlie and the Chocolate Factory.

But away from the stage, she has a less showbiz career as a Pilates instructor in Surrey.

Her casting ends a year of speculation, as fans had been convinced that Irish actress Alisha Weir, 16, who played the lead in 2022’s Matilda the Musical, would take the role.

She attended the London premiere of the first Wicked film last year wearing silver shoes, which was thought to be a reference to the original colour of the character’s ruby red heels in the 1900 novel The Wonderful Wizard of Oz by L. Frank Baum.

And even superstar Taylor Swift, 35, was at one point linked to the role.

Fans thought the video for her song Karma, which saw her skipping down a yellow brick road, was a clue, and an image of the singer dressed as Dorothy went viral before later being debunked as AI.

But with an all-star cast in Wicked: For Good, also featuring People magazine’s Sexiest Man Alive Jonathan Bailey, 37, Oscar winner Michelle Yeoh, 63, and Jurassic Park’s Jeff Goldblum, 73, there is plenty of star power to propel it to success.

Wicked, released last November, became the highest-grossing film of the year at the UK box office, raking in £61million in a matter of weeks.

Now the blockbuster sequel is being forecast to repeat its success, with expectations it will surpass the £56million made by A Minecraft Movie and the £46million raked in by Bridget Jones: Mad About The Boy earlier this year.

Bosses at Universal Pictures are also hoping the movie will prove fruitful in awards season too, after the first flick landed ten Oscar nominations but only won in the Best Costume Design and Best Production Design categories.

The film is based on the second half of the Broadway musical, although two new songs were penned especially for the big-screen version, which will be available when the official soundtrack is released on Friday.

Ariana has a solo moment with The Girl in the Bubble while Cynthia gets a song on her own with No Place Like Home.

The tracks mean they could go head-to-head for the Best Original Song gong at the Oscars.

The movies were filmed back to back from December 2022 to January 2024 at studios in Elstree and Leavesden, Herts, although Ariana and Cynthia returned to the UK in May this year for last-minute reshoots.

An estimated $150m was spent on the film with millions more on marketing it – with the massive investment paying off for the first flick.

That one set a box office record for a stage-to-screen adaptation, making $756m globally.

And they are going all-out to market this film too.

Today, it was revealed that Brick Lane in East London has been transformed into Yellow Brick Lane, with the famous path from the Wizard of Oz now running down the road, along with several Wicked murals.

There have also been a raft of big brand tie-ins, with a slew of Wicked-themed products including a collection of Le Creuset cookware, Crocs, rugs, trainers, perfume, and even drinks and bakes at high street chain Greggs.

Wicked Barbie dolls are also expected to be one of the most in-demand toys this Christmas.

And its legacy is likely to be even more musicals making it to the big screen.

Following the success of the first film, Sabrina Carpenter, 26, has had a musical about Alice in Wonderland greenlit by the same movie studio.

Mamma Mia 3 is also expected to go ahead, with talk of Nicole Scherzinger, 47 – who had been linked to the role of Elphaba back in 2017 – starring in a film adaptation of Sunset Boulevard.

As for Cynthia and Ariana, they have spent the last two weeks on a promotional tour including premieres in Sao Paulo, Paris, London, Singapore and on Monday evening, New York.

However, it has taken its toll.

Cynthia, who wore a black gown featuring leather and feathers on the red carpet in the Big Apple, was unable to do interviews there after losing her voice entirely in the lead-up to the film’s release.

Meanwhile, talk during the promo run has turned to Ariana, who wore a pink tulle skirt and a black corseted bodice, and her relationship with her co-star Ethan Slater, 33.

Romance blossomed during filming, just after her marriage to estate agent Dalton Gomez crumbled, and following his split from his childhood sweetheart and the mother of his son, psychologist Lilly Jay.

But despite steering clear from each other on red carpets and declining to talk about each other, the couple are quietly still going strong after two and a half years as an item.

And while she isn’t saying goodbye to him, she is moving away from the role of Glinda, which she had dreamed about playing since she was ten years old.

She has dyed her peroxide blonde hair back to brown and has moved onto her next project, recently completing work on the latest film in the Meet the Parents franchise.

Reflecting on the release of the second – and final – film, Ariana was emotional.

She explained: “It’s been such an incredible ride and an incredible experience to create with people we love so much and respect so much creatively, but also who just have such great hearts.”

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Speaking about the characters, who she and Cynthia auditioned for in 2021, she said: “It’s almost five years that we’ve spent with them. So, for them to finally be getting the full picture and to know the secrets we’ve known all along is very exciting.”

Ariana added: “This project will always be part of our lives.”

An accessible set for all requires intention. There are practical needs, of course — ramps for restrooms and extra-bright neon tape on the ground to better light up and mark cues and equipment for low-vision performers and crew members. But there’s also a need to weave accessibility into the production so seamlessly that it doesn’t feel tacked on or burdensome.

On a sweltering day in June at the Van Nuys Elks Lodge, the cast and crew of “The Hog Queen,” a short film starring “Wicked: For Good’s” Marissa Bode, were doing just that: re-creating a drag show at a small-town Texas gay bar, yes, but also modeling what a set that puts accessibility and inclusion at its center can look like.

“I have been lucky in the way that ‘Wicked’ was an incredibly accessible set,” Bode tells me later over Zoom, looking back on her experience making writer-director Katherine Craft’s short horror film. “I didn’t really have to think at all about my own accessibility. However, I know that’s not the same for all my disabled peers.”

Nor is it common practice on any given set.

“Honestly, even prior to ‘Wicked,’ the No. 1 question I’m always asking when I’m collaborating with somebody is, ‘Have you worked with disabled people before? If not, how are you accommodating for that?’” Bode says. “Even when I signed on to my agency — or even my PR team, or even my manager — that was one of the first questions I asked. That’s always at the top of my mind.”

That’s what made “The Hog Queen” so rewarding. This was a production that made accessibility a priority. “I just felt taken care of in a way with this process that I have not in others,” Craft says.

Craft’s short film is part of Inevitable Foundation’s Visionary Fellowship. The yearlong program, supported by Netflix, was designed as an incubator for disabled filmmakers. Since its founding in 2021, Inevitable Foundation has supported disabled writers at various stages of their careers. But with this latest and most ambitious fellowship, founders Richie Siegel and Marisa Torelli-Pedevska wanted to put the emphasis on directors with feature-length projects ready for production.

Director Katherine Craft, left, producer Shelby Hadden and assistant director CJ Palmisano go over logistics for a scene on the set “The Hog Queen.”

(Carlin Stiehl / Los Angeles Times)

Each of the projects selected has been carefully scaled down to a short length to guarantee they could be produced within the yearlong fellowship; all five are set to be unveiled at a showcase in November.

Craft and the other members of the fellow inaugural Visionary cohort — Zayre Ferrer, Monica Lucas, Filipe Coutinho and Alys Murray — each received $55,000 in funding for their respective short films, including a production grant, health insurance, access to an experienced crew as well as marketing support and financial aid for access and travel.

Rather than merely focusing on mentorship, networking or community-building, the Visionary Fellowship was designed to give these filmmakers the production experience they’ll need to thrive in the industry. More than just a pipeline, the 12-month program is an explicit investment in disabled filmmakers and the stories they’re eager to tell. And to arm them, in turn, with an encouraging environment that aims to reframe the way accessibility is often understood.

“I think there’s this misconception that making a set accessible is going to be a huge pain in the ass, that it’s going to cost a ton of money, and it’s going to slow you down,” Craft, who has low vision, explains. “I don’t think any of that has to be true. The other thing is people think of it as something that is going to benefit someone else. But when you start looking at it through a lens of accessibility and inclusivity, you’re benefiting everyone.”

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1. Bode makes her way onto the set. 2. Christian Zamudio performs during a drag show scene. 3. The slate lights up with a digital time code. (Carlin Stiehl / Los Angeles Times)

Siegel and Torelli-Pedevska knew they needed to bake that philosophy into their process. That meant setting money aside for any accommodations early and having a line item for accessibility in the budget templates they were creating to make sure it was something they could anticipate, measure and track.

“A lot of it goes to starting early,” Siegel says. “But more importantly, it’s about rejecting the belief that [accessibility] comes at the expense of the creativity in the final product. Saying the opposite, in fact, which is: if everyone feels like this is a safe set and they can do their best work, the work will just be better.”

Bode agrees — and sees Inevitable Foundation’s approach as one that can be replicated across the industry.

Before shooting, the entire cast and crew of “The Hog Queen” received a form that sought to garner information about their needs. “It asked about everything under the sun in terms of disability,” Bode explains. “‘Do you get overstimulated? Would you need a room to go to if you do get overstimulated? What are your physical access needs? Do you need a ramp? Do you need this? Do you need that?’

“I really think that should just be standard on sets. I don’t think disability accommodations are a luxury. I think everybody should be taken care of.”

Sometimes a person needs to find a new hobby — one that doesn’t involve terrifying celebrities.

An Australian man who threw his arms around Ariana Grande after charging at her Thursday during arrivals at the Singapore premiere of “Wicked: For Good” has been charged with being a public nuisance, the BBC reported.

In various videos capturing the incident, as Grande greeted hundreds of fans lined up behind a barricade along a yellow carpet at the premiere, the man can be seen jumping a barricade on the other side of the carpet, running toward her with his arms and legs flailing, then grabbing her roughly around the neck and shoulders before turning and smiling happily for the cameras. Cynthia Erivo, who was walking with her co-star as well as Jeff Goldblum and Michelle Yeoh, immediately got between Grande and the man and appeared to shout at him.

Security then escorted the man away from the very shaken star, who plays Glinda in the “Wicked” movies. He was arrested, charged and later released, according to the BBC, which identified him as Johnson Wen, 26. If convicted, he could be fined more than $1,500 in U.S. dollars.

Wen, who goes by the name Pyjama Man on Instagram, considers himself a “stage invader” who has surprised major stars including Katy Perry and the Weeknd. He has been carted off by security at a Paris Olympics track and field event and more than once ran onto soccer pitches during high-profile matches. Wen seems to post media coverage of his bad behavior as a badge of honor on his Instagram account, where he refers to himself as a “Troll Most Hated.”

One video of the event, incidentally, can be seen on Wen’s Instagram grid, where he had the nerve to write as his caption, “Dear Ariana Grande Thank You for letting me Jump on the Yellow Carpet with You.”

“you literally assaulted her and you’re posting it? bro you deserve to be in jail there is something severely wrong with you,” one commenter wrote below the video.

Another went into it in more detail, writing, “Congratulations. You managed to turn what should’ve been a magical premiere into a global showcase of your complete inability to behave like a functioning adult. … Rushing a woman — any woman, let alone someone who has survived unimaginable trauma — is not ‘a prank’. It’s not ‘a stunt’. It’s not ‘funny’. It’s pathetic, dangerous, and shows a total lack of respect for boundaries, safety, and basic human decency.”

After giving Erivo props for her quick response, the second commenter closed by saying, “You didn’t get attention. You got exposed — as reckless, inconsiderate, and utterly unaware of the impact of your actions on a woman who has already lived through real horror.

“If your goal was to be remembered, congratulations again: You’re remembered for all the wrong reasons. And trust me — no one is impressed.”

A third person addressed their comment to Instagram, writing, “why is this person allowed to continually post videos of himself assaulting/harassing people? It’s distressing and disgusting and unlawful. @instagram Please make him go away.”

Grande has not commented publicly on the incident.

The New York City premiere of “Wicked: For Good” is scheduled for Monday. The second half of the two-part big-screen adaptation of the Broadway musical “Wicked” opens wide in U.S. theaters Nov. 21.

HOLLYWOOD royalty Ariana Grande has arrived in the UK on a whirlwind stay fit for a princess.

The singer and actress flew in from Paris yesterday by private jet ready for the Wicked: For Good premiere in Leicester Square tomorrow.

The pint-sized pop queen touched down at Farnborough airport in Hampshire and was whisked away with her entourage to the five-star Raffles London at the OWO hotel.

I’m told the star, who plays Glinda, has hired six suites at £5,000 each a night for her trip — and chose the stunning building in Whitehall because she can easily enter and exit via the underground car park.

A source said: “Ariana’s team and the production crew from Wicked put their heads together to ensure Ariana is in luxury and comfort and has plenty of privacy.

“She will need plenty of time and space to prepare for her big red-carpet moment with her glamour squad.”

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Ariana is believed to be attending the movie premiere with her boyfriend and Wicked co-star Ethan Slater, having ignored rumours that they have split.

But she will be mostly joined at the hip with British actress Cynthia Erivo, who plays Elphaba.

Production company Universal has splashed out £100,000 on hiring art deco French restaurant Brasserie Zedel in Piccadilly for the after-party, where Ari will let her hair down.

On Friday night, Ariana showed off her hand tattoos at the film’s Paris premiere, and many fans believe the inkings are linked to the movie and her friendship with Cynthia.

She was joined by another co-star, Michelle Yeoh, as she greeted the crowds.

In just over a week’s time, Ariana is due back in America for the film’s premiere in New York.

Ariana was last week forced to miss the Wicked premiere in Brazil due to flight issues.

She had been expecting to walk the red carpet at the Sao Paulo event on Tuesday evening but was forced to get off the plane because of safety issues.

Taking to Instagram to share her disappointment, Ariana said that her team failed to find an alternative arrangement to get her to Sao Paolo in time.

Hopefully her stay in Blighty will be much smoother.

LILY TO CLEAN UP WITH GIRL BRAND

LILY ALLEN is certainly soaking up the success of her latest album, West End Girl.

She released the 14-track record last month following her split from husband David Harbour, who appears in supernatural TV series Stranger Things.

I can reveal Lily, pictured here in her bra enjoying a bubble bath and pulling a funny face for a magazine shoot, has now applied to trademark the name West End Girl ahead of a tour that kicks off in March.

The trademark covers beauty items including cosmetics, fragrances, perfumery, sun cream and shampoo.

It also includes sunglasses, jewellery, bags, clothing, footwear and headgear.

Her album jumped to No2 in the Official Albums Chart this week.

Lily was left devastated when her four-year marriage to American actor David broke down last December.

The couple met on celebrity dating app Raya and moved to New York after tying the knot in 2020.

However, she has since moved back to London with her two daughters from her first marriage.

It comes as the Not Fair singer is gearing up for her 14-date tour in March, which starts at Glasgow’s Royal Concert Hall.

Fans are begging for more dates after the tour sold out in minutes this week.

If I can’t pin down a ticket, at least I’ll be able to get my hands on some Lily Allen bubble bath instead.

AFRICA A WINTER WONDER LAND

FORMER Love Islander Faye Winter is swapping her beach bag for a backpack to do community and conservation work in Africa.

The reality star, left, who found fame on the ITV2 dating show in 2021, is running a volunteer trip to Zimbabwe this month.

She has already given up the party lifestyle in London to return to her roots in Devon, where she lives with her golden retriever Bonnie and two rescue ponies, Keith and Kevin.

Faye told me: “I was out of my comfort zone living away from the countryside.

“The only thing that kept me going was my guide dog volunteer work. I find it so fulfilling, I’m not a party girl at all.”

Looking back on her life after the show, Faye admits that she wasn’t happy.

She said: “I struggled with the fact it was all about where you were seen.

“It felt materialistic. Giving back is so much more meaningful.”

HOLLY’S HAPPY MEALS

HOLLY WILLOUGHBY is a woman after my own heart when it comes to hangover cures.

The TV presenter said only a McDonald’s can soothe her after too many drinks the night before.

Asked what her go-to recovery meal is, Holly told a magazine: “I want a McDonald’s quarter pounder with cheese and if it hasn’t got a pickle on it, I’m gonna throw it back at you.

“I order extra pickles every time. Then I want skinny fries that are as salty as possible.

“I know some people think McDonald’s makes you feel rotten, but I just love it.

“You can tell how often I go because there are so many selfies of me sat in my car, taken by the drive-thru staff.”

Sounds like Holly is lovin’ it.

SLIMLINE JEN KIDS AROUND

HOLLYOAKS’ Jennifer Metcalfe has revealed the secret to her trim figure – she orders child portions.

The actress, who plays Mercedes McQueen in the Channel 4 soap, said smaller helpings mean she can have more of what she fancies.

During the show’s 30th anniversary celebrations at St George’s Hall in Liverpool, she said: “I eat what I want, when I want – small portions.

“Yesterday, me and my friend were out for five hours.

“We wanted a roast dinner, so I got a child’s portion, then we went to our local Indian and had poppadoms and all of the chutney.

“I have been eating loads recently, but my motto is ‘eat small amounts of everything you want’.”

Jennifer said she has just signed a year’s contract with Hollyoaks, adding: “We are making this 30th year count.”

PARTY OF THE WEEK

Tangle Teezer Festive pop-up, Vinyl Studios, Soho, Tuesday

WHAT WE ATE: Mini burgers, pigs in blankets and pick ’n’ mix sweets.

WHAT WE DRANK: Aperol spritz, Moscow mule and appletini cocktails.

WHO WAS THERE: Molly-Mae Hague’s hairdresser Jack Luckhurst, model Amanda Chrishell, influencer Tyra Baylis and our Emily, pictured with a handsome Santa.

TAYLOR & SABRINA’S HEIGHT ON THE TOWN

IT was the little and large show as chart superstars Sabrina Carpenter and Taylor Swift went on a night out in New York.

Sabrina, who is 5ft, looked glamorous in a white roll-neck jumper and trench coat for the evening in SoHo restaurant.

Meanwhile, 5ft 9in Taylor showed off her long legs in a pleated mini-skirt and polo shirt.

It comes after Sabrina recently collaborated with Taylor on The Life Of A Showgirl track from her album of the same name.

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LIAM GALLAGHER gets into the Aussie spirit as he struts his stuff in a cork hat on tour Down Under.

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The Oasis singer, who is normally known for wearing a bucket hat, was on stage in Melbourne, complete with maracas, as part of the Live ’25 tour with brother Noel.

The band played in Sydney last night and will head to Buenos Aires in Argentina for a show next Saturday.

US Treasury accuses Pyongyang of stealing $3bn in digital assets to finance its nuclear weapons programme over three years.

North Korea has denounced the latest United States sanctions targeting cybercrimes that the US says help finance its nuclear weapons programme, accusing Washington of harbouring “wicked” hostility towards Pyongyang and promising unspecified countermeasures.

The statement on Thursday by a North Korean vice foreign minister came two days after the US Department of the Treasury imposed sanctions on eight people and two firms, including North Korean bankers, for allegedly laundering money from cybercrime schemes.

The US Treasury accused North Korea of operating state-sponsored hacking schemes that have stolen more than $3bn in mostly digital assets over the past three years, an amount unmatched by any other foreign actor. The Treasury Department said the illicit funds helped finance the country’s nuclear weapons programme.

The department said North Korea relies on a network of banking representatives, financial institutions and shell companies in North Korea, China, Russia and elsewhere to launder funds obtained through IT worker fraud, cryptocurrency heists and sanctions evasion.

The sanctions were rolled out even as US President Donald Trump continues to express interest in reviving talks with North Korean leader Kim Jong Un. Their nuclear discussions during Trump’s first term collapsed in 2019 amid disagreements over trading relief from US-led sanctions on North Korea for steps to dismantle its nuclear programme.

“Now that the present US administration has clarified its stand to be hostile towards the DPRK to the last, we will also take proper measures to counter it with patience for any length of time,” the North Korean vice minister, Kim Un Chol, said in a statement.

He said US sanctions and pressure tactics will never change the “present strategic situation” between the countries or alter North Korea’s “thinking and viewpoint”.

Kim Jong Un has shunned any form of talks with Washington and Seoul since his fallout with Trump in 2019. He has since made Russia the focus of his foreign policy, sending thousands of soldiers, many of whom have died on the battlefield, and large amounts of military equipment for President Vladimir Putin’s war on Ukraine while pursuing an increasingly assertive strategy aimed at securing a larger role for North Korea in a united front against the US-led West.

In a recent speech, Kim Jong Un urged Washington to drop its demand for the North to surrender its nuclear weapons as a condition for resuming diplomacy. He ignored Trump’s proposal to meet while the US president was in South Korea last week for meetings with world leaders attending the Asia-Pacific Economic Cooperation summit.