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The Chadian government has launched the 2026 National Humanitarian Response Plan (NHRP) and the Refugee Response Plan (RRP) to coordinate assistance for vulnerable people uprooted by war. Amid a growing refugee crisis, including the arrival of 7,000 new Sudanese refugees at the eastern Oure Cassoni camp, the Chadian authorities established these schemes to tackle the humanitarian crisis overwhelming the country.

At an event held on Feb. 5, in N’Djamena, Chad’s capital city, the coordinator of the initiatives, Francois Batalingaya, commended humanitarian actors for their “constant engagement, which is essential for support to populations confronted by multiple crises”. He stressed the importance of mobilisation at both national and international levels, recognising the contributions of government, technical, financial, and humanitarian partners.

According to Batalingaya, the humanitarian plan is based on an analysis of four major drivers of crisis: conflicts and displacement, food and nutritional insecurity, sanitary emergencies, and climatic shocks. He revealed that 4.5 million people in Chad need assistance, with 3.4 million identified as priority targets, requiring nearly US$1 billion in financing.

He acknowledged persistent challenges, including financial deficits, insecurity, administrative constraints, and the need for stronger national appropriations and leadership. “Faced with these stakes, we must reinforce collective action and increase advocacy in order to avoid certain populations going without assistance,” he said.

The Minister of Social Action, National Solidarity and Humanitarian Affairs, Zara Mahamat Issa, described the launch of the NHRP and RRP as “a key moment for strategic planning and an exercise in accountability towards vulnerable populations.” She noted Chad’s continued solidarity in hosting refugees despite regional security crises, climate change, forced displacement, and socio-economic fragility.

“The government reaffirms its engagement to place the protection of vulnerable populations at the heart of its public action, considering humanitarian response as a factor of stability, social cohesion and sustainable development,” Zara said. She noted that transparency, accountability, and localisation of assistance are priorities, and called for better coordination amid limited resources.

During Batalingaya’s visit to the Oure Cassoni refugee camp, where more than 7,000 Sudanese refugees had recently arrived, he highlighted issues around the humanitarian crisis in Chad. He described the visit as “an immersion into an increasing humanitarian crisis which necessitates immediate responses.”

Testimonies from refugees, community leaders, and aid partners revealed feelings of uncertainty, exhaustion, and a shortage of basic necessities in the refugee camps. “Behind each of these problems are the suspended lives of children lacking access to education and families deprived of shelter,” stated a local humanitarian worker.

The refugees urgently need water, sanitation, healthcare, nutrition, food security, shelter, household items, protection, and education. “Oure Cassoni is an alarm signal. Without rapid and reinforced mobilisation, humanitarian needs would continue to overwhelm response capacities. The urgency is real, and inaction is no longer an option,” Batalingaya warned.

World-renowned composer Philip Glass abruptly canceled June’s world premiere of Symphony No. 15 “Lincoln” at the Kennedy Center, saying its message does not align with the vision for the venue under the Trump administration.

“Symphony No. 15 is a portrait of Abraham Lincoln, and the values of the Kennedy Center today are in direct conflict with the message of the Symphony. Therefore, I feel an obligation to withdraw this Symphony premiere from the Kennedy Center under its current leadership,” Glass wrote Tuesday in a letter to the board that was shared with The Times.

“We have no place for politics in the arts, and those calling for boycotts based on politics are making the wrong decision,” Roma Daravi, vice president of media relations at the Kennedy Center, said in response.

President Trump has served as board chair since early last year when he fired the existing board and appointed former ambassador to Germany, Richard Grenell, as president. The newly installed board promptly installed Trump in his current position. The president’s pursuit of a deeply conservative agenda for the arts unleashed unprecedented chaos at the nation’s premiere performing arts center, resulting in massive upheaval and wave after wave of prominent artist cancellations.

The news that Glass was calling off his appearance also caught off guard the National Symphony Orchestra. The NSO commissioned the symphony in 2022 for the Kennedy Center’s 50th anniversary, and Glass was late to deliver. The symphony was scheduled to be performed with the NSO on June 12 and 13.

“We have great admiration for Philip Glass and were surprised to learn about his decision at the same time as the press,” Jean Davidson, the orchestra’s executive director, said in an email.

The news comes amid a growing chorus of high-profile cancellations that have occurred since the center’s board voted last month to rename the venue the Trump-Kennedy Center, and quickly added the president’s name above that of Kennedy’s on the exterior of the building.

Jazz drummer Chuck Redd pulled out of a Christmas Eve show and the jazz group the Cookers canceled two New Year’s Eve performances. Banjo player Béla Fleck also stepped away from concerts with the NSO and “Wicked” composer Stephen Schwartz said he no longer plans to host a May 15 gala at the center.

The arts world was rocked by the news earlier this month that the Washington National Opera’s board approved a resolution to leave the venue it has occupied since 1971. Kennedy Center leadership, including Grenell, quickly shot back that it was the board that asked the WNO to depart.

“We have spent millions of dollars to support the Washington Opera’s exclusivity and yet they were still millions of dollars in the hole — and getting worse,” Grenell wrote on social media.

Most recently, the center’s website announced that soprano Renée Fleming would no longer perform in two scheduled shows. “A scheduling conflict” was the reason cited, but speculation about the opera star’s departure swirled as the center’s artistic losses mounted amid widely reported plummeting ticket sales.

During the recent upheaval, arts watchers have begun wondering about the future of the NSO, which, along with the recently departed WNO, represents the twin pillars of artistic programming at the center.

According to Daravi, the NSO isn’t pulling out of the venue.

“The relationship is strong, and we have a wonderful season here with Maestro [Gianandrea Noseda] in his 10th year leading the NSO,” Daravi wrote in an email last week, noting the “record-breaking success at the recent Gala benefiting the NSO which launched the new season. The event raised $3.45 million, marking an all-time fundraising record for the organization.”

On Monday Trump sought to boost his financial management of the venue in a Truth Social post that read, “People don’t realize that the Trump Kennedy Center suffered massive deficits for many years and, like everything else, I merely came in to save it, and, if possible, make it far better that ever before!”

The center’s calendar is looking increasingly sclerotic as big names continue to defect, with the NSO providing much-needed padding as it moves on in the face of unending change.