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EXCL Princess Andre reveals why mum Katie Price AND dad Peter haven’t watched her reality show

PRINCESS Andre has revealed that neither her mum, Katie Price, or her dad, Peter Andre, have watched her reality TV show.

The 18-year-old became a star in her own right earlier this year when ITV launched season one of The Princess Diaries, a fly-on-the-wall docuseries.

Princess Andre has revealed that neither her mum, Katie Price, or dad, Peter Andre, have watched her ITV series The Princess DiariesCredit: ITV
Peter, who Princess has a close bond with, appeared on the first season of the ITV showCredit: Getty
While Katie claimed she was shunned from the production and didn’t feature in itCredit: PA

And despite the show being a massive hit, Princess says her famous parents weren’t sitting down on the couch to give it a watch.

She told The Sun: “I actually don’t think either of my parents have watched the show.”

“I don’t think it’s my dad’s thing, it’s more, it’s a show for people my age to watch, I think,” explained Princess, who was speaking at the launch of 3D Refirm x Facebible in Windsor.

Exes Katie and Peter share Princess and her older brother Junior, 20. While Peter is also a dad to Theo, Amelia and Arabella, and Katie to Harvey, Jett and Bunny.

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Peter and his wife Emily were featured in the reality show, but Katie claimed she was shunned from the series.

While her parents may not have watched it, Princess admitted she’s seen plenty herself.

“I watched everything about five times!” she laughed.

The teenager continued: “Just to make sure everything is how I want it and to check everything.”

The Princess Diaries has been renewed for a second and third season already, with Princess admitting that she has been filming “every day” recently.

“I’ve finished for season two and then I’ve got season three to film. So, I’m really excited. I think people are going to love it,” she said.

A date for the show’s release has not yet been confirmed, with Princess simply telling fans last year: “See you in 2026”.

In a break from filming, Princess was speaking at The Fairmont in Windsor, where Dr Raj Arora was launching 3D refirm – non-surgical skin tightening procedures – at her clinic, Facebible.

The doctor is a close friend of Princess’s dad and stepmum, Emily Macdonagh, who were also in attendance at the event.

She is the first doctor to offer 3D refirm at a medical-grade in the UK, with the treatment now available to book at http://www.thefacebible.com.

Princess is currently filming for the second two seasons of her reality showCredit: Splash
Her brother, Junior, also features in the show as the pair’s close relationship is displayedCredit: Getty

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I’ve watched Godless and American Primeval — one BBC western is better than them both

Netflix’s American Primeval launched in January 2025, but BBC’s 2022 western series The English starring Emily Blunt is being hailed as the superior show

Three recent TV western series tower above the rest. The latest arrival is American Primeval, which landed on Netflix at the start of this year. The series delivers an unflinchingly realistic and brutal portrayal of existence on Utah’s lawless frontier, following a mother and child fighting for survival.

Their trek brings them face-to-face with settlers living by their own code, indigenous peoples protecting their territories, and Brigham Young’s Mormon militia. The unrelenting brutality stands in sharp opposition to the sanitised portrayals of the Wild West seen in 1990s pictures such as Tombstone and Dances With Wolves.

Yet it isn’t simply violence for its own sake. It features outstanding performances and centres its narrative on the Mountain Meadows Massacre, a grotesque and shameful chapter in American history that was probably unfamiliar to most viewers before this series.

Audiences have hailed the programme as “absolutely phenomenal” and “raw and unflinching”, whilst Empire magazine characterised it as “a raw, bloody odyssey that will pierce your skull like a hatchet flung face-first”, noting: “Nostalgia has been stripped away completely, scalped in favour of a grimy, far more authentic journey that takes us back to how the so-called land of the free really came to be.”

The Guardian offered a more critical view, branding it a “samey western that’s far less clever than it thinks it is”. I dispute that verdict.

Godless

If you were gripped by American Primeval, there’s another Western miniseries that many reckon is even better. Godless, a Netflix original released in 2017, shares the Old West setting and intense violence of American Primeval, but offers a unique twist. Godless spins a classic tale of revenge. Jeff Daniels portrays crime boss Frank Griffin, who, along with his band of outlaws, is on the hunt for Roy Goode, a former member who betrayed them.

As Roy flees from his past, he ends up in a secluded New Mexico mining town predominantly inhabited by women. His arrival lures Griffin’s deadly gang to the town, forcing the residents to stand their ground.

The series was lauded as a “work of confident artistry”, an “unrelentingly brilliant” and “clandestinely old-fashioned mash-up of all the great Westerns you ever knew and loved”. It also bagged three Primetime Emmy Awards.

The English

But there’s another modern western TV series that trumps them both. The English, a BBC production that flew somewhat under the radar upon its 2022 release, stars Emily Blunt, Chaske Spencer, and Rafe Spall. Set in 1890, it follows Lady Cornelia Locke (Blunt) who journeys from England to the American west seeking vengeance against the man she holds responsible for her son’s death.

Whilst it rivals both American Primeval and Godless in terms of its grim portrayal of the Old West, the series also shines a light on another disturbing element of 19th-century existence that seldom appears on our screens: syphilis and the devastating toll it takes on the body. The show also presents one of the most chilling figures in recent memory: Black-Eyed Mog, a bonnet-clad, spectacle-wearing Welsh matriarch who presides over a brutal clan controlling the plains from their fortified stronghold.

Critics awarded it five stars, praising a script “as gorgeous as the landscape”, which “evokes the pitilessness of the old west” and poses the question of “how many of us would remain sane, and morally sound, in a lawless land where – for hundreds of miles at a time – no one could hear you, or anyone who got in your way, scream”.

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