voice

Los Angeles mayoral candidate Nithya Raman’s campaign team has filed a complaint with the city Ethics Commission against an outside group backing Mayor Karen Bass, claiming its social media campaign promotes an interactive AI phone line with a voice falsely identified as that of Nithya Raman.

The ads, paid for by Thrive LA, are styled as real estate advertisements for a fictitious “Nithya Raman Realty.” Some show an image of Raman holding a tent, with the slogan “Keeping Tents on Our Streets.”

The ads are intended to promote the idea that Raman isn’t tough on homeless encampments, which Raman says misrepresents her position. People who call the number get a Raman sound-alike saying “We’re bringing tent communities to your block. Would you prefer them outside your children’s school, the library, or right outside your home?”

Raman’s campaign claims that Thrive LA broke campaign rules by failing to report the AI phone system on required campaign spending forms, and imitating Raman’s voice without stating who paid for it. Not disclosing that it’s an ad could lead voters to believe the AI voice is actually Raman, according to the complaint.

Ana Teresa Dahan, the executive director of Thrive LA, called the complaint “false and absurd” and added that the organization’s ad spending has been properly disclosed. She said the satire ads are protected political speech and abide by campaign finance rules. The advocacy group will continue running ads until Election Day, she said.

“Nithya Raman wants to run the second-largest city in America, and she can’t handle a parody phone number. Imagine how she’d handle a budget crisis, or a wildfire,” Dahan said. “The only real complaint here is the one Angelenos have about her record.”

Thrive LA defines itself as a centrist political advocacy group backed by business and community leaders. The group also received backlash over anti-Raman ads its ran during her 2024 reelection campaign for councilmember.

How to address the city’s homelessness crisis has been a central issue in the Nov. 3 election between incumbent Bass and challenger Raman, a City Councilmember. Raman has voted against imposing no-camping zones proposed by other City Councilmembers in their districts, but has said she would not oppose such zones if elected mayor.

Raman says she is committed to ending homelessness, but the city has gone about it the wrong way and that no-camping zones just push the problem from one neighborhood to another.

Bass made homelessness a central focus of her first term as mayor and launched Inside Safe to move people into hotels, motels and other interim housing. Unsheltered homelessness decreased for the first two years, but the latest homeless count showed the numbers are growing once again.

The anti-Raman ads, posted on Instagram, show videos of a recreational vehicle driving around L.A. On the vehicle are posters featuring Raman. One shows her pointing toward a large arrow labeled “Designated Poop Zone” next to the words “Coming to a Neighborhood Near You!” One poster includes a phone number that leads to the AI phone line.

The AI-generated voice carries a live conversation with the caller, and doesn’t clarify it’s not a real person unless prompted. When asked by The Times if the phone is being answered by Raman, the AI bot said, “I’m a fictional AI. I’m as imaginary as my campaign promises.”

The advertisement violates state law that prohibits the distribution of digitally fabricated audio of a candidate within 30 days of an election, according to the complaint.

“It’s both sad and illegal for Karen Bass’ conservative allies to be cloning Nithya’s voice, manufacturing her words, and hiding who is paying for it, all to deceive voters,” Liz Garcia, spokesperson for Raman’s campaign, said in a press release. “These are desperate tactics from corporate interests determined to keep their grip on City Hall.

The city’s Ethics Commission didn’t immediately respond to The Times’ request for comment.

Independent expenditure committee that support political candidates have increasingly come under question. These groups can raised unlimited amounts of campaign donations but cannot coordinate its activities with the candidate.

Any audio communication for an independent expenditure group must clearly state that it’s a political ad at the beginning or end of the audio, according to the city’s campaign rules. When inquired by The Times on Monday morning, the AI bot did state the ad was paid for by Thrive LA, uses artificial intelligence and isn’t coordinated with a city candidate or committee.

In audio recordings included in the complaint, the AI bot said that it couldn’t disclose who paid for the line when asked by callers.

Some small business owners in Raman’s district have said they’ve battled homeless encampments and public safety issues without support from Raman’s office.

Even so, homelessness in Raman’s district dropped by 49% this year, and the candidate says that if elected she aims to deliver those same results citywide.

Christmas has come early for me because two of my favourite artists, Aitch and Tom Grennan, have teamed up for a telly collab.

I can exclusively reveal that the good pals secretly recorded scenes together for next year’s series of The Voice.

New judge Aitch, who has been shooting the 2027 show in Salford in recent weeks, invited Tom down to ITV studios to film the Battle stages of the popular competition.

And Tom’s guest role went down so well with producers, they are now eyeing him up as a full-time coach in the future.

My source said: “They have been friends for years, so it was a no-brainer for Aitch to give Tom a call and invite him to be a guest judge.

“While he has never appeared on reality TV, Tom has worked his way up from the bottom, so knows how contestants are feeling.

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“Sometimes, guests are quite wooden, but Tom really impressed bosses with his time on the show. They are now talking about him possibly becoming a regular coach.”

Earlier this month, fans watched as will.i.am brought Cheryl out of her self-imposed retirement to help him pick his final three.

Meanwhile, in pre-recorded scenes which aired last weekend, fellow coach Kelly Rowland drafted in Delta Goodrem.

In 2023, Aitch revealed on Instagram that he had recorded a “banger” with Tom, although the song is yet to be released.

But, back in February, Aitch gave fans a taste of the track, called Home, after streaming it live on social media.

A source added: “Tom and Aitch actually have a couple of songs together.

“But they are still working out when best to release one.”

Tom was due to return last night with the release of his comeback single, Wrapped In Gold, from his upcoming fifth album, which is due out next year.

I’ll keep my fingers crossed that one of their collaborations ends up on there.

The Voice UK semi-final will see the ITV contestants fighting for a spot in the coveted final

The Voice UK has finally whittled down its semi finals line up.

ITV viewers were glued to their screens as the singing competition returned on Saturday night (October 17) for another week of The Battle Rounds. This time it was the turn of Kelly Rowland along with Tom Fletcher and Danny Jones to pick their semi-finalists.

The coaches pitted their contestants against each other and selected their three favourite performers with help from guest mentors. Kelly was joined by singer-songwriter Delta Goodrem, while Tom and Danny invited their McFly bandmates Dougie Poynter and Harry Judd to help them through the tough decision.

Who made it through to The Voice UK semi finals?

In the end, just three contestants from each team made it through to next Saturday’s (October 24) show. Read on for the full list of contestants set to face off in the semi-finals.

Team Tom and Danny

• Frank Raven
• Jack Algar
• Ciiara Nyx

Fans at home were thrilled with the coaches’ selections, as one commented on social media: “Absolutely amazing lineup!!,” with a second adding: “Good choices! Hard decision as they were all really good xx.”

Team Kelly

• Lascel Wood
• Monique Nicholson-Porter
• Aaren James

Team Kelly also received praise from viewers, with some fans predicting they will be difficult to beat. “THE TEAM TO BEAT!!,” commented an Instagram user. Someone else agreed, posting: “Excellent choices for team Kelly.”

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Last week’s episode saw Sir Tom Jones and will.i.am choose their own semi-finalists, with help from Paloma Faith and Cheryl, respectively.

Team Sir Tom

• Molly J
• Cate McHugh
• Amãlia Estradas

Team Will

• Naná Aldrin-Quaye
• Sonna Rele
• Diogo Ferreira

ITV viewers can tune into The Voice UK semi-finals next Saturday at 8.35pm on ITV1 and ITVX. Only one artist from each team will be chosen to progress to the final. Whoever wins the show walks away with a recording contract with Universal Music Group and a huge £50,000 cash prize.

The latest episode of The Voice UK is available to watch on ITVX.

EXCLUSIVE: Richard Marx, a friend of Sir Tom Jones, has said the decision to axe the music icon from The Voice UK coaching panel was ‘handled badly’ amidst the public backlash

Sir Tom Jones’ friend has said the backlash surrounding ITV axing him from The Voice UK is “pretty significant”. The music icon, 86, was sensationally dropped by the ITV talent show after 13 years as part of a major shake-up.

Bosses had hoped to offer Sir Tom a role on the show, but in a “different capacity”. Although he’s currently appearing on series 14, next year will be very different. Long-standing coach will.i.am will be joined by returning coach, Kelly Rowland, as well as newbies Cheryl Tweedy and rapper Aitch.

Sources have since said that Sir Tom has ruled out returning to the show next year. He previously said that while he didn’t want to leave the show, ITV had made the decision “a while ago.”

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Speaking to the Mirror, Sir Tom’s pal and The Voice Australia coach, Richard Marx, said: “The way that went down, and I don’t know the behind-the-scenes details, but I know Tom a little bit, and he’s such a class act, and I think however they handled it, they handled it badly, it seems.

“And the backlash, the public backlash, has been pretty significant.” Richard went on to add: “I haven’t seen him in a while, but I actually spent some time in the studio with him years ago, and I grew up idolising him. When I was a little kid, it was Tom and Elvis; they were my guys.

“Years later, his son, who manages him, reached out to me, and we went into the studio together, Tom and I, and nothing ever really came of what we did in the studio, but he and I hit it off and got to spend some time together. He’s just such a lovely guy. I absolutely love Tom.”

Richard went on to say that despite Sir Tom’s health struggles, his pal is “remarkable”. He said: “I just saw a clip on TikTok yesterday from a gig like a week ago, and he came out, and you could tell he was like, ‘Ugh, my hips hurt!’ or whatever, you know, like, but then he sits down, and his voice is the same! It’s unbelievable, he’s 86. Holy s*8t!

“That’s goals for me, man! I want to be that. Tony Bennett was able to do that, and I look at Tom; there are so few people whose voices don’t just ultimately leave them in some way, shape, or form. And I think it’s a testament to Tom, and Tony Bennett also, if you just never stop singing, you just got to go—you just got to stay—sing all the time, and that’s what they do..”

After a career spanning decades and 14 albums, Richard also disclosed that trying to pick a setlist for his recent shows at the London Palladium had been “tricky”. “Especially in America,” he laughed, adding: “But in such an incredibly wonderful way. Which is why sometimes, I don’t play all the singles. I’ve done a few gigs here, where I didn’t do anything but hits.

“But when I was putting that setlist together, I thought ‘Man, I am the luckiest guy in the world to be able to have a setlist like that.’ I know that first of all, I cater to the people who’ve supported me all these years, and I know that they want to hear the hits. I get it, because I’m the same way when I go see um when I go see a band play, if they don’t do most of the material that I know and love, I’m going to be a little bummed out.”

His shows, he says, are a journey for fans to kick back and relax, listening to their favourite hits live, while also being introduced to new material. He’s also a fan of Niall Horan, explaining: “I’ve never seen Niall, but I’m a fan of his. If you’re the kind of performer I am, who talks to the audience a lot, once you build a rapport with that particular audience, they’re in.

“It’s almost like you saying to your friends at a dinner party, ‘Hey, listen, can we pause the Sade station here for a few minutes, because I want to play you a couple of songs I’m really into?’ Of course, your friends are going to go, ‘Yeah, show me! What do you got?’ It’s kind of like the same thing. I tell everybody, ‘If you come to see me live, I’m very proud of the music that we play.”

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Sir Tom Jones has reportedly turned down an offer from ITV to appear as a “super guest judge” on The Voice UK after he was dropped as a coach for the next series.

Sir Tom Jones has reportedly snubbed an offer from ITV to take on a “super guest judge role”.

The legendary Welsh singer recently claimed that ITV had “fired” him from The Voice UK. It’s now been reported that he turned down a “super guest judge” position in the forthcoming series, which will feature Cheryl and Aitch on the panel.

Following news of his absence from the panel in the upcoming series, Sir Tom revealed he had been offered a scaled-back role, but was “not thrilled” about the proposition.

A source told The Sun: “It all got pretty messy and Tom and his team were furious about how things played out. ITV had hoped he would return in some capacity, but it isn’t happening.”

Following Kelly Rowland’s debut as a coach on this year’s show, the insider also revealed she is keen to bring bandmate Michelle Williams over for a mini Destiny’s Child reunion, reports Wales Online.

The insider added: “They are now hoping the big pull, along with the return of Cheryl, will be a mini reunion for Destiny’s Child.”

The Mirror has approached ITV and Sir Tom’s representative for comment.

Sir Tom previously posted on social media: “To be clear, I did not want to leave The Voice as I love the show and really appreciate the audience. ITV made this decision – obviously a while ago, and I was told just recently.

“The reason given is because of a financial difficulty with insurance. They now say in the press they wanted to ‘refresh’ the show, and with a new coaching line-up there wouldn’t be a chair for me.

“They are offering a much-reduced role where I would make an appearance but without being actually involved from the start, and I’m not thrilled about that. So the only thing I know right now is that there’s never a good time to fire an 86-year-old who’s still pretty good at his job.”

An ITV spokesperson had previously stated: “We have loved working with Sir Tom Jones over the past nine years on The Voice UK. While he will no longer be a full-time coach on series 15, we continue to talk to Sir Tom and his team about his involvement in the next series.”

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Sir Tom has long expressed his passion for The Voice UK, telling The One Show in 2024 that it was “the perfect job”. The music legend went on to say: “I like listening to new voices and hopefully I can give some advice.”

He added: “So it’s the perfect job for me- well it’s not really a job- it’s something that I love to do. I still feel the same way now because this is the 13th series, so I still feel the same way now as I did when we started because you get new voices all the time, new people coming on.”

Sir Tom made his return to The Voice UK having been axed from its fifth series and replaced by Boy George. The programme originally launched on the BBC in 2012 before switching to ITV from its sixth series, coinciding with Sir Tom’s comeback.

Sir Tom subsequently commented: “I wasn’t really upset with the BBC. But whoever was responsible made a mistake.” He went on: “There’s a knockback right there, at my time of life – to prove to these young singers coming on the show that even I got a knockback, after all that time. Then you’ve got to think – it’s their loss. I knew what the public felt because of the feedback I had.”

The Voice UK continues Saturday, October 17 at 8.35pm on ITV1 and ITVX

Cheryl has made a surprise early return to The Voice UK and is set to appear in Saturday night’s episode for the Battle Rounds, joining long-time friend Will.i.am as his assistant coach

Cheryl has made her debut on The Voice UK as a guest mentor. The chart-topper has given fans a first glimpse of her new role as a coach ahead of the show’s 2027 series.

The Girls Aloud star, 43, appeared in the latest episode as the ITV singing competition continues its Battle Rounds, joining her longtime friend Will.i.am to help him decide which contestants deserve a place in the semi-finals.

Cheryl was confirmed as a coach for the next series last month, replacing Sir Tom Jones on the panel. Her appearance this weekend will give viewers an early taste of what to expect when she officially takes up the role. The singer arrived alongside Black Eyed Peas star Will.i.am, 51, looking stylish in a red tasselled leather jacket and light blue flared jeans.

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The pair embraced as they reunited for filming, having worked together on music projects over the years. Will revealed that he had been trying to have Cheryl join him for the last 13 years. Cheryl knows exactly what it takes to make it in the music industry, having found fame after being selected for Girls Aloud on Popstars: The Rivals in 2002.

Speaking to Team Will, the Call My Name songstress said: “I’m so excited for you. You couldn’t be in better hands than you are with my man Will. Will and I have collaborated a lot over the years, so we know what it’s like for two very different artists to come together. I wish you all the very best for what you’ve got today, and I’m excited to see you all!”

Reflecting on her own experience, having found fame on Popstars, Cheryl said during a solo interview: “I have stood in the shoes that the contestants are standing in, and I know what it feels like to perform in this environment. You’ve just got to know that you’re good, or you wouldn’t be here.”

And fans were overjoyed to see Cheryl back on screens. One said on X, formerly known as Twitter: “Cheryl looks amazing, oh my gosh.” “CHERYL ON #TheVoice Saturday night TV is SO back,” said a second. “Ah I’m buzzing,” commented a third. A fourth exclaimed: “So excited.” “I’m excited to see Cheryl and Will back together,” commented another.

Her appearance marks a return to television after a lengthy break from the spotlight following the death of her former partner, Liam Payne, in October 2024.

The singer had largely stepped back from public life in the wake of the tragedy, making her new coaching role a significant career move. While Cheryl once dominated the music industry and became the first female artist to have five records debut at Number One, her last single, Let You, was released in 2019 and peaked at Number 57 on the Official Charts Company.

Prior to this, her last album, Only Human, which peaked at Number 7, boasted the singles Crazy Stupid Love and Only Human, and was released in November 2014.

Cheryl’s appointment is part of a wider shake-up for The Voice UK, with Stacey Solomon and Alesha Dixon confirmed as the show’s new presenters. The pair will take over from Emma Willis, who is moving on after landing a presenting role on Strictly Come Dancing.

The Voice Australia coach and current Strictly Come Dancing contestant, Delta Goodrem, is helping Kelly after spending eight seasons on the Aussie edition of the programme.

Also, Danny and Tom were joined by their McFly band members Dougie Poynter and Harry Judd as they tried to win The Voice UK two consecutive years in a row following their success with AVA in 2024.

Last Saturday (October 3), the final round of the blind auditions aired, and the coaches finalised their teams, which consist of eight acts each.

Team will.i.am is made up of Diogo Ferreira, Sonna Rele, BMG, Triple Threat, Teodora Sava, Naná Aldrin-Quaye, Ardú, and Bella Popera. Team Kelly has Monique Nicholson-Porter, Ray Gelato, Lascel Wood, Aaren James, Cris Quammie, Samantha Udeke, Turah Sadiq, and Jessica Beth.

Cate McHugh, Vadé Amãlia Estradas, Harry Linacre, Eric & Jensen, Dakari Love, Molly J, Robbie McMinn represent Team Sir Tom and Ellie Harney, Ross McGuire, Ciiara Nyx, Finlay McKillop, Jack Algar, Frank Raven, Regan Preece, Adam Tucker have joined Team Tom and Danny.

The coaches and their advisors will now work with the acts to try to help them secure their place in the competition but not every act can progress.

The Voice UK returns to ITV1 and ITVX on Saturday, October 17 at 8.35pm

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Céline Dion will go on — even after taking a little tumble onstage.

The 58-year-old singer slipped in front of a live audience while performing “Dans un Autre monde” during her Paris residency on Oct. 7. But the French Canadian singer quickly got back up and signaled to fans that she was A-OK by flashing a thumbs-up, in footage obtained by People.

Despite the slight stumble, it has been a triumphant comeback to the live stage after a six-year hiatus for the “All By Myself” singer, who has shows scheduled for this fall and next spring at the Paris Plenitude Arena (formerly Paris La Défense Arena).

In 2022, Dion was diagnosed with stiff-person syndrome (SPS), an autoimmune neurological disorder that affects about one in a million people and has no cure. The illness is characterized by muscle rigidity in the torso, arms and legs. Sensitivity to noise, touch and emotional distress can set off muscle spasms, according to the National Institute of Neurological Disorders and Stroke.

Following the diagnosis, Dion canceled her North American Courage World Tour in May 2023 (which originally began in 2019 but was interrupted by COVID-19 pandemic) as she continued to deal with severe muscle spasms and was having difficulty controlling her voice.

“I’m so sorry to disappoint all of you once again. I’m working really hard to build back my strength, but touring can be very difficult even when you’re 100%,” she said in a public statement on her website in May 2023. “It’s not fair to you to keep postponing the shows, and even though it breaks my heart, it’s best that we cancel everything now until I’m really ready to be back on stage again.”

Her early symptoms began in 2008 during her Taking Chances World Tour, when she experienced difficulty controlling her voice despite doctors saying her vocal cords appeared normal, she shared with Vogue in 2024.

Additional details about her struggles with SPS came to light in a 2024 Prime Video documentary titled “I Am: Celine Dion,” directed by Academy Award nominee Irene Taylor, which follows the singer as she navigates the drastic changes to her health.

The “It’s All Coming Back to Me Now” singer has experienced broken ribs because of the spasms, she told Hoda Kotb on “Today” in 2024 while promoting the documentary. Her journey back to the spotlight has entailed intense physical therapy, vocal rehabilitation and medication, she said.

“I’m going to go back onstage, even if I have to crawl, even if I have to talk with my hands, I will,” Dion shared. “Not just because I have to, or because I need to, but because I want to. And I miss it.”

BECKY Hill has taken a swipe at The Voice bosses as she opened up about how she has missed out on becoming a coach on the show.

The Loose Control singer, 32, shot to fame on the first series of the ITV show back in 2012 when she was 18-years-old.

The current series of The Voice is airing on our screens, with coaches Sir Tom Jones, will.i.am, Kelly Rowland, Tom Fletcher and Danny Jones.

Capital FM host Jimmy Hill was interested to know if Becky would ever return to the singing programme after it was revealed Sir Tom was axed last month.

Jimmy asked her: “Would you ever go on The Voice as a coach?”

Becky replied: “I don’t think the show would have me on.”

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She continued: “Because I had an interview with them a few years ago because they were having a fifth chair.

“And in the interview I said well I’m the only success story from The Voice and there is a reason for that because you have talented people on your show.

“You make a TV show out of them, and then you don’t help them out afterwards.

“I remember being 18 and having to knock on so many doors when I was that age, but there were so many people on that show in my year, that were contestants that didn’t have that experience, kind of came off the show feeling like they had a normal job.

“They were then shoved on TV in front of 12 million people and then they were just spat back out.

“And I would wonder whether me saying to The Voice I would like to help artists. I don’t just want to be employed to be like ‘When it was me, I know how you feel’.

“Because I know that that’s what they’re going to try and get me to do.

“I would love to help people out and make people into, introduce them to people.

“Never got a callback. So I don’t think it’s a case of ‘Would you do The Voice?’

“I think it’s a question of would The Voice do me?”

When Becky appeared on The Voice in 2012 the show aired on BBC One and was presented by Holly Willoughby and Reggie Yates.

The coaches were will.i.am, Sir Tom Jones, Jessie J and Danny O’Donoghue.

The series was won by Leanne Mitchell.

The Voice has now aired 14 series since then and it recently hit headlines after it was revealed that Sir Tom Jones was axed.

A source told us at the time “ITV absolutely love Sir Tom and they’re working very hard behind the scenes to make this work.”

The Sun previously revealed rapper Aitch was to replace McFly duo Danny Jones and Tom Fletcher, who are leaving the show.

Former Girls Aloud singer Cheryl is also set to make her primetime TV comeback as a coach, while rapper will.i.am is returning with Kelly Rowland.

A source said: “Everyone loves Sir Tom but there was a feeling that the upcoming series needed a major refresh.

“With Aitch and Cheryl coming on board and Kelly returning with will.i.am, there just wasn’t a seat going.”

Becky is best known for songs such as Remember, Crazy What Love Can Do, Gecko (Overdrive) and Wish You Well.

Sept. 30, 2026 3:01 AM PT

Summer mornings in the Hill Tracts region of Bangladesh are a respite from the dissonance of honking cars and construction of the capital city of Dhaka. It was a welcome change to hear chickens and the sound of … wait, was that Julie Andrews’ voice echoing over the hills?

I was visiting my home country when I heard a group of schoolchildren playing ektaras, a traditional string instrument, and singing the “Do-Re-Mi” song for their morning assembly.

I used my phone to show them a picture of Andrews. “Do you know her?” They immediately leaped in excitement. They didn’t know the composer Richard Rodgers or lyricist Oscar Hammerstein II. But they knew Andrews — even though 60 years have passed since “The Sound of Music” and these children live in a remote Bangladeshi village. The recognition is evidence of something extraordinary.

Andrews is turning 91 on Thursday, and there are calls online to bubble wrap her, just in case. She is indeed a global treasure, and she has been earning plaudits and admirers for eight decades.

Andrews trained in the Italian bel canto tradition and from a young age sang challenging coloratura arias with precision, clarity and range. The bright, happy tone, perhaps a subconscious decision rather than anatomical alone, provided her respite from the doodlebug bombs that fell during her childhood in England in World War II. British critics had dubbed her as the “youngest prima donna,” a title usually reserved for opera greats, and it wasn’t undeserved. At just 12, she routinely floated high Fs above the treble staff during live performances.

Yet before opera could claim her, Broadway stepped in. From “The Boy Friend” to “My Fair Lady” and then “Camelot,” she won the hearts of theater goers and creators alike. Lyricist Alan Lerner described her as “an amazingly quick study in music … who meets any challenge with an unabated eyelid that makes you wonder how Britain ever lost the empire.”

Her voice then was so precise that the late maestro André Previn, who led the London Symphony Orchestra, proclaimed: “No one’s diction in any field of singing can come close. … You understand every syllable from the second balcony — I don’t understand how you do that.”

It’s inaccurate to romanticize her legacy in 2026 as simply nostalgic. That would overlook the depth and progressive nature of her characters. She was essentially the first female superhero on the big screen, as Mary Poppins — who could fly and create alternate realities with the snap of her heels, but whose more stunning superpower at the height of the Cold War was to charmingly portray capitalism as dangerous.

In “Victor/Victoria,” she navigated a gender-bending performance that challenged societal norms, playing a woman who impersonates a man impersonating a woman when it was taboo to speak about any layer of that. Her most overlooked and perhaps her best dramatic role was in “Duet for One,” a 1986 film about a musician who suffers from multiple sclerosis. Tragically this became a moment of life imitating art, foreshadowing her own destiny to lose her instrument after throat surgery in 1997.

Rather than retreat, Andrews adjusted and leaned into voice acting with characters like the dominant Queen Lillian in “Shrek” films, Gru’s hilariously villainous mother in “Despicable Me” and the mysterious Lady Whistledown in “Bridgerton,” for which she won an Emmy, twice.

In real life, the flying super governess fought to adopt two babies from Vietnam just after the fall of Saigon, helping to raise awareness of the need for adoptive parents. She then co-founded the Operation USA disaster relief charity and opened the Japanese wing for the United Nations Development Fund for Women.

Whether it was to support UNICEF after the devastating Bhola cyclone hit present-day Bangladesh in 1970 or jetting to Jordan and Senegal to support women’s and children’s activities, she was a quiet champion for the underserved. In her most famous role, in “The Sound of Music,” she was a savior for children being displaced by war.

Andrews is mostly out of the public eye, but her singing is eternal and accessible. YouTube is home to a trove of Andrews performances, including “This Is My Beloved” from “Kismet,” full-voiced “When You Wish Upon a Star,” from pianissimos to fortes, high B-flats and all — her classical skill shines through. These recordings remind us that beyond just the formulaic legato phrasing that singers from the Italian tradition follow, and the clear resonance, her work it set a gold standard for musical storytelling that few have surpassed since.

Julie Andrews is no longer trilling on the Alps, nor is she reprising her role as queen of Genovia in a “Princess Diaries” film, but her voice, and what it represented for more than 80 years, endures. It lives on not just in films and recordings but also ringing in the minds of children and adults alike, from her hometown of Walton-on-Thames to the Hill Tracts of Bangladesh. In an age of doom scrolling (and alarmingly low singing standards), her vast career offers a rare resonance and a continuing masterclass.

Shams-il Arefin Islam, a Yale-Berkeley College associate fellow who works on climate mitigation and adaptation, is a classically trained tenor.

Octavia Hughes asked for help in the days before her death. She leaves behind an eight-year-old daughter

A beloved mum and former stylist on The Voice went to the doctor three times in the days before her death, but was told she had a migraine and to go home.

Octavia Hughes died from a bleed on the brain after being rushed to hospital with stroke symptoms caused by a torn artery in her neck. The 38-year-old, known as ‘Tav’, leaves behind her eight-year-old daughter Dolly and a community of grieving family and friends.

Hospital bosses have offered their condolences to Octavia’s family and said they will “do all we can” to give them answers. Octavia, a fashion designer and owner of a popular second-hand clothing shop in Whitstable, had started getting headaches while walking at Manchester Fashion Week in early September.

She first sought medical help on September 14, when she went to her GP and was reportedly told she was having a migraine and sent home. The mum-of-one also called 111 before attending A&E at the QEQM Hospital in Margate the next day, and was told the same thing, according to friend Paula Chappell.

When her condition did not improve, she went back to A&E on September 17, but was again reportedly sent home. Her family say that the next morning, Octavia woke up with stroke symptoms and was rushed to Kent and Canterbury Hospital, where she had emergency surgery. It is understood that her stroke was caused by a torn artery in her neck.

Octavia then suffered a bleed on the brain and was transferred to King’s College Hospital in London where – despite medics’ best efforts – her family was told there was nothing they could do. Octavia’s organs were donated while she stayed on life support, and she died on September 23.

Paula said: “I think that’s what’s so horrific is that we should have never got to the point we did on Friday. By the time we got to that point, we were just on a downward spiral. She was never a complainer. She wasn’t one of those people who moan about not being well. She’d be a trooper.

“She was walking at Manchester Fashion Week the weekend before, even when the headaches had started to come on. She would never go to the GP, never complain and was definitely not someone that would go three times for no reason.”

Her sudden death has now left friends and family to care for Dolly. “They were little mini besties,” said Paula, who runs an art gallery and met Octavia eight years ago. She would feature on her socials all the time. We all adore our children, I know we do, but their bond was something I’ve never seen.

“We’ve got Dolly to look after and that’s the focus now, to try and make sure that we can get the funds so she can still do the things that Tav would have done with her. We just need to make sure there’s a small bit of financial security in the interim, whilst everything is going on, so we don’t always have to worry about finances as well.”

Paula set up a fundraiser which has already amassed more than £26,000 in donations. “I can’t believe it,” she said. “It shows us how much she was loved by people who didn’t even know her.”

Octavia studied fashion promotion at Southampton Solent University. Her first job after uni was as a stylist’s assistant on The Voice UK, before she worked for several years as a freelance TV stylist. She also ran a pub with her brother, styled e-commerce shoots and worked as an art director for major UK brands. She moved to Whitstable 10 years ago and had her daughter.

In 2019 she set up We Sell By the Sea, followed by Prelove and Reloved. This year, she opened No.86 as a home for her second-hand business in Whitstable High Street. “She’s the friend who knew everything about me,” said Paula. “She’s the one who knows my secrets, the one I would message a hundred times a day.

“She changed my life. I’m not by any means an introvert and I’m quite outgoing, but we danced and we laughed harder and louder together than I ever have with anyone.

“She was loved by everyone. It’s left a hole in all of our hearts, and we will miss her forever.”

A spokesperson for East Kent Hospitals University Foundation Trust, which runs the QEQM and Kent and Canterbury Hospital, said: “We offer our sincere condolences to Octavia’s family. We will do all we can to answer their questions and will also work with the coroner to understand the circumstances of Octavia’s death.”

You can donate to the fundraiser here: https://www.gofundme.com/f/help-support-dolly-through-this-unbearable-loss?cp_src=d

Radio personality, jazz singer and former BET host Angela Stribling died on Sunday of cancer.

Stribling “passed away peacefully at home … after a courageous two-year battle with brain cancer,” her husband, Ken Washington, posted to her Instagram account. “Her sister Darlene and I were by her side.”

A native of Buffalo, N.Y., Stribling attended the Fashion Institute of Technology in New York City and took a position with American Airlines at the Baltimore/Washington International Airport after college. She spent four years as host of BET entertainment news program “Screen Scene” and helped launch BET Jazz, hosting “Jazz Central,” “Jazz Discovery” and “Jazz Scene” for the network, according to a posting about her death by WHUR 96.3 Howard University Radio.

She worked as a reporter for “Evening Magazine” and co-host of “On Time” on Baltimore television and as a news intern at WTTG-TV and at WOL-AM in Washington, D.C., before joining WHUR-FM. That’s where she became the first woman to host “The Original Quiet Storm,” a program of “soulful slow jams and romantic melodies” that recently celebrated 50 years of being on air.

“Pillow Talk,” WHUR’s long-running late-night program hosted by Stribling, centered on relationships, conversation and music.

“Angela Stribling was a remarkable talent, but what made her truly special was the person she was,” WHUR general manager Sean Plater said in the station’s tribute. “Her voice was beautiful, her presence was calming, and her spirit was genuine. She had a way of making people feel welcome and valued, and that gift extended far beyond the radio. Angela was part of the WHUR family, and her loss is deeply felt by all of us. We will remember her not only for the incredible career she built, but for the love, kindness and light she shared with so many people.”

Stribling was also a classically trained jazz vocalist, who performed at New York City venues including the Rainbow Room, the Supper Club and the Soul Cafe. She traveled the world and shared the stage with legendary artists, including Stevie Wonder and Chaka Khan.

“Her sultry voice made her a staple on radio in the D.C. area and on Sirius. She did countless voiceover work, she sang and had parts in movies. I remember her calling me when she got a role in the Eddie Murphy movie ‘Distinguished Gentlemen,’ ” former BET colleague Ed Gordon wrote on Facebook. “She was a sweet soul.”