turtle

This time, it’s personal for Eric Goode.

The director’s first two docuseries — “Tiger King” and “Chimp Crazy” — were smash hits about larger-than-life characters engaging in questionable and illegal activity surrounding the care and ownership of animals. Both had an underlying conservation message but drew viewers in with the colorful and chaotic worlds they depicted.

Goode’s third, “Monsters of God,” premiering Thursday on HBO, is both a direct descendant and forges a new path. While it also features a hugely entertaining menagerie of criminals, who speak frankly about many of their illegal acts and how much they dislike each other, “Monsters” is largely a historical look at reptile smuggling going back more than half a century — unlike the contemporaneous stories in “Tiger King” and “Chimp Crazy.”

Goode had opportunities to bring in current events — one dealer was rearrested shortly after being filmed and there were major smuggling arrests in California in recent years — but realized he couldn’t keep piling on more stories. “We’re just setting the tone of this multibillion-dollar reptile-smuggling industry that you’ve probably never heard of,” says Goode’s producing partner Jeremy McBride.

But the other difference is that Goode has spent his entire life immersed in the world of reptiles, starting long before he even contemplated making a documentary. Goode had a pet tortoise when he was 6 and slept with a tegu lizard in his bed as a teen. He also saw the industry underbelly up close and personal. “In the ’70s and ’80s, I even bought reptiles from some of the very people that I chronicle in ’Monsters of God,’” he says.

“I had personal connections in these worlds, which helped us go much deeper than in my other stories,” he says. “I don’t know if it’ll be anywhere near as successful, but in terms of investigative journalism, we went much further.”

An archival photo of director Eric Goode with a southwestern pond turtle. In addition to filmmaking, he created the Turtle Conservancy in Ojai.

(A24 / Goode Films / HBO)

(He also acknowledges that his earlier series could tilt toward sensationalism and be exploitative. “I was naive when I started all this and learned a lot from ‘Tiger King,’” he says, adding that there was internal friction about what direction to go with the material. “Now we’ve refined the like-mindedness of what we were trying to do.”)

He credits his mother with opening his eyes to the larger issues when he was younger. “She struggled with me keeping things in captivity and would say, ‘You can’t play God, these animals belong in the wild.’”

That said, while he is proud the Big Cat Public Safety Act passed in the aftermath of “Tiger King” and believes people should be banned from raising chimps at home, he views reptiles differently. “Kids should be able to have a bearded dragon or a leopard gecko or ball python. It nurtures a love for nature and for reptiles,” he says, adding that he’s focused more on the harm caused by smuggling.

Despite his love of animals and a high school obsession with making Super 8 film, Goode was not, for much of his life, a likely candidate to be directing these documentaries. “My whole trajectory doesn’t make a lot of sense on paper,” he acknowledges.

After attending the School of Arts and Sciences, which his father founded in Marin County, Goode moved to New York. He worked as a production assistant on big films. “I hated it,” he recalls. “I hated being a cog in a wheel, just moving things around.” (Today, even as his productions have grown more elaborate, he still goes into the field with a small team. “I like that intimacy.”) He also went to art school but was largely bored there.

“I saw the creative energy in New York in the nightlife there,” he says. So while Goode was working as an artist, he also created Area, one of the city’s biggest nightclubs of the 1980s, where he brought in collaborators like Jean-Michel Basquiat, Keith Haring, David Hockney and Kenny Scharf, with rotating themes like a carnival or natural history (which featured snakes and lizards). “Everyone came from somewhere else or were misfits and I was bringing in these interesting characters, which is very similar to what I’m doing in these films,” he says. “I like lifting up the rocks and finding the eccentrics out there.”

Area’s success led to a big career in nightclubs, restaurants and hotels. Then 20 years ago, he took his profits, along with his passion for reptiles, and created the Turtle Conservancy in Ojai. “I realized that the two most endangered groups of vertebrates in the world were primates and turtles,” he says, adding that nearly half of the smuggled animals seized at LAX in the last three years were turtles. When officials recently confiscated 350 turtles there, they brought them to the conservancy to care for them. “I’m going to go feed them after this interview,” Goode says.

The conservancy now has a worldwide reach in protecting turtles and their habitats and has become a leader in trying to stave off extinction for the ploughshare tortoise, whose fate is a major storyline in “Monsters of God.”

Tom Crutchfield, one of the reptile smugglers featured in the docuseries, with a monitor lizard in a photo taken circa 1970s.

(Photograph by Bill Love. Courtesy of Goode Films / HBO)

As filming was finishing, the conservancy became home to the first ploughshare births in captivity. “It was such a coincidence but really meaningful,” McBride says. “It anchors the film’s purpose and gives a little bit of hope in what otherwise feels bleak.”

This docuseries has been in the works for nearly 20 years, since Goode read Brian Christy’s “The Lizard King” in 2008 and tried to option it. “I even filmed him badly back then — the sound was terrible and the camera fell off the tripod during the interview,” he recalls. (Christy appears in the docuseries.)

In 2014, he finally got started but it was always on and off again as other projects got in the way. In “Tiger King,” Goode shows he’s first drawn to that story when he sees a guy with a snow leopard in his van, which happens while he’s filming Tom Crutchfield, one of America’s most notorious reptile smugglers. “But while I was making these other stories, I was always opportunistically filming reptile people,” he says, adding that they interviewed not only the criminals but federal law enforcement and others, seeking a broader scope than his previous films. “It was critical for us to get all sides of the story. Part of the reason it took so long was it sometimes took years to get someone to agree to talk.”

McBride says they finished with 1,500 hours of footage and interviews with a hundred different people, including the most notorious smugglers (some of whom were also murderers and drug dealers) and the law enforcement officials who dedicated years of their life undercover to catch them.

It’s a true crime story on some level but Goode says the series is more layered and complex than his previous projects.

“I don’t want people to think we’re the animal police,” Goode says. “Law enforcement has good intentions but they sometimes backfire with unintended consequences. Often, the more laws you create to prevent people from having a reptile, the more they want them. But sometimes prohibition does work.” (In Asia’s wet markets, the most endangered animals sell for more money with their protected status used as a marketing tool.)

“Hopefully, people come away recognizing that we have to think about doing things differently than maintaining the status quo, because a lot of what we’re doing is not working,” Goode says. “It’s a messy story without easy answers.”

June 20 (UPI) — A Lebanese conservationist and protector of sea turtles died from injuries she suffered when her home was hit by an Israeli strike.

Mona Khalil, 76, died after suffering injuries from an Israeli attack on her home at al-Mounsouri Beach on Lebanon‘s southern coast on June 5. Her assistant was also injured in the attack, according to Green Southerners, a local nonprofit.

The Israeli military told CNN that Khalil “was not a target” of the Israel Defense Forces. “There is no known IDF strike in which she was injured,” the military said in a statement Saturday. “However, strikes were conducted in the area after the IDF issued evacuation warnings.”

Khalil was born in Lagos, Nigeria, and moved to her parents’ homeland Lebanon at age 7. In her 20s, she fled to the Netherlands to escape the Lebanese civil war and became a porcelain restorer. She attained British citizenship because she was born in a British colony.

She returned to Tyre, Lebanon, when she inherited property from her grandmother. There, she spent the rest of her life protecting the nests of loggerhead and green sea turtles.

Both species of turtles are threatened by coastal development, plastic pollution, fishing nets and light pollution. They are at risk of extinction in the eastern Mediterranean.

Khalil helped create the Orange House, an eco-tourism project at al-Mansouri beach. She painted her house orange to symbolize the safety the Netherlands had given her.

“She is a deeply committed environmental defender,” Hisham Younes, founder and president of Green Southerners, told the BBC. “She used to talk about the beach like it was a person. Her bond to the sunset, her bond to the water and the turtles … she was really into conservation, and into the soul, the spirit of conservation.”

In 2006, CNN profiled her, and she said she refused to leave her sea turtles even among fighting between Israel and Hezbollah.

“Me and my animals were all traumatized, and I lost a bit of my hearing. But otherwise I’m still alive and kicking,” Khalil told CNN at the time. “I live every day to the fullest and don’t worry about tomorrow.”

Khalil spent more than two decades protecting the nests of endangered turtle species in southern Lebanon.

Lebanese marine ecologist Mona Khalil, who was severely wounded after an Israeli strike hit her home near Tyre last week, has died, according to local reports.

Khalil, 77, succumbed to her wounds on Friday, the same day Israel escalated air attacks on southern Lebanon, killing at least 50 people and injuring dozens despite the risk posed to a fragile peace deal between Iran and the United States.

“It is with deep sadness that we mourn the passing of Mona Khalil today,” environmental group Live Love Tyre said in a Facebook statement on Friday.

“She will be remembered through an incredible legacy. Through it all, Mona chose to stay and care for the turtles of Live Love Tyre. Her life was selfless and impactful.”

A life of impact

Khalil was born in Lagos, Nigeria, in 1949. She spent several years abroad before moving to southern Lebanon.

A fleeting encounter with a turtle which had emerged from the ocean to lay its eggs on al-Mansouri beach near Tyre in 1999 propelled her on a lifelong journey devoted to animals.

She went on to dedicate decades to protecting the nesting sites of endangered loggerhead and green sea turtles on Lebanon’s southern coast.

Both species are highly threatened by coastal development, plastic pollution, fishing nets, and light pollution and are at risk of becoming extinct in the eastern Mediterranean.

In 2000, Khalil helped establish the Orange House, an eco-tourism project situated at al-Mansouri beach. She also helped document marine life in southern Lebanon and advocated for wildlife and against the pollution of Lebanon’s coastline.

“You have left us yet you remain within us – we, your children,” journalist and volunteer Fadia Joumaa, who worked closely with Khalil, said in a tribute shared on Facebook.

Khalil’s death “is a loss for all of Lebanon… not just for us. A loss for the life you guarded so faithfully,” she said.