Tina

April 2 (UPI) — A Colorado appeals court on Thursday threw out the sentence of Tina Peters, a former elections clerk, who was convicted in an election data case.

Peters was sentenced to nine years in prison in August 2024 on seven of the 10 counts for which she was charged.

She allowed an unauthorized person to make copies of voting machine hard drives that included classified information. The data from those drives was then leaked online by conspiracy theorists who falsely said it proved President Donald Trump correct in his assertion that the 2020 election was “stolen.”

Trump later pardoned Peters, but Colorado officials said he has no power to do so because she was convicted by the state. He has since pressured Colorado Gov. Jared Polis to pardon her.

The judges of the Colorado Court of Appeals ruled that District Judge Matthew Barrett wrongfully used Peters’ beliefs and promotion of election fraud conspiracy theories in his sentencing.

“We reverse her sentence because it was based in part on improper consideration of her exercise of her right to free speech,” the court wrote, sending her case back to the trial judge. Now Barrett must re-sentence Peters without using her beliefs to make the decision, the appeals judges said.

At the sentencing, Barrett said Peters had no remorse and called her a “charlatan” who abused her position to “peddle snake oil.”

“I am convinced you would do it all over again if you could,” The Hill reported Barrett said. “You’re as defiant as any defendant this court has ever seen.”

In its decision, the appeals court said her beliefs shouldn’t color the sentencing.

“Her offense was not her belief, however misguided the trial court deemed it to be, in the existence of such election fraud; it was her deceitful actions in her attempt to gather evidence of such fraud. Indeed, under these circumstances, just as her purported beliefs underlying her motive for her actions were not relevant to her defense, the trial court should not have considered those beliefs relevant when imposing sentence.”

The appeals court did not overturn Peters’ conviction and formally said Trump doesn’t have the power to pardon a person for state law offenses.

“The crux of Peters’ argument is that the phrase ‘Offences against the United States’ includes an offense against any of the states in the union,” the court wrote. “We join what appears to us to be every other appellate court that has addressed the issue and reject such an expansive reading of the phrase.”

Peters served as a clerk in Mesa County, Colo., whose county seat is Grand Junction, in western Colorado.

She was convicted on three counts of attempting to influence a public servant and one count each of conspiracy to commit criminal impersonation, first-degree misconduct, violation of duty and failure to comply with the requirements of the secretary of state.

SCOTT Mills’ “work wife” Tina Daheley has revealed the “real reason” she was missing from Radio 2 this week.

It was revealed this week that fan-favourite host Scott had been fired from his Radio 2 Breakfast Show over allegations surrounding his “personal conduct.”

The Sun understands that his contract was terminated within five days of the complaint being made.

It then came to light how Scott’s sacking was linked to a complaint about a 2016 police probe into historic “serious sexual offences” against a teenage boy, with the timeline of proceedings showing the BBC took seven years to act.

Scott’s co-presenter Tina took to social media on Wednesday to admit that it’s been an “awful week” after she went “missing”.

She shared a photo of herself in bed with a cup of tea and wrote: “Good morning! Just about recovered from this awful cold/flu.

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“I’ve had for the past week (being parent to a primary school aged child is like having a subscription service to viruses!).”

Tina then revealed when she would be returning to her hosting duties.

“Good news is I’m over the worst of it and looking forward to spending two weeks with my family over the Easter hols from tomorrow after what’s been an incredibly difficult past week,” she said.

“I’ll be back on the radio Tuesday 21st April.”

It comes after Scott’s podcast was pulled by the BBC.

His Mercedes-Benz Vans Under the Bonnet: On the Road podcast has also been taken off Spotify.

The four part series created in 2025 with the Under the Bonnet report, shone the spotlight on varying issues for van drivers including everything from road conditions to mental health.

Scott has previously opened up on his own mental health battles and the podcast saw him reveal how 65 per cent of drivers had also struggled.

Yet when users search for it on Spotify, from a Google link that previously worked, a caption now states: “Couldn’t find that podcast.

“Search for something else?”

The BBC have also removed him from a Race Across The World podcast and pulled scenes he filmed for EastEnders.

Yesterday, we exclusively reported how charity Neuroblastoma UK dropped him as a patron.

Recently, we reported how Scott had been wiped from the BBC’s social media.

It comes after it was confirmed the Scott Mills Bridge at the M3 service station was now set to be re-named.

Additionally, The Sun was first to report how his Eurovision replacement is his fellow BBC Radio 2 DJ, Sara Cox.

Since 2011, he has commentated on the semi-finals, which air on BBC One on Tuesday and Thursday in the week leading up to the grand final.

• Scott Mills has been sensationally sacked by the BBC in a “tense” meeting with bosses
• The sudden axing is understood to be linked to a 2016 police probe into historical sex offences involving a teen boy
• Mills was questioned by police under caution in 2018 but the case was dropped in full due to a lack of evidence it is understood
• The race is now on to find a replacement for Mills, with fellow BBC DJ Gary Davies standing in
• And uncertainty now surrounds his future projects

In recent years, he has been joined by Rylan Clark to commentate on the shows, as well as the final live on Radio 2.

It comes after it transpired the broadcaster was questioned by police under caution in 2018 – when he was in his 40s, the Mirror reports.

The interview was related to alleged offences which took place between 1997 and 2000.

The case was dropped in full due to a lack of evidence.

A Metropolitan Police spokesperson told The Mirror: “In December 2016, the Met began an investigation following a referral from another police force.

“The investigation related to allegations of serious sexual offences against a teenage boy.”

The spokesperson said a man, who was in his 40s at the time of the interview, was questioned by police under caution in July 2018.

“A full file of evidence was submitted to the Crown Prosecution Service, who determined the evidential threshold had not been met to bring charges,” the Met said.

“Following this advice, the investigation was closed in May 2019.”

The allegations, which did not result in any charges, were reported to have taken place between 1997 and 2000.

Scott began at Radio 1 in 1998 presenting the early morning slot before earning his own breakfast show The Scott Mills Show.

Scott’s pals have also claimed they “can’t reach him” amid the “teen boy sex probe”.

A BBC spokesperson told The Sun: “While we do not comment on matters relating to individuals, we can confirm Scott Mills is no longer contracted to work with the BBC.”

After 50 years of being practically synonymous with New York City, “Saturday Night Live” has opened the door to London with “Saturday Night Live UK,” following in the steps of “Law & Order UK” and possibly nothing else. Of all the cities in the world that might conceivably replicate the spirit of the NBC original, the British capital, with its urban dynamism, media concentration and 20,000 comedians, feels like the obvious, and perhaps only, choice. (“Saturday Night Live Italia” might prove me wrong, if that day ever comes.) And, of course, we’ve been in a reciprocal comedy arrangement with Britain — or at least we have been nicking their ideas for shows — for years.

The show premiered in the U.K. this past Saturday on Sky One and NOW, and began streaming stateside Sunday on Peacock, with our own Tina Fey as the first guest host. (“It’s an absolute honor and kind of historic,” she said to studio audience. “Guys, I am the youngest person to ever host ‘SNL UK!’”)

As a “Saturday Night Live” star, writer and head writer; and the co-creator of “30 Rock” — her show about a sketch show set in the very same building as “SNL” — they couldn’t have appointed a better ambassador. Lorne Michaels doubtless has her on speed dial.

Here’s the short review: In the course of a single episode, “SNL UK” managed to feel very much like its parent show — which is to say, some of it worked well and some of it worked less well, but very little of it didn’t work at all. There were sketches that ran too long, or ended weakly, but were generally redeemed by a young(ish), confident 11-member cast that made the most of them. Some will already be recognizable to British viewers. Many have had notable, or anyway noticed, careers in stand-up; in the sort of stand-up that amounts to theater; in straight theater (including Shakespeare, naturally) and/or in television and film. Fey promised to “stay out of their way as much as possible,” but she came to play, and appeared in most every sketch.

The evening followed established protocol. Cold open. (Prime Minister Keir Starmer, played by George Fouracres, is afraid to tell President Trump, whom he regards as a sort of bad boyfriend, that he’ll send no more ships to the Strait of Hormuz: “I know how badly you want to start World War III, and that’s great. You absolutely do that but we can’t be part of it.”) Hammed Animashaun and Jack Shep accompanied Fouracres in the sketch and shared the glory of shouting, “Live from London, it’s ‘Saturday Night!’” They would continue to dominate the episode.

Jack Shep, George Fouracres and Hammed Animashaun in the “SNL UK” cold open, set at 10 Downing Street, in the prime minister’s office.

(NBCUniversal)

Next: Opening credits featuring the cast members out and about in the city. Monologue, with guest appearances from Nicola Coughlan, Michael Cera and Graham Norton. (The set is very much in the style of various American iterations over the years, clock included, with the band onstage.) Film bits and sketches. Musical guest. (Wet Leg, surly.) “Weekend Update.” More skits. Musical guest returns. More comedy. Whole cast onstage at the end, ready to party.

Among other things: A Shakespeare skit found the Bard (Fouracres again) returning to Stratford from London between plays, each time more affected, beginning with an earring and finishing with an electric scooter, sunglasses and a bag of ketamine. A Paddington Bear immersive experience, with an actual bear, turns bloody, recalling Dan Aykroyd’s 1978 classic Julia Child sketch. As a bra salesperson giving an ego boost to Fey‘s customer, Emma Sidi was funnier than the sketch she was in. (It did include a cameo by Regé-Jean Page, from “Bridgerton.”) In another, David Attenborough (Fouracres again, again), using “Jurassic Park” technology, hosts a “last supper” featuring great dead Britons including Winston Churchill, Isaac Newton, Agatha Christie (Fey), “Freddie Mercury, from Queen, Elizabeth the First, from being the Queen,” and Shep’s Princess Diana, pulling focus at Attenborough’s right shoulder; all they manage to discuss is how many starters to get for the table. It had the added bonus of getting the entire cast, and guest host, onstage.

The film bits were first-rate. (Not being live has its advantages.) One advertised an anti-aging cream — Undérage, with a soft “g” — “that works so well everyone will think your man is a nonce.” (That is, a pedophile.) “My skin looks so fresh,” says a happy customer, “my husband can’t go anywhere without being hunted by right-wing pedophile-catching militias.” “My husband lost his record deal and, some, but not all of his fans.” Another concerned a sort of command center where workers labored “to make the internet as bad as we can possibly get it.”

There are, to be sure, tonal differences to British and American comedy; just compare the respective versions of “The Office,” or “Ghosts,” or “Doc Martin” with its domestic remake, “Best Medicine”; the former tends to be darker, more cutting, more absurd. (A “Weekend Update” joke about the former Prince Andrew’s new home, Marsh Fair, “of course named after the nearby marsh where his body will be found.”) Despite that, and the old saw that Britain and America are two countries separated by a common language, the show translated well transatlantically. Apart from some local topical and cultural references, and an occasional unfamiliar word whose meaning was in any case obvious from context, and some swearing, most of it could have been played with few adjustments by the American cast.

“While we may not agree with everything America does,” Fouracres’ prime minister says at the end of the cold open, “we can still be civil and embrace their wonderful, unproblematic culture.” Back at you, buddy!

The season has been extended to eight episodes from the originally ordered six. (Riz Ahmed and Jamie Dornan are scheduled to host.) Why not 10?