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Dutch police deployed water cannons and tear gas to disperse a protest in The Hague. The protesters were rallying for immigration restrictions and stricter policies for asylum seekers.

After 10 months of dissent, protests show no signs of dying down as fury at alleged government corruption grows.

Serbia’s police have fired tear gas and stun grenades at antigovernment protesters in the city of Novi Sad who are demanding snap elections and an end to President Aleksandar Vucic’s 12-year government.

Thousands gathered on Friday at the city’s state university campus for yet another demonstration after 10 months of persistent dissent prompted by the fatal collapse of the Novi Sad train station roof last November, which killed 16 people.

The tragedy became a flashpoint for frustrations with the government, with many Serbians saying it had been caused by alleged corruption and negligence in state infrastructure projects and calling for Vucic’s departure.

“Vucic leave,” the crowds chanted, repeating their calls for early elections as they marched towards the campus, where police attempted to disperse them with tear gas and stun grenades.

The Beta news agency reported that protesters had earlier thrown flares and bottles at the police.

In an address late on Friday evening, President Vucic said that 11 policemen were injured. There was no information on how many protesters have been injured.

“We are not going to allow destruction of the state institutions,” Vucic told reporters. “Serbia is a strong and responsible state.”

He accused foreign security services of being behind antigovernment protesters and said his supporters would hold rallies in cities across Serbia on Sunday.

The months of nationwide protests have largely passed off peacefully, but took a more violent turn on August 13, when dozens of civilians and police officers were injured in clashes in a number of locations.

The violence, which protesters blamed on heavy-handed tactics by government loyalists and police, was repeated on Monday at a march in Novi Sad to mark the 10-month anniversary of the tragedy.

Authorities have rejected allegations of brutality, despite videos showing officers beating unarmed protesters, and accusations that activists were assaulted while in custody.

Students, opposition groups and anticorruption watchdogs accuse Vucic and his allies of ties to organised crime, using violence against political rivals and suppressing media freedoms.

Vucic denies the allegations and has remained defiantly in office at the helm of a reshuffled administration. His nationalist Serbian Progressive Party (SNS) has responded to protests by staging its own rallies around the country.

The Islamic University of Bandung’s student body says security officials ‘brutally attacked’ the campus with tear gas.

Indonesian police have used tear gas on crowds of protesters near two universities, student groups and authorities said, amid ongoing nationwide protests targeting government spending, and burgeoning fury following a motorcycle taxi driver’s death after being hit by a police car.

On Tuesday, authorities deployed tear gas around the campuses of the Islamic University of Bandung (UNISBA) and nearby Pasundan University, more than 140km (86 miles) west of the capital, Jakarta.

Muhammad Ilham, a Pasundan student, told the Reuters news agency that authorities fired tear gas canisters from outside the campus gates as well as rubber bullets.

“There was a student who got hit by the rubber bullet, two shots,” he said.

At least eight people have died in the protests since last week, Coordinating Minister for Economic Affairs Airlangga Hartarto said on Monday.

According to police official Hendra Rochmawan, authorities on Tuesday did not enter the campuses but tried to break up crowds of non-student protesters who had been seeking protection within the university grounds.

UNISBA rector Harits Nu’man echoed the police statement and confirmed that the campus had been used as a medical hub for protesters.

Nevertheless, the UNISBA student body accused security forces of seeking to silence dissent, saying they “brutally attacked” the campus as tear gas caused breathing problems for some students.

Mass unrest

Al Jazeera’s Jessica Washington, reporting from a crowd of motorbike taxi drivers in central Jakarta, said they were gathering to honour the 21-year-old driver who was killed after being hit by an armoured police vehicle during the protests.

“There are thousands of them. They say to demonstrate the power of peaceful assembly so they can honour their colleague, that they can call for their various demands, including economic inequality and do it peacefully,” Washington said.

She added that many civil society groups in Indonesia were currently “raising the alarm” over a civil society leader who was arrested late last night in Jakarta.

More protests are expected on Tuesday outside parliament in Jakarta, organised by a coalition of women’s groups.

Since the protests began last week, at least 20 protesters have gone missing as anger increased due to mass overspending by lawmakers and police violence, according to the Commission for the Disappeared and Victims of Violence (KontraS).

The group said 20 people were reported missing in the cities of Bandung and Depok on Java Island, and the administrative cities of Central Jakarta, East Jakarta and North Jakarta.

University students have long been regarded as vanguards of Indonesia’s democracy, having taken a leading role in protests that helped topple President Soeharto in 1998.

Current President Prabowo Subianto, a military leader under Soeharto, is facing the first major test of his leadership. He met labour unions, some of which joined last week’s protest pushing for a rise in the minimum wage, and said he told lawmakers to discuss labour laws, according to a statement from his office.

Indonesians have added pink and green hues to their social media profile pictures in response to the protests, with some using the hashtag #ResetIndonesia and outlining their demands for the government.

Pop superstardom, it turns out, did absolutely nothing to improve Sabrina Carpenter’s love life.

That’s the thrust of the singer’s shrewd and tangy “Man’s Best Friend,” which dropped Thursday night, just a year after last summer’s chart-topping “Short n’ Sweet.” The earlier album, which spun off a pair of smash singles in “Espresso” and “Please Please Please,” went on to be certified triple platinum and to win two Grammy Awards — more than enough to transform Carpenter, now 26, from a former Disney kid into the latest (and horniest) member of pop’s A list.

Yet all that success seems only to have attracted more of the losers she sang about last time. Here she’s dealing with a smooth talker doling out empty promises, a crybaby who can’t decide what he wants, even a guy so fixated on self-betterment that he’s lost interest in the bedroom.

“He’s busy, he’s working, he doesn’t have time for me,” she trills exasperatedly in “My Man on Willpower,” “My slutty pajamas not tempting him in the least.”

It’s a veritable gallery of rogues, this LP, not least the dude in the dark suit pictured on the cover of “Man’s Best Friend” with a hank of Carpenter’s blond hair in his fist as she kneels before him. The image inspired an instant controversy when she unveiled it in June, with critics accusing her of propping up dangerous ideas about the submission of women in the age of the tradwife.

Responded the singer in a CBS News interview that aired Friday: “Y’all need to get out more.”

Indeed, to take the album artwork at face value is to miss the whole point of Sabrina Carpenter, which is not just lampooning a prudish instinct — of course she’s in on the joke — but demonstrating the limits of a dating scene — of an entire social power structure — in which this is what a girl at the top has to work with.

“I like my boys playing hard to get / And I like my men all incompetent,” she sings in the LP’s opener and lead single, “Manchild.” She swears she’s not choosing them — that they keep choosing her. Then she punctuates the claim by batting her fake eyelashes and rhyming “Amen” with a flirty “Hey, men.”

As with “Short n’ Sweet,” Carpenter made “Man’s Best Friend” with a tight crew of accomplices — Jack Antonoff, John Ryan and Amy Allen, plus a bunch of tasty studio players — and once again they get a sound that combines the hooky splendor of ’70s-era AM-radio pop (think ELO, Wings and especially ABBA) with touches of country and dance music.

“Tears,” in which Carpenter lusts after a guy capable of putting together a chair from IKEA, is a pillowy disco thumper with echoes of KC and the Sunshine Band’s “That’s the Way (I Like It)”; “Nobody’s Son” puts starchy palm-court strings over a bouncy reggae groove. Carpenter’s singing plays like an actor’s sizzle reel, by turns winsome, sneering, bubbly and resigned; in the twangy “Go Go Juice” alone — it’s about a woman who’s woken up at 10 a.m. and opted to spend the day drunk-dialing exes — she runs through every emotional gradient separating determination from shame.

Song for song — line for line, really — “Man’s Best Friend” isn’t quite as sharp as “Short n’ Sweet,” which offered the rare thrill of a young artist coming into her own on her sixth studio album. Occasionally, you can sense Carpenter reaching for a memeable lyric, as in the many gags about wetness in “Tears”; “When Did You Get Hot?,” meanwhile, feels like something Ariana Grande abandoned after workshopping for a minute.

When she’s on, though, she’s on: “Goodbye” is a dazzling orchestral-pop number in which she gives the boot to a hot-and-cold lover — “Arrivederci, au revoir / Forgive my French, but f— you, ta-ta” — and “House Tour” a winking sex romp whose thwacking drums and rubbery funk bass call to mind Paula Abdul’s “Opposites Attract.” (After Doja Cat’s Antonoff-produced “Jealous Type,” might this signal a coming Abdul-aissance?)

Near the end of the album, Carpenter dials down the comedy for “Don’t Worry I’ll Make You Worry,” a sad and shimmery ballad about the thin line between love and war. “Silent treatment and humbling your ass / Well, that’s some of my best work,” she sings over strummed acoustic guitar before promising oh so sweetly to “leave you feeling like a shell of a man.”

If you can’t join ’em, beat ’em.

ATLANTA — There were no tears.

There were no tears when he addressed the crowd in a Fox interview that was played over the Truist Park sound system.

There were no tears when manager Dave Roberts removed him from the game in the top of third inning so the fans could salute him once final time.

Freddie Freeman didn’t cry Tuesday at the All-Star Game.

“I didn’t know how it was going to go,” Freeman said.

This was the kind of setting that could have very easily turned the emotional Freeman into a sobbing mess, and he admitted as much the previous day. He was returning to the market in which he spent the first 12 years of a career to play in the kind of event that is often a source of reflection.

The absence of tears represented how much can change in four years, especially four years as prosperous as the four years Freeman has played for the Dodgers.

“Time,” Freeman said, “heals everything.”

For both sides.

The same fans who watched him transform from a 20-year-old prospect to a future Hall of Famer warmly cheered for him during pregame introductions — just not with the kind of back-of-the-throat screams they once did.

The same fans who used to chant his name chanted his name again — just not as long as they used to, and definitely not as long as the fans at Dodger Stadium now chant his name.

Freeman will never be just another visiting player here. He won an MVP award here. He won a World Series here.

Braves fans appreciate what he did for them. They respect him. But they have moved on to some degree, just as Freeman has.

“You spend 12 years with Atlanta, you pour your heart into it,” Freeman said. “Now I poured my heart into four years with the Dodgers and still got many more hopefully to go.”

Gaining such a perspective required time.

Freeman acknowledged he was wounded by the decision the Braves made after they won the World Series in 2021. They didn’t offer him the six-year contract he wanted and traded for Matt Olson to replace him as their first baseman. Freeman signed a six-year deal with the Dodgers.

“To be honest, I was blindsided,” Freeman said at the time. “I think every emotion came across. I was hurt.”

He carried that hurt with him into his return to Atlanta, which came a couple of months into his first season with the Dodgers. He spent much of the weekend in tears.

Now looking back, Freeman said, “It does feel like a lifetime ago.”

So much so that Freeman said it was “a little weird” to be back this week in the home team’s clubhouse at Truist Park.

“I was sitting with [Braves manager Brian Snitker] in the office and seeing him and talking to him, seeing all the home clubhouse guys and then it kind of just comes all flying back that, like, well, it has been four years,” Freeman said.

Freeman has since returned to Southern California, where he was born and raised. He’s been embraced by an entirely new fan base that supported his family when his now-five-year-old son was temporarily paralyzed last year because of a rare disease. His postseason heroics — particularly his walk-off grand slam in the Game 1 of the World Series last year — has made him one of the most beloved players on a stacked roster.

“Now, everything’s in the past,” he said. “I get to play in front of my family every single day and we won a championship, so everything’s OK.”

His experience in Los Angeles has liberated him from the negative feelings associated with his breakup with the Braves, allowing him to focus on his positive memories with the organization.

Because of that, Freeman was grateful he was offered a chance to speak directly to the fans before the game.

“From the bottom of my heart, thank you,” he told them.

He was also thankful of how Roberts replaced him with Pete Alonso at first base while the American League was batting. The crowd gave Freeman a standing ovation. Freeman saluted the crowd in return.

“I really appreciate the moments,” Freeman said.

Freeman grounded out in his only at-bat, which was preceded by respectful applause and a brief chant of his name. Another NL first baseman elicited louder cheers when he stepped into the batter’s box, however. That player was Olson, his successor in Atlanta. Freeman wasn’t the only one who had moved on.