Taylor Swift

Inquiry into Southport knife rampage blames authorities, killer’s parents

Protesters gather outside Liverpool Crown Court in Liverpool in January 2025 where then-18 year-old Axel Rudakubana was sentenced to 52 years in prison for the Southport child killings. File photo by Adam Vaughan/EPA-EFE

April 13 (UPI) — The official inquiry into the killings of three young girls in a knife rampage in Southport in 2024 by teen Axel Rudakubana ruled Monday that he could have been stopped but for the “catastrophic” and “irresponsible” failures of authorities and his parents.

Summing up at the end of a 9-month-long phase 1 of the public inquiry, the chair, former Appeal Court judge Sir Adrian Fulford, said the attack could have been prevented if Rudakubana’s parents had reported what they knew and law enforcement, child and mental health agencies had reacted correctly to the risk he was known to present.

Sir Adrian said it was “highly likely” that Bebe King, 6, Elsie Dot Stancombe, 7, and Alice da Silva Aguiar, 9, would still be alive if Rudakubana’s parents had spoken up about the lethal weapons being delivered to their home and agencies had taken responsibility, instead of engaging in unacceptable buck-passing.

Rudakubana, who seriously wounded eight other children and two adults in the attack at a Taylor Swift-themed dance workshop on July 28, 2024, is serving a 52-year prison sentence.

“History simply would have taken a different course,” Sir Adrian said, adding that there could have been a number of different outcomes, the most likely of which was that Rudakubana would have been taken into child protective custody or detained in a correctional or other secure facility.

In a statement, Sir Adrian called for urgent government action on the failings of state bodies at both the organizational and individual levels.

“Far too often, AR’s ‘case’ was passed from one public sector agency to another in an inappropriate merry-go-round of referrals, assessments, case-closures and ‘hand-offs,” he said.

Known to authorities since 2019, Rudakubana was referred to a counter-terrorism “deradicalization” program three times and in March 2022 told police he wanted to stab or poison someone after he was found on a bus armed with a knife. Police drove him home and did not arrest him.

There were also missed opportunities to look into Rudakubana’s “chilling” online activities, through which he fueled his obsession with violence via “degrading, violent and misogynistic” material, leading him to assemble a weapons cache, including knives, a crossbow, petrol bombs and ingredients to make ricin.

In his 760-page report, Sir Adrian called for the country’s “failing” multi-agency approach to dealing with problem young people to be scrapped and replaced with a dedicated agency exclusively tasked with handling high-risk offenders like Rudakubana.

Different agencies failed to share information and no one appeared to be clear which, if any, of the agencies was the lead body in the case.

The report also stated how Rudakubana’s actions in the preceding years leading to the Southport atrocity were wrongly attributed to autism due to “misunderstanding” of the condition, “leading to inaction and a failure to address dangerous behaviors.”

“Numerous systems that should have provided oversight, assessment and protection were ineffective or inadequately used. Some failed outright. The consequences were catastrophic,” said Sir Adrian.

Prime Minister Keir Starmer, who ordered the inquiry, vowed to “act on the recommendations” once the inquiry was complete.

In a statement, Lancashire Police Chief Constable Sacha Hatchett said she was “extremely sorry” officers had not arrested Rudakubana in the incident in March 2022 and that “we did not adequately assess the risk he posed.”

Hatchett added that Lancashire Police “fully accepted” the changes recommended by the inquiry.

Lancashire County Council acknowledged the findings and apologized.

“We are deeply sorry for the failures identified and for the part we played in the systemic shortcomings that preceded the attack in Southport. We know that no words can ease the grief of the families who lost loved ones, or the pain of those who were injured and traumatized,’ said chief executive Mark Wynn.

“Since 2019, we have made substantial changes to our safeguarding practice, and the chair’s findings will inform our continued improvement. We are committed to implementing all recommendations directed to us in full,” added Wynn.

Chris Walker, the attorney representing the dead girls’ families, said the system was “not fit for purpose and must undergo fundamental changes to reduce serious risks to society.”

Children race to push colored eggs across the grass during the annual Easter Egg Roll event on the South Lawn of the White House in Washington on April 21, 2025. Easter this year takes place on April 5. Photo by Samuel Corum/UPI | License Photo

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Taylor Swift drops ‘Elizabeth Taylor’ video, is hit with ‘Showgirl’ lawsuit

The life of a showgirl wouldn’t be complete without a few lawsuits, and who knows that better than Taylor Swift and Elizabeth Taylor?

On Monday, the “Bad Blood” singer was hit with a trademark infringement lawsuit regarding her most recent album, “The Life of a Showgirl.” Real-life Las Vegas showgirl and writer Maren Wade, born Maren Flagg, alleges that Swift knowingly disregarded her claim to a similar name.

According to the lawsuit, Wade launched the column “Confessions of a Showgirl” in the Las Vegas Weekly in 2014. The column eventually became a live show, which became a touring production. “Over the course of a decade, Confessions of a Showgirl grew into a brand encompassing performances, writing, and digital media — built by one person, city by city and show by show,” reads the lawsuit, which adds that Wade took the show across the country, and used the brand when appearing on television and podcasts.

Wade as a performer herself respects Swift’s right to creative expression, according to the suit, “and nothing in this action challenges it.” The filing argues that “whatever [legal] protection might attach to creative expression, it does not immunize Swift’s separate decision to adopt a confusingly similar designation as a trademark, affix it to goods, and deploy it as a source identifier in commerce.”

In 2015, the U.S. Patent and Trademark Office registered “Confessions of a Showgirl” and named Maren Flagg as the owner. And according to the suit, in November 2025, the office refused an attempt by Swift’s team to register “The Life of a Showgirl” based on a likelihood of confusion with Wade’s established brand.

Patent attorney JD Harriman told The Times in a statement that although the trademark office did reject Swift’s mark, she voluntarily suspended the “Life of a Showgirl” application while a separate trademark application for “Showgirl” moved forward.

“This case isn’t about the music, and it may not even be about confusion,” Harriman said. “Wade’s own complaint concedes she’s not challenging the album itself — only merchandise. And before filing, she was publicly hashtagging Swift’s album and calling herself a fan.”

Jaymie Parkkinen, an attorney for Wade, told The Times in an emailed statement that Maren spent more than a decade building Confessions of a Showgirl.

“She registered it. She earned it. When Taylor Swift’s team applied to register The Life of a Showgirl, the Trademark Office refused, finding Swift’s mark confusingly similar,” Parkkinen said. “We have great respect for Swift’s talent and success, but trademark law exists to ensure that creators at all levels can protect what they’ve built. That’s what this case is about.”

Wade’s team argues that since Swift’s 12th album dropped last year, search results are dominated by Swift, and even though Wade established her own showgirl brand a decade ago, her brand is now seen as affiliated with Swift’s.

“The Life of a Showgirl is one designation among more than 170 active or pending trademark registrations managed by Defendant TAS on behalf of Swift, spanning names, phrases, and commercial designations across one of the most extensive trademark portfolios in the entertainment industry,” reads the suit.

Swift’s broader enterprise “does not depend on the continued use of any single designation,” the suit continues. “By contrast, Confessions of a Showgirl is the sole trademark under which [Wade] has built her professional identity for more than a decade. It is not one mark among hundreds. It is the only one she has. The continued erosion of that mark threatens the entirety of Wade’s brand.”

In other Swift news, the Grammy winner dropped the music video for “Elizabeth Taylor” on Tuesday.

The video features archival film clips of the latter starlet — also known for high-profile legal battles, media scrutiny aimed at her love life and larger-than-life fame — rather than the songstress herself, who does not appear in the video.

The video, which has been exclusively released via Spotify Premium and Apple Music, includes scenes from “Father of the Bride,” “Rhapsody,” “Cat on a Hot Tin Roof,” “Cleopatra,” and “Who’s Afraid of Virginia Woolf?” among other classic films starring Taylor. The homage also has old press footage of the Oscar winner.

Back in October, Swift told BBC radio that if she mentions a real person in her songs, she warns them ahead of time, and in the case of someone like the late movie star, she asked the Taylor estate for permission to pay homage with the song.

“If it’s Elizabeth Taylor,” she said, “we go to their family and her estate and let them know, and they were lovely about it.”

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Photos: Scenes from the 2026 iHeart Music Awards

You thought the Oscars brought awards season to an end? Think again. The iHeartRadio Music Awards took place Thursday night with performances and appearances by Taylor Swift, Miley Cyrus, Sombr, Weezer, Alex Warren, Shaboozey and John Mellencamp, among other stars. Here’s a glimpse at the best looks from the red carpet and the best moments of the show itself, which took place at the Dolby Theatre in Los Angeles.

The Show

Lainey Wilson performs onstage at the 2026 iHeartRadio Music Awards at Dolby Theatre in Hollywood.

Lainey Wilson performs onstage at the 2026 iHeartRadio Music Awards at Dolby Theatre in Hollywood.

Taylor Swift accepts the Pop Album of the Year award onstage at the 2026 iHeartRadio Music Awards at Dolby Theatre.

Taylor Swift accepts the pop album of the year award onstage at the 2026 iHeartRadio Music Awards at Dolby Theatre in Hollywood.

Miley Cyrus accepts the Innovator Award onstage at the 2026 iHeartRadio Music Awards at Dolby Theatre in Hollywood.

Miley Cyrus accepts the Innovator Award onstage at the 2026 iHeartRadio Music Awards at Dolby Theatre in Hollywood.

John Mellencamp, right, performs onstage at the 2026 iHeartRadio Music Awards at Dolby Theatre in Hollywood.

John Mellencamp, right, performs onstage at the 2026 iHeartRadio Music Awards at Dolby Theatre in Hollywood.

En Vogue perform onstage at the 2026 iHeartRadio Music Awards at Dolby Theatre in Hollywood.

Terry Ellis, from left, Cindy Herron and Maxine Jones of En Vogue perform at the 2026 iHeartRadio Music Awards.

Red Carpet

Miley Cyrus on the red carpet for the iHeartRadio Music Awards at the Dolby Theatre in Hollywood.

Miley Cyrus on the red carpet for the iHeartRadio Music Awards at the Dolby Theatre in Hollywood.

Ella Langley on the red carpet for the iHeartRadio Music Awards at the Dolby Theatre in Hollywood.

Ella Langley on the red carpet for the iHeartRadio Music Awards at the Dolby Theatre in Hollywood.

Shaboozey and Kehlani on the red carpet for the iHeartRadio Music Awards at the Dolby Theatre in Hollywood.

Shaboozey and Kehlani on the red carpet for the iHeartRadio Music Awards at the Dolby Theatre in Hollywood.

Cheryl Porter on the red carpet for the iHeartRadio Music Awards at the Dolby Theatre in Hollywood.

Cheryl Porter on the red carpet for the iHeartRadio Music Awards at the Dolby Theatre in Hollywood.

En Vogue on the red carpet for the iHeartRadio Music Awards at the Dolby Theatre in Hollywood

Cindy Herron, Maxine Jones and Terry Ellis of En Vogue on the red carpet for the iHeartRadio Music Awards at the Dolby Theatre in Hollywood.

Teddi Mellencamp on the red carpet for the iHeartRadio Music Awards at the Dolby Theatre in Hollywood.

Teddi Mellencamp on the red carpet for the iHeartRadio Music Awards at the Dolby Theatre in Hollywood.

'3QUENCY' on the red carpet for the iHeartRadio Music Awards at the Dolby Theatre in Hollywood.

Brianna Mazzola and Wennely Quezada of ‘3QUENCY’ on the red carpet for the iHeartRadio Music Awards at the Dolby Theatre in Hollywood.

Sublime on the red carpet for the iHeartRadio Music Awards at the Dolby Theatre in Hollywood.

Sublime on the red carpet for the iHeartRadio Music Awards at the Dolby Theatre in Hollywood.

Brent Smith and Zach Myers of Shinedown on the red carpet at the Dolby Theatre for the 2026 iHeartRadio Music Awards.

Brent Smith and Zach Myers of Shinedown on the red carpet for the 2026 iHeartRadio Music Awards at the Dolby Theatre in Hollywood.

Return to Dust on the red carpet for the iHeartRadio Music Awards at the Dolby Theatre in Hollywood.

Graham Stanush, Sebastian Gonzalez, Matty Bielawski and London Hudson of Return to Dust on the red carpet for the iHeartRadio Music Awards at the Dolby Theatre in Hollywood.

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