The housemates were asked to check in as passengers and crew onboard the British Eyeways Flight BB2025 with a number of rules to follow.
Big Brother announced: “Passengers, your destination is a luxury shopping budget but only if you can successfully complete your journey and that might not be as easy as it sounds. Every rule break will extend your flight time meaning a short smooth trip could quickly become a long-haul nightmare.”
Cameron and Feyisola took on the roles of pilot and co-pilot, with Jenny and Sam cabin crew and the remaining housemates as passengers.
Caroline, Richard and Zelah were on a stag do, Farida and Nancy were typical tourists, Elsa and Emily as returning backpackers on their gap year, Tate and Teja were business travellers and Marcus was a single dad.
However, after repeatedly breaking the rules, the flight became longer and longer. With the housemates having to endure over four hours on the flight, they soon quit, reports OK!.
As a result, Big Brother informed the housemates they had failed the task and would be living on basic rations. Fans vented their frustrations on social media, with one viewer stating: “The easiest task in the history of the show and they gave up.”
Another penned: “Well we all saw it coming… they FAILED the shopping task and now it’s basic rations for the lot of them. Hunger games incoming!”.
A third commented: “The easiest task in the history of the show.”
A fourth responded: “Sorry but if I was any of their employers I would be thinking a lot differently about some of them, they couldn’t follow some easy rules for 2 hours? ? ? Actually childish imo.”
Another declared: “I’d be fuming if i were in there following the task. all they had to do was f*** all and they still failed.” One person echoed: “Basic rations! !”.
During the shopping challenge, regulations stipulated contestants must not consume food that wasn’t allocated to them, whilst luggage had to remain with housemates constantly.
Contestants were also instructed to remain seated on the aircraft whilst the seatbelt indicator was illuminated. They were subsequently required to estimate their landing time without checking clocks.
Nevertheless, following more than two hours, they abandoned their challenge.
With the housemates bracing themselves for meagre provisions, numerous viewers are questioning precisely what this will entail for those within the Big Brother residence.
Big Brother airs Sunday to Friday at 9pm on ITV2 and ITVX.
Brad Ingelsby knew after the breakout success of HBO’s “Mare of Easttown” — a crime drama about a police detective (Kate Winslet) investigating the murder of a teenage girl in a fictional working-class town — he didn’t want his next series to be another whodunit.
“That’s Mare’s thing,” he says on a recent late afternoon. “So, you start to go, if you’re going to write another story in the crime genre, what would get the audience to keep clicking to the next episode? I just thought, ‘Well, maybe a collision course show, where [in] every episode, we get a little closer, a little closer, a little closer, until things collide.’ ”
In “Task,” which concluded Sunday on HBO, Mark Ruffalo stars as Tom Brandis, a priest-turned-FBI agent leading a task force investigating a series of robberies in Delaware County, Pa., an area commonly referred to as Delco that was also the setting for “Mare of Easttown.” (And with references to Wawa and Scrapple, along with visits to Rita’s Water Ice, it slips into its role of expanding the universe.) It leads Tom to Robbie Prendergast (Tom Pelphrey), a sanitation worker who robs drug houses at night to provide for his family. Both men are emotionally tortured by life events — Tom’s wife was murdered by their adopted son, who is incarcerated; Robbie’s brother was killed by a member of a motorcycle gang — that have set them each on different, but destructive paths.
In “Task,” Mark Ruffalo, left, Alison Oliver, Thuso Mbedu and Fabein Frankel portray law enforcement officers who are part of an FBI task force investigating a string of robberies.
(Peter Kramer / HBO)
“ ‘Mare’ was about the moms — the damage that all the guys have caused and the women are kind of having to pick up the pieces of that,” Ingelsby says. “This [show] is all about the fathers and being left behind, seeing the damage they’ve done to their kids, how they’re going to fix that in their lives — or not be able to fix it. The guys who are actually doing the damage without knowing.”
Ingelsby says his uncle, who was an Augustinian priest, helped inspire the throughline of the series.
“I’ve always been very intrigued by his idea of faith in God over the years, and how it’s changed over time, and what he believed once and what he believes now,” he says. “I was intrigued by the idea of a guy who, everything he held as truth, all the pillars of his life, have come crumbling down. And Robbie has a much different faith. And it’s through the gauntlet of the story, how their lives intersect, that they both get to navigate their own journeys of faith.”
Over dinner at a West Hollywood hotel, The Times sat down with Ingelsby, Ruffalo and Pelphrey to discuss their faith journeys, economic inequality, fatherhood — and Wawa, too. Here are edited excerpts from the conversation, which contains spoilers about the finale.
After the success of “Mare of Easttown,” creator Brad Ingelsby wanted his follow-up, “Task,” to feel connected, but not repetitive: “ ‘Mare’ was about the moms,” he says. “This [show] is all about the fathers and being left behind, seeing the damage they’ve done to their kids, how they’re going to fix that in their lives — or not be able to fix it.”
(Bexx Francois/For The Times)
The themes of the show involve forgiveness and faith. Every person has experienced something in life that has tested those ideas. How has your own relationship to faith and forgiveness evolved as you’ve lived more life or taken on roles that ask you to live different experiences?
Pelphrey: My faith, to me, is when I got sober. God willing, Oct. 1, which is three days from now, it’ll be 12 years. That’s truly by the grace of God — you hear that phrase, but I genuinely, I mean that. That’s how I’ve experienced faith, through my sobriety. I was raised Catholic, but the experience I had at 31 was like in a different dimension to what I thought of religion or ideas. It’s one thing to have an idea, it’s another thing to have your heart opened. It’s definitely an important part of my life. And I think Brad did such a beautiful job conveying that. My grandma used to have one of these things when I was a kid — not a real gem, but like a glass cut thing so if you put it in the window, the sun shines through a million different ways, and the color goes everywhere. I feel like you [Brad] did that with some themes in the show where you’re like, “Let me just hold it up, and we’ll just look at it a few different ways.”
Ruffalo: My journey with faith is probably very similar to Tom’s. When you get a job or something, it can take you on a journey that you’re ripe to take. It touches your life at a very moment where you need it. I’d say, after my brother died, the whole notion of faith just went out the window for me. But oddly enough, I have a lot of addiction, alcoholism in my family. I say, either you are one or you love one. When you love somebody who’s struggling with that, it takes a lot of faith to let them go and to trust it will be OK. My friend says to me, “They got a God and you ain’t it.”
My faith has been renewed, actually, through Tom [the character] — he is an alcoholic. It’s touched my life in so many ways, even with my brother, that it’s like where I lost my faith and where I gained my faith again has been through this journey with alcoholism and drug addiction. And I waver. You look at the world and you’re like, “Where is God in this? Please show yourself. ” But the thing about faith is it requires you to believe without any evidence of its existence. I’d rather believe in that than nothing. Although, I fought him [Brad] all the time. I was like, “He’s [Tom] not really praying here. He’s trying to pray. He’s going through the actions of praying, but he can’t quite get to the opening sentence, which is “ … God …” He does pray, eventually, but it’s a journey.
There’s the powerful moment in that car when Tom and Robbie finally meet in Episode 5. Robbie says, “I don’t think I’ve ever experienced God in my life.” This is a man that hasn’t felt hope, and he has this glimmer of it with this goal of escaping to Canada. Tom, how was it getting into the mindset of this guy just trying to get out of this life?
Pelphrey: It’s heartbreaking. We’re articulating an American dream that far too many people don’t get to experience, and maybe are starting to lose the hope of ever experiencing it. That’s a very real thing — unfortunately, way too real and increasingly way too common. It was just constantly reminding myself: What does this character want? And at the end of the day, regardless of how extreme some of the things Robbie’s doing, he just wants a decent life for his kids. And the fact that he’s having a hard time getting it is heartbreaking.
That scene and in the car, the first time I read it, I was like, “Oh, he’s [Brad] got some balls.” You have so much s— boiling over — the plot lines, the violence, the stakes are through the roof for everyone now in the show, and we are going to sit in a car for half an episode? And two dudes are gonna talk?
In Episode 5, Robbie Prendergast (Tom Pelphrey), left, and Tom Brandis (Mark Ruffalo) finally meet.
(HBO)
Ruffalo: There’s no chase! And when they finally face each other, they’re not even [actually] facing each other! They’re both pushed to the edge and you don’t know where it could go. Tom certainly doesn’t know where it will go. Tom’s kind of at that point, like, “F— it. Go ahead.” We talked about it a lot, I was like, “I think Tom should die.”
[They break into laughter]
Ingelsby: Every single day he was pitching it.
Ruffalo: I was pitching Tom should have a heart attack at the end and he literally sees God and he says to God, “I’m ready.” He finally finds his faith. It’s finally paid off and he says [gasping], “I’m … reaaady.”
Ingelsby: Enough people die here. But that particular episode has always been very special to me. That’s when the show is operating at the peak of its powers. It just felt like, how do we subvert the expectations of the audience and do that in a way that still feels true to who these characters are? I remember talking to you [Tom] about this. You were like, “As soon as I know Cliff’s done, I’m on a one-way street. I have a plan.” But with you [Mark], once they get out of the car and you feel like you’re going to die, you’re like, “I want to call my family.” That’s when you get activated in a way. You’ve been going through the motions in life, but that’s when it gets very real.
Ruffalo: It’s like being reborn. It opens his heart. He sees how life can be taken away.
We’re in a political and cultural moment where the mood of the country is simmering — there’s anger and rage on all sides, and a lot of it stems from class and systemic issues that are in place that put people in certain positions. There’s that layer, but there’s also the grief element both these men are facing.
Ingelsby: With Robbie in particular, I was interested in a guy that felt really stuck. What I liked about Robbie was, if he didn’t take action, what would happen to Robbie? He’d be a trash man in too deep his whole life. Who cares about Robbie and his family? Nobody. He was left behind. In early versions of the script, I very explicitly said, “He wants his bite of the apple.” There are lots of people like that now. I loved writing Robbie because it felt like he was raging against being left behind and and I felt, in many cases, in the script, why wouldn’t you do something? Whether you agree with the actions or not —
Pelphrey: He had his f— life stolen from him. What he’s going after is a very specific thing. He’s not lashing out blindly against anybody to get any money at any cost. He’s like: “I’m gonna take it from these mother f—, who are bad dudes.” Even within that, he has principles. No one’s gonna die — obviously, the rules all go out the window Episode 2, but we’re not going to take the drugs, we’re not going to sell the drug. We’re going to destroy the drugs. We’re going to take the cash. Even within his brand of lashing out, he actually has a set of principles that he’s operating by.
Mark Ruffalo, left, and Tom Pelphrey star as two troubled men on a collision course in “Task.” Ruffalo portrays an FBI agent recovering from a family tragedy, while Pelphrey plays a garbage collector and criminal involved in a series of robberies. (Bexx Francois/For The Times)
Mark and Tom, as sons and fathers, how did you think about the father-child relationships of these two men and the collateral damage of their choices?
Ruffalo: It’s so hard to be a father, especially now because this generation is like, “We’re not going to do it the way our parents, our fathers did. We see that there’s another way to do it. We’re actually talking about it.” At the same time, we don’t exactly know what it is that we should do differently, plus we have the responsibility of, financially, keeping it together. It’s obviously hard to be a mom too. These guys are doing the best they can.
Pelphrey: Becoming a dad two and a half years ago now, it’s just the most f— awesome, wild, intense, crazy s— I’ve ever experienced in my life. It’s like getting struck by lightning. I’m so in love and I feel so vulnerable and I feel so happy — it’s all the feelings. Then suddenly, when you’re thinking about how you feel, you go, “How do I balance this? How do I protect her, but make sure that she’s brave and experiencing things? And you quickly realize there is so much to this that I will have no power over and the realization of that, in the deepest sense — and I’ve already had moments of that and we’re just getting started here. You imagine what it’s like, when you don’t have kids, but you have no f— clue. One of the things I could say without blinking, ever, is, “I totally understand why he’s doing what he’s doing.”
Was there a version where Robbie lived?
Ingelsby: No, I felt like structurally what needed to happen was Tom had to witness Robbie’s kindness, then his sacrifice. It felt very necessary to be like, “Oh, wait. Robbie — he went up to the woods…” Because he’s always like, “What’s the plan?” Tom realizes, “Oh, I know what the plan was. He went there to die.” Part of Tom’s journey to getting rid of the anger and to believing in something at the end, was to have witnessed the goodness in Robbie. He [Robbie] also gets in so deep eventually, he has pushed himself into such a corner and there’s no good way out of this. What’s an audience gonna think if he gets out of this unscathed? Even if he were to survive, he’s gonna be in jail for the rest of his life. The idea of sacrifice would speak to Tom as a character and get him to his ultimate decision to give the boy [Sam] up, but also forgive his own son and, quite literally, get the house ready for him.
Mark, how did you feel about the statement that Tom winds up giving at the hearing in the finale?
Ruffalo: He had to sit down and write that. I don’t think he really knew what he was going to be writing. He’s taking stock of his life and his son’s life and the story of the life. It’s connecting him to the whole story. It’s not just the loss of my wife, but also we raised that boy. We made this life together and, even in the hard part of it all, that’s where we learned what love is. Then when he gets in there, he doesn’t even know that he’s gonna say it. He doesn’t know he’s going to confront him with it and say [to his son], “Look at me.” But the whole journey, leads us there.
There’s something, too, about his composure in that moment.
Ingelsby: That’s the genius of Mark. That was the first or second take, what we used.
How many versions of it did you write? Was there an overly emotional or dramatic version?
Ingelsby: There was a longer version. But I think what was important about it was — and Mark does such a beautiful job — was that he had to be honest about how hard it was. I was always worried it would be a bit maudlin, if he just went in and said straight away, “I love you.” It was almost like he had to be really honest with everybody, like, “Hey, this was f— horrible.” And the shame of changing your name —
Ruffalo: Yes. To be that honest and to say that I pretended like I wasn’t his father. It’s so shameful. It’s so honest.
Ingelsby: I think because he’s so honest, it makes the forgiveness even more impactful. When he says, “I forgive you,” you believe because he’s earned the trust in the speech by admitting the things that were so shameful .
Ruffalo: It doesn’t just go one way — forgiveness. There’s a lot of shame on it on the other side, that’s where the anger comes from. There’s always this question: What could I have done? The backstory was I left, knowing that he was in an episode, but I had to go. I left her with him, thinking it would blow over. And it didn’t. He has to also be honest about his part in it. What dad says, “That’s not my kid. You’re in retreat already.”
Ingelsby: That’s what we want the ending to be. It’s not that everything’s going to be easy. I think the same for Mare — it wasn’t like Mare’s life was so great at the end of the show. There was a lot of going on.
Ruffalo: She’s going to an AA meeting. Tom and Mare can meet at an AA meeting.
Tom Pelphrey as Robbie Prendergrast, a garbage collector trying to avenge his brother’s death by hitting trap houses belonging to a local gang before getting caught in a deadly standoff. (HBO)
Mark Ruffalo, Silvia Dionicio and Phoebe Fox in “Task.” Ruffalo plays a priest-turned-FBI agent who hasn’t confronted his feelings about the murder of his wife at the hands of their adopted son. (HBO)
To that point, was there thought about whether to incorporate “Mare” characters in this show, if they’re in the same universe?
Ingelsby: It’s funny you say that. [In] one of the early scripts, we had a scene where Emily (Silvia Dionicio), at the end of the show, went to a concert with her boyfriend, Leo, the guy that’s a magician. And Mare’s daughter, Siobhan (Angourie Rice), was playing. And there was another connective piece I’m missing. I think Leo’s brother was in the band. And they had a moment together, because I felt like Emily and Siobhan were very, very similar. That they had the weight of the world on their shoulders in some way, Emily especially —
Ruffalo: They’re well suited for each other. They could just sink to the bottom of the lake together.
He’s got a crossover season mapped out for you.
Pelphrey: If we hold hands, we can sink faster.
Ingelsby: But we did have something connecting them. But I’m glad HBO read it and were like, “Is it a bit much?” It felt like maybe we were reaching to do something that the story didn’t require. And when we took it out, I felt like this story exists on its own, and we didn’t need that. If we had threaded it through the story in a more interesting way, maybe it would have worked, but it would have felt really tacked on and kind of just fan service for the sake of fan service, which I didn’t want.
Can we talk about the Phillies cup? It’s seems like such an obscure detail, but that cup triggered me. I know it well. A father trying to hide his vice.
Ingelsby: That’s another detail of my own life that I can repurpose, steal. That’s my dad. He drinks out of that. He watches every Phillies game. There’s 162 games. And if he can’t watch, he’s listening to it in a radio in the car. I feel like we always talk about in the specific, is the universal. And Mark did the swirly thing.
Ruffalo: That’s what made me want to do the show. That he was drinking out of that. And then he swirled his hand. I said, “This guy is writing character like nobody is doing that I’ve seen in television.” I only read the first episode and I was like, “I want to go. I trust this journey with him.” And it was from that nuance thing. I know that guy. He’s a priest who swirls his vodka and tonic with his finger. In a Phillies cup. And he thinks he’s pulling it over. That’s my family. It’s so honest.
The accent was such a feature of “Mare of Easttown.” I imagine that had its own expectations or pressure for this show.
Ingelsby: “Mare” was more a community — very, very specific community. I felt like, in that show, we had to go all in and Kate did. A lot of Mark’s character was driven by my uncle, who has no accent at all. Because he went to the seminary, then he went to Merrimack College, he was a teacher — he bounced around. And even me, there’s a couple words I’ll say that you can’t pick up a heavy accent. There’s a couple words, where maybe you could pick it up.
Ruffalo: We tried. I tried it. I kept kicking it out, it just didn’t feel right. He does hit some of those words. He does say wooder — cheery wooder ice. We kept some of it in, but we didn’t go as hard at it because he goes another way. I feel like he might have ended up in South America at some point. I was thinking he traveled the world.
Did you pay many visits to Wawa? I remember Kate telling me about her Wawa experiences.
Pelphrey: I grew up going to Wawa. I was Wawa all the time because I was living out in the suburbs.
Ingelsby: I think Kate ate hoagies or something.
Pelphrey: They make a good sandwich.
Ruffalo: Oh, bro. I started with a fat suit and then I had to take it off. I just kept getting fatter. My wife saw me and she’s like [to the kids], “huh, your father’s eating his way through Philly.” But, man, I’d be like, “How about a sandwich for the scene?” [Mimics scarfing down a sandwich.] Like a troll.
Ingelsby: He is an amazing sandwich eater. We were talking about it.
Pelphrey: We were.
Ruffalo: Oh, I knew I was going to be eating a sandwich that day [in a scene], so I starved myself so I could just plow that thing.
Are you interested in a Season 2, Brad?
Ruffalo: No one wants a Season 2. [the trio laughs] No, I’m kidding. That would be amazing.
Ingelsby: It would be amazing. If people respond and we get a chance to do it.
Could we get that “Task”-”Mare” crossover?
Ingelsby: A lot could happen.
Ruffalo: Some “Mare” people could show up. There could be a love affair.
South Korea will dispatch a task force to Cambodia on Wednesday to oversee the repatriation of citizens being held in the country after a surge of kidnappings, the office of President Lee Jae Myung said Tuesday. Lee discussed the issue during a Cabinet meeting at the presidential office in Seoul. Pool Photo by Yonhap/EPA
SEOUL, Oct. 14 (UPI) — The South Korean government will send a joint response team to Cambodia to oversee the repatriation of citizens being held in the country after a surge in kidnappings, Seoul’s presidential office said Tuesday, following the highly publicized torture and murder of a 22-year-old who was lured by a scam job order.
The team, led by Second Vice Foreign Minister Kim Ji-na, will depart Wednesday, presidential spokesman Kim Nam-joon told reporters. Members of the National Police Agency and the National Intelligence Service will participate in the mission.
“The Ministry will make every possible diplomatic effort to encourage Cambodian cooperation and, in consultation with relevant ministries and agencies, strengthen the embassy’s response capabilities, including increasing the number of police officers stationed at the Cambodian embassy,” Kim said.
“The government will also consider upgrading travel alerts for key crime areas in Cambodia to prevent further damage,” he added.
The move comes after South Korean President Lee Jae Myung on Tuesday called for government ministries to use “all available resources” to help South Koreans trapped in Cambodia return home.
“Relevant ministries should consult with the Cambodian government and expedite the establishment of a regular cooperation system between law enforcement authorities,” Lee said at a Cabinet meeting, according to his office.
According to data from lawmaker Na Kyung-won, the number of kidnappings of South Koreans in Cambodia soared to 220 in 2024 and reached 330 through August of this year. In previous years, the average was between 10 and 20.
Most of the cases are linked to transnational crime gangs running large-scale voice phishing rings and illegal gambling operations. Victims are lured with fake job offers and then held against their will and forced to participate in criminal activities.
In one recent case that sparked public outrage, a Korean university student was found dead near Bokor Mountain in Kampot Province after being detained and tortured. Three Chinese nationals were indicted on murder and fraud charges by Cambodian prosecutors, state-run news agency Agence Khmer Press reported on Friday.
The rash of crime reports prompted Seoul’s Foreign Minister Cho Hyun to summon Cambodia’s ambassador on Friday. The Foreign Ministry also raised its travel alert for the capital city of Phnom Penh and certain regions connected to the employment scams and detentions.
Seoul’s National Police Agency said Sunday that it planned to launch a “Korean Desk” in Cambodia to handle cases involving Korean nationals.
Lawmakers with South Korea’s opposition People Power Party on Tuesday criticized the government’s response to the rising number of crimes in Cambodia.
“Crimes targeting Koreans in Cambodia are not a new phenomenon, but the government has been inactive for some time and is only now taking action,” Rep. Choi Bo-yoon said in a statement. “Protecting the lives and safety of our citizens is the most important responsibility of any nation, but the Lee Jae Myung administration is increasingly putting the entire nation at risk.”
Choi called for a “full-scale, national effort” that includes beefing up local investigative cooperation and filling diplomatic positions, including the vacant ambassador post in Cambodia.
The ruling Democratic Party, meanwhile, blamed the previous administration of President Yoon Suk Yeol for failing to address the surge in crimes, which began while he was in office.
The DP’s Policy Committee Chairperson Han Jeoung-ae said that Yoon increased overseas development assistance to Cambodia while neglecting the safety of Korean citizens in the country.
“It has been revealed that the government reduced its international crime response personnel and ignored requests for more police officers,” Han said at a party meeting Tuesday. “Meanwhile, the number of reported detentions in Cambodia increased tenfold from 21 in 2023 to 221 in 2024.”
Turkiye’s President Erdogan says Ankara will join a ground task force to monitor the Gaza ceasefire between Israel and Hamas, as part of a US-brokered deal under President Trump. He added Turkiye will also help rebuild Gaza under the new truce.
In “Task,” premiering Sunday on HBO, Brad Ingelsby, creator of the 2021 miniseries “Mare of Easttown,” which introduced the wider world to Wawa and the Delco accent, returns with another tale of crime and family in the rural-suburban wilds west of Philadelphia. Where women were at the center of “Mare,” men are the subject here — a cop and a criminal, symmetrically arranged — messed-up middle-aged single fathers who care about their kids.
Both have been loaded with tragedy. Robbie (Tom Pelphrey), whose wife took off a year before, has a much-missed dead brother in whose house he’s living with his two kids and young adult niece (Emilia Jones as Maeve, a secret hero); he’s a garbage collector with a sideline in robbing drug houses, which he identifies through their trash. This routine has been successful enough that he and his partner, fellow trashman Cliff (Raúl Castillo), have drawn the attention of the authorities.
FBI agent Tom (Mark Ruffalo) has a dead wife (Mireille Enos, seen briefly in flashback), a son in jail he can’t bring himself to visit and a semi-estranged adult daughter (Phoebe Fox); on leave from field work, he’s been manning the agency table at job fairs. That changes when his boss (Martha Plimpton), much to his displeasure, calls him back as a substitute to lead a task force into the drug house robberies, already assembled by his predecessor from other branches of law enforcement. There’s Lizzie (Alison Oliver), young and distractable; Aleah (Thuso Mbedu), terse and focused; and Anthony (Fabien Frankel), loose and Italian.
It’s clear from the guns that both sides pack, and the fact that Robbie has been stealing from criminals — notably a drug-dealing motorcycle gang, the Dark Hearts, which has its own explosive internal business — that something is going to go fatally wrong sooner or later. (If that’s a spoiler, you are blessed with a special brand of naivete.) The bikers, who are not at all nice, though painted with some recognizably human qualities — represented primarily by Jamie McShane as Perry and Sam Keeley as Jayson — are the usual screen collection of exclusively good-looking men and women, though to be fair, this is true of Tom’s team too — Tom perhaps excepted. (Ruffalo put on weight for the role, and wants you to notice.)
In “Task,” Robbie (Tom Pelphrey) is a single father who steals from other criminals.
(Peter Kramer / HBO)
Indeed, the predominant experience of watching “Task” is waiting for the next terrible thing to happen, which may be called suspense or dramatic tension, but in the event makes for an often depressing watch, especially since the safety (physical, psychological) of young children is involved. (That can feel a little cheap, dramaturgically, like endangering a kitten, but it works.) One is grateful for anything relatively ordinary — Lizzie and Anthony dancing in a bar, Tom’s younger daughter, Emily (Silvia Dionicio) connecting with a co-worker at the custard ice stand. (Another item for the regional reference bucket.)
In the compare-and-contrast structure of the series, we learn that Robbie, though he is a fount of bad decisions, is the more optimistic, proactive of the two characters — he has a dream, in the form of a brochure, regarding a Canadian island, where he would like to spirit his family away. (He’s doing the crime to afford it.) He’s interested enough in finding “a life companion” to open a dating app. Tom, who had been a priest for eight years before losing the spirit and joining the FBI, still in mourning for his wife, drinks too much, is packing a paunch and can’t connect with Emily, the only family member left in the house.
Both have connections to nature. Tom, who grows vegetables, is a birdwatcher; Robbie keeps chickens. Both are essentially tenderhearted, which is perhaps not the most practical quality for their professions, but necessary for the story — we need to like them. They’re like one and a half sides of the same coin.
In among the criminal antics and police work is a lot of talk about life and death and God, guilt and forgiveness. Ingelsby thinks big. The title to one episode, “Out Beyond Ideas of Wrongdoing and Rightdoing There Is a River,” paraphrases the 13th century Persian poet Rumi, and water is a motif — diving into it, swimming in it, hanging around by it. Birds, too, which show up in random shots and, like the lakes and rivers, function as a sort of psychic relief for the viewer and metaphors for the story. When Tom, speaking to Robbie, identifies a certain bird as a “vagrant … a bird that strayed outside its normal range, strayed so far that it’s forgotten how to find its way home,” that is not really about birds. The writing can be a little on the nose, but better a violent story with ideas than one with none.
For all my reservations when it comes to this sort of drama, it’s very well made and very well acted, and, where many crime stories settle for sensational nihilism, “Task” does want to leave you feeling … pretty good. Not horrible. Hopeful. I trust that hasn’t spoiled it for you.
This fall, there are more than a few mysteries to be uncovered, whether it’s by a group of retired amateur sleuths, an FBI task force, a group of children living in small-town Maine or the only unhappy woman in the world — trust us, the last isn’t as dour as it seems (there are donuts). If you would rather stay grounded in reality, streaming documentaries with subjects ranging from Sarah McLachlan to Martin Scorsese to the American Revolution will do just the trick while giving you perspective about the music and film industries and America’s Founding Fathers. But if you prefer to detach and have some laughs, there are several comedies and dramedies that will do just that. And that’s the democratic nature of television — there’s something for everyone.
‘The Thursday Murder Club’
(Netflix, Aug. 28)
Ben Kingsley, Helen Mirren and Pierce Brosnan in Netflix’s “The Thursday Murder Club.”
(Giles Keyte / Netflix)
The first of Richard Osman‘s wonderful series of novels concerning a group of British retirees who recreationally solve murders has become an almost-straight-to-Netflix feature with a cast that in olden times would have guaranteed a long theatrical ride. Helen Mirren plays Elizabeth, with a background in intelligence; Pierce Brosnan is Ron, a combative ex-trade unionist; Ben Kingsley plays Ibrahim, a shy former psychiatrist; and Celia Imrie is Joyce, the chirpy newcomer, with Naomi Ackie as Donna, the bored police officer who falls under their collective spell. (Plus David Tennant, Richard E. Grant and Jonathan Pryce, if that isn’t enough British thespian firepower for you.) As a fan of the books, I will approach it with some trepidation, but I will absolutely approach it. — Robert Lloyd
‘Task’
(HBO, Sept. 7)
Mark Ruffalo leads HBO’s “Task,” created by Brad Ingelsby of “Mare of Easttown.”
(HBO)
Crime dramas are a dime a dozen, but sometimes one stands out from the crowd and keeps you hooked. The latest HBO series from Brad Ingelsby, who famously brought us Kate Winslet in a Delco accent in “Mare of Easttown,” may well do that. Like “Mare,” it is also set in Pennsylvania, but this time the story revolves around an FBI agent named Tom played by Mark Ruffalo, who is charged with leading a task force to uncover who is behind a string of robberies. Parallel to his story is that of Robbie (Tom Pelphrey) and his best friend Cliff (Raúl Castillo), sanitation workers who are trying to make ends meet. Secrets, twists and turns lie ahead that bridge their stories together and make you question the gray areas between good, bad, wrong and right. — Maira Garcia
‘Black Rabbit’
(Netflix, Sept. 18)
Jason Bateman stars opposite Jude Law in Netflix’s “Black Rabbit.”
(Netflix)
Between TV series (“Ozark”), films (“Carry-On”), podcasts (“SmartLess”) and commercials (State Farm Insurance), Jason Bateman is one of the busiest performers in Hollywood. He returns to Netflix in a limited series, “Black Rabbit,” which teams him with Jude Law. The project features Law as Jake Friedkin, the owner of New York’s popular Black Rabbit restaurant and VIP lounge who runs into trouble when his brother Vince (Bateman) returns years after going on the lam after running up a mountain of gambling debts. Bateman also directs the first two episodes, and is an executive producer along with Law. — Greg Braxton
‘Lilith Fair: Building a Mystery’
(Hulu, Sept. 21)
Paula Cole on stage at Lilith Fair. Hulu’s “Building a Mystery” takes a look back at the pivotal music festival.
(Merri Cyr / Hulu)
Sweet nostalgia. Lilith Fair was the first music festival I ever attended as an awkward, introverted teen, and it was the first time I was surrounded by thousands of (mostly) women who I knew felt absolutely free to be themselves. Of course I’d want to relive that. For those who need a refresher, Lilith Fair was a traveling music festival founded by Sarah McLachlan and others to prove the sexist standards that existed in the music industry in the 1990s were morally and financially wrong. Featuring artists like Sheryl Crow, Liz Phair, Queen Latifah, Sinéad O’Connor, the Indigo Girls and many others, the festival made more than 130 stops over its original three-summer run. Directed by Ally Pankiw and touting Dan Levy as one of its producers, “Lilith Fair: Building a Mystery” mined over 600 hours of never-before-seen footage and features interviews with the festival’s organizers, musicians and fans. — Tracy Brown
Fall Preview 2025
The only guide you need to fall entertainment.
‘The Lowdown’
(FX, Sept. 23)
Ethan Hawke and Ryan Kiera Armstrong in FX’s “The Lowdown.”
(Shane Brown / FX)
Sterlin Harjo, who last gave us “Reservation Dogs,” is back with another Oklahoma-set series, a noir excursion loosely based on citizen journalist Lee Roy Chapman. Ethan Hawke, here called Lee Raybon, is a Tulsa amateur “truthstorian” and rare book dealer, working and living in a store where the cool people hang out. His yen to cure civic rot in the light of day brings him into the orbit of a powerful family, including a suicide (Tim Blake Nelson), a widow (Jeanne Tripplehorn), and a candidate for governor (Kyle MacLachlan). Kaniehtiio Horn, the Deer Lady on “Rez Dogs,” plays his ex-wife because in a show like this, any wife is bound to be an ex, with Ryan Kiera Armstrong as their Nancy Drew of a teenage daughter, and Keith David bringing his formidable Keith David-ness. — R.L.
‘Slow Horses’
Season 5 (Apple TV+, Sept. 24)
Gary Oldman and his Slough House misfits are back for Season 5 of “Slow Horses.”
(Jack English / Apple TV+)
The long, and for some of us agonizing, wait is over for the best spy drama on TV. Jackson Lamb (Gary Oldman) and his MI5 Slough House misfits are at it again, bumbling into all manner of international and inner-departmental intrigue, with their signature results of mess and mayhem. Computer-genius man-child Roddy Ho (Christopher Chung) plays a central figure in this year’s race against time, River Cartwright (Jack Lowden) continues to agonize over the plight of his aging grandfather (Jonathan Pryce) and his own determination to get back to the Park, where Second Desk Diana Taverner (Kristin Scott Thomas) remains under the authority of twitchily incompetent First Desk Claude Whelan (James Callis, having a grand old time.) Pulling everyone’s strings is, of course, Lamb — whether goading his assistant Catherine Standish (Saskia Reeves), locking horns with Taverner or talking his way out of virtually any situation, Lamb is the most noisome, flatulent, stringy-haired super spy ever to grace any screen and it is impossible to imagine a world without him. — Mary McNamara
‘House of Guinness’
(Netflix, Sept. 25)
Louis Partridge in Netflix’s “House of Guinness.”
(Ben Blackall / Netflix)
Arthur Guinness, the founder of the world’s most iconic beer, had 21 children. Only 10 of them survived to adulthood and only four represent the family in this Netflix series. But in the hands of creator Steven Knight, best known for “Peaky Blinders,” four appear to be quite enough. Following their father’s death, Arthur (Anthony Boyle), Edward (Louis Partridge), Benjamin (Fionn O’Shea) and Anne (Emily Fairn) must navigate all manner of tensions and threats, including the draconian terms of their father’s will, violent Fenian protests (Guinness senior was a Protestant who believed in Catholic rights but not Irish self-rule) and various affairs of the heart — Anne smolders early on at the sight of brewery overseer Sean Rafferty (James Norton). Many creative liberties were taken, no doubt, but the inevitable “Succession” meets “Peaky Blinders” (by way of “Rebellion”) description is apt enough. As the adverts for the black stuff say, it is a lovely day for Guinness. — M.M.
‘IT: Welcome to Derry’
(HBO, October)
Mikkal Karim-Fidler, Clara Stack and Jack Molloy Legault in HBO’s “IT: Welcome to Derry.”
(HBO)
You just can’t put a terrifying clown down. Almost 40 years have passed since Stephen King terrified readers with “IT,” his massive novel about a vicious clown named Pennywise who targets the children of Derry, Maine. A 1990 miniseries and two theatrical films followed. “Welcome to Derry” continues the “IT“-verse as a prequel set in the 1960s before the “IT” and “IT Chapter 2” films. Bill Skarsgård reprises his portrayal of Pennywise as the series unveils the origins of the menacing clown, while also spotlighting a group of residents wrestling with their own fears and demons. Andy Muschietti, who directed the “IT” films, helped develop the series and is one of the executive producers. The cast includes Jovan Adepo and Taylour Paige. — G.B.
‘Boots’
(Netflix, Oct. 9)
Liam Oh, left, and Miles Heizer in Netflix’s “Boots.”
(Alfonso “Pompo” Bresciani / Netflix)
Choosing to join the military can be construed as a major act of patriotism, but oftentimes it is a very personal decision that involves a lot of a sacrifice — choices like where you will live, what you do on a day-to-day basis and who you work with are dictated. Enter Cameron Cope (Miles Heizer), a gay, bullied high school graduate who isn’t sure what’s next until his best friend Ray McAffey (Liam Oh) — the only person he’s come out to — suggests they join the Marines. Cameron imagines the military to be like summer camp, until reality sets in. This dramedy is set in the ‘90s, when being gay in the military was still grounds for discharge, so not only does Cameron have to endure the brutality of boot camp, he has to keep his sexual orientation a secret. The series is based on “The Pink Marine,” a memoir by Greg Cope White, who serves as a writer. — M.G.
‘DMV’
(CBS, Oct. 13)
Molly Kearney, Gigi Zumbado, Tony Cavalero, Alex Tarrant, Harriet Dyer and Tim Meadows star in CBS’ “DMV.”
(Matt Barnes / CBS)
Your local department of motor vehicles may seem like the very last place to get a laugh, but CBS has managed to pull it off. Its new workplace comedy centers on a ragtag group of employees who work at an East Hollywood DMV: Gregg (Tim Meadows), a former English teacher; Colette (Harriet Dyer of “Colin From Accounts”), a driving examiner with few boundaries; Vic (Tony Cavalero), a former bouncer; Cici (Gigi Zumbado), an outspoken photographer; and Noa (Alex Tarrant), a handsome surfer whom Colette has her eye on. They’re led by newly minted manager Barbara (“SNL” alum Molly Kearney, delightful to see onscreen again), who becomes dismayed when some consultants arrive — no matter where you work, that’s never a good sign. Despite work and interpersonal turmoil, they make a fun and funny team that should be a welcome addition to CBS’ fall lineup. — M.G.
‘Mr. Scorsese’
(Apple TV+, Oct. 17)
“Mr. Scorsese” is a five-part documentary directed by Rebecca Miller.
(Brigitte Lacombe / Apple TV+)
Among the biggest challenges for documentary filmmakers of major figures is figuring out not only how to gain access but also the trust of your subject. The ability to get them to open up can turn an interesting documentary into a great one. And when the subject is Martin Scorsese, one of America’s great auteurs, you want the full portrait of a director who helped shape cinema with iconic films like “Taxi Driver,” “Goodfellas,” “Gangs of New York” and, most recently, “Killers of the Flower Moon.” Director Rebecca Miller (“She Came to Me,” “Personal Velocity”) seems up for the task, having created a five-part docuseries that’s billed as the definitive portrait of 82-year-old Scorsese and will premiere at New York Film Festival this fall. — M.G.
‘Nobody Wants This’
Season 2 (Netflix, Oct. 23)
Justine Lupe, Kristen Bell and Jackie Tohn return for Season 2 of “Nobody Wants This.”
(Erin Simkin / Netflix)
There will inevitably come a time when the drip-drop of wholesome, rom-com-level video content of Pamela Anderson and Liam Neeson on their “Naked Gun” promotional tour will loosen its grip on my social media algorithms, and I’ll return to longing for a fictional romantic comedy to fill the void. That’s where Adam Brody — who really propelled the art of the neck-hugging smooch combo — and Kristen Bell come in. The first season made millennial hearts squeal with its pairing of Brody and Bell — two decades after they rose to fame in the early aughts on teen dramas “The O.C.” and “Veronica Mars,” respectively — in a delightful will they/won’t they set in L.A. Bell is Joanne, a woman who often regales about her single life on the podcast she co-hosts with her sister Morgan (Justine Lupe), while Brody’s Noah is a progressive rabbi who is newly single. But can their relationship make it past hurdles that include their careers, family and religion? The first season ended with a showstopping kiss that suggested they’re willing to give it a try. The sophomore outing promises to unpack what that looks like. Let’s just hope no one in this couple-with-obstacles is proposing a five-year waiting period to deal with personal matters before really giving it a go. (IYKYK.) Plus, “Gossip Girl” alumnus Leighton Meester, Brody’s wife IRL, joins the fun, playing Joanne’s childhood nemesis. — Yvonne Villarreal
‘Star Wars: Visions’
Vol. 3 (Disney+, Oct. 29)
Sevn and IV-A4 in a scene from the “Star Wars: Visions” Vol. 3 short “The Bounty Hunters.”
(Lucasfilm Ltd. / Disney)
Dave Filoni’s rise at Lucasfilm is proof enough that some of “Star Wars’” best storytelling has happened in animation. My favorite has been “Star Wars: Visions,” an anthology series where international animation houses have been given the freedom to explore their ideas about the Force and the galaxy far, far away outside of the constraints of the franchise’s existing canon. For the first season, Lucasfilm tapped Japanese anime studios for nine shorts, which featured a range of stories including those that centered an ex-Sith ronin, a Jedi Padawan turned lead singer of a rock band and even a Force-wielding droid. The series went even more global for its second season, with studios from Europe, Asia and South America being among those that were enlisted for their takes. The upcoming third season brings the focus back to Japanese anime, with sequels to three of the shorts from Season 1 — including my favorite, “The Village Bride” — among the lineup. — T.B.
‘Last Samurai Standing’
(Netflix, November)
Netflix’s “Last Samurai Standing” is based on the historical novel series “Ikusagami.”
(Netflix)
When I saw this series described as “‘Shōgun’ meets ‘Squid Game,’” I had two competing reactions. There was the part of me that was slightly skeptical seeing a logline that leaned on two of the biggest Asian-led shows ever, but the part of me that grew up on a steady diet of chanbara is excited by the idea of a battle royale with samurai — and that part has completely won out. Based on the historical novel series “Ikusagami” by Shogo Imamura, the Meiji-era set “Last Samurai Standing” will involve 292 warriors assembled at a temple in Kyoto for a deadly game with a massive cash prize. Considering the Meiji period was when the samurai became obsolete, the potential for social commentary mixed in with high-stakes combat seems pretty high. — T.B.
‘Pluribus’
(Apple TV+, Nov. 7)
Rhea Seehorn stars in Apple TV+’s “Pluribus,” her upcoming series from Vince Gilligan.
(Apple TV+)
If you thought the grainy footage of Ariana Grande surreptitiously licking a doughnut inside an L.A. shop a decade ago sent shivers down your spine — health codes matter, people! — the first teaser for Vince Gilligan’s new TV opus is just as chilling to behold. Ditching “Better Call Saul’s” signature cinnamon roll pastry for the hole-y American staple, the trailer for the new series takes place in the dead of night at an office building and settles on a woman, in a pink uniform, licking the tops of doughnuts one by one — ASMR at its eeriest — before placing them back in their box as a sign that reads “Help yourself!” with a smiley face comes into focus. Uh, what? The series reunites Gilligan with “Better Call Saul’s” Rhea Seehorn, who was the show’s beating heart with a ponytail as Kim Wexler, a skilled lawyer who gets caught up in the antics and schemes of Jimmy McGill/Saul Goodman. In this genre-bending sci-fi drama, she is the most miserable person on Earth who must save the world from happiness — it’s the sort of TV premise that feels like it was tailor-made for my 2025 fatigue. In addition to Seehorn, the series stars Karolina Wydra (“Sneaky Pete”) and Carlos-Manuel Vesga (“The Hijacking of Flight 601”), and guest stars Miriam Shor (“American Fiction”) and Samba Schutte (“Our Flag Means Death”). It’s already been picked up for a second season so you can go in knowing there are no commitment issues. — Y.V.
‘The American Revolution’
(PBS, Nov. 16)
John Trumbull’s “The Declaration of Independence, July 4, 1776.” Ken Burns’ latest PBS docuseries will focus on the American Revolution.
(Yale University Art Gallery/PBS)
The combination of PBS and Ken Burns (with co-directors Sarah Botstein and David Schmidt and writer Geoffrey C. Ward) returns again to improve your mind and remind you that history is not something that can be edited to suit the whims of a king or dictator, but also that it is made up of a variety of stories from a spectrum of participants. In these parlous times, when conspiracy theories are mistaken for truth and experts for enemies, those who might most profit from “The American Revolution” are perhaps least likely to watch it, but in the course of this six-part, 12-hour foundational tale, anyone is bound to learn something. It will certainly have things to say about how Black and Indigenous people participated in this long moment. And if you have it, send money to your local public broadcaster, who needs it more than ever. — R.L.
1 of 7 | President Donald Trump speaks before signing an executive order establishing a White House task force for the 2028 Los Angeles Olympic and Paralympic Games Washington, DC on Tuesday. The task force will focus on security, transportation issues, visa processing and credentialing for foreign attendees. Photo by Bonnie Cash/UPI | License Photo
Aug. 5 (UPI) — President Donald Trump will lead a new high-level task force that will direct federal resources toward preparing for the 2028 Summer Olympics in Los Angeles.
Trump on Tuesday announced the creation of the task force that will include Cabinet secretaries and other senior administration officials he said will mobilize “the entire federal government to ensure the games are safe, seamless and historically successful.”
The task force, created by an executive order, will coordinate the federal government’s security, transportation and “entry/exit” functions for the games that are expected to draw millions of people over the course of roughly two weeks to Los Angeles in July 2028. Trump and Vice President JD Vance will serve as the respective chair and vice chair of the task force with a forthcoming executive director who will oversee its day-to-day operations.
“I think it’s going to be amazing,” said Trump. “America is a nation of champions, and in July 2028 we’ll show the world what America does best, and that’s when we’re winning like we have never won before.”
Speaking at the press event, Casey Wasserman, chairman of the 2028 L.A. Olympics organizing committee, said the Games will attract more than 150 heads of state and will host approximately 11,000 Olympic and 4,500 Paralympic athletes in 800 competitions at 49 venues. He said the Games will be the equivalent of putting on seven Super Bowls a day for 30 days and thanked Trump for his support.
It’s not clear how the task force will interface with local authorities in Los Angeles, where the city’s Democratic leaders have clashed with the Trump administration over its aggressive approach to immigration and the president’s deployment of National Guard troops to the city to quell violent protests.
Bass said in a post on X Saturday that the city will be ready for the Olympics and will not let the Trump administration “divide us.”
Trump took a swipe at Bass during Tuesday’s press conference, saying he would use the National Guard or the military to keep the event safe.
“Because, obviously, you have a mayor that is not very competent,” he said.
Trump earlier signed an executive order intended to keep transgender athletes out of women’s sports. He said there will be a “strong form of testing” to prevent transgender athletes from participating in the Olympics and suggested his administration may pursue charges.
President Donald Trump creates LA28 task force to prepare for the first Olympics in the US since the 2002 Winter Games.
United States President Donald Trump established a task force on the 2028 Olympic Games being held in Los Angeles that he said would ensure the event is “safe, seamless and historically successful”.
The 2028 games will be the first Olympics to be hosted by the US since the 2002 Winter Games in Salt Lake City, Utah.
“The LA Olympics is shaping up to be a wonderful moment for America. It’s going to be incredible. It’s so exciting,” Trump said on Tuesday as he signed an executive order at the White House establishing the task force.
The White House did not immediately release the text of the order or details about the task force’s work.
At the event, Trump praised Gene Sykes, chair of the US Olympic and Paralympic Committee (USOPC) board of directors, for the USOPC’s move to effectively bar transgender women from competing in women’s sports.
“The United States will not let men steal trophies from women at the 2028 Olympics,” Trump said.
Trump, accompanied by LA28 Chairman Casey Wasserman, holds 1984 Los Angeles Olympics medals as he delivers remarks, before signing an executive order to create a White House task force to handle security and other issues related to the 2028 games [Jonathan Ernst/Reuters]
He questioned why he did not hear applause from the room when he praised Sykes for this, and then received some claps from some people in the room.
Trump “considers it a great honour to oversee this global sporting spectacle”, White House press secretary Karoline Leavitt said in a statement, calling sport one of the president’s “greatest passions”.
LA28 president and chair Casey Wasserman said the task force “marks an important step forward in our planning efforts and reflects our shared commitment to delivering not just the biggest, but the greatest Games the world has ever seen in the summer of 2028.”
During a briefing Tuesday afternoon, State Department spokesperson Tammy Bruce said the task force would “coordinate across federal, state and local agencies to ensure streamlined visa processes, robust security and efficient transportation”.
Members of the task force include Vice President JD Vance, Attorney General Pam Bondi and Homeland Security Secretary Kristi Noem, among others, Trump announced Tuesday.
Along with the 2028 games, Trump has said that the 2026 FIFA World Cup, being hosted by the US, Canada and Mexico, is among the events he is most looking forward to in his second term.
In preparation for next year’s competition, the governments of all three countries on Tuesday said they had held the first meeting of a trilateral coordinating council of government officials, industry leaders and security professionals discussing a variety of issues, including preparedness for any security threats ahead of the World Cup.
WASHINGTON — In past Olympic Games held on American soil, sitting presidents have served in passive, ceremonial roles. President Trump may have other plans.
An executive order signed by Trump on Tuesday names him chair of a White House task force on the 2028 Games in Los Angeles, viewed by the president as “a premier opportunity to showcase American exceptionalism,” according to a White House statement. Trump, the administration said, “is taking every opportunity to showcase American greatness on the world stage.”
At the White House, speaking in front of banners adding the presidential seal to the logo for LA28, Trump said he would send the military back to Los Angeles if he so chose in order to protect the Games. In June, Trump sent the National Guard and U.S. Marines to the city amid widespread immigration enforcement actions, despite widespread condemnation from Mayor Karen Bass and other local officials.
“We’ll do anything necessary to keep the Olympics safe, including using our National Guard or military, OK?” he said. “I will use the National Guard or the military. This is going to be so safe. If we have to.”
Trump’s executive order establishes a task force led by him and Vice President JD Vance to steer federal coordination for the Games. The task force will work with federal, state and local partners on security and transportation, according to the White House.
Those roles have been fairly standard for the federal government in past U.S.-hosted Olympic Games. But Trump’s news conference could present questions about whether a president with a penchant for showmanship might assume an unusually active role in planning the Olympics, set to take place in the twilight of his final term.
There is ample precedent for military and National Guard forces providing security support during U.S.-hosted Olympic Games. But coming on the heels of the recent military deployment to Los Angeles, Trump’s comments may prove contentious.
French president Emmanuel Macron was a key figure in preparations for last year’s Paris Games, including expressing his vocal support for the ambitious Olympic opening ceremony plan to parade athletes down the Seine River on boats. Many officials were concerned about potential threats along the 3.7-mile stretch, but authorities responded by increasing security measures that included up to 45,000 police officers and 10,000 soldiers.
The task force, to be housed within the Department of Homeland Security, will “assist in the planning and implementation of visa processing and credentialing programs for foreign athletes, coaches, officials, and media personnel,” the executive order said. City officials have expressed concern that the president’s border policies could deter international visitors and complicate visa processing for Olympic teams.
Tensions with L.A.
More concentrated involvement from Trump could spell further strain with Los Angeles city officials, who sought to make nice in the wake of devastating January fires, but have fiercely bucked Trump’s recent immigration offensive. Trump swiped at Los Angeles Mayor Karen Bass during his remarks on Tuesday, calling her “not very competent” and criticizing the pace of city permitting for fire rebuilding. (Bass did not immediately respond to a request for comment.)
Known for her coalition-building skills, Bass is not, by nature, a public brawler. In the aftermath of the Palisades fire, she appeared determined to preserve her fragile relationship with the president — and the billions of dollars of federal aid her city was depending on — responding diplomatically even as he publicly attacked her.
But that determined cordiality crumbled when masked immigration agents and military personnel descended on the city. With troops stationed in the city and U.S. Immigration and Customs Enforcement and other federal authorities arresting undocumented immigrants at courthouses, car washes and Home Depot parking lots, Bass took on Trump forcefully.
At news conferences and in interviews, she accused the president of waging “an all-out assault on Los Angeles, inciting chaos and fear and using the city as “a test case for an extremist agenda.”
Casey Wasserman, chairman of LA28, attended the White House event, thanking Trump for “leaning in” to planning for an Olympics that was awarded to Los Angeles during his first term.
“You’ve been supportive and helpful every step of the way,” Wasserman said, noting that the Games would amount to hosting seven Super Bowls a day for 30 days. “With the creation of this task force, we’ve unlocked the opportunity to level up our planning and deliver the largest, and yes, greatest Games for our nation, ever.”
Wasserman will also have a delicate political balancing act, managing a Games in a deep-blue city with a famously mercurial Republican president in office.
President Trump holds a full set of medals from the 1984 Olympics in Los Angeles during Tuesday’s event at which he announced an executive order regarding federal involvement in the 2028 Los Angeles Games.
(Julia Demaree Nikhinson / Associated Press)
A Hollywood scion and sports and entertainment mogul, Wasserman has long been a prominent Democratic donor known for his close relationship with the Clintons.
But in recent months he has diversified his giving, with hefty donations to the National Republican Senatorial Committee, the National Republican Congressional Committee and House Speaker Mike Johnson’s leadership fund. Wasserman has publicly praised Trump’s commitment to the Games and traveled to Mar-a-Lago in January to meet with the incoming president.
Presidents have long played a role in the Games. In 1984, Ronald Reagan formally opened the Summer Olympics in Los Angeles, becoming the first American president to do so. Reagan attended several Olympic events, but repeatedly emphasized the federal government’s role was focused on security, according to the White House Historical Assn.
The Olympic Charter requires the host country’s head of state to officially open the Games, but before Reagan, the duty had been fulfilled by local political leaders or vice presidents representing the president.
Ever-tightening security
The federal government has historically provided significant funding when the Games are hosted on U.S. soil, with financial support going toward both security and infrastructure.
Leading up to the 1996 Games in Atlanta, the federal government spent $227 million on security and transportation, playing “very much a junior partner” to the Olympic Committee, then-Vice President Al Gore said at the time. Still, a bombing at the Centennial Olympic Park during the games that summer shook the security establishment.
The 2002 Winter Olympics in Salt Lake City were the first Games to be classified as a “National Special Security Event,” the government’s highest security rating for any event that designates the U.S. Secret Service as the lead agency for implementing security. That standard has remained in place for U.S.-held Olympic Games ever since. The Secret Service will also lead security coordination for the 2028 Games.
The federal government was particularly involved in the Salt Lake City games, which were held just months after the 9/11 attacks.
Los Angeles leaders are actively involved in the security planning, and are currently in negotiations with LA28 for the use of the city’s police, traffic officers, and other employees during the Olympics and Paralympics.
Security, trash removal, traffic control, paramedics and more will be needed during the 17-day Olympics and the two-week Paralympics the following month.
Under the2021 Games agreement between LA28 and the city, LA28 must reimburse Los Angeles for any services that go beyond what the city would provide on a normal day. The two parties must agree by Oct. 1, 2025, on “enhanced services” — additional city services needed for the Games, beyond that normal level — and determine rates, repayment timelines, audit rights and other processes.
Overtime for Los Angeles police officers, and any other major expenses, would be acutely felt by a city government that recentlyclosed a nearly $1-billion budget deficit, in part by slowing police hiring.
Wilner reported from Washington, Wick and Nguyen from Los Angeles. Times staff writer Dakota Smith contributed to this report.
WASHINGTON — President Trump will order the establishment of a White House task force on Tuesday focused on security for the Olympics Games in Los Angeles in 2028.
Karoline Leavitt, the White House press secretary, said the president plans on creating the task force by executive order on Tuesday, telling The Times that Trump “considers it a great honor to oversee this global sporting spectacle.”
“During his first term, President Trump was instrumental in securing America’s bid to host the 2028 Summer Olympics in Los Angeles,” Leavitt said. “Sports is one of President Trump’s greatest passions, and his athletic expertise, combined with his unmatched hospitality experience will make these Olympic events the most exciting and memorable in history.”
It is unclear whether the executive order will provide relief as city leaders and the Los Angeles Organizing Committee for the 2028 Olympic and Paralympic Games, the privately funded nonprofit organization known as LA28 that is planning the Games, negotiate key issues including security costs.
The executive order follows on Trump’s signature legislation, referred to by the president as the “Big Beautiful Bill,” securing $1 billion for security, planning and other costs for the L.A. Games.
Casey Wasserman, chairperson and president of LA28, thanked the Trump administration in a statement “for their leadership and unwavering support as we prepare to deliver the largest and most ambitious Olympic and Paralympic Games ever hosted in the United States.”
“Since we secured this historic opportunity in 2017, President Trump has consistently recognized the magnitude of our responsibility in welcoming the world to Los Angeles,” Wasserman said. “The creation of this task force marks an important step forward in our planning efforts and reflects our shared commitment to delivering not just the biggest, but the greatest Games the world has ever seen in the summer of 2028.”
Los Angeles leaders are in negotiations with LA28 for the use of the city’s police, traffic officers and other employees during the Olympics and Paralympics.
Security, trash removal, traffic control, paramedics and more will be needed during the 17-day Olympics and the two-week Paralympics the following month.
Under the 2021 Games agreement between LA28 and the city, LA28 must reimburse the city for any services that go beyond what the city would provide on a normal day. The two parties must agree by Oct. 1, 2025, on “enhanced services” — additional city services needed for the Games, beyond that normal level — and determine rates, repayment timelines, audit rights and other processes.
Overtime for Los Angeles police officers, and any other major expenses, would be acutely felt by a city government that recently closed a nearly $1-billion budget deficit, in part by slowing police hiring.
Times staff writer Dakota Smith contributed to this report.
June 30 (UPI) — The Trump administration on Monday threatened more funding cuts to Harvard University after a federal task force claimed the Ivy League school was in “violent violation” of the Civil Rights Act over a perceived failure to protect Jewish students.
“Harvard holds the regrettable distinction of being among the most prominent and visible breeding ground for race discrimination,” read the letter in part to University President Alan Garber from the federal government’s Joint Task Force to Combat Anti-Semitism.
The letter, signed by four federal officials from the U.S. Departments of Education, Health and Human Services, the U.S. General Services Administration, and Assistant U.S. Attorney General for Civil Rights Harmeet K. Dhillon, cited the Supreme Court’s 2023 ruling on Harvard’s admission practices.
It said that its Title VI investigation via the 1964 Civil Rights Act — which prohibits discrimination on the basis of race, color and national origin — concluded that Harvard allegedly failed to suppress anti-Semitism on its Boston-based campus.
“That legacy of discrimination persists with Harvard’s continued anti-Semitism,” it stated, adding that any institution refusing to “meet its duties under federal law may not receive a wide range of federal privileges.”
The task force listed in its examples a series of allegations that it says Harvard “did not dispute our findings of fact, nor could it.”
It indicated a quarter of Harvard’s Jewish students felt unsafe, saw negative bias and reported alleged assaults during campus demonstrations that federal officials claimed violated university policy, among a number of other issues.
In their letter, it went on to express how the Holocaust engulfed Europe “due to the ‘[d]isbelief, incredulity, and denial on the part of both victims and onlookers’ which ‘worked to the advantage of those who wanted to eradicate the Jews.'”
“Failure to institute adequate changes immediately will result in the loss of all federal financial resources and continue to affect Harvard’s relationship with the federal government,” the letter continued. “Harvard may of course continue to operate free of federal privileges, and perhaps such an opportunity will spur a commitment to excellence that will help Harvard thrive once again.”
On Monday, the university pointed to “substantive, proactive steps” officials took to address “the root causes of antisemitism” on campus, saying Harvard is “far from indifferent on this issue and strongly disagrees with the government’s findings.”
“In responding to the government’s investigation, Harvard not only shared its comprehensive and retrospective Anti-Semitism and Anti-Israeli Bias Report but also outlined the ways that it has strengthened policies, disciplined those who violate them, encouraged civil discourse, and promoted open, respectful dialogue,” a university spokesman told The Hill in a statement.
British tourists flying over to one of the popular Greek island of Santorini this summer have been issued a stark driving rule, as experts reveal a simple mistake could leave you with a ‘hefty fine’
Lonely Planet experts warn there are ‘drawbacks’ to hiring a car on the island(Image: Getty Images)
UK holidaymakers heading to one of the most desirable Greek islands could get stung with a ‘hefty’ fine when hiring a car.
Despite a surprising slump in visitor numbers and growing cries from fed-up locals, millions of selfie-stick-waving tourists will still flock to Santorini this year – enticed by blue-domed buildings, pristine beaches, and Instagram-worthy sunsets. Measuring just 29.4 square miles, the tiny island is ideal for those comfortable with hiring a car.
It’s a great way to explore all of the island’s nooks and crannies and escape from the coach-load of cruise passengers that get herded in everything morning. You can check out stunning vineyards over at Venetsanos Winery, spend the day at the iconic red beach, or have dinner in Fira, the capital famed for its whitewashed buildings and buzzing atmosphere.
Driving around the island can be tricky(Image: Getty Images/iStockphoto)
There are a slew of hire car companies on the island, meaning prices can get competitively low. Still, it is worth booking in advance to secure a bargain, especially if you’re travelling during the peak period. Make sure you go with a reputable vendor to afford being ripped off too.
Experts over at Lonely Planet, who advise hiring a car through your accommodation provider, say having your own vehicle can give you ‘full freedom’ to explore the island – but warns there are certain ‘drawbacks’. “The relatively short drives along the island’s diminutive road network can be harrowing due to narrow lanes, cliffside plunges and incessant peak season traffic,” they explained.
Hiring a car can help you avoid the huge crowds of tourists(Image: Getty Images/iStockphoto)
“Parking is also stressful in Fira and at the beaches. Expect hefty fines if you decide to leave your car in an unapproved spot. A good strategy is to rent a car for just a day or two of exploration, thus saving yourself from the attendant hassles at other times.”
Parking in clearly-designated spaces – that may incur a small fee – is your best practice. You can always ask your hotel for recommended parking spots, or check Google reviews if you’re unsure. According to reports, parking violations come with a fine of up to €80 (approximately £68.39), so it’s never really worth the risk.
“I have hired a car in Santorini and this evening got a parking ticket and my number plates taken away,” one tourist wrote on Facebook back in 2023. “I know I have to pay a fine at [the] post office in Thera but how do I get the number plates back?” If anything like this happens to you whilst away, contact the company you rented your car from. It is still your responsibility to pay the fine, but staff may be able to help explain the process – and get your number plates back.
Cycling is another popular way of navigating Santorini, which is a great way to avoid any steep fines. However, prepare for your thighs to burn as the island is filled with harsh inclines and twisty roads. “Add in drivers maniacally speeding to make up for time spent stalled in traffic and the challenges multiply,” Lonely Planet added.
“Still, you can easily rent a bike on the island from multiple sources. Ask about e-bikes, which are becoming more available in Santorini, unless the many hills fit into your training scheme for the Tour de France.”
*You can fly directly to Santorini from London, Newcastle, and Edinburgh. Return fares cost as little as £56 in July, based on Skyscanner listings.
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