Talent

Bullseye host Freddie Flintoff’s one-word response as contestant reveals unusual talent

EXCLUSIVE – Freddie Flintoff is back this Sunday with a new episode of Bullseye

Bullseye host Freddie Flintoff has a hilarious one-word response as a contestant reveals their unusual talent on Sunday’s episode.

The revamped ITV gameshow is back for another fun episode on Sunday night as three more pairs made up of keen darts player and quizzing partners compete against one another to win points and prizes.

In an exclusive clip obtained by the Mirror of this Sunday’s episode, it sees Freddie, 47, baffled over a contestant’s unique party trick.

In the video, Freddie speaks to contestants Graham and Becky to which the latter reveals she’s a paediatric nurse.

Freddie then says: “I hear you’ve got a anatomy party trick, haven’t you?” to which Becky replies: “Yes I do! I can name a part of the body for every letter of the alphabet!”

Issuing a one-word response, a baffled Freddie says: “Why?” to which Becky responds: “I don’t know!” However, making a joke, Freddie then says: “But Y, Y, I’ve just thrown one at you! Can you do then A to J?”

Becky then starts reciting body parts to the alphabet letters before hilariously asking: “What’s after E, F?!” to which she then misses out the letter G.

This prompts Freddie to joke: “So you know your anatomy but not your alphabet?” to which Becky responds: “Yeah, that’s it!”

Firing another joke, Freddie says: “I was going to say, do you know your a**e from your elbow but I’m not quite sure!”

It comes as Bullseye has returned for a new series and a 2025 Christmas special following last year’s one-off Bullseye festive special, which drew in audiences of over 8.6 million.

The original Bullseye aired from 1982 until 1995 and was hosted by the late Jim Bowen.

Meanwhile, Freddie will not be using his real name as the former England cricketer hosts the ITV quiz show.

The 47-year-old has always gone by Freddie but is actually named Andrew.

Cricket icon Flintoff has always been known as Freddie ever since his school days. He was given the nickname because his surname was similar to that of cartoon character Fred Flintstone.

Bullseye airs Sundays at 8pm on ITV1.

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Prep talk: Don’t say City Section football has no talent

At the City Section breakfast on Wednesday morning for teams competing this weekend in championship football games, two linebackers from the class of 2027 were asked to take a photo together, because one day, it could be historic.

Elyjah Staples, a 6-foot-3 junior from Marquez, and De’Andre Kirkpatrick, a 6-3 junior from Crenshaw, can match their skills against anyone in the state. College recruiters are paying attention and one day NFL scouts will too. They are helping destroy the stereotype that City Section football is lacking in talent.

Add versatile junior quarterback Chris Fields III from Carson and senior running back Darnell Miller from Santee, who has surpassed the 3,000-yard mark rushing this season, and you have a group of players you’ll be watching on television in the coming years.

Here’s the schedule for games at Birmingham on Friday and L.A. Southwest College on Saturday.

Marquez coach Rudy Fortiz has been hearing from friends through text messages. He’s in a bit of a bind. His team is facing his alma mater, South Gate, for the Division I title on Saturday. Fortiz says he always roots for South Gate — except for this week. South Gate was 0-10 two seasons ago.

Hawkins coach Ronald Coltress is the one who had the put the program back together after it went 0-13 in 2016 because of forfeits and firings of coaches. In 2017, he was JV coach when the varsity went 0-11 following an exodus of players. He took over in 2018 and the team went 1-9. The administration told him to stay the course and make sure players were going to class, behaving and graduating. Now Hawkins is 10-2 and playing for the Division III championship on Friday against Santee at Birmingham.

“There was nobody left,” Coltress said. “I had to find kids who wanted to play.”

This is a daily look at the positive happenings in high school sports. To submit any news, please email [email protected].



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Adrian Kempe agrees to 8-year, $85-million deal with Kings

Forward Adrian Kempe agreed to an eight-year, $85-million contract to stay with the Kings, a person with knowledge of the deal told the Associated Press.

The person spoke on condition of anonymity Sunday because the Kings hadn’t announced their deal with the 29-year-old Kempe, who would have been an unrestricted free agent next summer. The deal extends through the 2033-34 season and has an average annual value of $10.625 million.

Kempe has been the Kings’ most dependable offensive player over the last four seasons, earning an All-Star selection in 2022 and leading the Kings to four straight playoff appearances. The Swedish right wing has 200 goals and 220 assists in a 10-year career spent entirely with the Kings, which drafted him with the 29th overall pick in 2014.

Kempe scored a career-high 41 goals during the 2022-23 season and has four consecutive 25-goal seasons. He leads the Kings with six goals and 13 assists in 19 games this season while playing extensively on special teams.

Kempe is also on Sweden’s initial roster for the 2026 Olympics.

Re-signing Kempe has been a top priority for new Kings general manager Ken Holland, who said he wanted to maintain a foundation of leadership and talent when longtime captain Anze Kopitar retires next year. But negotiations with Kempe stretched from the summer into the season, leading to increasing speculation that Kempe would hit the open market next year.

Instead, Kempe joins the list of potential 2026 free agents who re-signed with their teams in the last two months. Connor McDavid, Martin Necas, Jack Eichel and Kirill Kaprizov all committed to their respective teams recently.

The Kings (10-5-4) rebounded from a slow start with four consecutive victories on their six-game road swing. They play at Washington on Monday.

Beacham writes for the Associated Press.

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Trump’s Mixed Messages on Foreign Talent

In an interview—with Fox News on November 11, 2025—US President Donald Trump defended the H1B Visa, saying that the US needed foreigners with special skills and talents that US workers did not possess.

Said Trump

“You don’t have certain talents… And people have to learn, you can’t take people off an unemployment line and say, I’m going to put you into a factory. We’re going to make missiles.” 

In September 2025, the Trump administration had announced a massive hike in H-1B visa application fees. The revised fees for the H-1B Visa were fixed at $100,000. This decision had caused a lot of concern within several Information Technology (IT) companies and also among IT professionals already working in the US (Indian professionals account for 70% of H-1B visas issued in 2024).

 Later, some clarifications were made by the Trump administration. The first was that this was a one-time visa fee that needed to be paid only by new applicants, and the second was that those already on F-1 or L1 visas would not need to pay this fee (this new fee was applicable only to applicants who were based outside of the United States). While these clarifications were important, the decision to raise the H-1B application fees had already created an atmosphere of uncertainty.

In the same interview with Fox News, the US president also said that while he did not want international students, they were essential for the US economy. Said Trump:

“We take in trillions of dollars from students. You know, the students pay more than double when they come in from most foreign countries. I want to see our school system thrive… It’s not that I want them, but I view it as a business.”

International Students in the US

International students make a significant contribution towards the US economy and also help in creating jobs in the US. In 2023-2024 there were well over 1.5 million international students, and they contributed over $40 billion to the US economy. A significant percentage of international students were from China and India (in 2024, India accounted for well over 1/4th of the total international student community). August 2025 witnessed a significant dip in the inflow of international students into the US, and this is likely to cause a significant dent to the US economy, according to estimates. Certain top US universities also witnessed significant budget cuts and layoffs.

Trump, while speaking at the White House earlier this month, also said that he is keen to welcome 600,000 Chinese students to the US.

Several international students, especially from India, have begun to look at alternatives to the US. There has been a rise in the number of Indian students going to Germany, Finland, and the UAE.

Reaction to Trump’s comments

Both comments of Trump—pertaining to H1B visas as well as international students—are likely to annoy the MAGA camp within the Republican party. Steve Bannon, a former aide of Trump, while criticizing the US President’s statements, said:

“This is Davos in a red tie! Telling American engineers and factory workers we lack talent? Then flooding campuses with CCP-linked students? It’s a gut-punch to every voter who bled for this movement. Wake up, Mr. President—this isn’t MAGA; it’s Chamber of Commerce betrayal.”

Significantly, in an interview with Fox TV, Nalin Haley, the son of Nikki Haley—former US Ambassador to the United Nations (UN)—had criticized H1B visas and said that US workers were suffering because of the same.

Trump’s statements reiterate the point that while not just the US — but other countries in the Anglosphere have legitimate concerns vis-à-vis illegal immigration — it is important to have a nuanced approach towards immigration issues and not view the issue from simplistic binaries. It remains to be seen if the US president sticks to this current stand.

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Column: AI can perform a song, but can it make art?

The most insulting thing about the success of Breaking Rust, an artificial intelligence “artist” that topped Billboard’s Country Digital Song Sales Chart this week, is the titles of the hits.

“Walk My Way.”

“Living on Borrowed Time.”

The EP — which is also on the charts — is called “Resilient,” as if Breaking Rust spent years playing for tips in empty bars. And maybe Aubierre Rivaldo Taylor, who is credited for writing the songs, did. But the bluesy voice we hear singing about pain and suffering did not overcome anything.

In fact, you could say this completely computer-generated country singer found chart success by mocking people. A year ago, a handful of loud industry folks in Nashville questioned whether Beyoncé, who was born and raised in Texas, was country enough to do a country album. Good times. Today AI-generated “performers” such as Breaking Rust and Xania Monet, which hit the Billboard R&B charts, are suggesting you don’t even need to be human to fit into those genres.

Eric Church, whose latest release “Evangeline vs. the Machine,” was nominated this month in the best contemporary country album category at the Grammys, told me he’s not too worried because fans still want to see live shows and “AI algorithm is not going to be able to walk on stage and play.” He says that the best thing the industry can do is establish AI music as its own genre and that award shows should establish a separate category.

“I think it’s a fad,” he said, adding that he finds it fun. “When people like a song or connect with an artist the ultimate thing for them is then to go experience that artist with people who also like that artist, that’s the ultimate payoff. You’re not going to be able to do that with AI.”

Church wraps up touring on Saturday at the Intuit Dome in Inglewood. In addition to promoting the new album, this year his foundation began providing housing for victims of Hurricane Helene using funds from a benefit concert. The North Carolina native also released a single to raise funds to help his neighbors. You know, things only a flesh-and-blood artist can do. Regarding Breaking Rust, he said: “The better thing we should be doing is making the general public aware that it’s AI because … I don’t think they know that.”

“The biggest problem is the ability to deceive people or manipulate people because it looks real, it sounds real, it’s pretty disingenuous if you didn’t say it,” Church told me. “I’ve seen stuff from me that is online.… They take my face and they put it on another body.… My mom sent me one and I was like, ‘Mom, that’s not me.’

“That’s where it gets dangerous and that’s where it gets scary.”

If AI-generated “musicians” like Breaking Rust are a passing fad, as Church suggests, it’s one that’s been 50 years in the making. While use of the voice box on recordings goes back to the 1960s, it was the 1975 recording of Peter Frampton’s double live album, “Frampton Comes Alive,” that popularized its use. In the 1980s Zapp had a string of gold albums with front man Roger Troutman using the voice box technology to make his voice sound futuristic, and in the 1990s AutoTune went from being a tool producers use to fine-tune a singer’s pitch on a recording to being the featured sound on a recording. This gave us Cher’s global chart-topper “Believe.”

Over the decades, technology in the studio has made it possible for the vocally challenged to usurp craftsmanship and talent.

Before MTV debuted in 1981, we were warned that video was going to kill the radio star. That obviously didn’t happen. And now, AI-generated video can theoretically replace filmed human performances. But even that should not be a threat to real stars.

As with most things in life, when expertise is devalued, it’s easier to pass trash off as treasure. AutoTune and AI are enabling people who lack musical talent to game the system — like audio catfish.

When an artist like Church sings of heartbreak, listeners can identify with his lived experience. However, Breaking Rust is on the top of the charts with a song called “Walk My Way” … and the entity singing those words has never taken a step.

That’s not to say an AI ditty can’t be catchy. It most certainly can be. I just wonder: If the artist isn’t real, how can the art be?

YouTube: @LZGrandersonShow

Insights

L.A. Times Insights delivers AI-generated analysis on Voices content to offer all points of view. Insights does not appear on any news articles.

Perspectives

The following AI-generated content is powered by Perplexity. The Los Angeles Times editorial staff does not create or edit the content.

Ideas expressed in the piece

  • AI-generated performers mock genuine human experience by performing songs about heartbreak, suffering, and resilience without having actually lived through hardship, presenting false authenticity to audiences[1].
  • The public should be made explicitly aware when content is artificially generated to prevent deception and manipulation, as the current landscape allows industry professionals to obscure the artificial nature of performers.
  • AI technology enables individuals without genuine musical talent to bypass craftsmanship and expertise, allowing them to game the system by presenting artificial content as legitimate art on the same charts as human musicians.
  • Authentic art requires lived human experience; without that foundation, AI-generated performances cannot create genuine artistic expression or meaning, regardless of how commercially successful they become.
  • The industry should be concerned about how technology is devaluing expertise and allowing untalented creators to present what amounts to “trash off as treasure,” undermining the credibility of music as an art form.

Different views on the topic

  • The success of AI-generated content has garnered mixed reactions from audiences, with some music fans finding entertainment and enjoyment in artificially generated songs despite their artificial origins[1].
  • Some industry perspectives view AI music as an interesting experimental phenomenon to explore what is possible with emerging technology, rather than characterizing it as inherently problematic or threatening[1].
  • Audiences ultimately value the live performance experience and direct human connection with artists, suggesting AI-generated performers face natural limitations that prevent them from truly replacing human musicians in the marketplace.
  • Rather than opposing AI-generated music categorically, some suggest establishing it as a separate genre or distinct award category to differentiate it from human artistry without eliminating either form from existing simultaneously.
  • The integration of new technologies in music production has historical precedent, with innovations from voiceboxes to AutoTune coexisting with human artistry without destroying the value of authentic musical talent.

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Boys’ basketball preview: Mission League teams loaded with talent

If you think Trinity League football is the best in the country, then the Mission League might be its equivalent in boys’ basketball this season.

“It’s off the charts,” Harvard-Wesltake coach David Rebibo said in describing the talent of the eight Mission League teams.

“It’s absolutely ridiculous,” Chaminade coach Bryan Cantwell said. “We could have all eight teams potentially in the top 30 in Southern California.”

Transfers, promising freshmen and the development of young players has set the stage for a league schedule in January that will allow fans to see players who might be soon appearing on weekend TV for college basketball teams or on NBA rosters.

Harvard-Westlake has won seven consecutive league titles and remains in the title mix. The coaching is so good in the league and the talent so plentiful that it would be no surprise if multiple teams win Southern Section titles depending on what divisions in which they are placed.

It’s not as if the league didn’t have talent before this season, but Cantwell pointed out, “There’s just more on all of the teams.”

Every team except Harvard-Westlake added transfer students this season. The biggest were St. John Bosco senior Brandon McCoy going to Sierra Canyon, 7-foot-3 Cherif Millogo arriving at St. Francis from Boston and 6-9 Sam Mbingazo returning to Bishop Alemany after playing at Iowa Prep last season.

One big loss, though, has been suffered at Sherman Oaks Notre Dame, where 6-7 Tyran Stokes, ranked No. 1 by many in the class of 2026, won’t be playing for the Knights. He withdrew from school last week. There are others ready to help replace him.

Zachary White has committed to San Diego State and NaVorro Bowman has gotten so good that he’s become one of the best prospects from the class of 2027.

Sierra Canyon could start a lineup solely of transfers, with Maximo Adams in his second season with the Trailblazers and one of the best players in the class of 2026. Brannon Martinsen, a 6-6 senior, arrived from JSerra.

Sierra Canyon's Maximo Adams hugs coach Andre Chevalier.

Sierra Canyon’s Maximo Adams hugs coach Andre Chevalier.

(Steve Galluzzo / For The Times)

Harvard-Westlake isn’t going anywhere, with the return of standout senior guard Joe Sterling, a Texas commit, senior center Dominique Bentho and guards Pierce Thompson, Amir Jones and Cole Holden. Crespi returns the Barnes twins, Isaiah and Carter.

“There are anywhere between three and five Division 1 players on every team with D1 potential between the sophomores and juniors,” Rebibo said. “The senior class in this league is unreal. It makes the league as competitive as it’s been in a very long time.”

As if talent weren’t enough of a draw, there’s the coaching. Former Lakers star Derek Fisher, who used to coach the New York Knicks, is in his third season at Crespi and no one is intimidated coaching against him. Chaminade’s Bryan Cantwell, St. Francis’ Todd Wolfson and Sierra Canyon’s Andre Chevalier are veteran coaches who’ve all won section championships. Loyola has a first-year coach, Cam Joyce, from Ohio, and Mike DuLaney guided Bishop Alemany to a Division III state title in 2024.

“It’s going to be really competitive and really fun,” Cantwell said.

Throughout Southern California, there are plenty of elite prospects. There’s Missouri-bound Jason Crowe Jr. of Inglewood; Kansas-bound Luke Barnett of Mater Dei; high-scoring junior guard Gene Roebuck of La Mirada; Georgia Tech commit Kaiden Bailey of Santa Margarita; top sophomore transfers Evan Willis and Shalen Sheppard of Crossroads; heavily recruited Christian Collins of St. John Bosco; dynamic senior guard Josiah Johnson of Mayfair; standout senior guard Isaiah Rogers of Corona Centennial; 6-11 Josh Irving of Pasadena, who has committed to Texas A&M; 6-6 rising junior Kevin Keshishyan of Los Altos.

As far as teams, Sierra Canyon, Santa Margarita, St. John Bosco, Redondo Union, Rolling Hills Prep, Harvard-Westlake, Corona Centennial and Damien all appear headed to top teams status.

Unfortunately, the City Section has seen most of its top players transfer or graduate. Palisades is the preseason favorite with the arrival of the 6-6 Popoola twins, Elijah and Olujimi, juniors from Las Vegas.



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