Susan

If you’re reading this review of Gore Verbinski’s maniacal farce “Good Luck, Have Fun, Don’t Die” in newsprint, congratulations on being a Luddite.

But if you’re reading it on a smartphone, then you’re one of the suckers that Sam Rockwell is hoping to reach when his unnamed time traveler barges into a late-night Los Angeles diner screaming, “I am from the future and all of this goes horribly wrong!” The patrons pause scrolling to glance at this unhinged, unwashed man wearing a crown of computer wires wrapped around his head like an IT messiah. Then they get a good look at his shoes when he stomps on their tables, kicking cheeseburgers as he tries to make these regular folks engage with the tech-pocalypse he swears is coming.

It’s a sermon we’ve heard plenty of times before and possibly even delivered ourselves. Coming from the ever-charismatic Rockwell, a lecture to stop wasting our lives online sounds no more insurmountable, only more immediate.

Half of the world will die, he foretells. The other half will be too distracted to notice. That is, unless a handful of strangers join him right now, right this moment, to fight for humanity’s cerebral freedom. Unsurprisingly, volunteers don’t raise their hands. (The one eager guy who does has failed him too often in other scenarios.) But Rockwell’s time traveler — he really is one — is used to a firewall of resistance. He’s given this speech at this diner 117 times. Some combination of the 47 people in it is fated to succeed.

That opening scene sounds as if an AI merged “The Terminator” with “Groundhog Day.” True, Matthew Robinson’s funny, savage and surprising script doesn’t downplay its inspirations. (He even lets Rockwell rip off Indiana Jones’ line about snakes.) But the screenplay gets so intricate and angry — and so shamelessly ambitious — you can’t believe someone in today’s Hollywood was willing to put up the money to get it made. Even helmed by proven hitmaker Verbinski of the “Pirates of the Caribbean” franchise, it’s a feat akin to convincing someone to fund a skyscraper-sized cuckoo clock that has a bird that pops out and heckles the crowd.

Eventually, a dubious crew enlists: public school teachers Mark and Janet (Michael Peña and Zazie Beetz), grouchy ride-share driver Scott (Asim Chaudhry), assistant Boy Scout leader Bob (Daniel Barnett), jittery mom Susan (Juno Temple) and forlorn Maria (Georgia Goodman), who keeps sighing that all she wanted was a slice of pie. Rockwell also impulsively yokes in Ingrid (Haley Lu Richardson), a grungy girl in a princess dress, who seems to be on her own suicide mission. The actors are mostly just pegs in a complicated plot, but they snap into place well.

The man from the future doesn’t have a plan — and worse, he considers himself the only person who isn’t expendable. The others can die (and do). As the group shuffles toward catastrophe, Verbinski intercuts their mission with flashbacks to their civilian lives. Their ordinary days, the digital indignities they’ve borne, that’s where Verbinski really gets mean.

The film’s feints and twists are fabulous as they explore how the internet’s promise has soured. One plotline involves a corporate brainstorm to make people love and nurture their own talking adbot, essentially a human-sized Tamagotchi. In another, school shootings have become such an epidemic that when Temple’s Susan gets summoned to identify her ninth-grader’s corpse, the other grieving mothers at the station calmly chitchat about traffic until one glances over at her nonchalantly and says, “First time?”

At first, the not-so-original idea that phones have turned children into zombies is a Romero-style parody of brain rot. (The young actor Cassiel Eatock-Winnik has a great scene as a vicious teen who stares down one of her elders and says, “You’re 35? That’s, like, older than most trees.”) But Verbinski reveals an unexpected angle of attack: Here, society has groomed the next generation to behave like machines. We don’t know why, exactly, but we can imagine a few reasons.

Even coping mechanisms take fire. Susan meets more parents who’ve snapped under the strain and become nihilistic trolls raising their daughter to be toxic so it won’t matter as much if she dies. Another character is quick to insist that everything he’s looking at — the walls, the people — is a facade. A 20-something gig worker named Tim (Tom Taylor) wants to permanently live in a VR simulation. His story is a little rushed but we get the idea that Tim’s not a jerk, just an idealist who can’t handle the tawdriness of the 21st century. As he puts it, “Why would I choose this world over that one?”

Verbinski doesn’t say much outright about the creeping concern that we’re living in a highly surveilled, aggressive and unpredictable police state. He’s able to make that point without words when cops arrive and our heroes-slash-hostages, none of whom have yet done anything worse than skip out on their bill, all assume the itchy trigger finger of the law will shoot them on sight. (And they’re right.) He also makes an ominous refrain of “Thank you for your service.”

It’s easier to howl at a classic like “Dr. Strangelove,” which mocked the leaders giddyuping the planet’s destruction, than at a present-day satire where we ourselves are the joke. As with “Idiocracy” (and eventually “Eddington”), our ability to fully appreciate this merciless, furious comedy might take a decade of remove. Even then, though, I won’t like James Whitaker’s cinematography, which goes for a deliberate ugliness but just looks dishwater drab.

“Good Luck, Have Fun, Don’t Die” anticipates the audience’s resistance. We do think for ourselves and so we scour the movie for flaws that will justify the urge to roll our eyes. For example: Why does Rockwell let some characters die and not others? Is the movie just as shallow as its j’accuse of us? Some quibbles get answered. Larger questions are left coyly unresolved so that we leave the theater uneasy.

There are so many overwhelming ideas in “Good Luck, Have Fun, Don’t Die” that, at over two hours, it does have the sense of a dissociative doomscroll. There’s even a plot point involving an algorithmic overlord that creates randomly generated armies: “Ghostbusters” with AI slop. The normie survivors try to convince themselves it might send something good, like they’re thumbing TikTok hoping for a treasure worth the time. Rockwell assures them it won’t. Nothing good will ever come. And what does arrive is so hellacious that it makes the Stay Puft Marshmallow Man look sweet.

The film is too cynical to take itself that seriously; Verbinski would roll his eyes at any thoughts and prayers it could do much good. Yet, anyone born with “19” at the start of their birthyear still remembers how it felt to leave the house without a black rectangle in their hands. That makes us all time travelers of a sort, too, beacons of an increasingly distant era in which it was possible to be unplugged.

But it’s OK if you’re on your screen right now. Just sit before a bigger one to see this film.

PORTLAND, Maine — U.S. Sen. Susan Collins of Maine said Thursday that immigration officials have ceased their “enhanced operations” in the state, the site of an enforcement surge and more than 200 arrests since last week.

Collins, a Republican, announced the development after saying she had spoken directly with Secretary of Homeland Security Kristi Noem.

“There are currently no ongoing or planned large-scale ICE operations here,” Collins said in a statement, referring to U.S. Immigration and Customs Enforcement. “I have been urging Secretary Noem and others in the Administration to get ICE to reconsider its approach to immigration enforcement in the state.”

The announcement came after President Trump seemed to signal a willingness to ease tensions in Minneapolis after a second deadly shooting there by federal immigration agents.

Collins said ICE and Border Patrol officials “will continue their normal operations that have been ongoing here for many years.”

An email seeking comment was sent Thursday to the Department of Homeland Security.

Collins’ announcement comes more than a week after immigration officers began an operation dubbed “Catch of the Day” by ICE. Federal officials said about 50 arrests were made the first day and that roughly 1,400 people were operational targets in the mostly rural state of 1.4 million residents, 4% of whom are foreign-born. ICE said more recently that more than 200 people have been arrested since the operation started.

In Lewiston, one of the cities targeted by ICE, Mayor Carl Sheline called the scale-down welcome news, describing the agency’s operations as “disastrous” for the city and others.

“ICE operations in Maine have failed to improve public safety and have caused lasting damage to our communities. We will continue working to ensure that those who were wrongfully detained by ICE are returned to us,” said Sheline, who leads a city where the charter requires the mayoral position to be nonpartisan.

Homeland Security Assistant Secretary Tricia McLaughlin last week touted that some of the arrests were of people “convicted of horrific crimes including aggravated assault, false imprisonment, and endangering the welfare of a child.” Court records painted a slightly different story: While some had been convicted of felonies, others were detainees with unresolved immigration proceedings or who were arrested but never convicted of a crime.

Collins, a veteran senator, is up for reelection this year. Unlike a handful of Republican senators facing potentially tough campaigns, Collins has not called for Noem to step down or be fired. She’s also avoided criticizing ICE tactics, beyond saying that people who are in the U.S. legally should not be the target of ICE investigations.

Democratic Gov. Janet Mills, who announced her Senate candidacy in October and could face Collins in the general election, has challenged immigration officials to provide judicial warrants, real-time arrest numbers and basic information about who is being detained in Maine. She also called on Collins to act after the House’s GOP majority defeated Democrats’ efforts to curtail ICE funding.

Mills’ office did not immediately respond to an Associated Press email seeking comment on Collins’ announcement.

Meanwhile, first-time Democratic candidate Graham Platner — who is running against Mills in the primary — has criticized both Mills’ and Collins’ handling of ICE and has demanded the agency be dismantled. Platner organized a protest Thursday outside Collins’ office in Portland, Maine, where dozens of supporters held signs and sang along with him.

Platner said he would host a separate protest later outside Collins’ Bangor, Maine, office.

Several prominent Maine Democrats expressed guarded optimism about the ICE drawdown while also criticizing the agency’s actions.

“If these enhanced operations have in fact ceased, that may reduce the visible federal presence in our state,” said U.S. Rep. Chellie Pingree, who represents the Portland area. “But I think it is important that people understand what we saw during this operation: individuals who are legally allowed to be in the United States, whether by lawful presence or an authorized period of stay, following the rules, and being detained anyway.

Whittle and Kruesi write for the Associated Press. Kruesi reported from Providence, R.I. AP writer Kathy McCormack in Concord, N.H., contributed to this report.