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Anyone who has a holiday in Rome coming up has been issued a warning. One holidaymaker who has just been to the Italian capital told people to be on ‘high alert’ when visiting

A holidaymaker in Rome has issued a stark warning to fellow tourists heading to the Italian capital after enduring a horrifying experience during her break. Caroline Jansson turned to TikTok to reveal she had been “robbed of all of her personal belongings” and urged others visiting the city to stay alert to their surroundings.

“I’ve just been with the police and they told me they [thieves] specifically target tourists,” she began in a video. She went on, explaining that those with hire cars should stay especially watchful after learning at the police station that numerous others had fallen victim to luggage theft straight from their rented vehicles.

“I talked to one woman who turned around to take a picture and she had her handbag stolen,” Caroline continued.

“There was another man who had his wallet and passport stolen out of his hand – so be very vigilant and look out for each other and each others’ suitcases because literally everything we had with us for the trip is now gone.”

Caroline revealed that consequently, she had lost numerous valuables including her iPad and two laptops in the European hotspot. Luckily one of those was a MacBook, enabling her to trace and find it inside one of the pinched bags – only to discover it had been abandoned in a ditch with no trace of her other belongings.

“We’re going to continue talking to the police and see how it goes,” Caroline said, before issuing a heartfelt plea to her followers to keep an eye out for her luggage if they happen to be in Rome.

In response, another tourist shared their own experience of theft in Rome. “We were robbed in the Rome train station,” they revealed. “Luckily an officer noticed this guy with a bag that didn’t match his look and we got it back. We were so lucky.”

A second person also revealed: “We were robbed, had our van smashed and they stole phones, iPads, handbag, money, camera. Police not interested. We were in a secure patrolled car park.”

Whilst a third TikTok user warned: “A group of three tried to pickpocket me and my husband on a very crowded bus. Just be careful and keep your belongings close to you and be aware.”

The UK government’s foreign travel advice section offers the following guidance for those visiting Rome, meanwhile.

“Thefts from parked cars happen in Rome, particularly in the Colosseum area, Ostia, Milan and Pisa. Thieves also target coastal areas and towns, and motorway service stations. Avoid leaving luggage in your vehicle – even out of sight in the boot – for any length of time.

“Thieves may use a variety of methods to distract you or encourage you to stop your car, including asking for help or directions or pointing out a fictional fault with your car.”

To reduce your personal risk:

• keep sight of your belongings at all times
• beware of thieves using distraction techniques
• avoid carrying all your valuables together in handbags or pockets
• leave spare cash and valuables in a safe place such as a hotel safe

AN ANIMAL charity has called out Katie Price with a brutal Halloween-themed costume and addressing what they deem the “grim fate” of pets in her care.

The shock seasonal dress-up attire, courtesy of PETA, comes against the backdrop of a petition designed at preventing the former glamour model from being a pet-mum, which has now reached more than 37,000 signatures.

It has also reared its head weeks after Katie, 47, welcomed a new puppy to her home.

Previously, the animal rights charity offered the mum of five a whopper £5,000 sum to stop her owning more animals – something which she rejected.

Now they have gone one step further to make their point, creating a £34.99 outfit mimicking KP.

It includes a mask resembling the I’m A Celeb star, a vest with the slogan Grim Reaper and a very eerie coffin filled with animals.

wrong step

Katie Price narrowly avoids stepping on her tiny new puppy

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To complete the spooky look, there’s a black and silver scythe included within the Grim Reaper for Pets get-up.

Talking of the significance of the October outfit, PETA Vice President for UK and Europe Mimi Bekhechi told MirrorOnline: “Too many animals have met a grim fate under Katie Price’s ‘guardianship.’

“This Halloween costume may be a joke – but the message is not: being responsible for lives and needs of animals who are entirely dependent on you is serious business.

“And anyone who doesn’t treat it as such needs to stick to stuffed toys.”

They added of the costume: “All proceeds support work to promote responsible animal guardianship, as well as spay/neuter surgeries to help fight the homeless-animal overpopulation crisis!”

Recently, Katie’s home life was thrown into chaos last month when her cat Doris had kittens, yet they became seriously unwell.

NEW POOCH

Earlier this month, Katie took to her Snapchat page to showcase her new tiny puppy cuddling on her shoulder as she told fans she was “so tired”.

In another slide, she spoke of her new family member purely to say: “And this little one just does not leave my side.

“I can’t wait for him to meet Rookie, he’s met all of the other animals.

“This is Rookie’s new little friend for when we go horse riding, walks, everything.”

Katie was recently slammed for allegedly putting black dog Rookie in danger as she headed on a horse ride.

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KATIE Price has had her fair share of brushes with the law. Here we detail four of those:

It came just weeks after she was called out by the animal charity over a “dangerous” move which saw her dog hanging out of her car window.

PET BACKLASH

A petition was previously created to stop Katie from owning animals amid concern for their welfare in her care.

It came about after a number of complaints from fans over how she handles the multiple animals she has owned over the years.

Over the years, a number of tragic incidents involving Katie’s pets have been revealed.

This includes her German Shepherd guard dog being killed after being hit by a vehicle on the A24, which was close to Katie’s East Sussex home.

It happened just seven months after another of Katie’s dogs, Sharon, was killed on the same road.

Katie’s horse was also killed on the A24, after it broke free from her field.

In 2020, her French Bulldog Rolo suffocated after being squashed underneath a chair.

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Katie also had to give away an out-of-control Alsatian, Bear, for attacking other animals.

A small segment of her furious followers have then quizzed “how are you allowed to keep animals?” as they voiced their anger.

Alison Hammond has expressed her ‘relief’ at This Morning’s win at the NTAs last night after Dermot O’Leary said the show has been ‘through the mill’

Alison Hammond has expressed her ‘relief’ at This Morning’s big win at the National Television Awards last night. The presenter, 50, provides cover on ITV’s flagship magazine show alongside Dermot O’Leary on Fridays and phoned into the programme after the big win to tell regular hosts Cat Deeley and Ben Shephard just how grateful she felt that they had emerged victorious from the public vote.

The programme, which has aired on ITV since 1989, won in the Daytime category, having fought off competition from Scam Interceptors, Loose Women and James Martin’s Saturday Kitchen. The show managed to claim the title back after two years of losing out to The Repair Shop and The Chase.

Alison said: “I’m still buzzing from last night, what a brilliant night. It was just lovely. We hadn’t had it for two years running now and what’s so incredible is when our audience vote for us, we know we’re doing okay. It was just such a relief and we’re just so grateful that everyone picked up the phone and voted for us.”

READ MORE: Phillip Schofield’s full earnings revealed amidst career collapse and family loyaltyREAD MORE: Ant and Dec’s co-star shares pair’s honest thoughts about losing to Gary Lineker at NTAs

The former Big Brother star has also made a name for herself interviewing A-List celebrity guests on the programme and has chatted to superstars like Britney Spears, Ryan Gosling and once ‘married’ The Rock on the show. But just before hanging up, she teased that she was off to interview Barbie star Margot Robbie and Colin Farrell.

Over the last few years, the show has been through numerous lineup changes following the departure of long-serving hosts Holly Willoughby and Phillip Schofield. The duo, who began presenting together in 2009, first came under fire when they were alleged to have jumped the queue to file past Queen Elizabeth’s coffin in September 2022.

Then, Phillip, who first appeared on the programme in 2002 and initially presented alongside Fern Britton, admitted to an ‘unwise but not illegal’ affair with a younger colleague, and subsequently stepped down from the show and ITV altogether. Holly followed suit soon after security guard Gavin Plumb was charged in connection with a scheme to abduct and kill her.

He was found guilty and last year was sentenced to a minimum of 16 years behind bars.

A litany of hosts like Josie Gibson, Craig Doyle, Rochelle Humes and Andi Peters took their place over a period of weeks before Cat and Ben were given the top jobs.

But speaking in the winners room after their victory, former X Factor host Dermot, 52, acknowledged that the show had been ‘through the mill’ over the last few years, reports Manchester Evening News.

He said: “There’s a team that have worked on the show since I’ve started who have had to endure an awful lot of s**t.

“And they have turned up to work every day with the greatest grace and professionalism and uncertainty, and they’ve never done anything but put their hearts and souls into this job.

“Two and a half hours of live telly every day is quite something, but to endure it under the spotlight of being on the front page of the news. This show holds a mirror up to Britain and it also tries to entertain.”

He also noted that the team was thrilled to win, as he added: “There’s never an arrogance about this. We’re genuinely humbled by it. It means an awful lot, especially for those people who have been through the mill.”

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

The rivalry between the old-school Galaxy and its upstart neighbor LAFC was once the best in MLS. The Galaxy traces its roots to the inception of the league while LAFC helped define its modern era, setting up a turf war so good, so competitive and so emotional, it had its own nickname.

Much of that drama had faded from El Tráfico in recent matches. But that changed Saturday when Maya Yoshida scored on the last touch of the game to give the Galaxy a 3-3 draw before a packed house of 22,301 at BMO Stadium.

And the teams didn’t limit their fight to the scoreboard. A tense shoving match broke out seconds into stoppage time, leading referee Guido Gonzalez Jr. to send off LAFC’s Eddie Segura with a red card while handing two yellow cards to the Galaxy and one to LAFC goalkeeper Hugo Lloris.

Galaxy and LAFC players get into a on-field scuffle during Saturday’s 3-3 draw at BMO Stadium.

(Luke Johnson / Los Angeles Times)

The most devastating punch, however, came from Yoshida, who was in the center of the shoving match. Minutes later his header off a cross from Mauricio Cuevas — his first goal and just his second shot on target of the season — capped a Galaxy comeback from a late 3-1 deficit.

Gabriel Pec had the other two goals for the Galaxy while Denis Bouanga scored twice for LAFC, whose other goal came from Javairo Dilrosun.

The draw gave the Galaxy (3-14-7) points in five of their last seven games, the team’s best stretch of the season. LAFC (10-5-6) is unbeaten in four straight and has lost just once in 14 league games since April 5. But the two points it lost on Yoshida’s goal dropped it to fifth in the Western Conference standings.

Bouanga’s fifth goal in six games gave LAFC the early lead in the 26th minute and, significantly, it was the first goal in that span that didn’t come from the penalty spot. It also gave him a goal in his last six games against the Galaxy.

LAFC star Denis Bouanga celebrates after scoring in the first half against the Galaxy on Saturday.

(Luke Johnson / Los Angeles Times)

Dilrosun doubled the lead with his second MLS goal on a counterattack five minutes later.

Pec halved the deficit for the Galaxy on a penalty kick less than 10 minutes before the intermission. That goal, set up by a Ryan Hollingshead hand ball in the box, snapped a 375-minute scoreless streak for LAFC.

Bouanga extended the LAFC lead on another counterattack set up by a Galaxy mistake in the 67th minute. Afterward, as the teams walked back to the center circle, Pec and Galaxy defender Emiro Garces, who was out of position on the breakaway, engaged in a heated argument.

Pec calmed down enough to get his fifth goal of the season, on a cross from Marco Reus, to pull his team closer in the 79th minute. The Galaxy then appeared to tie the score just before stoppage time, but Lloris made a spectacular kick save on Christian Ramirez while lying on his back on the goal line.

That set the stage for Yoshida, however, with the Galaxy captain slipping in front of Nkosi Tafari to redirect a glancing header inside the far post, earning the Galaxy a league result at BMO Stadium for the first time since August 2021, a game that also ended in a 3-3 draw.

When four top film studio musicians formed the Hollywood String Quartet in the late 1930s, its name was presumed an oxymoron. Exalted string quartet devotees belittled film soundtracks, while studio heads had a reputation for shunning classical music longhairs.

The musicians spent two intense years in rehearsal before disbanding when war broke out, and the quartet was brought back together in 1947 by two of its founders, Felix Slatkin (concertmaster of 20th ^{Century Fox Studio Orchestra) and his wife, Eleanor Aller (principal cellist of the Warner Bros. Studio Orchestra). Oxymoron or not, Hollywood produced the first notable American string quartet.}

Throughout the 1950s, the ensemble made a series of revelatory LPs for Capitol Records performing the late Beethoven string quartets and much else, while also joining Frank Sinatra in his torchy classic, “Close to You.” Everything that the Hollywood String Quartet touched was distinctive; every recording remains a classic.

The legacy of the Hollywood String Quartet is a celebration of Hollywood genre-busting and also of string quartet making. Today, the outstanding Lyris Quartet is one of many outstanding string quartets who can be heard in the latest blockbusters. Another is the New Hollywood String Quartet, which is devoting its annual four-day summer festival to honoring its inspiration as it celebrates its 25th ^anniversary.

The quartet’s festival began Thursday night and runs through Sunday in San Marino at the Huntington’s Rothenberg Hall. The repertory is taken from the earlier group’s old recordings. And the concerts are introduced by Slatkin and Aller’s oldest son, who as a young boy fell asleep to his parents and their colleagues rehearsing in his living room after dinner.

Conductor Leonard Slatkin speaks at the New Hollywood String Quartet concert at the Huntington.

(New Hollywood String Quartet)

The celebrated conductor Leonard Slatkin credits his vociferous musical appetite to his parents, who, he said Thursday, enjoyed the great scores written in this golden age of movie music and also championed new classical music as well as the masterpieces of the past. L.A. had no opera company in those days, and Slatkin said his parents likened film scores to modern opera scores.

Just about everyone has heard his parents in one film or another. Take “Jaws,” which is celebrating its 50th ^{anniversary. That’s Aller’s cello evoking John Williams’ shark-scary earworm.}

You’ve no doubt heard New Hollywood violinists Tereza Stanislav and Rafael Rishik, violist Robert Brophy and cellist Andrew Shulman on some movie. IMDb counts Brophy alone as participating on 522 soundtracks. You might also have heard one or more of the musicians in the Los Angeles Chamber Orchestra, Los Angeles Opera Orchestra or Los Angeles Philharmonic.

The New Hollywood String Quartet, from left: Rafael Rishik, Andrew Shulman, Tereza Stanislav and Robert Brophy.

(Sam Muller)

The New Hollywood’s programming may not encompass the original quartet’s range, but it is nonetheless a mixed selection of pieces that have somewhat fallen by the wayside, such as Borodin’s Second String Quartet. The original quartet’s performances and swashbuckling recording of the Borodin surely caught the attention of L.A. director Edwin Lester. In 1953 Lester created and premiered the musical “Kismet,” which adapts parts of the Borodin quartet, for Los Angeles Civic Light Opera, before it went on to be a hit on Broadway.

Times have changed and the New Hollywood brings a more robust tone and more overt interaction to its effusive interpretation compared with the silken and playful Slatkin and crew, who were all Russian-trained players. Hugo Wolf’s short “Italian Serenade,” which opened the program, was here lush and Italianate, while on an early 1950s disc it dances more lightly.

The big work was César Franck’s Piano Quintet. Slatkin noted that the recording, released in 1955, didn’t sell well, probably thanks to the album cover’s saturnine painting of a composer that few would recognize. Slatkin also noted that his parents weren’t enamored of their performance, but then again, he explained that they were temperamentally ever ready to find fault.

That recording, which features his uncle, Victor Aller, a graceful pianist, is slow and commanding. Jean-Yves Thibaudet was the right guest in every way for the big-boned performance at the Huntington. He is a French pianist with a flair for German music, well suited for the Belgian French composer’s Wagner-inspired score.

Thibaudet is also a longtime L.A. resident and an especially versatile performer who happens to be featured on the new soundtrack recording of Dario Marianelli’s “Pride & Prejudice,” which tops Billboard’s classical and classical crossover charts. He and Slatkin also go back decades, having performed together and become such good friends that the conductor turned pages for him in the Franck.

Seeing the 80-year-old Slatkin onstage evoked a remarkable sense of history, reminiscent of the roots to L.A.’s musical openness that his parents represented. On my drive home Thursday, I couldn’t resist following the route Albert Einstein would have taken after practicing his violin when he lived a 12-minute bike ride away during his Caltech years — the time Slatkin’s parents were making music history at the studios. Like them, Einstein played with the L.A. Philharmonic (although invited once not because he was a good violinist but because he was Einstein).

The New Hollywood and Thibaudet made no effort to relive the past in Franck’s quintet. Instead, in their opulence and expressive explosiveness, they showed Hollywood how to produce a remake that’s magnificent.

In the meantime, Leonard Slatkin, who is a former music director of the L.A. Phil at the Hollywood Bowl, returns later this month to the venue where his parents met in 1935 at a Hollywood Bowl Symphony competition. He will conduct a July 24 program that includes a recent work by the next generation of Slatkins. His son, Daniel, is a film and television composer.

Germany shattered the world record for largest string orchestra as 1,353 musicians performed Beethoven’s “Ode to Joy.” The intergenerational event brought together players of all ages, beating the previous record set in Hong Kong in 2018.

DAVID Beckham is to finally be awarded a knighthood, The Sun can reveal.

The footie legend, 50, will become a ‘Sir’ in the King’s Birthday Honours list next week.

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His Spice Girl wife Victoria will be known as Lady Beckham.

Ex-England and Man United star Becks has longed for a knighthood for years.

The news will also bring some joy to the Beckham household amid a rift with their eldest son Brooklyn and his wife Nicola Peltz.

Politicians and fellow sports stars have spent years calling for the man known as “Golden Balls” to receive a knighthood.

The father of four — who played 115 times for England and has made major contributions to charity— has struck up a firm friendship with King Charles.

And the monarch dropped a potential hint last month that his wait was coming to an end.

Countryside-loving Becks, who is an ambassador of The King’s Foundation, was seen greeting Charles and Queen Camilla at the Chelsea Flower Show.

Coveted honour

He shares a passion for horticulture with Charles and sported the King’s rose in his lapel.

Charles asked him: “You got it, didn’t you?”

Becks replied: “It was incredible, thank you. It was very kind.”

Letters inviting recipients to accept honours are sent out weeks in advance – and one may have already landed on David’s mat at the time of their chat.

He was first put forward for a knighthood in 2011 after helping to secure the London 2012 Olympics.

But he was blocked from getting the title by the Honours Committee after becoming caught up in a tax avoidance scheme, along with many other stars.

Becks retired from playing in 2013, and his finances were cleared by the taxman at least four years ago – paving the way for him to finally get the coveted honour.

Many thought it would finally come in 2022, after he spent 13 hours queuing with the public to pay his respects at Queen Elizabeth’s coffin, which lay in state in Westminster.

But he was again left waiting for the honour.

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The Sun understands he narrowly missed out on a knighthood in the New Year Honours List published in December last year.

Former England football manager Gareth Southgate got the award.

David had been given an OBE in 2003 for services to football.

He received it from Queen Elizabeth II at Buckingham Palace, watched by proud Victoria, sons Brooklyn and Romeo, and his grandparents.

David and his wife — who shot to fame with the Spice Girls before becoming a successful fashion designer — have an estimated combined net worth of £500million.

David also has a long history of charitable work, which will have been considered by officials on the Honours Committee.

It was inspiring to hear from The King about the work of His Majesty’s Foundation

David Beckham

Last year, he was formally made a charity ambassador by the King, and beekeeper Becks was buzzing with excitement at teaming up with him.

Charles invited Beckham to Highgrove to learn more about the charity, which focuses on “creating better communities where people, places and the planet can coexist in harmony”.

Tours of the grounds help to fund workshops and courses in traditional skills and crafts, and the former footie star met woodworking and embroidery students.

Becks said at the time: “I’m excited to be working with The King’s Foundation and to have the opportunity to help raise awareness of the charity’s work.

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“I’ve always been keen to help young people to expand their horizons and I’m particularly looking forward to supporting the Foundation’s education programmes and its efforts to ensure young people have greater access to nature.

“Having developed a love for the countryside I’m also on a personal mission to learn more about rural skills which is so central to the Foundation’s work.

“It was inspiring to hear from The King about the work of His Majesty’s Foundation during my recent visit to Highgrove Gardens — and compare beekeeping tips.”

In 2020, he teamed up with the Chelsea Pensioners as he backed The Sun’s campaign to save the Poppy Appeal amid the devastating Covid lockdown.

He said he was “in awe” of the veterans as he delivered poppies to their London HQ.

David added: “With another lockdown coming it is more important than ever that we support our veterans.”

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Becks, also dad to son Cruz and daughter Harper, has carried out lots of charity work focusing on children, and was appointed a UNICEF Goodwill Ambassador 20 years ago.

To mark his 50th birthday last month he appealed for donations for the charity.

He was also a founding member of the leadership council of charity Malaria No More in 2009, helping to eradicate the disease, even visiting No 10 to highlight the issue.

In 2023, he delighted the Brentford Penguins – a football team for children with Down’s Syndrome — with a visit to celebrate them winning one of The Sun’s Who Cares Wins awards.

He took footballing son Romeo with him to lead a surprise training session.

David celebrated his 50th last month with a string of parties, though Brooklyn stayed away.

The honours will be formally announced later this month.

The government does not comment on them beforehand.

A BRITISH tourist has been arrested in Namibia over an alleged series of sex attacks on San tribal children at a cultural “living museum” in the remote north-east of the country.

Douglas Robert Brooks, 65, was detained on Sunday at the Ju’/Hoansi Living Museum near Grashoek after allegedly offering sweets to local children in exchange for naked photos and inappropriate touching.

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He now faces 38 charges, including rape, indecent assault, human trafficking and child exploitation, under
Namibia’s Child Care & Protection Act of 2015 and international protocols.

Brooks also faces charges of crimen injuria, which means a deliberate attack on a person’s dignity through the use of vulgar or racially offensive words or gestures.

The pensioner allegedly persuaded 33 minors to strip and allow him to touch their private parts, with the promise of sweets he had brought to the camp.

He appeared at Grootfontein Magistrates Court on Monday afternoon, where prosecutor Erastus Christian laid out the charges. No plea was taken.

Namibian police Inspector Maureen Mbeha said Brooks is accused of groping the breasts and backsides of 16 teenage girls, 14 teenage boys and three younger children.

Police say the alarm was raised by concerned parents, leading to his arrest just a day after arriving at the remote museum for his third annual visit.

It’s believed that his detention has since prompted further allegations.

Brooks entered Namibia on May 15 and drove six hours from the capital Windhoek to the camp, which is part of a network of seven
“living museums” set up by the Living Culture Foundation Namibia (LCFN), a German-Namibian organisation.

The museums are designed to preserve San traditions and culture by allowing visitors to observe and take part in daily activities such as bow-and-arrow hunting, fire dances, and traditional craft-making.

While some adult women remain topless in keeping with cultural norms, management said teenage girls are always fully clothed in leather antelope-skin dresses.

Tourists are explicitly warned not to give sweets to children due to the lack of dental care, and instead encouraged to donate to local groups who distribute gifts fairly.

The Namibian Ministry of Environment and Tourism has condemned his alleged actions stating they were “deeply disrespectful” to the people of the San.

A spokesman said: “The allegations are a serious violation of our law regarding the protection of minors and it is unacceptable for tourists to exploit them.

“We applaud the Namibia police for their swift actions in attending to this matter and are confident that the law and justice will take place in due course”.

Brooks has been remanded in custody by Magistrate Abraham Abraham and is due to reappear in court on June 19.

It is not yet clear if he will be transferred to a main prison.

The San – or bushmen as they were known in colonial times and a description some find outdated – are the oldest surviving civilisations in Southern Africa.

Their small stature and semi-nomadic lifestyle saw them persecuted and hunted and forced into poverty when their traditional hunting grounds were taken.

Some 2000 of the 30,000 San in Namibia remain faithful to their traditional roots, hunting and farming for survival, and do not entertain the modern way of living.

The San are thought to have diverged from other nomadic hunting groups some 200,000 years ago and spread out across Southern Africa surviving in the wild.

They are known for their “click language” and supreme hunting and tracking skills and knowledge of nature and do not believe in possessions but sharing.

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Chad Smith remembers the night in 2003 when the Red Hot Chili Peppers played for an audience of 80,000 or so amid the rolling hills of the Irish countryside.

After a somewhat fallow period in the mid-’90s, the veteran Los Angeles alt-rock band resurged with 1999’s eight-times-platinum “Californication” and its 2002 follow-up, “By the Way,” which spawned the chart-topping single “Can’t Stop.” To mark the moment, the Chili Peppers brought a crew to document their performance at Slane Castle, where they headlined a full day of music that also included sets by Foo Fighters and Queens of the Stone Age, for an eventual concert movie.

“Everything’s filmed now, but back then it was a big shoot,” Smith, the band’s drummer, recently recalled. “You can get a little self-conscious. At the beginning, I f— something up — nothing nobody would know, but we would know — and Flea kind of looked at me,” he said of the Chili Peppers’ bassist. “We gave each other this ‘Oh s—’ look. We laughed it off, and I don’t think I thought about it after that because the crowd was so engaged. The energy was incredible.”

Twenty-two years later, the Chili Peppers are bringing that 2003 gig to screens again — only this time they’re string puppets.

“Can’t Stop” is director David Fincher’s re-creation of the band’s rendition of that tune at Slane Castle. Part of the just-released fourth season of the Emmy-winning Netflix anthology series “Love, Death + Robots,” the animated short film depicts the Chili Peppers — Smith, Flea, singer Anthony Kiedis and guitarist John Frusciante — as dangling marionettes onstage before a veritable sea of the same. As the band rides the song’s slinky punk-funk groove, we see Flea bust out some of his signature moves and Kiedis swipe a fan’s cellphone for a selfie; at one point, a group of women in the crowd even flash their breasts at the frontman.

The puppets aren’t real — the entire six-minute episode was computer-generated. But the way they move looks astoundingly lifelike, not least when one fan’s lighter accidentally sets another fan’s wires on fire.

So why did Fincher, the A-list filmmaker behind “Fight Club” and “The Social Network,” put his considerable resources to work to make “Can’t Stop”?

“A perfectly reasonable inquiry,” the director, who executive produces “Love, Death + Robots,” said with a laugh. “First and foremost, I’ll say I’ve always wanted a Flea bobblehead — it started with that. But really, you know, sometimes there’s just stuff you want to see.”

Why did David Fincher turn the Chili Peppers into puppets? “First and foremost, I’ll say I’ve always wanted a Flea bobblehead — it started with that. But really, you know, sometimes there’s just stuff you want to see.”

(Netflix)

Fincher, 62, grew up loving Gerry Anderson’s “Thunderbirds” series featuring his so-called Supermarionation style of puppetry enhanced by electronics. But the Chili Peppers project also represents a return to Fincher’s roots in music video: Before he made his feature debut with 1992’s “Alien 3,” he directed era-defining clips including Paula Abdul’s “Straight Up,” Madonna’s “Express Yourself” and “Vogue” and George Michael’s “Freedom! ’90.” (Fincher’s last big music video gig was Justin Timberlake’s “Suit & Tie” in 2013.) In addition to “Thunderbirds,” he wanted “Can’t Stop” to evoke the ’80s work of early MTV auteurs like Wayne Isham and Russell Mulcahy — “that throw 24 cameras at Duran Duran aesthetic,” as he put it.

Fincher said he knew his puppet concept would require “a band you can identify just from their movement,” which seems like a fair way to describe the Chili Peppers. He recalled first encountering the band around 1983 — “I think it was with Martha Davis at the Palladium?” he said — and was struck by a sense of mischief that reminded him of the “elfin villains” from the old Rankin/Bass TV specials.

“I feel like Finch got the spirit of me,” said Flea, 62, who’s known the director socially for years. The bassist remembered discussing “Can’t Stop” with Fincher at a mutual friend’s house before they shot it: “I was talking about how I still jump around onstage and my body still works really good. But I used to dive and do a somersault while I was playing bass — like dive onto my head. And now I’m scared to do it.” He laughed. “Some old man thing had happened where I’m scared to dive onto my face now. Finch went, ‘Well, Puppet Flea can do it.’”

Sketches of Red Hot Chili Peppers drummer Chad Smith and bassist Flea as puppets in Vol. 4 of Netflix’s “Love, Death + Robots.” (Netflix)

After doing a day of motion capture with the band at a studio in the Valley, Fincher and a crew of animators from Culver City’s Blur Studio spent about 13 months working on “Can’t Stop.” Fincher said the hard part was giving the marionettes a feeling of suspension.

“With the mo cap, you’re capturing the action of a character who has self-determination,” he said, referring to a human Chili Pepper, “then you’re applying that to an object that has no self-determination,” meaning a puppet controlled by an unseen handler. “It’s so much trickier than it looks. But that was kind of the fun, you know? I mean, not for me,” he added with a laugh.

Asked if the production involved any use of AI, Fincher said it didn’t. “It’s Blur — it’s a point of pride for them,” he said. But he also shrugged off the idea that that question has become a kind of purity test for filmmakers.

A digital rendering of the Chili Peppers as puppets.

(Netflix)

“For the next couple of months, maybe it’ll be an interesting sort of gotcha,” he said. “But I can’t imagine 10 years from now that people will have the same [view]. Nonlinear editing changed the world for about six weeks, and then we all took it for granted.

“I don’t look at it as necessarily cheating at this point,” he continued. “I think there are a lot of things that AI can do — matte edges and roto work and that kind of stuff. I don’t think that’s going to fundamentally ruin what is intimate and personal about filmmaking, which is that we’re playing dress-up and hoping not to be caught out.”

As he reportedly works on an English-language version of “Squid Game” and a sequel to Quentin Tarantino’s “Once Upon a Time … in Hollywood,” did making “Can’t Stop” lead Fincher to ponder the state of the music video now that MTV is no longer in the business of showcasing the form?

“Well, the audience that MTV aggregated — in retrospect, that was time and a place,” he said. “Remember, the Beatles were making music videos — they just called it ‘Help!’ There was no invention at all on MTV’s part.

“What I do miss about that — and I don’t think we’ll ever see it again — was that I was 22 years old and I would sketch on a napkin: This is kind of the idea of what we want to do. And four days later, $125,000 would be sent to the company that you were working with and you’d go off and make a video. You’d shoot the thing in a week, and then it would be on the air three weeks after that.

“You make a television commercial now and there’s quite literally 19 people in folding chairs, all with their own 100-inch monitor in the back. The world has changed.” He laughed.

“I started my professional career asking for forgiveness rather than permission, and it’s been very difficult to go the other direction.”