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Lionsgate’s “Michael” is on track to unseat “Straight Outta Compton” as the king of musical biopics.

Early returns suggest the Antoine Fuqua-directed film will surpass the $60-million opening weekend box office record set by the N.W.A biopic in 2015, with the studio expecting an opening that could reach $70 million.

“Michael Jackson is one of the most influential artists in human history. His impact on music, fashion, dance, film and business has withstood the test of time,” said Adam Fogelson, the chair of the Lionsgate Motion Picture Group.

“All of those things together seem to have created a profound response from audiences of all ages,” he added.

“Michael,” starring the legendary pop star’s nephew Jaafar Jackson, hits 3,900 screens nationwide on Friday.

The film marks the first time the story of Michael Jackson’s life and career are back in movie theaters since 2009’s “This Is It.” That posthumous documentary followed the rehearsals for his London residency, which was canceled after he died, just 18 days before the first of 50 scheduled shows.

That film remains the highest-grossing documentary of all time with nearly $270 million in global ticket sales.

The stakes may be higher for “Michael,” not just because of its roughly $200-million cost, but also its circuitous journey to the big screen.

Early development on the motion picture began in 2019, but frequent changes — both in the storyline and production — forced delays. The original idea was to encapsulate Jackson’s life from childhood fame with the Jackson 5 to his solo commercial peak during the ’80s and end with the child sex abuse allegations he faced in 1993.

That version of the film was well underway when the production was forced to go back to the drawing board due to a legal issue. The Jackson estate, which is in support of the project, reportedly discovered the early draft of “Michael” violated a $15-million settlement with the accuser in that case. Part of the agreement stipulated that the alleged victim would never be pictured or mentioned in a dramatization of Jackson’s life.

Production reconvened for 22 additional days and the Jackson estate took on tens of millions of dollars in additional reshoot costs.

The current version of “Michael,” hitting theaters this weekend, is set between the 1960s and 1988. It closely follows the controlling relationship between Jackson and his father, Joe Jackson, played by Colman Domingo, and tracks the king of pop’s peak stardom. Janet Jackson is notably absent from the storyline.

Depending on how the movie performs, there are plans for a potential sequel. The follow-up would tell the second half of Jackson’s career, where much of the scrapped footage could be used. Lionsgate has done advanced work to ensure that a significant amount of the previously captured footage could be included.

So far, the movie is receiving mixed reviews. As of Friday morning, the critic’s consensus on Rotten Tomatoes was less than favorable, with a score of 40%. But Lionsgate remains confident the film will resonate positively with average moviegoers and Jackson fans, both domestically and globally.

“The audiences that are now starting to watch the movie in early previews have been euphoric,” Fogelson said. “Audiences are speaking loudly and clearly about how much they appreciate the final product.”

Even outside of theaters, Jackson’s story continues to find success. “MJ,” the jukebox musical based on his life, is in its fourth year on Broadway and has had both national and international showings. Michael Jackson’s estate has also collaborated with Cirque du Soleil for several acrobatic productions since 2011. The “Michael Jackson ONE” show, which first premiered in 2013, recently extended its run on the Las Vegas Strip until 2030.

Tiffany Naiman, the director of music industry programs at UCLA, said the sustained interest in the pop icon speaks to his loyal fan base and place in American cultural history.

“He represents not only extraordinary artistic achievement, but also the contradictions of fame at its most amplified,” Naiman said in a statement. “That tension — between brilliance and controversy, innovation and scrutiny — is precisely what continues to draw audiences back, and what will likely shape both the film’s reception and its broader cultural impact.”

Coronation Street newcomer Ben Driscoll will be left ‘absolutely devastated’ in the fallout to a sickening plot, while another bombshell leads to him hitting the bottle

It’s a tough time ahead for the Driscolls on Coronation Street, especially newcomer Ben.

Actor Aaron McCusker who has played him since October has spilled on two big moments ahead for his character. Ben will be left “devastated” in the fallout to his teenage son Will Driscoll’s grooming ordeal.

But Ben will also be left blindsided about a DNA twist that sparks heartache for him, tearing apart his relationship with his mother Maggie. It’s not yet clear if Ben will find out his real father is former character Jim McDonald, but we do know that Ben learns the man he thought was his father actually wasn’t.

Actor Aaron teased of what is ahead: “Ben and Maggie are having a row and in the heat of the argument, Maggie says something that just doesn’t make sense to Ben. Maggie tries to backtrack and pretends she didn’t know what she was saying but Ben won’t let it go.

READ MORE: Coronation Street’s Maggie vows to take down Megan amid DNA bombshellREAD MORE: Emmerdale icon says ‘good things come to an end’ after 17 years on soap amid big shake-up

“It’s digging at him, why did she say that, and he just needles at her till eventually she says right here’s the truth. Maggie’s also being blackmailed by Ben’s ex Melanie who knows the truth from Ben’s brother who witnessed things, and is using this to try to force Maggie to convince Ben to let Will go live with her.

“Eventually it all just gets too much for Maggie and she makes the decision to tell Ben herself. Then the truth comes tumbling out.” On the impact of the paternity news, Aaron went on: “He’s stunned and he’s also livid, made worse by the fact he can’t go back and talk to the man who he always thought was his dad because he’s dead.

“He also finds out that Alan knew he wasn’t Ben’s dad and still stuck by Maggie and that endears him to Alan even more. He has a huge argument with Maggie then he goes straight out to the bar and gets stuck into the whiskeys.”

Aaron hinted that it could be it for Maggie and Ben. He said: “Let’s be honest he’s forgiven his mum for quite a lot already! He threw her out of the house on Christmas Day, then let her back in.

“He sits back 50% of the time and lets her get away with how she treats Eva and he does realise that she was a single mother and sacrificed a lot to bring him and Fin up. But maybe it will go a different way this time, I think it will take a while to get over this but time’s a healer so I hope in the end they will be alright.”

He then discussed the plot involving Ben’s son Will, who has been sexually abused by his athletics coach Megan Walsh. With Will still manipulated into believing they are in a relationship, and with Megan pregnant with his child, ben is left blaming himself.

Aaron explains: “He’s absolutely gutted, he’s been through a stage of blaming himself, maybe he’s been too wrapped up in the move to Weatherfield, been stuck in the middle of the war between Maggie and Eva, focusing on his two other kids and it just slid by him. He’s disappointed in himself and he’s going out of his way now to try to make things better but with a teenage son it’s not easy and he’s going to have to work hard to repair the relationship.”

Coronation Street airs weeknights at 8:30pm on ITV1 and ITV X. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .