Stern

British actor Samantha Eggar, the Oscar-nominated star of films including “The Collector,” “Doctor Dolittle” and David Cronenberg’s “The Brood,” has died. She was 86.

Eggar died Wednesday evening, her daughter Jenna Stern announced Friday on Instagram. Stern said her mother died “peacefully and quietly surrounded by family” and recalled being by the actor’s side “telling her how much she was loved.” A cause of death was not revealed.

Stern described her mother, who was also a prolific TV actor, as “beautiful, intelligent, and tough enough to be fascinatingly vulnerable.”

Eggar pursued a film career that spanned the 1960s to the 1990s and was most celebrated for her work in “The Collector,” directed by William Wyler. The psychological horror movie, based on John Fowles’ novel of the same name, featured Eggar as the youthful art student abducted by a reclusive young man portrayed by Terence Stamp. For the thriller, Eggar collected the Cannes Film Festival‘s actress prize plus a Golden Globe Award and an Academy Award nomination.

After the film’s release, Eggar secured numerous roles, notably in the 1967 iteration of “Doctor Dolittle” opposite Rex Harrison, “Walk, Don’t Run” with Cary Grant, “The Molly Maguires” and “The Walking Stick.”

One of Eggar’s most memorable roles was in Cronenberg’s “The Brood,” released in 1979. She starred as Nola Carveth, a mental patient receiving radical psychotherapy treatment amid a series of mysterious murders. The film also starred Oliver Reed and Art Hindle.

Throughout her film career, Eggar also appeared in scores of television series ranging from “Anna and the King” (opposite “The King and I” star Yul Brynner), “Starsky & Hutch,” “The Love Boat” and “Star Trek: The Next Generation.” Her more substantial TV roles included a voice-acting part in the animated series “The Legend of Prince Valiant,” which ran for two seasons, and a stint as Charlotte Devane on the daytime drama “All My Children.”

The actor also lent her voice as Hera in Disney’s “Hercules,” then reprised the role in the animated classic’s spinoff video game and TV series.

Eggar was born March 5, 1939, in Hampstead, London. Her father was a British Army brigadier and her mother served as an ambulance driver during World War II. She studied art and fashion at the Thanet School of Art and pursed acting at the Webber Douglas Academy of Dramatic Art, according to a statement her daughter shared. Later in life, Eggar returned to the stage, performing “The Lonely Road” at the Old Vic and “The Seagull” at Oxford Playhouse and Theatre Royal, Bath.

She also brought her talents to radio, lending her voice to more than 40 productions for the California Artists Radio Theatre. Eggar was an animal enthusiast and supporter of several environment and health causes.

“Samantha Eggar will be remembered not only for her unforgettable performances but for her generosity, wit, and love of life,” the statement said.

Eggar is survived by her children Nicolas and Jenna, grandchildren Isabel, Charlie and Calla; and sisters Margaret Barron, Toni Maricic, and Vivien Thursby.

Married At First Sight UK is introducing three more couples to the chaotic E4 experiment, with The Mirror revealing a first look at one of the nervous couples

Married At First Sight UK is well underway, but the E4 programme likes to keep things interesting by introducing several new couples almost two weeks after the experiment begins. Three more couples will join the chaos of the already tense series, which has many of the couples struggling to get along.

In a first look shared with The Mirror, Abi, 34, is seen with her new hubby, John, 38, taking professional photos. John has been single for five years and calls himself a ‘Romantic Romeo’, claiming he’s single as he gives off ‘single man energy’. Meanwhile, Abi revealed she’s never had a relationship that lasted longer than a year.

The clip starts with John asking his wife whether she walked down the aisle with her mother, to which she confirmed that she did.

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She then said: “Just to warn you, she’s never liked any of my previous partners. She’s quite hard to please. So you might have a bit of a grilling from her.”

During a confessional, a determined John said: “I would try to and prove myself to Abi’s mum. It’s scary, really, before Abi separately confessed that her mum “isn’t afraid to say how she feels”.

A teaser clip that aired on Sunday night gave fans a glimpse of Abi’s mother’s “honesty”. John said in the voiceover: “Today is now or never, everything is riding on this.”

The narrator then teased drama and says: “But will an over protective mum derail the first new couple’s first day?”

Abi’s mum insisted she “will not see her hurt again” during the confessional and later told the groom: “The last thing I want to be is upset by some arrogant person that comes along.”

Her mum said to the camera in another clip: “I am the one that vets everybody, I am the bad guy. Beware.”

Other new intruder latecomers to the show include April, who has been single since 2023, and Leisha, who hopes to settle down and start a family.

Meanwhile, Leo, 31, calls himself bombastic and a “yes man” who has been single for five years, while Reiss, 33, is a painter and decorator who has been unattached for six months.

The three new couples arrive as the original contestants continue to navigate their difficult relationships.

Married At First Sight UK continues at 9pm on E4.

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NEW YORK — Howard Stern, the popular and highly paid radio host, returned to SiriusXM’s airwaves Monday after trolling listeners into thinking he had departed his long-running show.

Stern, 71, who evolved from his shock jock origins to become a respected interviewer, enlisted a seemingly flustered Andy Cohen at the top of “The Howard Stern Show” to pretend to be his successor. “This was supposed to be a cleaner hand off. I’m kind of winging it,” said Cohen.

Stern then came on the air and thanked the Bravo personality, who has his own SiriusXM show and podcast, for agreeing to do the bit. The stunt was the culmination of weeks of promos that promised a big reveal, following swirling speculation that Stern’s show would be canceled. “The tabloids have spoken: Howard Stern fired, canceled,” one promo video said. “Is it really bye-bye Booey?” The speculation grew after Stern postponed his return from a summer break last week.

While he did return Monday, Stern did not announce that he had reached a new contract with SiriusXM. His current deal expires at the end of 2025.

“Here’s the truth: SiriusXM and my team have been talking about how we go forward in the future. They’ve approached me, they’ve sat down with me like they normally do, and they’re fantastic,” Stern said.

Stern joining what was then Sirius Satellite Radio Inc. in 2006 made him one of the highest-paid personalities in broadcasting and was a game-changer for both the company and the nascent satellite radio industry. His importance was highlighted on the SiriusXM homepage — tabs included For You, Music, Talk & Podcasts, Sports and Howard.

SiriusXM in the years after Stern joined has become home to top podcasts “Call Her Daddy,” “SmartLess,” “Freakonomics Radio,” “Last Podcast on the Left,” “99% Invisible” and “Conan O’Brien Needs a Friend” and features such personalities as Trevor Noah, Kevin Hart and Stephen A. Smith.

But SiriusXM’s subscriber base has been slowly contracting, with the company reporting 33 million paid subscribers in the second quarter of 2025, a net loss of 68,000 from the first quarter and 100,000 fewer than the same period in 2024. It is a battling a saturated satellite market and competition from free, ad-supported platforms like Spotify.

Stern extended his contract with SiriusXM twice before, in 2010 and again in 2020 with a five-year, $500 million deal, Forbes reported. He’s recently had newsy and intimate chats with Lady Gaga and Bruce Springsteen.

“He’s been with me and the company going on two decades, and so he’s pretty happy, but he’s also able, like many great artists, to stop whenever he wants,” SiriusXM president and chief content officer Scott Greenstein told The Hollywood Reporter in 2024. “Nobody will ever replace them. We would never try to replace them.”

Stern, who has liked to call himself the King of All Media, rose to national fame in the 1980s during his 20-year stint at the then-WXRK in New York. At its peak, “The Howard Stern Show” was syndicated in 60 markets and drew over 20 million listeners. Stern was lured to satellite radio by the lucrative payday and a lack of censorship, following bruising indecency battles with the Federal Communications Commission and skittish radio executives. His past on-air bits had included parading strippers through his New York studio and persuading the band then known as The Dixie Chicks to reveal intimate details about their sex lives.

His 1997 film “Private Parts” became a box office hit and offered a raw, humorous look at his rise to fame. He has also authored several bestselling books and served as a judge on “America’s Got Talent” from 2012 to 2015.

Kennedy writes for the Associated Press.

Marlee Matlin has a word tattooed on each of her wrists. On the left is “perseverance,” on the right is “warrior.”

“After 37 years, I’m still hustling,” she says by way of explanation in “Marlee Matlin: Not Alone Anymore.” Referring to the ink on her left wrist, she adds, “I look at this all the time. Every day.”

“Not Alone Anymore” is hardly the first celebrity documentary to salute its subject’s tenacity. But if the contours of this story are familiar — the rise, the fall, then the rise again of an Oscar winner — director Shoshannah Stern’s affectionate portrait is all the richer for the layers it reveals about both Matlin and the larger struggles of the Deaf community she embodies. The 59-year-old actor’s legacy may indeed be one of perseverance, but “Not Alone Anymore” touchingly details just how much more challenging her battles with addiction and sexual abuse have been than those of other famous people.

The film’s inventiveness starts with its opening frames, in which closed captioning describes the sounds that accompany the production companies’ logos: “[low humming],” “[dramatic, echoey flutters].” These descriptions occur throughout the documentary, as do subtitles for every talking head, including the Deaf participants. Obviously, these creative decisions allow Deaf and hard-of-hearing viewers to more easily experience “Not Alone Anymore.”

But it’s also a subtle acknowledgement of Matlin’s trailblazing work in the late 1980s, when she used her newfound fame to convince lawmakers to require televisions to include closed captioning — a groundbreaking development for a community who had been deprived of a fuller engagement with the media they were watching.

This wasn’t the only way in which Matlin has left her mark. In “Not Alone Anymore,” she breezily recounts how, at 19, she was plucked from relative obscurity to star in her first film, the 1986 adaptation of “Children of a Lesser God,” based on Mark Medoff’s acclaimed play, about a love affair between Sarah, a Deaf janitor, and James, a hearing teacher. Matlin won the Oscar, becoming the first Deaf actor to do so. (Nearly 40 years later, she remains the youngest lead actress recipient.) At the time, her victory was hailed not just as a coronation of a promising talent but also a triumph for the Deaf, who too often feel marginalized and underestimated. But, as the documentary reveals, real progress would prove trickier to achieve.

Matlin and Stern, who is also a Deaf actor, have been friends for decades, and their interviews are mostly conducted sitting together on a couch, the conversations exuding the cozy intimacy of old chums chatting. Making her directorial debut, Stern deftly draws out her subject. Audiences will learn about Matlin’s past history of drug abuse and her fraught romantic relationship with her “Lesser God” costar William Hurt, whom she has accused of sexual and physical abuse. (Hurt died in 2022.)

But “Not Alone Anymore” gently probes the unique difficulties Matlin’s deafness created as she navigated those traumas. When she went to rehab, the facility was ill-equipped to treat a Deaf patient. And during a poignant discussion about Matlin’s sexual abuse, she explains growing up with no understanding of the phrase “domestic violence.”

“Deaf people only have their eyes to rely on for information,” she tells Stern. It’s an illuminating illustration of the dangers of what the Deaf community refers to as language deprivation.

Despite her Oscar win, Matlin would repeatedly have to advocate for herself in an industry seemingly uninterested in Deaf characters. Stern uses 2021’s best-picture-winning “CODA,” which costarred Matlin, as a happy ending of sorts for her film, without denying the ongoing movement for greater Deaf visibility. But if “Not Alone Anymore” can sometimes lean too heavily on uplifting sentiment, Matlin’s story possesses a bittersweet aftertaste.

As evidenced by Matlin’s years of striking, engaging performances, she is a winning presence in the documentary — funny, charming and open — even while we sense the lingering wounds from a difficult upbringing exacerbated by sexual abuse she endured in childhood. Beyond being a spokesperson for the Deaf, Matlin has also emerged as a voice for survivors, even when the world wasn’t receptive to what she had to say. “Not Alone Anymore” notes, with pointed irony, that Matlin published her candid memoir “I’ll Scream Later” in 2009, years before #MeToo, so her accusations against Hurt didn’t carry the same weight in the media as the ones that would later stop powerful predators such as Harvey Weinstein.

It was hardly the first time Matlin waited for society to catch up with her. When she first arrived in Hollywood, she couldn’t have possibly imagined how much of a warrior spirit she would need. “Not Alone Anymore” honors a woman who learned how to fight.