Stephen Colbert

Jon Stewart’s biting satire may have made his new bosses squirm, but they went ahead and extended the comedian’s run on Comedy Central through December 2026.

The channel’s parent company, Paramount, announced Monday that Stewart will continue to host “The Daily Show” on Monday nights and serve as an executive producer through the end of next year.

Members of the show’s news team will continue to share Tuesday through Thursday hosting duties. Terms of the contract were not disclosed.

“Jon Stewart continues to elevate the genre he created. His return is an ongoing commitment to the incisive comedy and sharp commentary that define The Daily Show,” Ari Pearce, Comedy Central’s manager said in a prepared statement. “We’re proud to support Jon and the extraordinary news team.”

Stewart’s contract was re-upped nearly four months after Paramount-owned sister network CBS notified Stephen Colbert, who rose to fame on “The Daily Show,” that it was dumping his late night show at the end of the season. The cancelation was revealed days after Colbert lambasted a $16 million settlement Paramount agreed to pay President Trump to end a lawsuit over edits to “60 Minutes.” Colbert called the arrangement “a big fat bribe.”

Paramount settled the Trump suit to win approval from the Trump administration of its sale to David Ellison’s Skydance Media and RedBird Capital Partners. CBS has said the reason for Colbert’s cancellation was financial, not political, although many people have expressed doubts.

Ellison took ownership of Paramount in August. Stewart has joked that he, too, might be tossed as the company tries to reposition itself to the political center.

Last week, the company began a deep round of layoffs, cutting 1,000 employees with plans to terminate another 1,000 in the coming weeks, in an effort to trim its workforce by 10%.

After a nine-year absence, Stewart returned as a host in February 2024. He had helmed the show for 16 years before taking a break in 2015. His current contract was expiring.

The show was hosted by Trevor Noah until 2022, when he stepped down. That prompted a rotation of guest hosts, including Kal Penn, Charlamagne tha God, Sarah Silverman and Michelle Wolf.

Last month, during a conversation with the New Yorker at a cultural festival, Stewart was asked whether he might stick around longer. “We’re working on staying,” Stewart told the New Yorker’s David Remnick.

The rotation of “The Daily Show” hosts also will include Ronny Chieng, Josh Johnson, Jordan Klepper, Michael Kosta, and Desi Lydic with Troy Iwata and Grace Kuhlenschmidt.

The hair of the dog is no miracle remedy. Colin Farrell knows this from experience.

The Irish actor learned the limits of the folk remedy many moons ago while filming “Minority Report,” the Steven Spielberg-directed tech noir film based on Philip K. Dick’s science fiction novella of the same name.

That fateful day on set, as Farrell told it Tuesday on “The Late Show With Stephen Colbert,” was perhaps even more disturbing than the surveillance-state setting wherein the 2002 film unfolds.

It all started on the eve of Farrell’s birthday, he said. That night, he “got up to all sorts of nonsense” that landed him back home in the wee hours. At the time, Farrell was struggling to kick a longtime substance abuse habit.

“I remember getting into bed, and as soon as I turned off the light the phone rang,” the Academy Award winner said. He was 10 minutes late for his 6 a.m. pickup.

“I went, ‘Oh, s—.’”

Farrell said he had hardly fumbled his way out of his car when assistant director David H. Venghaus Jr. intercepted him, insisting, “You can’t go to the set like this.”

In response, the young actor requested six Pacifico beers and a pack of Marlboro Reds.

“Now listen, it’s not cool because two years later I went to rehab, right?” Farrell told Colbert. “But it worked in the moment.”

Did it, though?

In the end, Farrell said it took him 46 takes to deliver one single line, albeit a verbose one: “I’m sure you’ve all grasped the fundamental paradox of pre-crime methodology.”

“Tom wasn’t very happy with me,” Farrell said. Lucky for Cruise, he got a consolation prize in the form of a Saturn Award nomination from the Academy of Science Fiction, Fantasy & Horror Films. Plus, “Minority Report’s” $35.6-million domestic opening didn’t hurt.

Farrell finally got sober a few years later, shortly before he filmed “In Bruges” (2008), he said at the 2021 Dublin International Film Festival.

At first, the transition was difficult to manage, Farrell said: “After 15 or 20 years of carousing the way I caroused and drinking the way I drank, the sober world is a pretty scary world.”

But “to come home and not to have the buffer support of a few drinks just to calm the nerves, it was a really amazing thing,” he said.

Jimmy Kimmel figured his ABC late-night show was toast during last month’s firestorm over his comments following conservative activist Charlie Kirk’s shooting.

“I said to my wife: ‘That’s it. It’s over,’” Kimmel recalled Wednesday night at the Bloomberg Screentime media conference in Hollywood in a lengthy sit-down interview three weeks after the controversy.

The 57-year-old comedian has all along felt his statements about the Kirk shooting were misconstrued. But he recognized his show was in deep trouble on Sept. 17 when his bosses benched him and two ABC affiliate station owners, Nexstar Media Group and Sinclair Broadcast Group, initially refused to air the program.

Kimmel provided fresh details about his dealings with Walt Disney Co. brass, his emotional hiatus and the late night television business in the wake of rival CBS announcing it was canceling “The Late Show with Stephen Colbert” next spring.

Kimmel declined to say whether he would extend his long ABC run when his contract is up in May, but he acknowledged an interest in producing other projects.

Kimmel’s future was in doubt last month after his comments and the political backlash spawned boisterous protests that shined a light on 1st Amendment freedoms, the role of the Federal Communications Commission and the challenges facing Disney as it looks for a new leader to replace Chief Executive Bob Iger next year.

The controversy began with his Sept. 15 monologue when Kimmel said Trump supporters “are desperately trying to characterize this kid who murdered Charlie Kirk as anything other than one of them and doing everything they can to score political points from it.” Right-wing influencers howled; FCC Chairman Brendan Carr called Kimmel’s actions “the sickest conduct possible.”

The sentiment he was trying to convey “was intentionally, and I think maliciously, mischaracterized,” Kimmel said.

He didn’t sense the initial fallout was “a big problem,” but rather a “distortion on the part of some of the right-wing media networks,” he said.

Kimmel had planned to clarify his remarks Sept. 17, but Disney executives feared the comedian was dug in and would only inflame the tense situation. That night, about an hour before showtime, Disney hit pause and released a statement saying the show had been pre-empted “indefinitely.”

He was off the air for four days.

“I can sometimes be aggressive. I can sometimes be unpleasant,” he said.

A protester calls for the return of “Jimmy Kimmel Live!” after Walt Disney Co. yanked the ABC comedian in September over comments he made about the shooting of right-wing influencer Charlie Kirk.

(Genaro Molina / Los Angeles Times)

He recognized the show’s precarious position when Sinclair and Nexstar bailed. He recalled an episode from early in his career when he made a joke about boisterous Detroit basketball fans, saying “They’re gonna burn the city of Detroit down if the Pistons win,” so he hoped the Lakers would prevail.

The comment riled up the Motor City, prompting the local ABC affiliate to briefly shelve Kimmel’s show.

An ABC executive at the time told Kimmel the loss of the Detroit market could be catastrophic. That pales in comparison to the threatened loss of Nexstar and Sinclair, which own dozens of stations, including in such large markets as Seattle, St. Louis and Washington, D.C.

“The idea that I would not have …. 40 affiliates [stations] … I was like, ‘Well, that’s it,’” Kimmel said.

But he said he “was not going to go along” with demands made by station broadcasters.

Sinclair, a right-leaning broadcaster, said in a statement it would not air Kimmel until he issued “a direct apology to the Kirk family” and “make a meaningful personal donation to the Kirk Family and Turning Point USA,” the right-wing group Kirk founded.

Both Sinclair and Nexstar resumed airing the show Sept. 26. ABC offered no concessions.

Kimmel complimented Disney’s co-chair of entertainment Dana Walden’s handling of the crisis, saying she was instrumental in helping him sort through his emotions.

“I ruined Dana’s weekend. It was just nonstop phone calls all weekend,” Kimmel said, saying he doubted the situation would have turned out so well “if I hadn’t talked to Dana as much as I did, because it helped me think everything through, and it helped me just kind of understand where everyone was coming from.”

When asked who might become the next CEO of Disney, Kimmel said it would be “foolish” to answer that question.

“But I happen to love Dana Walden very much, and I think she’s done a great job,” Kimmel said.

Throughout the controversy, Walden and Iger were skewered by critics who asserted the company was caving to President Trump, who has made it clear that he’s no Kimmel fan. The Disney leaders were accused of “corporate capitulation.”

“What has happened over the last three weeks … was very unfair to my bosses at Disney,” Kimmel said. “It [was] insane, and I hope that we drew a really bold red line as Americans about what we will and will not accept.”

Kimmel returned Sept. 23 with an emotional monologue that championed the 1st Amendment.

Ratings soared.

The controversy — and CBS’ upcoming cancellation of Colbert — has focused new attention on the cultural clout of late night hosts, despite the industry’s falling ratings.

Millions of viewers now watch monologues and other late night gags the following day on YouTube, which means networks that produce the shows have lost valuable revenue because Google controls much of that advertising.

Networks acknowledge the late night block is challenged, but Kimmel said such shows still matter.

He scoffed at reports that cite unnamed sources suggesting Colbert’s show was on track to lose $40 million this year.

“If [CBS] lost $40 million, they would have canceled it already,” Kimmel said. “I know what the budgets for these shows are,” alluding to the ABC, CBS and NBC shows.

“If we’re losing so much money, none of us would be on,” he said. “That’s kind of all you need to know.”

The late night circuit got its version of a unique crossover event Tuesday night as Jimmy Kimmel and Stephen Colbert appeared as guests on each other’s shows.

It was a fitting stunt considering both talk show hosts have been at the center of noteworthy professional situations shrouded in political and national significance, and both orbit in the same universe of President Trump’s contempt. The two hosts, who have vocally supported each other through the respective ordeals on their shows, were now able to continue the mutual backing in full force, face-to-face.

In the wake of the fallout of Kimmel’s suspension earlier this month over comments he made related to the death of conservative pundit Charlie Kirk, the recently reinstated host charged ahead with moving his L.A.-based show to Brooklyn for a week as planned, with Colbert among the star-studded list of guests. Colbert was effusive in his support of Kimmel after ABC pre-empted his talk show, criticizing the decision as “blatant censorship.”

Kimmel, meanwhile, appeared on “The Late Show,” alongside pop star Sam Smith. Earlier this year, CBS announced it was canceling “The Late Show” and would end after the season wraps in May 2026 — marking not only the end of Colbert’s run at the helm, but also bringing the late night institution to a close after a 30-year run. The decision, the company said, was due to financial reasons and not — as many have speculated — because of Colbert’s criticism of a deal between the Trump administration and Paramount, the parent company of CBS, the network that airs “The Late Show,” over.a 2024 “60 Minutes” interview with former Vice President Kamala Harris. Kimmel was one of the many who expressed disdain over the decision, even campaigning for Colbert to win an Emmy though Kimmel was on the same ballot. (Colbert ultimately won.)

Ahead of Kimmel’s appearance on “The Late Show,” Colbert hosted another late-night host, Conan O’Brien, who appeared as a guest Monday, opening the conversation with, “Stephen, how’s late night? What’s going on? I’ve been out of it for a little bit — catch me up on what’s happening.”

“I’ll send you the obituary,” Colbert replied.

Here are five standout moments from the night of shared grievances.

Stephen Colbert, left, and Jimmy Kimmel backstage at “The Late Show.”

(Scott Kowalchyk/CBS)

Colbert says he ‘sweat through his shirt’ the day he told his staff ’The Late Show’ was canceled

In his first sit-down interview since the “The Late Show” was canceled, Colbert walked Kimmel through the timeline of his show’s cancellation. He said he received the news from their mutual manager, James Dixon, after the taping of his show on July 16. He got home to his wife, Evie McGee-Colbert, two and a half hours later. As he walked into the apartment, according to Colbert, his wife said, “What happened? You get canceled?”

Dixon knew for a week but had been hesitant to relay the news to Colbert, who was on vacation. Once he learned the show’s fate, Colbert said he was unsure about when he should break the news to his staff, debating whether to wait until after the summer break or in September. His wife, though, said he would tell them the following day.

“We get into the building,” he said, “I go up the elevator, I walk through the offices. By time I get to my offices, I have sweat through my shirt because I didn’t want to know anything my staff didn’t know. And I said, ‘I’m going to tell my staff today,’ but then we couldn’t do a show if I told them because everybody would be bummed out and I would be bummed out.”

He only told executive producer Tom Purcell at first. He got through the whole show. And then he asked the audience and staff to stick around for one more act so he could record the announcement.

“My stage manager goes, ‘Oh no, we’re done, Steve, we’re done.’ And I said, ‘nope, there’s one more act of the show. Please don’t let the audience leave.’ And he goes, ‘No, boss, no. Boss. I got that. I got the thing here. We’ve done everything.’ And I said, ‘I’m aware of that. And I’m here to tell you there’s one more act of the show,’” he explained. “So I went backstage, I said, ‘Everybody, get on Zoom.’ I told everybody as briefly as I could so they wouldn’t find out about it on air. And then I went back out on stage to tell everybody. And I was so nervous about doing it right — because there was nothing in the prompter, I was just speaking off the cuff — that I f— up twice. And I had to restart and the audience thought it was a bit and they started going, ‘Steve, you can do it.’ Because I always messed up on the sentence that told them what was happening. And then I got to the sentence that actually told them was happening, and they didn’t laugh.”

Kimmel, in turn, shared that he found out about “The Late Show’s” cancellation while attending a No Kings protest march.

Kimmel says he took the call from ABC about his suspension from the bathroom

Jimmy Kimmel on “The Late Show with Stephen Colbert” Tuesday.

(Scott Kowalchyk/CBS)

Like Colbert, Tuesday marked the first time Kimmel had been interviewed since his suspension earlier this month, and he detailed the day he got the news he was being pulled from the air.

Kimmel’s office is busy — there’s roughly five other people working in there with him at all times, he told Colbert. So when ABC executives wanted to speak with him less than two hours before he was set to tape that night’s episode, Kimmel resorted to the bathroom to take the call in private.

“I’m on the phone with the ABC executives, and they say, ‘Listen, we want to take the temperature down. We’re concerned about what you’re gonna say tonight, and we decided that the best route is to take the show off the air,’” Kimmel said before the audience interjected with boos.

“There was a vote, and I lost the vote, and so I put my pants back on and I walked out to my office,” before telling some of his producing team the news, he said. “My wife said I was whiter than Jim Gaffigan when I came out.”

The decision on Kimmel’s suspension came so late in the day that the audience was already in their seats and had to be sent home, Kimmel told Colbert.

A sign of the times?

While touting the crossover event in his monologue (“We thought it might be a fun way to drive the President nuts so…”), Kimmel took time to stress the groundswell of support Colbert has both in New York, where he does his show, and in Kimmel’s homebase of L.A. To prove it, the camera cut to a photo showing signs that were displayed over the 101 freeway in L.A. when Kimmel went back on the air following his suspension. They read: “Public pressure works — Kimmel is back!”

“And this is the sign that is up now,” Kimmel continued, cutting to video of more recent signage over the freeway. “It says, “Now do Colbert.”

Gavin Newsom traveled to Brooklyn. Or did he?

Seth Meyers, left, Josh Meyers as California Gov. Gavin Newsom and Jimmy Kimmel on “Jimmy Kimmel Live!”

(Randy Holmes/ABC)

The California governor — who also moonlights (by proxy of his social media team) as the unofficial No. 1 Trump troll — made the cross-country trip to Brooklyn to surprise Kimmel on stage. Or did he? As the host mentioned the politician’s latest jab at Trump during his monologue, Newsom barreled onto the stage on a bike before finding his place next to Kimmel for a roughly six-minute spiel, delivered in his best California bro speak, on his mission to bring people together.

“L.A and N.Y.C., we’re not so different,” Newsom said. “I mean, we both just want to be free to smoke weed while riding our electric scooters to a drag queen brunch.”

As Kimmel pressed how exactly they can succeed in coming together, a blustering Newsom responded: “We already started, dog. These people get it. They have their own great late night hosts here in NYC, but tonight they chose my homie from L.A. They could be partying with my dude, J-Fall and The Roots crew — they’re a rap band … because you did look confused. Anyway, these Brooklyn-istas came to see you instead of checking out the political commentary of John Oliver or J-Stew or pay their respects to Colbert before he shipped off to Guantanamo Gay, or they could have gone and watched whatever that little creep Seth Meyers is doing … dude dresses like a substitute Montessori teacher. I mean, do you know why he sits down for his jokes? Same reason yo’ mama sits down to pee.”

Cue a special appearance from Seth Meyers, Kimmel’s friend and fellow late night host to rein in … his brother? For the non-late night connoisseurs reading this: Meyers’ brother, Josh, played the “Covid bro” version of Newsom during the pandemic in sketches that aired on NBC’s “Late Night with Seth Meyers.” Newsom took the gag further on Tuesday, impersonating Josh impersonating himself on Kimmel’s stage.

“We’re bros, but no, we’re not,” Newsom as Josh said. “Look, I get this all the time, probably because we’re both so hot.”

Meanwhile, keeping the planned awkwardness going, Kimmel took the opportunity to mention to Meyers that he was in town if he wanted to get dinner. Meyers responded: “What happened with your show? I thought this whole thing was, you know … “

“We’re back on the air,” Kimmel said. “We’re back on now.”

It should also be noted that Kimmel, Colbert and Meyers later posed for a photo onstage and uploaded it to their respective social media accounts with the caption, “Hi Donald!”

Guillermo brings the fun (and the tequila)

Guillermo Rodriguez, left, Jimmy Kimmel and Stephen Colbert taking a round of shots on “The Late Show.”

(Scott Kowalchyk/CBS)

Looking ahead at the remaining months Colbert will be on the air, Kimmel asked the host when he was going to “go nuts,” and suggested he lose his glasses and “maybe do some ayahuasca on set.” Kimmel then gifted him a bong with a Statue of Liberty design, which he called a “chemistry set.”

Colbert started playing along by unbuttoning his blazer and saying “f— that” to a signal that he only had a minute left in the segment. (“What are they gonna do, cancel me?” Colbert asked). Then, as if right on cue, Guillermo Rodriguez, Kimmel’s friend and sidekick on his show, came onto the stage with tequila (and three shot glasses) in hand.

On the first round of Don Julio, Colbert made a toast: “To good friends, great jobs and late-night TV.”

Colbert then poured another round and Kimmel pulled out the bong he had gifted the host. The group then took one more shot together and Kimmel toasted to Colbert.

Guillermo, who got a round of hearty cheers from the crowd, is known for giving out shots and toasting with A-Listers at awards shows and other Hollywood events.

The recent suspension of “Jimmy Kimmel Live!” is an attack on democracy. Though not necessarily the democracy one might think.

Free speech is protected by the 1st Amendment. This grants the late-night host the freedom to say whatever he thinks without fear of arrest or state-sanctioned violence. It does not necessarily guarantee that he will not be censured, or fired, if his remarks violate his employer’s rules or standards.

President Trump discovered this in 2015 when, citing inflammatory remarks the then-presidential candidate made about undocumented Mexican immigrants, NBC — the network that aired “The Apprentice” and Trump’s Miss Universe pageant — cut ties with him.

This is the most obvious explanation for Trump declaring war on television, despite it being the industry that, via “The Apprentice” and a deluge of coverage during his first presidential campaign, helped propel him to the presidency. Paybacks are a b— and this particular president thrives on them.

And it is definitely war. Trump has a long history of attacking various TV networks and personalities, including Kimmel. The regularity, name-checking and vitriol of these attacks far outstrip the anger many presidents have expressed toward the media, but they are in keeping with Trump’s general brand of “whataboutism” and victimization.

A brand that last year a majority of voters decided, in a free and fair election, represented their best interests.

What they did not vote for, because it was not part of Trump’s platform or promises, was the weaponization of his office in general, and the FCC in particular, to destroy the democracy of broadcast television.

First by a spurious suit against “60 Minutes,” which many believe was settled to allow the sale of Paramount Global to Skydance Media to go forward, then with CBS (owned by Paramount) canceling “The Late Show With Stephen Colbert” and now with the suspension of “Jimmy Kimmel Live!”

Television is an industry that relies on a continual public voting system — people watch or they don’t watch, and the networks renew, cancel and tweak their programming accordingly. This is an oversimplification of a byzantine and often mysterious system that often involves the personal preferences of network executives and, increasingly, algorithms, but essentially the viewers are in charge — with their eyeballs and, occasionally, their outrage.

If, as the president claims, “Jimmy Kimmel Live!” had been canceled due to its low ratings or suspended after Kimmel’s recent remarks caused longtime viewers to inundate ABC or the show’s sponsors with messages of outrage, fans would have been upset, but it would have been a mere blip in the news cycle.

But that is not what happened. Instead, a handful of conservative pundits who have made it their business to punish anyone who mentions slain influencer Charlie Kirk with anything but near-sanctification used a few ill-chosen but innocuous lines regarding the crime in Kimmel’s opening monologue Monday to call for swift and terrible retribution.

FCC Chairman Brendan Carr answered the call. On the podcast “The Benny Show,” hosted by right-wing political commentator Benny Johnson, he threatened television affiliates with regulatory action if they did not take action against Kimmel.

He did so knowing that Nexstar, which owns many of those affiliates, was attempting to buy Tegna, in order to gain control of over 80% of U.S. television stations. That merger would require not just FCC approval but Carr’s willingness to eliminate the rule that prevents any media company from owning more than 39% of television stations.

Nexstar appeared to do precisely what Carr demanded of them. As did ABC/Disney, which decided that the loss of revenue from these affiliates, and the animosity of Trump and his supporters, posed a bigger threat than the potential fallout from pulling “Jimmy Kimmel Live!” off the air. (And good luck getting the four-time Oscars host to emcee this ceremony again in the future.)

Perhaps it did. But given that “seize the media” and “silence comedians” are historical hallmarks of totalitarianism, the resulting three-day-and-counting news cycle, in which Carr, Trump and Disney Chief Executive Bob Iger have been regularly accused of dismantling democracy, has given anti-MAGA forces a new and legitimate rallying cry.

All while pushing broadcast television just a bit closer to the edge of extinction.

Nexstar denied that it benched Kimmel due to pressure from Carr.

“The decision to preempt ‘Jimmy Kimmel Live!’ was made unilaterally by the senior executive team at Nexstar, and they had no communication with the FCC or any government agency prior to making that decision,” Gary Weitman, Nexstar’s chief communications officer, said in a statement.

Trump’s obsession with broadcast networks and late-night hosts is perilous, and not just because it underlines his desire to attack culture with every means at his disposal (including those that may not be legal).

Certainly, it exposes his authoritarian bent, but it also reveals his anachronistic view of the world.

First, in these divisive times, having critics allows your supporters to coalesce around hating them. And second, broadcast television, including and especially late night, has been in its death throes for more than a decade.

As alarming, unacceptable and authoritarian as the attacks on “60 Minutes,” Colbert and Kimmel are, media freedom is not going to die on this particular hill for the simple reason that it is no longer the free media’s main residence.

Carr ordered his hit on Kimmel not from the comforts of “Fox & Friends” but on a podcast. Trump still delivers televised speeches, but most of his communications and policy decisions are delivered via social media.

The tsunami of corporate mergers involving television networks and streaming services have occurred not because these things are profitable tools of power but because, at least separately, they are not. YouTube is the most popular media platform in the country.

As Trump points out, Kimmel’s television ratings are very low — less than 2 million on average. Kimmel himself has said that he and other late-night shows get far more viewers from clips on social media than on television. If he and Colbert decide to take their voices straight to social media, well, good luck controlling that.

There is certainly much to fear in Trump’s brazen attacks on venerable institutions like “60 Minutes” and late-night television (though with conservatives like Ted Cruz and Tucker Carlson siding, at least in principle, with Kimmel, things may not be going quite the way Carr or Trump planned), but as Kirk knew, one doesn’t need a television show to be an effective, influential voice.

Seen from one angle, Trump is most certainly attempting to quash what we have come to know as democracy. But from another, it’s a grudge-holding president kicking the industry that helped him achieve power when it’s already struggling for breath.

While Thursday’s “Jimmy Kimmel Live!” was preempted by a rerun of “Celebrity Family Feud,” continuing ABC’s indefinite suspension of the talk show, some of Kimmel’s late-night colleagues used their platform to sound off.

On “The Daily Show,” which airs on Paramount-owned Comedy Central and has rotating hosts, Jon Stewart suited up for emceeing duties outside his usual Monday slot. Desi Lydic had been hosting this week, but the comedian had something to say about the issues surrounding his friend Kimmel.

Stewart leaned heavy into irony from the start of the show, saying it is now the “all new, government-approved” version, and was introduced as the evening’s “patriotically obedient host.” Stewart frequently scolded the audience for laughing at his sarcastic pandering to the Trump administration. He said the show was being taped in the “crime-ridden cesspool that is New York City” and notes that “someone’s National Guard should invade this place, am I right?”

“I don’t know who this ‘Johnny Drimmel Live’ ABC character is, but the point is, our great administration has laid out very clear rules on free speech,” Stewart said. “Some naysayers may argue that this administration’s speech concerns are merely a cynical ploy, a thin gruel of a ruse, a smoke screen to obscure an unprecedented consolidation of power and unitary intimidation, principleless and coldly antithetical to any experiment in a constitutional republic governance. Some people would say that. Not me, though, I think it’s great.”

Stewart and the correspondents then serenaded the president with an off-key tune filled with compliments and praises.

Meanwhile, Jimmy Fallon, host of NBC’s “The Tonight Show,” briefly addressed the situation in his monologue Thursday night saying, “To be honest with you all, I don’t know what’s going on — no one does. But I do know Jimmy Kimmel, and he is a decent, funny and loving guy. And I hope he comes back.”

Fallon said he would continue his monologue “just like I normally would,” but the punchline of his jokes about Trump came with an announcer interrupting any possible slights with flattery.

Earlier in the day, the host had canceled a scheduled appearance at Fast Company’s Innovation Festival in New York City, where he was set to join a panel titled “Staying on Brand”; organizers did not respond to a request for comment about the cancellation of his appearance.

Seth Meyers, host of NBC’s “Late Night,” also didn’t avoid the topic. He opened his segment “A Closer Look” on Thursday by cracking jokes about how anything negative he’s said about the president is an AI-generated deepfake. “I’ve always believed he was a visionary, an innovator, a great president and even better golfer,” he joked.

He proceeded to show clips from Trump’s recent trip to the U.K., poking fun at the president’s comments and protesters who rallied against his visit. But later in the segment, Meyers’ began to show clips of Trump touting his efforts to “stop all government censorship” and bring back free speech, before cutting to news clips about Kimmel’s suspension.

“Trump promised to end government censorship and bring back free speech, and he’s doing the opposite, and it has experts worried that we’re rapidly devolving into an oppressive autocracy in the style of Russia or Hungary, much faster than anyone could have predicted,” Meyers continued.

The host also commented on his personal relationship with Kimmel, saying it’s a “privilege and an honor” to be his friend, in the same way he feels privileged to host his own show. “I wake up every day, I count my blessings that I live in a country that at least purports to value freedom of speech, and we’re going to keep doing our show the way we’ve always done it, with enthusiasm and integrity,” he said.

“The Late Show With Stephen Colbert” added David Remnick, the editor in chief of the New Yorker, to its lineup Thursday, which already included CNN journalist Jake Tapper. Colbert’s show generated its own headlines this summer when CBS announced the late-night talk show would be canceled after the season wraps in May 2026 — effectively ending the franchise after 33 years on the air. The decision, the company said, was due to financial reasons rather than a response to Colbert’s criticism of a deal between the Trump administration and Paramount, the parent company of CBS, the network that airs “The Late Show,” as many have speculated.

Colbert used his vocal talents Thursday to sing a tune about the situation, presenting a short song as a message from ABC and its parent company, Walt Disney. The song was to the tune of “Be Our Guest,” the “Beauty and The Beast” classic — except the repeating refrain is “shut your trap.”

Colbert sings as an animated clip of the candlestick character Lumière from the movie plays, but he’s donning a red MAGA hat here. “Shut your trap, we’re warning you to cut the crap. Our dear leader’s skin is thinner than a sheet of plastic wrap,” he sings.”Mum’s the word, have you heard, kissing a— is what’s preferred. Don’t insult our great dictator or he’ll hit you with this turd,” the song continues as a photo of FCC Chairman Brendan Carr appears on screen.

“The new rule at ABC: Don’t make fun of Donny T,” he sings. “So don’t you make a scene or mention Jeff Epstein, or your show will be scrapped — shut your trap.”

Colbert also spoke about the suspension in a monologue, reading a social media post from Carr that said “While this may be an unprecedented decision, it is important for broadcasters to push back on Disney programming that they determine falls short of community values.”

“You know what my community values are, buster?” Colbert asked. “Freedom of speech.”

Colbert discussed Kimmel’s situation with Tapper, who brought up the Department of Justice’s review of Disney’s deal to take a controlling stake in streaming company FuboTV, which brings up potential antitrust issues. Tapper questioned what Bob Iger, Disney’s chief executive, would do about Kimmel given that he has business before the Justice Department. “Is he going to poke the bear, Donald Trump, or is he going to ignore this great tradition we have in this country, of not acquiescing — of media, newspapers, comedians, television — not acquiescing to power?”

Democratic Arizona Sen. Mark Kelly is also scheduled to appear in an episode of “The Late Show” airing Monday; Kelly last appeared on the show last year ahead of the November 2024 presidential election, discussing border security and gun reform.

Earlier on Thursday, while taking part in a panel conversation moderated by the Atlantic’s Jeffrey Goldberg, late-night veteran David Letterman, who once helmed “The Late Show” on CBS, described this week’s turn of events as “misery.”

“In the world of somebody who’s an authoritarian, maybe a dictatorship, sooner or later, everyone is going to be touched,” Letterman said. He first addressed what transpired with Colbert and the cancellation of “The Late Show,” alluding to political pressure as the real culprit, before addressing the decision to yank Kimmel’s show.

“I just feel bad about this because we all see where this is going, correct?” he said. “It’s managed media. And it’s no good. It’s silly. It’s ridiculous. And you can’t go around firing somebody because you’re fearful or trying to suck up to an authoritarian — a criminal — administration in the Oval Office. That’s just not how this works.”

With three decades in the late-night circuit, Letterman never shied from mocking presidents: “Beating up on these people,” he said, “rightly or wrongly, accurately or perhaps inaccurately, in the name of comedy — not once were we squeezed by anyone from any government agency, let alone the dreaded FCC.”

ABC carried out the decision to take Kimmel off the air Wednesday after the comedian and host made comments about conservative activist Charlie Kirk’s death during his opening monologue on Monday night.

“We hit some new lows over the weekend with the MAGA gang desperately trying to characterize this kid who murdered Charlie Kirk as anything other than one of them, and doing everything they can to score political points from it,” Kimmel said.

Kimmel has not yet commented publicly on the matter. But his show’s suspension quickly ignited fierce debate, with critics accusing ABC and its parent company, Disney, of capitulating to political pressure. Brendan Carr, the chairman of the Federal Communications Commission, said Wednesday that his agency might take action against ABC because of Kimmel’s comments.

“This is a very, very serious issue right now for Disney,” Carr said on the Benny Johnson podcast. “We can do this the easy way or the hard way. These companies can find ways to take action on Kimmel or there is going to be additional work for the FCC ahead.”

President Trump lauded Kimmel’s suspension in a post he wrote on his Truth Social media site: “Great News for America: The ratings challenged Jimmy Kimmel Show is CANCELLED.” (The show has not been canceled, but remains on hold.)

It’s also worth noting Kimmel’s outspoken daytime counterparts were mum on the issue. “The View’s” panelists did not address the Kimmel situation during Thursday’s episode. (“Good Morning America,” which is produced by ABC News, did mention the news of the Kimmel hiatus without additional commentary.)

Meanwhile, Kimmel’s fictional late-night competitor, Deborah Vance, has an opinion on the ordeal — or rather, actor Jean Smart does. She may only play a late-night television host on TV, but the “Hacks” actress was quick to share her thoughts on the decision to pull Kimmel from the air: “What Jimmy said was FREE speech, not hate speech,” Smart shared in an Instagram post. “People seem to only want to protect free speech when its suits THEIR agenda.” (Kimmel made a cameo in the recent season of “Hacks.”)

She went on to write: “Thought I didn’t agree at ALL with Charlie Kirk; his shooting death sickened me; and should have sickened any decent human being. What is happening to our country?”

There were two questions the 77th Emmy Awards, held Sunday night at the Peacock Theater in downtown Los Angeles, had to answer, other than who would win what. (It’s an honor just to be nominated.)

One was how the show, a glittery evening devoted to the most popular of popular arts, would play against a world gone mad. The other, not distinct from the first, was how first-time host Nate Bargatze would do.

The ceremony is hosted by a round robin of the major networks, and this year the honor fell to CBS, whose corporate overlord, Paramount, has come to represent capitulation to the Trump administration, settling a baseless lawsuit in what is widely viewed as a payoff to grease the wheels of its merger with Skydance and promising to eliminate its DEI protocols. Executive interference in the news department amid an apparent rightward turn has led to the resignations of “60 Minutes” producer Bill Owens and CBS News President and CEO Wendy McMahon. And there’s the cancellation of Stephen Colbert’s “Late Show,” the timing of which some have found suspicious.

But if your goal was to avoid insulted celebrities, social media outrage or petulant notes from the White House, you could have done no better than to hire Bargatze, a clean, calm, classical, noncontroversial, nonpolitical, very funny, very successful comedian. Bargatze, who has been in comedy since 2002, saw his career explode over the last few years; his appeal is not so much mainstream, which is to say soft-edged, as it is broad — something for everybody.

The show opened quite brilliantly — perhaps confusingly, if you had missed Bargatze’s “Washington’s Dream” sketches on “Saturday Night Live” on which the routine was closely modeled, including the presence of Mikey Day, Bowen Yang and James Austin Johnson — with the host as Philo T. Farnsworth, “the inventor of television,” foreseeing the medium’s less than sensible future. First presenter Stephen Colbert followed immediately to a standing ovation and chants of his name. “While I have your attention, is anyone hiring? I have 200 very qualified candidates with me tonight who will be available in June.”

Emmys host Nate Bargatze, right, and Bowen Yang appear in an opening sketch at the 77th Primetime Emmy Awards at the Peacock Theater in Los Angeles on Sunday.

(Myung J. Chun / Los Angeles Times)

Then the host introduced his much publicized, one would say quintessentially Bargatzean, gimmick. To keep acceptance speeches short, he would donate $100,000 to the Boys & Girls Clubs of America; $1,000 per second would be deducted for anyone going over the allotted 45 seconds. Money would be added to the pot for anyone running short. (J.B. Smoove, a former Boys Club member, was a sort of co-sponsor, in the audience with a young boy and girl.) This efficiency made professional sense, though it had the potential to put a lid on what is usually the most interesting, unruly, moving, unpredictable part of the show. (If anyone had thought for a second, it also spelled trouble: Try talking for what you imagine is 45 seconds. You will be wrong.)

As it happened, the state of the world was addressed, sidelong and directly. Presenter Julianne Nicholson said of living in a post-apocalyptic bunker in “Paradise,” “compared to headlines that’s positively feel-good TV.” Jeff Hiller, winning supporting actor in a comedy series for “Somebody Somewhere,” thanked the Duplass brothers “for writing a show of connection and love in this time when compassion is seen as a weakness.” “Last Week Tonight” senior writer Daniel O’Brien dedicated their second award to “all writers of political comedy while that is still a type of show that is allowed to exist.” And in a generational echo of their “Hacks” characters, fourth-time winner Jean Smart (who has won seven Emmys overall) ended her acceptance speech saying, “Let’s be good to each other, just be good to each other,” while co-star and first-time winner Hannah Einbinder, finished with, “I just want to say: Go Birds, f— ICE, and free Palestine.” Going way over the 45-second limit, she promised to pay the difference on the tote board.

Hannah Einbinder accepts the award for supporting actress in a comedy series for “Hacks” during the show at the 77th Primetime Emmy Awards at the Peacock Theater in Los Angeles on Sunday.

(Myung J. Chun / Los Angeles Times)

After Einbeinder, the most direct acknowledgment of current bad events came from Academy Chair and CEO Cris Abrego, speaking of the Governors Award given the week before to the Corp. for Public Broadcasting. In a highly quotable speech, he noted how “Congress had voted to defund it and silence yet another cultural institution.” He continued, “In a time when division dominates the headlines, storytelling still has the power to unite us … In times of cultural regression [it reminds] us what’s at stake and what can still be achieved,” and he rattled off a number of much loved shows that challenged the status quo. “In a moment like this, neutrality is not enough. … Culture does not come from the top down, it rises from the bottom up. … Let’s make sure that culture is not a platform for the privileged but a public good for all.” The stars in the audience nodded approvingly.

There were also some pure delights among the bedrock of desultory scripted banter and unimpressive tributes to old shows (“Law & Order: SUV,” “The Golden Girls”). Reunited “Everybody Loves Raymond” co-stars Ray Romano and Brad Garrett, presenting the award for comedy series, recaptured the essence of their television brotherhood. Jennifer Coolidge, presenting the award for lead supporting actress in a comedy, sounded like she’d walked in from a Christopher Guest film. “Between us, I was actually hoping to be nominated for you tonight for my work on this season of ‘The Pitt.’ I played a horny grandmother having a colonoscopy during a power outage and I had to play a lot of levels. I even had to do my own prep.” She went on, after a while, to tell the nominees that winning “is not all it’s cracked up to be. It’s really not… I thought I had gotten really close with my fellow nominees especially after I won but I’m pretty sure they removed me from the group chat.”

The inevitable losses incurred by Bargatze’s charity gimmick provided a sort of running joke at the host’s expense, which he managed quite well, while some winners made a game of trying to put money back on the board. But the longer it went on, the more pressure it put on the winners to be short. Eventually, the show found its natural level, as winners said what they needed to, or much of it, and the count dropped tens of thousands of dollars past zero. For everyone but the bean counters, the least important thing about an awards show is it running on time; in any case, it was only a few minutes over.

And, as one might have expected, Bargatze — who made it through the three hours in a way that served the event and his own down-home ethos — paid the originally promised $100,000 and added a $250,000 tip.

Sept. 5 (UPI) — The chief executive of PBS said Thursday that the company was cutting 15% of its workforce due to an elimination of federal funding of public broadcasting.

There were 34 people laid off Thursday, and with the elimination of vacant positions and the loss of a federal grant, it means more than 100 jobs were lost.

PBS Chief Executive Paula Kerger said the organization has lost 21% of revenues.

“In this unprecedented moment we remain focused on what matters most: ensuring our member stations can deliver quality content and services to communities across America,” a PBS spokesperson said.

Kerger said in an email to general managers that the PBS foundation had received a “significant grant” from a major donor to support PBS News Hour and PBS Kids, but they still needed to make “significant changes in our staffing and operations.” The job reductions include those tied to Ready to Learn, which had Department of Education funding that also was eliminated, Deadline reported.

In July, Congress voted to rescind $1.1 billion in funds to public broadcasting.

Public media had used an advanced appropriations cycle, which means Congress had already allocated funds through 2027. President Donald Trump threatened to withhold support for anyone in Congress who didn’t vote for the rescissions bill.

The Corporation for Public Broadcasting, which distributes grants to public media outlets, is shutting down at the end of the year. It was created by Congress in 1967.

PBS only took a small portion of direct funding from the CPB, but stations also paid dues to PBS, which distributes shows like PBS News Hour and Masterpiece. Stations in rural areas and smaller cities relied more on federal funds, according to public media advocates.

Some stations, including KQED in San Francisco and GBH in Boston, have had layoffs.

NPR CEO Katherine Maher has said she will cut the network’s budget by $8 million to give savings to public stations most affected by the cuts.

On the CBS Late Show, Maher told Stephen Colbert that an estimated 70 to 80 of NPR’s 246 member stations may have to shut down.

Public radio stations typically take about 10% of their revenues from the CPB and pay NPR for the right to broadcast its shows, NPR reported.

For some stations, particularly those serving rural and Native American audiences, reliance on federal money was far greater.

As the GOP breaks the rules to placate their leader and the Dems play by rules that no longer exist, late-night television is one of the few public platforms left that’s bold enough to challenge President Trump’s policy on a daily basis.

From Jimmy Kimmel to “The Daily Show” to Stephen Colbert (whose contract won’t be renewed by the nervous folks at Paramount), calling out the dangerous actions of the bully in the White House has by default become a public service of late-night TV and its political satirists.

Early Wednesday morning, Trump attempted to spark a new battle against his joke-slinging foes when he took to his own social media site, Truth Social, to address a “sick rumor” that wasn’t a rumor at all.

“Fake News NBC extended the contract of one of the least talented Late Night television hosts out there, Seth Meyers,” Trump wrote. “He has no Ratings, Talent, or Intelligence, and the Personality of an insecure child. So, why would Fake News NBC extend this dope’s contract. I don’t know, but I’ll definitely be finding out!!!”

It will not take Sherlock Holmes, Stephen Miller or even a DOGE flunky to ferret out the truth because the contract was revealed back in May … of 2024. It was hardly a covert operation when NBC extended “Late Night With Seth Meyers” through 2028. “We’re so happy to continue this legacy franchise with Seth at the helm and watch him continue to elevate the success of ‘Late Night,’” announced NBCUniversal Entertainment late-night programming EVP Katie Hockmeyer in a statement.

Mystery solved.

Trump has appeared more triggered than usual over the past month or two, perhaps due to quantifiable rumors surrounding his relationship with the late convicted child sex trafficker Jeffery Epstein, slipping poll numbers or ongoing queries about his health. The internet can’t stop speculating about what appear to be bruises on the backs of his hands, slathered in orange concealer. Is he sick and getting IV transfusions? Or is he punching his computer screen each time California Gov. Gavin Newsom out-trolls him?

Meyers is a frequent critic of the current White House administration, and the president has had it out for the comedian ever since Meyers played news anchor on SNL’s “Weekend Update” and Trump played a successful businessman on “The Apprentice.” It was 2011 when Meyers, then head writer of the sketch show, hosted the White House Correspondents’ Dinner.

“Donald Trump has been saying that he will run for president as a Republican, which is surprising, since I just assumed he was running as a joke,” Meyers said. Seated in the audience was a seething Donald Trump.

“Late Night With Seth Meyers” recently celebrated its 10th year on air, outlasting “The Late Show With Stephen Colbert.” Though Trump reportedly had no direct hand in the cancellation of Colbert’s show, Paramount made the move to end the show after Trump sued its news magazine “60 Minutes” over an interview with former Vice President Kamala Harris. The network paid a $16 million settlement to the president. Paramount at the time also happened to be seeking federal approval for a multibillion-dollar sale to Hollywood studio Skydance, which was approved shortly after the settlement.

Last fall, Trump posted on Truth Social that NBC’s parent company, Comcast, should “pay a BIG price” for shows like Meyers’, which he called “political hits.”

“How bad is Seth Meyers on NBC, a ‘network’ run by a truly bad group of people — Remember, they also run MSDNC,” Trump wrote. “I got stuck watching Marble Mouth Meyers the other night, the first time in months, and every time I watch this moron I feel an obligation to say how dumb and untalented he is, merely a slot filler for the Scum that runs Comcast.”

Meyers has yet to comment on the recent attention paid to his show by the White House, but what’s the rush? The host has another four years, according to his contract. Trump also has until 2028, according to that other contract, the Constitution. It’s anyone’s guess which agreement will hold.

William Henry Harrison, the ninth president of the United States, was the last commander in chief born a British subject and the first member of the Whig Party to win the White House. He delivered the longest inaugural address in history, nearly two hours, and had the shortest presidency, being the first sitting president to die in office, just 31 days into his term.

Oh, there is one more bit of trivia about the man who gave us the slogan “Tippecanoe and Tyler Too.” Harrison was the last politician to lose his first presidential election and then win the next one (Thomas Jefferson and Andrew Jackson managed that before him). Richard Nixon lost only to win way down the road. (Grover Cleveland and Trump are the only two to win, lose and then win again.)

Everyone else since Harrison’s era who lost on the first try and ran again in the next election lost again. Democrat Adlai Stevenson and Republican Thomas Dewey ran twice and lost twice. Henry Clay and William Jennings Bryan each ran three times in a row and lost (Clay ran on three different party tickets). Voters, it seems, don’t like losers.

These are not encouraging results for Kamala Harris, who announced last week she will not be running for governor in California, sparking speculation that she wants another go at the White House.

But history isn’t what she should worry about. It’s the here and now. The Democratic Party is wildly unpopular. It’s net favorability ( 30 points) is nearly triple the GOP’s (11 points). The Democratic Party is more unpopular than any time in the last 35 years. When Donald Trump’s unpopularity with Democrats should be having the opposite effect, 63% of Americans have an unfavorable view of the party.

Why? Because Democrats are mad at their own party — both for losing to Trump and for failing to provide much of an obstacle to him now that he’s in office. As my Dispatch colleague Nick Cattogio puts it, “Even Democrats have learned to hate Democrats.”

It’s not all Harris’ fault. Indeed, the lion’s share of the blame goes to Joe Biden and the coterie of enablers who encouraged him to run again.

Harris’ dilemma is that she symbolizes Democratic discontent with the party. That discontent isn’t monolithic. For progressives, the objection is that Democrats aren’t fighting hard enough. For the more centrist wing of the party, the problem is the Democrats are fighting for the wrong things, having lurched too far left on culture war and identity politics. Uniting both factions is visceral desire to win. That’s awkward for a politician best known for losing.

Almost the only reason Harris was positioned to be the nominee in 2024 was that she was a diversity pick. Biden was explicit that he would pick a woman and, later, an African American running mate. And the same dynamic made it impossible to sideline her when Biden withdrew.

Of course, most Democrats don’t see her race and gender as a problem, and in the abstract they shouldn’t. Indeed, every VP pick is a diversity pick, including the white guys. Running mates are chosen to appeal to some part of a coalition.

So Harris’ problem isn’t her race or sex; it’s her inability to appeal to voters in a way that expands the Democratic coalition. For Democrats to win, they need someone who can flip Trump voters. She didn’t lose because of low Democratic turnout, she lost because she’s uncompelling to a changing electorate.

Her gauzy, often gaseous, rhetoric made her sound like a dean of students at a small liberal arts college. With the exception of reproductive rights, her convictions sounded like they were crafted by focus groups, at a time when voters craved authenticity. Worse, Harris acquiesced to Biden’s insistence she not distance herself from him.

Such clubby deference to the establishment combined with boilerplate pandering to progressive constituencies — learned from years of San Francisco and California politics — makes her the perfect solution to a problem that doesn’t exist.

Her choice to appear on Stephen Colbert’s “The Late Show” for her first interview since leaving office was telling. CBS recently announced it was terminating both Colbert and the show, insisting it was purely a business decision. But the reason for the broadcast network’s decision stemmed in part from the fact that Colbert narrow-casts his expensive show to a very small, very anti-Trump slice of the electorate.

“I don’t want to go back into the system. I think it’s broken,” Harris lamented to Colbert, decrying the “naïve” and “feckless” lack of “leadership” and the “capitulation” of those who “consider themselves to be guardians of our system and our democracy.”

That’s all catnip to Colbert’s ideologically committed audience. But that’s not the audience Democrats need to win. And that’s why, if Democrats nominate her again, she’ll probably go down in history as an answer to a trivia question. And it won’t be “Who was the 48th president of the United States?”

@JonahDispatch

In her first interview since losing the election to President Trump and leaving office, former Vice President Kamala Harris told Stephen Colbert on “The Late Show” that her decision not to run for California governor was more “basic” than saving herself for a “different office” — which is to say, another run for president in 2028.

After years of being a “devout public servant,” Harris said in the interview, set to air Thursday night, she just doesn’t want to be “in the system” right now.

“Recently I made the decision that I just — for now — I don’t want to go back in the system,” she said. “I think it’s broken.”

She said that was not to take away from the important work being done every day by “so many good people who are public servants,” such as teachers, firefighters, police officers and scientists.

“It’s not about them,” she said. “But you know, I believe, and I always believed, that as fragile as our democracy is, our systems would be strong enough to defend our most fundamental principles. And I think right now that they’re not as strong as they need to be.”

She said she instead wants to travel the country and talk to Americans in a setting that isn’t “transactional, where I’m asking for their vote.”

Colbert said to hear Harris — whom he called “very qualified for the presidency” — say that the American system is broken was “harrowing.”

“Well, but it’s also evident, isn’t it?” Harris replied, to applause from the studio audience.

The interview came on the heels of Harris’ announcements this week that she is not running for California governor and is releasing a memoir about her short, whirlwind presidential campaign following President Biden’s decision to drop from the race, and it was a big get for Colbert in what appears to be his final chapter on late-night TV.

CBS, blaming financial concerns across late night, announced July 17 that the 2025-2026 season of “The Late Show” would be its last.

The announcement followed Colbert sharply criticizing Paramount Global’s $16-million settlement with Trump over a CBS News “60 Minutes” interview with Harris during the presidential campaign, which Trump accused the venerable news show of manipulating to make her look better.

Paramount Global was at the time seeking a major merger with Skydance Media and needed the Trump administration’s approval, which it ultimately got. Just days before the announcement that his show would be ending, Colbert described the “60 Minutes” settlement as a bribe to get the merger deal done.

All that caused many observers and allies of Colbert to speculate that the cancellation of the show was political in nature. The Writers Guild of America, for example, said the company appeared to be “sacrificing free speech to curry favor with the Trump Administration.”

Trump said it was “not true” that he was “solely responsible for the firing of Stephen Colbert,” and that the “reason he was fired was a pure lack of TALENT” and that Colbert’s show was losing Paramount millions of dollars a year.

“And it was only going to get WORSE!” Trump wrote on his Truth Social platform.

Paramount has said the decision was “not related in any way to the show’s performance, content or other matters happening at Paramount,” though some polling has suggested many Americans don’t believe the company.

It’s unclear whether Harris considered any of that in granting Colbert her first interview since leaving office. However, it would almost certainly not have been her only reason.

Colbert is liberal and seen as a friendly interviewer by Democrats.

During Thursday’s interview, the late-night host heaped praise on Harris. After saying it was “harrowing” to hear she feels the system is broken, he asked whether she was giving up fighting.

Harris said she was not.

“I am always going to be part of the fight,” Harris said. “That is not going to change.”

“South Park” wasted no time putting its very existence on the line, again. On Wednesday, the Comedy Central series kicked off its 27th season with a searing indictment of President Trump and its network’s parent company, Paramount. Paramount recently paid the president $16 million toward his future library rather than fighting a lawsuit Trump brought against “60 Minutes” (Paramount is also a parent company of CBS).

It was also announced last week that “The Late Show With Stephen Colbert,” which airs on Paramount-owned CBS, was being canceled. Colbert is one of the most prominent political satirists in America, and from his pulpit has been a relentless critic of MAGA policy and Trump. Like the payout over the “60 Minutes” lawsuit, Colbert’s cancellation comes just as Paramount is seeking federal approval of an $8-billion merger with Skydance Media.

“South Park” couldn’t have returned at a better time.

The episode, titled “Sermon on the Mount,” opens with Cartman discovering his favorite radio station, NPR, has been canceled. Making fun of its wokeness was part of his identity, and now he’s lost and angry. “The government can’t cancel a show!” he laments before dropping a self-referential joke about “South Park’s” own vulnerability. “I mean, what show are they going to cancel next?”

Paramount might be tempted to cancel “South Park” after Wednesday night’s damning premiere, when the show repeatedly lampooned the company’s costly capitulation to Trump. And Paramount earlier this week announced a $1.5 billion deal with “South Park” creators Trey Parker and Matt Stone for 14 new movies, six more seasons and streaming rights on Paramount+ for the next five years.

The new season continues to plumb the horrifying depths of 2025 when Cartman also finds that his school is demanding students accept the presence of Jesus, literally. Cartman is called to the principal’s office for not letting Jesus sit with his group in the cafeteria at lunch, even though there were no empty seats. There’s always room for the Lord, he’s told.

The townspeople become angry that they voted in a guy who they thought would target other people — like immigrants. They don’t want religion forced on their kids at school, but newscasts make their plight seem hopeless. “More protests today as the president pushes harder for Christianity in our schools. The president stated earlier today that the spirit of Jesus is important to our country and he will sue anyone who doesn’t agree with him.”

The truly wicked satire begins when they cut to Trump at the White House. He’s the only character whose head is an actual photo rather than a drawing, and the president’s image is deftly manipulated to reflect the many faces of the real man: pouting, grimacing, smiling, leering and pouting, again.

He repeatedly demands that everyone relax while he threatens to destroy them. He argues with Canada’s prime minister over tariffs (“You don’t want me to bomb you like I did Iraq,” says Trump. “I thought you just bombed Iran,” the PM replies. “Iran. Iraq. What the hell’s the difference?”). Trump also lies naked in bed with Satan, revealing his minuscule manhood. Disgusted, the devil rebuffs the president’s advances and says, “I can’t even see anything, it’s so small.”

Satan is also perturbed that some rando on Insta keeps commenting about sex trafficker Jeffrey Epstein’s client list.

“Epstein, are we still talking about that?” Trump says.

“Are you on the list or not?” Satan asks. “It’s weird that when it comes up you just keep telling everyone to relax.”

Then we jump to a segment of “60 Minutes” where the beleaguered show’s hosts mumble in terror for fear of another lawsuit as the show’s signature stopwatch sound is set to the image of a ticking time bomb. They refer to the president as “a great man” who “is probably watching” before cutting to their reporter who is covering the protests against Trump in South Park, Colorado.

Jesus touches down to address his flock under the guise of fulfilling Trump’s wish to bring Christianity back into public schools. But he’s really there to warn the crowd, and does so in a whisper. “I didn’t want to come back and be in the school, but I had to because it was part of a lawsuit and the agreement with Paramount.”

“The president’s suing you?” a protester asks.

Jesus, through clenched teeth, explains: “The guy can do what he wants now that someone backed down. … You guys see what’s happened to CBS? Well, guess who owns CBS? Paramount! You really want to end up like Colbert? … All of you, shut the f— up or South Park is over!”

The town ends up being sued by Trump, and they, like Paramount, cave. They pay him off, but are also required to sing his praises as part of the settlement.

The episode ends with a pro-Trump ad by the town. It’s a realistic deepfake video of the president trekking through the desert heat in a show of loyalty to his supporters. He strips naked and once again we’re reminded that it’s not just his hands that are small.

That wail you just heard? It’s coming from the White House. A new lawsuit is born.

There’s a lot of schadenfreude on the right, and even more lamentation on the left, about the cancellation of “The Late Show With Stephen Colbert.”

Donald Trump leads the schadenfreude caucus. “I absolutely love that Colbert got fired. His talent was even less than his ratings,” Trump crowed on social media. “I hear Jimmy Kimmel is next. Has even less talent than Colbert!” (It is remarkable that a president who campaigned with a vow to end “cancel culture” is so uninhibited in his celebration of cancel culture when it’s on his terms.)

The lamentations from the left are just as exuberant, from the other direction. They hail Colbert as a heroic martyr for free expression and speaking truth to power. “Not really an overstatement to say that the test of a free society is whether or not comedians can make fun of the country’s leader on TV without repercussions,” MSNBC’s Chris Hayes declared.

In a sense, both sides essentially agree that Colbert was canceled because of his politics. The argument from the left is that this was unfair and even illegitimate. The illegitimate claim rests on the fact that CBS’s parent company Paramount has been trying to curry favor with the administration to gain approval for the sale of the network to Skydance Media. Shari Redstone, Paramount’s owner, approved a settlement of Trump’s dubious lawsuit against “60 Minutes” (which Colbert had criticized days earlier as a “big fat bribe”). Colbert’s scalp was a sweetener, critics claim.

I think that theory is plausible, given the timing of the decision and the way it was announced. If this was the plan all along, why not announce the decision at the 2025 upfronts and sell ads in tandem with the wind-down? That’s the way this sort of thing has been done in the past.

But Colbert’s critics on the right have an equally plausible point. Colbert made the show very political and partisan, indulging his Trump “resistance” schtick to the point where he basically cut the potential national audience in half. He leaned heavily on conventionally liberal politicians (tellingly, on the night he announced the news of his cancellation, his first guest was California Sen. Adam Schiff — a man who couldn’t get a laugh if you hit him in the face with a pie).

But both the left-wing and right-wing interpretations have some holes. The theory that this was purely a political move overlooks the fact that CBS didn’t merely fire Colbert, it’s terminating the iconic “Late Show” entirely and giving the airtime back to local affiliates. If they solely wanted to curry favor with Trump, they could have given the show to more Trump-friendly (funnier and popular with the young’ns) comedians such as Shane Gillis or Andrew Schulz. The show was reportedly losing some $40 million a year. Even if they hired someone for a quarter of Colbert’s $15- million salary, it would still be losing money.

On the right, many — Trump included — have pointed to the fact that Greg Gutfeld’s not-quite-late-night Fox show has better ratings than his competitors on the three legacy networks. That’s true, but it’s hardly as if Gutfeld is any less partisan than Colbert, Kimmel or Jimmy Fallon.

It’s also true that the titans of previous eras — Steve Allen, Jack Paar, Johnny Carson, Jay Leno, Conan O’Brien — tended to avoid strident partisanship. But the nostalgia-fueled idea that a more mainstream, apolitical host would garner similar audiences again gets the causality backward.

Those hosts were products of a different era, when huge numbers of Americans from across the political spectrum consumed the same cultural products. The hosts, much like news networks and newspapers, had a powerful business incentive to play it down the middle and avoid alienating large swaths of their audiences and advertisers. That era is over, forever.

Now media platforms look to garner small “sticky” audiences they can monetize by giving them exactly what they want. There’s an audience for Colbert, and for Gutfeld, but what makes the roughly 2 million to 3 million nightly viewers who love that stuff tune in makes the other 330 million potential viewers tune in to something else. The “Late Show” model — and budget — simply doesn’t work with those numbers.

Cable news, led by Fox, ushered in political polarization in news consumption, but cable itself fueled the balkanization of popular culture. Streaming and podcast platforms, led by YouTube, are turbocharging that trend to the point where media consumption is now a la carte (artificial intelligence may soon make it nigh upon bespoke).

The late-night model was built around a culture in which there was little else to watch. That culture is never coming back.

X:@JonahDispatch

Bad Bunny is booked and busy. (Now try saying that twice.)

On Tuesday night, the Grammy-winning Puerto Rican singer will make two back-to-back appearances on late-night television shows: “The Late Show With Stephen Colbert” on CBS and “Late Night With Seth Meyers” on NBC.

The 31-year-old artist is in the midst of his historic No Me Quiero Ir De Aquí residency at the Coliseo de Puerto Rico in San Juan. The 30-night concert series is expected to generate $200 million to the local economy, according to the island’s promotional agency, Discover Puerto Rico.

Bad Bunny, who moonlights as an actor, is also promoting the long-awaited “Happy Gilmore 2,” a sequel to the 1996 Adam Sandler comedy, which will premiere July 25 on Netflix. He will play a golf caddy to Happy Gilmore (played by Sandler), an aggro-ex-hockey player turned golf phenom. Both Sandler and Bad Bunny are expected to appear on “Late Night With Seth Meyers.”

It’s an unusual move by the two competing networks to book the same guest on a single night, but as evening newscasts clash with fast-paced content on social media sites like YouTube or TikTok, perhaps the rules can be relaxed for a superstar.

Camaraderie across the TV aisle has grown in recent days, with multiple late-night hosts decrying the cancellation of Colbert’s program for what CBS has cited as financial reasons. News of this cancellation came days after Colbert criticized CBS’ parent company, Paramount, over the $16-million settlement of President Trump’s lawsuit stemming from a “60 Minutes” interview with Kamala Harris.

“And now for the next 10 months, the gloves are off,” said Colbert on Sunday night. His decade-long show will end May 2026.

Earlier this year, Bad Bunny co-hosted “The Tonight Show Starring Jimmy Fallon” to promote his hit album, “Debí Tirar Más Fotos,” which remains on the Billboard 200 chart since its January debut. During the program, the two disguised themselves while busking in a New York Subway station, first performing a cover of the Backstreet Boys’ “I Want It That Way,” then Bad Bunny’s single “Nuevayol.”

For those wondering how Bad Bunny will pull off this New York showdown, fear not: “Late Night With Seth Meyers” films its Tuesday program on Monday.

Bad Bunny will first appear as a guest on “The Late Show With Stephen Colbert” on CBS at 8:35 p.m. PST, followed by “Late Night With Seth Meyers” on NBC at 12:35 a.m. ET/PT.

The Late Show’s Stephen Colbert hit back at President Donald Trump after he said he ‘absolutely loved’ that the CBS show was getting cancelled

Stephen Colbert told US President Donald Trump to go ‘f**k himself’ as he responded to a tweet the POTUS made about the CBS talk show host. CBS recently announced their decision to cancel The Late Show with Stephen Colbert, with the show not returning after May 2026.

CBS said financial difficulties were part of the reason they decided to cancel the long-running show, as they were ‘losing money’ in a challenging late-night show environment. Convicted felon and US President Trump, who is known to lash out at celebrities, was delighted at the news and took to his social media to share his excitement over The Late Show’s cancellation.

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“I absolutely love that Colbert’ got fired. His talent was even less than his ratings. I hear Jimmy Kimmel is next. Has even less talent than Colbert!” he wrote.

“Greg Gutfield is better than all of them combined, including the Moron on NBC who ruined the once great Tonight Show.” In a segment on Stephen’s show, the host read out Trump’s tweet while doing an impression of the President’s voice.

The audience booed the tweet before Stephen confidently said: “How dare you, sir? Would an untalented man be able to compose the following satirical witticism?” before turning to a different camera and adding: “Go f**k yourself!”

Cheers could be heard from the audience before they started chanting: “Stephen! Stephen! Stephen!” After the cancellation of the show was announced, fellow talk show hosts shared their support for the star.

Jimmy Kimmel wrote: “Love you Stephen. F**k you and all your Sheldons, CBS.” Jimmy Fallon and Seth Meyers also posted their support.

Tonight Show host Jimmy said: “I’m just as shocked as everyone,” while Seth posted: “I’m going to miss having him on TV every night.”

In a joint statement, Paramount and CBS bosses said: “The Late Show With Stephen Colbert will end its historic run in May 2026 at the end of the broadcast season. We consider Stephen Colbert irreplaceable and will retire The Late Show franchise at that time.

“We are proud that Stephen called CBS home. He and the broadcast will be remembered in the pantheon of greats that graced late night television.”

It continued: “This is purely a financial decision against a challenging backdrop in late night. It is not related in any way to the show’s performance, content or other matters happening at Paramount.”

Stephen broke the news last Thursday and told viewers: “I want to let you know something I found out just last night. Next year will be our last season. The network will be ending The Late Show in May.”

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President Trump is celebrating the cancellation of Stephen Colbert’s “The Late Show” on CBS — and calling for even more late-night hosts to be axed.

“I absolutely love that Colbert got fired. His talent was even less than his ratings,” Trump wrote Friday morning on Truth Social. “I hear Jimmy Kimmel is next. Has even less talent than Colbert!”

He added that Greg Gutfeld, who has a late-night show and co-hosts “The Five” on Fox News, “is better than all of them combined, including the Moron on NBC who ruined the once great Tonight Show,” referring to Jimmy Fallon.

Although “Late Night” is the top-rated late-night broadcast show, “Gutfeld!” draws a bigger audience.

Colbert, 61, has hosted the show for a decade and shared the news of its cancellation Thursday night, noting that he was made aware of the decision only the night before. “The Late Show” will end in May.

“It’s not just the end of our show, but it’s the end of ‘The Late Show’ on CBS,” Colbert said. “I’m not being replaced. This is all just going away.”

CBS said the decision was “purely financial.” The cancellation comes after Colbert criticized the network’s parent company, Paramount Global, for settling a lawsuit filed by Trump last year over the editing of a “60 Minutes” interview with Kamala Harris. Colbert called the $16-million settlement a “big fat bribe” Monday night, noting that Paramount is awaiting federal approval for its $8-billion merger with Skydance Media.

Both branches of the Writers Guild called on New York Atty. Gen. Letitia James to investigate Paramount.

“Cancelations are part of the business, but a corporation terminating a show in bad faith due to explicit or implicit political pressure is dangerous and unacceptable in a democratic society,” read a statement released Friday by the union.

Fellow late-night hosts have since criticized the show’s cancellation.

“Love you Stephen. F— you and all your Sheldons CBS,” Kimmel wrote in an Instagram story, referencing the network hits “The Big Bang Theory” and “Young Sheldon.”

“I’m just as shocked as everyone. Stephen is one of the sharpest, funniest hosts to ever do it. I really thought I’d ride this out with him for years to come,” Jimmy Fallon posted in an Instagram story. “I’m sad that my family and friends will need a new show to watch every night at 11:30. But honestly, he’s really been a gentleman and a true friend over the years — going back to The Colbert Report, and I’m sure whatever he does next will be just as brilliant.”

Sen. Elizabeth Warren (D-Mass.), who called for an investigation into the Paramount settlement this month, suggested that the move was politically motivated.

“CBS canceled Colbert’s show just THREE DAYS after Colbert called out CBS parent company Paramount for its $16M settlement with Trump — a deal that looks like bribery,” she wrote Thursday night on X. “America deserves to know if his show was canceled for political reasons.”

“If Paramount and CBS ended the Late Show for political reasons, the public deserves to know. And deserves better,” said Sen. Adam Schiff (D-Calif.), who was a guest on the show Thursday night.

Trump had called for Colbert’s termination in September.

“I briefly watched an interview of Stephen Colbert on highly government subsidized PBS, and found it fascinating for only one reason — Why would they be wasting time and the public’s money on this complete and total loser?” he wrote on Truth Social. “He is not funny, which he gets paid far too much to be, he is not wise, he is VERY BORING, and his show is dying from a complete lack of viewers.

“CBS should terminate his contract and pick almost anyone, right off the street, who would do better, and for FAR LESS MONEY,” he continued. “Or I could recommend someone, much more talented, and smarter, who would do it for FREE! The good news for Stephen is that the two DOPES on NBC & ABC are not much better than him!”

In a Variety interview published Wednesday, Kimmel shared his concerns about the Trump administration targeting him and his competitors.

“Well, you’d have to be naive not to worry a little bit. But that can’t change what you’re doing,” the ABC late-night host told the outlet. “And maybe it is naive, but I have the hope that if and when the day comes that he does start coming after comedians, that even my colleagues on the right will support my right to say what I like. Now, I could be kidding myself, and hopefully we’ll never find out. But if we do, I would hope that the outrage is significant.”

We seem to be in an era of endings. The end of ethical norms, of the rule of law, of science, of democracy, of Marc Maron’s “WTF” podcast, possibly the world and the just-announced end of “The Late Show With Stephen Colbert,” when the host’s contract runs out in 10 months — which may presage the end of late-night television, at least on CBS, which says it has no plans to replace him or keep the show.

“This is all just going away,” Colbert said in a statement taped Thursday.

Coincidentally, or not, Paramount Global, which owns CBS, is seeking regulatory approval from the Trump administration to sell itself to the Hollywood studio Skydance Media. (I’d never heard of it either.) An official statement, claiming that the “Late Show” cancellation represents “a purely financial decision against a challenging backdrop in late night … not related in any way to the show’s performance, content or other matters happening at Paramount” (italics mine) is — however true it might be — just the sort of thing to make one say, “Pull the other one.”

“Other matters” would seem to refer to the merger and to Paramount’s recent payment of $16 million to settle a frivolous Trump lawsuit over the perfectly routine editing of a “60 Minutes” Kamala Harris interview that was somehow supposed to give Harris an unfair advantage in the 2024 election and to have caused her opponent “mental anguish” — a payment Colbert characterized in a monologue just a few days ago as a “big fat bribe”: “As someone who has always been a proud employee of this network, I am offended. And I don’t know if anything will ever repair my trust in this company. But just taking a stab at it, I’d say $16 million would help.”

Though he responded to his studio audience’s supportive boos saying, “Yeah, I share your feelings,” he was only kind to the network: “I do want to say that the folks at CBS have been great partners,” Colbert said. “I’m so grateful to the Tiffany network for giving me this chair and this beautiful theater to call home.”

But there have been plenty of surrogates to draw connections, provide context and bite harder, especially in light of the departure of “60 Minutes” executive producer Bill Owens and CBS News President Wendy McMahon. “Love you Stephen,” ABC host Jimmy Kimmel, posted on Instagram, “adding “F— you CBS and all your Sheldons.” (In January, ABC also settled a Trump suit for $16 million, over George Stephanopoulos erroneously saying that Trump had been found civilly liable of “rape.”)

Of the remaining late-night hosts, we may say that each is special in their own way. Colbert, 61, who has been at “The Late Show” for 10 years, is the most mature, professorial and philosophical — gentle, a gentleman, and at times a mock-gentleman, addressing his audience as “My fellow Americans,” or echoing Walter Winchell, “Mr. and Mrs. America and All the Ships at Sea,” or as “Ladies and Gentlemen.” He slaps himself in the face twice before every show to “be in the moment … [to] only do this for the next hour.” Though he may still kick up his heels during a monologue, as an interviewer he is composed and thoughtful and curious — and funny, to be sure — to the degree each conversation demands. A committed (liberal) Catholic, he co-narrated the English-language audiobook of Pope Francis’ “Life: My Story Through History,” with Franciscan Father John Quigley, at the same time, he’s a first-generation Dungeons & Dragons devotee, a lifelong reader of science fiction and a man of whom director Peter Jackson said, “I have never met a bigger Tolkien geek in my life.” (Jackson cast him as “Laketown spy” in “The Hobbit: The Desolation of Smaug.”) He’s a person who will quote Gandalf in a conversation on grief and loss with Anderson Cooper, or, on “The Friendship Onion” podcast with Dominic Monaghan and Billy Boyd, a.k.a. Merry and Pippin, declare that after reading “The Lord of the Rings” after college, “I realized that Aragorn is the Apollonian model of manhood … The Hobbits are us. And we should love life as much as they do.”

And he knows a thing or two about Ronnie James Dio. And grew up on Mad magazine, where young minds were taught to recognize the deceptions and hypocrisies of politics, business and media.

Comedy Central’s “The Colbert Report,” which he hosted from 2005 through 2014, had a huge cultural effect beyond the reach of any late-night host now, Colbert included. Because it ran on basic cable and not network television, and because Colbert hid within the character of a pompous conservative pundit, the show could take wild swings; to the extent it looked respectable, it was only a matter of irony. Colbert and Jon Stewart, on whose “The Daily Show,” where Colbert had earlier worked, staged a “Rally to Restore Sanity and/or Fear” on the National Mall in Washington, which drew a crowd of more than 200,000; he ran for president twice and created a PAC, Americans for a Better Tomorrow, Tomorrow, “100 percent legal and at least 10 percent ethical.”

During its run, he (or his writers) gave the world “truthiness,” named 2006’s Word of the Year by Merriam-Webster, which defined it as “a truthful or seemingly truthful quality that is claimed for something not because of supporting facts or evidence but because of a feeling that it is true or a desire for it to be true.” Colbert was twice named one of Time’s 100 Most Influential People. Ben & Jerry’s created an ice cream flavor, Stephen Colbert’s AmeriCone Dream, in his honor, and NASA dubbed a piece of exercise equipment for use on the International Space Station the “Combined Operational Load-Bearing External Resistance Treadmill,” or COLBERT.

Testifying in character in 2010, before a House Judiciary subcommittee on legal status for immigrant farmworkers, he said, as if looking into 2025, “This is America,” he said, “I don’t want my tomato picked by a Mexican. I want it picked by an American, then sliced by a Guatemalan and served by a Venezuelan in a spa where a Chilean gives me a Brazilian … My great grandfather did not travel over 4,000 miles of the Atlantic Ocean to see the country overrun by immigrants. He did it because he killed a man back in Ireland. That’s the rumor, I don’t know if that’s true. I’d like to have that stricken from the record.”

The signature segment of “The Late Show” is the “Colbert Questionert” in which the host poses 15 questions “ergonomically designed to penetrate straight to the soul of one of my guests and reveal their true being to the world.” (It’s “a scientifically verified survey; I’ve asked several scientists and they assured me — yeah, it’s a survey.”) Designed to create comic and/or sincere responses, they range from “What’s the best sandwich?” (Will Ferrell: “Salami and grapefruit on rye, with a light sheen of mayonnaise.”) to “Apples or oranges?” (Colbert considers apples the correct answer, because you can put peanut butter on them.) to “The rest of your life in five words.” (Tom Hanks: “A magnificent cavalcade of color.”) Cate Blanchett took it lying on Colbert’s desk, as if in therapy. “What do you think happens when we die?” he asked. “You turn into a soup,” she replied. “A human soup.”

But it’s Colbert’s extended interviews and discussions, from “The Late Show” and elsewhere, posted online, that dig the deepest and reveal the most about him in the bargain: a much circulated conversation with Nick Cave from last year; a long talk with Anderson Cooper, after the death of his mother, both about grief and gratitude; an episode of “The Spiritual Life With Fr. James Martin, S.J.,” from a couple of weeks ago. (Colbert describes himself as “publicly Catholic,” not “a public Catholic.”) Such discussions perhaps point the way to a post-”Late Show” practice for Colbert, much as it became one for David Letterman, who passed the seat on to him. (He’s only the second host since the show’s premiere in 1993.)

As to the field he’ll be leaving next May, who can say? Taylor Tomlinson‘s “After Midnight” game show, which followed “The Late Show,” expired this week. Kimmel and Seth Meyers, who go as hard against Trump as does Colbert, and the milder Jimmy Fallon, seem for the moment safely fixed at their desks. Though new platforms and viewing habits have changed the way, and how much, it’s consumed, late-night television by its temporal nature remains a special province, out at the edge of things, where edgy things may be said and tried. (Don’t expect Colbert to go quietly into that goodnight.) Yet even as the No. 1 show in late night, “The Late Show” reportedly loses money. There’s something to that “financial decision,” I’m sure; it’s the “purely” that smells. We’ll see.

“I absolutely love that Colbert got fired,” Trump posted on his vanity social media site, going on to say that he “hears” that “Jimmy Kimmel is next. Has even less talent than Colbert.” Trump and Colbert could not be farther apart as humans. The president sells fear; he uses it as a club. But the TV host is sanguine.

“You can’t laugh and be afraid at the same time,” Colbert is fond of saying, sometimes adding, “and the Devil cannot stand mockery.”

The shocking cancellation of “The Late Show With Stephen Colbert” is a sign that time is running out for one of TV’s most beloved formats.

The late-night talk show was invented in the 1950s as a way for networks to own their own programming rather than have it provided by sponsors. Now, amid shrinking audiences and a politically turbulent climate for free speech, the familiar desk-and-sofa tableau is in serious trouble.

CBS announced Thursday that the upcoming 2025-26 TV season for “The Late Show” will be its last. Executives blamed the cancellation on financial concerns felt across all network late-night shows. Last year, NBC cut “The Tonight Show Starring Jimmy Fallon” to four nights a week while “Late Night With Seth Meyers” cut its live band.

Still, industry veterans were bewildered by the timing.

It’s hard to imagine Paramount Global executives did not anticipate blowback from announcing the move days after Colbert blasted the company’s $16-million settlement with President Trump over CBS News’ “60 Minutes” interview with Kamala Harris. Colbert described the deal as a bribe during his Monday monologue.

Every move the company makes is now under a microscope as it tries to get the Federal Communications Commission, led by Trump acolyte Brendan Carr, to approve an $8-billion merger with Skydance Media. Canceling the most watched late-night program hosted by one of Trump’s harshest critics will draw even more scrutiny.

Sen. Adam Schiff (D-Calif.), weighed in on X shortly after taping an interview on Colbert’s program.

“If Paramount and CBS ended the Late Show for political reasons, the public deserves to know. And deserves better,” Schiff posted.

The Writers Guild of America also raised questions, saying the cancellation appeared to be a case of “sacrificing free speech to curry favor with the Trump Administration.”

One factor contradicting the theory is that Colbert, who has another year on his contract, will remain on the air through May. His commentaries have never been restrained by network executives over his 10-year run and that situation is not expected to change in his final season.

The poor optics may be a matter of contractual timing.

Paramount Global had to complete the deals with writer-producer teams in July for the upcoming “Late Show” season, according to a person familiar with the discussions who was not authorized to comment.

Those deals typically run for a full year, but with the company’s intention to cancel the program — decided several months ago — the contracts being offered only ran through May, which tipped off the network’s plans.

When Colbert learned of the cancellation decision on Wednesday, he made the call to inform his staff and his audience the next day.

“Late Show” is said to be losing somewhere in the tens of millions of dollars a year as younger viewers have fled. Since 2022, the program has lost 20% of its audience in the advertiser-coveted 18-to-49 age group, according to Nielsen data.

Ad revenue for “Late Show” in 2024 was $57.7 million, according to iSpot.tv, down from $75.7 million in 2022. “The Tonight Show Starring Jimmy Fallon” on NBC and “Jimmy Kimmel Live!” on ABC have also seen significant declines over that period.

CBS has already given up on one hour of late night due to financial pressure. Two years ago, it canceled its 12:35 a.m. “Late Late Show” program hosted by James Corden because it was losing money.

CBS came up with a lower-cost replacement with “After Midnight,” but that ended after two seasons as its host Taylor Tomlinson decided not to renew her deal. CBS is replacing it with a syndicated program, “Comics Unleashed,” from Byron Allen’s Entertainment Partners in an arrangement that will cost the network nothing.

Still, Paramount Global will find itself facing questions about why CBS did not seek ways to reduce the production costs of the program instead of just pulling the plug.

If CBS decides to continue programming the 11:30 p.m. slot, it will hard-pressed to approach the same audience levels that Colbert attracted.

CBS is giving up a popular culture touchstone, although in the current fragmented media landscape, the days of such hosts having massive sway over a large audience have passed.

Media analyst Rich Greenfield wrote that legacy media companies investing in expensive original programming outside of sports and news may be ill-advised as viewers continue to flock to streaming.

“Ending ‘The Late Show’ is the tip of the iceberg with massive programming and personnel cuts to come,” he said.

For decades, late-night TV served as the brand identity of the broadcast networks.

Jack Paar was the witty conversationalist that made Middle America feel like it was invited to a sophisticated Manhattan cocktail party. His successor, Johnny Carson, became a trendsetter in the 1960s, defining male coolness. He had his own clothing line. His dry monologue was often a gauge of the country’s political mood. An invitation to take a seat next to Carson after a stand-up set turbocharged the careers of many top comedians.

CBS was unable to compete with Carson for decades, trying and failing with the likes of Merv Griffin and Pat Sajak. When David Letterman became available after he was bypassed for the “Tonight” job at NBC, he came to CBS in 1993 and made the network a serious contender.

Letterman’s offbeat, sardonic brand of humor also gave a layer of hipness to CBS, which had long had a reputation for stodginess.

“Late Show With David Letterman” helped make late-night network TV a financial bonanza. While the proliferation of cable networks was cutting into audience share in the 1990s and early 2000s, the late-night habit still thrived, especially with its ability to reach young men, the most elusive demographic for TV advertisers.

As a result, late-night hosts became the highest-paid stars in the business. Letterman and Jay Leno were both earning in the neighborhood of $30 million a year until networks started trimming salaries 10 years ago.

But technology chipped away at the late-night talk show habit. When DVRs reached critical mass, consumers started to catch up with their favorite prime-time shows during the late-night hours.

The most painful blow came from social media. While online clips of the late-night shows draw hundreds of millions of viewing minutes, that doesn’t generate the same kind of ad revenue as TV. They also make showing up at 11:35 p.m. every night pointless.

“The networks cut up all of the best parts of the show, and by the end of the night you can see all of them on social media,” said one former network executive who oversaw late-night programs. “There’s no reason to even DVR it.”

Prime-time programs add millions of viewers through on-demand streaming after they air on the broadcast networks. Topical late-night shows don’t have the same shelf life.

While politics have long been an important element of late-night comedy, the emergence of Trump‘s political career in 2015 — and his ability to drive ratings and the national conversation — made him the dominant topic.

Where Carson, Letterman and Leno skewered both sides of the political spectrum, Trump’s ability to provide endless comedy fodder on a daily basis made him an easy, entertaining and ultimately one-sided target.

For years it worked. Ratings for Colbert — who made his bones on Comedy Central satirizing a reactionary talk show host — languished for the first two years after he replaced Letterman. Audience levels and ad rates surged in 2017 once Trump came into office and became Colbert’s muse.

But the country has become more politically polarized in recent years and the relentless lampooning of Trump has created a lane for “Gutfeld!,” a nightly Fox News talk show with a conservative bent.

While not technically a late-night show (it airs at 10 p.m. Eastern), “Gutfeld!” drew an average of 3 million viewers in the second quarter of 2025 according to Nielsen and has grown 20% since 2022.

The young men that used to make late night an advertiser magnet are now turning to podcasters such as Joe Rogan and others who can speak without the restraint of broadcast TV standards.

The Late Show with Stephen Colbert has been cancelled by CBS with the show’s final season set to air in May 2026. Fans hav been left devastated by the news with one saying “Stephen Colbert deserves better”

The Late Show with Stephen Colbert is set to bid farewell in May 2026.

Stephen became a household name hosting the satirical news programme The Colbert Report on Comedy Central from 2005 until 2014, before taking over from David Letterman as host of The Late Show on CBS, a subsidiary of Paramount Global.

CBS announced: “‘THE LATE SHOW with STEPHEN COLBERT’ will end its historic run in May 2026 at the end of the broadcast season. We consider Stephen Colbert irreplaceable and will retire the ‘THE LATE SHOW’ franchise at that time. We are proud that Stephen called CBS home. He and the broadcast will be remembered in the pantheon of greats that graced late-night television.”

The network clarified the reasoning behind the decision, stating, “This is purely a financial decision against a challenging backdrop in late night. It is not related in any way to the show’s performance, content or other matters happening at Paramount,”

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Colbert himself broke the news to his audience during Thursday’s show, revealing, “Before we start the show, I want to let you know something I found out just last night. Next year will be our last season. The network will be ending ‘The Late Show’ in May,” he disclosed.

Fans took to social media to express their dismay over the show’s cancellation, with reactions such as, “Stephen Colbert deserves better!””I’m absolutely not ready to NOT have Stephen Colbert on my TV at night,” and “CBS letting Stephen Colbert go is BS! Boycott CBS” dominating X, the platform previously known as Twitter.

Several viewers have suggested that the show’s cancellation might be linked to the network’s recent legal settlement with President Trump, given Stephen’s outspoken criticism of the President. Paramount Global is currently merging with Skydance Media, a move that requires the green light from the Federal Communications Commission, reports the Mirror US.

“Just days after Paramount announces it settles the lawsuit Trump brought against them, they announce they are cancelling Stephen Colbert. Can’t help but think the cancelling of Stephen Colbert’s show was part of the settlement that Paramount agreed to. It’s so obvious,” one viewer commented.

Another shared their discomfort: “I’m not going to pretend that Stephen Colbert is perfect or anything, but it really does not sit right with me that this news comes just after Paramount settled with Trump and in the midst of merging with Skydance Media. This just feels like textbook censorship, plain and simple.”

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CBS said it is canceling “The Late Show with Stephen Colbert” at the end of the upcoming television season in May, a casualty of industry changes that have dealt a crippling blow to advertising revenue.

Colbert announced the news to his audience Thursday during a show taping in New York. In a clip posted to Instagram, crowd members gasped, then started booing. Colbert said he only learned of the move on Wednesday.

“It’s not just the end of our show, but it’s the end of the late show on CBS,” Colbert said. “I’m not being replaced. This is all just going away.”

Colbert has hosted the show for a decade. After a rocky start, Colbert found his sea legs and eclipsed longtime late night leader NBC with his signature humor and sharp takes on political and cultural hot buttons. Colbert has long been a star within CBS’ parent company, Paramount Global, rising to fame on Comedy Central’s “The Daily Show with Jon Stewart.”

The decision to end a franchise that has helped shaped pop culture was stunning to some. CBS launched its late night block in 1993 with David Letterman.

“This is purely a financial decision against a challenging backdrop in late night,” CBS Chief Executive George Cheeks and other top executives said in a joint statement. “It is not related in any way to the show’s performance, content or other matters happening at Paramount.”

David Ellison’s Skydance Media is waiting for federal approval to buy Paramount, an $8 billion deal that is expected to usher in a new wave of cost-cutting.

“We consider Stephen Colbert irreplaceable,” said Cheeks, along with CBS Entertainment President Amy Reisenbach and CBS Studios President David Stapf. “We are proud that Stephen called CBS home. He and the broadcast will be remembered in the pantheon of greats that graced late night television.”

More than 200 people work on Colbert’s show and their fate, beyond next spring, is unclear.

“I do want to say that the folks at CBS have been great partners,” Colbert said. “I’m so grateful to the Tiffany network for giving me this chair and this beautiful theater to call home. And of course, I’m grateful to you, the audience, who have joined us every night.”

This is a developing story.