steal

Renate Reinsve is the new face of Scandinavia: depression with a smile. Standing 5 feet 10 with open, friendly features, the Norwegian talent has a grin that makes her appear at once like an endearing everywoman and a large, unpredictable child. Reinsve zoomed to international acclaim with her Cannes-winning performance in Joachim Trier’s 2021 “The Worst Person in the World,” a dramedy tailor-made to her lanky, likable style of self-loathing. Now, Trier has written his muse another showcase, “Sentimental Value,” where Reinsve plays an emotionally avoidant theater actor who bounces along in pretty much the same bittersweet key.

“Sentimental Value” gets misty about a few things — families, filmmaking, real estate — all while circling a handsome Oslo house where the Borg clan has lived for four generations. It’s a dream home with red trim on the window frames and pink roses in the yard. Yet, sisters Nora (Reinsve) and Agnes (Inga Ibsdotter Lilleaas) aren’t fighting to keep it, perhaps due to memories of their parents’ hostile divorce or maybe because they don’t want to deal with their estranged father, Gustav (Stellan Skarsgård, wonderful), who grew up there himself and still owns the place, even though he’s moved to Sweden.

Trier opens the film with a symbolically laden camera pan across Oslo that ends on a cemetery. He wants to make sure we understand that while Norway looks idyllic to outsiders jealous that all four Scandinavian countries rank among the globe’s happiest, it can still be as gloomy as during the era of Henrik Ibsen.

More impressively, Trier shifts to a fabulous, time-bending historical montage of the house itself over the century-plus it’s belonged to the Borgs. There’s a crack in it that seems to represent the fissures in the family, the flaws in their facade. Over these images, Reinsve’s Nora recites a 6th-grade school essay she wrote about her deep identification with her childhood home. Having grown up to become terrified of intimacy, today she’s more like a detached garage.

Nora and Agnes were young when their father, a modestly well-regarded art-house filmmaker, decamped to a different country. At a retrospective of his work, Gustav refers to his crew as his “family,” which would irritate his kids if they’d bothered to attend. Agnes, a former child actor, might note that she, too, deserves some credit. Played in her youth by the compelling Ida Atlanta Kyllingmark Giertsen, Agnes was fantastic in the final shot of Gustav’s masterpiece and Trier takes a teasingly long time to suggest why she retired from the business decades ago, while her older sister keeps hammering at it.

Gustav hasn’t made a picture in 15 years. He’s in that liminal state of renown that I’m guessing Trier has encountered many times: a faded director who’s burned through his money and clout, but still keeps a tuxedo just in case he makes it back to Cannes. Like Reinsve’s Nora, Gustav acts younger than his age and is at his most charming in small doses, particularly with strangers. Trier and his longtime co-writer Eskil Vogt have made him a tad delusional, someone who wouldn’t instantly recognize his graying reflection in a mirror. Sitting down at a cafe with Nora, Gustav jokes that the waitress thinks that they’re a couple on a date. (She almost certainly doesn’t.)

But the tension between Gustav and Nora is real, if blurry. He’s invited her to coffee not as father and daughter, but as a has-been angling to cast Nora as the lead of his next film, which he claims he’s written for her. His script climaxes with a nod to the day his own mother, Karin (Vilde Søyland), died by suicide in their house back when he was just a towheaded boy of 7. Furthering the sickly mojo, Gustav wants to stage his version of the hanging in the very room where it happened.

His awkward pitch is a terrific scene. Gustav and Nora are stiff with each other, both anxious to prove they don’t need the other’s help. But Trier suggests, somewhat mystically, that Gustav has an insight into his daughter’s gloom that making the movie will help them understand. Both would rather express themselves through art than confess how they feel.

When Gustav offers his daughter career advice, it comes off like an insult. She’s miffed when her dad claims his small indie would be her big break. Doesn’t he know she’d be doing him the favor? She’s the lead of Oslo’s National Theatre with enough of a social media following to get the film financed. (With 10 production companies listed in the credits of this very film, Trier himself could probably calculate Nora’s worth to the krone.)

But Gustav also has a lucky encounter with a dewy Hollywood starlet named Rachel (Elle Fanning) who sees him as an old-world bulldog who can give her resume some class. Frustrated by her coterie of assistants glued to their cellphones, Rachel gazes at him with the glowy admiration he can’t get from his own girls. Their dynamic proves to be just as complex as if they were blood-related. If Rachel makes his film, she’ll become a combo platter of his mother, his daughter, his protégée and his cash cow. Nora merely merits the financing for a low-budget Euro drama; Rachel can make it a major Netflix production (something “Sentimental Value” most adamantly is not).

It takes money to make a movie. Trier’s itchiness to get into that unsentimental fact isn’t fully scratched. He seems very aware that the audience for his kind of niche hit wants to sniffle at delicate emotions. When Gustav’s longtime producer Michael (Jesper Christensen) advises him to keep making films “his way” — as in antiquated — or when Gustav takes a swipe at Nora’s career as “old plays for old people,” the frustration in those lines, those doubts whether to stay the course or chase modernity, makes you curious if Trier himself is feeling a bit hemmed in.

There’s a crack running through “Sentimental Value” too. A third of it wants to be a feisty industry satire, but the rest believes there’s prestige value in tugging on the heartstrings. The title seems to be as much about that as anything.

I’ve got no evidence for Trier’s restlessness other than an observation that “Sentimental Value” is most vibrant when the dialogue is snide and the visuals are snappy. There’s a stunning image of Gustav, Nora and Agnes’ faces melting together that doesn’t match a single other frame of the movie, but I’m awful glad cinematographer Kasper Tuxen Andersen got it in there.

The film never quite settles on a theme, shifting from the relationship between Nora and Agnes, Nora and Gustav, and Gustav and Rachel like a gambler spreading their bets, hoping one of those moments will earn a tear. Nora herself gets lost in the shuffle. Is she jealous of her father’s attention to Rachel? Does she care about her married lover who pops up to expose her issues? Does she even like acting?

Reinsve’s skyrocketing career is Trier’s most successful wager and he gives her enough crying scenes to earn an Oscar nomination. Skarsgård is certainly getting one too. But Fanning delivers the best performance in the film. She’s not only hiding depression under a smile, she’s layering Rachel’s megawatt charisma under her eagerness to please, allowing her insecurity at being Gustav’s second pick to poke through in rehearsals where she’s almost — but not quite — up to the task.

Rachel could have been some Hollywood cliché, but Fanning keeps us rooting for this golden girl who hopes she’ll be taken seriously by playing a Nordic depressive. Eventually, she slaps on a silly Norwegian accent in desperation and wills herself to cry in character. And when she does, Fanning has calibrated her sobs to have a hint of hamminess. It’s a marvelous detail that makes this whole type of movie look a little forced.

PARIS — In a minutes-long strike Sunday inside the world’s most-visited museum, thieves rode a basket lift to the Louvre, forced a window into the Galerie d’Apollon — while tourists pressed shoulder-to-shoulder in the corridors — smashed display cases and fled with priceless Napoleonic jewels, officials said.

It was among the highest-profile museum thefts in recent memory and comes as Louvre employees have complained of worker and security understaffing.

One object was later found outside the museum, according to Culture Minister Rachida Dati. French daily Le Parisien reported it was the emerald-studded crown of Napoleon III’s wife Empress Eugénie — gold, diamonds and sculpted eagles — recovered just beyond the walls, broken.

The theft unfolded just 270 yards from the “Mona Lisa,” in what Dati described as “a four-minute operation.” No one was hurt.

Images from the scene showed confused tourists being steered out of the glass pyramid and adjoining courtyards as officers closed nearby streets along the Seine.

Also visible was a lift braced to the Seine-facing facade near a construction zone — an extraordinary vulnerability at a palace-museum.

A museum already under strain

Around 9:30 a.m., several intruders forced a window, cut panes with a disc cutter and went straight for the vitrines, officials said. Interior Minister Laurent Nuñez said the crew entered from outside using a basket lift.

The choice of target compounded the shock. The vaulted Galerie d’Apollon in the Denon wing, capped by a ceiling painted for Louis XIV, displays a selection of the French Crown Jewels. The thieves are believed to have approached via the riverfront facade, where construction is underway, used a freight elevator to reach the hall, took nine pieces from a 23-item collection linked to Napoleon and the Empress, and made off on motorbikes, according to Le Parisien.

Daylight robberies during public hours are rare. Pulling one off inside the Louvre — with visitors present — ranks among Europe’s most audacious since Dresden’s Green Vault museum in 2019, and the most serious in France in more than a decade.

It also collides with a deeper tension the Louvre has struggled to resolve: swelling crowds and stretched staff. The museum delayed opening during a June staff walkout over overcrowding and chronic understaffing. Unions say mass tourism leaves too few eyes on too many rooms and creates pressure points where construction zones, freight routes and visitor flows meet.

Security around marquee works remains tight — the Mona Lisa is behind bulletproof glass in a bespoke, climate-controlled case.

It’s unclear whether staffing levels played any role in Sunday’s breach.

The Louvre has a long history of thefts and attempted robberies. The most famous came in 1911, when the Mona Lisa vanished from its frame, stolen by Vincenzo Peruggia and recovered two years later in Florence.

Today the former royal palace holds a roll call of civilization: Leonardo’s “Mona Lisa”; the armless serenity of the “Venus de Milo”; the “Winged Victory” of Samothrace, wind-lashed on the Daru staircase; the Code of Hammurabi’s carved laws; Delacroix’s “Liberty Leading the People”; Géricault’s “The Raft of the Medusa.” More than 33,000 works — from Mesopotamia, Egypt and the classical world to Europe’s masters — draw a daily tide of up to 30,000 visitors even as investigators now begin to sweep those gilded corridors for clues.

Politics at the door

The heist spilled instantly into politics. Far-right leader Jordan Bardella used it to attack President Emmanuel Macron, weakened at home and facing a fractured Parliament.

“The Louvre is a global symbol of our culture,” Bardella wrote on X. “This robbery, which allowed thieves to steal jewels from the French Crown, is an unbearable humiliation for our country. How far will the decay of the state go?”

The criticism lands as Macron touts a decade-long “Louvre New Renaissance” plan — about $800 million to modernize infrastructure, ease crowding and give the “Mona Lisa” a dedicated gallery by 2031. For workers on the floor, the relief has felt slower than the pressure.

What we know — and don’t

Forensic teams are examining the site of the crime and adjoining access points while a full inventory is taken, authorities said. Officials have described the haul as being of “inestimable” historical value.

Recovery may prove difficult. “It’s unlikely these jewels will ever be seen again,” said Tobias Kormind, managing director of 77 Diamonds. “Professional crews often break down and re-cut large, recognizable stones to evade detection, effectively erasing their provenance.”

The Louvre closed for the rest of Sunday as police sealed gates, cleared courtyards and shut nearby streets along the Seine.

Key questions still unanswered are how many people took part in the theft and whether they had inside assistance, authorities said. According to French media, there were four perpetrators: two dressed as construction workers in yellow safety vests on the lift, and two each on a scooter.

Investigators are reviewing closed-circuit TV from the Denon wing and the riverfront, inspecting the basket lift used to reach the gallery and interviewing staffers who were on site when the museum opened, authorities said.

Adamson writes for the Associated Press. AP writer Jill Lawless in London contributed to this report.

Oct. 19 (UPI) — A group of thieves broke into the Louvre Museum on Sunday morning and stole priceless jewels before fleeing on motorcycles, the famed institution confirmed to UPI.

A representative for the Louvre said that several people broke in through a window in the Apollo Gallery, which houses many of France’s royal jewels, around 9:30 a.m. local time after the museum had already opened its doors to the public.

Inside, the thieves stole jewelry from their display cases. French media later reported that they made off with seven jewels owned by Napoleon Bonaparte and his wife, Empress Joséphine de Beauharnais.

“An investigation has begun, and a detailed list of the stolen items is being compiled,” museum officials said in a statement. “Beyond their market value, these items have inestimable heritage and historical value.”

After the theft, the museum was evacuated “without incident” and no injuries were reported among the public, museum staff or law enforcement, the representative said.

The museum shared on social media that it would be closed Sunday for “exceptional reasons.”

“At the Louvre Museum this morning to commend the exemplary commitment of the staff mobilized following the theft,” Culture Minister Rachida Dati shared on social media after visiting the site.

“Respect for their responsiveness and professionalism. Together with President Emmanuel Macron, we extend our sincere thanks to them.”

Dati told French TV channel TF1 on Sunday that one of the jewels was later found and that the entire heist lasted only four minutes. She called the thieves “professionals.”

French Interior Minister Laurent Nuñez said Sunday that “everything is being done” to find the thieves.

“The mobilization of investigators will be total, under the authority of the Parquet de Paris,” Nuñez said. The Parquet de Paris is the public prosecution office in the French capital. “Attacking the Louvre is attacking our history and our heritage.”

The news comes just days after the Louvre announced that two 18th-century snuff boxes that were stolen during a violent armed robbery in 2024 while they were on loan to the Cognacq-Jay Museum have been found and returned.

THIS is the shocking moment sneaky jewel thieves distract a driver at a petrol station and steal £2 million from his car boot.

An organised crime group targeted the jewellery salesman as he was travelling from Sussex to Kent last year.

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Three of the group have now been jailed after they followed the man to a petrol station in Wrotham, Kent, before puncturing one of his tyres in January 2024.

The victim had been working in Brighton selling jewellery to several businesses and was carrying precious items worth around £2.25 million.

The CCTV footage shows the moment the thieves start following the salesman.

He was tracked by Edgar Ardila-Ruiz, Monica Diaz and Edward Florez-Ortiz and closely tailed his vehicle back to Kent.

When the man stopped at a petrol station in Wrotham, Florez-Ortiz punctured one of his tyres.

The man drove away but was forced to turn back and headed to an air pressure machine after noticing his tyre was flat.

While at the machine, the footage shows Monica Diaz distract the salesman by attempting to engage him in conversation.

Meanwhile, Ardila-Ruiz can be seen at the rear of the car snatching a bag of jewellery from the boot.

The CCTV footage recovered from the garage showed the suspects fleeing in a silver Toyota Corolla.

All three thieves were part of a gang responsible for other offences across the country including areas in London and parts of Essex and Hertfordshire.

Ruiz and Diaz were later arrested on February 11 after attempting to steal from another travelling salesman near Bolton, Lancashire.

The victim had alerted police after he noticed a black BMW was following him.

Local officers ran checks showing Ruiz was wanted for the theft in Wrotham while Diaz was also recognised from the petrol station CCTV.

They both pleaded guilty at Maidstone Crown Court after they were charged with conspiracy to steal, and theft from a motor vehicle.

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Ruiz and Diaz, both of no fixed address, were sentenced to three years and six months in prison.

Florez-Ortiz, from Islington, London, was identified as a third suspect and separately convicted at Chelmsford Magistrates Court after pleading guilty to theft and criminal damage.

He was jailed for six years and will undergo future extradition proceedings after he was sentenced to three years for another jewellery theft in Belgium in 2021.

All three will also now be the subject of a financial investigation under the Proceeds of Crime Act to claw back any criminal gains they may have made.

Detective Constable Leo Graham said: “Our investigation uncovered a wealth of evidence showing how all three offenders initially followed the victim on foot, before tailing his car.

“They waited patiently for the perfect opportunity to prey upon him and a later examination of his car led to the recovery of a metal item which had been inserted into the tyre by Florez-Ortiz.

“Ardila-Ruiz and Diaz were thankfully caught just weeks later, after following another salesman hundreds of miles away from Kent.

“These sentences are welcome, as it is clear they were part of a bigger network of organised criminality targeting victims throughout the country.”

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Being out of postseason contention didn’t make the Sparks’ season finale meaningless.

It was a chance to avoid finishing with a losing record for the first time since 2020. An opportunity to foil the Las Vegas Aces’ push for the No. 2 seed in the playoffs while derailing a 15-game winning streak. And, above all, a matter of pride.

But just as with their season-long goal of reaching the playoffs, the Sparks fell short of their goal, as A’ja Wilson and the Aces dominated in a 103-75 victory at Crypto.com Arena.

The talent gap was stark in the first half, with Las Vegas building a lead that swelled to 22 behind a three-point barrage led by Jewell Loyd and Chelsea Gray. One of the league’s best three-point shooting teams (34.6% per game entering Thursday), the Aces (30-14) hit 11 threes in the first half to take a 19-point lead by halftime.

The Aces finished with 22 three-pointers — the most ever in a WNBA regular-season game. The Aces already hold the outright record of 23 three-pointers, which they set in the playoffs in 2022.

The trio of Loyd, Gray and Wilson proved too much for a short-handed Sparks squad to handle.

Loyd and Gray reached double figures in scoring by halftime — Loyd with 21 and Gray with 13. Wilson, a front-runner for league MVP, delivered yet another dominant stat line: 23 points, 19 rebounds, four blocks and two steals.

Sparks forward Emma Cannon, left, knocks the ball out of the hands of Las Vegas guard Chelsea Gray during the first half Thursday.

(Harry How / Getty Images)

Former Aces Dearica Hamby and Kelsey Plum tried to will the Sparks (21-23) to one more victory, but it was all for naught. Plum had her hands full with the opposing backcourt, and Hamby drew the unenviable assignment of battling the league’s best in Wilson.

Hamby opened strong, scoring all seven Sparks’ points in the first six minutes as the team tried to feed her in the post. She finished with 15 points, six rebounds and three steals.

Plum also finished with 15 points in a physical game that featured several players arguing with referees over foul calls.

In the second quarter, Cameron Brink caught a left elbow to the nose from Aces forward NaLyssa Smith under the basket. Blood trickled from Brink’s face onto the hardwood as Brink shouted at the referees after no foul was called.

The training staff escorted her to the locker room with a towel pressed to her face, and she did not return.

Trailing 77-58 at the end of the third quarter, Sparks coach Lynne Roberts put in rookies Sarah Ashlee Barker, Alissa Pili and Sania Feagin.

Barker scored 15 points in 38 minutes. Pilli scored a career-high seven points in six minutes. Feagin finished with four points.

The Sparks defeated the Dallas Wings 91-77 on Sunday at Crypto.com Arena to keep their faint playoff hopes alive heading into the final week of the regular season.

Julie Allemand finished with 21 points, a career-high five steals and four assists, and Rae Burrell had 13 points as the Sparks went on a 16-0 run in the fourth quarter.

The Sparks (20-22) must win their final two games against Phoenix and Las Vegas and have Seattle lose to Golden State on Tuesday to make the postseason.

The Sparks led for nearly the entire game, capitalizing on 10 three-pointers, 12 steals and six players scoring in double digits.

Dallas, however, went on a 19-2 run at the beginning of the third quarter and managed to briefly lead twice.

Amy Okonkwo hit a three-pointer with 8.9 seconds left in the third quarter to give the Wings (9-34) a one-point lead. But the Sparks didn’t waste time responding, with Allemand hitting a three-pointer before the buzzer that put the Sparks ahead for good.

The Sparks then pulled away in the fourth quarter, with Burrell scoring 11 points.

Momentum shifted in the third quarter as the Wings went on a 19-2 run in the beginning of the quarter.

Dallas managed to take a one-point lead late in the third quarter before Allemand hit a three-pointer before the buzzer that put the Sparks ahead for good. Burrell scored 11 points in the fourth quarter to help the Sparks pull away.

Azurá Stevens had 13 points and 11 rebounds, and Dearica Hamby finished with 15 points and 13 rebounds. Kelsey Plum had 12 points and Rickea Jackson contributed 11 points.

Dallas rookie Paige Bueckers finished with 18 points, seven assists and six rebounds for Dallas. Myisha Hines-Allen had 15 points, 13 rebounds and seven assists. Maddy Siegrist added 13 points and four rebounds for the Wings.

A woman has shared her frustration after an ‘entitled’ passenger tried to steal her plane seat – but she managed to get the last laugh with a cutting response on the flight

A woman has hit out at an ‘entitled’ passenger who stole her plane seat and tried to pull it off with ‘main character energy’. She detailed her experience on a nine-hour flight from Abu Dhabi to Bali, which had two economy sections.

The first section was described as “big and crowded”, but she had the foresight to pre-book a seat in the second section where every seat boasted extra leg room. Taking to Reddit, she shared: “Guess which one I booked? Yep, the smaller one, because I actually planned ahead, paid the higher fare, and got the perks (priority boarding, luggage, and that sweet legroom).

“Boarding finishes, and the woman next to me slides into the empty window seat, leaving the middle empty. Dream scenario: me on the aisle, her on the window, and glorious space in between.

“I’m snuggled up under a blanket, headphones in, hoodie up. Universal ‘do not disturb’ mode activated.”

Once the aircraft reached cruising altitude and the seatbelt sign went off, the woman felt a tap on her shoulder and turned to see a woman in her late 20s to early 30s grinning at her.

The woman continued: “She starts with, ‘Wow, you look so comfortable!’ Translation: she’s about to make me uncomfortable.

“She explains she wants me to swap seats with her so she and her friend (currently seated in the sardine can section) can take my aisle and the free middle seat.

“Her seat? Somewhere back in the busy main cabin, absolutely not extra legroom. I just smiled and said: ‘No thank you.’ Her jaw dropped.

“She tried to argue, so I spelled it out, ‘This is a paid extra legroom cabin. I booked it in advance, it wasn’t free, and I’m not giving it up so two adults who didn’t plan ahead can sit together’.”

She says the entitled woman looked at her as if she’d just “slapped her across the face” before walking away with a sour expression.

She added: “I put my headphones back on, hoodie up, and turned toward the window. Curtain closed on that conversation.

“The absolute audacity of people never ceases to amaze me. Pay for your seat like the rest of us.”

Commenting on her post, one user said: “I can’t believe the hide of some people.”

While someone else added: “My brother is tall so he always books the extra legroom seats. He also travels pretty often.

“He has told me that on almost every flight he is on someone will try to get him to swap with them to some squished no no-legroom seat. He has mastered the ‘f*** off’ and ‘what part of f*** off don’t you understand?'”

A third user said: “My come back line as always is….. ‘sure for $1,000 (£743) cash, you can have the seat, that’s my price.'”

KEYLESS cars are becoming increasingly vulnerable to theft as criminals turn to sophisticated tools like Game Boy-style emulators, experts warn.

Alarmingly, most mechanics now consider traditional car alarms ineffective as deterrents.

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The Royal United Services Institute (RUSI) says vehicle theft in the UK has surged by 75% over the past decade, with 130,000 cars stolen annually.

This trend has sparked calls for smarter, tech-based solutions to deter car thieves.

According to Fix My Car, car owners should adopt multiple layered security strategies and modern tools to help protect their motors – including engine immobilisers and GPS trackers.

Indeed, only 5% of mechanics trust traditional car alarms as effective deterrents, although everyday precautions, such as keeping keys hidden, parking in well-lit areas and checking on vehicles regularly remain essential habits.

Matt Wrankmore, Head of Garage Network at FixMyCar, said: “Car theft is no longer just about smashing windows or hot-wiring ignitions.

“Criminals are more cyber-savvy than ever, so drivers need to respond with a balanced approach using both smart technology and visible deterrents.”

And he added: “There are definite benefits to using traditional deterrents in your car, and many manufacturers still recommend steering wheel locks despite advances in vehicle security tech.

“I believe drivers returning to these methods are on the right track but we need to use all the tools available.

“That means combining mechanical immobilisers and telematics trackers with visual deterrents like steering wheel locks and alarm stickers.

“And let’s not forget the cheapest and most overlooked measure of common sense.

“Keeping your keys hidden, parking in well-lit areas with CCTV, and checking on your car regularly are all simple habits that still go a long way.”

The rise in car thefts has also exposed vulnerabilities in high-end vehicles, such as Hyundai’s electric Ioniq 5.

A furious driver, Adam Metselaar, threatened to sue the firm last year after his £47,000 keyless car was stolen in just 31 seconds using a gadget disguised as a Nintendo Game Boy.

Despite keeping his car keys in a protective box to prevent cloning, the thieves bypassed the system using a hi-tech “emulator” hidden inside the casing of the gaming device.

The grey Ioniq 5 was traced four miles away using an Apple AirTag, but it had sustained £10,000 worth of damage.

Hyundai admitted that similar thefts have affected at least 26 cars in London, as per September last year.

They later updated their Bluelink software to introduce additional anti-theft features.

As summer holidays prompt many motorists to leave their cars unattended, FixMyCar is encouraging drivers to take proactive measures to protect their vehicles.

A combination of modern tracking devices, visible deterrents and simple precautions can go a long way in safeguarding cars from increasingly sophisticated thieves.

It was billed as a bargain-basement deal: L.A. County would buy the Gas Company Tower for $200 million — a third of what the downtown skyscraper cost before the pandemic sent office prices plummeting.

Nine months after the sale closed, some of the supervisors say they have sticker shock.

The sore point: a looming $230-million contract for “voluntary seismic upgrades” to the newly purchased tower, soon to become the county’s new headquarters.

“I never heard that it would double the cost of the purchase,” said Supervisor Janice Hahn, who cast a ‘hell no’ vote against buying the building. “I’m holding out hope that smarter minds will prevail, and we can stop any more investment in this building.”

On Tuesday, Supervisors Hilda Solis and Lindsey Horvath will introduce a motion to “immediately suspend” all seismic work.

“Given that we are in the budget constraints that we are in, I was surprised to know that that work was still being contemplated,” said Horvath.

The county’s financial future has never looked so grim. Federal cuts will force the county to slash health services and potentially shutter a hospital, Chief Executive Officer Fesia Davenport warned the board this week. The county soon will start making payments for its historically large $4-billion sex abuse settlement. Newly negotiated raises for county employees could cost the county $2 billion.

Before the purchase, the supervisors were given ballpark figures as to just how much it would cost to bring the Gas Company Tower into tiptop shape vs. rehabbing the Kenneth Hahn Hall of Administration, the county’s current headquarters, which is widely viewed by county employees as a death trap during the next major earthquake.

To earthquake-proof the hall — by far the riskiest of the two buildings — it could cost $700 million, according to estimates provided to the board last fall. To do the same for the newer Gas Company Tower, the county Chief Executive Office estimated it could potentially cost about $400 million. (As of now, the county is planning to spend less than that with a bid amount of $234.5 million.)

The Gas Company Tower came out looking the better deal by about a billion dollars, according to the Chief Executive Office, once it took into account other costs needed to upgrade the Hall of Administration — including more than a billion dollars in deferred maintenance and improvements.

Hahn’s not swayed.

“I think the bureaucrats had a plan and they made their numbers fit to sell this ill-conceived project,” she continued, adding she believed similar doubt was starting to creep in among her colleagues.

“I’ve heard some of them have some buyer’s remorse,” she said.

Horvath says she doesn’t regret buying the building — but she is skeptical that the county needs to pour millions more into the tower.

“I still maintain that the purchase of the building was the right thing to do,” she said. “If retrofitting is not needed, then I want to understand why we would [retrofit] at a time such as this, when we are making a very clear case about the difficult financial position we’re in.”

The tower is one of many L.A. skyscrapers that incorporates a “steel moment frame” as part of its structure. In the 1994 Northridge earthquake, buildings with the frame did not collapse, but some were badly damaged.

Lennie LaGuire, a spokesperson for the Chief Executive Office, previously told The Times that the tower is already safe and the upgrades are “proactive.”

“The County is choosing to perform this work proactively with an eye to the future, to ensure that the building performs optimally in the decades ahead,” LaGuire said.

During brutal labor negotiations over the last year, the purchase of the skyscraper became a touchy subject. Labor condemned it as an unnecessary splurge. The county insisted it was an obvious money saver.

The hard feelings haven’t gone away, with some unions saying they were kept in the dark about the tower’s true cost.

“The priority should be those facilities the public relies upon for emergencies and daily needs, like sheriff’s stations, fire stations, medical facilities, etc.” said Richard Pippin, president of the sheriff‘s deputies union. “Look, we get it — with the near doubling of the Board of Supervisors and an elected County Executive Officer, everyone wants an office with a better view, but is that what’s best for the public we serve?”

The motion Tuesday also requests a report on where the money to finance the retrofit is coming from and which departments will be moving into the tower.

“The purpose of this acquisition was to realize substantial savings for the County of Los Angeles by consolidating operations and avoiding leased spaces,” the motion states. “However, there has been little to no transparency into what progress, if any, the County has made in occupying spaces in the Gas Company Tower after eight months of ownership.”

According to the Chief Executive Office, some employees have started to move into the building, but the entire move is expected to take three years.

State of play

— OLYMPIC JITTERS: Councilmember Imelda Padilla, a member of the Ad Hoc Committee on the 2028 Olympics and Paralympic Games, called President Trump’s announcement that he would head a federal Olympic task force a “real curveball” for the city and raised concerns about what a mercurial president would mean for the Olympics. “We are a little nervous to see what they’re going to ask for,” Padilla said during the Los Angeles Current Affairs Forum luncheon on Thursday referring to the Trump administration’s involvement in the Olympics. She also called Trump’s assertion that Bass was not very competent “completely false.”

—TUNNEL TROUBLE: The city spent $25,800, using 10 contracted workers, to paint over graffiti in the 2nd Street Tunnel — only for taggers to immediately paint the walls again within 24 hours. “It’s infuriating that these selfish vandals are wasting tax dollars aimed at improving the city for all Angelenos,” said Steve King, president of the Board of Public Works.

— SILVER LININGS: L.A. County supervisors say they’re open to the idea of a receiver taking control of the beleaguered juvenile halls. But for it to happen, a majority on the board says the receiver will need to take on union agreements and civil service rules, which they say keep problem employees on the payroll.

—PLEA TO THE FEDS: A prominent law firm suing L.A. County over childhood sexual abuse is asking for a federal investigation into how so many children were harmed while in county custody. In a letter addressed to U.S. Atty. Bill Essayli, attorney John Manly wrote that he wanted to see the U.S. attorney’s office conduct an “immediate investigation” into any federal crimes committed by staff within the county’s Probation Department.

—COOLING OFF: L.A. County will soon require landlords in unincorporated areas to provide a way for tenants to keep their rental units 82 degrees or below. The supervisors say the law is necessary to combat heat-related deaths fueled by climate change.

—A HIGH-PRICED HALF-MONTH: A law firm representing the city of Los Angeles in a high-profile homelessness case submitted a $1.8-million invoice for two weeks of work in May. The costs comes as the city faces significant financial burdens from rising legal payouts.

— VENUE VOTE: The hotel workers union turned in a ballot proposal to require that voters approve of “event centers” for the 2028 Olympics, including sports facilities and concert halls. Former City Councilmember Paul Krekorian, who heads Mayor Karen Bass’ Office of Special Events, said the measure “would make vital projects essential for our city and these Games potentially impossible to complete.”

—TEMPORARY LEAVE: As of next week, Deputy Mayor Randall Winston — who also serves as a judge advocate in the U.S. Army National Guard Reserve — will be on a leave of absence from the Mayor’s office for military training. Winston was originally supposed to go on leave in January but deferred to help support wildfire response and recovery efforts. Andrea Greene, Executive Officer of the Office of Infrastructure, will be filling his role until he returns in mid-December, according to the Mayor’s office.

QUICK HITS

• On the docket for next week: The county supervisors are asking the sheriff’s department to report on their use-of-force policies as they relate to journalists covering the ongoing ICE raids.

Stay in touch

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New Delhi, India — When models sashayed down the ramp at Milan Fashion Week last week, Harish Kurade looked at them on his smartphone in awe, sitting in his village in southern Maharashtra state, more than 7,000km (4,350 miles) away.

Models were showcasing a new line of open-toe leather sandals, designed by Prada, the iconic luxury fashion house. However, in India, the visuals raised a furore among artisans and politicians after the Italian giant failed to credit the ancient Maharashtra roots of its latest design.

“They [Prada] stole and replicated our crafty work, but we are really happy,” said Kurade in a chirpy tone. “Today, the world’s eyes are on our Kolhapuri ‘chappals’ [Hindi for sandals].” Kolhapur is a city in Maharashtra after which the sandals are named.

After facing backlash, Prada acknowledged that its new sandal designs “are inspired by traditional Indian handcrafted footwear, with a centuries-old heritage”, in a letter to the Maharashtra Chamber of Commerce.

While Kurade is chuffed about the centuries-old sandal-making craft from his village potentially gaining global exposure, other artisans, politicians and activists are wary of cultural appropriation and financial exploitation by Prada.

So, what is the controversy about? And what are artisans in Kolhapur saying about Prada? Can it change anything for the workers behind the original sandals?

What did Prada step into?

Prada showcased the classic T-strapped leather flats at the Spring/Summer 2026 menswear collection at Milan Fashion Week.

In its show notes, the Italian brand described the new range of footwear only as “leather sandals”. The notes made no mention of any Indian connection, despite its uncanny resemblance to Kolhapuri sandals, which are wildly popular across India and often worn on special occasions, such as weddings and festivals, along with traditional Indian clothing.

Outraged, a delegation of Kolhapuri sandals manufacturers met Maharashtra Chief Minister Devendra Fadnavis on Thursday last week to register their protest.

Showing his support for the delegation is Dhananjay Mahadik, a member of parliament from the state’s Kolhapur district, belonging to the governing Bharatiya Janata Party (BJP). Mahadik told reporters that the sandal makers and their supporters are in the process of filing a lawsuit in the Bombay High Court against Prada.

Mahadik also wrote to Fadnavis, drawing “urgent attention to a serious infringement on Maharashtra’s cultural identity and artisan rights”, and called on him to “protect the cultural heritage of Maharashtra”.

In his letter, he noted that the sandals are reportedly priced at approximately $1,400  a pair. By contrast, the authentic Kolhapuri sandals can be found in local markets for about $12.

How has Prada responded?

The Maharashtra Chamber of Commerce, Industry and Agriculture (MACCIA) also wrote to Patrizio Bertelli, the chairperson of Prada’s Board of Directors, about the concerns of sandal makers.

Two days later, the company responded, acknowledging that the design was inspired by the centuries-old Indian sandals. “We deeply recognise the cultural significance of such Indian craftsmanship. Please note that, for now, the entire collection is currently at an early stage of design development, and none of the pieces are confirmed to be produced or commercialised,” Prada said.

The company added that it remains “committed to responsible design practices, fostering cultural engagement, and opening a dialogue for a meaningful exchange with local Indian artisan communities, as we have done in the past in other collections to ensure the rightful recognition of their craft.

“Prada strives to pay homage and recognise the value of such specialised craftspeople that represent an unrivalled standard of excellence and heritage.”

Srihita Vanguri, a fashion entrepreneur from the city of Hyderabad, said that Prada’s actions were “disappointing but not surprising”.

“Luxury brands have a long history of borrowing design elements from traditional crafts without giving due credit – until there’s a backlash,” she told Al Jazeera. “This is cultural appropriation if it stops at inspiration without attribution or benefit-sharing.”

Kolhapuris, which the sandals are also known as, are not just a design, she insisted. They carry the legacy of centuries of craft communities in Maharashtra and the neighbouring state of Karnataka. “Ignoring that context erases real people and livelihoods,” she added.

What about artisans of Kolhapur?

Kolhapur, nestled in southwestern Maharashtra, is a city steeped in royal heritage, spiritual significance and artisanal pride. Beyond its crafts, Kolhapur is also home to several revered Hindu temples and a rich culinary legacy – its food is spicy.

Its famed sandals date back to the 12th century, with more than 20,000 local families still involved in this craft.

The family of Kurade, who was happy about Prada showcasing the sandals, lives on the outskirts of Kolhapur, and has been in this business for more than 100 years.

But he said the business has taken a beating in recent years. “In India, people don’t really understand this craft or want to put money in this any more. If an international brand comes, steals it and showcases it on global platforms, maybe that is good for us,” he told Al Jazeera.

He said that craftsmen like those in his family “still stand where they were years ago”.

“We have the craft and the capacity to move ahead, but the government has not supported us,” the 40-year-old said.

Rather, Kurade said, politics has made things worse.

Since 2014, when Prime Minister Narendra Modi’s Hindu majoritarian government came to power in New Delhi, cows have transformed from just symbols of reverence into a flashpoint for religious identity and social conflict. Cow protection, once largely cultural, has become violent, with vigilantes hunting down Dalits and Muslims, the communities that mostly transport cows and buffaloes to trading markets where they are bought for slaughter.

That has disrupted a reliable supply of cow and buffalo hides, which are then tanned with vegetables to make Kolhapuri chappals.

“The original hide we use for quality is restricted in several states because of politics around cows,” said Kurade. “The supply has touched new lows due to politics on cows – and we have been suffering because it has become really expensive for us to keep doing it with the same quality.”

Craftsmen like Kurade believe that if they can make the sandals cheaper and more accessible, “people will wear this because it is what people have loved for centuries”.

Still, Kurade said, while Prada can try and imitate Kolhapuri aesthetics, it cannot replicate the intricate hand-woven design patterns, mastered by the Dalit community in southern Maharashtra and some parts of bordering Karnataka. Dalits are traditionally the most marginalised segment of India’s complex caste hierarchy.

“The authentic design is something which is rare and unique,” he said. “Even shops in Kolhapur city may not have them.”

The real designs, Kurade said, are still made in villages by using centuries-old craft.

But because of the challenge of sourcing quality hides, and faced with an increasingly digital marketplace that artisans are unfamiliar with, Dalit sandal makers need help, he said.

“People who know markets, who can sell it ahead, are the ones cashing in on this. Poor villagers like us cannot run a website; we do not have the marketing knowledge,” he said.

“The government should look into this, to bridge this gap – it is their duty to look into this. The benefits never reached the real makers from the Dalit groups.”

Has it happened before?

Since 2019, after sustained advocacy by artisan groups, India has protected Kolhapuri sandals under its Geographical Indications of Goods Act (1999), preventing commercial use of the term “Kolhapuri Chappal” by unauthorised producers. But this protection is limited within national borders.

Prada has previously faced significant criticism over alleged cultural appropriation, most notably in 2018 when it released the “Pradamalia” collection – keychains and figurines that resembled racist caricatures with exaggerated red lips, drawing immediate comparisons with blackface imagery. After the backlash, Prada pulled the products from stores and issued a public apology.

Prada has also been criticised for store displays that have evoked racial stereotypes, as well as for its use of animal-based luxury materials like ostrich and exotic leathers, which have drawn criticism from environmental and labour rights groups.

But Prada is not alone.

In 2019, Christian Dior drew criticism for incorporating elements inspired by the traditional attire of Mexican horsewomen in its Cruise collection, without formal acknowledgement or collaboration.

In 2015, French designer Isabel Marant came under fire in Mexico for marketing a blouse that closely mirrored the traditional embroidery patterns of the Mixe community in Oaxaca, sparking accusations of cultural appropriation.

Rather than apologise, Vanguri, the fashion entrepreneur, said that the “real respect would be Prada co-creating a capsule collection with Kolhapuri artisan clusters – giving them fair design credit, profit share, and global visibility”.

“Structurally, they could commit to long-term partnerships with craft cooperatives or even fund capacity-building and design innovation for these communities,” she said.

CRIMINALS will be forced to pay back every penny they steal under proposals being drawn up by Tory Robert Jenrick.

The move could let courts claw back many billions of pounds of ill-gotten gains which would be returned to victims or help tackle crime.

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Under the proposal, fines on burglars and thieves will be hiked so they have to pay for the full amount of damage they inflict.

Rules which stop courts pursuing criminals for unpaid fines after six years would be torn up so a thief can always be made to pay up.

The shadow justice secretary is proposing the crackdown in an amendment to the Victims and Courts Bill, which is being debated in parliament next week.

Mr Jenrick said: “There’s never been a better time to be a criminal. That has to change: crime should never pay.

“Thieves and burglars must be fined the full cost of the damage they cause.

“If they can’t pay immediately, they should be made to pay it back over their whole lifetime.

“Our criminal justice system must put victims first and yobs last.”

Criminals owe a record £4.4billion in unpaid fines and court fees.

It is made up of over £1bn in fines and £3.4bn in legal costs and confiscation orders slapped on convicts.

This is enough cash to build 20,000 prison places.

Courts can impose fines on criminals as part of their sentence. The size of the fine depends on the severity of the crime and the offender’s ability to pay it.

But thieves and burglars routinely fail to pay up. And some dodge these fines by serving an extra day in prison – racking up a bigger bill for the taxpayer.

Labour have a giant majority in Parliament, so they would have to back the amendment for it to become law.

When the Sparks traded for Kelsey Plum, the buzz around her reunion with former championship teammate Dearica Hamby centered on one thing: their pedigree elevating the franchise.

On Tuesday night, fans got a glimpse of the potential that the duo could attain. The chemistry. The comfort. The way they fed off each other’s energy — stepping up when the Sparks needed it most, looking to build momentum off a previous hard-fought victory.

By the fourth quarter of an 88-82 loss to the Atlanta Dream (4-2) on Tuesday night at Crypto.com Arena, the Sparks (2-4) were on the verge of a comeback. A steal by Hamby near midcourt turned into an outlet on the fastbreak to Plum, who quickly dished it back for the finish, trimming the deficit to 66–63.

The second half belonged to them. Plum and Hamby combined for 39 points to rally the Sparks from a 40–31 halftime hole. Like clockwork, Plum buried a clutch three-pointer to cut the lead to 71–70 — the closest L.A. would get. Hamby’s late free throws pulled them to within two in the final minutes.

They led by example — attacking the basket, applying pressure on defense, diving for loose balls — doing everything necessary to win the close games the Sparks have so often found themselves in this season.

But in the end, like so often before, their effort fell just short.

Although the duo played with a sense of urgency, it’s still something the team as a whole struggles to sustain over a full 40 minutes, according to head coach Lynne Roberts. It seemed they might have turned a corner Sunday, but that performance now feels like the exception, not the start of a trend.

“My message to the group was we’ve got to be able to put 40 minutes together and not get down and then play with that urgency,” Roberts said. “We have the ability to play like that more, and that’s what I’d like to see when we go in those spurts or the droughts.”

As a team, the drought came in the second quarter. Coming off their highest-scoring game of the season, the Sparks looked out of sorts against a staunch Atlanta defense that refused to give up easy baskets.

The Dream disrupted the Sparks’ rhythm from the start, denying space for them to initiate sets, locate open shooters or generate meaningful possessions — the blueprint of Roberts’ offense. That inefficiency became more pronounced as the quarter progressed, when opportunities came sparingly and turnovers, whether from steals or denied attempts at the rim, became a recurring theme.

“I could do a better job,” Plum said, shouldering the brunt of the offensive inefficiency in the period. “Getting the people the ball, good shot. And I think we had a lot of good looks around the rim early… Just missed them, and credit to them.”

Plum finished with 27 points, five assists, three rebounds and four steals, and Hamby had 28 points, eight assists, six rebounds and four steals of her own, with Roberts adding that “those are stupid numbers. And her defense there in the second half got us back in it.”

With inconsistency still prevalent and struggles to close out games lingering, Plum and Hamby agree the team is close to improving, but the process is ongoing.

“If you watch these game, we’re right freaking there,” Plum said.

Hamby says success won’t come this early in the season, reflecting on her and Plum’s championship experience in Las Vegas.

“We enjoy the process — been part of the process,” Hamby said. “We know that it’s not like it happens overnight. It’s not going to happen in the first six games of the season.

“Obviously, we want to compete and we want to keep building. But perspective: this is a new group. We’re learning a whole new system. It’s predicated on chemistry, movement, space, team.”

But the road to success remains a marathon.

The Sparks will have only a few days to continue their team-building efforts before hitting the road for a matchup in Las Vegas against the Aces — the former home of both All-Stars. For Plum, it signifies her first return since the offseason trade.

The quick turnaround also gives Rickea Jackson, fresh off a concussion, more time to ease back into the lineup.

With starters logging heavy minutes and rookies thrust into high-pressure roles early in the season, the Sparks simply needed more bodies to ease the burden. The return of Rickea Jackson was a welcome boost.

Still, the Sparks took a cautious approach to her reintroduction. Jackson came off the bench and played limited minutes (12) mostly in the second half, as she worked to reacclimate to the pace of live play.

At times, she looked like a player still finding her rhythm, missing shots she typically makes and picking up uncharacteristic fouls. She finished with more fouls than any other stat: three fouls and just one rebound.

Although not an official rivalry steeped in tradition just yet, the competitiveness between California’s two WNBA teams suggests the start of one.

With the Sparks and Golden State Valkyries trying to jump start new eras for their respective franchises, the meeting marked the third clash between the teams in as many weeks — and it left the Sparks emotionally and physically bruised.

On their first road trip to Southern California on Friday, the expansion Valkyries exacted revenge on one of the WNBA’s charter members, holding off a late Sparks comeback in an 82-73 win.

The Sparks’ frustration was evident after the game. Coach Lynne Roberts looked displeased. Beside her, rookie Sarah Ashlee Barker sat stone-faced, a fresh shiner darkening the area beneath her right eye. Dearica Hamby rested her head in her hands, her responses to questions from the media brief and subdued.

“They beat us tonight,” Roberts said. “They were more connected. They played harder. They played with more intensity.”

What began as a back-and-forth battle quickly underscored how evenly matched the two teams are despite being at different stages. The final score suggested a close game, but for much of the night, it looked like it would be a Valkyries rout.

The Sparks surged to an early 20-9 lead behind strong play from Odyssey Sims, Kelsey Plum and Dearica Hamby. Sims hit three early three-pointers and Plum added six points fueled by defensive pressure and steals. Hamby anchored the interior with physical play.

But much like their previous two matchups, inconsistency quickly crept in for the Sparks (1-3). The Sparks’ struggles emerged after halftime in their last two games. This time, the unraveling came earlier.

“We stopped following the game plan,” Roberts said. “It’s bad — we’ve got to fix it. We need to put together a full 40 minutes. We haven’t done that yet.”

A second-quarter collapse — marked by defensive breakdowns and offensive stagnation — put L.A. in a hole too big to overcome. Entering the period with a two-point lead, Golden State went on an 18-0 run to take a 45-26 lead.

Golden State (2-1) shot 10 for 18 (55.6%) from the field in the second quarter, looking every bit like a team determined to avenge its two earlier losses — one in the preseason and the other in their season opener.

Meanwhile, the Sparks appeared far removed from the cohesion and toughness they showed in a loss to the Phoenix Mercury on Wednesday — the kind of progress coach Lynne Roberts pointed to as a sign of early-season growth. The Sparks didn’t register a field goal in the second quarter until the 2:36 mark.

L.A. trailed 49-35 at halftime after shooting just 2 for 16 from the field and scoring nine points in the second quarter.

From the start, the Valkyries’ game plan centered on containing Kelsey Plum, who erupted for 37 points against them on May 16. Golden State’s defense swarmed Plum with traps and forced the ball out of her hands, limiting her to 16 points on six-of-18 shooting, including two for 10 from beyond the arc. She also had four steals.

Golden State’s lead hovered around 15 points for much of the third quarter. The Sparks only began to chip away at the deficit in the fourth quarter.

A three-pointer from Plum cut the Valkyries’ lead to 73-63 with just under six minutes remaining. Moments later, Hamby powered to the rim through heavy contact, converting a tough layup and drawing the foul. Her successful free throw made it an eight-point game.

Hamby continued to take charge, shooting a three-pointer with 2:32 left to make it a five-point game.

“We definitely picked up the defensive energy,” Hamby said of the fourth-quarter effort. “We got some good hustle plays and tried to build momentum — but I want to win, so I’m willing to do whatever it takes.”

But that was as close as the Sparks would get after Hamby fouled Kayla Thornton on a three-point attempt. Thornton made all three of her free-throw attempts.

Robert liked what she saw from the Sparks in the fourth quarter, but she wants to see that urgency deployed earlier and throughout the game.

“We can’t wait,” Roberts said. “We did show toughness — we didn’t fold. They kept competing, and we made it a game. … But why does it take us 30 minutes to play like that?”

Hamby scored 10 of her 25 points in the fourth quarter. She also had six rebounds and three blocks. Sims finished with 13 points as the Sparks suffered their third consecutive loss. Carla Leite led Golden State with 19 points.

Golden State’s win marked a special homecoming for Anaheim native and Valkyries coach Natalie Nakase, who said she felt a wave of emotion as the team flew into L.A. Seeing familiar landmarks from the window of the plane — including her childhood homes — stirred memories of her father and the path that led her to becoming a WNBA coach. Nasake served as an assistant coach under Clippers coach Doc Rivers.

“It’s like seeing the ushers — a lot of them I’ve known for a long time, and they’re just saying congratulations and what an accomplishment,” said Nakase of the surreal feeling of winning at Crypto.com Arena. “It’s nice to see a lot of familiar faces.”