soundtrack

Netflix’s brand new romantic comedy has one of the streamer’s best needle drops for a minute, but who features in the soundtrack?

Jill and Isabelle’s favourite song is an absolute pop banger.

Voicemails for Isabelle is currently Netflix’s number one film in the UK as fans flock to the streamer’s latest romantic comedy.

Starring Zoey Deutch and Nick Robinson, this rom-com features a devastating twist that pulls at the heartstrings as much as it will make you laugh and swoon.

In fact, plenty of viewers have admitted they were left emotionally wrecked by the new release.

This is partly thanks to a pitch perfect soundtrack that features enough upbeat tunes to get fans dancing in their living rooms, as well as some poignant ballads that have them reaching for the tissues.

As Voicemails for Isabelle is poised to become one of Netflix’s biggest hits of 2026, let’s take a look at all the iconic songs featured in the soundtrack.

Voicemails for Isabelle’s full soundtrack

The new Netflix film depicts an inspiring romance between aspiring chef Jill (played by Zoey Deutch) and estate agent Wes (Nick Robinson), who becomes her secret admirer.

When Jill’s sister Isabelle (Ciara Bravo) tragically dies, she continues to call her number to leave her voicemails. However, she doesn’t realise that her new crush Wes was reassigned Isabelle’s number and has been listening in. Will his secret tear their relationship apart?

Such a gripping premise certainly deserves a soundtrack for the ages and Voicemails for Isabelle delivers in spades. Here’s the track list in full:

1. Dancing On My Own – Robyn
2. Almost Happy – LACES and Butch Walker
3. To Build A Home – The Cinematic Orchestra and Patrick Watson
4. JOYRIDE. – Ke$ha
5. Walking at a Downtown Pace – Parquet Courts
6. Hey Daddy (Daddy’s Home) – USHER
7. El Cielo Azul – Mirna Orozco & Francisco Cendejas
8. Electric Love – BØRNS
9. Boys Wanna Be Her – Peaches
10. marjorie – Taylor Swift
11. De Primeras Veces (De la Banda Sonora de la Obra “Compost de primeras veces”, de Katia Mora) – Ceshia Ubau
12. something like this – Cil
13. San Francisco Blues (Remastered) – Peggy Lee
14. (I Left My Heart) In San Francisco – Tony Bennett
15. Cherish You – Mikky Ekko
16. Waking up Slow (Piano Version) – Gabrielle Aplin
17. And I See You Now – Matthew Szlachetka
18. Beige – Yoke Lore
19. Ride the Storm – GoldFord
20. Show Me Love (Radio Version) – Robyn
21. New Year’s Day (Taylor Swift)
22. Beautiful Things – Benson Boone
23. New Touch – Caveboy
24. I’m Waiting Now – New Constellations

Music supervisor Season Kent revealed to Tudum how the film’s most prominent track, Robyn’s Dancing On My Own, is not only an uplifting tune that will get viewers dancing, but it also perfectly serves the narrative as a tribute to Jill’s sister Isabelle.

“The song becomes completely through Izzy’s point of view — watching Jill ‘from across the room’,” she explained.

“It’s heartbreaking and beautiful. It has the full package of a timeless song that you can feel in your soul.”

The film also features an original score by Este Haim and Amanda Yamate, who used an incredible blend of piano, guitar, synth, and even their own voices to craft Voicemails for Isabelle’s unique sound.

These tracks are called:

1. If You’re A Bird I’m A Bird
2. Chef Bastien Groupies
3. Talk About Boundaries
4. Intercut Dates
5. Hair In The Tart
6. Wes Laughs At Voicemail
7. Midnight Scroll
8. This Party Sucks Without You
9. Good Thing I Wasn’t A Boyscout
10. Chicken Pot Pie
11. Wes’s Speech
12. Wes Caught
13. Phone Reset
14. Jill & Izzy’s
15. No Customers
16. Zella To The Rescue
17. Lonely Christmas Wes
18. Lightbulb Moment
19. Wes Trades His Holy Grail
20. Wes Runs
21. Last Voicemails
22. Credits 1
23. Credits 2
24. Lights (Donna Missal Cover)

Voicemails for Isabelle is available to stream on Netflix.

Another Brat summer is upon us.

Charli XCX announced Monday that her new album, “Music, Fashion, Film,” drops July 24, and it already looks iconic.

That’s because the cover art, which Charli shared on Instagram, features three icons within their fields. The Velvet Underground’s John Cale represents music, Marc Jacobs stands for fashion and beloved director Martin Scorsese symbolizes film.

“My new album Music, Fashion, Film is out july 24th,” Charli wrote on Instagram. “11 songs, 30 minutes, 5 seconds. available to pre order now, love you xx.”

She released the first two singles, “Rock Music” and “SS26,” in May. The latter, a shorthand for the fashion industry’s current “Spring, Summer ‘26” season, has an accompanying video that features the artist strutting down an X-shaped runway, singing, “We’re walking on a runway that goes straight to hell / Nothing’s gonna save us, not music, fashion or film.”

“Rock Music,” the album’s first single, was met with mixed reactions from critics and fans. The song telegraphs Charli’s genre switch from electronic pop to the titular rock music, announcing, “I think the dance floor is dead” over heavily distorted guitar.

“If I’d made another album that felt more dance-leaning, it would have felt really hard, really sad,” Charli told British Vogue in April. “What’s interesting for me is to bend the possibilities of what my perspective on [rock music] could be.” She later clarified on Instagram, “I never said i was making a rock album.”

“Music, Fashion, Film” is not the artist’s first album in 2026. She released “Wuthering Heights,” the soundtrack to Emerald Fennel’s movie of the same name, in February. Cale is featured on “House,” the soundtrack album’s lead single.

Charli has added acting and producing to her repertoire in recent years. She produced and played a somewhat fictionalized version of herself in Aidan Zamiri’s mockumentary “The Moment,” based on the “Brat” album cycle, which Times film critic Amy Nicholson called “ ‘Spinal Tap’ for the era of stan culture.”

She also co-starred in Daniel Goldhaber’s “Faces of Death” remake, released in April, and is set to appear in Gregg Araki’s upcoming erotic comedy “I Want Your Sex” and Cathy Yan’s art-world thriller “The Gallerist” by year’s end.

“I’ve always been really inspired by cinema when making my music, more so than listening to music, to be honest,” Charli told The Times at the Sundance Film Festival in January. “It’s an honor to be able to be acting, working on projects and writing and producing films. It’s kind of my dream.”