Sophie

On the latest episode of Gogglebox, viewers tuned in to some exciting news as two different Channel 4 stars shared their engagement

On Friday night, Gogglebox sibling duo Sophie and Pete Sandiford opened the Channel 4 show with some exciting news.

Sophie, who has been part of the series with her brother since 2017, announced her engagement on social media ahead of the show’s airing, with many fans quick to send their congratulations.

However, it seems her engagement bubble may be getting to her brother Pete. As the episode began, Sophie got her phone out to play a special song.

She said: “I’ll play a little tune for you now, if you know it, sing along.” The Channel 4 star then played the song Chapel of Love by The Dixie Cups.

Sophie started to giggle as her brother looked fed up with the mention of her big news as he joked: “I won’t have anyone say that you’re milking this.”

She replied: “Well, it’s not everyday you get engaged” He added: “That’s the idea!”

The Channel 4 star shared that her partner Ben McKeown had proposed on Instagram, showcasing her ring to her followers. She captioned the post: “WE’RE ENGAGED.”

Although it looks as though Pete gave his brother in law to be a warm welcome into the family as he replied: “The three amigo’s have officially become 4”, adding in a five-word response: “Welcome to the wolf pack.”

Her co-star Izzi Warner added: “Congratulations to you both, gorgeous! And aren’t you buzzing you had the perfect engagement nails.”

While TOWIE star Amy Childs commented: “So happy for you.” Soap star Natalie Ann Jamieson, wrote: “Ahhhh congrats gorgeous girl!”

As Jenny And Lee wrote: “Congratulations to you both much love to ya Jenny and Lee x.”

It wasn’t only Sophie who was celebrating a proposal as Georgia spoke about her engagement with her best friend, Abbie.

Admiring her ring, she asked: “Isn’t it stunning?” as Abbie told her the ring was beautiful, she asked how it felt to be engaged. Georgia replied: “It feels phenomenal, I’m actually a fiancé!”

Georgia and Abbie joined the series back in 2018 and quickly became fan-favourites.

Throughout their time on the show, viewers have seen Georgia become a mum to two boys, Hugh and Ralphie, whom she shares with partner Josh Newby.

The Channel 4 star announced this month that Josh proposed to her while on holiday in Dubai.

Gogglebox is available to watch on Channel 4.

Sophie Unwin and Jenny Holl triumphed in the women’s B individual pursuit to claim a third gold for Britain on day two of the Para-Cycling World Championships.

The duo, who set a new world record in qualifying, paced their effort superbly to overcome a two-second deficit and beat New Zealand’s Emma Foy and Jessie Hodges, rounding off a fine day for the British team in Rio de Janeiro.

Earlier in the evening Jody Cundy claimed his second gold in as many days by winning the inaugural men’s C4 sprint title, while James Ball and Steffan Lloyd claimed gold in the men’s B 1km time trial.

Cundy, 47, led from start to finish as he held off Belgium’s Jarno Thierens and Australia’s Michael Shipley to win his 23rd world track gold medal.

Ball and his pilot Lloyd were equally as impressive as they finished over a second clear of Australia’s Kane Perris and Luke Zaccaria, with Italy’s Stefano Meroni and Francesco Ceci in third.

Kadeena Cox collected a silver in the women’s C4 kilo behind Australia’s Tara Neyland after being unable to maintain her blistering start.

Fin Graham secured his second medal of the week with a bronze in the men’s C3 1km time trial and Lizzi Jordan and pilot Dannielle Khan caught Poland’s Karolina Karasiewicz and Dominika Putrya to earn a bronze in the women’s B individual pursuit.

However, there was disappointment for Blaine Hunt, who crashed out in the men’s C5 elimination race.

The British team now has four golds, three silver medals and five bronze medals overall.

England remain unbeaten in the Women’s World Cup after Nat Sciver-Brunt’s sensational century and a remarkable spell of 4-17 from Sophie Ecclestone set up a crushing 89-run win over Sri Lanka in Colombo.

Having put England in to bat, Sri Lanka were left to rue dropping Sciver-Brunt on three, as she punished them with a run-a-ball 117 in England’s competitive 253-9.

The game was delicately poised with England 179-6 after 40 overs, but the captain timed her acceleration to perfection with 49 runs coming from the last five.

In reply, Sri Lanka’s captain and key batter Chamari Athapaththu retired hurt early in their innings, but fellow opener Hasini Perera and Harshitha Samarawickrama led a promising recovery to 95-1.

But the co-hosts’ lack of batting depth cost them, despite Athapaththu’s return to the crease before she fell for 15, and they finished 164 all out in the 46th over, Ecclestone’s often-unplayable spell of turn and bounce doing the damage.

England’s third win in a row puts them top of the eight-team table, one point above defending champions Australia.

Earlier, Sciver-Brunt played a lone hand as the rest of England’s top order made promising starts but were unable to capitalise, with opener Tammy Beaumont’s 32 the next-highest contribution.

Amy Jones was run out for 11 and Beaumont was caught in the covers, before Sciver-Brunt and former captain Heather Knight consolidated with a patient stand of 60.

Knight was caught sweeping for 29 and England suffered another middle-order wobble to spin, including the loss of Emma Lamb and Alice Capsey to Inoka Ranaweera in the 35th over.

The discipline of Dean stabilised England again as she added 38 for the seventh wicket with Sciver-Brunt, which allowed the skipper to kick on at the death and ensure they had set a winning score.

England will look to maintain their winning run against Pakistan, also in Colombo, on Wednesday.

Ingle – who left in 2015 for a three-year spell at Liverpool before swiching to west London – previously captained the Bristol side in her first spell with the club.

“It’s about feeling valued as well,” said Ingle. “Bristol City want the women’s team at Ashton Gate and that for us as a women’s team is really important.

“For someone like myself who’s been through different teams and not always had that representation from a football club, those small things mean a lot to me.”

Bristol City will play all their home games at Ashton Gate this season, following the conclusion of the Women’s Rugby World Cup.

Ashton Gate hosts both semi-finals as New Zealand take on Canada on Friday night and England take on France on Saturday afternoon.

Ingle is one of more than 10 new signings for the club as they target a return to the Women’s Super League.

“When I first spoke to Charlotte [Healy, head coach] her demands and standards were very high which linked with mine.

“It’s obviously going to be hard, WSL2 is always such a tight league, each team can take points off everyone, so it’s never set in stone that team A is going to win.

“It’s going to be a long season and we’re going to have to find ways to keep digging in and getting points on the board.

“Come the business end of the season we want to be in a position where we can get promoted.

“This football club deserves to be in the top division and I think we can get there.”

Indiana Fever star Sophie Cunningham doesn’t believe a dirty play led to her season-ending knee injury, and she wants everyone to stop accusing Connecticut Sun guard Bria Hartley of intentionally hurting her.

That includes Cunningham’s own mother.

Cunningham addressed the matter on an episode of her “Show Me Something” podcast that dropped Tuesday. It’s the same day the Fever announced that Cunningham will miss the remainder of the season after getting injured during Sunday’s game in Connecticut.

Hartley was driving toward the basket during the second quarter when she lost balance and collided with Cunningham on her way to the floor. Cunningham immediately grabbed her right leg in pain and was eventually helped off the court.

The seven-year WNBA veteran told co-host West Wilson that she tore the MCL in her right knee and surgery is scheduled on Friday. She also said that she has no hard feelings toward Hartley and does not blame her for the season-ending injury.

“I know Bria, and I’m actually really good friends with Bria,” Cunningham said. “… There was no ill intent. I think it was basketball play. I was just in the wrong spot at the wrong time. She fell — like there’s no way that she would go in there and potentially try to hurt me. So yeah, I have nothing but love for Bria.”

Among those who have questioned Hartley’s intentions is Cunningham’s mother, Paula, who reportedly wrote on a now-deleted X (formerly Twitter) post that Hartley is a “disgruntled player” who is “plain mean and plays out of control.”

Cunningham said she set her mother straight .

“I was like, ‘No, Mom, I get it, but I promise you, Bria and I are super cool,’” Cunningham said. “‘She would never try to hurt me, because there are some girls that I think might, but she wouldn’t do that.’ So I have nothing but love. And I hope people stop giving Bria some heat, because I don’t think she meant to do that at all.”

Cunningham also addressed a photo, taken by David Butler II for Imagn Images, from immediately after the injury occurred that some think shows Hartley smiling while Cunningham is holding her leg in agony.

“I think that smile, it wasn’t like a — it was like an ‘ooh’, you know, like, one of those,” Cunningham said, making a grimace. “So I’m totally fine” with Hartley.

In June, Cunningham sparked a scuffle between Fever and Sun players when she took down then-Connecticut player Jacy Sheldon, who was making a break toward the basket late in the game with Indiana leading by 17. Sheldon has since been traded to the Washington Mystics. Some have viewed Cunningham’s move as payback after Sheldon poked Fever superstar Caitlin Clark in the eye during a play earlier in the game.

The Fever have struggled with injuries this season. Clark hasn’t played in more than a month because of a groin injury, and guards Sydney Colson (ACL) and Aari McDonald (broken foot) saw their seasons come to a premature end because of injuries during an Aug. 7 game at Phoenix.

England batter Danni Wyatt-Hodge’s 59 from 39 balls and a fine all-round display from Sophie Devine led Southern Brave to a 15-run win against Birmingham Phoenix in the women’s Hundred.

Phoenix slipped to 22-3 in pursuit of 140 to win, but captain Ellyse Perry led a revival with stands of 37 with England’s Amy Jones and 36 with Sterre Kalis.

The visitors were in a strong position with 45 needed from the last 30 balls, but New Zealand all-rounder Devine crucially dismissed Perry for 26 to spark a collapse from 95-4 to 124 all out.

Devine also held on to the catch to dismiss Jones for 20, removed Ailsa Lister for one and executed a brilliant run out in her follow-through to get rid of Megan Schutt for seven as Phoenix’s lower order buckled under the pressure, with nobody able to support Kalis’ 44 from 34 balls.

England seamer Lauren Bell also impressed for Brave, with 3-17 to continue her fine form after a three-wicket haul in their opening win against Manchester Originals on Wednesday.

Earlier, Wyatt-Hodge added 52 for the third wicket with Devine, who made 27, after Maia Bouchier fell cheaply for six and South Africa’s Laura Wolvaardt made a fluent 28.

Brave had a solid platform at 120-2 with 15 balls remaining, but Phoenix fought back with a flurry of wickets and the hosts were pegged back to 139-7.

Australia seamer Megan Schutt and England’s Em Arlott were the standout bowlers with 2-23 and 2-19 respectively.

The attendance of 11,167 set a new record for a women’s Hundred match at the Utilita Bowl, surpassing the previous best of 10,911 from 2024.

A neon green sex toy was thrown from the stands and landed on the court during the second quarter of Tuesday night’s Sparks win over the Indiana Fever at Crypto.com Arena.

With 2:05 remaining in the first half, the sex toy landed in the paint near Fever guard Sophie Cunningham, who recoiled before Sparks guard Kelsey Plum kicked the object off the hardwood.

Spectators at Crypto.com Arena responded with boos, many turning toward the sections behind the basket closest to the Sparks bench where the sex toy appeared to have been thrown from. Security rushed into the stands in an apparent attempt to identify who was responsible.

“I think it’s ridiculous, it’s dumb, it’s stupid,” Sparks coach Lynne Roberts said. “It’s also dangerous and players’ safety is number one. Respecting the game. All those things. I think it’s really stupid.”

Cunningham, who was seen laughing as she walked toward the Sparks’ bench after the sex toy landed, had previously expressed concern about the trend on social media, saying that it’s “going to hurt one of us.” After Tuesday’s game, she shared that X post with the caption: “this did NOT age well.”

The game continued without interruption, but the incident added to a growing list of cases where fans have thrown inappropriate objects toward the court during WNBA games.

“We did a great job, Indiana included, just playing it off,” Plum said. “Just don’t give it any attention. And the refs — I appreciated them too — just like, ‘Hey, let’s go.’ ”

Tuesday’s incident in Los Angeles was at least the fourth time in less than two weeks that a sex toy has been thrown toward the court during a league game. On Friday in Chicago, a sex toy was tossed under the basket during a play that was stopped. On July 30, a green sex toy landed near the court and bounced forward during a Dream game in Atlanta — an incident that resulted in a fan’s arrest and one-year ban from WNBA arenas.

A fan posted on social media that a green sex toy was tossed toward the court during the Dallas Wings at New York Liberty game Tuesday night, landing in the stands and nearly hitting a child. A similar incident has been reported in Phoenix, where the toy did not reach the court.

The WNBA released a statement emphasizing that throwing objects into the court area is a violation of league policy and local laws.

“The safety and well-being of everyone in our arenas is a top priority for our league. Objects of any kind thrown onto the court or in the seating area can pose a safety risk for players, game officials, and fans,” the league statement read. “In line with WNBA Arena Security Standards, any fan who intentionally throws an object onto the court will be immediately ejected and face a minimum one-year ban in addition to being subject to arrest and prosecution by local authorities.”

On Tuesday, no announcement was made indicating whether the individual who threw the sex toy at Crypto.com Arena was located or ejected.

Any profession can corrupt its practitioners — and arts critics are no exception. Are they enlightened standard-setters dragging us back from a cultural abyss — or deformed exiles from the arts who, with sharpened pens and bent backs, are ready to pounce on plot-holes and devour careers at a moment’s notice?

If Charlotte Runcie’s debut novel, “Bring the House Down,” is anything to go by, it’s a bit of both. The book centers around four heady weeks at the Edinburgh Fringe Festival, which begins the unraveling of two newspaper critics who have traveled up from London to cover the sprawling performance art event. Runcie, a former arts columnist for the Daily Telegraph, has created something so delightfully snackable that you may, as I did, gulp it down in two or three sittings.

Runcie’s anti-hero is theater critic Alex Lyons. Alex gives everything he reviews either one star or five, and the latter are vanishingly rare. He bemoans a world of “online shopping reviews,” where “five stars has come to mean the baseline, rather than outstanding,” and so insists on panning almost everything he sees. What’s bad for artists is good for him: His reviews become desperately sought-after career makers or breakers. “The paper didn’t allow Alex to award zero stars. Otherwise, he’d do it all the time.”

“Bring the House Down”

(Doubleday)

We learn about Alex’s story through our narrator Sophie Ridgen, his colleague who, despite being in her mid-30s like Alex, is on a very different track. Alex rose quickly through the newspaper’s ranks, and his reviews are featured on the front page almost daily. Sophie continues to toil as a junior culture writer, picking up whatever scraps nobody else wants. Sophie is also a new mom, overworking to compensate for time lost to maternity leave. She feels uncomfortable in her post-pregnancy body, exhausted and frustrated with her husband. Alex, on the other hand, finds it “embarrassingly easy” to get laid.

But Alex’s glory days are numbered. Early on at the Fringe, he sees a one-woman show that, unsurprisingly, he hates. He writes a review as devastating as it is personal (calling the star a “dull, hectoring frump,” her voice a “high-pitched whine”). All of this would be business as usual for Alex except for one problem: After quickly filing his review of the show, he bumps into Hayley Sinclair, its creator and star, in a bar. He takes her home and sleeps with her. He knew the one star was waiting for her; she did not.

When she finds out, there is hell to pay. Hayley transforms her nightly show into the “Alex Lyons Experience,” collecting testimony from his ex-girlfriends and lovers, or even those who have simply received bad reviews from him. Over the following weeks her show swells into a Greek chorus of one man’s wrongs. The whole nation, including members of Parliament, have hot takes (the performance is livestreamed). It doesn’t help his case that Alex is a bit of a nepo baby, as his mother Judith is an actor whose name would be recognized in most British households.

Sophie, living with Alex in the company-rented flat, has a front row seat to his public unraveling. She watches the livestreams with guilty awe, stalks Alex and Hayley compulsively online, and feverishly scans social media for the latest gossip (Runcie is great at writing a fake mean Tweet/X dispatch). She starts missing calls with her husband and their toddler son, as she becomes fully obsessed with the drama unfolding in Edinburgh.

As she continues to inhabit the same flat as her colleague, Sophie is increasingly questioned by others as to whose side she’s on, Alex or Hayley’s. For much of the book, she seems unable to make up her mind. She refuses to give up on Alex, and increasingly becomes his only source of companionship, which she can’t help but find flattering. But she also finds herself sympathetic to and magnetized by Hayley, whose popularity is blossoming on the Fringe circuit and beyond.

While Alex and Hayley both appear to possess other-worldly levels of charisma, one flaw with Runcie’s novel is that this is something we are repeatedly told, rather than shown. Alex spends most of the book being condescending to Sophie, and yet she is transfixed by him. “He had the strange ability to make you feel as if you were the only person who was in on a joke, the only person who understood some fundamental truth about the world that escaped other people.” This feels unsatisfyingly generic, like something you might find in an online wedding vows template.

We are at least given more backstory and a more plausible explanation for Sophie’s fascination with Alex: the ego trip. Having been dragged down by motherhood, a rocky marriage, and grief over the death of her own mother, Sophie enjoys Alex’s increasing dependence on her, a lone rock of support amid an ocean of alienation. There is something undeniably delicious in watching someone you revere fall to their knees, and Sophie begins to see in Alex “a tiny flickering of fear, at first only visible as a barely perceptible interruption to his arrogance, like a power cut that dims the lights for just a hundredth of a second.”

Hayley, unfortunately, never quite comes to life in the same way. And it remains unclear why her show, which is essentially a litany of (legitimate) complaints about a real-life terrible man with some added pyrotechnics, takes Edinburgh and the entire country by such storm. “I find I can’t explain why it had the effect that it did,” Sophie tells us. “This wasn’t theater, not really; it was a happening. The audience weren’t spectators anymore, but a silent, connected web of righteous energy.” Without more to go on, we have no choice but to take her word for it.

The result feels like a missed opportunity to interrogate some important questions. How much does the identity (gender, race, or class) of the critic matter when it comes to their ability to judge art? What about the identity of the artist themselves? In other words, who shall criticize the critics? Readers may leave Runcie’s novel feeling that some of these questions go unanswered, but this deeply entertaining novel is nonetheless well worth the price of admission.

Mills is a writer and human rights researcher who has worked for Amnesty International, Human Rights Watch, the Wall Street Journal and Associated Press. She lives in New York.

Wilkinson said assessment of Rhiannon Roberts is also “ongoing”, with the 79-cap defender suffering a fitness issue on the eve of the 1-0 loss in Odense that confirmed the side’s relegation from the top tier of the Nations League.

But the Wales boss said neither were being ruled out at this stage, with the squad for the Euros being named on 19 June.

However, Wilkinson did say Ingle is “on track” to be part of that selection after the “milestone” of training with team-mates in a session before the game with Italy.

“It was great to see her back,” said Wilkinson of the 141-cap former captain, who is also continuing rehabilitation at Chelsea despite announcing her departure from the Women’s Super League (WSL) champions following the end of the season.

“Any injury is a lonely place to be… and one of the big gains is not just being back on the field with the ball, but being back with team-mates.

“She’s done it with her club and now she’s done it with her international team-mates.

“That milestone is such a boost and you could see it in her, it was a big moment.”

But with Wales’ match with Italy their final fixture before they open their Euro 2025 campaign against Switzerland – and Ingle having not played a competitive match for so long – Wilkinson said she would remain cautious.

“She’s in a great space and she doesn’t feel like she’s overextending herself, because when players in stressful situations try to rush back from major injuries that’s when you can see reoccurrence,” Wilkinson said.

Wilkinson added that Ingle will be part of a training camp in Portugal in the tournament build-up,

“That’s why we want to do it properly. It’s very obvious we want her with us in Switzerland, everything is tracking that way, but she will not be rushed or pushed,” said Wilkinson.

“The most important thing is being able to play, not 90 minutes, but can she contribute?

“She’s aware there will be conversations coming up to the tournament and she’s doing everything she needs to, to be coming to Switzerland with us.”

Fellow defender Lois Joel added: “Sophie’s such a core part of our group, so well respected, so it’s great to have her back in whatever capacity.

“It was great to see her smiling and kicking a ball – and she barely looks rusty.”