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WOKE theatre chiefs have warned musical Jesus Christ Superstar will “include an onstage depiction of the crucifixion” when it returns next year 

Staggered fans have hit out at producers who have also seen fit to alert would-be watchers that the rock opera also has in it “some violence” and “imitation blood”. 

Tickets only went on sale yesterday for the work which will be staged at the London Palladium.

It will star Eurovision and “Space Man” crooner Sam Ryder playing the part of Jesus. 

It recounts the final week of Jesus’ life, from the perspective of his disciple and betrayer, Judas Iscariot.  

The original — condemned by religious groups for its “sympathetic” portrayal of Judas — opened in London in 1972 and closed in 1980 after 3,357 productions. 

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Gerald Dixon, an admirer of the musical, which includes hits “I Don’t Know How to Love Him” and “Superstar”, was among those nonplussed by the warning attached to the forthcoming show.

He told The Sun: “What next? A warning that the hit musical includes catchy tunes?  

“This nonsense is enough to make anyone utter the Lord’s name in vain.” 

The Tim Rice and Andrew Lloyd Webber show runs from June to September, with tickets costing up to £335. 

LW Theatres, London’s largest operator of musical theatres, was contacted for comment on the warning yesterday. 

Sinner reached all four major finals in a year when he also served a three-month doping suspension after twice testing positive for a banned substance in 2024.

Wada accepted Sinner “did not intend to cheat” and Djokovic said he believed the Italian “didn’t do it on purpose”.

However, Djokovic warned that the case would remain a “cloud” over the 24-year-old throughout his career.

“That cloud will follow him as the cloud of Covid will follow me,” said Djokovic, who was deported from Australia in 2022 because he was not vaccinated against the virus.

“Over time it will fade, but I don’t think it will disappear.”

A number of players questioned the timing of Sinner’s ban, with Djokovic adding: “There is the lack of transparency, the inconsistency, the convenience [of] the ban coming between the slams so he doesn’t miss out. It was very, very odd.

“I really don’t like how the case was being handled. You could hear so many other players who had similar situations coming out in the media and complaining that it was a preferable treatment.”