sibling

The family of actor Robert Carradine filed a lawsuit against the governing body of UCLA, saying that the “Revenge of the Nerds” star’s death by suicide in February at a university-affiliated psychiatric facility was preventable.

In a legal complaint filed Aug. 7 with Los Angeles County Superior Court, the children of Carradine allege that the psychiatric care team at the UCLA health facility was reckless in its care and committed elder abuse and neglect.

Carradine, 71, had checked into the facility shortly before his death.

The 27-page suit names the UC regents as defendants, along with physicians, nurses, clinical care partners and other officials who are identified as “Does 1-100.” Plaintiffs in the suit include Carradine’s estate and his surviving children.

“He asked for help. He recognized that he was a danger to himself and voluntarily walked into a psychiatric hospital to be kept safe,” the family claimed in the suit reviewed by The Times. “He knew he was not safe to be left alone.”

Carradine had bipolar disorder, and the lawsuit says that he had admitted that he had “suicidal thoughts” when he checked into UCLA Resnick Neuropsychiatric Hospital in Westwood.

“Instead of walking into a safe environment, [Carradine] walked into a locked facility that broke a cardinal rule for a hospitalized psychiatric patient with active suicidal thoughts and a history of suicide attempts,” the lawsuit says. “UCLA let him walk into a locked psychiatric unit with a belt.”

The family also said hospital staff left him in a room with a table that had not been removed from his unit before being placed there, according to the lawsuit. He died about 19 hours after checking into the facility, the lawsuit says.

“None of this happened because UCLA lacked the knowledge, the policies or the means,” the civil complaint says. “It happened because UCLA took shortcuts with two safeguards that were meant to protect Robert’s life. UCLA gave Robert the means to hurt himself and then no one watched over him or checked on him for long periods of time despite orders to watch him every 15 minutes.”

The lawsuit says that UCLA staff was distracted during Carradine’s observation intake and that they falsified their records to reflect proper care.

The Times has reached out to the UC regents and UCLA Health for comment.

The youngest son of prolific character actor John Carradine, Robert Carradine was born on March 24, 1954, in Los Angeles. Known for both his film and television work, Carradine made his debut in a 1971 episode of the long-running western “Bonanza.” His first film appearance was in the 1972 John Wayne western “The Cowboys.”

During his 50-year Hollywood career, he appeared alongside his brother David in a 1972 episode of “Kung Fu” and the 1973 Martin Scorsese film “Mean Streets.” Alongside his brothers David and Keith, Robert joined other sets of acting siblings to portray sets of real-life siblings in the 1980 western “The Long Riders.” Carradine also landed roles in Hal Ashby’s 1978 Vietnam War drama “Coming Home” and Samuel Fuller’s 1980 World War II epic “The Big Red One.”

“It is with profound sadness that we must share that our beloved father, grandfather, uncle, and brother Robert Carradine has passed away,” the Carradine family said in a statement following the actor’s death. “In a world that can feel so dark, Bobby was always a beacon [of] light to everyone around him. We are bereft at the loss of this beautiful soul and want to acknowledge Bobby’s … nearly two-decade battle with Bipolar Disorder.

“We hope his journey can shine a light and encourage addressing the stigma that attaches to mental illness. At this time, we ask for the privacy to grieve this unfathomable loss. With gratitude for your understanding and compassion.”

In the 2000s, Carradine charmed a new generation of fans as lovable TV dad Sam in “Lizzie McGuire.”

“There was so much warmth in the McGuire family, and I always felt so cared for by my on-screen parents,” the show’s star, Hilary Duff, wrote in her Instagram tribute to her on-screen dad. “I’ll be forever grateful for that. I’m deeply sad to learn Bobby was suffering. My heart aches for him, his family, and everyone who loved him.”

Carradine’s family and estate are seeking unspecified general and wrongful-death damages and compensation for medical expenses incurred during his hospitalization.

Away from Coronation Street, Dylan Wilson actor Liam McCheyne has a well-known sibling

Dylan Wilson has been a staple on Coronation Street for years – but what do we know about actor Liam McCheyne?

Liam plays Dylan Wilson, the son of Sean Tully (Anthony Cotton) and Violet Wilson (Jenny Platt). He first arrived on the cobbles in 2011 and later returned in 2022.

Liam’s role on the show has progressed significantly over the years, as over on the soap recently, it was confirmed that Dylan and girlfriend Betsy Swajn (Sydney Martin) are set for a new dramatic storyline examining the devastating life-altering consequences of non-fatal strangulation.

In Wednesday’s episode (July 15) Betsy is found unconscious and rushed to hospital, with doctors confirming that she has suffered a stroke caused by a blood clot. So, with more drama to come on the cobbles we’re taking a look inside Dylan actor Liam’s life, including his relationship with his soap co-star brother.

Liam on working with his brother on Corrie

The character of Dylan was originally played by both Liam and his twin brother Connor. And while Liam has continued his acting career, Connor seems to have hung up his acting shoes in favour of sport.

Talking about him and his brother landing the role of Dylan on Corrie, Liam previously said: “We were three years old and it was a total fluke way to get it.

“My neighbour across the road was on work experience for a local agency and she asked my mum if we would want to go and do an audition for her. She said even if we didn’t get it, it would help her with her work experience.

“My mum, dad and even nursery teachers all thought we would be too shy to do it. When we got here, and were in the casting, as soon as the cameras were on, we were like totally different children with our confidence and were laughing away.”

Liam and twin brother’s close relationship

Liam is still very close to Connor and regularly shares photos of them enjoying time together. Earlier this year, Liam shared a special update with his brother as in January, the pair took to their Instagram to share a post celebrating their 19th birthday.

Alongside photos of the twins over the years, Liam wrote in his caption: “Happy birthday to you best mate and right hand man @connormccheyne1 Here’s to the best memories throughout chapter 19!” Meanwhile, Connor penned: “Happy birthday to this one. @liammccheyne here’s to a top 2026.”

Liam’s Corrie return ‘was hard to take for Connor’

Meanwhile in 2024, Liam revealed that fans often stop his twin brother thinking it’s him. He said: “The funnier story is when people think Connor, my twin brother, is Dylan.

The actor added: “He’ll get stopped in Manchester on his way to college and won’t have enough time to say it’s not him before someone has a camera asking for a picture.”

Liam also previously revealed that when Dylan returned to the soap in 2020, both he and his twin brother were up for the role – and it was a hard decision for Corrie producers.

“They couldn’t decide here at Corrie who would be cast, so they sent it to an external casting agency in London. They literally went off my CV, based on the fact that I’d just come off Last Tango,” he said.

“That was hard to take for Connor, because he was very good. But we’ve both agreed in the past, and we’ve said publicly in the press, that it’s led to another opportunity for him. Acting wasn’t his thing in the end and it’s opened another door for him.”

Coronation Street airs Monday to Friday at 8:30pm on ITV1 and ITVX

It is the ultimate test for any parent.

Two sons playing on opposite teams in a match. Who are you rooting for?

But this is not a kickabout in the local park or a schools’ match. This is a game at the World Cup.

There are four sets of siblings playing for different nations on the biggest stage of all, including Desire and Guela Doue who could face one another this summer.

Born to a French mother and an Ivorian father in the French city of Angers, the brothers play for Paris St-Germain and Strasbourg respectively.

They have taken different paths in international football, with two-time Champions League winner Desire, 21, turning out for France and overlapping full-back Guela, 23, playing for Ivory Coast.

“We tell each other everything and have no secrets,” Desire told French football programme Telefoot about his relationship with his older brother.

“He’s such a massive support for me in my daily life.”

But could their close bond be tested in the United States?

Should France finish runners-up in Group I and Ivory Coast finish runners-up in Group E, the pair will face one another in the last-32 stage in Arlington, Texas, on 30 June.

When Ivory Coast defeated France 2-1 in a pre-World Cup friendly on 4 June, Guela sang both countries’ national anthems before the match.

Desire, who had won won the Champions League with PSG five days earlier, was an unused substitute.

“It’s a shame I didn’t get to play against [my brother], as this was our first France-Ivory Coast match, but I’m happy, and he isn’t too fed up,” said Guela afterwards.

There has been only one previous case of siblings squaring off against ⁠each other at the World Cup,, external and it happened in back-to-back tournaments.

Jerome Boateng of Germany faced older half-brother Kevin Prince of Ghana in Johannesburg in 2010. Germany won 1-0. Four years later, the pair were on opposite sides again in Brazil when ⁠the group game ended 2-2.

Desire and Guela could well be next.

So, who are the other brothers appearing at this World Cup?

It was the summer of 1949 when a 22-year-old, newly hired Milwaukee photojournalist was assigned to take portraits of an unknown 23-year-old actor passing through town on a publicity tour. John Ahlhauser spent 30 minutes capturing seven photos of the up-and-coming starlet. One was published in the Milwaukee Journal Sentinel and Ahlhauser took the other six home.

That unknown actor was Marilyn Monroe (although her legal name was still Norma Jeane Mortenson).

To celebrate Monroe’s 100th birthday on June 1, five photos from the shoot are being auctioned off through proxy bidding until Tuesday morning, when the live auction will occur. The photos were shot as part of a promotion for Monroe’s brief role in the Marx brothers’ final feature together, “Love Happy.” According to Ahlhauser’s daughter, Mame O’Meara, these pictures represent an unguarded and unedited version of the celebrity.

“When we took it to ‘Antiques Roadshow’ — which it did not get on at that moment — they said these are before she got her nose job, before she went platinum, and that she had developed a look in her eye in January of 1950 that really kept you out of her personal space,” O’Meara said. “They describe these seven little pictures as windows into her soul.”

The Milwaukee Journal Sentinel ran one photo in 1949 and a second image was used in Gloria Steinem’s 1988 book, “Marilyn: Norma Jeane.” In 2011, all of Ahlhauser’s work was placed in a trust, including his photos of Monroe.

Monroe’s estate was controlled by Anna Strasberg, the second wife of Monroe’s acting coach and close friend, Lee Strasberg, since his death in 1982. O’Meara explained that the family waited to release Ahlahauser’s photos of Monroe because of the “contention” over Anna Strasberg’s ownership of Monroe’s image. Strasberg died in 2024.

“Strasberg was fighting in court for all of the images of Marilyn, and we put these in a trust and actually worked to keep them quiet at that time,” O’Meara explained.

When Ahlhauser died in March 2016, O’Meara and her five siblings inherited hundreds of their father’s yellow Kodak photo boxes. Inside the boxes were his photos of Monroe, organized with the “sleeve dated and with the assignment on the outside.”

“I wanted to touch absolutely everything in the boxes,” O’Meara said. “[My siblings] were both gracious, and none of them wanted to, and so I have had the privilege the last six years of going through every print he ever made, and I’m just working on the negatives now.”

However, O’Meara and her siblings aren’t entirely ready to let go of Monroe yet. While they’ll be auctioning off five of the photos, they’re planning to keep two.

“We’re selling these five, and people can take the copyright and put them on coffee mugs, or make an AI movie, or whatever they want to do with them,” O’Meara said, laughing. “We’ll just keep the two really nice ones that he was so proud of. We’ll keep those in his collection, and we can sell prints if we feel like it.”

While Ahlhauser’s photo of Monroe may become his most iconic image, the session didn’t feel like a particularly notable event in his career. It wasn’t as impactful as when he photographed the 1968 Democratic National Convention in Chicago or civil rights marches in 1960s Mississippi. But for O’Meara, that’s where the beauty of these photos lies.

“They are both really nobodies; they’re both people doing a job,” O’Meara said. “And yet, when I look at those pictures, I think they both had to really allow themselves to let the camera find the vulnerability, and that to me is the art in it.”