Nov. 30 (UPI) — The Afghan national accused of shooting a two National Guard troops while they were deployed in Washington, D.C., was part of an elite CIA unit in Afghanistan, members of which have struggled to adjust to life in the United States.
The alleged shooter, Rahmanullah Lakanwal, 29, worked with the CIA in Afghanistan as part of a “zero unit,” or national strike unit, who worked with the American military to track down high value Taliban targets in Afghanistan.
Many members of these units, whom NBC News reports are among the most vetted Afghans who worked with the U.S. military, were evacuated in 2021 when the United States pulled out of Afghanistan because they were expected to targeted for retribution by the Taliban after it retook power.
“He was brought into the country by the Biden administration through Operation Allies Welcome. And then, maybe vetted after that, but not done well, based on what the guidelines were put forward by President Biden,” Homeland Security Secretary Kristi Noem said Sunday on ABC News’ “This Week.”
“And now, since he’s been here, we believe he could have been radicalized in his home community and in his home state,” Noem said.
Lakanwal arrived in the United States in 2021, after having been vetted regularly while he was working with U.S. forces in Afghanistan, and was granted asylum in April by the Trump administration after another round of vetting, officials have said.
In the aftermath of the shooting, the Trump administration ordered that visa holders from “every country of concern” would be required to undergo reviews to determine if they will be permitted to stay in the U.S.
The administration also said it would pause all applications for asylum, in addition to “permanently pausing migration from all third world countries.”
Members of the zero units took part in intense combat, which has left them with wartime trauma similar to the special operations forces they worked with, as well legal challenges related to their status in the U.S., and have suffered intense mental health challenges, experts have said.
“If you bring people here and you don’t let them feel like there is any hope, you’re leaving them in a very troubling situation,” a spokesperson for the 1208 Foundation, which helps Afghans who worked with the U.S. during the war, told ABC News, suggesting that treating these people like “pariahs” is going to make for a worse situation.
Although the Trump administration agreed to a deal bringing Afghans who worked with the zero units to the U.S., many have struggled to find work, let alone clarity on their asylum or visa status.
“Without your help, we are trapped,” Mohammad Shah, an Afghan in the U.S. who commanded a zero unit, wrote in a letter to members of Congress.
“Recently, there have been cases of suicide within our community driven by the overwhelming sentiment of helplessness we feel as our requests for immigration assistance go ignored by the U.S. government,” Shah wrote.
President Donald Trump and first lady Melania Trump walk on the South Lawn of the White House before boarding Marine One on Tuesday. Photo by Aaron Schwartz/UPI | License Photo
The Trump administration is promising an even tougher anti-immigration agenda after an Afghan national was charged this week in the shooting of two National Guard members, with new restrictions targeting the tens of thousands of Afghans resettled in the U.S. and those seeking to come, many of whom served alongside American soldiers in the two-decade war.
But those still waiting to come were already facing stricter measures as part of President Trump’s sweeping crackdown on legal and illegal migration that began when he started his second term in January. And the Afghan immigrants living in the U.S. and now in the administration’s crosshairs were among the most extensively vetted, often undergoing years of security screening, experts and advocates say.
In its latest move, the Trump administration announced Friday that it will pause issuing visas for anyone traveling on an Afghan passport.
The suspected shooter, who worked with the CIA during the Afghanistan war, “was vetted both before he landed, probably once he landed, once he applied for asylum,” said Andrew Selee, president of the Migration Policy Institute. “But more importantly, he was almost certainly vetted extensively and much more by the CIA.”
Haris Tarin, a former U.S. official who worked on the Biden-era program that resettled Afghans, predicted that “as the investigation unfolds, you will see that this is not a failure of screening. This is a failure of us not being able to integrate — not just foreign intelligence and military personnel — but our own veterans, over the past 25 years.”
The program, Operations Allies Welcome, initially brought about 76,000 Afghans to the United States, many of whom had worked alongside American troops and diplomats as interpreters and translators. The initiative was in place for around a year before shifting to a longer-term program called Operation Enduring Welcome. Almost 200,000 Afghans have been resettled in the U.S. under the programs.
Among those brought to the U.S. under the program was the suspected shooter, 29-year-old Rahmanullah Lakanwal, who now faces a first-degree murder charge in the death of 20-year-old Army Spc. Sarah Beckstrom. The other National Guard member who was shot, 24-year-old Air Force Staff Sgt. Andrew Wolfe, remains in critical condition.
Those resettlements are now on hold. The State Department has temporarily stopped issuing visas for all people traveling on Afghan passports, Secretary of State Marco Rubio announced late Friday on X.
Anti-immigrant rhetoric
Trump and his allies have seized on the shooting to criticize gaps in the U.S. vetting process and the speed of admissions, even though some Republicans spent the months and years after the 2021 withdrawal criticizing the Biden administration for not moving fast enough to approve some applications from Afghan allies.
CIA Director John Ratcliffe said Lakanwal “should have never been allowed to come here.” Trump called lax migration policies “the single greatest national security threat facing our nation,” and Vice President JD Vance said Biden’s policy was “opening the floodgate to unvetted Afghan refugees.”
That rhetoric quickly turned into policy announcements, with Trump saying he would “permanently pause all migration” from a list of nearly 20 countries, “terminate all of the millions of Biden illegal admissions,” and “remove anyone who is not a net asset to the United States.” Many of these changes had already been set in motion through a series of executive orders over the last 10 months, including most recently in June.
“They are highlighting practices that were already going into place,” said Andrea Flores, a lawyer who was an immigration policy advisor in the Obama and Biden administrations.
Lakanwal applied for asylum during the Biden administration, but his request was approved in April of this year — under the Trump administration — after undergoing a thorough vetting, according to #AfghanEvac, a group that helps resettle Afghans who assisted the U.S. during the war.
Flores said the system has worked across administrations: “You may hear people say, ‘Well, he was granted asylum under Trump. This is Trump’s problem.’ That’s not how our immigration system works. It relies on the same bedding. No asylum laws have really been changed by Congress.”
Afghans in the U.S. fearful for their status
Trump and other U.S. officials have used the attack to demand a reexamination of everyone who came to the U.S. from Afghanistan, a country he called “a hellhole on Earth” on Thursday.
“These policies were already creating widespread disruption and fear among lawfully admitted families. What’s new and deeply troubling is the attempt to retroactively tie all of this to one act of violence in a way that casts suspicion on entire nationalities, including Afghan allies who risked their lives to protect our troops,” Krish O’Mara Vignarajah, president and CEO of Global Refuge, said in a statement Friday.
This has left the nearly 200,000 Afghans living across the U.S. in deep fear and shame over actions attributed to one person. Those in the U.S. are now worrying about their legal status being revoked, while others in the immigration pipeline here and abroad are waiting in limbo.
Nesar, a 22-year-old Afghan who arrived in the U.S. weeks after the fall of Kabul, said he had just begun to assimilate into life in the U.S. when the attack happened Wednesday. He agreed to speak to the Associated Press on condition that only his first name be used for fear of reprisals or targeting by immigration officials.
“Life was finally getting easier for me. I’ve learned to speak English. I found a better job,” he said. “But after this happened two days ago, I honestly went to the grocery store this morning, and I was feeling so uncomfortable among all of those people. I was like, maybe they’re now looking at me the same way as the shooter.”
Two days before the shooting, Nesar and his father, who worked for the Afghan president during the war, had received an interview date of Dec. 13 for their green card application, a moment he said they had been working toward for four years. He says it is now unclear if their application will move forward or whether their interview will take place.
Another Afghan national, who also spoke to the AP on condition of anonymity out of fear of reprisal, said that after fearing for his life under Taliban rule, he felt a sense of peace and hope when he finally received a special immigrant visa to come to the U.S. two years ago.
He said he thought he could use his experience working as a defense attorney in Afghanistan to contribute to American society. But now, he said, he and other Afghans will once again face scrutiny because of the actions of an “extremist who, despite benefiting from the safety and livelihood provided by this country, ungratefully attacked two American soldiers.”
“It seems that whenever a terrorist commits a crime, its shadow falls upon me simply because I am from Afghanistan,” he added.
Cappelletti and Amiri write for the Associated Press. AP writer Renata Brito contributed to this report.
“Thoughts & Prayers,” premiering Tuesday on HBO, is a documentary film about the $3-billion “active shooter preparedness industry,” that space where American failure meets American entrepreneurism. Though it approaches its subject with a certain formal neutrality, the title, a phrase now synonymous with political emptiness, does suggest a point of view. (Its subtitle is “How to Survive an Active Shooter in America.”)
That industry includes various forms of training involving teachers, students and first responders and products theoretically created to increase security — locks, alarms, robot dogs, bulletproof backpacks, bulletproof glass and bulletproof shelters that sit in the corner of a classroom. One company will put an image of your choice on a bulletproof wall hanging and sells a “skateboard [that] will outperform any other skateboard on the market, but it’s also a self defense shield.” “Every time there’s a tragedy, it economically benefits my family,” its founder admits. “We could be a $300-million company by the time this documentary airs.”
One company makes tourniquets “easy to apply in case of a mass casualty incident”; another specializes in latex bullet wounds for use in mass shooter drills: “the gunshot through and through to the neck … the multiple gunshot wound to the abdomen.” One senses in these endeavors a not insincere overreaction that substitutes for political action, shifting responsibility onto potential victims and accepting the problem as intractable. (Or as the Onion headline, published 38 times since 2014, has it, “No Way to Prevent This, Says Only Nation Where This Regularly Happens.”)
Directed by Zackary Canepari and Jessica Dimmock, it’s a sad black comedy, an Errol Morris sort of subject, shot in an Errol Morris sort of way — formal, neutral. The cinematography, by Jarred Alterman, is quite handsome and composed, amplifying the seriousness and eeriness, but also the banality and absurdity of the matter. Subjects face the camera head on, sometimes to speak, sometimes to sit silently for a portrait that might find them covered in fake blood and wounds from a role-playing exercise. The film gets a lot of mileage just settling on faces, tracking reactions, or lack of reaction. The camera is static, steady; action moves in and through the frame, sometimes in slow motion, like movie violence. This observational approach is regularly undercut, unfortunately, by a heavy-handed soundtrack that makes the film feel less trustworthy. It’s an aesthetic and rhetorical failure, but not a fatal one.
The documentary states that 95% of American school children practice lockdown drills.
(HBO)
More than 20 million adults have had active shooter training, learning how to keep doors shut or disarm a shooter, participating in multiplayer video simulations. In Provo, Utah, teachers learn to shoot. (“Breathe in through our nose, out through your mouth — let all that tension come out of you.”) But “Thoughts & Prayers” is most powerful when looking at or listening to the kids: 95% of American schools, we’re told, practice lockdown drills, which can begin as early as Pre-K (with “dinosaurs” substituted for gunmen, to, I don’t know, reduce trauma).
The film’s last act follows a massive reenactment at a Medford, Ore., high school, where a “mass casualty drill” was scheduled after a janitor turned himself into police before acting on homicidal thoughts. (They discovered many weapons in his home, and a written plan of attack.) Kids, made up as victims, litter the halls and gym field. Masked “shooters” go room to room. The police chief gives, as a sign on the podium reads, a “fake press conference.”
“This is the reality, this is where we are in this country, where we are in this valley,” says the school superintendent afterward. “But I do not want to lose the fact that it is still a sad thing that we have to do this. Still, you may wonder what good it will actually do, and hope not to find out.”
What passes for a gun debate is relegated to some warring soundbites from the floor of Congress, and the opinion of one trainer (named Thrasher) that guns aren’t the problem, but “family structures” and “the lack of tribalism.” But here’s Quinn, a high school freshman from Long Island, N.Y., as close as anyone here gets to addressing the issue. It’s worth giving her the last word.
“I don’t think that a lot of adults care about our opinions. We go through this every single day. We go through, like, being afraid of going to school because we might get shot, or we might lose a friend, or we might lose a teacher. And a lot of people care about their … rights, I guess, more about, ‘Oh well, I want to have the ability to own a gun, and so I don’t care if you get shot in your class.’ It’s just kind of disheartening. ‘Cause it’s like, oh, you care more about yourself than all of the students in America.”
REMEMBER those big rectangular pre-digital VHS tapes?
Well, Shooter Jennings, son of late country music great Waylon, has held on to a few of them.
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Waylon Jennings is remembered as a pioneer of the ‘Outlaw’ country sceneCredit: HandoutWaylon with The Dukes Of Hazzard stars Tom Wopat and John Schneider in 1984Credit: AlamyWaylon’s son Shooter Jennings
Now I’ll explain why they’re so precious to him.
They contain episodes of a TV show almost as popular as Dallas in the early Eighties — The Dukes Of Hazzard.
As the opening credits roll, you see “The General Lee”, a souped-up 1969 orange Dodge Charger, careering into view.
Inside are outlaw cousins Bo and Luke Duke, on the run from crooked officials, Boss Hogg and Sheriff Rosco P Coltrane.
You hear the rollicking theme tune, Good Ol’ Boys, being sung in commanding, if tongue-in-cheek fashion by — you might have guessed — Waylon Jennings.
He also serves as the show’s laidback narrator, The Balladeer, and one of his pearls of wisdom is about poster girl Daisy Duke, remembered for her skimpy denim shorts.
“She drives like [stock car racer] Richard Petty, shoots like Annie Oakley, and knows the words to all of Dolly Parton’s songs.”
But he doesn’t appear on screen until season seven when, after demands from fans, he is presented as an old friend of the Dukes in an episode titled Welcome, Waylon Jennings.
‘A massive cultural moment’
“Just last night, my wife and I were watching some episodes,” Shooter tells me via Zoom from America’s West Coast as we discuss a fabulous new project involving his father’s previously unreleased music.
“It made me think what a massive cultural moment the show was,” he continues. “Just how perfect my father’s voice was for it.
“I think he loved doing those shows and it wasn’t a lot of work for him. He’d be on the road and just stop by a studio and do the voiceovers.
“There’s real humility about them. He seems to be making fun of himself the whole time. It’s really funny to hear.”
Waylon is remembered as a pioneer of the “Outlaw” country scene, a singer who wrestled the Nashville music-making machine and won control over his recorded output.
Hellraiser, maverick and bearer of a rich baritone, he was an obvious choice to join fellow renegades Johnny Cash, Willie Nelson and Kris Kristofferson in Eighties supergroup The Highwaymen.
Born in Littlefield, Texas, in 1937, he was consumed by music at an early age and, in 1958, came under the wing of Buddy Holly, who arranged his first recording session.
Shooter says: “If my dad had got on the plane, the music world would be quite different. I often think what it must have been like for him to have survived that.
“Throughout his life, Buddy was huge to him and he used to talk about him all the time.
“A lot of his spirit and energy came from rock and roll, from Buddy, who gave him little lessons in songwriting.
“But he also loved country music, the beauty and sentiment of it, and his voice was just so vulnerable and awesome.”
From the mid-Sixties onwards, Waylon would become a fixture at the top of the country charts but his best work appeared after he gained creative control from RCA Records in 1973.
He delivered a string of fine unvarnished albums including Lonesome, On’ry And Mean, Honky Tonk Heroes, Dreaming My Dreams and Are You Ready For The Country.
In 1979, he and fourth wife Jessi Colter, a fellow “Outlaw” country singer, had their only child together, Waylon Albright “Shooter” Jennings.
The Albright comes from Richie Albright, Waylon Snr’s right- hand man and drummer in The Waylors.
And the main reason I’m talking to Shooter is because he has unearthed a goldmine of unreleased Waylon recordings, taped between 1973 and 1984.
This has resulted in the appearance of Songbird, the first of three albums culled from the material and lovingly restored by him with the help of surviving members of his dad’s band, along with younger musicians and backing singers.
‘Passion and soul alive today’
“It’s been surreal,” says Shooter, a singer in his own right and in-demand producer. “Everything has lined up for me to have this purpose.
“This project has given me an entirely new chapter in my relationship with my father and working on this music has brought a whole new understanding about how, when and why my dad made music.
“The hard work is there on the tapes and the passion and the soul within is as alive today as it was the day it was recorded.”
I guess the reason The Dukes Of Hazzard cropped up in our chat is because much of the Songbird album’s music was recorded around the same time as the show aired.
Then I just kept finding these hidden albums,” he says. “It didn’t feel like stuff that was not meant to be released and there were songs I never knew he’d attempted.
Shooter Jennings
Shooter became aware of Waylon’s buried treasure in 2008, “about six years after he died” aged 64 from complications of diabetes.
But the project only began in earnest last summer when he started sorting through hundreds of high-resolution multitrack transfers of his father’s personal studio recordings.
What Shooter discovered blew his mind.
Listening to his dad performing with his ace band became “a wild adventure”. When Shooter heard their cover of Fleetwood Mac’s Rumours track Songbird, written by Christine McVie, he realised he was on to something “really exciting”.
“Then I just kept finding these hidden albums,” he says. “It didn’t feel like stuff that was not meant to be released and there were songs I never knew he’d attempted.”
Shooter says that much of the material was “professional cuts with a lot of attention to detail, much more than sketches”.
“My mom told me that my dad always said that every song he recorded should be good enough to be a single when it was done. He had a great work ethic.”
Hellraiser, maverick and bearer of a rich baritone, he was an obvious choice to join fellow renegades Johnny Cash, Willie Nelson and Kris Kristofferson in Eighties supergroup The HighwaymenCredit: RedfernsShooter Jennings discovered his late father Waylon’s haunting cover of Fleetwood Mac’s Songbird while restoring hundreds of lost studio tapes — inspiring a new album that brings the legend’s voice back to lifeCredit: Getty
Shooter settled on Songbird as the opening track and album title because he realised that Waylon “was a kind of songbird”.
“I wanted to hit home how good a song interpreter he was and how he could make a song his own,” he says. “And I wanted to bring him back with an emotional song, one that’s going to make you cry.
“Every time I play it for anyone, they tear up at the bit which goes, ‘And I feel that when I’m with you, it’s all right’.
“It’s such a beautiful take that people are shocked they haven’t heard it before.”
In order to take Songbird to even greater heights, Shooter enlisted contemporary country singers Ashley Monroe and Elizabeth Cook to provide backing vocals.
‘Obsessed with Hank Williams’
“They’re the funniest people, like a duo, and they’re hillbillies like me,” he says.
“Elizabeth and I have been really good friends for 15 years plus and she brought Ashley to my studio around the time I was going through this.
“And they were so moved by Songbird. I realised their airy, birdlike voices could elevate it to some fantasy realm.
“So I asked them to come back and do some background vocals and they really killed it.”
Also adding finishing flourishes to the album’s ten tracks are some surviving Waylors including guitarist Gordon Payne, bassist Jerry Bridges, keyboardist Barny Robertson, and backing vocalist Carter Robertson.
The second song The Cowboy (Small Texas Town) is credited to Johnny Rodriguez but Shooter suspects his father had a hand in writing it.
These telling lines back up that theory: “My long shaggy hair, and the clothes that I wear/Ain’t fit for no big fancy ball.”
The song fits with Waylon’s image of staying true to his humble origins — a quality Shooter sees in today’s stars such as Charley Crockett, Tyler Childers and Benjamin Tod.
He credits his father with blazing a trail for these independent spirits thanks to his battle with RCA Records. “My dad really opened it up. And even though Nashville got their grip back on it for a little while, they’ve been blown apart now.
“They’re just scrambling to find anyone who’s like one of these guys.”
I ask Shooter what Waylon used to tell him about growing up in Littlefield, Texas.
“He would tell me how poor they were, for sure, that they had dirt floors, that his mom would put him in places the rats wouldn’t get to.”
When Waylon became famous, the town would hold a Waylon Jennings Day and their favourite son “would go back there and do a show”.
Shooter adds: “I loved my dad’s family, his brothers and his mom. I got to know all of them and his brother James is still around and runs this little gas station there.”
Unbeknown to the residents of Littlefield in 2025, Shooter decided to put up billboards around town featuring lyrics to some of the Songbird songs.
He and Johnny [Cash] came from the exact same background. They both picked cotton. They both listened to Hank Williams on the radio and both journeyed to Mecca [Nashville] to make music.
Shooter Jennings
“I didn’t even tell them. But when we put out that song, The Cowboy, I really wanted to put the focus on Littlefield.”
We’ve heard about Buddy Holly but I’m keen to find out from Shooter who else was his father’s music hero. He instantly mentions country music’s first superstar — Hank Williams, who lived fast and died young.
“My father was obsessed with Hank Williams. He was similar in a way because of the vision he had for his songs.”
As for Waylon’s reputation as a hellraiser, Shooter has this to say: “It’s funny, he didn’t drink. People always get that wrong.
“He only did the uppers but we had an empty alcohol cabinet in our house because he just didn’t get any.”
And what does Waylon’s recently remarried widow Jessi Colter, Shooter’s mother, think of the Songbird project?
“She has helped us,” he replies. “I had to borrow money from her to do it because I didn’t want to get a label involved.
“She was also a great emotional support to me, even if she wasn’t emotionally tied up in the project.”
Hearing Waylon sing “didn’t make her sad but she loved it. She’d say something like, ‘They sound like they were having a good time that day.’ ”
Before we go our separate ways, Shooter opens up about Waylon’s famous friends, notably his Highwaymen buddies Johnny Cash, Kris Kristofferson and Willie Nelson, still touring and making records at 94.
Waylon and Cash shared an apartment in Nashville in the mid-Sixties and had a strong, if sometimes tempestuous bond.
“They loved each other,” says Shooter. “Just like anybody else, they would have little bicker fights and not talk for a couple of weeks here or there.
“But he had a great relationship with Johnny and June [Carter Cash].
“He and Johnny came from the exact same background. They both picked cotton. They both listened to Hank Williams on the radio and both journeyed to Mecca [Nashville] to make music.”
Shooter continues: “And I loved Cash. We used to go to his house when I was little. He was always very nice to me.”
Shooter in the studio with his father in 1995Credit: Beth Gwinn1995
He also remembers hanging out with Nelson’s daughters Amy and Paula. “We were all around the same age and together on the road during the Waylon and Willie tours.
“And then The Highwaymen happened and I was around Kristofferson’s kids because they lived in Tennessee.
