sex

ZENDAYA grows back in time with a classic floral dress.

The actress, 29, posed in the gown, featuring a gilded ­hibiscus flower on the shoulder, at an awards bash this week.

Sarah Jessica Parker’s character Carrie Bradshaw strutted in it in 2008’s Sex and The City film.

And Whitney Houston wore a similar dress on a tribute issue of Life magazine in 2012.

Zendaya appeared to confirm she has wed Spider-Man co-star Tom Holland, 29, at the Essence Black Women in Hollywood Awards in LA.

The host asked for “a signal” on whether she should send a wedding gift, prompting Zendaya to show a gold band on her ring finger.

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Zendaya’s stylist Law Roach has told how the A-List couple, both 29, have gotten hitched after getting engaged last year.

The singer has now been snapped at a Louis Vuitton fashion show, flaunting what appears to be her “wedding ring.”

She was spotted donning a thin gold band on her ring finger hidden among three huge silver rings.

Zendaya looked incredibly chic, flashing her legs in a white bubble skirt.

The US star wore a long sleeved white shirt with dramatic collars and cuffs and finished the outfit off with a chunky black belt and matching heels.

Her short brunette locks were tightly curled and tucked behind her ears.

Speaking on the red carpet at the Actor Awards earlier this month, Law told Access Hollywood: “The wedding has already happened. You missed it.”

When asked to spill more details by the reporter, the stylist laughed and said: “It’s very true.”

March 9 (UPI) — The Alexander brothers on Monday were found guilty on all counts regarding their alleged years-long sex trafficking conspiracy, which may send them to prison for life.

At the end of a five-week trial, it took jurors three days to find former real estate superstars Oren and Alon Alexander, 38, who are twins, and their 39-year-old brother, Tal, guilty on ten counts of conspiracy of rape, sex trafficking, sex abuse and sexual exploitation of women and girls.

The brothers, all of whom pleaded not guilty to the charges, were portrayed by their attorneys as obnoxious and inappropriate, but that they “are not mobsters” and that prosecutors had asked jurors to “connect dots that aren’t really there,” ABC News reported.

The allegations included using drugs, money and social influence over two decades — from 2008 to 2021 — to commit their acts of abuse, The New York Times reported.

The brothers worked together, prosecutor Madison Smyser said during the trial, to lure their victims “with promises of parties and trips, and when they got there the defendants raped them,” according to NBC News.

Tal and Oren had since the early 2000s had risen to be among the highest earning real estate agents in the country, and Alon was a security executive — and all three were well-known in the New York and Miami party scenes.

During the course of the trial, which concluded last Thursday in the Southern District of New York before it was given to the jury, 11 accusers testified that one or more of the Alexander brothers had drugged, abducted and raped them.

The brothers were said to have records of some of their acts, either on social media or other types of documents, including a video of Oren Alexander adjusting a laptop camera’s angle before showing him getting into bed with an incapacitated 17-year-old girl and raping her.

In addition to their sentencing in August, Oren and Alon face criminal charges in Florida and all three of the brothers face scores of civil lawsuits connected to allegations of drugging, sexual assault or rape.

A pimp whose sex worker allegedly advertised on social media that she was willing to be anything from “arm candy” for a party to a “no strings attached girlfriend” has been charged with a slew of criminal charges in Kern County Superior Court.

The alleged pimp, Kevin Mays, was an assistant men’s basketball coach and former player at Cal State Bakersfield.

Mays faces 11 charges, including pimping, possession of automatic firearms and high-capacity magazines, and possession of methamphetamine and marijuana with intent to sell. An investigation by the Bakersfield Police Department also led to separate charges citing Mays for possession of more than 600 images of youth or child pornography and distribution of obscene matter involving someone younger than 18.

Mays, who was arrested in September 2025, is being held without bail. He has pleaded not guilty, and a preliminary hearing is scheduled for March 13 .

The case, first reported by Shwetha Surendran of ESPN, has upended the athletic department at CSU Bakersfield. Longtime basketball coach Rod Barnes and athletic director Kyle Condor have left their jobs, and Condor filed a lawsuit against the school alleging wrongful termination, according to court documents obtained by The Times.

CSU Bakersfield officials said the allegations against Mays did not involve a student. Nevertheless, the school formed a commission to examine the athletic program and recommend changes.

“When CSU Bakersfield received an anonymous report in August of 2025 that a member of our coaching staff was engaged in human trafficking, we took immediate action in notifying university police and the Bakersfield Police Department,” the school wrote in a statement. “Both agencies launched investigations that resulted in an arrest within days. Shortly after, the university terminated the coach.

“But the nature of the allegations devastated our campus community. We seized the opportunity to strengthen education and prevention efforts around human trafficking. To that end, we consulted with a local human trafficking expert and offered training and education focused on awareness and prevention for our campus community.”

Police said the alleged victim is 23. In the advertisement she posted last summer, she stated that she charged $300 for a half hour and $500 for 60 minutes. Authorities conducted a sting operation in September, arranging to meet her in a hotel room that Mays rented.

In an interview with police after the operation, she referred to Mays as her boyfriend and said he paid for her travel accommodations in Oregon, Washington and Nevada in addition to California.

Those locations were listed in an anonymous email to Barnes last fall titled “IMPORTANT MESSAGE 911 911.”

“HE IS TRAFFICKING A GIRL BY THE NAME OF [redacted],” the email read, according to police records. “HE HAS BEEN TRAFFICKING THIS GIRL SINCE MAY.”

Barnes turned over the email to university police, who attempted to contact the sender and received a subsequent email, according to ESPN. The tipster claimed to have known the alleged victim and Mays through previous travel for sex work. The person said Mays presented himself as a professional gambler and allegedly threatened to take away the tipster’s child if the person exposed his activities.

Mays, who was born in Queens, N.Y., attended high school at St. John’s Military Academy in Delafield, Wis., and played at Odessa Community College in Odessa, Texas, before transferring to CSU Bakersfield ahead of the 2014-2015 season.

“We are excited about signing Kevin as he fits our culture,” Barnes said of Mays at the time.

A year later, as a senior forward, Mays helped CSU Bakersfield to a 24-10 record and scored 14 points and grabbed eight rebounds in the Roadrunners’ first-round NCAA tournament loss to Oklahoma. He later returned to the school as a player-development coordinator.

In his application for the player-development position in 2019, Mays wrote that he was motivated by helping players improve on and off the court, according to school records obtained by ESPN.

“I gained lots of experience dealing with learning to lead young men and help them navigate the Division I experience in a successful manner,” Mays wrote. “CSUB helped me tremendously, and I look forward to giving back.”

Barnes was Mays’ coach, and he hired his former player last fall, paying him $3,000 a month. Now, Mays is in jail awaiting trial and Barnes is unemployed.

“The safety and well-being of our students and all CSU Bakersfield community members remain our highest priority,” the school said in its statement. “This work is sustained every day by the dedication of our faculty, staff and students. Their commitment to one another and to our shared values strengthens the culture of care and accountability we strive to build at CSUB.”

Appearing in a London court, Brand denies accusations of raping one woman ​and sexually assaulting another in 2009.

British comedian and actor Russell Brand ⁠has pleaded not guilty to two further charges of rape and sexual assault nearly ⁠two decades ago.

Brand appeared at Southwark Crown ⁠Court in London on Tuesday and denied accusations of raping one woman and sexually assaulting a second woman in 2009.

Once one of the United Kingdom’s most high-profile broadcasters, he was charged last year with two counts of rape, one count of indecent assault and two ‌counts of sexual assault against four women between 1999 and 2005.

Brand pleaded not guilty in May last year to those five charges and is due to stand trial in June. A hearing will be held next month to decide whether the new allegations should be joined to that case, with Brand’s lawyer ⁠saying his client needs more time to address ⁠the latest offences.

“These new charges are in relation to two further women and are in addition to the charges issued to Brand in April 2025, which involved four women,” London’s Metropolitan Police said in a statement in December.

Brand, 50, arrived at court wearing a white cowboy hat and sunglasses. Asked how he was feeling, the actor, who said in 2024 he had become ⁠a Christian, told reporters he was feeling “blessed”.

Born in 1975 to working-class parents in Essex, east of London, Brand began his stand-up career as a teenager, eventually working as an MTV presenter and host of a reality TV series.

A regular on British screens in the ⁠2000s, he was known for his flamboyant ⁠style and appearance. He also worked as a radio presenter for the BBC.

Brand starred in several films, including Get Him to the Greek in 2010, the ‌same year he married American pop star Katy Perry. They divorced in 2012 after 14 months of marriage.

By the early 2020s, Brand had faded from ‌mainstream ‌culture and has since largely appeared online, airing his views on US politics and free speech.

MUSE frontman Matt Bellamy has found some solace following his split from model Elle Evans, his wife of six years.

I’m told he has been spending time with sex therapist Gaia Polloni — who he dated for nine years in the Noughties.

A source said: “Matt and Gaia are still good mates and they’ve been spending time together following his split from Elle.

“It’s been a hard time for him, naturally, as it would be after the end of any marriage.

“Gaia has always been a great sounding board. Matt is focused on healing and moving forwards into co-parenting with Elle.”

Matt was seen in Notting Hill, West London, last week without his wedding ring and walking next to Italian Gaia.

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They first started dating in 2001 and Matt popped the question six years later.

But in 2009, the relationship broke down and they called off their engagement.

After the break-up, Matt told an Italian magazine he would “do anything” to fix their relationship.

He went on to write Muse’s track Neutron Star Collision (Love Is Forever) for Gaia a year on from their split.

We revealed at the weekend that Elle and Matt had called time on their marriage.

They actually split in October.

A pal said: “Their relationship is very amicable. They are now focused on co-parenting their children and still get on very well.”

Matt had been splitting his time between London and LA – where Matt’s son from his relationship with Kate Hudson lives.

Now he is expected to spend more time in the UK, after admitting he wanted to come home.

ACTRESS Alexandra Daddario has split from her hubby after their marriage “fizzled out”.

The White Lotus star, 39, has a 15-month-old son with film producer Andrew Form, 57.

New York court records show she filed for divorce on Friday.

Her rep said: “They have made the decision to end their marriage.

“The decision was made with love and respect.”

Insiders claimed their marriage started “hot and heavy” but cooled due to work schedules, eventually suffering a “consistent loss of love”.

A source said: “Alexandra and Andrew slowly grew apart.

“Raising a child was a reason to carry on but they weren’t even doing that together often and their married life slowly disintegrated.”

Alexandra was nominated for an Emmy for her role in The White Lotus alongside Sydney Sweeney.

She has also appeared in Baywatch and True Detective.

She and Form met by chance in New York before marrying in 2022.

Form’s movies include Friday the 13th, The Texas Chainsaw Massacre, Teenage Mutant Ninja Turtles, The Purge and A Quiet Place.

Alexandra slammed critics of her acting last year, saying: “Sometimes I’m lit poorly, but I’m not a bad actress.

“I got an Emmy nomination.”

At a luncheon this week for L.A. County politicos, Supervisor Kathryn Barger pitched what she framed as a commonsense reform.

Legislators in Sacramento, she argued, need to change a 2019 law that extended the statute of limitations for sex abuse lawsuits, opening the floodgates for decades-old claims that have cost the county nearly $5 billion and counting in payouts.

“I want them in Sacramento to fix it,” she said. “I have to believe that we are the tip of the iceberg.”

The controversial law, Assembly Bill 218, has led to thousands of claims over abuse that took place in schools, juvenile halls and foster homes. Supporters say it continues to give survivors a chance at justice, while Barger and other officials warn the cost of the litigation is driving local governments to the brink of bankruptcy.

Rolling back AB 218, critics argue, is the single most obvious thing state lawmakers can do this legislative session.

The push has gained momentum amid concerns of fraud in the first of two payouts approved last year by L.A. County officials. At $4 billion, it was the largest sex abuse settlement in U.S. history, with the money set aside for more than 11,000 victims.

The Times reported last fall on allegations of fabricated claims filed by plaintiffs within the settlement, which prompted L.A. County Dist. Atty. Nathan Hochman to open an investigation. Hochman told the supervisors this week that his office is reviewing “thousands of claims” for fraudulent submissions and predicted savings in the “hundreds of millions if not billions of dollars.”

Speaking at the event Wednesday, Barger suggested capping attorneys fees — acknowledging that some high-powered attorneys in the room were involved in the county’s litigation.

Out of the $4-billion payout, she said, “about $1.5 billion will go to attorney fees — present company included.”

Barger referenced a former state Assembly speaker known for bare-knuckle tactics, which she said were needed now in the Capitol.

“If Willie Brown were up there, I’m sure he’d lock everyone in a room and slap some sense into them at this point,” she said.

Assembly Speaker Robert Rivas has asked California legislators to consider changes to AB 218. Critics say sexual abuse lawsuits are driving local governments to the brink of bankruptcy, while supporters say it is one of the few ways for victims of abuse to get justice. Rivas spoke in Ventura County on Nov. 18, 2025.

(Myung J. Chun / Los Angeles Times)

This session, Assembly Speaker Robert Rivas has assigned a group of legislators to look at what changes might be made to the law.

A spokesman for Rivas, Nick Miller, said the goal is to provide “meaningful access to justice for all survivors” without forcing service cuts in schools and governments.

“There is a group of members discussing possible solutions that strike the right balance on this critical issue,” Miller said.

It’s a tightrope walk that no legislator has mastered.

Sen. Benjamin Allen (D-Santa Monica), who tried last year to increase the burden of proof for these cases, was branded a protector of predators.

Sen. John Laird (D-Santa Cruz) got further with a pared-down bill only to watch it blow up last session over concerns he was trampling on victims’ rights.

“I worked hard to strike the middle ground,” Laird said. “It just was too hard.”

Organized labor, a powerful voice in Sacramento, could sway the equation. County unions said they were told repeatedly at the bargaining table last year that they couldn’t get raises because of the massive sex abuse settlements, potentially setting them on a collision course with victim advocates.

Lorena Gonzalez, who wrote AB 218 in 2019 before leaving the Legislature to head up the California Federation of Labor Unions, said lobbying firms had been urging unions recently to take the lead on convincing the Assembly to change the law. The union leaders have yet to take a stance, she said.

“Although there’s some desire to especially fix what happened in L.A., there wasn’t an overwhelming desire to roll it back,” she said.

While serving in the state Legislature, Lorena Gonzalez authored AB 218, a state law that extended the statute of limitations for lawsuits over sexual abuse in government facilities. Gonzalez, now with the California Labor Federation, spoke at Balletto Vineyards in Santa Rosa, Calif., on April 26, 2024.

(Jeff Chiu / Associated Press)

A Times investigation last fall found nine clients of Downtown L.A. Law Group, a law firm that represents thousands of plaintiffs in the county’s largest settlement, who claimed that recruiters had paid them to sue. Some clients said they were told to make up stories of abuse that became the crux of their lawsuit.

The firm, also known as DTLA, has denied paying any client to sue. Andrew Morrow, the main attorney on the cases for DTLA, argued in a Feb. 13 court filing that the recent subpoena by the State Bar seeking their court records as part of an investigation into the firm amounted to an “ill-advised fishing expedition.” The firm argued that allowing the State Bar to review its filings violates clients’ privacy.

“No one disputes that these allegations are troubling and, if true, serious,” Morrow wrote. “However, untested allegations printed in a local newspaper — no matter how compelling — do not override the privacy rights” of victims.

Assemblymember Dawn Addis (D-Morro Bay), a longtime advocate for sex abuse survivors who vehemently opposed the last attempt at changing AB 218, said that “there’s all kinds of discussions about potential solutions” for fraud underway in the Legislature.

But limiting victims’ ability to sue, as some have called on lawmakers to do, is a clear no-go, she said.

“Silencing victims is not the way to get out fraud,” she said.

Like many legislators, she pinned some of the blame for the alleged fraud on poor vetting by lawyers for L.A. County. The county has said the cost of taking depositions for more than 11,000 cases would be “astronomical,” and that no records exist for many of the older cases, leaving them defenseless.

In a statement to The Times, a spokesperson for the L.A. County counsel’s office said the Legislature created AB 218 “without a single safeguard against fraud.”

“That is their failure to own,” the statement said. “This is the system the Legislature built, and they need to fix it.”

The county maintains it is not trying to squash victims’ rights, but rather keep vital services — pools, parks, health clinics — open.

“I am tired of whenever a government official stands up and says, ‘Hey, there needs to be some reform here,’ that we’re accused of victim blaming, pedophile protecting,” says Joseph Nicchitta, the county’s acting chief executive.

After agreeing to the $4-billion payout in April, county officials opted into a second $828-million settlement in October covering an additional 400 cases. Since then, more than 5,000 cases have been filed that are not part of either settlement and still need to be resolved.

“Let me tell you what will not work for L.A. County,” Nicchitta said. “The nibbles around the edges — ‘Make the procedure a little tighter, we’ll require a couple more documents.’”

He said he believes the Legislature needs to weigh the need to pay survivors against the obligation to keep the social safety net intact. One solution, Nicchitta said, could involve a victims compensation fund that would eliminate the need for someone to hire an attorney in order to submit a claim and receive money.

“Acknowledge the harm, provide real competition, [and] do it fast,” he said. “You don’t need a lawyer.”

John Manly, a lawyer who has represented sex abuse survivors for more than 20 years, sits at his law office in Irvine on Dec. 29, 2023.

(Allen J. Schaben / Los Angeles Times)

After getting flooded with sex abuse claims related to juvenile facilities following a similar change in the statute of limitations, Maryland capped sex abuse cases against government entities last year at $400,000 and limited attorneys’ fees to 25% for cases resolved in court.

For many California trial attorneys, ideas such as these are nonstarters.

“The reason they’re proposing a victims’ fund is they continue to know that those people don’t have any political power,” said John Manly, a veteran sex abuse attorney who is part of the second L.A. County settlement. “The only power they have is to hire a lawyer and get justice.

“We’re going to fight,” he said.

Director Sang-il Lee sets his epic-scaled “Kokuho” in the vivid world of kabuki theater, but it’s not just the movie’s milieu that distinguishes it. Spanning 50 years and running nearly three hours, “Kokuho,” which has become Japan’s biggest live-action hit ever, evinces intensely mixed feelings about its two main characters’ quest for greatness. Kabuki is presented as an art form of balletic skill, but it can never fully redeem or repair the film’s central figures, who once were friends before ambition got in the way.

In 1964 Nagasaki, 14-year-old Kikuo (Soya Kurokawa) performs at a New Year’s event, impressing Hanjiro (Ken Watanabe), a beloved kabuki legend. But after Kikuo’s father, a yakuza crime boss, is murdered, Hanjiro takes the grieving teen under his wing. Soon, Hanjiro is training Kikuo and his own son Shunsuke (Keitatsu Koshiyama) in his Osaka studio to become “onnagata” — male kabuki actors who portray female characters. Both sweet and bashful, Kikuo and Shunsuke quickly grow close, enduring Hanjiro’s exacting requirements as he shapes them to be graceful, disciplined performers.

“Kokuho” then fast-forwards to the early 1970s as we meet the grown-up versions of Kikuo (Ryo Yoshizawa) and Shunsuke (Ryusei Yokohama). Now practically brothers, the young men are making their name as a well-regarded kabuki duo, but their personalities have begun to diverge. Kikuo remains soft-spoken, while Shunsuke is more of a partier and big talker, dominating their interviews with local journalists. Hanjiro still thinks highly of them both, although each pupil faces disadvantages. Kikuo is more gifted but in this nepotistic art form, being part of a respected kabuki lineage is crucial, something this yakuza scion doesn’t possess. Shunsuke, meanwhile, lacks his friend’s formidable technique, but because he’s Hanjiro’s son, his future prospects are practically assured. Kikuo and Shunsuke complement one another as performers but a shocking turn of events will sever their bond.

Adapting a novel by Shuichi Yoshida, Lee maps the arc of a friendship while exploring the minutiae of kabuki, both on stage and behind the scenes. (The movie’s Oscar-nominated makeup is an acknowledgment of the blinding-white face paint and bright red lipstick that kabuki actors wear to transform into their roles.) Much like ballet, kabuki necessitates precise choreographed actions: Not only does “Kokuho” provide generous samples of different kabuki pieces but also includes captions that list the title of the individual works and a brief synopsis. Rarely do these pieces directly echo the two men’s interpersonal drama, but the information adds context to the actors’ enchanting movements, which are backed by gorgeous outfits and striking set design that accentuate the mythical tales being played out.

Kikuo and Shunsuke’s fortunes shift over the decades — one of them will literally be kicked when he’s down on two separate occasions — but Lee doesn’t let us settle on a definitive impression of either performer. Our sympathies change as we witness both men’s failings as well as their enduring virtues. “Kokuho” is a hearty melodrama with a little bit of everything — sex scandals, betrayals, unlikely comebacks, health scares — but the film’s gaudy plot twists (which shouldn’t be spoiled) belie the filmmaker’s unsentimental attitude regarding stardom’s perils. Refreshingly, “Kokuho” is that rare film to be un-awed by talent alone. Both Kikuo and Shunsuke will enjoy high highs and low lows, but it’s their perseverance that ultimately means more than arbitrary benchmarks like “genius” or “brilliance.”

The film’s title translates to “national treasure,” another clichéd term thrown around when trying to categorize greatness. Kikuo and Shunsuke revere kabuki’s bygone giants, who are affixed with that moniker. But as “Kokuho’s” characters seek such an accolade for themselves, they come to realize how misleading it is. Yoshizawa and Yokohama bring abiding tenderness to their characters’ friendship while refusing to allow either protagonist to be reduced to a simple set of qualities. Kikuo’s delicate features suggest a pure soul, but Yoshizawa gradually reveals other sides to this gifted, haunted performer. And Yokohama ably depicts a privileged young man who rightly views his good fortune as both blessing and curse.

Their lives intersect, then disentangle, then return to each other’s orbit again. That elegant dance matches what we see on stage, the kabuki performances melding melancholy and beauty, anguish and catharsis.

A BRITAIN’S Got Talent star was accused of a child sex offence just days before she was found dead at home, an inquest heard.

Kerri-Anne Donaldson, 38, reached the semi-final of the ITV show in 2014 as part of the group Kings and Queens.

An inquest heard today Kerri-Anne was arrested on suspicion of “child sex offending” but no further details were revealed.

The dancer was detained on June 4, 2023, and questioned at a police station.

She was discovered dead at home in Farnborough, Hampshire, three days later by her sister Cara Donaldson.

There was a note at the top of the stairs urging Cara not to come inside alongside photos of her dog and family.

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The song “You are so Beautiful” was also playing when Kerri-Anne was found, the inquest heard.

The court was told the performer’s cause of death was given as hanging.

A post mortem also found she had non-fatal levels of medication in her blood, which were consistent with an overdose.

The inquest heard evidence yesterday from Detective Constable Benjamin Harris, of Hampshire Constabulary, who led the investigation into the unknown accusation against Kerri-Anne.

He said her accuser had let police know the dancer threatened to take her own life “if someone finds out” about the allegation.

Det Con Harris said he had considered the possibility her comments could be a “form of control” against the complainant.

He said: “In my experience in some offences it can often be said without wanting to carry it out.”

The officer told the inquest the suggestion of self-harm was “something we take very seriously” and he reported it to his senior officers and advised his colleagues who arrested Kerri-Anne.

He said following the interview, he graded the dancer’s risk of self-harm as “standard”.

The officer added: “When I spoke to Kerri, which was after the interview, in the cell she presented to me at that time that she was fine, so normal.

“She had no indication that she wanted to take her own life, when that was spoken about with her she gave no indication that would happen.”

Det Con Harris said Kerri-Anne told him she had seen a counsellor previously and added: “She knew how to get help and she was in no way considering harming herself.”

But he told the court “with the benefits of hindsight” he should have included a question about the complainant’s comments when making the risk assessment.

The inquest heard yesterday how following her release from custody, Kerri-Anne failed to return home – causing her family to report her as a missing person.

She was later found at a Travelodge hotel in Woking, Surrey, after taking an overdose.

Cara said her sister told an emergency doctor at St Peter’s Hospital in Surrey that she had wanted to kill herself.

Recalling the tragic statement, she continued: “I just wanted to hug her.”

Psychiatric liaison nurse Serina Juru, who carried out a mental health assessment after the overdose, said today she assessed Kerri-Anne as at a “high and imminent risk of suicide” and rated her risk as level 10 out of 10.

She told the court the dancer said she could be sent to prison if convicted of the offence and that she “could not face that”.

The nurse added: “She wanted to end her life because she was embarrassed about what had happened.”

Ms Juru said she offered Kerri-Anne an “informal” admission to hospital for further assessment or home care support but she refused both that day leading her to start a “high-risk care plan”.

She said the performer also told her that if she was discharged into the care of her sister Cara, she would wait for her to leave to look after her children and then take her own life.

The inquest heard Kerri-Anne was discharged from hospital the following day into Cara’s care when Ms Juru was not on duty.

Psychiatrist Dr David Enright, who had assessed her, said she was “calm” and no longer thinking about suicide.

But Cara said when she drove her sister home on June 6, the dancer told her she had made the decision to take her own life.

She claimed the family had not been given any care plan or advice on how to assist the star when they left the hospital.

Cara also said she asked her sister about the allegation and was told she was not guilty and that it had “all been constructed”.

She said she spent the evening with her sister and was reluctant to leave her alone, saying: “If you do anything, Kerri, that will always be on my shoulders.”

Cara continued: “[Kerri-Anne] joked ‘I am not going to do that’, so I left.

“One of the last messages was ‘Thanks for everything today’ and she gave a heart emoji, I just thought she was OK.”

But when Kerri-Anne did not answer the phone the next morning, Cara went round to her home and discovered her dead.

Describing her sister, she said: “Heart of gold, full of fun, brought happiness to life, especially mine, career-driven, adored her family, adored her friends, fantastic dance teacher, everyone loved her.”

She said Kerri-Anne had been on television a few times and added: “Her main passion was to choreograph dancing.”

The Kings and Queens Latin dance troupe were a big hit with BGT fans, making it all the way to the semi-final of the ITV show.

Kerri-Anne performed alongside Neil and Katya Jones and Kai Widdrington, all of whom became professionals on Strictly Come Dancing.

Following her death, Neil said: “Kerri Anne Donaldson – remember that name and please never forget it because it belongs to a woman who loved to dance, create and perform, she had the cheekiest laugh and a heart of gold.

“She hated getting in the car with me, but would always listen to my crazy ideas, we shared so many moments and stories and she was always the voice of reason.

“Kerri you were my friend and like my big sister.”

Ex-Strictly dancer Joanne Clifton also paid her respects to the “beautiful dancer”.

She said: “I have no words… This is just heartbreaking.. truly devastating.

“We’ve known you and shared the dance floor with you basically all our lives.

“Dance up there with the angels Kerri.. you beautiful dancer, you beautiful soul.”

Amy Dowden echoed those sentiments, writing: “So shocked and sad. Such a beautiful dancer and kind soul.

“Sending love to all your family and friends. Heaven has certainly gained an angel. Keep dancing up there lovely.”

If you are affected by any of the issues raised in this article, please call the Samaritans for free on 116123.

SHE’S got her showbiz career nailed, but will it be boom or bust for Sydney Sweeney as she takes on Kim Kardashian in the lingerie business?

It is the big question in Hollywood following Syd’s very ambitious move to rival Kim’s Skims brand with her own label, Syrn.

Last month, Sydney finally launched her highly anticipated range of undies with $1billion of support from a fund backed by Amazon ­billionaire Jeff Bezos.

And this week, she upped the ante with a cheeky promo video, which sees her raiding a local store with a gang of pals flashing their bras.

It is a ballsy scheme for a relative rookie who, despite cementing herself as a leading lady in the acting world, has yet to prove she has the business acumen to “do a Kim” and turn her sex symbol status into a corporate, billion-dollar brand.

Since co-launching her shapewear company Skims in 2019, Kim, 45, has defied the odds, making it a global lifestyle behemoth worth $5billion.

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She’s also launched a new partnership with sportswear giant Nike to create the NikeSkims label.

From where we are sitting, Kim’s a tough act to beat.

‘CALCULATED PLOT’

But evidently, Sydney, 28, isn’t one to be deterred — and why should she be when she’s got the world’s fourth-richest man on her side, injecting big bucks into her new venture?

Syrn, pronounced “siren”, is a ­lingerie line that promises to offer inclusive sizing, up to a 42DDD.

So far, the inventory is limited, with a handful of sexy bras, corsets, thongs and knickers offered on its online store, mostly priced at around $100 (£73) or under.

But sales have already been sky- high, with the “Seductress” collection going out of stock almost immediately.

Like Kim, Sydney has chosen a platform to stand on.

While Skims’ remit focuses on inclusivity — with shapewear sold in nine skin colours and in a large range of sizes — Syrn includes bigger-breasted women, who might not otherwise be catered for by traditional retailers.

It is a clever move, positioning the actress and her own famously ample chest front and centre, with the underlying message that she has something innovative to offer.

According to sources close to Sydney, the Euphoria star’s new business isn’t a half-baked move.It is a ­calculated plot to elevate her to the big leagues and prove she can more than keep up with the Kardashians.

Sydney wants to dethrone Kim — she knows she has the potential to make enormous money and turn Syrn into a multi- billion-dollar company, like Skims

Sweeney insider

“Sydney is extremely competitive and knows she has the potential to reach the very top of the fashion industry,” an insider exclusively tells The Sun.

“That’s exactly why she launched her lingerie brand.

“Syrn is one of her biggest dreams, and she is fully committed to doing whatever it takes to turn it into a major success and compete with top brands like Skims.

“She isn’t afraid of anything.

“She’s aware that Kim Kardashian and her team aren’t happy about her entering the lingerie space, and she was warned by several people not to do it, including friends close to Kim.

“But she never cared about Kim’s opinion, and she never lets others influence her business ideas.”

The insider adds: “Sydney wants to dethrone Kim — she knows she has the potential to make enormous money and turn Syrn into a multi- billion-dollar company, like Skims.

“She sees this as a competition and she loves that challenge.”

Sydney showed her rebellious streak — and got her brand some extra publicity — with a video in which she and her production crew scaled the Hollywood sign in Los Angeles, before hanging Syrn bras across the famous letters.

Some hailed her a cheeky rabble-rouser.

Others dismissed it as a PR stunt.

Either way, it got Sydney noticed and made her brand a ­talking point — especially after the Hollywood Chamber of Commerce, which owns and licenses the sign, slammed the actress, saying she did not have prior authority.

So could Sydney go to jail thanks to her zest and zeal for selling big-sized bras to the world?

No. But for an actress who knows the power of a good performance, she put on one hell of a show.

According to brand and culture expert Nick Ede, the stunt was in keeping with Sydney’s bold approach, which hinges on her unapologetically selling her biggest asset: herself.

She is not afraid to stick two ­fingers up to propriety to make her mark — and money.

‘STUNT MAVERICK’

Nick says: “While Kim is all about being wanted and admired, and always making sure everyone loves her, Sydney doesn’t care.

“She knows that people want to buy into the brand, and she is being maverick with her stunts.

“We didn’t know much about the lingerie line until a few weeks ago, but she’s stepped it up in a strategic way to cut through other celebs with huge brands and endorsement deals.

“Look at Meghan Markle — she had so much around her when she launched her brand.

“She had her TV show and her status, but Sydney has cut through all that in a punky way.

“In Euphoria, she’s a little bit messy as her character Cassie, and she’s a little bit messy as an actual celebrity.

“She’s sticking with her persona, which works well as a brand.”

Fans and critics will remember the chaos last year over Sydney‘s American Eagle ads, which boasted that she “has great jeans”.

Critics suggested the line was racist, claiming it ­promoted white supremacy.

But ­Sydney proved that sex plus controversy sells.

The clothing brand duly reported a massive spike in sales, plus a stock surge of 25 per cent.

Initially, Sydney refused to discuss the controversy.

However, in December, she said: “I’m against hate and divisiveness.

“In the past, my stance has been to never respond to negative or positive press, but I have come to realise that my silence regarding this issue has only widened the divide, not closed it.”

That said, she didn’t regret the ads, nor the impact they made.

And she’s not about to moderate her behaviour . . . not when she’s got her own brand to promote.

As Nick explains, the actress knows what her assets are, with curves that match her confidence, and she’s putting both on display.

“Sydney’s selling and creating a fantasy,” he explains.

‘SULTRY SELFIE’

It’s very ‘old Hollywood’ in many ways, but it’s gritty, too, and that’s why there is such huge appeal.

“She will become a mega-brand in the future.”

As for Kim, it is no surprise her nose has apparently been put out of joint over the Sydney uprising.

While she often gets models and celeb brand ambassadors to model her Skims wear, the week of the Syrn launch in January saw Kim post her own sultry selfie to Instagram, posing in her brand’s lacy lingerie.

Fans could not help but notice the timing of her decision to model a sexy Skims set, hot on the heels of Sydney’s own saucy ­campaign, also on social media.

As one follower said: “Kim said, not today, Sydney Sweeney,” while another weighed in: “Is this the Sweeney fight back?”

Ramping it up, Kim this week called in little sister Kylie Jenner to model a bra and knicker set from her “Everyday Cotton” Skims range in a bid to reel in younger fans.

Obviously, when it comes to the Hollywood pool of superficial friendships, Kim and Sydney are on decent terms, having rubbed ­shoulders last year at Jeff Bezos and Lauren Sanchez’s wedding.

Needless to say, having a mutual pal like Jeff will keep them civil — on the surface at least — as they have too much to lose if they fall out and put him in the middle.

But, according to insiders, Kim feels particularly irked by Sydney’s apparent bid to claim some of her global spotlight.

The Kardashian beauty is used to being the most talked-about woman in any room, but — since Sydney became a pop culture phenomenon — she’s been pulling eyes away.

The fact that she is now launching this lingerie line feels a little too close to home for Kim, especially since it has been reported that Sydney has also filed to trademark the Syrn name for cosmetics and beauty care products.

Coincidentally — or maybe not so — Kim has also spoken about expanding into the beauty space with Skims.

Now, she has ­reportedly been complaining to friends that Sydney is nothing more than a “copycat”.

Still, as Nick tells us, the pair actually have more to gain from this rivalry than meets the eye, as “it’s all about the amount of column inches and publicity they can get”.

‘REBELLIOUS STREAK’

Kim is hardly naive when it comes to the art of publicity.

This is the woman who “broke the internet” in 2014 after exposing her very famous bum to the world on the cover of Paper magazine.

She is hardly going to blush at the thought of engaging now in some performative bra wars with Sydney, as she knows full well that the oxygen for any successful brand is attention and visibility.

So who will ultimately triumph?

Well, Kim’s obviously got a tremendous head start.

She steered her brand to global domination, proving that — despite her internet-breaking derriere — she does nothing half-arsed.

But, like Kim, Sydney understands the power of harnessing one’s sex symbol status to achieve fame and fortune, combining that with business-minded savvy and sizeable investments to create a brand with real selling power.

Add to that her rebellious streak and she could be on to a winner with Syrn.

Whether she overshadows Kim remains to be seen, but one thing remains clear.

In the big, bad world of bra- selling celebs, this storm in a D cup will run and run.

SYD’S GEAR

SYDNEY SWEENEY

AGE: 28.

WEALTH: £30million.

FAMOUS FOR: Starring in The White Lotus, Euphoria and 2025 film The Housemaid.

CONTROVERSIAL MOMENTS: Her American Eagle clothing ad, with the tagline “Sydney Sweeney has great jeans”, which saw her accused of promoting genetic supremacy.

Plus having her bath water used to make a soap range in 2025.

RELATIONSHIPS: Dated businessman Jonathan Davino from 2018 to 2025.

Began dating controversial music executive Scooter Braun in 2025.

BRANDS: As well as Syrn, ­Sydney has her own production company, Fifty-Fifty Films.

She has also collaborated with Armani Beauty, Kerastase haircare, Laneige skincare, Ford motors and Miu Miu fashion.

KIM’S GEAR

KIM KARDASHIAN

AGE: 45.

WEALTH: £1.4billion.

FAMOUS FOR: Reality shows including Keeping Up With The Kardashians.

CONTROVERSIAL MOMENTS: Leaking of a sex tape starring Kim and Ray J in 2007, “breaking the internet” with her 2014 cover of Paper magazine, and a 72-day marriage to Kris Humphries.

RELATIONSHIPS: Married music producer Damon Thomas at 19 and split after three years; Kris Humphries, married and split after 72 days, 2011; Kanye West, married 2014, split 2021.

She is now dating Lewis Hamilton.

BRANDS: KKW Beauty (2017-2021), SKKN By Kim – skincare brand from 2022, Kardashian Kloset – resale site for TV family’s clothes.

Skims has also launched collaborations with Nike, Dolce & Gabbana and Fendi.