settle

In any given year there are more than 500,000 American boys playing on almost 20,000 high school basketball teams, and fewer than 2% of them will make it to March Madness. Only 60 young men get drafted by an NBA team each summer, and in the most recent draft a third of those spots went to international players.

The numbers suggest the funnel from the Amateur Athletic Union into the NBA is one of the narrowest in all of sports. And we used to talk about the game with the reverence that exclusivity implies. The numbers are how we decide who is an All Star or a Hall of Famer. The numbers are how we determine — or debate — the greatest.

Gambling and cheating scandals are not the only threats to sports. Because of the economic gravity of fantasy sports leagues and legal gambling, the numbers most of us hear about these days have more to do with bettors making money than with players making shots.

Bill James — the godfather of baseball analytics, who coined the phrase sabermetric in the late 1970s — did not revolutionize the way the sports industry looked at data so we could have more prop bets. The first fantasy baseball league was not started in a New York restaurant back in 1980 to beat Las Vegas. The numbers were initially about the love of the game. But ever since sports media personalities decided to embrace faux debates for ratings — at the expense of pure fandom — disingenuous hot takes have set programming agendas, and the numbers that used to tell us something about players are cynically used to win vacuous arguments. And after states began to legalize sports betting, athletes went from being the focus to being props for parlays.

That’s not to say gambling wasn’t there before. In fact, while James and others were revolutionizing the way fans — and front offices — evaluated players, the Boston College point-shaving scandal was unfolding in the shadows. The current gambling scandal surrounding Portland Trail Blazers head coach Chauncey Billups, who this week pleaded not guilty to charges alleging a role in a poker-fixing scheme, is not unprecedented. It’s just recent.

What’s new is how we talk about the numbers.

The whole idea of fantasy sports leagues was to enable fans to be their own general managers — not to make money, but because we cared about the game so much. At the risk of sounding more pious than I am: When every game, every half, every quarter and even every shot is attached to gambling odds, good old-fashioned storytelling gets choked out. Instead of learning about players and using numbers to describe them, we hear numbers the way private equity firms see a target’s holdings.

Nothing personal, just the data.

The whole point about loving sports used to be that it was personal. Our favorite players weren’t just about outcomes. They were 1 out of 500,000 guys who made it. Each had a backstory, and the way they got there was a big part of the connection we felt with them.

This is why the Billups saga hits the NBA community emotionally. Drafted in 1997, the Colorado native played for four teams in his first five years before becoming an All Star and a Finals MVP. His numbers aren’t what defined him — even though those numbers were good enough to get him into the Hall of Fame. It was the resilience and character he demonstrated while trying to make it that fans admired. In his early-career struggles, we were reminded that making it in the NBA is hard and that everyone in the league beat the odds. It’s something we all know … but when broadcasters come out of commercial breaks showing the betting lines before the score, it’s easy to forget.

Thanksgiving is a big sports weekend and thus gambling weekend. Go ahead, eat irresponsibly … it’s the other vice that worries me.

YouTube: @LZGrandersonShow

Sony Pictures Television and CBS have struck a compromise in their hard-fought legal battle over distribution rights to the popular “Wheel of Fortune” and “Jeopardy!” syndicated game shows.

“We have reached an amicable resolution,” Sony and CBS said Friday in a joint statement. “We look forward to working together to continue bringing these beloved shows to audiences and stations around the world.”

Financial terms were not disclosed.

As part of the deal, CBS will continue to distribute the shows in the U.S. for an additional 2 ½ years — through the 2027-2028 television season. After that, Sony will control the domestic distribution rights.

Sony owns both shows and produces them on its Culver City lot.

The shows have retained their popularity and solid ratings even in the streaming age, as traditional TV has declined. They remain among the most-watched programs on television.

The dispute began more than a year ago, when Sony terminated its distribution deal with CBS and later filed a breach-of-contract lawsuit that claimed CBS had entered into unauthorized licensing deals for the shows and then paid itself a commission. Sony also maintained that budget cuts within CBS, which is owned by Paramount, had hobbled the network’s efforts to support the two shows.

Earlier this year, Sony attempted to cut CBS out of the picture, escalating the dispute.

CBS has long maintained that it had the legal rights to distribute the shows to television stations around the country. The broadcaster previously alleged that Sony’s claims were “rooted in the fact they simply don’t like the deal the parties agreed to decades ago.”

For years, CBS has raked in up to 40% of the fees that TV stations pay to carry the shows. The network took over the distribution of the programs when it acquired syndication company King World Productions in 1999.

King World struck deals with the show’s original producer, Merv Griffin Enterprises, in the early 1980s to distribute “Jeopardy!” and “Wheel of Fortune.” Sony later acquired Griffin’s company, but those early agreements remained in effect.

As part of this week’s resolution, CBS will manage all advertising sales through the 2029-2030 television season.

However, Sony will take over all marketing, promotions and affiliate relations for the shows after the current television season, which ends in mid-2026. Sony will also handle the lucrative brand integration campaigns.

In another element that was important to Sony, the studio will claim international distribution rights beginning this December.