STRICTLY pro Lauren Oakley has QUIT social media just a day before the first live show – saying “everyone has feelings”.
The dancer, who is partnered with football manager Jimmy Floyd Hasselbaink this series, urged viewers to not troll the stars.
3
Lauren Oakley has quit social media just a day before the first live showCredit: Louis Wood
3
The pro dancer is partnered with football manager Jimmy Floyd HasselbainkCredit: BBC
Lauren, 34, shared a message with her followers before she takes a break from her X platform while the show is on.
She wrote: “Live show tomorrow. That’s me deleting X for now, have fun everyone. Enjoy the show. Don’t be mean. Everyone has feelings and everyone is trying their best. Think before you type. Love.”
Last series Lauren stepped in for Amy Dowden as her replacement after health concerns and danced withJLSsinger JB Gill.
Taking to the stage for the inaugural Icons Week, the pair blew the judges away and received an incredible 39 points.
Santa Monica easily sits among the pantheon of iconic Southern California communities due to its combination of weather, beach backdrop, energy and friendliness.
Yet, that lore has been chipped away by sexual scandal, stagnation and, more recently, by another bubbling calamity.
How Santa Monica fell into this predicament and the measures it may take, including cutbacks, to remedy this situation are the focal points of their article.
Let’s take a look at their reporting.
Newsletter
You’re reading the Essential California newsletter
Our reporters guide you through the most important news, features and recommendations of the day.
You may occasionally receive promotional content from the Los Angeles Times.
One man’s rampage
The city still faces 180 claims of sexual abuse by a former Santa Monica police dispatcher, a scandal that has already cost $229 million in settlement payouts.
Uller had been hired and continued to work with children despite a 1991 background check that revealed he had been arrested as a teen for molesting a toddler he baby-sat, according to a report reviewed by The Times.
On Tuesday, the city declared that it is in fiscal distress, a move that raised concerns among city workers that cuts, and perhaps layoffs, were coming.
“The financial situation the city is dealing with is certainly serious,” City Manager Oliver Chi said during Tuesday’s City Council meeting.
The worries among city workers reached such a peak that before Tuesday’s meeting Chi sent out an email to all city employees, trying to reassure them no layoffs were being planned.
Santa Monica’s recently approved budget for 2025-26 expects $473.5 million in revenue, but $484.3 million in costs, and city officials worry that the sexual abuse scandal could continue to put a drain on city coffers that are already reeling from an economic downturn.
More than just sex scandals
Current and former officials said the current financial woes were taking shape years ago.
“Santa Monica has failed to reign in unnecessary spending for a number of years, and we’ve known this financial crisis has been looming for a while,” said former Santa Monica Mayor Phil Brock, who lost his seat in the November election.
The city has faced a steep downturn in tourism and retail revenues, Brock said, along with several businesses that have left downtown and the promenade.
“You might have to right-side services, and look at areas where [the city] might be overstaffed,” he said. “I recommend we go back to basics.”
But the declaration voted on Tuesday instead called for a declaration of “fiscal distress,” which Chi said was meant more for the city to communicate its financial situation with other agencies, get help in seeking grants and other funding, and as a tool to work on a “realignment of city operations.”
One city official, who asked not to be named because they weren’t cleared to speak on the record, said employees remained skeptical of what steps the city would take, and whether it could mean cuts to their pay or benefits.
What steps exactly the city is set to take remain unclear.
Whatever happens next in Santa Monica, our reporters will be there to document. As for now, check out the full article.
The week’s biggest stories
(Julie Leopo/Julie Leopo / For The Times)
Trump administration policies and their reactions
Jimmy Kimmel suspension and protest
Crime, courts and policing
Infrastructure needs and upgrades
More big stories
This week’s must-reads
More great reads
For your weekend
(Illustrations by Lindsey Made This; photograph by Saul Lopez)
Going out
Staying in
L.A. Affairs
Get wrapped up in tantalizing stories about dating, relationships and marriage.
Have a great weekend, from the Essential California team
Jim Rainey, staff writer Andrew J. Campa, reporter Kevinisha Walker, multiplatform editor Karim Doumar, head of newsletters Diamy Wang, homepage intern Izzy Nunes, audience intern
Alison Hammond has expressed her ‘relief’ at This Morning’s win at the NTAs last night after Dermot O’Leary said the show has been ‘through the mill’
Alison Hammond is ‘relieved’ at This Morning’s big win (Image: Ken McKay/ITV/Shutterstock)
Alison Hammond has expressed her ‘relief’ at This Morning’s big win at the National Television Awards last night. The presenter, 50, provides cover on ITV’s flagship magazine show alongside Dermot O’Leary on Fridays and phoned into the programme after the big win to tell regular hosts Cat Deeley and Ben Shephard just how grateful she felt that they had emerged victorious from the public vote.
The programme, which has aired on ITV since 1989, won in the Daytime category, having fought off competition from Scam Interceptors, Loose Women and James Martin’s Saturday Kitchen. The show managed to claim the title back after two years of losing out to The Repair Shop and The Chase.
Alison said: “I’m still buzzing from last night, what a brilliant night. It was just lovely. We hadn’t had it for two years running now and what’s so incredible is when our audience vote for us, we know we’re doing okay. It was just such a relief and we’re just so grateful that everyone picked up the phone and voted for us.”
The former Big Brother star has also made a name for herself interviewing A-List celebrity guests on the programme and has chatted to superstars like Britney Spears, Ryan Gosling and once ‘married’ The Rock on the show. But just before hanging up, she teased that she was off to interview Barbie star Margot Robbie and Colin Farrell.
Over the last few years, the show has been through numerous lineup changes following the departure of long-serving hosts Holly Willoughby and Phillip Schofield. The duo, who began presenting together in 2009, first came under fire when they were alleged to have jumped the queue to file past Queen Elizabeth’s coffin in September 2022.
Then, Phillip, who first appeared on the programme in 2002 and initially presented alongside Fern Britton, admitted to an ‘unwise but not illegal’ affair with a younger colleague, and subsequently stepped down from the show and ITV altogether. Holly followed suit soon after security guard Gavin Plumb was charged in connection with a scheme to abduct and kill her.
The programme, which has aired on ITV since 1989, won in the Daytime category, having fought off competition from Scam Interceptors, Loose Women and James Martin’s Saturday Kitchen(Image: Getty Images for the NTA’s)
He was found guilty and last year was sentenced to a minimum of 16 years behind bars.
A litany of hosts like Josie Gibson, Craig Doyle, Rochelle Humes and Andi Peters took their place over a period of weeks before Cat and Ben were given the top jobs.
But speaking in the winners room after their victory, former X Factor host Dermot, 52, acknowledged that the show had been ‘through the mill’ over the last few years, reports Manchester Evening News.
He said: “There’s a team that have worked on the show since I’ve started who have had to endure an awful lot of s**t.
The former Big Brother star admitted she was ‘still buzzing’ at the win(Image: Getty Images for the NTA’s)
“And they have turned up to work every day with the greatest grace and professionalism and uncertainty, and they’ve never done anything but put their hearts and souls into this job.
“Two and a half hours of live telly every day is quite something, but to endure it under the spotlight of being on the front page of the news. This show holds a mirror up to Britain and it also tries to entertain.”
He also noted that the team was thrilled to win, as he added: “There’s never an arrogance about this. We’re genuinely humbled by it. It means an awful lot, especially for those people who have been through the mill.”
BBC director general Tim Davie has said he is “not letting anything lie” when it comes to rooting out abuses of power within the corporation.
“If you’re not living the values, it is clear you leave the BBC or there are consequences,” he told MPs on Tuesday, adding that no one was “irreplaceable”.
Davie is facing questions from the Culture, Media and Sport Committee on a number of scandals.
One of the topics discussed was the MasterChef crisis, after both of its presenters – Gregg Wallace and John Torode – were sacked following a report which upheld allegations against them.
During the hearing, Davie discussed some of the changes that have been made to how abuses of power are dealt with following a recent review into the BBC’s workplace culture.
“There are consequences, we are not mucking around now,” he said.
He insisted the report had shown that the BBC does not have “a toxic culture”.
But he also said there were “pockets where things were not right”.
Davie would not comment on whether there were currently further scandals about workplace behaviour and abuses of power brewing.
He also said he couldn’t guarantee there would never be someone else abusing their power.
“Because culture is ongoing,” he said. But he added that he thought “we’re at a moment in society where we’re calling it out”.
Davie added that the “vast majority” of chefs on MasterChef wanted its latest series to air.
It comes after two of the participants were edited out following the allegations against Wallace and Torode.
“I think it was on judgment the right thing to do, but I understand that you could see both sides of the argument very clearly,” Davie said.
‘We do not have a toxic culture’: Tim Davie quizzed by MPs on the BBC
PA Media
Tim Davie said Bob Vylan’s Glastonbury set, which was broadcast on iPlayer, was “deeply disturbing”
MPs also asked the BBC chief about the corporation’s coverage of Glastonbury.
The BBC has faced strong criticism for a live broadcast of Bob Vylan’s performance at the festival, during which the band’s singer led crowds in chants of “death, death to the IDF [Israel Defence Forces]” and made other derogatory comments.
Davie said that what had happened was “deeply disturbing”, adding: “The BBC made a very significant mistake broadcasting that.”
He added that he had done the “right thing” at the time, by pulling it off the iPlayer.
Davie said an internal disciplinary process was ongoing into what had happened. When asked why that process hadn’t concluded yet, he said it “[takes] time, you need to do it properly”.
He added: “These are well intentioned people who made a mistake, so I need to be proportionate.”
Davie also said the measures which have since been put in place would “categorically prevent what happened”, adding: “If something is a high-risk act, we’d now put it on delay.”
No surprise, 2025 has been an eventful year so far in Hollywood.
In addition to the megahits and epic bombs at the box office, the entertainment industry has been roiled by chaotic forces.
The second Trumpadministration. The ongoing Blake Lively–Justin Baldoni legal saga. The federal trial of Sean “Diddy” Combs, resulting in a mixed verdict in which the hip-hop mogul was acquitted of the most serious charges — racketeering and sex trafficking. And of course, the devastating wildfires that ravaged the Los Angeles area, particularly Pacific Palisades and Altadena, back in January.
But in terms of the actual business of movies, TV and streaming, there’s plenty of serious stuff to dig into that could shape the future of entertainment — from streaming’s continued ascent, to Disney and Universal’s lawsuit against Midjourney, to the race for state tax credits to save California’s beleaguered production economy.
Here’s our Wide Shot midyear review, by the numbers.
The box office has been on a roller-coaster ride since the COVID-19 pandemic, with the release schedule feeling the effects of the industry’s broader retrenchment. Although the 2023 strikes that thinned out the release schedule are in the rearview mirror, the uncertainty has very much continued.
After a brutal first quarter (ouch, “Snow White”), sales have rebounded thanks to hits including “Minecraft,” “Sinners” and “F1,” with grosses reaching $4.43 billion so far domestically, according to Comscore. That’s up 15% from the same period last year, but still down 26% from 2019. Attendance is up 6.5% from 2024 with about 350 million tickets sold, according to Steve Buck at EntTelligence.
The challenges remain the same.
Studios struggle to draw crowds with much other than the biggest blockbusters and whatever they can convince Gen Z is an “event” movie. And the films themselves are so expensive that even big numbers don’t guarantee that an action spectacle with a robust audience will break even during its theatrical run. Even horror movies aren’t really low-budget anymore (see “Final Destination: Bloodlines” and “28 Years Later”).
After years of shortened theatrical windows, audiences know they can wait to see a new movie at home, often after just a few weeks. That’s why theater owners at the industry convention CinemaCon called on studios to commit to a longer standard gap between a movie’s theatrical release and its availability for home viewing. Meanwhile, audiences face ever longer preshows, with ads now playing between the trailers at AMC. With so much debt, the chain sure needs the money.
The slate for the rest of the year is lumpy.
July is looking strong after “Jurassic World Rebirth’s” $147-million Fourth of July weekend opening, with Warner Bros. and DC’s “Superman” reboot, and Disney and Marvel’s “The Fantastic Four: First Steps” hoping to reinvigorate the superhero genre. Prerelease tracking for “Superman” is all over the place, but an opening of $125 million is a fair target. “Fantastic Four” is poised for a debut in the ballpark of $100 million. But August is lacking in obvious hits. Maybe Paramount’s “The Naked Gun” will bring pure comedy back — but we’ll see.
Paramount caved, reaching a $16-million deal to settle President Trump’s lawsuit over CBS News’ “60 Minutes” interview with Kamala Harris. Trump declared victory over the “Fake News media,” while 1st Amendment advocates and journalists howled, fuming that the owner of one of TV’s most respected brands chose to buy peace rather than fight the case — widely considered frivolous — and stand up for press freedom.
There are still unanswered questions. In the aftermath of the deal, a source close to Trump‘s world said the president’s team is also anticipating millions of dollars in airtime for PSAs related to MAGA-friendly causes and antisemitism — an alleged side deal that Trump himself referenced after the fact. Paramount said its deal with the Trump team did not include PSAs.
In any event, Paramount’s leaders — not to mention its incoming owners at Skydance Media and RedBird — are eager to move on. David Ellison and Shari Redstone are now counting on the Federal Communications Commission to finally approve the $8-billion merger so they can get to work reshaping the storied entertainment firm.
Speaking of Paramount, one of the company’s biggest franchises is causing headaches for the new owners — and vice versa — as the company wrangles with the creators of “South Park” over the future of the long-running, foulmouthed cartoon.
Skydance balked at a proposed overall deal worth at least $2.5 billion for the “South Park” guys, Trey Parker and Matt Stone, sources have said. (Their current $900-million deal is still in place.) Separately, the two sides are trying to work out the streaming rights to the show. Paramount wants to run the episodes on Paramount+, but it also wants to share the rights (and the costs) with another streamer — perhaps the 300-plus episodes’ current home, HBO Max. The streaming rights are expected to fetch north of $200 million a year.
In Hollywood’s current era of downsizing, Skydance may have legitimate reasons to not want to overpay for a show entering its 27th season. But Parker and Stone still have leverage: Without “South Park,” the cupboard at Comedy Central is pretty bare.
Parker and Stone’s lawyers have gone to the mat, accusing David Ellison’s allies — namely former NBCUniversal boss and current RedBird executive Jeff Shell — of overstepping their authority in the negotiations. The “South Park” team expressed its displeasure in a way only the makers of Cartman and Kenny could. After Comedy Central announced a delay for the new season premiere, the show’s X profile tweeted a statement saying the Skydance deal was “a s—show and is f— up South Park.”
Hollywood got its long-sought lifeline from Sacramento, as Gov. Gavin Newsom signed into law a beefed-up film and television tax credit program, allocating $750 million annually for productions in the state.
That’s more than double the previous program, which was capped at $330 million a year. Shortly afterward, the state legislature passed a law to increase the tax credit to as much as 35% of qualified expenditures for movies and TV series shot in the Greater Los Angeles area — and up to 40% for productions shot outside the region. It also expanded the types of productions that could qualify.
California currently provides a 20% to 25% tax credit to offset qualified production expenses, such as money spent on film crews and building sets. The plan does not cover above-the-line expenses, such as actor and director salaries, which remains a disadvantage as California tries to compete with other states and countries. New York and Texas are both ramping up their own incentive programs.
The Golden State’s production economy has been devastated by competition. Boosting the tax incentives is one lever the state can pull to lure shoots back. There’s also been a push to overhaul red tape at the local level in Los Angeles. Whatever good all this does, it’s sure to be more effective than Trump’s now-largely forgotten call for tariffs on movies produced abroad.
Streaming hit a major symbolic milestone earlier this year, as television usage for YouTube, Netflix and their brethren overtook broadcast and cable for the first time in May, according to Nielsen. Streaming services combined to attract 44.8% of all TV set viewing, representing the largest share to date for direct-to-consumer platforms. Viewership for linear networks was just behind at 44.2%.
Nielsen’s regular viewership report — the Gauge — is a useful snapshot of the state of television today. Combined with the rapid decline of cable and satellite bundle subscriptions, the drop-off in viewing explains much of what’s going on at the legacy media companies.
Firms including Disney and Paramount are still cutting hundreds of jobs to adjust to the new realities. Warner Bros. Discovery — which has been on a yearslong quest to reduce its heavy debt load — said it will split its operations in two, cleaving the studios and streaming business from its global networks. That decision followed NBCUniversal’s move to spin off its cable nets into a new company called Versant.
Those plans are gambles. Cable networks are in decline, but they’re profitable. For most media companies, streaming is growing but has only just gotten into the black after years of losing billions.
Honorable mentions:
$417.5 million: Alcon Entertainment, the production company known for “The Blind Side” and “Blade Runner 2049,” gained a prized asset by acquiring the film library of bankrupt Village Roadshow. The $417.5-million deal gives the firm Village’s stakes in movies including “Joker” and “Mad Max: Fury Road,” both released by Warner Bros. Village Roadshow declared bankruptcy amid a brutal legal battle with Warner Bros. over its release of “The Matrix Resurrections,” which went to streaming and theaters at the same time.
$400 million: “It Ends With Us” director Justin Baldoni’s lawsuits against actress Blake Lively, her husband Ryan Reynolds, the New York Times and others were tossed last month, with a judge ruling that the claims — including defamation, extortion and breach of contract — failed to pass legal muster. U.S. District Judge Lewis J. Liman granted motions to dismiss both a $400-million countersuit against Lively, Reynolds and others and a $250-million defamation claim against The Times.
$2 billion: The biggest movie of the year isn’t from Hollywood at all. It’s “Ne Zha 2,” an animated Chinese film that grossed more than $2 billion, the vast majority of which came from its home country. Despite trade wars and the dominance of local productions, though, U.S. movies can still do well in China. “Jurassic World Rebirth” opened with $41.6 million there.
$20 million: Walt Disney Co. and Universal are suing AI firm Midjourney for allegedly ripping off and copying their intellectual property with its image-generating technology. With 150 violations cited in the lawsuit, at a statutory $150,000 per infringing item, that’s a total of more than $20 million in potential damages.
$300 billion: The eye-popping valuation for privately held OpenAI, the San Francisco company behind ChatGPT and Sora.
$9.2 billion: The amount Disney ultimately paid for Comcast’s Hulu stake, valuing the service at $27.6 billion. After a mediation process, Disney paid less for the stake than Comcast wanted.
— Times staff writers Meg James, Samantha Masunaga, Wendy Lee, Stephen Battaglio, Stacy Perman and Josh Rottenberg contributed to this article.
Newsletter
You’re reading the Wide Shot
Ryan Faughnder delivers the latest news, analysis and insights on everything from streaming wars to production — and what it all means for the future.
You may occasionally receive promotional content from the Los Angeles Times.
Stuff we wrote
Finally …
Listen: For your morning run, Killswitch Engage’s “This Consequence.”
Watch: I finally started “Apple Cider Vinegar” over the weekend, and hoo boy, what a fascinating, infuriating story.
The Post Office Horizon IT scandal dominates many of Wednesday’s front pages, with the first report from the official inquiry finding it had a “disastrous” impact on those wrongly accused and prosecuted for criminal offences. Sir Wyn Williams’ report found at least 59 people had contemplated suicide at various points, of whom 10 attempted to take their own lives, and more than 13 people may have killed themselves over the scandal.
The Daily Mail leads on the reaction to Sir Wyn’s report as campaigners say the Post Office has “blood on its hands”. Catherine, Princess of Wales, also graces the front page as she attends the state banquet for French President Emmanuel Macron and his wife Brigitte at Windsor Castle.
The Post Office scandal is also splashed across the Daily Express, highlighting the impact it had on the lives of those caught up in it. And while Catherine is featured too, the paper is pointing out her “new look hairstyle” ahead of the state banquet. A tribute to the late Norman Tebbit, who served as a cabinet minister in Margaret Thatcher’s government, is also featured at the bottom of the page.
The Horizon scandal is covered on the front page of the Times, but it is the vote for strike action from resident doctors in England that is leading the paper. The government made clear a pay rise was off the table after the British Medical Association said 55% of its 48,000 resident doctor members had voted in the ballot with 90% supporting industrial action. The doctors were awarded a 5.4% pay rise for this financial year, following a 22% increase over the previous two years. The Prince and Princess of Wales are pictured together for the state banquet for Macron, who earlier warned that Britain and France were dangerously dependent on the US.
The Metro also leads on the first volume of Sir Wyn’s report on the Horizon scandal, which found victims had divorced, suffered serious mental health issues and alcohol addiction as a result of their ordeals. The Post Office apologised “unreservedly” and said it would carefully consider the findings.
Macron’s state visit to the UK and a proposed deal on the small boats crisis lead the Daily Telegraph. The paper reports that the French president is demanding Sir Keir Starmer make Britain less appealing to Channel migrants to secure a “one in, one out” agreement. Gregg Wallace’s sacking from MasterChef is also covered on the front page. The presenter was fired as a result of an inquiry into alleged misconduct, BBC News understands. It comes as 50 more people have approached the BBC with fresh claims about the TV presenter. Wallace denies the claims.
The Sun has splashed Wallace’s sacking on the front page, with the presenter accusing BBC News of “uncorroborated tittle tattle” in its reporting. The inquiry into allegations against him, conducted by an independent law firm on behalf of MasterChef’s production company Banijay, is expected to report back imminently. In a lengthy statement on Instagram on Tuesday, Wallace said he had been cleared by that report of “the most serious and sensational allegations” made against him. BBC News has not seen the Banijay report.
Wallace insists he won’t be “cancelled” after his sacking, the Daily Star reports on its front page. For 20 years, Wallace was one of the most high-profile presenters on British television and the face of the BBC One cooking show. But he stepped aside from the show in November after the BBC’s initial investigation at the end of last year, when 13 people accused him of making inappropriate sexual comments.
The Guardian is leading its front page with plans to be published on Wednesday designed to save the criminal justice system from total collapse. The paper reports that thousands of cases that would normally be heard in front of a jury should be decided by judges alone, according to recommendations made by a former senior judge. Sir Brian Leveson was asked by the Lord Chancellor to come up with a series of proposals to reduce the backlog of cases in the criminal courts. There are almost 77,000 cases waiting for trial in the Crown Court in England and Wales – meaning some defendants and victims are waiting years for justice.
The Financial Times is leading with a debt warning from the independent budget watchdog, which says the UK faces “daunting” risks to the public finances. The OBR says the country’s soaring debt load has led to “substantial erosion” of its capacity to respond to future shocks.
The OBR’s report also leads the front page of the i Paper. The UK state pension triple lock must go, says the watchdog, arguing it has made public finances “unsustainable”. The triple lock guarantees that the state pension rises each year in line with either inflation, wage increases or 2.5% – whichever is the highest. It meant the state pension rose by 4.1% in April 2025.
From allegations of infidelity to swinging scandals, The Secret Lives of Mormon Wives offers a look into a version of Mormon life far removed from traditional public perception.
Set in suburban Utah, the TV series follows a group of Mormon women – most of whom rose to fame on TikTok and became MomTok influencers – as they manage scandals, confront marital breakdowns and clash over everything from business ventures to party invitations.
But beneath the sensational plotlines is a more complex story about the evolving dynamics within a tight-knit community.
The group of Mormon mothers have been making content online for the past five years but say the concept of reality TV still feels very new to them.
“I’ve heard that eventually people learn how to play the reality TV game but that’s not us yet, we’re still trying to figure it out,” Jessi Ngatikaura tells the BBC. “So you’re getting to see the real us.”
Getty Images
What started off as a hobby has now become a job and the women speak openly on the show about the amount of money they make from reality TV and brand deals.
“It is totally our job now but we chose this and we could all walk away any time if we didn’t want to be part of it,” Jessi says.
Whitney Leavitt explains that “naturally dynamics will change when there’s more money and family involved and definitely some people get competitive” but reassures me the group are still friends off camera.
Across the two seasons of the show, Jessi and Whitney have had challenging storylines play out – Whitney is presented as the villain in season one and at the end of season two it is alleged Jessi has had an affair.
The pair speak candidly about the impact having your life watched and commented on by millions of people worldwide has had on them.
Getty Images
“It’s been hard coming to terms with the fact we have no control over the narrative and you don’t ever really get over it,” Whitney explains. “But you have to accept that and let it go.”
As the show follows the lives of nine friends, it’s easy to see how some of them may create more drama for themselves in order to guarantee some screen time but Jessi insists that’s not the case and no one “plays up but naturally emotions are heightened”.
“We’re actually recording four or five days a week so we don’t know what will make the final edit.”
Jessi says her explosive Halloween party was not manufactured by producers and there is just “naturally so much drama that we don’t need to create more just for the show”.
‘Lots of resentment’
Given the intensity of drama and filming demands, the presence of strong aftercare is essential and both women praise the production for its duty of care standards.
“There are always therapists on hand and at first I was like why are Taylor and Jen having therapy all the time and now I’m having five or six hours of it a week,” Jessi confesses. “I’ve found it’s useful even if you’re not going through a hard time.”
Whitney also accessed some aftercare in season one after being presented as the villain of the show.
“It totally sucked being the villain and I was angry, had a lot of resentment and was really sad. There were so many overwhelming emotions for me but I was proud that instead of running away I stayed and had those hard conversations I didn’t want to have,” Whitney says.
Whitney was one of the members of the MomTok group that Taylor Frankie Paul publicly revealed was involved in “soft swinging”, something she denies and caused a rift to form in their friendship.
Getty Images
There was some backlash to the reality TV show from the Church of Jesus Christ of Latter-Day Saints
The open discussions around sex, marital affairs and alcohol on the show has caused some backlash from the Mormon church.
“When the first trailer came out there was some backlash from the church because they were scared but actually we’re showing you how we live the Mormon life and we all live it differently,” Whitney says.
Jessi adds the docudrama shows how “we are all normal and everyday girls, not people wearing bonnets and churning butter like you might think”.
The women say that not only has the church come to accept the show, they are also helping young women think about their faith differently.
“We’ve definitely influenced people to question their faith, dive deeper into it or be more honest about it and I’ve had messages from some people saying that they’re joining the church because of me,” Jessi says.
While their religion plays an important part of their life, they’re keen to tell me that they are not the face of Mormonism.
“There are Mormons who still get upset about it but we’re just showing our version of it and I think that’s empowering as hopefully people can relate to our stories and struggles.”
