So this is how we find out Justin Bieber is a YouTube Premium subscriber.
The 32-year-old teen-pop survivor headlined Coachella on Saturday night, and for roughly half an hour in the middle of his set, what Bieber did was sit behind a laptop and sing along to his old music videos — often an octave down from where he recorded them — as he searched up the songs on YouTube and played them over the festival’s state-of-the-art sound system.
YouTube Premium, that is, given that he (and we) faced no ads during the performance.
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Expectations were insanely high for this show — Bieber’s first large-scale concert after a few years he spent in the pop-star wilderness recovering from various health ailments of both the physical and mental variety.
Invite-only warm-up gigs he played over the last couple of weeks in L.A. led to widespread speculation that at Coachella he might play only material from last year’s “Swag” and “Swag II” comeback albums.
And indeed that’s what he did for the first half-hour or so, singing songs like “All I Can Take,” “Speed Demon” and “Butterflies” — and singing them with extreme precision — accompanied by prerecorded backing tracks; after that, he brought out Carter Lang and Dylan Wiggins — two of his closest “Swag” collaborators — to do more of the “Swag” material “up close and personal with you guys,” as he put it.
“This is a night I dreamed about for a long time,” he said, dressed in a red hoodie, shorts and Paddington-gone-Balenciaga rain boots.
Together the three did gorgeous Christian-youth-group white-soul renditions of “Things You Do” and “Glory” and “Everything Hallelujah,” the last of which Bieber used to shout out his wife, Hailey Baldwin, who was in the crowd and made herself available to Coachella’s roving cameras.
Then: “Feels like we gotta take you guys on a bit of a journey,” Bieber said. “You guys remember this song?”
That was his own cue for a YouTube deep dive — it started with “Baby” and included “Never Say Never” and “Beauty and a Beat” — that made you wonder about the unresolved trauma he’s still dealing with from his child-star days. (Second night in a row for that, by the way, after Sabrina Carpenter on Friday.)
“How far back do you go?” he asked the crowd at one point. “Are you really with the s—?”
Bieber went on to play much-memed videos of himself running into a revolving door and himself falling off a stage; that led to an unfortunate little digression about the paparazzi and their rapacious ways.
“These guys won’t leave you alone, bro,” he said before playing that famous video of the guy freaking out over the double rainbow.
The final portion of the show had Bieber doing “Yukon,” then “Devotion” with Dijon — the vocals! — then “Essence” with Tems and Wizkid.
“Tonight has been beautiful,” Bieber said before bringing out Mk.gee to close with “Daisies,” and he was right: This was a radical reframing of what a headlining Coachella performance is supposed to be, and I loved it.
Comedians Jo Koy and Gabriel “Fluffy” Iglesias are used to delivering big laughs on large stages. But in the world of major L.A. venues, there’s big, there’s massive, and then there’s SoFi Stadium.
The show starring both comedians was billed as a record-breaking feat for stand-up when they sold out the 70,000-seater. Though the pressure to fill up the stadium was off, it still remained to be seen how the two comics would make their most dedicated fans laugh from more than a football field away. By that criteria, Saturday night was definitely a win.
Kicking off the early portion of the show at 7 p.m., fans were already filling the seats as opening acts from Iglesias’ camp, including Matt Golightly, Joey Guila, Alfred Robles, Martin Moreno (who celebrated his 58th birthday on stage) and ventriloquist funnyman Jeff Dunham got the crowd warmed up for about an hour before Iglesias took the stage first.
Comedians Jo Koy and Fluffy perform Saturday at SoFi Stadium.
(Christina House / Los Angeles Times)
It was almost 8 p.m. when Iglesias emerged following a video skit playing on the jumbo screens and the stadium’s massive halo scoreboard with his funny misadventures of a routine doughnut run at Randy’s Donuts that turned into the plot of “Sons of Anarchy” spinoff “Mayans M.C.” featuring lead actors Emilio Rivera, a.k.a. Miguel Golindo, and Clayton Cardenas, known for playing Angel Reyes. Reyes caused the first major eruption of noise in the crowd by pressing a detonation device that triggered columns of smoke that filled the stage as Fluffy made his entrance in a white flat cap and custom Los Angeles button-up to greet the sold-out stadium.
“Thank you for being here, all I have to say is we did it!” Iglesias proclaimed as the crowd cheered.
Pointing and waving to fans in the nosebleeds, he took time to embrace the moment that topped his previous triumph of performing at Dodger Stadium.
Fluffy takes the stage at SoFi Stadium in Inglewood.
(Christina House / Los Angeles Times)
Though the stage couldn’t have been bigger, both comedians used their ability to make a large event feel intimate by drawing the crowd in through storytelling and making them feel like they were part of a conversation. Iglesias set the tone of his set right away by telling us about the chisme (a.k.a. salacious gossip) surrounding his newly married stepson that weaved into stories about his travels all over the world including his controversial stop at the Riyadh Comedy Festival.
Iglesias also took a pause to relate one other historic fact about the two stadiums in L.A. he’s now been able to sell out.
Santino Villalovos of Tracy, Calif., shows his Fluffy tattoo during the Jo Koy and Fluffy show at SoFi Stadium.
(Christina House / Los Angeles Times)
“The two biggest shows in comedy were Dodger Stadium and SoFi Stadium. … And what did they both have in common? They both featured a Mexican,” he said.
Even though he thought about retiring as a comedian after filling up Dodger Stadium (twice) to film his special “Stadium Fluffy,” Iglesias said the SoFi show inspired him to keep pushing himself. And alongside Koy he knew they could do it.
Fans react to special guest Jamie Foxx during Jo Koy’s performance at SoFi Stadium in Inglewood on Saturday.
(Christina House / Los Angeles Times)
“Jo I know you’re in the back, thank you for trusting me man, we did it brother. And I’ll say it in front of an entire stadium, love you. Things like this for me is a huge deal because it inspired me and gave me another reason to keep doing what I love to do. And tomorrow I’m gonna be in the same situation I was after Dodger Stadium — what am I gonna do now? But until then I’m enjoy the hell outta tonight and I still have more stories to share with you.”
Fluffy’s most controversial (and true) bit of the night was breaking the news to his fans that his name is mentioned in the Epstein files, which sent collective shock through the stands.
“I’ve never been to the island, I’ve never been on the plane and I have never met Jeffrey Epstein,” he clarified.
Fans light up SoFi Stadium during Fluffy’s set on Saturday.
(Christina House / Los Angeles Times)
The comedian said that according to reports in the Epstein files, the late convicted pedophile apparently tried to buy tickets to his show at an Improv in West Palm Beach, Fla., in 2014 but was told by his assistant via email that both his shows were sold out.
“Jeffrey Epstein, one of the most diabolical human beings to ever walk the face of the earth. Had the ability to connect with politicians, with influencers, with celebrities. He put people in very compromising positions. He got people on planes. He put people on islands. He was involved in trafficking. He was able to accomplish all these evil, crazy things, but at the end of the day, he still couldn’t get tickets to see my show,” Iglesias said.
Jo Koy reveals himself with the Jabbawockeez at SoFi Stadium.
(Christina House / Los Angeles Times)
After a brief intermission, things transitioned to Jo Koy’s portion of the show featuring warm-up sets from TikTok skitmaster King Bach and longtime friend and stand-up star Tiffany Haddish, who came to the stage looking ready for the red carpet with a flowing silk dress, hair blowing in the man-made wind to deliver her brand of high-energy stories about becoming a real estate tycoon in South-Central.
When it was Koy’s turn to enter the stadium, he slipped in undercover, dressed as one of the Jabbawockeez — the legendary masked hip-hop dance troupe that danced onstage to a medley of West Coast hip-hop dressed in red with acrobatic swagger. At the end of a brief routine, Koy unmasked himself as one of the dancers, eliciting cheers from the crowd as his son helped him change onstage into his regular attire, Dodgers hat and a jean jacket.
Jo Koy performs at SoFi Stadium in Inglewood on Saturday.
(Christina House / Los Angeles Times)
Always a man of the people, his set also reminded us that he’s also a man of the pets, specifically dogs, launching into a long bit that felt worthy of a slightly more adult version of a Pixar movie. But beyond jokes and stories, Koy kept coming back to the idea that laughter, more than fame, marketing or money, is what helped the comedians’ big plans for SoFi come together.
“This place is full, all the way to the top, people laughing and having a good time. I know there’s a lotta s— going happening in the world right now but guess what, we don’t wanna hear it right now. We came to have a good f— time. I’m not here to debate s—, everybody’s in here, everything they said wasn’t supposed to happen happened. Look around, every f— color of the rainbow is in SoFi Stadium tonight.”
Jamie Foxx, left, sings with Jo Koy at SoFi Stadium.
(Christina House / Los Angeles Times)
The vibe of the set was all about escaping the problems of everyday life. For most of the night that was taken care of by comedy. And sometimes that escapism was aided by the power of R&B. Twice during the night Koy shocked the crowd with special guest sing-alongs, first with Babyface coming out to serenade the crowd with a brief yet un-relenting hit fest he wrote and/or sang including “Can We Talk,” the ‘90s hit he wrote for Tevin Campbell, and the Boyz II Men anthems “I’ll Make Love to You” and “End of the Road.”
The second surprise came courtesy of Jamie Foxx, who popped out in shades and 10-gallon hat to sing the Ray Charles homage-driven hook of Kanye West’s “Gold Digger.”
Aside from any historic accolades, Saturday night was the culmination of a show that was a year in the making and a victory lap for the careers of two comics who’ve been in the game for decades. It was also a moment where comedy’s past met its stadium-size future in the L.A. comedy world. Though it’s hard to say when the next big comedian will have enough fans to fill a stadium in L.A., Saturday didn’t feel like it was the last time comedy fans will show up to fill SoFi for a pair of comedians who put in the work to make themselves a team worth rooting for.
No. 7-seed UCLA’s (22-11) push for another deep NCAA tournament run begins Friday against No. 10-seed Central Florida (21-11) in Philadelphia in the East Regional. If the Bruins win, they will face the winner of No. 2 Connecticut (29-5) versus No. 15 Furman (22-12).
Cronin was hoping the Bruins, who flew home from the Big Ten tournament in Chicago on Sunday morning, would get a break and open postseason play Friday rather than Thursday. He recalled playing in the American Athletic Conference tournament championship on Sundays and still getting assigned Thursday NCAA tournament games, but Purdue coach Matt Painter told Cronin on Saturday night that he should be in line for a Friday NCAA tournament opener and the forecast proved accurate.
Cronin said the universal UCLA program focus on NCAA tournament success drove his decision to hold forward Tyler Bilodeau and guard Donovan Dent out of a 73-66 Big Ten semifinal loss to Purdue on Saturday night at the United Center. Bilodeau’s injury was a minor knee sprain suffered in the win over Michigan State on Friday, while Dent suffered a minor calf strain early in the game against the Boilermakers. Both are expected to be ready to play Friday.
“Tyler could have played [against Purdue.] You know, Donny could have played. They would have been playing hurt,” Cronin said after the loss to the Boilermakers. “I wouldn’t have played them in a regular season game. I just try to take care of guys.”
The coach said the extra minutes played by Eric Freeny, Xavier Booker, Steven Jamerson II and Brandon Williams will help the Bruins when the full lineup is in place for NCAA tournament games.
He called the team’s effort to push eventual Big Ten champion Purdue valiant, but the games ahead in March simply mean more to the Bruins.
“With all due respect to the Big Ten, you could see how hard our guys are trying to win,” Cronin said. “But our guy are well aware, because they practice under 11 banners that say national championship every day. They warm up under another banner with 19 Final Fours on it. We don’t even have one with conference championships cause there’s 36 or something. There’s so many. So [this] week is what it’s about for us.”
UCLA enters the tournament on a 4-1 streak, looking especially strong since the calendar hit March.
“I was happy with the way we competed,” Cronin said when asked whether he learned anything about his players during a spirited Big Ten tournament run. “… We got talent, we just haven’t always had our mind on defense, which is very rare for teams that I coach. We got great guys. Since March 1 or whenever the heck we played Nebraska, it’s been a noted change in our team, we’ve just got to keep it up. And we’ve got to get some rebounds out of the five spot.
”… We’re at UCLA, no matter who we take the floor against in the NCAA tournament, we’re going to be the ones wearing the baby blues and four letters. So we believe in ourselves.”
UCF is coached by former Duke star Johnny Dawkins. Point guard Themus Fulks is a key leader for the Knights, earning third team All-Big 12 honors after averaging 14.1 points and 6.7 assists per contest during the regular season.
UCF posted top-25 wins over Kansas, Texas Tech and Brigham Young.
Russell Westbrook had 12 points, 12 rebounds and 10 assists for his 209th career triple-double and DeMar DeRozan scored 27 points to lead the Sacramento Kings to a 118-109 victory over the Clippers on Saturday night.
Kawhi Leonard scored 31 points before leaving with a sprained left ankle for the Clippers, whose four-game winning streak was stopped. It was Leonard’s 45th consecutive game with at least 20 points, topping Bob McAdoo’s franchise record set during the 1974-75 season when the team was based in Buffalo.
Leonard was injured with 9:27 left in the fourth quarter when he was guarding DeRozan and landed awkwardly before backpedaling a few steps and tumbling to the court. He popped up quickly, but limped noticeably to the Clippers’ bench before heading to the locker room. Leonard didn’t return to the game and there was no immediate word on whether he might miss time.
Precious Achiuwa added 25 points and 13 rebounds, Maxime Raynaud had 23 points and Daeqwon Plowden scored 15 for the Kings, who have won three of their last four games.
Darius Garland added 25 points and Bennedict Mathurin had 24 for Los Angeles, which had won its last five at home.
The game was close early and tied at 39 with 7:04 left in the second quarter, but Sacramento took over from there. The Kings led 68-54 at halftime and made it a 20-point game — their largest lead — at 90-70 on Plowden’s three-pointer with 2:19 left in the third quarter.
But the Clippers, even without Leonard, stormed back in the fourth and cut the deficit to 103-100 on a pullup basket by Mathurin with 4:15 remaining. Sacramento outscored Los Angeles 15-9 the rest of the way to seal the win.
PHOENIX — Unable to ramp up through the first month of spring training because of lingering shoulder soreness, Dodgers left-hander Blake Snell took a step toward readiness Thursday, throwing his first bullpen session.
Two hours before Thursday night’s Cactus League game, Snell threw off the mound in front of a group of reporters and fans at Camelback Ranch. Snell threw 15 pitches — all fastballs — sitting between 87 to 89 mph.
“I feel good,” Snell said after his bullpen. “I was very excited to throw off the mound again and pitch. I’ve been looking forward to this for a while. This being like the first one where I actually could have the catcher down. I was still limited to what I could throw. I was throwing 87 to 89 [mph]. It felt effortless, easy, could command the ball, so [I’m] happy with that. [I’m] just happy to continue to grow and get better.”
The two-time Cy Young Award winner says he’s targeting an April return, and that he’s hoping to get back faster than initially expected.
“I want to pitch in April,” Snell said. “That’s my goal. So, I’ve kind of been the one pushing it, and they’re being more cautious. I think we’re just talking a little back and forth, but I think them seeing me throw a pen today, hopefully that just gives them more confidence to keep it going. I think we won’t really know until I throw a live [batting practice], I think that’s when we’ll really know. How do I recover from that? How do I feel? And then that will be like, ‘OK, let’s get him into games.’ That’s what I would envision. I’m not the front office or Dave, but that’s what I would think.”
Dodgers manager Dave Roberts, however, isn’t ready to give a timetable for Snell’s return.
“I think honestly, to think about when he’s going to come back, we’re just a ways away from even really having that conversation,” Roberts said, noting that six weeks is “the floor” when you also account for a potential rehab assignment.
Thanks to the depth of their pitching staff, the Dodgers can afford to be patient with building up Snell. Right-handers Emmet Sheehan and River Ryan, along with left-hander Justin Wrobleski, are all possibilities for starting assignments early in the season.
“We still need him to pitch, and I know he understands that,” Roberts said of Snell. “But we do have the luxury of trying to err on the side of caution. … We are certainly better when he’s pitching for us, when he’s active.”
Snell, for his part, is thankful to be throwing again without shoulder pain.
“The whole offseason, I mean, every throw kind of hurt,” Snell said. “It was just every throw, I could feel my shoulder. It was just cranky and I couldn’t get it going. And I thought I was doing everything I needed to, and I believe I was, and ultimately, I’m feeling better.”
