This article contains some spoilers for the Netflix miniseries “Death by Lightning.”
If politics today make your head spin, wait until you see Netflix’s “Death by Lightning.” The four-part miniseries, premiering Thursday, chronicles one of the more jaw-dropping stretches of post-Civil War American history, when corruption ran rampant, a presidential nominee was drafted at the 11th hour, only to be assassinated early in his term by one of his biggest fans — becoming perhaps the greatest head of state we never really got to have.
And the show answers the burning expletive-laced question posed by its first line: Who is Charles Guiteau?
“I’ve been in a James Garfield rabbit hole for seven years of my life at this point,” says showrunner Mike Makowsky, who adapted Candice Millard’s 2011 chronicle of Garfield and Guiteau, “Destiny of the Republic.” Those who paid attention in history class probably remember that Garfield served briefly as our 20th president in 1881 before being shot and killed. Those who remember more than that are few and far between.
“My own agent half the time refers to him as Andrew Garfield,” says Makowsky. “And I have to confess, I knew very little about Garfield, like most Americans, until I picked up Candice Millard’s remarkable book.”
Realizing he knew little about one of the four American presidents to be assassinated, Makowsky thought, “Since I would desperately like to be on ‘Jeopardy!’ someday, I was like, ‘Let me educate myself.’ I wound up reading the entire book in one sitting.”
“Death by Lightning,” directed by “Captain Fantastic” auteur Matt Ross, boasts a remarkable cast: Betty Gilpin as First Lady Lucretia Garfield; Nick Offerman as Garfield’s successor, a hard-drinking, hard-partying Chester A. Arthur; Michael Shannon as James Garfield, the polymath president, crusader against corruption and noble to a fault; and Matthew Macfadyen as Charles Guiteau, the frustrated office-seeker who shot him.
“I wanted to cast people who were somewhat counterintuitive,” says Ross. “If you read the cast list for this, you might assume Michael Shannon was playing Guiteau because he has played a lot of complicated, for lack of a better word, villains — tough guys, bad guys. And Matthew Macfadyen has played more heroic characters.”
Guiteau is definitely no Darcy from “Pride and Prejudice,” or Tom Wambsgans from “Succession,” for that matter. In the series’ conception of him, he shares more DNA with Martin Scorsese’s unhinged protagonists than he does with Darcy — or, certainly, with Garfield.
The proto-incel with a gun
As portrayed in “Death by Lightning,” Guiteau is a rotten-toothed, scheming, big-dreaming, delusional charlatan and possible sociopath. He’s the proto-incel, and the diametrical opposite to Garfield, whom Makowsky defines as “lawful good,” to borrow the Dungeons & Dragons classification.
“I think the most reductive view of Guiteau is ‘chaotic evil,’ right? But that’s the least interesting rendering of this person,” he says. “What are the societal factors that alienate a man like Guiteau from his fellow human beings? The show is meant to probe into his psyche.”
He was a member of the Oneida community, a religious sect based in New York that practiced communalism, free love and mutual criticism, which is depicted in the series (and yes, they founded the flatware company). But Guiteau couldn’t partake in what Makowsky delicately called the “benefits” of such a society, largely because his delusions of grandeur alienated him from others there. The women reportedly nicknamed him “Charles Gitout.”
“Everyone who encountered him described him as being disagreeable, odd, rude, selfish,” Ross says, explaining the need for an actor who had the opposite qualities. “He’s an extreme example of someone who had no work to be seen for, but was so desperately looking for affirmation and love.”
Charles Guiteau (Matthew Macfadyen) was part of the Oneida community, which practiced communalism and free love, but he wasn’t accepted by its members.
(Larry Horricks/Netflix)
Ross describes Macfadyen as someone who’s empathetic, warm and funny. “I wanted that humanity because the real Guiteau was a deeply disturbed man who was psychologically brutalized by his father to the point he was a non-functioning person.”
Makowsky says as he was reading Millard’s book, he thought of Rupert Pupkin, Robert De Niro’s deranged-fan protagonist in Scorsese’s “King of Comedy.” “This guy showing up, day in and day out, hoping for an audience with his hero [Garfield], being continually rebuffed to the point where something in his brain breaks,” he says of Guiteau. “He felt like a direct historical antecedent to the Rupert Pupkins and Travis Bickles of the world. He fell through the cracks and we lost potentially one of our greatest presidents because of it.”
Makowsky recalls shooting the only dialogue scene between Garfield and Guiteau, when the “greatest fan” finally gets to meet his idol. To Makowsky’s surprise, Macfadyen’s Guiteau “just burst into tears. That wasn’t scripted. It was so overwhelming to him. I think in that moment, more than any other in the series, you feel something for this man.”
Party (hearty) over country
Garfield was succeeded in office by Chester A. Arthur, whom Makowsky calls one of the least likely persons to ever become president. “The man had never held elected office,” he says. “His one political appointment prior to his nomination for vice president was as chief crony of the spoils system of [New York Sen.] Roscoe Conkling’s political machine. The level of corruption was so audacious and insane.”
He’s played with oft-drunken brio by Nick Offerman, whose voice Makowsky says he heard in his head as soon as he started writing the role: “I was like, it has to be Nick Offerman.” He took some liberties with the character and events, including a memorable sequence where Arthur and Guiteau go on a bender. Makowsky says they “probably never had a wild night out in New York, but it was an indelible proposition and I couldn’t resist.”
Nick Offerman plays eventual President Chester A. Arthur, who was closely aligned with New York Sen. Roscoe Conkling (Shea Whigham).
Betty Gilpin portrays First Lady Lucretia Garfield as her husband’s intellectual equal. (Larry Horricks / Netflix)
As to the first lady, “Lucretia Garfield was every bit her husband’s intellectual equal. But she couldn’t vote. There was a ceiling to what a woman in her day could accomplish,” Makowsky says, wistfully musing on what she might have achieved, given the chance. “And Betty [Gilpin] radiates that strength and that acute intelligence.”
Having recently given birth, Gilpin took her family along to Budapest for filming, voraciously researching Lucretia and reading her entire correspondence with her husband. The role gets meatier as the series progresses until she initiates an unforgettable, blistering encounter with Guiteau to button the story.
“Betty jokingly said to me, ‘If you cut that scene, I will kill you.’ I was like, ‘There’s no way that scene is being cut. It’s one of my favorite scenes in the entire show,’” Ross recalls. “Everyone who read it was like, ‘Oh my God, this scene.’ And Betty just knocked it out of the park, take after take after take.”
The forgotten president
Ross says when he first read Makowsky’s scripts, he thought they were “fantastically relevant” and offered a fresh look at American history. “As an American, I’m always trying to figure out what it means to be American,” he says. “The story of Garfield, you couldn’t make it up. He was a hero of working people and the promise of American democracy — having a representational democracy where those in power and the wealthy are not controlling the laws of the land, which could not be more relevant today.”
Makowsky calls Garfield “a poster boy for the American dream,” rising from poverty to the nation’s top office.
“He was a war hero and a Renaissance man that did math theorems while he was in Congress and who could recite Homer from memory,” he says. “This remarkable individual, fiercely intelligent and a brilliant, powerful orator, was far ahead of his time on certain political questions of the day. He was an outspoken proponent for civil rights and universal education and civil service reform.”
In real life, and as depicted in the series, Garfield worked with notable Black leaders like Frederick Douglass and Blanche Bruce, the first Black register of the Treasury, whom he appointed.
“The great tragedy is we were robbed of a potentially generational leader in Garfield,” Makowsky says.
“Death by Lightning” showrunner Mike Makowsky says Americans were robbed of a “potentially generational leader” in James Garfield.
(Larry Horricks / Netflix)
Garfield wasn’t even seeking the nomination when he spoke on behalf of another candidate at the Republican National Convention of 1880, but his speech so moved the delegates that they eventually persuaded him to accept the nomination after more than 30 votes failed to produce another winner. It reminded Makowsky of then-Sen. Barack Obama’s 2004 speech at the Democratic National Convention, where he presented “a strong and confident, optimistic vision for the future of our country.”
Nowadays, such a rise seems less likely. “I don’t know if that would happen today, obviously because of money in politics; no one can run if they don’t have phenomenal backing,” Ross says.
Ross emphasizes the show is “not a history lesson,” drawing a distinction between drama and documentary. At times, “Death by Lightning” plays like a black comedy. Makowsky’s dialogue, while usually honoring what we think of as the formality and vocabulary of the 1880s’ idiom, occasionally veers into hilariously cathartic invective that bracingly reminds us these were living, breathing people with fire in their bellies.
“Ken Burns could make a 10-hour documentary to encapsulate all the nuances of this incredible story,” says Ross. What Makowsky did, Ross says, was contextualize the history through the prism of two very different people, Garfield and Guiteau.
“One is this incredibly admirable American figure I think everyone should know about, the greatest president we never really had. And then the other is a charlatan, a deeply broken, deeply mentally ill man who just kind of wanted to be Instagram-famous, just wanted to be known. You see this moment in history through their eyes, and I thought that was delicious.”
Celebrity Traitors star Jonathan Ross has landed himself in hot water with show bosses after spilling behind the scenes secrets but is hasn’t stopped him revealing more
Jonathan Ross has been issued a warning for revealing show secrets (Image: BBC)
He has been working alongside Cat Burns and Alan Carr, killing off the Faithfuls while trying to remain undetected. Jonathan has so far been successful in keeping his true identity under wraps.
However, he has now revealed he actually let slip he was a Traitor in a moment that didn’t make the final edit. In a shocking confession, Jonathan revealed: “It’s nerve-wracking watching it for me.
“The round tables, of course, because a lot of stuff is edited out and I’m not allowed to talk about the stuff that’s edited out, which I can understand why.
“When I started talking about it last week, they sent us all a kind of list saying, ‘Just to remind you, these are the things in your contracts you’re not allowed to talk about.’
“So I’ll skirt around it as much as possible and not break any rules. But there’s a fairly comprehensive list, and most of it I can see is to protect the integrity of the game as a viewing experience for people, so it makes perfect sense.”
Jonathan confessed he didn’t think he played the fame well, while Clare Balding was approaching it “cleverly”. He added: “She – I think – had figured me out quite clearly and more so than actually appeared on the screen.
“On the Uncloaked episode where she sees it’s my name, she goes ‘oh I was going to go for him last night’ – because I’d actually said something to her the night before which I think made her think it was me.
“And that wasn’t in the show because it didn’t lead to the roundtable but I think she was fairly confident it was me.” He added on his podcast with daughter Honey: “So you can imagine how delighted I was when she put Charlotte’s name down.
“She was doing it smart, because she knew she didn’t have enough people to support my claim yet and ‘if I say him and he is a Traitor, he may well murder me, so I’ll do this and then maybe keep me closer and get rid of me the next time’.”
Despite Jonahtan’s slip up with Clare, he has remained undetected by his fellow co-stars. On spin-off, Uncloacked, Stephen Fry was convinced Cat, Joe and David were the Traitors, but he got the shock of his life when he found out the truth.
“Jonathan?! FFS!” he said. “Oh he played a blinder, we knew he was a superfan, but he convinced me he wanted to be Faithful!”
“Alan?! What will Paloma say? Wow does he want to end the relationship?! Alan Carr, I don’t believe it! Two big dogs, and one small Cat!”
One of the biggest players in television is changing teams.
“Yellowstone” creator Taylor Sheridan will leave his longtime home at Paramount and move his overall deal to rival NBCUniversal in 2029, according to a person familiar with the matter who was not authorized to comment.
Sheridan’s deal with Paramount concludes at the end of 2028. Financial terms were not disclosed.
The move is a blow to Paramount, which has focused on wooing high-profile talent to the studio since its takeover by tech scion David Ellison and his Skydance Media.
The media company — which is now angling to buy Warner Bros. Discovery — has shelled out massive sums to acquire sports media rights, keep the iconic “South Park” cartoon and lure filmmakers away from competitors, including “Stranger Things” creators Matt and Ross Duffer and “A Compete Unknown” director James Mangold.
The NBC deal, first reported by Puck, will take effect in 2029.
Sheridan’s universe of “Yellowstone” shows, in particular, has been a key franchise for Paramount. Company executives specifically mentioned the creator’s shows as a “cornerstone” of the Paramount+ streaming service during a luncheon with reporters this summer.
The western-themed show, which debuted as a cable series in 2018, became one of the hottest scripted series on TV, a remarkable turnaround from its early days when “Yellowstone” was passed on by a number of potential homes before landing at Paramount.
The popularity of “Yellowstone” was a boon to Sheridan, leading to spinoffs such as “1923” and other shows from his production company including “Tulsa King,” “Landman” and “Mayor of Kingston.”
Representatives for Paramount and Sheridan did not respond immediately to a request for comment. NBCUniversal declined to comment.
Celebrity Traitors stars Jonathan Ross and Cat Burns could be about to come to blows in the latest episode of the hit BBC show, a body language expert has predicted
Celeb Traitors stars Jonathan Ross and Cat Burns set to come to blows(Image: BBC)
The talk show legend, 64, and viral TikTok singer Cat, 25, are both taking part in the hit reality series in which a host of famous faces live in a castle and have to work out which of them is one of the titular Traitors, all guided by Strictly Come Dancing‘s Claudia Winkleman.
Both Jonathan and Cat are in fact Traitors, as is comedian Alan Carr but the other contestants are all Faithfuls, and now body language expert Judi James has explored the ‘subtle but revealing’ signs that things were not right between them during last night’s episode.
Normally, during the part in the show where the Traitors remove their hoods, there is often fits of laughter between them. But explaining what was different this time, Judi explained: “Last night’s meet-up was different though because, for Jonathan and Cat, the masks never came off. They surveyed each other without any signals of relief.”
She added: “Their body language was subtle but revealing, proving they, both now recognise they are enemies. Last night’s meet-up was different though because, for Jonathan and Cat, the masks never came off. They surveyed each other without any signals of relief.
“We saw them ignore Alan to stare at each other, and Jonathan performed a thin ‘smile’ of recognition, which was returned by Cat. There was no pretence between them, but no open declarations of war. Jonathan let Cat know he knew what she was doing and she stared him back to let him know she intends to carry on doing it.”
Jonathan adopted a dominant, alpha pose, leaning his weight onto his hands that clutched the rail in front, leaning forward in a way that could be seen as an attempt to to silently ‘threaten’ Cat. What’s more, the singer smiled when she looked at Alan but the smile quickly faded when she clapped eyes on Jonathan.
It’s also been noted that Cat moved her ‘weight from one foot to the other,’ and this can imply a ‘fight or flight’ stance when coming face-to-face with an enemy.
But the body expert also explained how Cat held her own, adding: “Cat even showed higher status to Jonathan, raising her chin and her brows when she spoke to him and looking down her nose while he bowed his head down low.”
At the end of last night’s episode, Stephen Fry was banished from the castle despite being a Faitful. Speaking to his fellow celebrities, Stephen said he had the “best fun for years” and called the group “an extraordinary and wonderful bunch of people”.
Insisting he would hold “no hard feelings” over his banishment, he said that being involved had been a “privilege and an honour” that had filled him with “deep delight”.
On spin-off, Uncloacked, Stephen said he thought Cat, Joe and David were the Traitors, but he got the shock of his life when he found out the truth…
“Jonathan?! FFS!” he said. “Oh he played a blinder, we knew he was a superfan, but he convinced me he wanted to be Faithful!”
“Alan?! What will Paloma say? Wow does he want to end the realtionship?! Alan Carr, I don’t believe it! Two big dogs, and one small Cat!”
The Celebrity Traitors continues on 29 October at 9pm on BBC One.
In the upcoming Celebrity Traitors episode, after three faithfuls, Niko Omilana, Tom Daley, and Tameka Empson were banished and murdered, tension soars as multiple celebrities face possible elimination and secret plots unfold
But it might not be long before one of them gets their comeuppance, with Alan Carr and Cat Burns seeming to form an alliance against fellow Traitor Jonathan Ross because his name is being mentioned by other players. The pair were seen by viewers plotting to “throw him under the bus” if his streak of having heat on him continues.
As he became the second player to be murdered, Olympic diver Tom Daley admitted he was “so sad” to go. Speaking afterwards, he said he would have fared better as a Traitor because when he and his family play at home he never gets detected in the baddie role, but always gets wrongly accused when he’s a Faithful.
He realised too late that he was being overly forthright with his accusations, with were largely directed at Kate Garraway. “Every time I’ve played as a Faithful, people thought I was a Traitor because I was always trying to figure out who the Traitors were,” he said. “I can perhaps be a little too vocal with my ideas in pursuit of them, which is exactly what has happened here.”
Dad of two Tom, 31, said he felt both “confused” and “disappointed” to go out so early – but questioned the Traitors’ tactics in getting rid of him when there was already heat directed his way.
“It was so sad when I saw the letter on the chair and I instantly knew I’d been murdered,” he explained. “I was very confused about what The Traitors are doing because I clearly would be someone that would get banished at the Round Table. If any of the Traitors just planted that seed, I’m sure I would be banished.
“They could have murdered someone that they know would never have gotten banished at the Round Table. Maybe they thought of me as a threat. Maybe I was getting too close to the right answers.
“I just thought, if I notice something I’m going to say it. However, I must have said a few too many things in front of the wrong people!”
YouTuber and prankster Niko Omilana looked gutted as he became the second Faithful to be selected for banishment at the Round Table, in a plot carefully constructed by the Traitors. He summed up his short time in the castle with the three words: ”Betrayal. Set-up. And loser.”
But he said one positive he was taking away was that he’d overcome his long-held fear of public speaking. “At the table, I was quite nervous when I first started talking, but then as it went on, I felt more confident,” he said. “I’m quite chuffed with that, because I really don’t like public speaking.
“It’s one of my big fears. Seeing everyone staring at me, having to defend myself and really making sure I didn’t go down without a fight. I think I did that. That was something I learned about myself, which I’m happy about.”
And at the end of the show, EastEnders star Tameka Empson suffered the same fate, much to the agony of the remaining Faithfuls in the room. The actress, 48, admitted to finding it all quite tough after the accusations against her were led by actor Mark Bonnar. “I was very emotional,” she confessed once she had left the castle.
“In my mind, I thought, ‘I’m not going out’. I was sad to leave the game, because in this industry you get to know people to a certain point but in this environment, it was really lovely to spend this length of time and really get to know everyone.”
And despite him being a Traitor, she laughed: “Jonathan is a big teddy bear.”
Eddie Howe was just a couple of days into an end-of-season break when the Newcastle head coach’s phone “exploded” last summer.
Sporting director Paul Mitchell had just announced that he was departing.
While there were initial tensions between the pair, Howe was the first to recognise that such a figure “protects the manager from a lot of things”.
That is why the arrival of Ross Wilson is so significant for Newcastle.
Rather than rushing into the appointment – despite the need for a sporting director during a draining transfer window – Newcastle have been keen to recruit the right person.
In Ross Wilson, who already has a good relationship with Howe, they feel they have that man.
It will fall to Wilson to help plot the medium to long-term strategy of the club.
And, after a period of boardroom upheaval, Newcastle will hope the Scot will stick around long enough to see that vision through.
Thirty paintings by the late artist — and PBS staple — Bob Ross are heading for auction beginning Nov. 11. American Public Television, which syndicates programming to public stations across the country, is staging the auction in Los Angeles through Bonhams. APT has pledged to donate 100% of the profits to beleaguered public television stations nationwide.
“Bonhams holds the world record for Bob Ross, and with his market continuing to climb, proceeds benefiting American Public Television, and many of the paintings created live on air — a major draw for collectors — we expect spirited bidding and results that could surpass previous records,” said Robin Starr, general manager, Bonhams Skinner, in a statement.
The auction house established its record in August when it sold two of Ross’ mountain-and-lake scenes from the early 1990s for $114,800 and $95,750, respectively. Bonhams said it could not yet provide an estimate on the worth of the 30 works coming up for auction.
The first three paintings will go on the block at Bonhams in Los Angeles as part of its California & Western Art auction. The remaining 27 will be sold throughout 2026 at Bonhams salesrooms in New York, Boston and L.A.
The news comes as public broadcasting faces unprecedented challenges to its survival. In July, Congress voted to cut $1.1 billion in federal funding for the Corp. for Public Broadcasting, which was founded in 1968 and helps fund PBS, NPR, as well as 1,500 local radio and television stations. The cuts were encouraged by President Trump, who derided the organization for spreading “woke” propaganda.
The private, nonprofit corporation soon after announced that it would close. The majority of its staff was dismissed at the end of last month, and a bare-bones transition team remains through January to wrap up unfinished work.
Without CPB, educational programming like “The Joy of Painting” with Bob Ross will have an uphill battle finding the support it needs.
Known for his cloudlike halo of curly brown hair, soothing voice and infectious love of the art form as shown on his signature show, the artist became a mainstay in American households across 400-plus episodes and more than a decade on the air.
With its wholesome content and relaxed pace, his was the kind of show that defined PBS. Hopefully, his work can help keep the lights on at the stations that helped gain him a cultlike following.
I’m arts and culture writer Jessica Gelt, and I’m the proud owner of a Bob Ross Chia Pet head. Here’s your arts and culture news for the week.
On our radar
Kai A. Ealy stars in “Joe Turner’s Come and Gone” at A Noise Within
(Daniel Reichert)
Joe Turner’s Come And Gone Gregg T. Daniel continues his reinvestigation of August Wilson’s American Century Cycle with a production of what is arguably the finest work in the playwright’s 10-play series. Set in a Pittsburgh boardinghouse in 1911 during the Great Migration, “Joe Turner’s Come and Gone” focuses on the spiritual crossroads of Black Americans who are being reminded at every turn that their freedom comes with a prohibitive cost. The sixth Wilson production at A Noise Within in this seasons-long retrospective should be a standout: It’s one of the great American plays of the 20th century. — Charles McNulty Previews, 2 p.m. Sunday; 7:30 p.m. Wednesday-Oct. 17; opening night, 7:30 p.m. Oct. 18; through Nov. 9. A Noise Within, 3352 E. Foothill Blvd., Pasadena. anoisewithin.org
Tavares Strachan, “Six Thousand Years,” and “The Encyclopedia of Invisibility,” 2018, mixed media
Tavares Strachan: The Day Tomorrow Began Bahamian-born New York artist, whose immersive solo exhibition “Magnificent Darkness” filled the Hollywood branch of Marian Goodman Gallery last year, makes multidisciplinary art that seeks to amplify notable events and people — especially related to exploration, from deep-sea diving to outer space — that are often sidelined in standard cultural histories. Strachan, a 2022 MacArthur Foundation fellow, once shipped a 4.5-ton block of ice from the Arctic to the Bahamas via FedEx. We’ll see what might arrive at Wilshire Boulevard. — Christopher Knight 11 a.m.-6 p.m. Monday, Tuesday and Thursday; 11 a.m.-8 p.m. Friday; 10 a.m.-7 p.m. Saturday; closed Wednesday; through March 29, 2026. Los Angeles County Museum of Art, BCAM Level 2, 5905 Wilshire Blvd. lacma.org
Alexander Shelley conducts the Pacific Symphony Friday-Sunday in Costa Mesa.
(Curtis Perry)
Alexander Shelley conducts the Pacific Symphony At 45, the British conductor has a seemingly full and far-fledged plate: music director of the National Arts Center Orchestra in Ottawa; principal associate conductor of the Royal Philharmonic Orchestra in London; and artistic and music director of Artis-Naples and the Naples Philharmonic in Florida. Next year, the plate becomes fuller and further-fledged when he becomes music director of the Pacific Symphony. This fall, however, Shelley makes his debut as music director designate by showcasing works bursting with color — Mongomery’s “Starburst”; Arturo Márquez’s “Concert for Guitar Mystical and Profane” with Pablo Sáinz-Villegas as soloist; and Rimsky Korsakov’s “Scheherazade.” Shelley returns in November with Ravel’s glorious ballet score “Daphnis and Chloe,” the perfect enchanting complement to San Diego Symphony’s “L’Enfant,” for wrapping up the Ravel year, the 150th anniversary of the French composer’s birth having been in March. — Mark Swed 8 p.m. Thursday-Oct. 18. Renée and Henry Segerstrom Concert Hall, 600 Town Center Drive, Costa Mesa. pacificsymphony.org
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The week ahead: A curated calendar
FRIDAY
The American Contemporary Ballet dances to Shubert’s score for “Death & the Maiden.”
(Victor Demarchelier)
Death and the Maiden American Contemporary Ballet, under the direction of Lincoln Jones, dances to a live performance of Schubert’s score, complete with opera singers; plus “Burlesque: Variation IX.” 8 p.m. Friday and Saturday; Thursday performances Oct. 23 and 30; through Nov. 1. ACB, Bank of America Plaza, 330 S. Hope St. #150, downtown L.A. acbdances.com
Nightsong Times video intern Quincy Bowie Jr. recently visited artist Derek Fordjour’s sensorial experience at Mid-City’s David Kordansky Gallery. “In a time where many feel silenced, and afraid to speak up, Fordjour creates a space of darkness where truth can be revealed, heard and felt,” wrote Bowie. “‘Nightsong’ creates a unique space where the Black voice and its many songs are centered.” The free exhibit closes tonight. 6-10 p.m. David Kordansky Gallery, 5130 W. Edgewood Place. davidkordanskygallery.com
Mexican singer Lucía performs Friday at the Nimoy.
(Shervin Lainez)
Lucía The enchanting Mexican singer mixes traditional American jazz and Latin folk in her eponymous debut album, released earlier this year. 8 p.m. UCLA Nimoy Theater, 1262 Westwood Blvd. cap.ucla.edu
Mascogos Jose Luis Valenzuela directs the world premiere of playwright Miranda González’s drama revealing the untold stories of Mexico’s Underground Railroad. Final preview, 8 p.m. Friday; opening night, 8 p.m. Saturday; 8 p.m. Thursday-Saturday; 4 p.m. Sunday, through Nov. 9. Los Angeles Theatre Center, 514 S. Spring St., downtown L.A. latinotheaterco.org
People in the Dark: An Immersive Ghost Story A Lost Legends Ghost Tour goes frighteningly awry, placing the audience face-to-face with Hollywood’s haunted past in this enveloping theatrical experience from Drowned Out Productions. 7-11:40 p.m., with start times every 20 mins. Friday; 6-10:40 p.m., with start times every 20 mins. Saturday and Sunday (also Thursday, Oct. 16), through Oct. 31. 1035 S. Olive St., downtown L.A. tickettailor.com
Grand Kyiv Ballet performs “Swan Lake” Friday at the Ebell Wilshire.
Grand Kyiv Ballet This touring company of Ukrainian dancers is temporarily based out of the International Ballet Academy in Bellevue, Wash., while Russia continues its war with Ukraine. The troupe brings Tchaikovsky’s timeless ballet “Swan Lake” to Mid-City in a graceful performance sure to soothe even the most restless soul. (Jessica Gelt) 7 p.m. Wilshire Ebell Theatre, 4401 W 8th St, Los Angeles. ebellofla.org
SATURDAY Corey Helford Gallery A trio of strikingly distinct shows with a global sweep opens Friday. In the main gallery, “The Weight of Us,” a duo exhibition featuring solo works from Nigerian artists Arinze Stanley and Oscar Ukonu explores interconnectedness, and the complex interplay of individual and collective narratives. “Where Petals Dance,” features the work of Japanese artist aica in Gallery 2. The major exhibition featuring Latvian-born contemporary surrealist painter Jana Brike, “When I Was a River,” debuts in Gallery 3. Noon-6 p.m. Tuesday-Saturday, through Nov. 15. Corey Helford Gallery, 571 S. Anderson St. #1, Los Angeles. https://coreyhelfordgallery.com/
Vicky Chow CAP UCLA and Piano Spheres present new music pianist Vicky Chow performing the West Coast premiere of Tristan Perich’s “Surface Image.” 8 p.m. UCLA Nimoy Theater, 1262 Westwood Blvd. cap.ucla.edu
Gracias Gustavo Community Block Party Hosted by Aundrae Russell of KJLH, this outdoor celebration features performances by DJ Aye Jaye, live art by Hannah Edmonds and Israel “Seaweed” Batiz, Mariachi Tierra Mia, poet Aletha Metcalf-Evans, Versa-Style Street Dance Company, YOLA at Inglewood Jazz Ensemble, Sherie, muralist ShowzArt — “The Art Jedi,” D Smoke and the Inglewood High School Marching Band, plus activities, food trucks and more. 10 a.m.-4 p.m. Judith and Thomas L. Beckmen YOLA Center, 101 S. La Brea Ave., Inglewood. laphil.com
Institute of Contemporary Art, Los Angeles An open house kicks off four new exhibitions: Sandra Vásquez de la Horra, “The Awake Volcanoes”; Samar Al Summary, “Excavating the Sky”; Liz Hernández, “Donde piso, crecen cosas (Where I step, things grow)”; and AoA x IAO, “I Smell LA.”
4-8 p.m. Friday. Noon-6 p.m. Wednesday; Noon-7 p.m. Thursday; Noon-6 p.m. Friday; 11 a.m.-6 p.m. Saturday-Sunday; closed Mondays, Tuesdays and public holidays. Institute of Contemporary Art, Los Angeles, 1717 E. 7th St., Arts District, downtown L.A. theicala.org
Sleep Token performs at the Reading Music Festival, England, in 2023.
(Scott Garfitt / Invision / Associated Press)
Sleep Token Sleep Token is by some measures the biggest heavy-rock band in the world right now. Its 2025 LP, “Even in Arcadia,” demolished streaming records for a metal act, reaching well beyond the genre’s cantankerous core fan base, which has mixed feelings about Sleep Token’s pop chart success, to say the least. (No one is more skeptical about the band’s new fame than its cryptically anonymous front person Vessel: “Right foot in the roses, left foot on a landmine,” he sings in “Caramel,” “They can sing the words while I cry into the bass line.”) The band’s high-drama live shows are where Sleep Token really shines, though, as in this return to L.A. for a set that finally provides the scale its runic masks, robes and necrotic body paint have always called for. (August Brown) 8 p.m. Crypto.com Arena, 1111 S. Figueroa St., downtown L.A. cryptoarena.com
SUNDAY Paul Jacobs The Grammy-winning organist performs Bach’s “The Art of Fugue.” 7:30 p.m. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com
Julie Andrews, Christopher Plummer and the Von Trapp family in a scene from the 1965 film “The Sound of Music.”
(20th Century Fox)
The Sound of Music A 70mm screening of the 1965 Robert Wise-directed movie musical starring Julie Andrews and Christopher Plummer that won five Oscars, including best picture. 3 p.m. Sunday. Academy Museum, David Geffen Theater, 6067 Wilshire Blvd., Los Angeles. academymuseum.org
TUESDAY L.A. Phil Gala: Gustavo’s Fiesta Gustavo Dudamel conducts the orchestra in a few of his favorite things: De Falla’s “Three-Cornered Hat,” selections from Dvořák’s “New World” Symphony (featuring musicians from YOLA, Youth Orchestra Los Angeles), Beethoven’s Seventh, “Fairy Garden” from Ravel’s Mother Goose Suite and Revueltas’ “Night of Enchantment.” 7 p.m. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com
THURSDAY Draw Them In, Paint Them Out Trenton Doyle Hancock confronts the work of painter Philip Guston in this dual exhibition that examines the role the artist plays in the pursuit of social justice. Noon-5 p.m. Tuesday–Friday; 10 a.m.-5 p.m. Saturday–Sunday. Skirball Cultural Center, 2701 N. Sepulveda Blvd., Los Angeles. skirball.org
Yunchan Lim For his Disney Hall debut, the youngest-ever winner of the Van Cliburn International Piano Competition performs Bach’s “Goldberg Variations,” alongside “…Round and velvety-smooth blend…,” a new piece, written especially for the pianist, by Korean composer Hanurij Lee. 8 p.m. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com
San Cha, photographed in 2020, performs Thursday-Saturday at REDCAT.
(Mel Melcon / Los Angeles Times)
San Cha The L.A.-based composer, musician and performance artist presents “Inebria Me,” a new experimental opera that reimagines the melodrama of telenovelas through a queer, genre-bending lens as adapted from her 2019 album, “La Luz de la Esperanza.” In Spanish with English supertitles. Postshow Q&A with San Cha on Oct 17. 8 p.m. Thursday, Oct.18. REDCAT, 631 W. 2nd St., downtown L.A. redcat.org
Culture news and the SoCal scene
Bisserat Tseggai, Claudia Logan, Victoire Charles and Jordan Rice, clockwise from top left, of “Jaja’s African Hair Braiding.”
(Christina House / Los Angeles Times)
Jaja’s African Hair Braiding Currently staging its L.A. premiere at Center Theatre Group’s Mark Taper Forum, “Jaja’s” is an uproarious workplace comedy that packs a serious political punch. I had the pleasure of interviewing four of the lead actors during a roundtable at a downtown rehearsal room a few days before the run started. The women talked about their love of the show and of the playwright, Jocelyn Bioh. They also discussed the country’s fraught political climate and how it’s laying waste to the idea of the American Dream — the one that has attracted immigrants seeking a better life for their families for hundreds of years. Their thoughts have a direct throughline to the show, which takes place on a single hot day at a West African salon in Harlem.
Times theater critic Charles McNulty caught the opening Sunday night and wrote a glowing review of the touring production, which he noted was “bursting with gossip, petty fights, audacious fashion, dazzling hair styles, full-body dancing and uncensored truth about the vulnerable lives of immigrant workers.”
Hammer biennial Made in L.A. 2025 has officially opened at UCLA’s Hammer Museum and I recently toured the highly anticipated seventh edition of the biennial exhibition in the company of curators Essence Harden and Paulina Pobocha. The pair told me interesting backstories about the 28 participating artists, including that the four large sculptures of doors made by Amanda Ross-Ho represent a door at the nursing home where her father lived.
Artist Alake Shilling stands in front of a 25-foot inflatable psychedelic bear driving a convertible titled “Buggy Bear Crashes Made in L.A,” at the Hammer Museum in Westwood.
(Genaro Molina / Los Angeles Times)
I also ate lunch with the charming and kind artist Alake Shilling, whose adorable sculptures of cuddly animals featuring melancholy faces are part of the show. I trailed Shilling as she watched a test inflation of a 25-foot sculpture titled “Buggy Bear Crashes Made in L.A.,” which will be on display on an outdoor pedestal on Wilshire Boulevard through March. I made this fun video with the help of video editor Mark Potts.
LACMA Gifts Big news keeps coming out of the Los Angeles County Museum of Art, which announced Wednesday that it had been gifted more than 100 works of Austrian Expressionism worth “well over” $60 million by the family of Otto Kallir, a renowned art dealer who immigrated to America in 1938 after the German Reich annexed Austria. The art will be transferred to the museum over the next several years and includes the museum’s first paintings by Gustav Klimt, Egon Schiele and Richard Gerstl. The exciting news comes two months after LACMA was gifted its first paintings by Vincent van Gogh and Édouard Manet by the Pearlman Foundation.
Best Friends Forever Finally, I got an update from the “satirical activist” artists with the Secret Handshake. They told me they had once again received a permit to reinstall their controversial Trump-Epstein statue (dubbed “Best Friends Forever”) on the National Mall. “Just like a toppled Confederate general forced back onto a public square, the Donald Trump Jeffrey Epstein statue has risen from the rubble to stand gloriously on the National Mall once again,” a rep for the Secret Handshake wrote in an email.
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“Arabesque over the Right Leg,Left Arm in Front,” by Edgar Degas
(Norton Simon Museum)
Norton Simon acquires sculpture The Pasadena museum announced the acquisition of a bronze sculpture by Edgar Degas titled “Arabesque over the Right Leg, Left Arm in Front.” The museum already holds more than 100 pieces by Degas in its collection, which is known as one of the largest public collection’s of the artist’s work in the world. “This significant acquisition, long sought after, completes a critical gap in the Museum’s renowned Degas collection,” a rep for the museum wrote in an email. The sculpture went on view in the museum’s 19th century wing late last week.
Mushroom Boat Ever heard of a boat made out of mushrooms? Neither had I until someone told me about an exhibition at Fulcrum Arts in Pasadena called, “Sam Shoemaker: Mushroom Boat.” As the title implies, the artist built a kayak out of mushroom mycelium. He then proceeded to use the unusual vessel to cross the Catalina Channel — a total of 26 nautical miles. He chronicled his journey the whole way, and the results of that work are on display alongside the boat. It includes large-scale projections, time-lapse videos, and soundscapes from his sometimes wild and turbulent journey.
Los Angeles Ballet dancers in pointe shoes stretch before beginning rehearsals in 2015.
(Los Angeles Times)
An anniversary for Los Angeles Ballet Los Angeles Ballet announced its 2025-26 season, which also happens to mark the company’s 20th anniversary, and its Music Center debut — “Giselle” at the Ahmanson Theatre in the spring. The season launches in December with LAB’s acclaimed annual presentation of “The Nutcracker” at Royce Hall and the Dolby Theatre. This season the company continues its residency at the Wallis Annenberg Center for the Performing Arts, and is set to stage a triple-bill anniversary production, “20 Years of Los Angeles Ballet,” featuring George Balanchine’s “Rubies,” Hans van Manen’s “Frank Bridge Variations,” and a third new work by Artistic Director Melissa Barak, who assumed her position in 2022.
K.A.M.P. fundraiser The Hammer Museum is back this Sunday with its annual fundraiser — Kids Art Museum Project, better known as K.A.M.P. Tickets support the Hammer’s free year-round family programming. Each year, the museum shuts down on a Sunday and presents an art-filled wonderland for children and families, with interactive art stations created and helmed by participating L.A. artists, as well as a special reading room featuring well-known actors. This year’s readers will be actor Justine Lupe and baseball star Chris Taylor. Artists include Daniel Gibson, Sharon Johnston & Mark Lee, Annie Lapin, Ryan Preciado, Rob Reynolds, Jennifer Rochlin, Mindy Shapero, Brooklin A. Soumahoro and Christopher Suarez.
— Jessica Gelt
And last but not least
Everybody, it seems, loves Cyndi Lauper. Readers have been going absolutely bananas for Times pop music critic Mikael Wood’s engaging profile on the iconic, red-haired pop star in advance of her induction in the Rock & Roll Hall of Fame.
Released by Arsenal as a youth player, Burgess went to university before he was offered a trial at Championship side Middlesbrough during his second year of study.
He earned a two-year professional contract, but was encouraged by then-manager Tony Mowbray to continue his education.
“It was something you couldn’t turn down,” he said of his first professional deal. “So I took it and finished my degree at Teesside University. They allowed me to transfer my first two years.
“Mowbray told me to make sure I finished it because the contract was a foot in the door, not a guaranteed career. I listened to his words and thankfully, I’ve been able to carve a career out with the game as well.”
Burgess enjoyed spells in League One with Peterborough and Portsmouth, before taking the plunge with a move to Belgium in 2020.
And, remarkably, he is not the only English centre-back who has swapped life in the third tier for a crack at the Belgian top flight.
Defensive partner Ross Sykes was picked up from Accrington Stanley in 2022 after Union “took a chance” on him.
The pair went on to help Union win their first league title in 90 years last season after Sykes, like Burgess, overcame adversity in his formative years.
Sykes may be 6ft 5in now, but he was previously released by Burnley because he was deemed to “too small” as a kid.
It ended up proving a turning point in his career.
“I didn’t want to keep going with academy football,” he said after he was let go at the age of 11. “But my mum and dad persuaded me to go on trial at Accrington Stanley one or two weeks later. I didn’t look back after that.”
Sykes and Burgess have gone on to make 318 appearances between them for Union on a journey that has taken the Belgian league leaders to Europe’s top table for the first time.
And Union’s 3-1 win against PSV in their first Champions League fixture did not come as a surprise to Sykes last month because his side are “not afraid to come up against anyone”.
Burgess certainly looked at home at Europe’s top table. The Union captain was rated 9.39 out of 10 by BBC Sport readers, finishing the match as the top-ranking player.
An Englishman who has only played one league game in the top two tiers of English football might not seem the most obvious to lead a European campaign – but Union have always taken the road less travelled.
“It’s a club built on the profile of bringing youngsters through from unknown leagues,” Burgess explains. “We have players from the Estonian, Latvian, Croatian, Austrian leagues and Union will give them a chance to shine if they see potential.
“My role is to help them and keep demanding high standards and usher them through, and then they get big moves all over Europe, which is a pleasure to see.”
What a piquant moment for Nine Inch Nails to be back on the road playing their version of David Bowie’s “I’m Afraid of Americans.”
At the Forum on Thursday, for the first show of a final two-night stand of the electronic-rock band’s Peel It Back arena tour, singer Trent Reznor didn’t elaborate on the freshly resonant subtext in Bowie’s song (one that Reznor remixed for the late Brit and, in its music video, played a Travis Bickle-esque creep).
But you could feel the sold-out Forum roil with new unease at that squelching industrial song, as Reznor muttered Bowie’s scabrous lyrics about “No one needs anyone … Johnny wants p— and cars … God is an American.”
At this point, who isn’t a little afraid of Americans? Nine Inch Nails thrive in the murk of base human instinct and tech-driven dread. Who better to help us limn out these feelings of disgust, rage and desolation right now?
Now in their fourth decade as a group, Nine Inch Nails — the duo of Reznor and producer/keyboardist Atticus Ross along with a closely held touring band — does two difficult things extraordinarily well.
For 15 years, Reznor and Ross have served as Hollywood’s eminent techno-intellectuals, with a pair of Oscar wins for their film scores including the brooding lashes of David Fincher’s “The Social Network” and the yearning ambiance of Pixar’s “Soul.” They have an upcoming film-music festival, Future Ruins, that will be the first of its kind and caliber in Los Angeles.
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1.Robin Finck of Nine Inch Nails.2.Trent Reznor.3.Fans react as Nine Inch Nails perform at Kia Forum.(Hon Wing Chiu / For The Times)
But Thursday’s Forum show was a decadent reminder of just how nasty and violent this band can be as well.
Opening on the smaller, in-the-round B-stage, Reznor took a solo-piano run through “Right Where It Belongs,” gradually adding Ross, bassist-keyboardist Alessandro Cortini and guitarist Robin Finck into a squalling “Piggy (Nothing Can Stop Me Now),” before finally introducing drummer Josh Freese on the calisthenic drum workout of “Wish.”
Freese was a last-minute addition to the touring band, after the group unexpectedly swapped percussionists with Foo Fighters days before Peel It Back kicked off. But Freese — an NIN veteran of the mid-2000s — has become a fan-favorite returning hero, bolstering this lineup with pure rocker muscle.
Back on the main stage, they redlined through “March of the Pigs” and seethed with fuzzbox rot on “Reptile.” They veiled the stage in gauze on “Copy of A,” casting dozens of Reznor shadows while he strutted and howled about a despondent, depersonalized modernity.
A second pass through the rave-ready B-stage gave a hint at what the band’s cryptically billed upcoming Coachella set might look like. “Nine Inch Noize” — implying an ongoing collaboration with their opener and collaborator, the German club music producer Boys Noize — took form here under a monolithic, blood-colored lightbox. Reznor, Ross and Boys Noize revved up a new single, “As Alive As You Need Me To Be” from the film “Tron: Ares,” but also revamped the eternal hit “Closer” and “Came Back Haunted” with an after-hours sizzle.
It’s impossible to imagine a single as desperately sexual, as sacrilegiously sacred as “Closer” ever making it to the Hot 100 today. For the Gen Z fans fascinated by Nails’ gothic-erotic aesthetic, it felt more transgressive than ever.
After slashed-up takes on “The Perfect Drug” and “The Hand That Feeds,” the band closed out the set with an opposing pair of songs that covered the full range of what its audience is likely going through today. How viscerally satisfying to scream “Head like a hole, black as your soul / I’d rather die than give you control” as American life seems to unravel with each passing hour.
But of course, the band closed on “Hurt.” Johnny Cash recorded his canonical version at 70, a cover now synonymous with a lion in winter starting down the grave. Just 10 years younger at 60, Reznor performed it Thursday with all the tightly coiled emotion and intimate grandeur of the kid who wrote it. American life is pain; Nine Inch Nails endures.
Strictly Come Dancing is due to come back to our screens next weekend as a host of all-new contestants get ready to take to the dance floor
Ross will be on the next series of Strictly(Image: PA)
Strictly Come Dancing’sRoss King has been dealt a huge blow just days before the latest series’ launch show. The showbiz expert is just one of a collection of celebs that are set to put on their dancing shoes next week.
However, it isn’t looking good for the ITV correspondent as he hasn’t been dealt great odds for success. Ross is one of this year’s contestants among the likes of Dani Dyer, Vicky Pattison and Lewis Cope.
He is due to take to the dance floor next Saturday as the latest series begins on September 20. It’s not yet known who he has been partnered up with out of the professional dancers.
Betway have released their odds and it’s not looking too good for Ross. Ross has been placed at the bottom of the pile with odds of 66/1 of lifting the glitterball trophy.
Leading the way is Emmerdale star Lewis Cope with 11/4 odds of winning, while Ellie Goldstein is a close second contender of lifting the trophy with odds of 3/1 and Love Island winner Dani Dyer remains at 4/1.
It was revealed back in August that Ross would be one of this year’s contestants. He has since opened up about what training for the show has looked like for him.
Appearing on ITV’s Lorraine, he said: “It has been absolutely amazing. The sun is shining and Glasgow has never looked better. I’ve seen so much of it because I’ve not been particularly training, but I have been walking a lot.
“I’ve been trying to keep up the training. Yesterday, my niece and nephew made me the biggest Sunday roast I have had in years. I’ve also been partaking in a delicacy here, which is rolling slices, and the people have been lovely.”
The star then went on to talk about how he feels about being at the bottom of another bookies’ odds. Ross explained: “”I felt a bit of pressure, of course, because I’m representing Lorraine, and I saw Alice Beer, who said I’m representing daytime.
“And then of course here they are saying I’m representing Scotland, but the great thing is I discovered today with the Bookies that I’m last at 50/1 to win, so the pressure is completely off me now.”
Ross said it is a “dream come true” to be competing on Strictly Come Dancing this year. He will be dancing beside celebs such as Harry Aikines-Aryeetey, Alex Kingston, Jimmy Floyd Hasselbaink, George Clarke and La Voix.
This year’s line-up also features EastEnders star Balvinder Sopal, Chris Robshaw, Ellie Goldstein, Thomas Skinner and Stefan Dennis. The contestants will be trying to win the praise of the iconic judging panel.
Returning to their annual judging duties will be Shirley Ballas, Motsi Mabuse, Craig Revel Horwood and previous professional dancer Anton Du Beke.
Strictly Come Dancing is set to return to screens September 20 on BBC One.
The Bake Off contestant has over 400k followers on TikTok thanks to this unusual hobby, which may soon feature in the hit show
The Great British Bake Off returns to screens tonight, with a new batch of 12 contestants all ready to be introduced in the first episode. While this will be the first step into the spotlight for most of the bakers, one is already famous thanks to his peculiar hobby.
Iain Ross, 29, is a baker from Belfast who only started baking in his early 20s but has already amassed over 400k followers on TikTok. In his videos, which have attracted millions of likes, Iain paints musicians’ faces and album covers onto his bakes using edible foot colouring.
Taylor Swift, Queen, Oasis and more have all been painted on to a variety of baked goods, but most commonly bread. “It’s a really fun hobby to have a clash of worlds,” Iain told BBC Radio Ulster. “I have my baking and my love of music so I try to marry the two together the best I can.”
Bake Off contestant Iain Ross paints musicians onto his bakes(Image: Instagram)
After he posted the news that he was joining the next series of Bake Off to his Instagram and TikTok, Iain’s fans flocked to the comments to share their excitement. One wrote: “This is so epic, I’ve been following you for so long, congrats!”
Another commented: “Best music taste to ever touch Bake Off and you’re amazing at baking.” Many also asked Iain to bring his signature artistic decoration to the show.
However, it’s not certain Iain will make it to Bread Week, as the teaser for the first episode shows a struggle for the Irish baker. In the ‘first look’, Iain is trying to mend his cake, which has fallen apart in the tent.
Reacting to his chocolate cake, he’s heard saying: “Oh God! Urgh! It’s just fallen apart.” He is then shown to scrape bits from the tray in an effort to put the cake back together.
Cake Week on Bake Off is a rough start for some(Image: ITV)
When the footage was shown on Lorraine Kelly’s talk show, the presenter teased that it looked like something she would bake and that it hasn’t started well for the baker.
Iain himself has described his time on the show as “chaotic”, telling the BBC that he thinks it will make good TV.
“The main word from my experience is chaotic,” he said. “I have a lot of plates spinning at a lot of times and if there’s one thing about me it’s that I’m not very good with multiple plates spinning, but I think it’ll make for good viewing.”
Luckily for Iain and his fans, it seems many of the contestants may have struggled in tonight’s episode. The teaser for Cake Week promised wonky cakes, over-baking and cake that Paul Hollywood says “looks like it fell out of a tree”.
Alison Hammond encourages viewers to be supportive of Bake Off contestants(Image: Channel 4 / Love Productions)
Before the show began, Bake Off host Alison Hammond asked viewers to be supportive of the bakers, as it can be difficult when bakes go wrong. In a video message, she told fans: “It’s a magical experience they’ll never forget. What you don’t see at home are all the hours of hard work they put in behind-the-scenes.”
“So when something goes wrong in the tent, it can really hit hard. They’re all real people with real feelings who love baking and they’re just trying their best. So please, remember – it might look easy from the sofa at home but in the tent, it’s a whole other story.”
The Great British Bake Off returns tonight on Channel 4 at 8pm.
Diana Ross returned to the Hollywood Bowl on Friday night for the first of two weekend concerts — her fifth engagement at the hillside amphitheater since 2013 and her second gig in her adopted hometown of Los Angeles in less than a year (following her performance at last August’s old-school Fool in Love festival). In other words, it’s not exactly hard to catch the 81-year-old pop legend onstage these days — which isn’t to say that it’s not worth doing. Here are nine moments that made me glad I showed up Friday:
1. After coming out to — what else? — “I’m Coming Out,” Ross zipped through a frisky Motown medley linking some of the 12 No. 1 hits she and the Supremes scored in the 1960s. Would I have liked to have heard full versions of “You Can’t Hurry Love,” “Baby Love” and “Stop! In the Name of Love”? Sure. But hearing these all-timers stacked up in rapid succession was a thrill of its own — a reminder of the blend of efficiency and ingenuity attained on a daily basis at Hitsville, U.S.A.
2. Ross was backed by more than a dozen musicians at the Bowl, including four horn players and four backing vocalists, and they were cooking from the get-go: crisply propulsive in the Motown stuff; tight and gliding in “Upside Down”; lush yet down-home in Ross’ take on Billie Holiday’s “Don’t Explain,” from her 1972 Holiday biopic “Lady Sings the Blues.”
3. Two wardrobe changes meant that we beheld three glittering gowns in all, beginning with the fluffy canary-yellow number she emerged in. About halfway through the show, Ross slipped into a pipe-and-drape dressing room at the rear of the stage then slipped back out wearing bedazzled ruby red; later, she changed into a shimmering gold look. Each dress came accompanied by a matching shawl that Ross would eventually toss to the stage to be retrieved by a waiting assistant who seemed to know precisely when it would happen.
4. Each dress also came with a bulky mic pack that — in an endearingly peculiar costuming choice — Ross opted to wear on her waist instead of hiding it around back.
5. “I have an album out, a current album — the title of the album is called ‘Thank You,’” Ross told the crowd as she began to introduce a tune from her not-bad 2021 LP. Then she turned her head stage-left toward a sound engineer in the wings: “Who’s talking in the mic? I can hear a mic.” She returned to the audience. “Anyway, the title of the album is called ‘Thank You.’ Each song was specially written so that I could say ‘thank you’ to you for all the wonderful years, all the…” Another glance left. “Somebody’s talking in the microphone.” Another turn back. “We’re gonna start with this one — ‘Tomorrow,’ OK? We’ll start that if I can out-talk whoever’s talking over here.”
6. Ross’ daughter Rhonda joined her mom to sing another new-ish tune, “Count on Me” — “She’s been practicing,” Diana said proudly (if somewhat shadily) — then stuck around to do a mini-set of her own self-help-ish soul-folk songs, one of which beseeched us all to “stop gaslighting ourselves.”
7. Half a century after “The Wiz” debuted on Broadway in 1975, Ross sang her two big numbers from the Black retelling of the “The Wizard of Oz,” which she helped cement as a cultural landmark with her role as Dorothy in a fondly remembered movie adaptation. Here, “Home” was wistful yet determined, while “Ease on Down the Road” got even the high-rollers in the Bowl’s box seats moving.
8. During “Reach Out and Touch (Somebody’s Hand),” Ross led the crowd in a call-and-response recitation of what she called “my mantra”: ”I’m so grateful / For all the blessings in my life / For there are many / All is well / I’m resilient / Thank you, thank you, thank you.”
9. More of Ross’ children appeared onstage at the end of the show to join her for a rowdy “I Will Survive” — and to plug their latest commercial endeavors. “Can I say one thing?” Tracee Ellis Ross asked. “‘Solo Traveling with Tracee Ellis Ross’ on Roku streams today, so check out the show.” Diana Ross reclaimed the microphone and gestured toward her son Ross Naess. “This is my son — he’s doing a line of caviar called Arne Reserve.” She looked around. “Chudney, what’s happening with you?”
Emmerdale has released a spoiler clip for next week that reveals John Sugden targets his brother Robert Sugden, getting Robert’s former enemy Ross Barton involved
Amid his plan to destroy his brother who is onto his dark crimes, he places a listening device inside his home and soon enough has some dirt on him. It’s not revealed what he finds out, but it seems a new preview has teased what it could be linked to.
John sets up some drama with Robert’s former enemy of sorts Ross Barton. In the clip for next week, airing towards the end of the week and after John’s discovery, Ross is let in on something Robert is hiding.
In the clip John watches Ross as he walks through the village, and then pretends that he’s rushed over to him – while he’s clearly been biding his time. John then fakes “bottling it” as Ross questions what he wants.
Ross looks confused as John suddenly goes to leave, just after stopping him in the village. Ross tells him to spit it out, telling him he can’t rush off after all that and that he clearly has something to tell him.
Emmerdale has released a spoiler clip for next week that reveals John Sugden targets his brother Robert Sugden(Image: ITV)
It’s then that John feigns worry about letting slip what he knows, before telling Ross “he has a right to know” It’s then that he reveals it’s “about his brother” clearly meaning Robert. Ross’ face darkens and he demands answers, asking John: “What’s he done now?”. Robert is often up to no good and causing drama, so of course Ross would expect he’s done something bad, and he wouldn’t be surprised by this either.
John has deliberately targeted Ross as the person to tell whatever it is he knows, knowing how Ross will react towards Robert. But what is it about?
It has to be linked to Ross, otherwise why would John get him involved? Could it be linked to Seb, Robert’s son and Ross’ stepson? Or is it more than likely linked to what happened with new villain Ray just weeks ago?
Ross and his brother Lewis Barton were horrified to find Lewis’ cannabis plants, being harvested at the farm, were stolen. Few people knew about them, with Lewis having specific purposes for the plants.
John sets up some drama with Robert’s former enemy of sorts Ross Barton(Image: ITV)
Mackenzie Boy was initially blamed for the theft, after he told villain Ray about the weed. Mack protested his innocence though, and both Lewis and Ross realised he wasn’t behind it.
Viewers were let in on the twist though, and we saw Robert selling the drugs to Ray having stolen them from Lewis. So is this what John has found out, and is this what he tells Ross?
Spoilers had recently teased Ross was onto Robert and would confront him about it all. Maybe John, and Ross, now have evidence that Robert was to blame. Spoilers for next week revealed Ross would find out John had information about Robert.
There’s also Robert’s lies to Ross’ aunt Moira Dingle about his reasons for buying the land from her. So cold this be what John has uncovered and passed onto Ross, and will Moira learn the truth?
The twins who played Ross and Rachel’s baby on Friends have shared where they are now 22 years after the iconic show ended – and they’ve gone down very different career paths
Twins who played Rachel and Ross’ baby in Friends share surprising career change(Image: Warner Bros. Studios)
The unforgettable episodes of Friends that took us on an emotional journey with Ross and Rachel, played by David Schwimmer and Jennifer Aniston. The couple who were famously ‘on a break’ and each other’s ‘lobsters’, also brought us the joy of baby Emma Geller-Green.
Twin sisters Athena Conley and Alexandra Conley were just six months old when they took on the role of the beloved baby from the end of season 8 through season 9. So what actually happened to the actresses who played the tiny tot?
Fast forward to today, and the twins are now 23 years old and thriving. And they look part on their sitcom experience very fondly.
Hailing from Long Beach, California, the sisters landed the part after their mother learned of the audition through a friend in a twins club.
In an interview with People, Athena revealed: “So she told my mom about it and she was like, ‘You should just take your daughters to L.A. just for one day.’ And it wasn’t far from us at all, so she did.”
After having their photos taken at the audition, the twins and their mother were on their way out when they received the news that they had been cast.
They went on to appear in 10 episodes, before being replaced as the show required an older actress to portray Emma as she grew.
Alexandra opened up to People, revealing: “It’s actually crazy because growing up, I always just knew I was on Friends, but I didn’t really know what that meant.
“It didn’t hit me, I think until like maybe like middle school or even like early high school, how big that was.”
The twins have since become “obsessed” with the iconic sitcom and are regular viewers.
Despite their early brush with fame, they’ve stepped back from acting to focus on their new careers as recent university graduates.
Alexandra has made Los Angeles her home, where she’s carving out a career in social media and marketing for a cosmetics company. Her Instagram is a vibrant collage of travel snapshots and snippets of social gatherings with mates.
She’s also quite the dancer, often teaming up with her sister for dance videos. Alexandra’s influence extends to a collaboration with Kim Kardashian’s Skims, which she promotes on her TikTok account.
Athena, on the other hand, has settled in Denver and seems to be thriving in her busy life.
Her professional path has led her to a role as an investment control reconciler at a financial firm. Impressively, she’s also a cheerleader for the NFL’s Denver Broncos.
Alexandra doesn’t hold back in expressing her admiration for Athena, proudly supporting her from the stands and declaring herself her sister’s number one fan.
Emmerdale’s Robert Sugden featured in a huge twist with new villain Ray on the ITV soap on Tuesday night, and it won’t end well for Mackenzie Boyd or Ross Barton
20:00, 01 Jul 2025Updated 20:08, 01 Jul 2025
Emmerdale’s new villain Ray made his debut leading to a twist(Image: ITV)
There was a dangerous new alliance on Emmerdale on Tuesday night, as new villain Ray made his debut – and it’s bad luck for Ross Barton.
As the character arrived claiming to be an acquaintance of Mackenzie Boyd, he suggested he was selling farm machinery and wanted to see if he was interested. But soon his real agenda became clear when he was shown the weed crops that were stashed in the barn.
Ross, his brother Lewis Barton, who owns the cannabis and has been harvesting it for a while, and Mack were secretly hiding the crops there with a plan to sell it for money. With Moira Dingle’s farm facing closure and the family in crisis, Mack blamed himself for his sister’s situation and wanted to raise the funds.
But he left Ross and Lewis furious when he secretly told Ray about the crops and took him to see them. Lewis refused to sell to him, with it soon clear Ray was a dealer.
As the end of the episode approached though, the crops vanished and one person was thought to be to blame. Ross accused Mack, believing he’d stolen them and sold them onto Ray like he’d initially suggested.
There was a dangerous new alliance on Emmerdale on Tuesday night(Image: ITV)
But Mack protested his innocence and insisted he had nothing to do with it. Ross didn’t believe him, with Mack saying he planned to take it but had cold feet.
He told Ross to call Ray from his phone knowing he’d prove he was innocent, before he then showed him messages that showed he was not in contact with the dealer all day. They both then feared Lewis had actually fled to Leeds with the crops to sell them on.
But when Lewis returned home Ross asked him about it, and he had no idea what he was talking about. Ross then had to explain the weed was gone, leaving his sibling horrified.
As Lewis questioned whether Mack was to blame wanting answers, Ross shared his determination to track down the real culprit. But soon enough the camera panned to Ray who was asking someone about selling drugs, and soon we saw the stolen crops in the back of a van.
Emmerdale’s Robert Sugden featured in a huge twist with new villain Ray(Image: ITV)
It was none other than Robert Sugden who then stepped forward and was confirmed to be the person who stole the drugs and then sold them for a huge amount to Ray without telling Lewis, Mack or Ross. He’d come across the weed while working on the farm, before selling them on for the cash.
He told Ray there would be no other dealings, most likely because Lewis now had nothing left. Then he made it clear he planned to “cause mayhem” wanting to use the money to do so, so what does he have up his sleeve?
Either way, it’s bad news for Ross as his relationship with Lewis is now at risk because of the whole drama, and him getting Mack involved – leading to Ray and Robert being able to steal everything. Ross is also set to face drama when he confronts Robert about the theft, with Robert threatening to ditch his deal with Moira as a result – so will Ross bring more trouble to Moira’s door?
Wilbur Ross became rich investing in faltering businesses like steel mills and coal mines, finding a fortune in blue-collar industries that others dismissed as beyond saving.
But before he was scooping up Rust Belt factories, the banker was sizing up another troubled asset: Donald Trump. More than two decades ago, Ross represented bondholders who were gunning for Trump after he failed to pay back the high-interest loans he had taken out to build his casino empire.
For the record:
3:04 a.m. June 23, 2019A earlier version of this article listed House Majority Leader Kevin McCarthy’s party affiliation as Democrat. He is a Republican.
When Ross arrived in Atlantic City, N.J., for negotiations in 1990, he found a throng of journalists and curious onlookers eager to catch a glimpse of Trump, according to “The Vulture Investors,” by Hilary Rosenberg. For the quiet Ross, the scene inspired a revelation: Trump’s flashy image had resilience.
Ross embarked on a strategy that helped Trump avoid a personal bankruptcy that could have derailed his unlikely trajectory from real-estate mogul to reality television star to president-elect.
Consider it another investment that has paid off for Ross, whom Trump recently tapped to lead the Department of Commerce. A private equity billionaire who once led a secret Wall Street fraternity, Ross is among the rich, loyal insiders Trump picked for a Cabinet that is shaping up as the wealthiest in history.
If confirmed by the Senate, the 79-year-old veteran investor will spearhead trade policy and business development in the new administration.
Trump rejected criticism that Ross was too out of touch to serve, saying during a rally last week in Cincinnati that Ross was chosen because “this guy knows how to make money, folks.”
Trump added, “I put on a killer.”
Ross, however, once spared Trump.
The future president-elect at one time owned a quarter of Atlantic City’s casino market. But Trump was heavily in debt, and he started missing bond payments on his — and Atlantic City’s — largest casino, the Taj Mahal, in 1990.
Donald Trump celebrates the grand opening of the Taj Mahal in 1990. The Atlantic City casino was in financial trouble later that year.
(Mike Derer / Associated Press )
Ross, then an investment banker working for Rothschild Inc., helped bondholders negotiate with Trump, whose finances were unraveling. The final deal reduced Trump’s ownership stake in the Taj but left him in charge, and bondholders were unhappy when Ross presented the plan.
“Why did we make a deal with him?” one asked, according to Rosenberg’s book.
Ross insisted that Trump was worth saving.
“The Trump name is still very much an asset,” he said.
Trump himself proved to be less of a sure bet. Though the agreement allowed Trump to soldier on in Atlantic City, his casinos landed in bankruptcy court twice more.
The president-elect respects Ross’ deal-making skills, said Jason Miller, the communications director for Trump’s transition team.
“He’s seen Mr. Ross up close and personal,” Miller said. “He knows that he can depend on him.”
Ross grew up in New Jersey and attended a Jesuit prep school in New York before earning degrees from Yale and the Harvard Business School. He spent two decades at Rothschild working on bankruptcies before starting his own private equity firm, WL Ross & Co., in 2000.
A Palm Beach, Fla., resident who owns an art collection valued at nine figures and is worth an estimated $2.5 billion according to Forbes, Ross earned a reputation as a so-called vulture investor for finding profits in dying businesses. Ross described himself differently in an interview with New York magazine: “We’re a phoenix that rebuilds itself from the ashes.”
At the Commerce Department, Ross would oversee a portfolio containing responsibilities as diverse as weather research and promoting minority-owned businesses. However, with Trump in the White House, foreign trade likely will be the issue that gets the most of Ross’ attention. Trump has promised to remake free-trade deals.
President-elect Donald Trump, left, with Commerce secretary pick Wilbur Ross, whose estimated worth is $2.5 billion.
(Carolyn Kaster / Associated Press)
The department has wide latitude to determine when other countries are violating trade rules, experts said, allowing U.S. officials to slap tariffs on imports or find loopholes in international agreements.
The Trump administration won’t rush toward tariffs but wants to renegotiate some deals, Ross told CNBC after he was tapped by Trump.
“We’ve been doing a lot of dumb trade,” he said, echoing Trump’s campaign-trail rhetoric.
Trump’s pronouncement that companies that leave the U.S. will face a 35% tariff on goods they want to sell domestically has been met with a tepid response from his fellow Republicans. GOP leaders on Capitol Hill suggested this week that they would not go along with such a proposal, though they emphasized that they would wait to hear exactly what Trump had in mind.
“Take a deep breath. He’s not sworn in yet,” House Majority Leader Kevin McCarthy (R-Bakersfield) told reporters. “Let’s not predetermine what the outcome of this stuff is.”
Even Trump’s vice president-elect, Mike Pence, deflected when asked repeatedly on MSNBC whether he agrees with the proposed tariff.
“What we don’t want to do is for companies to say it cost — it costs this much to manufacture it overseas and sell it in the United States and it costs this much in taxes and regulations and other burdens to manufacture here,” Pence said Tuesday on “Morning Joe.”
Ross, though, helped formulate Trump’s economic policies, which include tax cuts, reduced regulations on energy production and privately financed infrastructure spending spurred by tax credits.
Peter Navarro, a UC Irvine professor who worked with Ross on the proposals as a Trump adviser, praised Ross for his “precision, compassion, humility and subtle humor.”
“Donald Trump continues to choose very well for America,” Navarro said.
A report from Moody’s, however, predicted that Trump’s plans would lead to a recession, while the Tax Foundation projected that deficits would increase, conclusions that Navarro and Ross have dismissed.
House Minority Leader Nancy Pelosi (D-San Francisco) slammed Trump’s choice of Ross. Democrats have no power to block his eventual nomination.
“Choosing a practiced corporate raider to head the Commerce Department reflects Republicans’ disdain for hard-working Americans struggling to make ends meet,” she said in a statement. “With sprawling conflicts of interest and a troubling record on worker safety, Democrats have serious concerns that Wilbur Ross’ corporate interests will trump the concerns of American families, entrepreneurs and our economic security.”
Her reference to worker safety was particularly damning. Ross’ private equity fund bought financially troubled coal operations several years ago, and in West Virginia, one of them, the Sago mine, suffered a collapse that killed a dozen people in 2006.
Miller defended Ross’ response to the blast, noting that Ross raised money to help families of the victims and invested in better mining safety.
Ross’ record with steel companies is less controversial. Under the banner of the International Steel Group, he acquired mills on the verge of being shuttered when their owners fell into bankruptcy. The company became the largest producer of steel in the country, and Ross sold the operations for $4.5 billion two years after he entered the industry.
Despite his Wall Street background, Ross had a good relationship with labor. Leo Gerard, president of the United Steelworkers, said that his exchanges with Ross weren’t “peaches and cream,” but he was open to workers’ concerns.
“Lots of these folks are bottom-feeders. They come in, and they strip the assets,” Gerard said of other investors. “Wilbur went the other way.”
“When it happens, our staff members want to protect each other because it’s a disgusting thing to happen. I wanted to calm the situation down.
“Livingston have been first class, they have CCTV here so they’ll identify who it was and take action.”
County’s chief executive Steven Ferguson echoed his manager’s comments, adding that the Highland club are “not going to accept that”.
Livingston manager David Martindale did not witness the incident but said it would be “disgusting if true”.
“I’m sure the club will get to the bottom of that,” he added. “It’s vile. Disgusting. Really, really disappointing.”
The game ended 1-1 after Ronan Hale’s late penalty cancelled out Danny Wilson’s opener, with the sides meeting in the return leg in Dingwall on Monday to decide which of the two will be in the top flight next season.
The 2022 European champion opened with a 6-0 defeat of Dylan Slevin, then dispatched Chris Landman 6-3 in the last 16.
Landman briefly fought back to level at 3-3 – but from that moment Smith never lost another leg all day.
Barry Hearn reveals pool is the ‘next darts’ and predicts sport will be massive in five years
He next sunk Danny Noppert 6-0 and Luke Woodhouse 7-0 in the semis.
And he demolished Brendan Dolan 8-0 in the final – with an average of 104.5.
Smith polished off the Northern Irishman with legs of 14, 12, 13, 14, 12 and 14 darts.
His joy in Germany means he has jumped up to World No. 14.
Smith said: “I’m so happy with the win.
“I’ve got the little plaques at home with the scoresheets from my Players Championship wins. They’re my little trophies, and they mean a lot to me.
“I’m going to add another one to the wall today, and it’s another incentive when I’m at home practising, because I want to win all the time; who doesn’t?
“If you’ve won a major title you can win anything. I honestly believe I’m going to win more, but I need to keep working hard.”
Leicester’s Mattioli Arena will host the PDC’s Players Championships 17 and 18 on June 17-18.
