rocks

NASHVILLE — The crews of two AH-64 Apache helicopters that hovered next to Kid Rock’s swimming pool while he clapped and saluted Saturday have been suspended from flying pending an investigation of their actions, a U.S. Army spokesperson said Tuesday.

The suspension is a discretionary, but not unusual, step when an investigation is underway, Maj. Montrell Russell said.

“The Army has confirmed that on March 28, two Apache helicopters from the 101st Combat Aviation Brigade at Fort Campbell conducted a flight in the Nashville area that has attracted public and media attention,” according to a statement from the Army on Tuesday. The Army is reviewing “the circumstances surrounding the mission, including compliance with relevant FAA regulations, aviation safety protocol, and approval requirements.”

Kid Rock, an entertainer who is an outspoken supporter of President Trump, told WKRN-TV on Monday that it’s not uncommon for helicopters from nearby Ft. Campbell to fly near his home. He said he is a big supporter of the military and he’s performed for troops overseas in Afghanistan, Iraq and other countries.

“I think they know this is a pretty friendly spot,” he said. He noted that at Thanksgiving he was at Ft. Campbell, a sprawling Army base on the Tennessee-Kentucky border, with Vice President JD Vance. “I’ve talked to some of these pilots. I’ve told them, ‘You guys see me waving when you come by the house?’ I’m like, ‘You guys are always welcome to cruise by my house, any time,’” he said.

Kid Rock posted two short videos Saturday on social media. Each shows a helicopter hovering alongside his swimming pool while the entertainer claps, salutes and raises his fist in the air. One post included a caption by Kid Rock disparaging Democratic California Gov. Gavin Newsom, a frequent Trump critic.

In the videos, Kid Rock stands next to a replica of the Statue of Liberty and a sign by the pool that reads, “The Southern White House.” His home on a hill overlooking Nashville was built to resemble the White House.

The helicopters were on a training mission when they stopped by Kid Rock’s house, said Maj. Jonathon Bless, public affairs officer for the 101st Airborne Division. The helicopters also flew over a “No Kings” protest against Trump in downtown Nashville, but Bless said their presence had nothing to do with the protest.

Kid Rock said he thought it was “really cool” that they stopped to hover at his house.

“If it makes their day a little brighter for their service to our country, protecting us, I think that’s a great thing,” he said.

Asked about possible repercussions for the crews, he said, “I think they’re going to be all right. My buddy’s the commander in chief.”

Loller writes for the Associated Press.

Last May, a strange thing happened on the U.S. album charts. Two metal bands (or at least metal-adjacent hard rock acts) scored No. 1 albums in the same month. The genre hadn’t seen multiple bestsellers in the same year since 2019 — and those were from veteran acts. So it was notable when the young U.K. group Sleep Token crushed on streaming and Ghost topped charts with a Taylor Swift-sized vinyl rollout. Meanwhile, avant-garde heavy rockers Deftones became unexpected TikTok darlings and arena stars.

Metal had not-so-quietly reemerged as a commercial force, and not just in the live sphere, where it’s always thrived and continues to grow. Pop culture seemed ready to welcome back a breed of hitmaker thought lost to time — the sleeve-tatted, throat-shredding hard rock star.

So the wider pop world should acquaint itself with the Virginia-born group Bad Omens, whose slam-packed Thursday night show at the Forum in Inglewood reaffirmed that they’re one of the most ambitious and skilled young bands in heavy rock, and have the star wattage and ravenous fan culture to get even bigger.

Bad Omens — with singer Noah Sebastian, bassist Nicholas Ruffilo, guitarist Joakim Karlsson and drummer Nick Folio — are not brand new. They’ve slugged it out on the metalcore and heavy rock circuit for a decade, signed to the small-ish but influential imprint Sumerian Records. But they hit their stride with 2022’s “The Death of Peace of Mind,” which melded a Weeknd-worthy R&B falsetto with rotted, churning guitars and tasteful electronics.

The band became festival headliners and racked up billions of streams, surely aided by Sebastian’s dreamboat-goth-BF good looks and striking range as a vocalist, where he veers from an ear-tickling whisper to an operatic howl and a shriek worthy of Norway in the ‘90s (sometimes on the same song, as he did on “Like a Villain”).

The band has tipped a new album for some time, though for this career-peak arena tour, it had only a handful of new singles in tow. No matter. At the Forum, the band cohered its catalog with an eye-popping stage production, one that made its case as an ultra-modern heavy rock act with the reach to be huge stars, even if they take genuine fame with some ambivalence.

That force-of-gravity was evident in the days leading up to the Forum show, where fans debated how many hours early they needed to be at the Forum to be on the barricades (the consensus — get there by breakfast). Mid-set, Sebastian pointed out one fan whom he recognized from years on the road. “You’ve been coming to see us since we sucked,” he said, laughing.

That commitment wouldn’t be possible if the music didn’t have a preternatural force to speak to current anxieties. From the first notes of its new single “Specter” — a brooding vocal workout for Sebastian that ended on pulverizing riffs — Bad Omens used cutting-edge tools and underground influence to elicit arena-rock catharsis.

One early peak of the set came when Jake Duzsik of the L.A. industrial-rock trio Health came out to duet on “The Drain,” a lurching, menacing collaborative single and a standout for both bands. Heavy-rock veterans see something compelling in Bad Omens, which helps situate the band’s pop-savvy tracks like “Left for Good” and “Just Pretend” (a platinum-selling single that wrapped up the main set) with earned feeling rather than calculation.

After the Forum show, I understood why it’s taking them so long to finish a new LP. Sebastian has been open about his mental health struggles. The band is pitched right at a difficult juncture at which their artistic ambitions abut real, life-altering attention.

They can make songs like “What It Cost” (a hooky, lecherous electro track that I’d totally believe was co-written with Max Martin if you told me) and the serrated metal that them earned them their fanbase and would cause a revolt without. It’s not easy to pair the two in a natural way. (Just ask Code Orange, once pitched as metal’s breakout stars who got bogged down in electronic experiments.) Having a K-pop-caliber devoted fanbase is great on the way up, but it’s a tense relationship.

But first and foremost, Bad Omens are gifted musicians, and whatever eldritch magic Sebastian wields onstage will always be bolstered by a serious band contorting metal, dark pop and electronic music. I saw nothing that would stop that one fan from coming back for 10 more years of Bad Omens shows, and plenty to suggest others are going to follow him.

HE may be a 63-year-old “normal” dad these days, but Shaun Ryder has not lost the ability to shock.

When the Happy Mondays frontman spoke to host Jack Whitehall at the Brit Awards last month, his tale of nearly being busted for drugs had to be edited out.

But, then again, putting the potty-mouthed and straight-talking singer on live telly is always a risk.

In an exclusive interview with The Sun, the Mancunian reveals that ITV did not appreciate his story of a drugs raid that happened when he was up for a Brit award in 1996.

Back then, Shaun’s other band, Black Grape, had been nominated for British Breakthrough Act.

Shaun says: “I told him I went to score and the gaff where I went to score got raided by the police as I’m scoring and the cops cottoned on who I was.

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“And I’m saying, ‘Oh, I’m getting a Brit Award here’ and they let me go.

“They busted a heroin house and they let me go because I was up for a Brit Award.”

You might think that Shaun, who has already published two autobiographies, has no fresh stories.

But the singer, who has a new memoir out now and who is writing material for Happy Mondays’ first album in 20 years, always has plenty of tales to tell.

In his latest book, 24 Hour Party Person, he recalls facing down what he believes was a killer orangutan, escaping a gun battle and being held hostage by an armed robber.

There are also numerous car crashes from which he somehow escaped alive.

Shaun, who quit drugs aged 40 after 20 years of substance abuse, admits: “I have used up more than nine lives.”

It could all have ended shortly after Happy Mondays’ first album, Squirrel And G-Man Twenty Four Hour Party People Plastic Face Carnt Smile (White Out), came out in 1987.

Shaun, who was not famous at that point, went to Amsterdam to live for a short while.

He remembers: “Some nutcase we knew from Manchester, who was doing armed robberies and was then in Amsterdam, hijacked a load of people, put them in the canal and shot them and then turned up at the gaff where we were staying and held us hostage for a day or two.”

Luckily, Shaun managed to talk the robber into letting them go.

But there was no way of having a nice discussion with a great ape that appeared in front of Shaun on a Barbados beach when he was recording Happy Mondays’ fourth album in 1992.

At the time there were stories in the local Press about a dangerous orangutan, nicknamed Jack the Ripper, on the loose.

Shaun claims: “This thing just dropped out of the trees right in front of me. It was a f***ing big orangutan.”

Telling himself “don’t show any fear”, the musician stood tall and shouted, “Grrr, arrrgh, f*** off, just f*** right off”, at the animal.

Remarkably, the orangutan did as it was told.

Orangutans are not native to the Caribbean, so there is a good chance it was indeed Jack the Ripper.

And Shaun, who was “smoking up to 50 rocks of crack cocaine a day” in Barbados, insists it was not a hallucination.

The album, Yes, Please!, failed to generate enough sales to justify the £150,000 spent making it and the following year the Happy Mondays broke up.

Shaun formed Black Grape in 1993 with his dancer mate Bez and rapper pal Paul “Kermit” Leveridge.

But it did not help keep him out of trouble.

During one trip to Jamaica, he and Kermit found themselves in the middle of a gun battle while trying to buy drugs.

He recalls: “I was going scoring and someone got shot, shot in the head. We just ran for it. If you’re a junkie going scoring, that’s the sort of s**t you come across.”

It was getting together with third wife Joanne which finally helped Shaun give up drugs and stop boozing.

They had dated briefly before Happy Mondays had hits, but he says: “She blew me out.”

Joanne, who now manages the TV part of his career — which has included two appearances on I’m A Celebrity . . . Get Me Out Of Here! — remained in the same circle as him.

The couple got together more than 20 years ago and married in 2010.

They have two daughters, Pearl, 17, and Lulu, 18.

Shaun, who also has four other children with previous partners, says: “She reeled me in and it’s a good job. “She didn’t let me get away with half of the stuff.

“If she hadn’t I’d have just carried on with crashing, but once I hit 40, I was determined to give up drugs anyway.”

His older children had to deal with his absences and spells in rehab.

But the youngest two have grown up in a more stable environment.

Shaun, who is also stepdad to Joanne’s son Oliver, explains: “I’ve still got two kids at home, so for the last 18 years, I’m just Dad.

“They’ve grown up coming and watching us at music festivals, and they’ve seen me in the jungle, but they’ve never seen that Shaun Ryder who’s off his nut.

“I pick them up from college and all that sort of thing, and drop them off. I’m the f***ing taxi service.

“In this house, you know, we don’t even have booze or anything, so, we’ve just been like a normal f***ing mad family for the past 18 years or whatever.”

Shaun says he did not see much of his older children and admits he was not a good dad to them.

But he says: “I’ve had really no trouble off my kids, I’ve been very lucky with the kids.”

This year is going to be an important one for Shaun.

Apart from the book and new album out next year, he is doing a Q&A tour and is on the road with Happy Mondays.

The return to the studio is due to former Creation Records label boss Alan McGee.

Shaun reveals: “I’m writing it now. Alan McGee wanted a new Mondays album, so Alan usually gets what he wants.”

When it comes out, it will be 40 years since the Manchester group’s first release in 1987.

These days various health problems, including a recent bout of pneumonia, means performing is harder than ever for Shaun.

One legal substance that has helped keep him on the road is the fat jab Ozempic.

Shaun says: “You just raid the medicine cabinet, don’t you, and get on with it, so the show must go on.

“I have an overactive thyroid, so even if I ate f***ing lettuce and tomatoes, I would be big.

“Since I started on the injections my thyroid started to get better.”

If Shaun has his way he will keep performing until the Grim Reaper finally catches up with him.

And the singer would settle for dying on stage, like the comedian Tommy Cooper.

He says: “In this game, you’re doing some Tommy Cooper style, you know what I mean?

“As long as you enjoy it, do what you do, f***ing do it and I still do.

“I’ll still make music and go play music out there until I f***ing drop dead on stage.

“It’s a good place to go, innit? To drop dead on stage, singing Kinky Afro.”

• Shaun’s new book 24 Hour Party Person is available from awaywithmedia.com.

MEGAN Fox has stepped out in an extremely tiny satin dress for a star-studded Oscars after-party.

The actress turned heads upon leaving Jay-Z and Beyoncé’s post-Academy Awards celebration early Monday morning.

Photos obtained by The U.S. Sun show Megan, 39, standing outside a black SUV donning a body-hugging black satin slip dress.

The Transformers star, known for her uber-sexy style, showcased her curves in the sultry outfit, complete with thigh-high black stockings, a garter, black strappy heels, a choker necklace, and black sunglasses.

She wore her long dark hair in loose waves as she exited the Los Angeles venue.

Megan recently returned to Instagram after wiping her account clean in December 2024 following her pregnancy announcement.

The model shared numerous racy photos from a photoshoot, in which she wears black boot shorts, a black bra, and black leather boots.

She posed on all fours while pouting provocatively and even sticking her tongue out at the camera.

“Everything is more beautiful because we are doomed,” the Jennifer’s Body star captioned the first post.

“Love was the most savage monster of all,” she said in another.

Megan’s ex, Machine Gun Kelly, left cheeky comments on both posts, one that read, “Stoked I have your phone number.”

In the other, the musician wrote, “Stoked we had a baby.”

Many fans wondered whether MGK’s remarks hinted that he and Megan were back together, but neither has addressed the matter.

The former couple split four months after welcoming their daughter, Saga Blade Fox-Baker, in March 2025.

However, they were said to be in a “good place” while co-parenting their baby girl.

“No matter how they’ve felt about each other, they have always wanted to have a child together,” an insider told Us Weekly last year.

“They have both been communicating and are in a good place.”

MGK is also a father to a 17-year-old daughter, Casie Colson Baker, whom he shares with his ex-girlfriend, Emma Cannon.

Meanwhile, Megan shares three sons – Noah, 13; Bodhi, 11; and Journey, 9 – with her ex-husband, Brian Austin Green.