Rock

Some people are still processing “Euphoria’s” evolution away from its roots as a gritty drama that explored highly mature and dark teenage experiences to, in its final season, a fever dream-esque look at adulthood that played like a full-blown neo-noir crime thriller. But another show’s creative transformation has taken the stage now.

The third season of AMC’s adaptation of Anne Rice’s “Interview With the Vampire” brings a reset to the captivating world of bloodsuckers. While the first two seasons adapt the original 1976 novel, relying heavily on the recollection of Louis de Pointe du Lac (Jacob Anderson) as he recounts his centuries-long life and romance with Lestat de Lioncourt (Sam Reid) to a journalist, the new season shifts narrative focus and perspective over to Lestat, who transforms into a charismatic frontman of a glam-rock band to publicly set the record straight. As such, the series has been retitled “The Vampire Lestat,” which is the name of Rice’s second novel. For this week’s Guest Spot, I spoke with showrunner Rolin Jones about the show’s rebranding and Reid’s commitment to the musical challenge.

Also in this week’s Screen Gab, TV critic Robert Lloyd steers us away from the usual streaming options to recommend a man’s video journal that documents his quest to travel the world by foot, while culture critic Mary McNamara suggests a new British comedy about codependent BFFs navigating the sort of tricky development that would end most friendships.

Speaking of endings to relationships, it was announced this week that “Doctor Who” showrunner Russell T Davies is exiting the series (again) seven months after Disney+ decided not to continue its partnership with the BBC to distribute the long-running sci-fi series. BBC also announced it will not air the show’s previously announced Christmas special this year. Lloyd, a longtime Whoverse follower, is a voice of calm through it all. He shares his thoughts on why the new questions swirling around the franchise don’t necessarily have to be cause for alarm — evolution is part of the show’s essence, he reminds us. Elsewhere in current events, if you’ve been curious (… sure, that’s the right word!) about the UFC Freedom 250 live event that will unfold in an oversize cage on the White House South Lawn in celebration of Trump’s 80th birthday and the country’s 250th anniversary — and will be streamed live on Paramount+ — check out our explainer about the controversy — and lawsuit — it has sparked.

Now if you’ll excuse me, I have another Matthew Rhys story to read so I can maintain my executive membership in the fan club. See you next week!

— Yvonne Villarreal

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Recommendations from the film and TV experts at The Times

@AlexanderCampbellOfficial (YouTube)

In February 2023, Alexander Campbell, then 27, set out from Sydney to walk west around the world. Currently he is somewhere around Albania, having traversed, among other places, Bangladesh, Nepal, Pakistan, Kazakhstan, Turkey and Bulgaria. He’s been documenting his progress on camera all along the way, but it wasn’t until Day 938, in Georgia, that he began posting the longer, “uneventful” videos that make his channel such a singular, meditative, even hypnotic, form of vicarious travel. Walking alone to the sound of his own footsteps, through sun, rain, sleet, snow and dark of night, over mountains and deserts, through forests and fields, he becomes a character in a peripatetic, nearly one-man show. The occasionally encountered friendly local will warn him about wolves or bears or the hunters who might mistake him for one, though he meets more dogs than people. (He calls them all “Buddy,” warily.) Titles include “I Slept in a Barn Full of Stray Dogs,” “I Got Caught in a Snowstorm With Nowhere to Sleep” and “Something Was Out There in the Forest.”) — Robert Lloyd

Jemaine Clement, left, and Nicola Walker in “Alice and Steve.”

(Lara Cornell / Hulu)

“Alice and Steve” (Hulu, Disney+)

What would you do if your ex-turned-longtime bestie slept with your 26-year-old daughter? Well, Alice (“The Split’s” Nicola Walker) 100% loses her mind. Sure, during a drunken convo at a bar, she did tell Steve (“Flight of the Conchords’” Jemaine Clement) that he could have any woman he wanted, but she most certainly wasn’t talking about Izzy (Yali Topol Margalith). Having just returned home after breaking up with her boyfriend, Izzy decides that Steve, now bunking down on the sofa, is “strangely hot” enough for a little rebound sex and then a romantic relationship. And Steve, though initially regretful and more than a little shell-shocked, decides this is what he wants too. “I really like her,” he says by way of sheepish explanation. It leaves Alice no choice but to hilariously alternate between screaming and scheming as she tries to put a stop to the proceedings even at the expense of her marriage, her career, her friendship with Steve and her self-respect.

Clement’s sad-sack charm successfully boosts the leap of faith required to keep Steve from becoming an oblivious creep, but the show belongs to Walker. Her Alice becomes a blazing embodiment of the emotional maelstrom inside every woman who is expected to somehow put on a supportive, understanding face no matter how outrageous or impossible the situation. The laughs she elicits are exhalations of shock, recognition and relief. We can’t all ditch the high road for pure, luxurious fury, but it’s mighty fun to watch someone who does. — Mary McNamara

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Sam Reid as Lestat De Lioncourt in “The Vampire Lestat.”

(Sophie Giraud / AMC)

If you thought posting cryptic digs about an ex on your social media accounts as a way to cope with unresolved emotions was petty, this TV vampire may have you beat. The wild new, music-infused season of “The Vampire Lestat” (formerly “Interview With the Vampire”) revolves around Lestat de Lioncourt (Reid) on an elaborate mission to tell his side of the story after his ex-lover, Louis de Pointe du Lac (Anderson) published a scandalous memoir — with the help of journalist — that detailed their turbulent romance. In his bid to control the narrative, Lestat becomes an immortal glam rocker who launches a music tour and enlists the same journalist — newly turned into a vampire — to direct and film a music documentary about his life. The result is a flamboyant seven-episode season that blends rock-opera style performances (the season will feature 20 original songs) with personal reflections from its flashy frontman. As it enters its second week of release on AMC and AMC+, creator and showrunner Rolin Jones spoke over video call recently to discuss the show’s creative pivot and more. — Y.V.

To kick off the new season, there was an immersive premiere concert event at the historic Beacon Theatre in New York City earlier this month. Was that a surreal experience? Did you feel like a music manager?

I have a hard time talking about the work — the selling of the work, all that kind of stuff. I want to finish my edit, and then I want to like disappear at the Arctic. I knew we were doing this and I knew that there were like fans from all over the world flying in for it — some who didn’t have tickets. I knew there were people who had worked on the show from Seasons 1, 2, and 3 who got on a plane, asked for a ticket, and made a pilgrimage there. I was really moved by it. It was about as good as these things can ever be. It felt really beautiful. It felt like Vampire Church. It was pretty cool. And Sam — “surprising” is not the word because I’ve worked with him for a long time — was way better than he should have been. It’s incredible.

In this TV landscape, taking a show and giving it a new title as it enters its third season is a daring move. The series moves focus to the second book in Rice’s oeuvre. And while it continues the story of these characters, at the same time, it feels like a new show. What made you nervous about carrying out that kind of creative transformation? And what was thrilling about it?

We could start with a thrilling part because the idea to be able to go to the people who worked really hard and say, “Hey, let’s rebuild it” — that’s exciting. That part’s cool. The executing part about it is where the terror begins because most worthwhile art — you can call TV art — invariably has to have risk and danger involved in it, otherwise you’re probably performing a magic trick. No offense to magicians. But you want something that when you turn off the TV, you’re not immediately forgetting. The more risk you do, in terms of form, in terms of all that, you want to be able to feel like you can pull it off because, otherwise, they [the audience] have nothing to grasp onto. [And they say,] “You just destroyed this thing we love, how dare you!” But generally speaking, everybody — from the top of the network down to the actors who are doing it — was down for it. Mostly because, if you listen to our fandom, I think they demand it. They’re out there on a limb telling everybody “it’s the greatest TV show, and blah blah blah” and you have to deliver that for them so that they can continually confidently bombard all their friends and neighbors and say, “Watch the show.” There’s nobody who didn’t give everything [to this season]. It was a real collective leap together.

Sam undergoes quite the transformation to make this rock star vampire persona believable. What struck you about how he approached embodying Lestat this season?

I gained 20 pounds in Toronto, and that’s because I kept stuffing my face with bread, and about every three or four times I would have this big sloth of butter on bread, I’d go, “Poor Sam” because I know Sam had not touched a piece of bread. Let’s start there — 0% body fat, the dimensions on the waist. The level of dedication. He was living and breathing every second about the role and about the demands of it — sing songs, and not only sing songs, but go learn to be a musician, and go train with people who have been doing it their whole life so you can fake it. I feel very confident saying this: Anybody who watches this season and Sam’s performance will feel like, at the end, they saw one of the 10 greatest performances in the history of our medium. I think he absolutely disappeared. James Gandolfini did not sing songs, Swearengen [the “Deadwood” character played by Ian McShane] did not sing songs. Mr. White [the “Breaking Bad character played by Bryan Cranston] did not sing songs. I’ll put him [Sam] up against all of them. He’s incredible.

What if he wants to go off and be a rock star now?

He could do it.

Jacob Anderson as Louis De Pointe Du Lac in Season 3 of “The Vampire Lestat.”

(Sophie Giraud / AMC)

You have a rock band posing as vampires fronted by an actual vampire who is the focus of a documentary being directed by a vampire passing as a human. And for all this to work, the band has to be good. What was the challenge of making this fictional band’s stardom believable — the charisma, the presence on stage, the discography? It’s a tall order, in addition to making a compelling TV show.

Anytime you have seen these things, following a band, there’s so many ways it can fall flat. You can do three or four of the things you need to do, and if one of them falls apart, you’re still stuck there, going, “Eh.” We all, who are working on it, love music. We’ve all been in clubs. The first thing we did was remove the stardom for budget reasons, but also for singular storytelling — he decided to do rock ’n’ roll in the year 2025. Some basic building blocks, we need songs. So with [composer and songwriter] Daniel Hart, we bring him into the [writers’] room because it’s not only writing songs, but writing the context about when and where he’s [Reid] singing them. He has to be aware of what we’re doing in the room. We also have to be able to pivot when he has pure inspiration; he can come in with something we’ve never talked about, and go “Boom!” And it’s OK, now what do we do with this song? And quite often this year we restructured episodes because the song was beating our episode. [We had to] hire actors who can play or musicians that can act — and that’s not everybody, so that shrinks that down. Make sure when you’re in the club, or whether you’re singing the song in rehearsal, let us uglify it, embrace the mistake, make it a little dirty. We have a song this year that has some of the most beautiful orchestrations, but because of where it landed in the season and what it talked about, we ended up going with the most stripped down, bare version of it. Don’t worry, you’ll get to hear these beautiful orchestrations [at some point]. [It’s also thinking about] how do you carve out the time you need to shoot it and the playback elements of it, and what sacrifices you have to make on other set pieces that you would normally put in is a lot. But everything from the beginning was with one thing in mind: Do not suck. How can we suck less? Let’s not suck. And we just kept going over and over again with that.

At the end of the first episode we see Lestat reunited with his undead mom, Gabriella, who he has, I think it’s fair to say, an oddly intimate relationship with —

Multifaceted.

And obviously the Louis-Lestat romance is far from being over. What are you interested in exploring within those two dynamics, in particular, moving forward since they’re so central to Lestat?

It becomes immediately about him going, “Let me try to explain this … I might have just repelled 80% of you.” I’m really interested in the viewers who are really off-put by it. I want to see where they’re at by the end of Episode 7, if they trust us. And see what they’re feeling. I guess [some people feel], “Oh, you’re not allowed to do this in the TV world unless you got f— dragons and s—, but all the things that you would have thought [that the network might say], “Don’t do this,” we didn’t really have a lot of those obstacles. There was a lot of trust. The thing with the Lestat character is like it’s probably harder to cuddle up to him like you could Louis. Louis is a Faustian tale; here it’s like a Faustian tale but Elton John’s at the center of it. There’s a series of questions like “Why do you keep doing this to yourself? Why do you keep get trapped into these things?” It’s like going on odyssey, or as Jacob called it, an idiocy, with a character that is exotic and eccentric and contradictory. For us going forward, as we wrote it, every time we fell into the something that felt well-made or cool on a twist or turn level, we found we were very suspicious of it, and we were trying to make alien TV as best we could. So, what do I want? It’s less about exploring those two dynamics, although they’re richly part of this fabric. It was, how can you take them on a magic carpet ride, a very difficult one? The idea is to actually have, by the end, every single person recognize that part of themselves in him. And how can you normalize him over seven episodes? How can you deliver that to an audience?

I know you’ve been super–busy, but what’s the last thing you watched that you found yourself recommending to everyone or something that you were obsessed with right now?

A TV show I’m watching, one that I’m enjoying right now, is “Widow’s Bay” [Apple TV]— that has been very enjoyable. It’s so much fun.

Matthew Rhys’ facial expressions are so good.

Oh, he’s great, and that show just really knows what it is, and is joyfully silly, and has a great atmosphere. It’s one of the most beautifully shot things I’ve seen in a while. I’m not finished yet.

OK, before I let you go, I hope we get a concert out in L.A. at some point.

Wouldn’t that be nice? Where would you put it up? Echoplex?

Maybe the Troubadour.

What about the Greek? That would be nice.

ICYMI

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IT’S THE end of an era as after 90 years, Coventry Airport is closing its runway for good today.

What originally opened back in 1936 as Baginton Aerodrome – and later served as a World War II RAF fighter base – has officially grounded all flights, leaving fans of the airport saddened.

One fan of the airport commented online: “This was the best airport to fly from.”

Plans for the site have already been revealed, with it being transformed into a multi-billion-pound energy plant – though, several fans of the airport are not happy about the decision.

One person said on Facebook: “Such a shame an airport that has been there before World War II to be got rid of – just because someone wants to sell it for greed!”

Another added: “Sad to see the airport closing down; the airshows there were great and I had some happy times at the airport.”

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Over the years the airport has seen its fair share of celebs including royalty Princess Anne and rock heroes Status Quo.

Airshows at the airport have hosted flying legends too such as the Red Arrows and Concorde.

Sun Travel takes a look back at the airport’s history.

1930s

The airport officially opened in 1936, with a single grass runway.

In the late 1930s, the airport then looked to expand with Armstrong Whitworth Aircraft opening a factory next to the airfield.

This factory then later contributed to the industrial war effort.

1940s

During the war years, the British Royal Air Force used the airport as a base and fighter station.

Squadrons at the base included the Polish Fighter Squadron flying Hawker Hurricanes, the Royal Canadian Air Force and the Royal Australian Air Force.

However, the airport did become damaged in 1940 due to heavy bombing during the Coventry Blitz air raids by the German Luftwaffe.

Through the rest of the war, the airport was used to test bomber planes.

1950s

Commercial flights first took off from Coventry Airport in the 1950s with services from the Midlands to the Channel Islands.

1960s

During the 1960s, the airport began glider flights.

British United Airways also began flying from the airport – which was later merged with Caledonian Airways to form British Caledonian, which was then eventually absorbed into British Airways in 1988.

Aviation Traders Carvairs and Handley Page Dart Heralds also flew from the airport in the 60s.

1970s

Several open days were held at the airport in the 70s with historic aircraft being shown including a Bücker Jungmeister and a Messerschmitt 108.

Next to the airfield, The Midland Air Museum opened in 1978 with just five aircraft.

Despite the airport redevelopment, the museum will remain open with regular events and restorations.

Today the museum is home to more than 45 aircraft, including a Cold War nuclear bomber and Soviet helicopters.

Visitors heading to the museum can head on cockpit tours, watch aircraft be restored and enjoy a drink and light bites in the tea room.

1980s

Coventry Airport was one of the first airports to gain a papal visit, with Pope John Paul II flying to the airport in a gold and blue helicopter in 1982.

He then toured the airfield, where he was greeted by a crowd of 350,000 people.

A company called Hards Travel also launched flights to Spain, France and Italy in the 1980s.

1990s

During the 90s, the airport became a 24-hour freight hub for Parcelforce.

More airshows were also hosted at the airport, with many locals able to take helicopter rides over the Warwickshire countryside.

2000s

In the early 2000s, TUI AG launched low-cost airline Thomsonfly at the airport, basing its Boeing 737 planes there with flights to Europe.

Later, Wizz Air began flights from the airport in 2007 to Polish cities including Gdansk and Katowice.

However, these were short lived with the last passenger flight taking off in 2008.

By 2009, the airport had entered administration – though this too was short lived, with billionaire Sir Peter Rigby purchasing the airport in 2010.

Rigby reopened the airport with flight training schools, business jets, cargo and the West Midlands Air Ambulance.

Today

Between 2021 and 2022, the local government approved plans to build the West Midlands Gigafactory, also known as Greenpower Park.

And in December 2025, the Civil Aviation Authority announced the airport’s official closure.

In May of this year, all flights were stopped with the flight schools and private jet owners told to move out of the airport.

In a final hurrah, Take That touch down at the airport for a concert in Coventry on June 5 as the last ever commercial flight at the airport.

You can’t own the beach in California. Our shoreline is public — thanks to the Coastal Act and the Coastal Commission — even when everything around it gets expensive and complicated. You can live next to it, monetize it and build a personality around proximity to it, but the wet sand itself belongs to everyone.

Jackie Snow takes a selfie by the new public stairs at Escondido Beach, also known as Hidden Beach.

(Jackie Snow)

In 2024, my colleague Jaclyn Cosgrove walked 27.4 miles of Washington Boulevard in a single day, from Whittier to the ocean. I read it in awe of the shape of it. One street. One day. A city revealed in a straight line.

And then a thought occurred to me, I could do something like that. What if I walked the entire L.A. shoreline? What would happen if I went to the beach and just kept walking along the crest of its waves? Except the shore does not reward this approach. It closes. It opens. Erosion pushes you onto the road and lets you back when it feels like it.

I set out to walk the 75 miles along the Los Angeles coastline anyway. I started at the mouth of the San Gabriel River and worked north toward the Ventura County line, taking 10 trips from the end of November to the second week of January, mostly waiting on tides and weather to cooperate.

Being a surfer helped. I already knew that wet sand means public access in California, that satellite view tells you things the default map doesn’t, and that tides can make or break an outing. For someone wanting to do a similar journey, the California Coastal Trail website is a valuable resource. You can walk long stretches and return back, but I went point to point, which means figuring out how to get back to your car. I usually Ubered, although public transit exists on some stretches. The slickest option is going with a friend who has a car: leave their car at the end, drive yours to the start, and walk. Their car is waiting at the finish to bring you both back to yours. Beyond that, bring more water than you think you need to especially as most stretches have no fountains, no services and no shade. Pack snacks that will sustain you throughout the journey, wear a hat and put on sunscreen, then reapply it. Even on gray, marine-layer days, you’re exposed for hours with nothing overhead.

If you’re inspired by this mega-trek but want to instead do a micro version, I suggest the 5.7 miles from Malibu Pier to Escondido Beach. You can park at one end and take a picturesque bus back where a tasty lunch at the pier’s Malibu Farm awaits at the finish. One last tip I picked up: be nice. People sometimes will give you water, or offer help, wanting to see you get to your destination too.

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1. A red-tailed hawk perched on a coastal access sign along the boardwalk in Long Beach. 2. A bench off the Long Beach boardwalk, near the start of the 75-mile walk. 3. Birdhouses located near the Long Beach boardwalk. (Jackie Snow)

Alamitos Beach to Port of Long Beach: 4.9 miles

I start at the mouth of the San Gabriel River at Alamitos Park at about 10 a.m. on a busy Sunday at the end of November, walking with a friend. The first stretch is a flat, easy boardwalk. We stop at the Long Beach Museum of Art, which sits on the bluffs overlooking the water, and grab lunch at Claire’s, the museum’s outdoor cafe. From there, we walk toward the mouth of the Los Angeles River, passing through the marina, where boats sit quietly and a pirate ship is inexplicably for sale. We don’t make it up the man-made pier to the Queen Mary. Instead, we turn around just short of it, one river book-ending the other.

Looking back toward the marina near the mouth of the Los Angeles River, one river bookending the other.

(Jackie Snow)

Cabrillo Beach to Portuguese Bend Beach Club: 8.7 miles

I park at Cabrillo Beach, along the Port of Los Angeles, around 6:30 a.m. People are already playing ping-pong. Someone is dancing alone on the sand.

I start along the Cabrillo Beach Walking Path, which you enter at the south end of the beach where the sand ends and the bluffs start. In what feels like two seconds, I’m up on the cliffs, which quits partway and dumps me onto the residential streets of Coastal San Pedro, a neighborhood that looks quintessentially California. The houses are probably a few million dollars each, but they’re tidy bungalows, not the kind of aggressive beachfront wealth that makes you feel like you’ve wandered somewhere you’re not supposed to be.

I pass through Point Fermin Park, home to a lighthouse perched above the water. Down below, the beaches are rocky and loud. The waves are being sucked forcefully back out between the rocks, a sound that feels more industrial than oceanic. There’s more neighborhood walking on West Paseo Del Mar, interrupted by a Little Free Library stop where I add a few books to my bag. I hit the San Pedro hike trails, and the coastline turns dramatic, and suddenly I can’t step two feet off the path without risking a fall, but it’s breathtaking in its beauty.

Cabrillo Beach at the Port of Los Angeles, where the second walk began.

(Jackie Snow)

I hit another closed section, this one bordering Trump National Golf Club in Rancho Palos Verdes. Not wanting to end up on a Secret Service list that bars me from flying, I find another way around, on a surprising trail that curves between holes that’s part of the Ocean Trails Reserve. I climb down to the beach and start picking my way along the rocks toward the Portuguese Bend Beach Club, moving slowly and trying not to break my neck. You can definitely skip this part.

A security guard named Gilbert Blair waves me over and explains to me what I already know: I’m allowed to walk on the wet sand, but everything else is private. When I tell him what I’m doing, he starts offering advice, pointing out places on my Google map he thinks are closed because of last year’s heavy rains. This area is some of the shiftiest parts of all of California, with landslides going back all through the geographical record. In 2024, areas were moving 9 to 12 inches a week, although it has slowed down to 1 to 2 inches a week. He tells me the unstable land actually created a new beach, which the coast almost never does. People came from all over to see it, he says, gesturing toward a new form of sand that locals have called “unreal.”

Blair is nice, but not nice enough to wave me off the wet sand and through Portuguese Bend’s private roads so I can call an Uber. I have to backtrack, spending more time than I’d like carefully navigating the rocks. I briefly consider stopping at the nearby Trump National Golf Club to eat and use the bathroom, but I’m hot, sweaty and not in the mood to test my welcome.

The trail descending toward the rocky beaches below Point Fermin, where waves get sucked back out between the rocks with a sound more industrial than oceanic.

(Jackie Snow)

Terranea Beach to Palos Verdes Estates Shoreline Preserve: 5.4 miles

Based on Blair’s advice, I skip a section that isn’t open to the public and probably not safe. I drive Palos Verdes Drive South, a rutted, uneven road that skirts the area and feels vaguely off-roading. I park at Terranea Resort, which charges a fee, but there is also nearby free public parking. I pick the walk back up at the charming tucked-away Terranea Beach. As I head north, the trail climbs. I can see stretches of shoreline closed off, tantalizingly visible with no way to reach them.

I stop at the Point Vicente Interpretive Center, a modest but free museum perched above the water. Several people are gathered outside with binoculars, scanning the horizon. They tell me humpbacks were spotted farther out earlier, feeding. It’s easier to see them on the far side of Catalina, they explain, but they still watch from here, every day, sunrise to sunset, December through May. This is the Gray Whale Census and Behavior Project, run by the American Cetacean Society. Volunteers have been coming here for 43 years, counting whales as they migrate past the point.

The Point Vicente lighthouse, perched above the water where Gray Whale Census volunteers keep watch.

(Jackie Snow)

Volunteers with the Gray Whale Census and Behavior Project scanning the horizon. They’ve been counting whales here for 43 years.

(Jackie Snow)

After I peel myself away from looking for whales, the tides won’t allow me to climb down to Honeymoon Cove. I stay on the cliffs and admire the impressive houses around me. I continue until I round the Palos Verdes Estates cliffs, on Paseo del Mar, and see the long, flat stretch of built-up beaches unfurling ahead, South Bay-style, Malibu faint in the distance.

I’ve only done about 15 miles of my walk and suddenly I see how much more there is to go. I’m hot. I’m tired. I packed bad snacks. The sheer expanse of it, frankly, stresses me out. I had planned to make it to Rat Beach in Palos Verdes Estates, but I call it early.

The small coves that punctuate the Palos Verdes coastline, visible from the cliffs above.

(Jackie Snow)

Palos Verdes Estates Shoreline Preserve to El Porto Beach: 7.9 miles

I start back at Palos Verdes Estates cliffs. A couple of turns in, I come across my first real surf spot of the walk. I don’t think I’ve ever seen a surf break from this high up. The waves look less like waves and more like pulses of energy moving under the skin of the ocean.

When I finally hit Rat Beach and see how flat the coastline stretches ahead, I feel like dropping to my knees and kissing the ground. After days of cliffs and detours, the openness feels generous.

Hermosa Beach is busy with volleyball nets in use at a level that suggests Olympic aspirations. Forty minutes later, I stop at Ercole’s in Manhattan Beach two blocks off the boardwalk and demolish one of its famed burgers. Instead of stopping where I planned, I keep going and end at my familiar surf spot El Porto.

Surfers walking out to the break at El Porto.

(Jackie Snow)

El Porto Beach to Ballona Creek Jetty: 4.8 miles

I’m back at El Porto Beach, this time walking a paved boardwalk through a thick, foggy marine layer with my husband and a friend who’s in town visiting.

Suddenly, my friend realizes he’s dropped his wallet somewhere north of El Segundo. Cue a round of retraced steps and mild panic. An angel named Dr. Gaz finds it, looks up my friend, and bikes it over so we don’t have to retrace any further. The wallet is returned. Our trio survives. We keep walking, stopping at Ballona Creek Jetty.

A dog and his man relaxing on the beach in Marina Del Rey.

(Jackie Snow)

Marina Del Rey to Will Rogers Beach: 7.4 miles

In this classic boardwalk stretch, we eye the muscle men of Muscle Beach, pause for a quiet break at Small World Books in Venice and walk next to skateboarders (including one dressed as a Santa) in Santa Monica, before ending at Will Rogers State Beach.

The rocks and tide pools just past Malibu Lagoon, where the king tide pulled the water back farther than usual.

(Jackie Snow)

Will Rogers Beach to Malibu Pier: 7.7 miles

I do this stretch with my husband on New Year’s Day, parking at Will Rogers Beach Lot Three and timing it to a king tide. The highs are higher, but the lows are lower too, which is the part we’re interested in.

Even with the king tide low, the beach opens up and pinches closed without warning, and we move between wet sand, rocks we feel like traversing, and the shoulder of the Pacific Coast Highway when we don’t.

Soon enough, we hit the section of burned-out houses that still haunt the beach nearly a year later. I think I can still smell the smoke. It’s the quietest stretch of the whole walk, and the only place the emptiness feels like loss instead of calm.

The Malibu coastline near Escondido Beach.

(Jackie Snow)

When we finally reach the Malibu Pier, it feels like stepping back into civilization. People are on the beach. Nobu is packed. We eat at Malibu Farm and sit indoors, grateful for chairs, shade and food that isn’t trail mix.

Afterward, we take the bus back to the car from a stop near the Pier on the PCH, which turns out to be one of the most beautiful bus rides in existence, with the coastline framed perfectly by wide windows.

Malibu Pier to Escondido Beach: 5.7 miles

We come back the next day for another king tide, despite rain in the forecast. I start on the other side of Malibu Lagoon State Beach, which looks like nothing else on this walk. It’s swampy and green and quietly buzzing, reminding me of Florida, my home turf. Birders are out, rain jackets zipped, binoculars already up.

There are still rocks and little rivers to navigate, but the tide is so low it’s exposing tide pools I didn’t know existed up here. The sand is packed and forgiving, and we cover distance quickly until the rain really starts coming down.

We exit using the new stairs at Escondido Beach, also known as Hidden Beach, which were installed in 2023 after a multidecade battle over access. I take them slowly as I celebrate a mostly triumphant walk.

The Malibu coastline just south of Point Dume.

(Jackie Snow)

Escondido Beach to Zuma Beach: 6.7 miles

I head back to Escondido Beach, a few days later at low tide, though the tide is already coming in. That turns out to be a mistake. My second mistake is coming alone. As I scramble over rocks helpfully labeled with a sign warning not to climb on them, it’s dangerous, I notice my phone has no service. I decide the safest option is to soak my hiking boots instead along the incoming tide.

With my shoes sloshing and Google Maps satellite view looking deeply uncommitted to the stretch just south of Point Dume, I try to exit. Nope. Gated community. Not ready to give up, I keep going.

The surfer south of Point Dume whose companions offered to unlock the gate.

(Jackie Snow)

I spot a woman surfing and stop to take a photo. Her non-surfing companions start chatting with me. When they hear what I’m doing and where I’m trying to go, they offer to unlock the gate. It’s a genuinely kind gesture. But since I’m doing this for you, reader, I ask if there’s an exit farther along. They say there are stairs up ahead, probably reachable. I tell them, in the nicest way possible, that I hope I don’t see them again, and keep going.

My shoes are now collecting water on every step, the bottoms of my pants are wet, and everything underfoot is baseball-sized rocks, which I think is the worst possible rock size for walking. I round the curve. I spot the stairs.

If I had turned off satellite view, the stairs would have been obvious. So much for trying to read the coastline.

I climb out and walk to the tip of Point Dume and look south. I can see the South Bay, where I called it early weeks ago, hot and tired and hating my snacks. I’m still hot. I’m still tired. My snacks are still crummy. But standing here, salty and damp, I realize I don’t want this to walk to end.

The view from the cliffs near Point Dume.

(Jackie Snow)

Zuma Beach to county line: 5.3 miles

Today I timed the hike with a tide going out and my husband joins me so I don’t have a repeat from last time. We park along the PCH at Zuma. The first stretch we go by “Hannah Montana’s View,” a very persistent Google map label. It’s calm until a curve, where a gaggle of adolescent boys, shirtless and shoeless, are trying but failing to climb over the mussel-covered rocks ahead of us. For the second time on this walk, I have to turn around and back-track to the last exit, maybe a quarter mile back.

Luckily, the sighting of a Little Free Library makes the detour feel less like a failure and more like a reward. We cut through a small gated community that turns out to have a door for exactly this purpose, a quiet acknowledgment that people do, in fact, want to walk through here. There is so much rock walking. So much. Eventually we reach Leo Carrillo State Beach, where Los Angeles actually ends and Ventura County begins. Despite the name, County Line Beach is another mile or so away.

Gated Lechuza Point neighborhood has a beach access road that lets walkers get to the shore.

(Jackie Snow)

I watch people walk across the county border without noticing it at all, no fanfare, no announcement, no sense that anything has changed. They keep going. I stop. They are not done walking, but I am.

I haven’t seen every inch of the Los Angeles County coastline. I double-checked my walking distance and I’m still not at 75 miles, more like 65. The number I found online is probably not entirely accurate (the coastline is constantly changing). Maybe it’s closer to 70. But I have seen whale-watch perches, burned-out Malibu lots, crowded boardwalks and magnificent waves. The coastline is both fragile and welcoming — and walkable — if you’re willing to chase the tides.

Grizz Chapman, an actor best known for his role as Grizz on NBC’s Emmy-winning comedy “30 Rock,” has died. He was 52.

Chapman’s cousin, Donte Harrison, confirmed the actor’s death on social media.

“Life gave my cousin Grizz Chapman some heavy battles, but he fought them with strength and dignity until the very end,” Harrison wrote. “A lot of people knew him as the sitcom star from 30 Rock, but we knew the man behind the screen. A good heart, good energy, and somebody who made an impact in this life.

“After years of fighting illness and dialysis, he passed peacefully in his sleep on May 22nd, 2026. I’m thankful we got time to reconnect 2 months before his passing.”

Born Mack D. Chapman on April 16, 1974, in Brooklyn, N.Y., Chapman got the name Grizz while working as a security guard at nightclubs around New York. The claim to fame of the 7-foot-tall security guard turned actor would be portraying a character that resembled himself: a towering bodyguard named Grizz.

Chapman played the mild-mannered bodyguard across 80 episodes of the wildly popular sitcom “30 Rock,” which starred Tina Fey, Tracy Morgan and Alec Baldwin. Chapman’s character was part of the entourage of Tracy Jordan (played by Morgan).

Chapman told Cracked in 2024 that landing “30 Rock” was the “hardest/easiest audition I ever had in my life.”

But it wasn’t until the second season of the show that Chapman felt he really broke through as a performer. On Episode 210, he performs a rendition of “Midnight Train to Georgia” alongside the veteran ensemble. “That showed so many levels of our talents — we got a chance to dance, we got a chance to sing, we got a chance to take direction and to be funny.”

In addition to acting in various projects, including the 2014 film “The Cobbler,” which starred Adam Sandler, and the 2016 thriller “Money Monster,” starring George Clooney and Julia Roberts, Chapman was an advocate for the National Kidney Foundation.

The actor battled high blood pressure and kidney disease and struggled with his weight for years, and in 2009, he announced he was seeking a donor for a kidney transplant. During an appearance on “The Dr. Oz Show,” the actor said, “I don’t want to go through this forever.”

Chapman told Dr. Oz that he’d coped with the news by acknowledging it was “a scary situation” but deciding to “face it one way or another.”

When Dr. Oz asked him what he wished for, the actor said, “I want to stay alive.”

Chapman spent nearly two years undergoing dialysis treatments three days a week for 4½ hours a day while filming “30 Rock” and hoping for a donor. In the process, he lost more than 150 pounds, hoping to be fit enough for the procedure. After the episode of “Dr. Oz” aired, a fan of Chapman’s, Ryan Perkins, flew from Arizona to New York to meet the actor. Perkins, then in his early 20s, knew he wanted to do something that could change someone’s life.

“I was emotional. I was excited. I wanted to scream. It was exciting to meet someone with that kind of willingness to help,” Chapman told the East Valley Tribune.

“How do you ever repay someone for something like that? You can’t. It’s not like borrowing $20 from someone and telling them you’re going to give it back. It’s something that you can never repay someone for.”

HARLEM rapper Rob Base, one-half of Rob Base & DJ E-Z Rock, has died aged 59.

The musician, whose real name is Robert Ginyard, passed away after a private battle with cancer, his family announced in a statement.

Base, best known for the hit “It Takes Two”, celebrated his birthday just four days ago.

A statement posted on his social media account read: “Rob’s music, energy, and legacy helped shape a generation and brought joy to millions around the world.

“Beyond the stage, he was a loving father, family man, friend, and creative force whose impact will never be forgotten.

“Thank you for the music, the memories, and the moments that became the soundtrack to our lives.”

Base and E-Z Rock brought a unique blend of house music and hip-hop to the mainstream in the 1980s.

E-Z Rock died from complications of diabetes in 2014.

Their breakaway hit, “It Takes Two”, reached number three on the Billboard Hot Dance/Club Songs chart in 1988.

What began as a neighbourhood party record from the streets of Harlem blew up into an iconic anthem.

Since its release the track has been sampled by everyone from Snoop Dogg to Black Eyd Peas.

Base and E-Z Rock met in the fifth grade while growing up in Harlem.

They became inspired to form a duo as teenagers leading Base to buy a mic and E-Z Rock a mixer and turntables.

More recently, Base continued performing on the “I Love the ’90s Tour” alongside acts like Vanilla Ice and Young MC.

He also mentored up-and-coming artists under his company Funky Base inc.

Base also worked as an executive producer on the horror film “Urban Flesh Easters”, released last year.

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Benidorm star Crissy Rock has warned that political correctness has possibly “gone too far” for the beloved sitcom to make a comeback but has a new project that she says is perfect for fans of the show

Crissy Rock has warned that political correctness might put a stop to a reboot of Benidorm. The actress, 67, starred as Janey Yorke in the first four series of the sunny sitcom, which ran from 2007 until 2018.

Whilst the star would jump at the chance to go back to her role as the Solana hotel manageress, who was eventually replaced by Sherrie Hewson as Joyce Temple-Savage, she worries that certain attitudes these days might make a comeback impossible.

She told The Mirror: “There’s always whispers [about a reboot], this, that and the other. I’m sure there would be a place for it because it’s so in demand, but with all this political correctness you can’t say this and you can’t say that now.

“You can’t even smoke! I was watching something the other day and a thing came up saying ‘May contain smoking!’ What’s wrong? The world’s gone mad!”

READ MORE: Benidorm favourite Elsie Kelly dies as co-star pays heartfelt tributeREAD MORE: Sherrie Hewson shares bleak Benidorm update amid reboot rumours

The former I’m A Celebrity…Get Me Out Of Here! contestant, who starred on Benidorm alongside other TV favourites like Siobhan Finneran, Johnny Vegas and Sheridan Smith amongst a host of others, tries to stay away from politics when she performs her stand-up routines, but still thinks that it has all “gone too far” with what can and can’t be said these days.

She added: “In my own show, I don’t do politics. My act has been practically the same for years but I just think [political correctness] has all gone too far the other way. In pantomime, you can’t have the Prince kiss Snow White anymore but you can have a dog come on and lick her face, I mean, it’s gone too far! Someone said I couldn’t say ‘Alright, love’ anymore. It’s just gone stupid!”

Despite her willingness to make a comeback should the chance ever appear, Crissy doesn’t have all good memories from working on the set in the Spanish city.

She said: “It was lovely, and then the reality kicked in that you were stuck in a building with no air conditioning, really roasting with the lights and, half the time you couldn’t hardly breathe. Then you have to start turning the lights off and put the air conditioning on because it was really, really hot, especially when they’re doing all the indoor scenes in the club.”

But for now, Crissy, who shot to fame when she took on the leading role of the 1994 film Ladybird, Ladybird, is happy to be back on stage with a new production of Desperate Scousewives. She stars as Lily, who along with Susan and Vanessa, must navigate things when Trisha, a single mum from Manchester, arrives on their tight-knit backstreet in Liverpool.

All set during a hen do, where the bride is preparing to get married to man in prison she has never actually met, Crissy thinks it will be the perfect night out for fans of the ITV sitcom.

She explained: “Desperate Scousewives is a bit like Benidorm, because the reason Benidorm was so successful is people would watch it and go, ‘Doesn’t that remind you of that drunk around the corner, oh what about her? I know someone just like her!’

“So everyone recognised themselves as someone. And with Desperate Scousewives, everyone who goes will say, ‘I remember that,’ and ‘I recognise her!'”

Desperate Scousewives is written by Lynne Fitzgerald, who also stars as Susan in the production, and embraces the kind of Northern humour that has become synonymous with programmes like Coronation Street, The Royle Family and Shameless.

Liverpool-born Crissy was challenged by someone who wondered how that kind of humour would go down across the nation but she remained full of confidence that it is a universally funny piece of work.

She said: “I met someone who wasn’t from up north who said ‘How do you think this is going to travel?’ and I said ‘Perfectly!’ because we are the street anywhere in the country.

“There’s three or four women exactly like that in every other street in the county. It’s not about your voice or where you’re from, it’s… individuals, their lives, So it could be any street in any part of England.

“I play bit of a matriarch. Nosey, absolutely nosey. And she wants to know everyone’s business but she doesn’t want anyone to know her business and then when she meets anyone new she puts this telephone voice on, trying to talk posh.

“The others will be telling her to shut up and she’ll go ‘Oh, take no notice of those little b*****s!’ It’s been such good fun [in rehearsals], we can’t look at each other without laughing!”

Desperate Scousewives is on tour across the UK. For tickets and more information, go to www.scousewivesonstage.com

Barbara Palvin and Dylan Sprouse are expecting their first child together.

The model debuted her baby bump Thursday at the 2026 Cannes Film Festival, where she walked the red carpet for the premiere of “Parallel Tales” along with her husband.

The couple posed for photos at the event, drawing attention to their gestating bundle of joy by framing and caressing Palvin’s belly. According to TMZ, the baby is due around August or September.

Palvin and Sprouse also took to Instagram to share their happy news. Included in the slideshow they posted Thursday is what appears to be a sonogram image of a fetus in a womb, throwing a “rock on” hand signal.

“High School Musical” star Vanessa Hudgens, who appeared alongside Sprouse in “The Suite Life of Zack & Cody” in 2006, was among the couple’s well-wishers on social media.

“Rock on little family,” Hudgens wrote in her comment, which also included a heart emoji.

The former Disney Channel star and Victoria’s Secret model first met at a party in 2017. In a 2018 video for Vogue Australia, Palvin shared that Sprouse was her first boyfriend in six years and described him as a “perfect guy” who is “very kind and gentle.” The couple tied the knot in 2023.

In April, Sprouse tackled a trespasser at his Hollywood Hills home after Palvin spotted “the creepy” intruder. Palvin called the police, and Sprouse held the suspect down until they arrived.

TOWIE star Jake Hall laid bare the “only reason” he was still alive after hitting rock bottom in his heartbreaking last interview.

The 35-year-old, who has been found dead in a Spanish holiday villa, said the only thing that kept him going was his daughter River.

Now eight, the little girl brought him back from the brink after the collapse of his first fashion label Prévu in 2023.

He said: “I was at a very low point.

“I’d lost something that I’d loved and grew from my bedroom. I went through a lot of turmoil.

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“If I’m honest, River is the reason I’m here today. She’s amazing and we’ve got an incredible relationship. She’s very creative, is always dancing and loves clothes.

“It was that part that hurt most when I lost Prévu. I lost something that was for her, everything I do is for her and her future.”

Jake shot to fame on The Only Way Is Essex in 2015 and had an explosive on-off relationship with Chloe Lewis, with millions of viewers following every moment of their doomed romance.

He left the show in 2016 and later revealed he had not kept in touch with any of his co-stars.

“I was very young,” he said.

“And it was an experience. I’m in a very different place in life now and want different things. There has been a lot of good and bad.”

Jake also opened about finding early success hard, and that he had struggled with self-belief when he was younger which had a major impact on his life.

He was desperate to be a role model for children who had faced similar problems and could not see themselves succeeding.

He said: “School was tough for me.

“I had dyslexia and quite a lot of problems growing up, and I want to show guys who might be similar to me that they can do it too. If I can, so can they.”

At the time of the interview in May last year, Jake was celebrating the launch of his second clothing brand By Jake Hall.

It had already been worn by major stars including David Beckham, former Vogue editor Edward Enninful and Manchester City star Erling Haaland.

Enninful, one of the most respected names in fashion, had worn one of Jake’s suits during the Monaco Grand Prix and had ordered two more.

Alan Partridge actor Steve Coogan is starring in Netflix’s searing new spy drama Legends

Netflix fans want to know more about comedy legend Steve Coogan after his recent turn in the British 90s-set thriller Legends.

Legends only dropped today (May 7) on Netflix, but audiences are already watching the six-part series, based on an incredible true story.

The show follows a group of customs officers, who become agents and adopt ‘legends’ or alter-egos as they go undercover to infiltrate Britain’s most notorious drug gangs as part of Margaret Thatcher’s war on drugs.

Coogan plays Don, the head of a top-secret group, which has been sent out into the field with minimal training and no budget or official recognition for their dangerous but vital work.

Many audience members are keen to know more about Coogan’s life away from the cameras, here’s the lowdown including his famous ex-girlfriends and a “truly terrifying” experience.

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Steve Coogan’s famous ex-girlfriends

The star has dated some very famous faces in the past, most notably Nirvana frontman Kurt Cobain’s ex-wife, Courtney Love.

The pair had a fleeting fling with the Hole star – and both parties had some choice words about the romance.

Love described the fling in a 2021 social media post as “one of my life’s great shames” and went on to compare it to her solo musical endeavour America’s Sweetheart: “Like Steve Coogan, or crack, it’s one of my life’s great shames.”

Meanwhile, Coogan told GQ of their brief time together: “Some of it was true, most of it was b******s. To borrow the title of the film [2005’s A Cock and Bull Story], it was 20 per cent cock and 80 per cent bull.”

Along with Love, Coogan was also linked to model and restaurant heiress China Chow between 2008 to 2011, model Elle Basey from 2011 to 2014, and former TV presenter Melanie Sykes between 2018 and 2019.

He is father to Clare Coogan Cole, whom he shares with TV producer Anna Cole.

Coogan is now thought to be dating model and actress Caitlin Walsh since 2021.

Steve Coogan’s real accent

The star grew up in Middleton, Lancashire and studied in Manchester however, he recently admitted how he rarely gets to use his real accent as part of his work until he starred in Legends.

He explained in a recent interview: “I’ve played a lot of different people in my career, and it was quite nice to play someone who is from the North of England, which is where I’m from.

“It’s the first time I’ve been able to do my unfiltered, native accent, and that’s also quite enjoyable.”

Going on to speak about his character Don in Legends, Coogan said: “He’s no-nonsense and plain speaking, and people who meet him for the first time might consider him to be rude, unfiltered and direct.

“But they soon learn that he does care very deeply about the welfare of the people who work for him.

“He’s quite a moral man, despite his bluff, forthright nature, and that’s always an interesting character to play.”

Steve Coogan’s ‘terrifying’ ordeal

Coogan spoke candidly in his 2015 book Easily Distracted as per The Guardian about his former drug use and mental health, saying that he had a “truly terrifying cocaine-induced panic attack” in 1992 while living in Edinburgh.

He went on to describe how he had “been up all night doing drugs” when he started to feel dizzy and he was on the “verge of blacking out”.

A distraught Coogan was taken to hospital by a friend and thought he was going to die.

However, he was reassured by the doctor that it was a panic attack and he would be kept in overnight.

Instead of staying at the hospital, Coogan left and explained: “I was scared of what might be written about me in the papers.”

He continued to have panic attacks which led to depression.

Coogan sought out a therapist, who explained he was having panic attacks and taught him breathing exercises to manage any feelings of “impending catastrophe”.

As his panic attacks lessened, the Philomena star admitted he started doing cocaine again.

He reflected: “I spent tens of thousands of pounds on everyone else’s addiction, but it took me a long time to face up to my own.”

In the 2020 book Don’t Look Back In Anger, which featured interviews from numerous other Britpop era stars, Coogan said: “Some of the live shows I did I was still intoxicated from the night before. I didn’t care. I had a feeling of indestructibility.”

He added: “But the bottom line is the drugs don’t work.”

Although the star has now given up drugs, he still considers himself an addict.

Legends is streaming on Netflix now

BELOVED British rock legend, Alex Ligertwood, who helped shape the sound of Santana has died aged 79.

His daughter, Merci, shared the heartbreaking news on Saturday following his death just weeks after taking the stage for the final time.

The Brogan Agency confirmed a day later that the star “passed peacefully in his sleep with his doggy Bobo by his side” at his longtime home in Santa Monica.

Tributes have already begun pouring in for the iconic frontman, whose powerhouse vocals defined an era.

Guitarist Brandon Paul, who toured alongside him in recent years as part of “Icons of Classic Rock,” led the emotional tributes – hailing him as “a world-class professional.”

He said: “His voice was a force of nature – soulful, from the heart, and legendary every single night. Beyond the music, he was an amazing human being and a dear friend.”

Brandon added: “Having a vocalist who worked with icons like Carlos Santana and Jeff Beck compliment my guitar playing is something I will carry with me forever.”

The singer worked as Santana’s lead vocalist on five separate occasions between 1979 and 1994, lending his unmistakable voice to classic albums including Marathon, Zebop!, Shango and Sacred Fire: Live in South America.

He also brought some of the band’s biggest hits roaring to life on stage, including “Winning,” “Hold On,” and “All I Ever Wanted.”

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A BRIT rock star has revealed how he has become a dad for the first time.

Royal Blood’s guitarist Ben Thatcher, 38, also thrilled fans when he announced his newborn son’s unusual name.

The Brit Award-winning musician revealed that he and his longterm partner Becca had welcomed a baby boy named Phoenix.

The star took to Instagram this afternoon to announce the news and also shared a glimpse of his new arrival with his army of followers.

Writing alongside an adorable snap of the newborn baby, which shows the rocker cradling his son, the proud dad wrote: “Introducing my little boy, Phoenix Rue Thatcher.

“He has stolen my heart. @beccamcginty_ thank you for growing this little miracle.

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“I love you, you’re already the greatest mum to our wee lad. And thank you to @nhssurreysussex for delivering our little boy safely into the world.”

Ben’s friends and followers including some of his celebrity pals were quick to congratulate him on the news.

Strictly Come Dancing star, and fellow new dad, Joe Sugg was one of the first to send well wishes, penning: “Congrats to you both!”

While Radio 1 host Jack Saunders said: “Congratulations to you both. What a gorgeous boy.”

Brit actress Emma Laird gushed: “Congratulations oh my gosh.”

Ben along with his bandmate Mike Kerr formed Royal Blood back in 2011.

They have since gone on to make history after their first four albums all hit the No. 1 spot in the charts.

They aren’t just famous in the UK, Royal Blood have also achieved global success and played sold out shows and festivals across the world.

They have also performed with fellow rock icons including Muse and Foo Fighters, who both personally invited them to support them on their stadium tours.

Previously speaking to The Sun about performing with these huge bands, Ben told us in 2023: “Muse are a fantastic band for us to open up for because our fans kind of have the same DNA.

“So, for us to go out into those stadiums is like playing to a lot of our fans really, but in places where we wouldn’t be able to play normally.

“Like the Stade de France in Paris, which was amazing.

“You forget how many hits Muse or Coldplay have.

“They’re both made for stadium shows. Muse really is an unbelievable band.”

April 28 (UPI) — Defense Secretary Pete Hegseth said he shared a ride in a U.S. Army helicopter with Kid Rock weeks after the military came under fire for carrying out an Apache flyby of the musician’s home in Nashville.

Hegseth posted photos of himself and Kid Rock with members of the military on Monday.

“Joined my friend @KidRock — and some of our great @USArmy Apache pilots — for a ride this morning. (More to come on that!)” Hegseth wrote.

“Kid Rock is a patriot and huge supporter of our troops. The War Department is wasting no time celebrating America’s 250th — home of the free because of the brave.”

Sean Parnell, a spokesman for the Pentagon, said Monday’s helicopter ride for Kid Rock was part of the government’s plans to celebrate the country’s 250th birthday, The New York Times reported. CNN reported that Parnell said Kid Rock filmed videos to mark Memorial Day, the 250th birthday and his own Freedom 250 concert tour.

“The visit today provided an opportunity for Kid Rock to thank service members, highlight the professionalism of the men and women supporting the mission, and recognize their continued sacrifice in honor of our nation. The department is grateful for Kid Rock’s long-time support of our troops.”

In late March, the U.S. Army said it was conducting an administrative review after Apache helicopters performed a flyby of Kid Rock’s home. Days later, Hegseth shut down the investigation.

“@USArmy pilots suspension LIFTED,” he wrote in a post on X.

“No punishment. No investigation. Carry on, patriots.”

On March 28, Kid Rock posted two videos showing two Apache helicopters flying by and hovering near his home, which he has dubbed “The Southern White House.” In one of the videos, the musician can be seem saluting one of the helicopters before raising his fist in the air.

The performer has made several appearances in support of President Donald Trump during his second term in office.

Maj. Jonathon Bless, a spokesman for the 101st Airborne Division, said the Army’s probe would verify the helicopters were in compliance with safety and airspace regulations.

“Army aviators must adhere to strict safety standards, professionalism and established flight regulations,” he said.

A ROCK band member has quit his group after 10 years, six albums and huge sold out arena tours.

Red Rum Club, who formed after sharing a rehearsal space, have confirmed their trumpet player has gone his separate ways.

Joe Corby, who is known for his soaring trumpet solos, has quit the band just weeks before they are set to head off on their big US tour.

Red Rum Club, who now have five members including Fran Doran, Simon Hepworth, Neil Lawson, Michael McDermott and Tom Williams, have confirmed future concerts are going ahead as planned.

The band, who formed in Merseyside, confirmed Joe’s shock exit from the group yesterday, in a sad statement on X.

They said: “It is with great sadness that we are announcing Joe’s departure from Red Rum Club.

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“We want to thank him for the music and the memories we have made over the last 10 years and we wish him all the best for the future.

“All future shows will be going ahead as scheduled.

“Love, Fran, Tom, Mike, Neil and Simon.”

Fans flooded the comments of the post, sharing their thoughts on the sad news.

One fan wrote: “Gutted, for me Joe is Red Rum Club, I have now followed you for the past nine years.”

Another fan penned: “Ahh, so sad to hear this! I hope it’s for a positive reason and no health issues or fall outs. Joe will be such a HUGE miss. As others have said, he’s been such an integral part of your USP.”

Elsewhere under the post, fans were speculating Joe had quit the band to pursue his own solo career.

Red Rum Club burst onto the music scene in January 2019 after releasing their debut album Matador, which reached Top 50 in the UK Album Sales Charts.

The album featured their hit single Would You Rather Be Lonely.

Dave Mason, a founding member of the British psychedelic rock band Traffic who wrote some of their best-known songs including “Feelin’ Alright?” and “Hole in My Shoe,” has died. He was 79.

The singer and guitarist died Sunday at his home in Gardnerville, Nev., his publicist confirmed to the Associated Press. No cause of death was given.

“On Sunday, April 19, after cooking an amazing dinner with his beloved wife Winifred, [Mason] sat down to take a nap with sweet Star (the maltese) at his feet,” said a post shared Tuesday on the musician’s Instagram page. “He passed away peacefully, in his favorite chair, surrounded by the beautiful Carson Valley that he loved so much. A storybook ending. On his own terms. Which is how he lived his life right up until the end.”

“He leaves a lasting imprint on the soundtrack of our lives and the hearts he has lifted. His legacy will be cherished forever,” the tribute concluded.

Mason canceled his 2024 tour dates after doctors “detected a serious heart condition” during a routine check-up that required “immediate medical attention.” He was expected to make “a full and successful recovery” after treatments. He later announced his retirement from touring in 2025, citing “ongoing health challenges.”

Born May 10, 1946, in Worcester, England, Mason was a teenager when he joined singer and keyboardist-guitarist Steve Winwood, drummer Jim Capaldi and woodwind player Chris Wood to form Traffic in 1967. The band was known for its psychedelic sound that blended elements (and instruments) of rock, blues, R&B and jazz.

Mason was inducted into the Rock & Roll Hall of Fame in 2004 for his work with Traffic, but the musician had a fraught history with the group.

“We did some good stuff,” Mason told The Times in 1995. “We were young kids. The first song I wrote was their first big hit in England (‘Hole in My Shoe’). But I was only 19 years old and couldn’t handle all the fame, really. It was just too much.”

He explained that after he left the band the first time, he was asked to come back because “they didn’t have enough songs for a second album,” while he had written “five or six” including “Feelin’ Alright?” The song, now considered a classic rock staple, has been covered by multiple artists including Joe Cocker, Huey Lewis, the Jackson 5, Gladys Knight & the Pips and Grand Funk Railroad.

“Then I found out that Steve [Winwood] didn’t really care for my stuff,” Mason said. “From my point of view, I think [our] differences made something better. … But it just pulled too much I suppose, and they couldn’t work it. I was more or less forced into having to leave.”

Mason’s subsequent solo career included three gold albums: his 1970 debut “Alone Together” — which featured hits like “Only You Know and I Know,” “Shouldn’t Have Took More Than You Gave” and “World in Changes;” 1974’s “Dave Mason” and 1978’s “Mariposa de Oro.” His 1977 album “Let It Flow” was certified platinum.

He also collaborated with other notable acts such as Eric Clapton, George Harrison, Jimi Hendrix, the Rolling Stones, Delaney & Bonnie and Friends, Joe Cocker’s Mad Dogs & Englishmen, and Fleetwood Mac.

Winwood shared a tribute to his bandmate on Wednesday on Instagram.

“Dave was part of Traffic during its earliest chapter, and played an important role in shaping the band’s sound and identity during that time,” said the caption accompanying a photo of a young Mason. “His songwriting, musicianship and distinctive spirit helped create music that has lasted far beyond its era, and continues to mean so much to listeners around the world.”

“Those years remain a special part of the band’s story, and Dave’s contribution to them is not forgotten,” Winwood continued. “His place in that history will always be remembered, and through the music, his presence endures.”

Mason is survived by his wife, Winifred Wilson, daughter Danielle, nephew John Leonard, niece Michelle Leonard and his brothers-in-law, Sloan Wilson and Walton Wilson.

By early 1963, the Station Hotel in London had become an epicenter of the burgeoning British blues scene. On a blustery, snowy night that February, the Rolling Stones’ classic early lineup took the stage for one of the first times, dazzling the audience with ferocious renditions of blues standards like Muddy Waters’ “I Want to Be Loved” and Jimmy Reed’s “Bright Lights, Big City.”

Multi-instrumentalist Brian Jones, the band’s founder and leader, synchronized guitars with Keith Richards, who favored a distinctive slashing and stinging style. Drummer Charlie Watts, the group’s newest member, a jazz aficionado and an accomplished percussionist, propelled the music forward with a rock-solid beat.

Anchoring the rhythm section with him was bassist Bill Wyman, who was recruited more for his spare VOX AC30 amp that the guitarists could plug into than for his musical skills. The stoic bassist proved a strong and innovative player. Together, he and Watts would go on to form one of rock’s most decorated rhythm sections.

Ian Stewart’s energetic boogie-woogie piano style rounded out the sound. Months later, manager Andrew Loog Oldham kicked him out of the band for being “ugly,” although Stewart continued to record, tour and serve as the band’s road manager until his death in 1985.

This April 8, 1964, file photo shows the Rolling Stones during a rehearsal. The members, from left, are Brian Jones, guitar; Bill Wyman, bass; Charlie Watts, drums; Mick Jagger, vocals; and Keith Richards, guitar.

(Associated Press)

Fronting the group was Mick Jagger. Channeling the music like a crazed shaman, Jagger shimmied and sashayed, owning the stage like few lead singers have before or since. By the end of the night, the Stones had the crowd in a frenzy. Although only 30 people had made it to the gig because of the treacherous weather conditions, the hotel’s booker had seen enough: He offered the Stones a regular gig.

“The Rolling Stones had caught fire. The music they were playing and the way they played it struck a chord with a young crowd starved for something different, something their own… It was soul-stirring, loud and uncompromising,” writes Bob Spitz in “The Rolling Stones: The Biography,” his magisterial work that charts the 60-year journey of “the greatest rock and roll band in the world.”

Spitz, the author of strong biographies on the Beatles and Led Zeppelin, as well as Ronald Reagan and Julia Child, captures the drama, trauma and betrayals that have kept the Stones in the public’s consciousness for more than six decades. It’s all here: The Stones’ evolution from a blues cover band to artistic rival of the Beatles; the musical peaks — “Aftermath,” “Let It Bleed” and “Exile on Main Street” as well as misfires like “Dirty Work”; Keith’s descent into a debilitating heroin addiction that nearly destroyed him and the band; the death of the ‘60s at the ill-fated Altamont free concert; Marianne Faithfull, Anita Pallenberg, Bianca Jagger, Jerry Hall and other lovers, partners and muses; the breakups, makeups and crackups; and perhaps most important, the unbreakable bond between Jagger and Richards at the center of it all.

Although Spitz unearths little new information, he excels at presenting the Stones in glorious Technicolor. Spitz homes in on the telling details and anecdotes that give the band’s story a deep richness and poignancy.

Take “Satisfaction,” the Stones’ 1965 classic and first U.S. chart topper. The oft-told story is that Richards woke up in the middle of the night, grabbed the guitar that was next to his bed, and recorded the iconic riff and the phrase “I can’t get no … satisfaction” on a cassette recorder in his Clearwater, Fla., hotel room before falling back asleep. But as Spitz notes, the song initially went nowhere in the studio. That is until Stewart purchased a fuzz box for Richards a few days later, which gave the tune a raunchier sound that perfectly matched Jagger’s lyrics of frustration and alienation. A classic was born.

Piercing the Stones mythology

Spitz’s deep reporting often pierces the mythology surrounding the band. Contrary to the popular belief of many fans, for instance, Jones bears much of the responsibility for the rift with his bandmates and his tragic demise.

The most musically adventurous member of the group — he plays sitar on “Paint It Black” and dulcimer on “Lady Jane” — Jones wasn’t a songwriter. That stoked his jealousies and insecurities, along with frontman Jagger stealing the spotlight from him. A monster of a man, Jones impregnated multiple teenage girls and physically and emotionally abused several women, including Pallenberg. Perhaps that’s why she left him for Richards. Over time, Jones made fewer contributions in the studio and onstage, becoming a catatonic drug casualty. The Stones fired Jones in June 1969 but would have been justified doing so a couple years earlier. He drowned in his pool less than a month later.

Author Bob Spitz

(Elena Seibert)

Similarly, Stones lore has long romanticized the making of “Exile on Main Street” in the stifling, dingy basement of Richards’ rented Villa Nellcôte in the South of France, where the Stones had decamped to avoid British taxes. In this telling, Richards, deep in the throes of heroin addiction, somehow managed to come up with one indelible riff after another built around his signature open G tuning — taught to him by Ry Cooder — leading the band to create one of the best albums in rock history. That’s not entirely accurate, according to Spitz.

Yes, Richards came up with the licks for “Rocks Off,” “Happy” and “Tumbling Dice.” But it’s equally true that a strung-out Richards missed myriad recording sessions, invited dealers, hangers-on and other distractions to Nellcôte, and repeatedly failed to turn up to write with Jagger. Far from completing the album in the druggy haze of a French basement, the band spent six months on overdubs at Sunset Sound in Los Angeles, where Jagger contributed many of his vocals.

Beatles vs. Stones

One of the more interesting themes Spitz develops is the symbiotic relationship between the Beatles and Stones, with the Fab Four mostly overshadowing them — until they didn’t.

John Lennon and Paul McCartney wrote “I Wanna Be Your Man” and gave it to the Stones, whose 1963 rendition, with Jones on slide guitar, became the group’s first UK Top 20 hit. The Lennon-McCartney songwriting partnership inspired Jagger and Richards to begin penning their own songs. In early 1964, the Beatles came to the U.S. for the first time, making television history with their appearance on “The Ed Sullivan Show” and playing Carnegie Hall. A few months later, the Stones kicked off their inaugural American tour at the Swing Auditorium in San Bernardino. In 1967, the Beatles released “Sgt. Pepper’s Lonely Hearts Club Band,” a psychedelic masterpiece. The Stones responded with “Their Satanic Majesties Request,” a psychedelic mess.

The Rolling Stones: The Biography cover

As the Beatles began to splinter, Spitz writes, the Stones sharpened their focus. The band released “Beggars Banquet” in late 1968 and “Let It Bleed” the following year, albums every bit as innovative and visionary as “The White Album” and “Abbey Road.” For the first time, the two groups stood as equals.

When the Beatles broke up in 1970, the Stones kept rolling. With Jones replaced by virtuoso guitarist Mick Taylor — whose fluid, melodic style served as a tasty foil to Richards — they produced what many consider their finest works, “Sticky Fingers” and “Exile on Main Street.” More impressively, the band, with Taylor’s successor, Ronnie Wood, has continued to dazzle audiences with incendiary live shows, touring as recently as 2024 behind the late-career triumph “Hackney Diamonds.” The Beatles, by contrast, retired from the road in 1966 and devoted their energies to the studio.

Hundreds of books have been written about the Rolling Stones, but few sparkle quite like Spitz’s. For anyone who loves or even likes the Stones, it’s indispensable.

Like most of the band’s biographers, Spitz gives short shrift to the post-“Exile” period after 1972. He curtly dismisses 2005’s strong “A Bigger Bang” and 2016’s “Blue & Lonesome,” a back-to-basics album of blues covers, as “adequate endeavors that signaled a band living on borrowed time.” That critique is both off target and under-developed. Spitz ignores the band’s legendary live album, “Brussels Affair,” recorded in 1973, or why the band waited decades before officially releasing it.

These are small quibbles. Spitz has written a book worthy of its 704-page length; another 50 or so pages covering the later years would have made it even stronger. To quote the Rolling Stones: “I know it’s only rock ‘n roll, but I like it, like it, yes, I do.”

Marc Ballon, a former Times, Forbes and Inc. Magazine reporter, teaches an advanced writing class at USC. He lives in Fullerton.