Rock

Thundering drums and shredding guitar solos cut through the crowd as pyrotechnics and streamer cannons blast. The energy and production feel like a show at the Hollywood Palladium or the Forum, but we’re at Knott’s Berry Farm, on the rooftop of a big red doghouse — that is if we can suspend our disbelief for an evening. The educational rock band Jelly of the Month Club along with guest musicians Charlie Brown, Lucy, Schroeder and Linus set up the show’s finale with a question: “Where’s that crazy dog?” Hundreds of fans scream as “All aboard!” resonates through the park, watching in anticipation as a spotlight searches for its fuzzy rock ‘n’ roll star to emerge.

Chances are you’ve seen Snoopy dressed as Doggy Pawsbourne on your Instagram or TikTok feed, complete with Ozzy’s signature round sunglasses, long hair and trench coat, punctuating the Prince of Barkness’ “Crazy Train” entrance. Snoopy’s Legendary Rooftop Concert became an instant hit with park patrons and with fans internationally thanks to a viral video posted on opening night. Sharon Osbourne shared the “Peanuts” tribute to her late husband with the all caps message “I LOVE IT” to her social media from the floor of the 68th Grammy Awards. But it’s more than witty puns and costumes that make Snoopy’s Legendary Rooftop Concert special.

The show at Knott’s tells the story of Snoopy learning to be a rock star at Jelly of the Month Club’s Music Academy and touring the world with the band. Snoopy takes on fursonas like Dog Lennon, Paw Prince, Fido Mercury, Flying Ace Freely and even a lost member of Devo wearing the signature Energy Dome hat. Jelly of the Month Club hits every beat and chord with precision, with arrangements of songs and medleys that bring together the power of rock’s past with the whimsy of “Peanuts.” Woodstock gets a solo moment too, whistling on Dog Marley’s “Three Little Birds,” set to a perfect one drop beat as Charlie Brown spirals out in a chicken suit while rubber chickens sway.

“We got rows of kids bringing their own rubber chickens,” show director Rob Perez tells me. “Its almost like watching ‘Rocky Horror’; kind of bizarre, really funny, and charming.” When Charles Schulz’s daughter Jill came to see the show, she told Perez that her dad used to say “there’s nothing funnier than a rubber chicken.”

Snoopy as Doggy Pawsbourne at Knott’s Berry Farm

(Dick Slaughter)

It makes sense that rock ‘n’ roll appeals to Snoopy; he’s a bit of an outsider with an internal life seen by almost none of his friends. It makes more sense that the feeling of family promised by rock touring life would appeal to Charlie Brown; it often calls to creative dreamers and outcasts with a subconscious need to belong. Schulz explored why all humans have the feeling people don’t like us in his cartoons and admitted that Charlie Brown was loosely based on himself. “People who win are the minority,” he told BBC in 1977, “most of us lose a lot.” The solution he provided to overcoming life’s most difficult conditions was simply to never give up.

Nobody cheers on Charlie Brown in Snoopy’s Legendary Rooftop Concert more than Jelly of the Month Club guitarist and vocalist Michael De La Torre, a.k.a. Mic Dangerously, who has become accustomed to encouragement working with youth. Active since 2013, Jelly of the Month Club is a family-friendly band who use music to inspire, educate and entertain kids and adults. It has played countless elementary schools, children’s hospitals, civic events and theme parks with interactive songs that teach musical concepts and life lessons. The band also offers free online lessons called the Jelly of the Month Club Music Academy, which turned live gigs into cartoon-based educational games. The band members have partnered with nonprofits including UNICEF’s Kid Power initiative to provide concerts to schools across Southern California, often donating their time.

“Studies say music helps with math, English and science, but it also helps you as a person,” Dangerously says. “It helps you understand feelings better. Look at how adults use music therapeutically. Kids are doing just the same.”

Dangerously first recognized the power of music education as a young boy at St. Pius elementary school in Buena Park, when a man with a bushy mustache and a Hawaiian shirt quieted the boisterous students in seconds with only an acoustic guitar. But hearing Louis Prima’s voice in “The Jungle Book” solidified his desire to become a singer.

Playing at Knott’s has forged meaningful connections to the community in ways Dangerously never foresaw in his early rock ‘n’ roll days. He’s become close to a father and his usually nonverbal son who can’t keep quiet at shows, asking questions and singing along. Last year an older woman who he’s built a friendship with for years suddenly disappeared. Dangerously learned from her daughter and granddaughter that she suffered a stroke. She credits singing and dancing to his music at Knott’s as instrumental in recovering her speech and movement. “She told me that she loved me like a son,” Dangerously says. “I’ve never had anything like that happen with my rock band. It makes you really want to show up.”

On the night The Times experienced Snoopy’s Legendary Rooftop Concert, Dangerously’s biggest fan, Abbey, stood in the front row playing a light up tambourine above her head to “The Blooz Beagles,” wearing a head-to-toe matching outfit to him. In her sequin blazer, red pants, black boots, bow tie and wide-brim hat, the 11-year-old mirrored his musical gestures, never missing a beat. Abbey loves “everything” about the music and dancing she tells me, excited to share that Mic personally gave her the tambourine and a few other instruments too.

Crowd at Jelly of the Month Club show at Knott’s

“They’ve known her since she was 3,” says April Guerrero, Abbey’s supportive mom who has helped her daughter make replicas of Jelly of the Month Club’s looks since 2017. Abbey learned to play music because of the band’s online resources.

“Many of us have a background in education,” Dangerously said. Matt Kalin is a teacher and pro saxophonist who has shared the stage with legends like Social Distortion and Louis Bellson. Dr. Todd Forman is a practicing physician who went to Harvard, taught at USC, and played sax with Sublime. Bassist James Kee is an educator who has taught kindergarten through fourth grade for the last 15 years. Dangerously’s own mom was an art teacher who encouraged him to teach after he finished his audio engineering degree at Musicians Institute, something he’s used in a junior producer’s course he created for an after-school program in Long Beach.

Like the members of Jelly of the Month Club, director Rob Perez is a multi-instrumentalist and producer with a deep reverence for classic rock and Charles Schulz cartoons. Perez is the man responsible for turning Snoopy’s Legendary Rooftop Concert from a dream into a reality. The concert grew out of a 2017 show called Woodstock’s Music Festival. When Snoopy walked out as Jimmy Hendrix, the crowd went wild, and Perez’s boss and Knott’s fans wanted more.

“The Rooftop Concert is a little bit of a nod to the Beatles, but it’s much more about Snoopy’s rooftop,” Perez tells me. “When you see Snoopy as the great writer, or the World War I Flying Ace, it’s always on the roof of his doghouse. So why wouldn’t he be a rock star on his rooftop?”

Knott’s rebrand of the show let Perez incorporate more storytelling, a task he shared with Jelly of the Month Club. The show opens with Snoopy traveling from his fictional cartoon town to a rehearsal where Dangerously gifts him a tambourine to join their jam. He sends Snoopy home with a pile of records which he listens to obsessively in his doghouse, a relatable experience for fans who have found solace and inspiration in old LPs, hiding out like Snoopy with pizza, root beer, and the complicated dream of leaving the only place you’ve ever called home to follow music’s call. Snoopy dons a leather vest, proclaims he’s a “Golden Dog,” and runs away from home to take lessons at Jelly of the Month Club‘s Music Academy and tour the world. After receiving criticism in the recording studio about his howl, Snoopy finds himself missing his best friend Charlie Brown. He asks the Peanuts Gang to team up with Jelly of the Month Club for one final performance on top of his doghouse, legendary enough to land them in the Rock and Roll Hall of Fame.

Perez’s writing and producing shares the attention to detail present in Jelly of the Month Club’s approach to the music. Perez had the honor of voice acting for Snoopy. He digitally re-created a technique he learned from researching Bill Melendez’s 1960s approach in which he recorded barks and grumbles directly to reel-to-reel tape, sped it up, then cut and pasted it randomly to create Snoopy’s signature pentameter-less cadence. Perez worked closely with costume designer Tim Barham, creating every wig, accessory, and costume with exacting detail. The storyline and graphics pay close attention to “Peanuts” lore and rock ‘n’ roll film history, with Easter eggs from “La Bamba,” “Rocketman,” “This Is Spinal Tap,” “Almost Famous” and many others hidden throughout the 30-minute show.

“We don’t try to change the Peanuts from who they are,” Perez says. “We have to bring Charlie Brown along as he constantly fails at being a rock star. We have to give him a shot and prop him up, because he’s usually on the ledge. We bring him back. That’s been the premise of many Peanuts TV specials and movies.”

Mic Dangerously with Snoopy at Knott’s

(Dick Slaughter)

Jelly of the Month Club’s original song “The Magic Is in the Music” meets Charlie Brown where he’s at, encouraging him to take on the challenge of becoming a guitarist. As he fumbles with his out-of-tune Flying V, looking ready to shred in a thrash band, the crowd cheers for his success despite his self-doubt. When Charlie withdraws during the Elton John number, Dangerously responds by saying that that music can be a safe place when you’re feeling lost, saying “Charlie Brown, you are home.”

“We’re out there singing we ‘want to bark and howl all night’ but we’re teaching Charlie Brown and Snoopy is that it’s not just about your clothes, it’s about what’s in here,” Dangerously says, touching his heart. “It’s important not to take yourself too seriously. We’re showing that it’s OK to have fun. And that silliness is a big, important component of rock and roll.”

This spirit is the core of Snoopy’s Legendary Rooftop Concert on stage and on the floor. At the show I see a sea of grandmas shaking babies’ fists in the air, a little boy in a Woodstock hoodie headbanging, rockers in studded vests with huge smiles on their faces, and teenagers momentarily dropping their defenses against cringe in exchange for a moment of sheer joy.

Hanna and Ellie, teens from South Gate and Silver Lake, respectively, can’t contain themselves, pogoing, screaming and singing along. “I’m at a loss for words,” Hanna says, giggling. The girls agree that the show was better than they expected.

On Snoopy’s rooftop everyone is a rock star: Abbey, a rubber chicken and even Charlie Brown.

The official Super Bowl halftime show on Sunday will feature Bad Bunny, the Grammy winner for album of the year, at the height of his powers and influence. Those upset by his onstage comments about the dignity of Latinos and immigrants, however, can turn to a competing bill featuring Kid Rock and Gabby Barrett.

Rock, the perennial MAGA raconteur and country-rock singer, will perform for the far-right activist group Turning Point USA’s counterprogramming event streaming across the conservative mediasphere. Turning Point USA is the activist group founded by the late Charlie Kirk, who was killed last year at a speaking event in Utah.

“We plan to play great songs for folks who love America,” Rock said in a statement announcing the bill. “We’re approaching this show like David and Goliath. Competing with the pro football machine and a global pop superstar is almost impossible … or is it?”

“He’s said he’s having a dance party, wearing a dress and singing in Spanish? Cool. We plan to play great songs for folks who love America,” Rock said, in an overt jab at the actual Super Bowl halftime show headliner.

Veteran country acts Lee Brice and Brantley Gilbert and Barrett, an “American Idol” alum with a 2019 Hot 100 hit in “I Hope,” will also perform.

While Rock’s right-wing politics have largely eclipsed his musical relevance in 2026, he’s recently tried to position himself as a power broker for MAGA-friendly concerts with just enough plausible appeal for more neutral country and rock fans. His planned 2026 touring festival, Rock the Country, is set to feature Blake Shelton, recent Grammy winner Jelly Roll, Creed and Miranda Lambert, but lost Ludacris and Morgan Wade following blowback from fans.

When Bad Bunny was booked for the Super Bowl in October, House Speaker Mike Johnson (R-La.) said, “I didn’t even know who Bad Bunny was. But it sounds like a terrible decision, in my view, from what I’m hearing. It sounds like he’s not someone who appeals to a broader audience.”

“There are so many eyes on the Super Bowl — a lot of young, impressionable children. And, in my view, you would have Lee Greenwood, or role models, doing that. Not somebody like this, ” he added.

President Trump said a bill featuring the Grammy-winning Puerto Rican superstar — and the famously anti-Trump punk band Green Day — was part of the reason he would not attend the game this year. “I’m anti-them. I think it’s a terrible choice,” he said. “All it does is sow hatred. Terrible.”

Thousands of cheering fans surround the ice at the Honda Center. The arena is loud, packed with fans in Anaheim Ducks jerseys. As the puck drops and the action starts, players zoom back and forth until — boom! A shot, and the Ducks score. But when the music hits for the first goal of the game, it’s not the typical “We Will Rock You” by Queen. It’s “Come Out and Play” by local heroes, and one of Orange County’s most influential punk bands, the Offspring.

To celebrate the third annual Come Out and Play Night, the Ducks have once again collaborated with the band for an evening of hockey, music and special exclusive merchandise for fans. The event will take place Tuesday at the Honda Center against the Vancouver Canucks. The collaborative effort began in 2024, but at the time, no one knew if it would last, including the Offspring’s guitarist, Kevin “Noodles” Wasserman, who told The Times in a phone interview from Canada while on tour with Bad Religion that he and the band hoped it would be more than a one-time event. “This was the first time we’d ever teamed up with an organized sports team, and the fact that it’s an Orange County team, where we grew up, made it feel right,” Noodles said. “It’s been really fun, but we had no idea how long it would last. Now it’s three years later.”

Merrit Tully, senior vice president and chief marketing officer of the Ducks said that the concept for the collaboration between the club and the Offspring came organically as part of an evolution the organization was going through.

“We started putting a lot more emphasis on the in-arena experience a little over three years ago. That gave us the opportunity to rethink music, not just as something played between periods, but as something that could really elevate the experience for fans and players alike,” Tully said. “As this was happening, we approached our 30th season, and we were really leaning into our Orange County roots. We looked at collaborating with the Offspring, since they grew up just a few miles from here, and their rise happened at the same time our franchise was starting. This just felt authentically Orange County in a way that was hard to ignore.”

Ducks goalie Lukas Dostal and Noodles hold albums by the Offspring.

(Jordan Bathe)

For Ducks goalie Lukas Dostal, who was recently named NHL Third Star of the Week, having a collaboration with a band like the Offspring has special sentimental meaning. “I remember growing up hearing rock music a lot back in my home country, the Czech Republic,” Dostal said. “My parents would play punk rock and metal when they were driving me to the rink for practice, so hearing the Offspring now kind of brings me back to that.”

Dostal said that he loves many rock and alternative bands he remembers hearing back in his home country, such as Linkin Park. He also said that, as an athlete, music is part of his daily regimen, and it is the same with the Ducks. “We listen to music every day, before practice, before games. It’s a big part of how we get ready,” he said. “I grew up listening to this kind of music, so whenever I hear these songs, it just pumps me up.”

For fans who attended the two previous Come Out and Play Nights, people should expect lots of enthusiasm and high energy, mixing the intensity of a concert and a hockey game. “Those nights definitely had a different vibe. You can feel it from the ice,” Dostal said. “The fans are excited, the music is louder, and it just feels like something special for everyone in the building.”

Noodles said he agreed with Dostal and added that he thinks the collaboration makes sense because there are a lot of parallels between punk rock and sports like surfing, skating and ice hockey. “With surfing and skating, there’s always been that mix of flow and violence. You’re carving, you’re gliding, and then sometimes you take a wave on the head,” he said. “Hockey has that same thing. It can be really violent, but then there are moments where it’s all speed and movement.”

With a band having a successful career for over three decades, Noodles said there have been instances of being approached by professional athletes who are fans of the Offspring. “Over the years, we’ve had professional athletes come up to us as fans for sure. One time, Dennis Rodman came out onstage with us and did ‘Come Out and Play,’” he said. “Our producer, Bob Rock, is a huge hockey fan and really got us into going to the Ducks and Kings games.”

Members of the band the Offspring pose for a photo during a pre-game puck ceremony of the game between the Anaheim Ducks and the Vancouver Canucks on Feb. 27, 2025, at Honda Center.

(Debora Robinson / NHLI via Getty Images)

Noodles said he appreciates that a band like the Offspring has generations of fans and values how much the OC music scene is still thriving. “We’ve always had late teens and early 20s kids in the front row, but now we’re seeing younger kids and their parents, too. There’s a really wide age range at our shows now, and that’s been pretty cool to see,” he said. “The Orange County scene is still really alive. You see a mix of people from the old bands, but there are also a lot of younger bands coming up. I actually love going to see younger bands because nobody cares who I am. I can just stand in the pit and watch the show.”

This idea of generations of fans is also seen in the NHL, and Dostal agrees it can be seen with fans of the Ducks. He said this is one of the reasons he loves working with an OC band. “The Offspring are local, the Ducks represent Orange County, and I’m really happy I can be part of something that connects the two,” he said. Dostal also said that a custom collaborative design on a mask will be revealed at the Come Out and Play Night against the Canucks. “I worked with the guys in the Offspring, we threw around ideas together, and I told them they could basically do whatever they wanted. I’m really excited for fans to see it,” Dostal said.

Fans of the Ducks and the Offspring can expect a night to remember. It’s all about connection, and giving fans of the music and the team a chance to bring the worlds of sports and punk together for one special night. “Beyond ticket sales, we look at how fans respond in the building,” Tully said. “When we score and the arena reacts together to an Offspring song, that tells us the connection is real.”

Dostal agreed with the sentiment and said he is humbled by the collaborative event, which he said is fan emphasized. “The Offspring is a huge band all over the world, so being able to work with them and represent that on the ice is something I really appreciate.”

TRIPLE Grammy nominee Yungblud has blasted the Brits for being “out of touch” after he was snubbed by his home country’s music awards.

The Doncaster rocker is up for Best Rock Performance category for his powerful rendition of Changes at the late Ozzy Osbourne’s Back To The Beginning concert last summer.

And he will wear the necklace given to him by his Black Sabbath idol, who died last year, at tonight’s ceremony in LA, where he is also up for two other Grammys.

Yet despite accolades Stateside, and two UK No1 albums last year, he says it feels “weird” to be a notable omission at this month’s Brits.

He told me: “I just think with the Brits, there’s something more corporate afoot. I feel like I’ve not kissed the babies in my own country that I should — I’ve done it my way.

“And I think someone’s pissed off at me for that. The beautiful thing about the Grammys is it’s voted for by your peers — musicians and artists.

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“The Brits, you can tell it’s been done in a boardroom by a committee that’s out of touch. That’s a lot of the British music industry.

“But I’m vibing, man — I’m at the Grammys!”

And Yungblud — real name Dominic Harrison — vows to the keep celebrations rock ’n’ roll — having VOMMED from partying so hard during a pre-Grammys night out with Sharon Osbourne and Lewis Capaldi.

He and Lewis “had a mad one”.

Yungblud said: “We had an accidentally brilliant night. I threw up!

“Everyone’s full of s***. Me and Lewis always find each other at a party, to talk about something half-normal.

“There’s so many parties  . . . you end up going for two minutes, and everyone looks shell-shocked.

“So we end up throwing our own. We had such a good night. Sharon came out. Lewis came out.”

Yungblud jokes he is “clearing room in my suitcase” for potential Grammy trophies, though any wins would be bittersweet without Ozzy.

He said: “It’s wild when you love someone. You idolise someone.

“And then you get to know them, then you perform this song to honour them and it gets Grammy-nominated.

“It’s weird to comprehend.”

YUNGBLUD is throwing his own “riot” of a Grammys afterparty at Sunset Strip’s Rainbow Bar and Grill – famed for hosting wild bashes with the likes of Led Zeppelin and Motley Crue.

He says: “It will be a f***ing free-for-all, with pizza and beer, doing bumps of caviar.”

The rocker, who stripped naked on a yacht in Sydney, Australia, while touring last year, insists: “I’m not really sick. I’m usually alright. I’ll probably end up naked – but I won’t be sick.”

STARS DRESSED TO FRILL

SOME of the biggest names in music gathered in LA to let their hair down for some pre-Grammys partying on Friday.

Singer Kesha bloomed in giant flowers at the 2026 MusiCares Person of the Year gala, while Cara Delevingne showed off new brunette locks at the Warner soiree.

Addison Rae gave a raunchy performance in just her undies at Spotify’s 2026 Best New Artist Party, where she was joined by nominated Brit Olivia Dean in a checked blue floor-length gown.

Meanwhile, Swedish siren Zara Larsson wore hot pink for the Epic Records and Hennessy bash.

I’m glad it was warmer in Cali than it was on this side of the pond . . . 

NATHAN’S EYE ON BALL

NATHAN EVANS hopes to score Scotland’s official World Cup anthem – and will be joining the Tartan Army in the US.

The Wellerman singer and band Saint Phnx are also in discussions about cheering the lads on during training sessions, after Ed Sheeran performed for the England team during the 2024 Euros.

One of the ideas is to rework their track Home with lyrics cheering on the Scots squad, and Nathan would love it to become the official supporters’ tune this summer.

He said: “We’ve got something cooking that hopefully we can pull off. And if we do, it’ll be something massive.”

AITCH’S AMBER NIGHT

RAPPER Aitch wooed a stunning podcaster nearly 15 years his senior – just weeks before stealing the nation’s hearts on I’m A Celebrity.

I’m told the 26-year-old locked lips with Francesca Amber, 40, at the Pride of Britain Awards in London last October, after the pair hit it off at the free bar.

Aitch was seen cracking jokes with the blonde, who believes in “manifesting” the life you want.

An onlooker said: “Aitch is a bit younger, but didn’t lack confidence. They were having a right giggle and, by the end of the evening, they were kissing in front of everyone. They exchanged numbers.”

Single mum-of-three Francesca has told listeners she dreams of going on E4 dating show Celebs Go Dating. I hope this helps manifest it for her . . . 

TEDDY IS READY TO RAYA

VOCAL powerhouse Teddy Swims is looking for love online after sadly splitting from his baby momma.

The Bad Dreams singer broke up with singer Raiche Wright late last year.

But now Teddy – who last year released the final part of his album series I’ve Tried Everything But Therapy – is putting his best foot forward and getting himself out there with a profile on A-list dating app Raya.

The singer – born Jaten Dimsdale – posted a series of snaps showing off his tattoos and dapper style, advertising the fact he is based in Sherman Oaks, California.

He, fittingly, uses his own music to illustrate his profile.

Happy swiping . . . 

IT MUTT BE LOVE FOR DUA

THE City of Love is the only place for Dua Lipa and fiancé Callum Turner as they put on a smoochy display.

The smitten singer and actor were snapped holding hands while walking Callum’s beloved Labrador-Rottweiler mix Golo in Paris.

An onlooker said: “They were completely loved up and kept kissing, it was very sweet.

“Golo the pooch is like their child and travels with them everywhere.”

Speaking several years ago, Callum confessed that his beloved pet helped to keep him grounded.

He said: “I have a dog, yeah. He keeps me very humble.

“You know, picking up his poo every day keeps you humble.”

That’ll certainly do the trick . . . 

OZZY SINGS TO MY KID

I’M A Celebrity star Jack Osbourne has revealed his late dad Ozzy is singing lullabies from beyond the grave.

Jack’s three-year-old daughter Maple has told him that the Black Sabbath rocker visits her when she’s tucked up in bed and sings to her.

Jack said: “My youngest daughter has been having a lot of ‘interactions’, shall we say. She’s three – she keeps saying, ‘He sings to me at night.’ I’m like, ‘That’s awesome, what’s he singing to you?’

“I don’t make a big deal about it. I’m supportive of it, I’m instantly like, they’re kids, they have imaginations and stuff.

“But she’s saying things and I’m like, ‘How do you know that? We haven’t been saying things – where does that come from?’”

Speaking on the Howie Mandel podcast, Jack added: “For her, the more she brings it up, it’s becoming a thing and I think that it’s not just her imagination.”

Hopefully he’s not Paranoid . . . 

RUSH ON FOR PERFECT 10

BOYBAND mania is set to hit London today as December 10 arrive to meet their fans.

I’m told police are on standby amid fears the signing event could turn into a riot, after 6,000 fans of the group, above – assembled by Simon Cowell – put their names down to attend.

An insider said: “There are concerns that over-excited kids will still rock up – even though only a tiny fraction will actually be allowed to get inside.

“Organisers swear they’ve got it all under control and are working closely with the Old Bill, promising a safe and sensible do.”

It’s like the One Direction days all over again . . .