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If only. If Rob Pelinka could use the Dodgers’ blueprint to renovate, Lakers fans wouldn’t even be sweating this summer.

But, you know. Baseballs and basketballs, apples and oranges.

The windup and sales pitch are the same, though: Deliver a sustainable, high-rising, championship build. On time and … about that budget. One team has none. The other’s is tight.

In baseball, they wear caps. In the NBA, they’re compelled to stay under them.

In baseball, they can swing freely (for now). In basketball, they’re hamstrung by aprons.

Ned Colletti had it easier, and he lasted only two relatively successful seasons in his role as Dodgers general manager after Mark Walter’s Guggenheim Baseball Management group bought the ballclub in 2012.

Pelinka has it tougher as the Lakers’ general manager and president of basketball operations. But like Colletti before him, with Walter having purchased the majority stake in the Lakers, Pelinka is going to have to crash the hourglass and build a winner with haste. Er, the winner.

If the Lakers lay anything but an 18th brick on their championship foundation in the next couple seasons, Pelinka’s story probably is going to go a lot like Colletti’s.

When free agency opens Tuesday, Pelinka is just going to have to show us how creative he can be, how clever and cunning.

He already hit a grand slam with the Luka Doncic trade in 2025. In one of the NBA’s all-time heists, Pelinka brought the then-25-year-old Slovenian superstar to L.A. from the Dallas Mavericks in exchange for essentially an aging and injury-prone Anthony Davis and just one first-round draft pick.

Before that, Pelinka hit another home run with Austin Reaves; a four-bagger so deep that Doncic’s undrafted backcourt-mate has now procured the proverbial bag. (Four years, $185 million worth of baggage to the Lakers.)

With those pillars cemented, Pelinka’s job is delivering the A-list center Doncic reportedly desires.

Lakers GM Rob Pelinka pulled off a blockbuster trade to acquire Slovenian superstar Luka Doncic. Can Pelinka build a winner around Doncic?

(Carlin Stiehl / Los Angeles Times)

Doesn’t matter that all the perceivable candidates — from the Utah Jazz’s Walker Kessler to the New York Knicks’ Mitchell Robinson, the Milwaukee Bucks’ Myles Turner, the Detroit Pistons’ Jalen Duren, the Cleveland Cavaliers’ Jarrett Allen, the Mavericks’ Daniel Gafford, even old friend A.D. — sit on a spectrum of unlikely to unwise.

Still, the best plan: Make Doncic happy; make a run at Kessler.

He’s a 24-year-old, defensively adept big man who would be a great pickup, just hard to get. But whether it’s overpaying in restricted free agency or working out a sign-and-trade deal, pry him away from the Jazz.

After nailing down a center, Pelinka also needs to really hit on the margins. Because in the modern NBA, the marginal is major.

The current contenders have depth borne of seasons spent tanking and loading up in the draft on athletic, affordable young talent or, in the case of the recently crowned Knicks, having a leading man take $113 million less than he was eligible for, as Jalen Brunson effectively did, to be able to play with his best buds.

In L.A., the Lakers don’t really have the first option and shouldn’t ever expect the second.

But Pelinka doesn’t have to swing for the fences every time; he doesn’t need to wow us now, he needs to have wowed us later. Take swings like he did trading for Rui Hachimura or netting sharpshooter Luke Kennard.

Former Laker Pau Gasol, right, speaks with GM Rob Pelinka during a Lakers practice in 2025.

(Allen J. Schaben / Los Angeles Times)

No one bats 1.000, of course, not even Andrew Friedman, the architect of the Dodgers’ three World Series titles since taking over as president of baseball operations in 2014.

But for the Lakers’ potential $51 million of cap space, for all of this summer’s much-hyped optionality, Pelinka’s competitive new boss isn’t the type to forgive errors that are forever front of mind for the Lakers’ faithful.

Pelinka can’t strike out on free agent signees like Gabe Vincent and Kendrick Nunn. Can’t let someone like Alex Caruso walk. Can’t whiff on draftees like Dalton Knecht or Jalen Hood-Schifino — and better hope he hasn’t on this year’s selection, Cameron Carr, who fell to the Lakers at No. 24.

The wrinkle, this offseason: Last year’s Lakers — 41-year-old LeBron James, Hachimura, Kennard and, if he opts out, Marcus Smart — will be among the most attractive free agents on the market, and they’re proven fits for a team that reached the second round of the playoffs.

But merely re-signing those guys won’t improve the Lakers’ odds of getting past the Oklahoma City Thunder or San Antonio Spurs in the playoffs.

And simply outspending those teams isn’t an option, either. So Pelinka is going to have to go bargain hunting, he’s got to find some hidden gems, pull some tricks out of his sleeve. Surprise us, like great general managers are supposed to do.

This is Pelinka’s opportunity to show us his blueprint for bringing another title to Los Angeles, to build a case for himself.

Staff at Molineux have been stunned by the decision which also blindsided Rob Edwards and his coaching team.

Technical director Matt Jackson was given the job of dismissing Edwards just weeks after saying they were united.

His “if there isn’t alignment here, we’re dead in the water before we start” comment at the fans’ Q&A last month could come back to haunt the club.

Edwards called Wolves a mess and had been working to change the culture of the club and squad but that blueprint will now be ripped up.

There was no flashpoint but it is a ruthless decision taken by the club, one which was made above Jackson, with executive chairman Nathan Shi and owners Fosun unconvinced by Edwards.

Yet midfielder Andre signed a new deal while Kieran Trippier and Raul Jimenez have joined on free transfers. A large part of the three committing their future to Wolves was because of Edwards.

He left Middlesbrough to join Wolves in November when they were second in the Championship and five points behind leaders Coventry.

He was planning another promotion assault and this time had a better squad and would have been backed financially, so why sack him now?

Wolves had been planning for the Championship since January, a strategy was in place and there appeared to be clear thinking.

Edwards did only win three Premier League games and there were doubts from the fans but it did at least feel the club was finally on the same page.

It cost Wolves close to £4m to bring him and Watling to Molineux from Boro and it will not be cheap to pay them off.

Reported replacement Cesar Peixoto, currently manager of Gil Vicente in Portugal, will also cost money.

He is a client of Jorge Mendes’ Gestifute agency – who have a close relationship with Wolves owners Fosun.

Peixoto has never managed outside of the country and would come into one of the toughest leagues in Europe.

That does not mean he cannot be a success but it is a gamble Wolves desperately need to pay off.

Additional reporting by Dan Wheeler, BBC Sport, West Midlands

EastEnders’ Danny Dyer has teamed up with Hollywood star Rob Lowe for a hilarious ad campaign ahead of the launch of the World Cup where the two actors have something of a culture clash

Danny Dyer faces off against movie star Rob Lowe for a hilarious World Cup ad campaign. The Rivals actor, 48, and Hollywood star, 62, battle over cultural differences to promote bookie Paddy Power.

Pitted as a clash of cultures, the ad explores everything from having a “pint and a slash” in a pub on the British side, to the glamour of halftime shows that tend to take place in the US. Eventually, Danny takes his shirt off whilst Rob keeps his on and rocks a cowboy hat amid their tense culture clash. At one point, Danny shouts out: “It can’t go on like this, can it?”

Then, former Wolves manager Mick McCarthy responds: “It can!” as a sad-looking Peter Crouch pops up amid the threat that the French could take the cup.

Rob admitted had not seen Danny in anything, but told the Daily Star: “I’d heard he was a bit of a legend over here in the UK and I have to agree, he is really funny, genuine, and a very good actor.

“When he walked on set, within about four minutes I’m thinking he’s got this energy and presence about him. Completely magnetic. As an American, you think you’re prepared for big personalities, but Danny’s got this very specific British edge to him and it was great working with him.”

Rob explained: “I’ve been to a Chelsea game at Stamford Bridge. It’s a great old stadium. I know they’re supposedly building another one, but Stamford Bridge is pretty sick.”

He then addressed the age-old issue of what the beautiful game shout be called, as it differs dramatically on each side of the Atlantic. He said: “If I’m in America, I call it soccer, but if I’m anywhere other than America, I call it football. Football becomes American Football when I’m abroad too.”

Hollywood film star Rob Lowe stars as the face of Paddy Power’s new World Cup ad campaign alongside UK national treasure Danny Dyer. The ad will air from Saturday 30th May across TV and online.

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Rapper Rob Base, one-half of the hip-hop duo Rob Base & DJ E-Z Rock, died on Friday after a battle with cancer. He was 59.

“Rob’s music, energy, and legacy helped shape a generation and brought joy to millions around the world. Beyond the stage, he was a loving father, family man, friend and creative force whose impact will never be forgotten,” a statement on Base’s Instagram read.

The statement also expressed gratitude to Base, who was surrounded by family as he died, for “the music, the memories and the moments that became the soundtrack to our lives.”

Rob Base was born Robert Ginyard in May 1967. He was best known for his collaborations with DJ E-Z Rock. The two were lifelong friends, meeting in fifth grade while living in Harlem. Their song “It Takes Two” was released in 1988 by Profile Records. The song became a breakout single for the duo and peaked at No. 3 on the Billboard U.S. dance club songs chart, with The Times calling “It Takes Two” “the rage of the rap underground.”

The duo followed up the hit with the release of the singles “Joy and Pain” and “Get On the Dance Floor.” Base released his solo album, “The Incredible Base,” in 1989.

Base was an ardent supporter of the rap genre, explaining to The Times in 1989 the nuance of the music.

“People outside rap don’t understand it. There’s all sorts of subtle things — key things — happening over and above the beat in rap songs. The fans want new stuff all the time,” Base said.

Base had two children, De’Jené Ginyard and Robert Ginyard Jr. His wife, April, died in 2013.

HARLEM rapper Rob Base, one-half of Rob Base & DJ E-Z Rock, has died aged 59.

The musician, whose real name is Robert Ginyard, passed away after a private battle with cancer, his family announced in a statement.

Base, best known for the hit “It Takes Two”, celebrated his birthday just four days ago.

A statement posted on his social media account read: “Rob’s music, energy, and legacy helped shape a generation and brought joy to millions around the world.

“Beyond the stage, he was a loving father, family man, friend, and creative force whose impact will never be forgotten.

“Thank you for the music, the memories, and the moments that became the soundtrack to our lives.”

Base and E-Z Rock brought a unique blend of house music and hip-hop to the mainstream in the 1980s.

E-Z Rock died from complications of diabetes in 2014.

Their breakaway hit, “It Takes Two”, reached number three on the Billboard Hot Dance/Club Songs chart in 1988.

What began as a neighbourhood party record from the streets of Harlem blew up into an iconic anthem.

Since its release the track has been sampled by everyone from Snoop Dogg to Black Eyd Peas.

Base and E-Z Rock met in the fifth grade while growing up in Harlem.

They became inspired to form a duo as teenagers leading Base to buy a mic and E-Z Rock a mixer and turntables.

More recently, Base continued performing on the “I Love the ’90s Tour” alongside acts like Vanilla Ice and Young MC.

He also mentored up-and-coming artists under his company Funky Base inc.

Base also worked as an executive producer on the horror film “Urban Flesh Easters”, released last year.

More to follow… For the latest news on this story keep checking back at The Sun Online

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Channel 4’s Falling ended with an emotional title card tribute to the late Rob Picton.

Channel 4’s new drama Falling concluded with a touching tribute to Rob Picton, who worked on the production crew.

The series, penned by Adolescence writer Jack Thorne and featuring Keeley Hawes and Paapa Essiedu, revolves around a “forbidden love story between a Catholic priest and a devoted nun”.

Tuesday evening’s premiere captivated Channel 4 audiences with the story of Sister Anna and priest David. At the episode’s conclusion, a memorial card appeared on screen reading: “In loving memory of Rob Picton.”

According to TVGuide, this honoured Rob Picton, who served as a unit driver on Falling, reports the Liverpool Echo.

Picton, who also worked as a driver on Gavin and Stacey, sadly died last year.

Gavin and Stacey star Mathew Horne previously appeared to acknowledge the loss during a Somerset event, stating: “Earlier on… we had a driver on the finale called Rob and he was in his early 40s… and I found out via the WhatsApp group earlier that he has passed away and I got slightly distracted there.”

He continued: “It’s really, really sad. I got distracted by losing Rob. He was a really lovely guy and he’s left a four-year-old behind and that is really, really, really sad.”

Picton was equally renowned as a DJ, performing under the name Joe Blow.

Last year, the Barry and District News reported that Picton was a father of five from Barry, describing him as an “absolute legend in the Welsh music scene” who championed numerous emerging artists.

A GoFundMe page was established to support his family, with a message posted on the platform stating: “We’ve now received a little more information about our dear friend Rob Picton.

“While we still don’t fully know the reasons or circumstances around his sudden passing, what we do know is that Rob was proud – proud of his children, his work, and the life he lived.

“Just a few weeks ago, I was sitting in the car with him, chatting about his birthday weekend and his kids. It’s still hard to believe he’s no longer with us.

“This GoFundMe has been set up on behalf of Fiona and Jerry Lockett, to support Rob’s family and honour his memory during this incredibly difficult time.”

Falling is airing on Channel 4.

Film buffs understand that nearly every movie is, at heart, a travelogue — even if it occurs in your neighboring town — and that most travelogues can come across like love stories, whether anyone ends up together or not. That’s the whimsical, charged appeal of the Charli XCX-starring “Erupcja,” a mélange of romance, escape and disruptive coincidence in modern Warsaw from American micro-auteur Pete Ohs.

If you put footage of a smoke-spewing volcano under that Polish title, you’ll gather what the word means, which is exactly what Ohs does at the beginning, color-tinting his boxy frame ’60s-arthouse-style and adding a vintage Mancini-esque track from a Polish chanteuse. All the better to seed the belief that we’re about to experience something dreamy and convulsive.

That said, a volcano isn’t why British couple Bethany (Charli XCX) and Rob (Will Madden) have arrived in Warsaw. That rumbling you hear could also just be suitcases rolled over ancient streets. Besotted Rob’s surprise plan was to propose to Bethany in Paris — as revealed to us in omnipotent voice-over (by Jacek Zubiel) that fills in the feelings and backstories of our protagonists.

Bethany chose Warsaw, however, because she has a rekindling in mind, in the form of her longtime friend Nel (Lena Góra), a florist for whom Bethany’s unprompted arrival under her balcony one night — stealing away from her Airbnb with Rob — is complicated and exciting. With the news breaking that Italy’s Mount Etna has just erupted, grounding planes across Europe, a mighty passion they forged as teenagers, fueled by drugs, clubbing, heart-to-hearts and poetry, has once more been unleashed. It’s just their thing: Whenever Bethany and Nel connect, a volcano announces itself somewhere in the world. Woe be to the moony boyfriend or, in Nel’s case, exasperated girlfriend (Agata Trzebuchowska), left behind to dust off the ash.

“Erupcja,” which Ohs also photographed and edited with impressionistic verve, unfolds as if Jacques Rivette’s playful air of mystery and Roberto Rossellini’s earthy melancholia had somehow come together to form a zillennial with a restless heart. Ohs makes movies with the in-the-moment creative participation of his cast — he, Charli, Madden, Góra and playwright Jeremy O. Harris, who portrays a friendly American artist, are the credited writers and the whole enterprise goes down like a cocktail of ruminations and swerves invented on the spot, but not haphazardly.

You get the buzz (music by Charlie Watson and Isabella Summers plays a big part), the hangover, but also an aura of remedy and renewal. It’s all very human, evident in the pop star’s subtly frisky portrait of someone drawn to abandon (Charli should definitely continue acting), but also in Madden’s unshowy, mature hurt and in how Góra suggests the more grounded half of a self-mythologizing duo. Ohs works in evocative details: inserted frames of color, like mood flashes, or a shot of a lonely phone ringing, never getting picked up.

He leaves it up to you to wonder if Bethany and Nel have ever been more than friends — “It’s not Romeo and Juliet,” Nel coolly declaims from her balcony upon glimpsing Bethany waiting below — but what’s fun is how that’s ultimately beside the point. The edgy appeal of “Erupcja” is in the way it maps humans as molecules and electrons, fizzed by location, inspired by connection, driven to hover, fuse and release. The characters may get bounced around a bit and some will feel stranded, but you’ll know you’ve been taken somewhere new by this charming indie.