rob reiner

Whether you sat across the table from him or across the aisle, Rob Reiner left no doubt about what he cared about and was willing to fight for.

I had lunch with him once at Pete’s Cafe in downtown L.A., where he was far less interested in what was on his plate than what was on his mind. He was advocating for local investments in early childhood development programs, using funds from the tobacco tax created by Proposition 10 in 1998, which he had helped spearhead.

I remember thinking that, although political activism among celebrities was nothing new, Reiner was well beyond the easier tasks of making endorsements and hosting fundraisers. He had an understanding of public policy failures and entrenched inequities, and he wanted to talk about the moral duty to address them and the financial benefits of doing so.

“He was deeply passionate,” said Ben Austin, who was at that lunch and worked as an aide to Reiner at the time. “He was not just a Hollywood star … but a highly sophisticated political actor.”

Reiner, who was found dead in his Brentwood home over the weekend along with his wife, Michele, was also co-founder of the American Foundation for Equal Rights, which was instrumental in the fight to legalize same-sex marriage in California in 2008.

Michele Singer Reiner was her husband’s “intellectual partner” as an activist, Austin said, even though he was usually the one whose face we saw. But Michele made her voice heard, too, as she did when emailing me about the inexcusable crisis of veterans living on the street, including on the West L.A. veterans administration campus at a time when it was loaded with empty buildings.

I’d check on the progress and get back to her, and she’d check back again when little had changed. At one point, I told her I’d been informed that beds in a new shelter would be filled by the end of the year.

“And if you believe that,” she wrote back, “I’ve got a bridge for you.”

In choosing his causes, Austin said of Rob Reiner, the actor-director-producer “was not jumping on a train that was already moving.” Universal preschool education was barely a fringe issue at the time, Austin said, but Reiner was more interested in social change than making political points.

Reiner’s aggressive instincts, though, sometimes drew pushback. And not just from President Trump, who established a new low for himself Monday with his social media claim that Reiner’s death was a result of his disdain for Trump.

Reiner resigned in 2006 as chairman of California’s First 5 commission, an outgrowth of Prop. 10, after Times reporting raised questions about the use of tax dollars to promote Proposition 82. That Reiner-backed ballot measure would have taxed the rich to plow money into preschool for 4-year-olds.

In 2014, Reiner was at the center of a bid to limit commercial development and chain stores in Malibu, and I co-moderated a debate that seemed more like a boxing match between him and developer Steve Soboroff.

As the Malibu Times described it:

“Rob Reiner and Steve Soboroff came out with guns blazing Sunday night during a Measure R debate that’s sure to be one of the most memorable — and entertaining — Malibu showdowns in recent town history.”

Reiner threw an early jab, accusing Soboroff of a backroom deal to add an exemption to the measure. That’s a lie, Soboroff shot back, claiming he was insulted by the low blow. Reiner, who owned houses in both Brentwood and Malibu, didn’t care much for my question about whether his slow-growth viewpoint smacked of NIMBY-ism.

“I would say there’s a lot of NIMBY-ism,” Reiner snapped. “You bet. It’s 100% NIMBY-ism. Everybody who lives here is concerned about their way of life.”

But that’s the way Reiner was. He let you know, without apology, where he stood, kind of like his “Meathead” character in Norman Lear’s hit TV show “All in the Family,” in which he butted heads with the bigoted Archie Bunker.

Getting back to President Trump, he, too, unapologetically lets you know where he stands.

But most people, in my experience, work with filters — they can self-sensor when that’s what the moment calls for. It’s not a skill, it’s an innate sense of decency and human consideration that exists in the hearts and souls of normal people.

I did not know much about the history of Nick Reiner’s addiction issues and his temporary homelessness. But it became clear shortly after the bodies were found that the Reiners’ 32-year-old son might have been involved, and he was indeed booked a short time later on suspicion of murder.

What I do know is that with such an unspeakable horror, and with the family’s survivors left to sort through the madness of it all, a better response from the president would have been silence.

Anything but a grave dance.

The Reiners died, Trump said, “reportedly due to the anger he caused others through his massive, unyielding, and incurable affliction with a mind crippling disease known as TRUMP DERANGEMENT SYNDROME … .” The deaths occurred, Trump continued, “as the Trump Administration surpassed all goals and expectations of greatness …”

It was a reaction, Austin said, “that makes the case, better than Rob ever could have, about why Trump has no business being president of the United States.”

steve.lopez@latimes.com

Hours after Rob Reiner and his wife, Michele, were found dead in their home in what is shaping up to be a heartbreaking family tragedy, our president blamed Reiner for his own death.

“A very sad thing happened last night in Hollywood. Rob Reiner, a tortured and struggling, but once very talented movie director and comedy star, has passed away, together with his wife, Michele, reportedly due to the anger he caused others through his massive, unyielding, and incurable affliction with a mind crippling disease known as TRUMP DERANGEMENT SYNDROME, sometimes referred to as TDS,” President Trump wrote on his social media platform. “He was known to have driven people CRAZY by his raging obsession of President Donald J. Trump, with his obvious paranoia reaching new heights as the Trump Administration surpassed all goals and expectations of greatness, and with the Golden Age of America upon us, perhaps like never before. May Rob and Michele rest in peace!”

Rest in peace, indeed.

It’s a message steeped in cruelty and delusion, unbelievable and despicable even by the low, buried-in-the-dirt bar by which we have collectively come to judge Trump. In a town — and a time — of selfishness and self-serving, Reiner was one of the good guys, always fighting, both through his films and his politics, to make the world kinder and closer. And yes, that meant fighting against Trump and his increasingly erratic and authoritarian rule.

For years, Reiner made the politics of inclusion and decency central to his life. He was a key player in overturning California’s ban on same-sex marriage and fought to expand early childhood education.

For the last few months, he was laser-focused on the upcoming midterms as the last and best chance of protecting American democracy — which clearly enraged Trump.

“Make no mistake, we have a year before this country becomes a full on autocracy,” Reiner told MSNBC host Ali Velshi in October. “People care about their pocketbook issues, the price of eggs. They care about their healthcare, and they should. Those are the things that directly affect them. But if they lose their democracy, all of these rights, the freedom of speech, the freedom to pray the way you want, the freedom to protest and not go to jail, not be sent out of the country with no due process, all these things will be taken away from them.”

The Reiners’ son, Nick Reiner, has been arrested on suspicion of murder. Nick Reiner has struggled with addiction, and been in and out of rehab. But Trump seems to be saying that if Nick is indeed the perpetrator, he acted for pro-Trump political reasons — which obviously is highly unlikely and, well, just a weird and unhinged thing to claim.

But also, deeply hypocritical.

It was only a few months ago, in September, that Charlie Kirk was killed and Trump and his MAGA regime went nuts over anyone who dared whisper a critical word about Kirk. Trump called it “sick” and “deranged” that anyone could celebrate Kirk’s death, and blamed the “radical left” for violence-inciting rhetoric.

Vice President JD Vance, channeling his inner Scarlett O’Hara, vowed “with God as my witness,” he would use the full power of the state to crack down on political “networks” deemed terrorist. In reality, he’s largely just using the state to target people who oppose Trump out loud.

And just in case you thought maybe, maybe our president somehow really does have the good of all Americans at heart, recall that in speaking of Kirk, Trump said that he had one point of disagreement. Kirk, he claimed, forgave him enemies.

“That’s where I disagreed with Charlie,” Trump said. “I hate my opponent and I don’t want the best for them.”

There’s a malevolence so deep in Trump’s post about Reiner that even Marjorie Taylor Greene objected. She was once Trump’s staunchest supporter before he called her a traitor, empowering his goon squad to terrorize her with death threats.

“This is a family tragedy, not about politics or political enemies,” Greene wrote on social media. “Many families deal with a family member with drug addiction and mental health issues. It’s incredibly difficult and should be met with empathy especially when it ends in murder.”

But Trump has made cruelty the point. His need to dehumanize everyone who opposes him, including Reiner and even Greene, is exactly what Reiner was warning us about.

Because when you allow people to be dehumanized, you stop caring about them — and Reiner was not about to let us stop caring.

He saw the world with an artist’s eye and awarrior’s heart, a mighty combination reflected in his films. He challenged us to believe in true love, to set aside our cynicism, to be both silly and brave, knowing both were crucial to a successful life.

This clarity from a man who commanded not just our attention and our respect, but our hearts, is what drove Trump crazy — and what made Reiner such a powerful threat to him. Republican or Democrat, his movies reminded us of what we hold in common.

But it might be Michael Douglas’ speech in 1995’s “The American President” that is most relevant in this moment. Douglas’ character, President Andrew Shepherd, says that “America is advanced citizenship. You’ve got to want it bad, because it’s going to put up a fight.”

Shepard’s rival, a man pursuing power over purpose, “is interested in two things and two things only — making you afraid of ‘it’ and telling you who’s to blame for ‘it.’ ”

Sound familiar?

That our president felt the need to trash Reiner before his body is even buried would be a badge of honor to Reiner, an acknowledgment that Reiner’s warnings carried weight, and that Reiner was a messenger to be reckoned with.

Reiner knew what advanced citizenship meant, and he wanted badly for democracy to survive.

If Trump’s eulogy sickens you the way it sickens me, then here’s what you can do about it: Vote in November in Reiner’s memory.

Your ballot is the rebuke Trump fears most.

And your vote is the most powerful way to honor a man who dedicated his life to reminding us that bravery is having the audacity to care.

Michele Singer Reiner, who was killed along with her husband, filmmaker Rob Reiner, on Sunday at their home in Los Angeles, was a photographer who moved from still images into filmmaking and later into producing, with work that blended performance, politics and persuasion. She was 70.

Singer Reiner was gigging as a photographer in the late 1980s, visiting film sets as part of her income. One of those sets was “When Harry Met Sally …,” the romantic comedy Rob Reiner was directing in New York, a film that would go on to become one of the era’s defining hits. Having divorced actor and director Penny Marshall eight years earlier, Reiner said he noticed his future wife across the set and was immediately drawn to her.

Scripted by Nora Ephron, the film was originally written to leave its central couple, played by Meg Ryan and Billy Crystal, separate, crossing paths over the years without ending up together. But after meeting Singer Reiner, Reiner reconsidered. He rewrote the final scene so the characters reunite and marry, an ending that helped make the film a beloved classic.

The two married in 1989, months after the film’s release. They went on to have three children: Jake, born in 1991; Nick, born in 1993; and Romy, born in 1997.

Hours after the couple were found dead at their Brentwood home, Nick Reiner — who had struggled for years with substance-abuse issues — was taken into custody and booked into Los Angeles County jail on suspicion of murder, according to jail records. He had spoken publicly about getting sober by 2015, when he worked with his father on “Being Charlie,” a semi-autobiographical film about addiction and recovery that Rob Reiner directed and Nick co-wrote.

After their marriage, Singer Reiner worked on several of Reiner’s films, as a special photographer on “Misery,” his 1990 adaptation of the Stephen King novel, among others. Their marriage also became a working partnership. As Reiner’s career expanded beyond studio films into documentaries and political projects, Singer Reiner — who earlier in her career had photographed the cover of Donald Trump on the photo of his 1987 bestseller “The Art of the Deal” — was closely associated with those efforts, collaborating on films and advocacy campaigns that increasingly overlapped.

Their civic strand emerged early. In the 1990s, she and Reiner started the I Am Your Child project, an effort aimed at raising awareness about early childhood development and expanding access to support services for parents.

The initiative coincided with Reiner’s emergence as one of Hollywood’s most prominent political voices. He was a founding board member of the American Foundation for Equal Rights, which led the legal fight to overturn Proposition 8, the California ballot measure that banned same-sex marriage. He was also a central figure behind Proposition 10, the California Children and Families Initiative, a landmark policy that created an ambitious statewide early childhood development program.

In the last decade, Singer Reiner moved more fully into producing. Her credits included such Reiner-directed projects as “Shock and Awe” (2017), “Albert Brooks: Defending My Life” (2023) and this year’s “Spinal Tap II: The End Continues,” as well as “God & Country,” a 2024 documentary examining Christian nationalism in the United States.

As news of their deaths spread, tributes emphasized the Reiners’ shared public life. Laurie David, an environmental activist and documentary filmmaker who was a close friend of the couple, wrote on Threads that “Rob & Michele — always referred to as Rob & Michele — were an extraordinary couple who worked side by side to make the world a safer, fairer and more just society.”

Former President Bill Clinton and former Secretary of State Hillary Clinton also issued a joint statement calling the couple’s deaths “heartbreaking” and pointing to what they described as the Reiners’ “active citizenship” in defense of “inclusive” democracy. “They were good, generous people who made everyone who knew them better,” the statement said.

Former House Speaker Nancy Pelosi called the loss “devastating,” writing that while Reiner was creative, funny and beloved, Singer Reiner was his “indispensable partner, intellectual resource and loving wife” in all of their endeavors.

Rob Reiner was born into the lineage of comedy thanks to his father, television pioneer Carl Reiner, and he first gained recognition as an actor, including his Emmy-winning role on “All in the Family.” And while there is certainly a streak of humor through almost all of his films, what marks Reiner’s work as a director is his astonishing versatility, able to switch styles from one project to the next with remarkable ease. The run of films that begins with his feature directing debut, 1984’s “This Is Spinal Tap,” on through 1986’s “Stand by Me,” 1987’s “The Princess Bride,” 1989’s “When Harry Met Sally…,” 1990’s “Misery,” 1992’s “A Few Good Men” and 1995’s “The American President” is simply breathtaking for its mastery across the specrum of popular Hollywood moviemaking.

‘This Is Spinal Tap’ (1984)

Harry Shearer, left, Christopher Guest and Michael McKean in the movie “This Is Spinal Tap.”

(Archive Photos / Getty Images)

Though not strictly the first to explore the form, Reiner’s first feature as director more or less cemented the concept of the “mockumentary,” presenting itself as a documentary on the (fictional) rock band Spinal Tap. Reiner appeared onscreen as Marty DiBergi, director of the faux film-within-the-film, forming a neat transition from his career as an actor to director. And while this year’s sequel “Spinal Tap II: The End Continues” was not particularly well received, the legacy of the original, still among the most quotable comedies ever made, remains untouchable. — Mark Olsen

‘The Sure Thing’ (1985)

Made amid the teen sex comedy craze of the 1980s, Reiner’s second film, about two college students sharing a cross-country car trip together, had something special and different about it — namely the performances of John Cusack and Daphne Zuniga, who both brought an openhearted tenderness to a story that might have toppled into cynicism. The emotional earnestness that would often come through in Reiner’s work first emerged here, making what could have been a run-of-the-mill exercise into something more. — M.O.

‘Stand by Me’ (1986)

Wil Wheaton, left, River Phoenix, Jerry O’Connell and Corey Feldman in the movie “Stand by Me.”

(Columbia Pictures)

Based on a novella by Stephen King, “Stand by Me” is about four boys — played by Wil Wheaton, Corey Feldman, Jerry O’Connell and River Phoenix — who find their friendship tested during a particularly eventful Labor Day weekend of 1959. Approaching the story with a mix of dewy nostalgia and incisive clarity, the film earned Reiner the first of three nominations from the Directors Guild of America. — M.O.

‘The Princess Bride’ (1987)

Robin Wright and Cary Elwes in the movie “The Princess Bride.”

(20th Century Fox / Kobal / REX / Shutterstock)

It would be inconceivable to not include “The Princess Bride” in any consideration of Reiner’s best, as the swashbuckling fantasy romance embodies a sense of playful inventiveness and anything-can-happen ethos. An elderly man reads a story to his grandson as the action comes to life in the tale of a farm boy and a princess who are fated to be together, if only they can overcome all manner of trials and challenges. The movie has now enchanted multiple generations of children and adults alike. — M.O.

‘When Harry Met Sally…’ (1989)

Meg Ryan and Billy Crystal in the movie “When Harry Met Sally…”

(Castle Rock Entertainment)

As much as any other movie, “When Harry Met Sally…” (scripted by Nora Ephron) has come to embody the modern romantic comedy with its will they-won’t-they tale of two good friends who come to realize they may also work as something more. Grounded by the charming performances of Meg Ryan and Billy Crystal, as well as a strong supporting cast including Carrie Fisher and Bruno Kirby, the film has a rare warmth. It was Reiner’s mother Estelle who delivered the unforgettable punchline, “I’ll have what she’s having.” — M.O.

‘Misery’ (1990)

Kathy Bates and James Caan in “Misery.”

(Archive Photos / Getty Images)

Reiner named his production company Castle Rock Entertainment in honor of his deep love for Stephen King’s fiction and after making a splash with “Stand by Me,” there was no way he wasn’t going do something scarier as a follow up. (You get a hint in “When Harry Met Sally” — look at the hardcover Crystal is skimming.) King’s captive-author nightmare gets classed up by two knockout performances calibrated in perfect harmony: Kathy Bates’ psycho fan, a turn that earned her an Oscar, and James Caan as the bedbound writer. At the time, Caan was an actor in need of a second chance. Reiner was it. — Joshua Rothkopf

‘A Few Good Men’ (1992)

Jack Nicholson, left, and Tom Cruise in the movie “A Few Good Men.”

(Mondadori Portfolio / Mondadori via Getty Images)

Reiner seemingly conquered yet another movie genre with this tightly wound military courtroom thriller and received his only Academy Award nomination, for best picture. Reiner was also recognized with nominations from the Directors Guild, Producers Guild and Golden Globes for the film. Written by Aaron Sorkin and featuring a cast that includes Tom Cruise and Demi Moore, this has Jack Nicholson’s volcanic delivery of the now-legendary line, “You can’t handle the truth!” — M.O.

‘The American President’ (1995)

Michael Douglas and director Rob Reiner on the set of “The American President.”

(Archive Photos / Getty Images)

A president as a romantic lead? Such things actually happened during the Clinton era. Reiner injects warmth and realism to Sorkin’s swaggering original script, loaded with wonky dialogue and walk-and-talks. But it’s the careful steering of Michael Douglas as a widowed U.S. leader and rising star Annette Bening as an extra-persuasive eco-lobbyist that distinguish this gentle comedy, one that seems positively alien to our current climate. Widely known for his vigilant activism in later years, Reiner’s on-screen politics were no less optimistic. — J.R.

‘Rumor Has It’ (2005)

Jennifer Aniston and Kevin Costner in the movie “Rumor Has It.”

(Melissa Moseley / Warner Bros. Pictures)

Not many would dare to take on a sort-of sequel to a movie as beloved as “The Graduate,” but Reiner brought a casual ease to the tale of a woman, played by Jennifer Aniston, who believes her mother and grandmother were the inspiration for Charles Webb’s original source novel. Though reviews at the time largely savaged the movie, it now seems just the kind of self-assured studio comedy audiences yearn for, buoyed by Shirley MacLaine’s outrageous performance as a woman who may be the real Mrs. Robinson. — M.O.

‘Albert Brooks: Defending My Life’ (2023)

Albert Brooks, left, and Rob Reiner in the documentary “Albert Brooks: Defending My Life.”

(HBO)

Reiner received two Emmy nominations for this documentary tribute to comedian, actor and filmmaker Albert Brooks, a friend of Reiner’s since the two met as teenagers at Beverly Hills High. It’s captured as an expansive conversation with the two sharing a meal in a restaurant. As much as the film is a portrait of Brooks, it also reflects Reiner’s own unique position as someone who knew show business and its ups and downs with a rare intimacy. — M.O.

Rob Reiner, a writer, director, producer, actor and political activist whose career in Hollywood spanned more than six decades and included some of the most iconic titles in movie history, was found dead Sunday with his wife, Michele Singer Reiner, at the home they shared in Brentwood. He was 78.

“It is with profound sorrow that we announce the tragic passing of Michele and Rob Reiner,” a spokesperson for the family said in a statement Sunday. “We are heartbroken by this sudden loss, and we ask for privacy during this unbelievably difficult time.”

Reiner will be remembered as the director of the seminal 1980s rom-com “When Harry Met Sally,” the actor whose character “Meathead” faced off regularly against Archie Bunker, and the political activist who backed early childhood programs in California and railed loudly for years against President Trump.

The oldest child of comedian Carl Reiner and singer Estelle Reiner, Robert Reiner was born March 6, 1947, in the Bronx, N.Y. Raised by a father who won 11 Primetime Emmys and a Grammy in addition to the Mark Twain Prize for American Humor, Rob Reiner attended Beverly Hills High School and studied film at UCLA. He then went to work in Hollywood as an actor and writer before moving on to directing and producing.

Reiner’s writing credits in the 1960s included “The Smothers Brothers Comedy Hour,” “The Glen Campbell Goodtime Hour” and the TV movie “Where the Girls Are.” In the 1970s, he wrote several episodes of “All in the Family” as well as the Primetime Emmy Awards telecast in 1978 and episodes of “The Tonight Show Starring Johnny Carson.”

Reiner married Penny Marshall, star of TV’s “Laverne & Shirley,” in 1971 and adopted Tracy, the daughter Marshall had from a previous marriage. Reiner and Marshall divorced in 1981.

He wrote for the first “Comic Relief,” hosted by Robin Williams, Billy Crystal and Whoopi Goldberg. That and the dozen “Comic Relief” telethons that followed raised awareness and money to fight poverty in the U.S. and elsewhere.

“This Is Spinal Tap” in 1984 further established Reiner’s comedic sensibilities in the American milieu. His work took a dramatic turn when he directed the 1986 adaptation of Stephen King’s novella “Stand by Me,” which starred Wil Wheaton, River Phoenix, Corey Feldman and Jerry O’Connell, but he returned to comedy with 1987’s “The Princess Bride” starring Cary Elwes, Robin Wright and Mandy Patinkin. Also in 1987, he co-founded production company Castle Rock Entertainment.

Then he directed what would emerge as one of the most beloved rom-coms ever — “When Harry Met Sally,” starring Crystal and Meg Ryan.

On the set of the movie he met photographer Michele Singer and the two married in 1989, the year the film came out. They went on to have three children, Jake, Nick and Romy, born in 1991, 1993 and 1997, respectively.

Reiner was finally nominated for a best picture Academy Award in 1994 for “A Few Good Men,” starring Jack Nicholson and Tom Cruise, though the movie lost out that year to Clint Eastwood’s Western “Unforgiven.”

Reiner’s work had sweeping cultural impacts. Three of his movies, “When Harry Met Sally,” “The Princess Bride” and “This is Spinal Tap,” are on the National Film Registry. The phrase “up to eleven,” coined in “This Is Spinal Tap” during an improvised sequence between Reiner and Christopher Guest, is in the Oxford English Dictionary.

“It’s weird that something that we just threw off like that suddenly becomes part of the lexicon of our lives,” Reiner said on NPR’s “Fresh Air” in September. “It’s very strange how these things have taken root.”

In 2015, Reiner was the producer on “Being Charlie,” a drama based on his family’s struggles while son Nick was addicted to hard drugs and rotating in and out of rehabs and homelessness.

“It was very, very hard going through it the first time, with these painful and difficult highs and lows,” Reiner told The Times in 2015. “And then making the movie dredged it all up again.”

Growing up, Reiner balanced conflicting feelings about his relationship with his own father, who was someone he strongly admired. But he also felt as though his father didn’t fully know him. That dichotomy inspired a scene in “Stand by Me” when Gordie declares his father hates him.

“Loving your father and looking up to your father doesn’t necessarily mean you’re feeling that back,” Reiner said on “Fresh Air” in September, recalling how writing that scene made him cry. Reiner, added, however, that he had two “great guides” in his life, his father, who died in 2020, and “All in the Family” creator Norman Lear.

Reiner was a writer on “The 40th Kennedy Center Honors” in 2017, capping a career that included myriad variety show writing credits. “Spinal Tap II: The End Continues,” which he directed, was his final project as a scribe. “Spinal Tap at Stonehenge: The Final Finale,” due out in 2026, was his final directing credit.

Reiner was nominated five times for supporting actor Emmys for his “All in the Family” work, winning in 1974 and 1978. He was up for two Emmys in 2024 for the documentary “Albert Brooks: Defending My Life.”

A staunch liberal, Reiner also emerged as a force in California politics and child welfare and education issues, and campaigned for presidential candidates including former Vice President Al Gore, endorsed former Secretary of State Hillary Clinton for president and spoke up for President Biden’s reelection. Reiner was also an unapologetic critic of President Trump.

He campaigned in California against tobacco use and in 1998 saw the passage of Proposition 10, which called for a tax on tobacco products to be spent on early childhood programs. Reiner became chairman of the First 5 California Children and Families Commission in January 1999. He resigned in March 2006 amid accusations that the commission had used tax money to boost his campaign for the ultimately unsuccessful Proposition 82, which would have raised income taxes on wealthy Californians to pay for preschool for 4-year-olds. An audit later concluded that he and the commission had not violated state law.

“Rob Reiner has always put California’s kids first, and I thank him for the great work he has done over the last seven years,” then-Gov. Arnold Schwarzenegger said in a statement at the time. “Because of Rob’s efforts, California has become a national leader in providing early childhood health and education services for our youngest children and their families.”

Times editor Brittany Levine Beckman contributed to this report.

Rob Reiner was known to millions as a TV actor and film director.

But the Brentwood resident, known for the classic films “Stand by Me” and “When Harry Met Sally,” was also a political force, an outspoken supporter of progressive causes and a Democratic Party activist who went beyond the typical role of celebrities who host glitzy fundraisers.

Reiner was deeply involved in issues that he cared about, such as early childhood education and the legalization of gay marriage.

Reiner, 78, and his wife, Michelle Singer Reiner, were found dead inside his home Sunday, sparking an outpouring of grief from those who worked with him on a variety of causes.

Ace Smith — a veteran Democratic strategist to former Vice President Kamala Harris, Gov. Gavin Newsom, former Gov. Jerry Brown and presidential candidate Hillary Clinton — had known Reiner for decades. Reiner, he said, approached politics differently than most celebrities.

“Here’s this unique human being who really did make the leap between entertainment and politics,” Smith said. “And he really spent the time to understand policy, really, in its true depth, and to make a huge impact in California.”

Reiner was a co-founder of the American Foundation for Equal Rights, the organization that successfully led the fight to overturn Proposition 8, the 2008 ballot measure that banned same-sex marriage. He was active in children’s issues through the years, having led the campaign to pass Proposition 10, the California Children and Families Initiative, which created an ambitious program of early childhood development services.

Proposition 10 was considered landmark policy. Reiner enlisted help in that effort from Steven Spielberg, Robin Williams, and his own father, comedy legend Carl Reiner.

“He wanted to make a difference. And he did, and he did profoundly,” Smith said.

Reiner was also a leading backer of Proposition 82, an unsuccessful measure that would have taxed the wealthy to create universal preschool in California.

Former Los Angeles Mayor Antonio Villaraigosa, who had known Reiner since he was a state lawmaker in the 1990s, worked with him on Proposition 10 and was impressed with how Reiner embraced the cause.

“He was a man with a good answer. It wasn’t politics as much as he was always focused on the humanity among us,” Villaraigosa said. ‘When he got behind an issue, he knew everything about it.”

“Just a really special man. A terrible day,” the former mayor said.

Mayor Karen Bass said in a statement that she was “heartbroken” by the day’s events, saying Reiner “always used his gifts in service of others.”

“Rob Reiner’s contributions reverberate throughout American culture and society, and he has improved countless lives through his creative work and advocacy fighting for social and economic justice,” the mayor said.

“I’m holding all who loved Rob and Michele in my heart,” Bass said.

Newsom added, “Rob was a passionate advocate for children and for civil rights — from taking on Big Tobacco, fighting for marriage equality, to serving as a powerful voice in early education. He made California a better place through his good works.”

“Rob will be remembered for his remarkable filmography and for his extraordinary contribution to humanity,” the governor said.

Los Angeles police are investigating an apparent homicide at the Brentwood home of Rob Reiner, where two people were found dead Sunday afternoon.

The bodies of a 78-year-old man and a 65-year-old woman were found at the home in the 200 block of Chadbourne Avenue, according to Police Capt. Mike Bland.

Law enforcement sources told The Times that a family member was being questioned in connection with the death. .

The sources, who were not authorized to speak publicly about the ongoing investigation, confirmed that there was no sign of forced entry into the home. The names of the victims have not been released.

Margaret Stewart, a Los Angeles Fire Department spokesman, said the department was called to the residence around 3:30 p.m. for medical aid. Inside the home, fire personnel discovered the bodies of the man and woman.

Rob Reiner and wife Michele Reiner attend the 46th Kennedy Center Honors gala at the Kennedy Center for the Performing Arts in Washington in December 2023.

(Kent Nishimulra / AFP via Getty Images)

Reiner, 78, has had a five-decade-long career in Hollywood.

Early in his career, he played Michael “Meathead” Stivic on the iconic sitcom “All in the Family” from 1971 to 1979, alongside Carroll O’Connor as Archie Bunker.

As a director, Reiner helmed a string of hits including “When Harry Met Sally,” “The Princess Bride” and “This Is Spinal Tap.” His work took a dramatic turn when he directed the 1986 adaptation of Steven King’s novella “Stand by Me.”

Reiner was finally nominated for an Academy Award for 1993’s “A Few Good Men,” which starred Jack Nicholson and Tom Cruise, though the movie lost to Clint Eastwood’s western “Unforgiven.”

Reiner also was a leading political voice in Hollywood.

He was a co-founder of the American Foundation for Equal Rights, the organization that led the fight to overturn Proposition 8, which banned same-sex marriage. He’s also been active in children’s issues through the years, having led the campaign to pass Proposition 10, the California Children and Families Initiative, which created an ambitious program of early childhood development services.

Proposition 10 was considered landmark policy. Reiner enlisted help in the effort from Steven Spielberg, Robin Williams, and his own father, comedy legend Carl Reiner.

Reiner was married to Penny Marshall, star of “Laverne & Shirley,” from 1971 to 1981. He met photographer Michele Singer on the set of “When Harry Met Sally” and the two married in 1989, the year the movie came out.

Michele Singer Reiner began producing films over the last decade, including “Shock and Awe,” “Albert Brooks: Defending My Life” and “Spinal Tap II: The End Continues,” all directed by her husband. She also produced “God & Country,” a look at Christian nationalism in the U.S.

By Sunday evening, law enforcement had swarmed Reiner’s sprawling estate in Brentwood, though an eerie quiet hung over Chadbourne Avenue, which had been sealed from the public with yellow crime scene tape.

Police cars were stationed at either ends of the block where the Reiner residence is located while a chopper circled overhead.

Officers spoke to a young man inside of the sealed off area, who left the scene around 7:30 p.m. in a white Tesla and declined to speak to the media.

Councilmember Traci Park, whose Westside district includes Brentwood, said in a statement that the LAPD had increased patrols in the neighborhood “out of an abundance of caution.”

“As we continue to wait for more updates, I want to express my profound concern and sadness at the news coming out of Brentwood,” Park wrote in the statement. “We are in close contact with LAPD as the homicide unit continues their investigation.”

This breaking news story will be updated.

Times staff writer David Zahniser contributed to this report.