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International commitments over the winter months have interrupted pre-season preparations and that was a common message from coaches as some teams coped better than others on the big stage.

In front of packed stands at one of the UK’s largest indoor arenas, Birmingham Panthers and Manchester Thunder both lost three from three.

“It’s been a tough day,” said Thunder coach Karen Greig, whose side lost their three games heavily to make an early exit.

Thunder will face NSL champions Pulse in the league’s opening match, with more than 5,000 tickets sold for that Copper Box encounter.

Greig has brought England goal shooter El Cardwell back to England after a successful stint in Australia while Thunder also have fellow Roses star Nat Metcalf back after she missed last season when pregnant and looking after baby son Miller.

But it was to no avail at the Super Cup.

“Today was about us understanding where we were actually at,” Greig said.

“The performances and the connections on the court definitely highlighted that.

“The quality that we’ve got in our group is undeniable and it’s about us now making sure we get everyone on the same page and connected.”

There was no such problem for Lightning while Pulse took consolation from being a whisker away from another major title.

As Pulse coach Sam Bird said: “I’m not too worried. I’m disappointed because I like winning everything available but I think we take a lot of positives from the day. It’s a nice rivalry to continue with.”

DANNIELLA Westbrook has finally revealed the full extent of her recent surgery makeover after undergoing a full face, neck and brow lift.

The former soap star underwent multiple facial surgeries weeks ago in Dubai and was spotted looking swollen and bruised as she emerged from surgery.

But now the ‘results’ have been revealed with Danniella sharing a slew of new snaps post-surgery but ever the perfectionist, the star couldn’t resist adding a filter or two to the images before she posted them online.

The star’s new images featured a helping hand in order to enhance her appearance even more post-surgery.

The axed EastEnders star could be seen posing on a towel as she enjoyed the Dubai heat.

Wearing a blue bikini, Danniella showed off her filtered face and her body in the images.

More on Danniella Westbrook

FILL US IN

All of Danniella Westbrook’s surgeries from lipo to screws instead of teeth

UNDER THE KNIFE

Danniella Westbrook almost unrecognisable after more reconstructive surgery

She pulled a series of sultry poses in which evidence of her recent nose operations could be seen thanks to some slight bruising still visible around the nostril area.

In another image, Danniella opted to wear a pair of glasses as she laid back and relaxed in the sunshine.

The 52-year-old, has been on a journey to rebuild her face after historic drug abuse, with this surgery following on from a nose operation last June.

Danniella had a full face, neck and brow lift in addition to a lip and nose reconstruction.

Following the operation, she left the facility in a wheelchair with a facial compression garment wrapped around her head.

A full recovery for a face, neck and chin lift can take up to nine months.

The surgery was performed by Danniella’s trusted Surgeon Dr Parviz Sadigh, who has carried out operations on her in the past.

Danniella became hooked on drugs at the age of 14 after beginning to take cocaine after shooting to fame as Sam Mitchell in the BBC soap opera, EastEnders.

The former star estimates that she has spent a whopping £250,000 on cocaine in her lifetime and was using at least five grams a day throughout her entire pregnancy with son, Kai.

Danniella was addicted to drugs throughout the 1990s and early 2000.

She then managed to stay clean before a number of relapses including in 2017 – the year after she last appeared on EastEnders.

Her latest known drug relapse was in 2021.

This abuse led to the collapse of her nose and cheekbones, with her septum – the cartilage that separates the two nostrils – falling out.

Last summer, Danniella went under the knife for a surgery to reconstruct her nose, with cartilage from her rib being used to fix her nose.

At the time, the star admitted she was hoping to rebuild her face so that she can kick start her acting career once again.

On the day of her surgery, she said: “Big day for me heading down for a very long surgery right now to rebuild my face.

“Then I can get back to work.”

In 1994, the Rev. Jesse Jackson declared war on Hollywood.

The civil rights leader, who died Tuesday, set his sights on the entertainment industry, accusing it of “institutional racism” and calling out what he called the lack of representation of people of color and women, an issue that reverberates today.

Jackson aimed his trademark fiery dynamism at studio and network executives, forming the Rainbow Coalition on Fairness in the Media — an offshoot of his Rainbow Coalition that focused on social justice and economic equality — and threatening boycotts against projects that excluded minorities.

Comparing his campaign to the historic march in Selma, Ala., and other civil rights demonstrations during a news conference, Jackson said, “They think they have the right to not include us in recruitment, hiring, promotion, projection, decision making. But we have consumer power, we have viewer power, we have the power to change dials. … The networks have time now to get their house in order. They can begin to change now.”

The pronouncement was a dramatic contrast to Jackson’s 1984 hosting gig on “Saturday Night Live” and his memorable reading of “Green Eggs and Ham” during a 1991 appearance on the sketch variety series.

But despite his characteristic command and media savvy, Jackson’s campaign never gained true momentum, scoring mixed results. Black actors and creators within Hollywood for the most part failed to rally around him, and leaders of some advocacy groups accused him of losing focus. Whoopi Goldberg made fun of him while hosting the 1996 Oscars.

By 1997, the battle had fizzled out and Jackson had moved on to more political concerns.

The clash with Hollywood was first sparked after several Black-oriented shows on Fox, including “South Central,” “Roc,” “In Living Color” and “The Sinbad Show” were canceled in the July 1994. Jackson felt there would not be much improvement in the diversity on the shows in the upcoming fall season.

“We know that significant shows were cut off from Fox this season, and that is of great concern to us,” Jackson said at a news conference at the African American Community Unity Center where he was accompanied by Brotherhood Crusade founder Danny Bakewell and comedian Sinbad, who starred in his own eponymous sitcom.

And Jackson said it wasn’t the only TV network with this problem. “We look at the data we have on NBC. It is substantial. It is ugly. We look at the projected format for CBS this fall. In the real sense, all of them are recycling racist practices. It is called institutional racism. It is manifest not only in their hiring, but in their priorities.”

He added that he was also concerned about what he claimed was poor representation of people of color and women among network news anchors and on writing staffs on prime-time network series. He criticized the prominence of Black actors having major roles that often involved criminal activity.

Jameel Hasan as Homey Jr., left, and Damon Wayans as Homey D. Clown on Fox’s “In Living Color,” which was canceled in 1994.

(Nicola Goode / Fox)

“We have written the networks letters, and the response, by and large, has been defensive as they attempt to justify what is unjustifiable,” Jackson said at the news conference. “While we’re willing to talk, we’re also willing to walk. It’s now time for aggressive direct action.”

In a separate interview, he targeted politically oriented Sunday news shows, saying they excluded Black journalists and news figures: “Those all-white hosts determine their guests and set the political agenda for public policy for Monday morning. That’s not America.”

His newly formed commission was researching network hiring practices and minority images. He vowed that boycotts and other actions would take place if there was not significant change.

But those demonstrations never materialized, and no boycotts were called. Roughly a year after his initial declaration, observers inside and outside the industry said networks had mostly ignored Jackson, and that little had changed.

Some leaders at the time questioned his commitment, saying he did not seem truly dedicated to aggressive action.

Sonny Skyhawk, founder and president of American Indians in Film, one of the organizations that had joined forces with Jackson, said the campaign against the networks should have been stronger.

“I would hate to criticize him for not being more diligent, but it is frustrating,” said Skyhawk in a 1995 interview about the initiative. “I don’t know where (the issue) is or why he is not continuing on this. But I think he got sidetracked on a lot of other things.”

Sherrie Mazingo, who was then head of broadcast journalism at USC, said she was not surprised that the Jackson campaign had lost steam: “What happened last season isn’t new, it’s perennial, and may even be cyclical. Protests and accusations and talk like this goes on all the time, and nothing ever happens. Nothing.”

Mazingo cited similar efforts by the National Assn. for the Advancement of Colored People in the early 1980s that had attacked Hollywood’s hiring practices. A boycott of films that failed to use Black artists in front of or behind the camera was proposed but never materialized.

“I believe what happens when these things start is that an individual in the organization who is pushing forward on these issues gets tired of banging their head against a brick wall,” Mazingo said. “They make an all-out assault, exhaust a lot of energy and money, and nothing ever significantly changes, except for a token gesture here and there.”

Sumi Haru, who was president of the Assn. of Asian Pacific Artists, said Jackson had been sidetracked by more topical issues such as a conservative power grab in Washington, D.C., and calls for abolishing affirmative action programs.

“He needed to focus his energy on the civil rights initiative, and affirmative action was a much bigger deal,” said Haru.

But Billie Green, president of the Beverly Hills/Hollywood branch of the NAACP, said Jackson’s campaign would have been more effective if it had joined forces with other organizations that had members within the television industry.

Jackson pushed back against the criticism, insisting that the fight against Hollywood “is still very high on our agenda.” He pointed out that he had worked to continue government funding for the Public Broadcasting Service, protested the cancellation of the Nickelodeon series about two Black brothers, “My Brother and Me,” picketed conservative “hate radio” programs and sent out a fax to 8,000 supporters asking them to rally CBS to bring back the family drama “Under One Roof.”

“It’s going to get more intense,” Jackson said.

In 1996, Jackson turned his attention to the Academy Awards, angered that there was only one Black nominee among the 166 artists nominated. He called for picketing in major cities and and said Black people attending the Oscar ceremony should wear a symbol expressing solidarity against what he called Hollywood’s “race exclusion and cultural violence.”

But during the Oscars, which was produced by Quincy Jones, Goldberg, who was hosting, took a swipe at the civil rights leader who was picketing across town.

“Jesse Jackson asked me to wear a ribbon. I got it,” Goldberg said during her opening. “But I had something I want to say to Jesse right here, but he’s not watching, so why bother?” The remark drew applause and laughter from the black-tie audience.

Some leaders, producers and directors were not amused by Goldberg, saying her remarks were insulting and dismissive of a serious fight to gain diversity within the motion picture industry. But others criticized Jackson, calling his action ill-timed and ill-advised. Several of the most prominent African Americans present, including Oprah Winfrey, Sidney Poitier and Laurence Fishburne, did not wear rainbow-colored ribbons as a sign of solidarity with Jackson and his Rainbow Coalition.

Even though he concentrated on other endeavors, Jackson was not totally done with Hollywood. He and the Rev. Al Sharpton spearheaded a protest in 2002 against the comedy “Barbershop” and its jokes about Jackson and ciivil rights icons Rosa Parks and Martin Luther King Jr. The two leaders also threatened a boycott against the 2004 comedy “Soul Plane.”

For a while it looked like this match would not happen.

Pakistan, whose last win against India was at the Asia Cup in 2022, announced a boycott a week before the tournament began, only to reverse their decision at the start of this week after extensive talks.

It went ahead, in front of a large crowd weighted towards Indian blue, because it is the most lucrative fixture in the world game, providing the funds upon which cricket’s ecosystem survives in its current imperfect state.

How long that remains the case given India’s dominance, built from their cricketing and financial might, remains to be seen.

Kishan’s assault gave India breathing space and their bowlers were ruthless, even if their fielders dropped three catches.

After Pakistan’s seamers went the distance, Hardik began with a wicket maiden – dismissing right-hander Sahibzada Farhan, who skewed a pull shot high to mid-on.

In the next over, the majestic Bumrah pinned left-hander Saim Ayub in front with full inswinger before Pakistan Salman Agha holed out playing a wild slog.

Even Pakistan’s biggest name, Babar Azam, was tamely bowled for five attempting a swipe to left-arm spinner Axar Patel in the fifth over, while left-handers Mohammed Nawaz and Faheem Ashraf meekly picked out fielders in the deep.

After all of the build-up this was another underwhelming meeting.

Votes are still being tallied, but unofficial results in the Bangladesh election suggest that the Bangladesh Nationalist Party is ‘clearly leading’. Al Jazeera’s Tanvir Chowdhury provides an update from Dhaka.

Former Liverpool goalkeeper Caoimhin Kelleher says the death of Diogo Jota means performances and results at his old club are not quite as important this season.

Portuguese winger Jota died in a car crash last summer at the age of 28.

Jota scored 65 goals in 182 appearances for the Reds, helping them win the FA Cup and League Cup in 2022 and the Premier League title last season.

Liverpool are currently sixth in the Premier League – 14 points behind table-topping Arsenal – in what has been a testing season for the club on the pitch.

Republic of Ireland international Kelleher, who left Liverpool for Brentford last June, touched on the emotional impact of Jota’s death in an interview with The Independent., external

The 27-year-old said that for his former club it was “more about them personally and mentally” than anything else this season.

“Obviously, football is a massive sport and people have an opinion, which is natural. People expect you to move on quite quickly, and I don’t think that’s the case,” Kelleher said.

“I find it a bit strange and a bit difficult when I hear people speaking about the players at Liverpool and the performances, because I don’t think this season is even important from a football aspect for them.”

Last November, Reds boss Arne Slot said his side miss Jota both as a player and a person.

Those remarks came in the wake of an emotional post-match interview from Liverpool left-back Andrew Robertson after Scotland had qualified for the World Cup.

Robertson said he had “been in bits” because he “couldn’t get my mate Diogo Jota out of my head” in the build up to a thrilling victory over Denmark which clinched their spot at the tournament.

Kelleher, who made 67 appearances in all competitions for Liverpool, having joined the club’s academy in 2015, said coming to terms with Jota’s death had been “a bit easier” since he was no longer at Anfield.

“I stay in touch with some of the guys there, I have a lot of good friends there. It’s a very difficult time for them, a difficult season, with circumstances that people probably aren’t taking into account too much,” explained Kelleher.

“But it’s probably been a bit easier for me, being away from it, and not being in such close proximity to it every day.

“From an individual aspect, for me to leave and play first-team football was obviously right, never mind the tragedy that happened. “

Premier League Darts is played across 16 initial weeks in the league stage with quarter-finals, semi-finals and a final each night.

Each of the eight players is guaranteed to face the other seven in the quarter-finals in weeks one to seven and 9-15, with week eight and week 16 fixtures done off the table. It means we will get fourth v fifth in Sheffield on the final league-stage night, with the play-off spots potentially on the line.

Players earn two points per quarter-final win, an additional point if they win their semi-final and five for winning the night.

The top four players after the group stage progress to the play-off night at London’s O2 Arena on 23 May, with first facing fourth and second against third in a best-of-19-leg match. The final, which is the best of 21 legs, follows.

If players are level on points after the 16 weeks then places are decided by nights won and then matches won.

DEVELOPING STORYDEVELOPING STORY,

Right-wing candidate from the governing PPSO leads presidential race with 53.01 percent of the vote, early results show.

The right-wing law-and-order candidate, Laura Fernandez, has taken a commanding lead in Costa Rica’s presidential election, according to early results.

With ballots from 31 percent of polling stations counted late on Sunday, Fernandez, of the governing Sovereign People Party (PPSO), had 53.01 percent of the vote, the results showed.

Alvaro Ramos of the centre-left National Liberation Party ‍was in second place ⁠with 30.05 percent, while former First Lady Claudia Dobles was in third place with 3.9 percent.

Fernandez ‌needs at ‌least 40 percent to win the election outright and avoid ‌a run-off on April 5.

The 39-year-old politician is the handpicked successor of incumbent President Rodrigo Chaves, and campaigned on continuing his tough security policies.

The historically peaceful Central American nation’s crime surge in recent years could be a deciding factor for many voters. Some fault Chaves’s presidency for failing to bring the rates down, but many see his confrontational style as the best chance for Costa Rica to tame the violence.

Fernandez was previously Chaves’s minister of national planning and economic policy and, more recently, his minister of the presidency.

Costa Ricans also voted for the 57-seat National Assembly. Chaves’s party is expected to make gains, but perhaps not achieve the supermajority he and Fernandez have called for, which would allow their party to choose Supreme Court magistrates, for example.

Twenty contenders were seeking the presidency, but no candidate other than Fernandez and Ramos reached 5 percent in the preliminary and partial results.

Iga Swiatek’s bid to complete the career Grand Slam at this year’s Australian Open was ended by Kazakh fifth seed Elena Rybakina in the quarter-finals.

Reigning Wimbledon champion Swiatek lost 7-5 6-1 as Rybakina used her power to devastating effect.

Swiatek, 24, can already be ranked among the greats, having won six major titles across all three different surfaces.

Mastering the Wimbledon grass last year – a surface considered her weakest – opened the door to attempting in Melbourne to become only the sixth woman in the Open era to win all four Grand Slam events.

Before the tournament, Swiatek acknowledged the achievement would be a “dream come true” but insisted she was blocking out the outside noise about what was at stake.

On the evidence of what she had showed over the opening four rounds, it never truly felt that she would complete the clean sweep this year.

Swiatek’s service game had not been solid, while the quicker courts at Melbourne Park have historically led to problems against aggressive opponents.

That always promised to be a bad combination against 2022 Wimbledon champion Rybakina, who ruthlessly took advantage in Wednesday’s contest.

Rybakina, 26, could not find rhythm with her serve in a first set which started with the pair exchanging breaks.

A low first-serve percentage of 41% was uncharacteristic, but she had enough pace and aggression in her groundstrokes to rush Swiatek.

That was demonstrated in the crucial 12th game. Rybakina fought back from 0-30 with deep returning – drawing loose sprays from Swiatek – and explosive winners to take the opener.

Momentum stayed with Rybakina as she immediately took control of the second set.

In perfect 22C sunny conditions following Tuesday’s heatwave, her groundstrokes continued to fly through the court and Swiatek was unable to solve the problem facing her.