Welcome to Screen Gab, the spooky newsletter for everyone who loves scares, thrills, tricks and treats.
Happy Halloween! Whether you plan to stay home or don a costume and hit the town, at some point this weekend, it’s worth putting on a movie or show to fit the theme of the season. The great thing is that there’s something for everyone, as our guide to Halloween programming shows. Whether you prefer something kid-friendly like “Is It Cake? Halloween” or something more sinister like the newly released HBO series “It: Welcome to Derry,” which expands Stephen King’s horror universe (more on that below), there’s plenty to choose from. And if you‘re in L.A., film editor Joshua Rothkopf and reporter Mark Olsen have compiled a guide to local theaters hosting screenings of classic horror films like “Black Sabbath” and “Bride of Frankenstein.” (If you can’t snag a ticket, their list also doubles as a great reference for films to watch at home, as many are available to stream.)
If that’s not enough, we have more recommendations that you can add to your queue, including a special episode of a (sadly) recently canceled Apple TV series and the pair of “It” films that led to the creation of “Welcome to Derry.” Additionally, Jovan Adepo, who plays Leroy Hanlon on the prequel series, which dropped its second episode on HBO Max in time for Halloween, spoke to us about some of the real-life themes of horror the show covers.
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Must-read stories you might have missed
Rhea Seehorn stars in the new Apple TV series “Pluribus.”
Forget ‘I’m too old for this’: Women over 60 are redefining action stardom: The growing army of 60-ish women who kick ass, take names and rarely complain about getting too old for anything has been joined by Emma Thompson’s Zoë Boehm in “Down Cemetery Road” and the menopausal punk rockers of “Riot Women.”
That this period comedy, on my best of 2024 list, failed to complete a second season is one of the great television tragedies of this year. (Star and co-creator Noel Fielding stopped showing up partway through production, reportedly due to health issues.) It has nevertheless left us this one extra, excellent, just-released Halloween-appropriate episode. A mysterious creature (see title) has been attacking coaches along the highway, leaving Dick (Fielding), the notorious English highwayman, and his motley crew without anything to rob. Although technically about a criminal, its hero is good-hearted — essentially a version of the Fielding one sees co-hosting “The Great British Baking Show” — and its approach to monsters trends more to understanding than horror. (A recommendation in itself.) Continuing in the All Hallows Eve spirit, you’ll find more paranormal doings in the series’ still-available first season, including witches, warlocks and a cursed coach. And you may want to carry on (and should) to its equally fine twin sister, “Renegade Nell” (Disney+) — another period supernatural comedy about an early 18th century highwayman (or woman, as the case may be), which adds a feminist twist. — Robert Lloyd
Bill Skarsgård as Pennywise in “It: Chapter Two.”
(Brooke Palmer/Warner Bros. Pictures)
“It” and “It: Chapter Two” (HBO Max)
The Halloween season is in full swing, and there are few things more terrifying than a demonic clown with a red balloon. HBO has just launched “It: Welcome to Derry,” the prequel to “It” and “It: Chapter Two,” the recent hit film adaptations of Stephen King’s 1986 epic novel featuring Pennywise, the deadly clown who preys on children and adults. Co-created by Andy Muschietti, who directed the films and directs on the series, the drama is set in the early 1960s in the fictional town of Derry, Maine, and takes on an even more nightmarish quality in delving into the origins of the notorious villain. Bill Skarsgård, who played Pennywise in the films, reprises the role in “Derry.” Before more episodes are released, viewers should get their scare on by revisiting the films or watching them for the first time. The first film is particularly chilling, and Pennywise will give you the shivers. Be afraid. — Greg Braxton
Guest spot
A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching
Jovan Adepo as Maj. Leroy Hanlon in HBO’s “It: Welcome to Derry.”
(Brooke Palmer / HBO)
The monster at the center of Stephen King’s “It” remains one of horror’s most terrifying figures. The author’s novel provided readers with the original tale of a group adolescents who battled a demonic clown, but it wasn’t until 1990 that we got an onscreen adaptation via the ABC miniseries that starred Tim Curry as the story’s terrifying villain, Pennywise. His devilish clown was merciless, preying on children and taunting them with bursts of blood, dead loved ones and a frightening set of sharp teeth. And while those things were scary, what made the adaptation horrifying was how it made mundane things like storm drains, old pipes and red balloons appear much more sinister.
Nearly two decades later, the feature films introduced a whole new generation to the terrors of “It,” and now with “Welcome to Derry,” we get a new story that adds more layers and aims to show who or what It really is. The HBO series, which will have a three-season arc, begins in 1962 with the story of the Hanlons, a Black military family that moves to Derry. The patriarch, Air Force Maj. Leroy Hanlon, played by Adepo, is a respected war hero who almost immediately has to battle a different kind of demon: bigotry. It’s a central theme and shows how “these horrors keep haunting us,” according to Barbara Muschietti, who alongside her brother Andy, spoke recently about the series to senior reporter Greg Braxton.
Adepo is no stranger to stories where race and bigotry are explored, having starred in series like Netflix’s “When They See Us,” a dramatization about the Central Park Five, and HBO’s “The Watchmen,” in which he played Hooded Justice. He stopped by Guest Spot this week to talk about the kinds of horrors “Welcome to Derry” portrays, what helped him unwind after filming and how he turns to a pair of TV comedies for comfort. — Maira Garcia
“It” has been adapted for the screen before. How familiar were you with King’s universe and “It” before taking on this role? Had you read the book or watched the films or miniseries?
I hadn’t read the book in the years before, but I was quite familiar with the recent two films, as well as the classic miniseries. Taking on the role of Leroy gave me a special opportunity to dive deeper into the lore and to also explore some of my own choices for how Leroy was portrayed.
“Welcome to Derry” begins by giving us some of the back story for Mike Hanlon’s family — a key character in “It.” In Episode 1, we’re introduced to your character, Leroy Hanlon, Mike’s grandfather, an Air Force major who encounters overt racism almost immediately when arriving on base in Derry. You’ve explored themes of race in previous roles — what was it like to explore it in the context of this show and the time period it’s set in, the ‘60s?
I think it’s the perfect lens through which to tell this story within the context of the era, because it adds another layer of life challenges for the Hanlons. It explores the struggle of dealing with prejudice and oppression among the members of the community, who are being tormented in a completely different way. That dynamic already creates an interesting environment that only deepens when you add the individual obstacles these characters face.
I’m compelled by an idea that this series brings forth: Monsters are terrifying, but the real world — with war, racism, genocide and so forth — is frightening enough. Did that resonate with you and your character at all?
Yes, in fact, I think that idea runs through the veins of a few characters here. I truly think this genre — and what Andy and Barb have brought to this season — beautifully showcases a very relatable experience of fear, one rooted in real historical moments and woven into a much more sensational element. Along with [co-showrunners Jason] Fuchs and [Brad Caleb] Kane, they’ve created space for viewers to connect with characters’ lives before the monster really begins to engage.
Working on such heavy material, how would you unwind after shoots?
I spent a lot of time at home recharging — watching films, exploring my neighborhood on walks with my dog, and so on. Building a routine of going shopping at the market, visiting my butcher shop, and going out to eat with my castmates was also quite relaxing. Most of us lived close to each other, so I saw everyone quite often.
What have you watched recently that you are recommending to everyone you know?
I’m a creature of habit, so on my off days I usually recharge by watching previously released shows or films. I think the last thing I brought up in conversation on set was the HBO show “Animals” [HBO Max].
What’s your go-to “comfort watch,” the movie or TV show you go back to again and again?
Oh, man. Comfort watching, to me, is something I can put on in the background after a long day on set. I’d have to give it to “Family Guy” [Hulu] or “The Office” [Peacock].
Pop star and recreational astronaut Katy Perry has found a new flame in former Canadian Prime Minister Justin Trudeau, in an unexpected romance that feels like a “Mad Libs” page come to life.
The “California Gurls” hitmaker and the longtime politician publicly debuted their relationship over the weekend, shutting down months of speculation. Perry, 41, and Trudeau, 53, were photographed holding hands during a date night in Paris on Saturday.
The singer, in a red body-hugging dress, and Trudeau in a black suit were seen exiting cabaret club Crazy Horse Paris, where they celebrated Perry’s birthday. Video shared by Backgrid shows Perry accepting a rose from a bystander and Trudeau placing his hand on her back as they walk to their SUV.
Perry and Trudeau first sparked relationship rumors in late July, when they were seen sharing a meal and some good conversation at an upscale restaurant in Montreal. They met up for their rendezvous, captured by TMZ, a month after Perry and “Pirates of the Caribbean” and “Lord of the Rings” star Orlando Bloom ended their engagement. The former couple welcomed a daughter in 2020 and continue to co-parent.
At the time, the split with Bloom was the latest blow to Perry’s public image. Prior to their separation, the Grammy-nominated singer’s album “143” faced backlash and scathing reviews, her participation in Blue Origin‘s flashy all-female crew flight was subject to scrutiny and her Lifetimes world tour proveddivisive. Trudeau seemed to be all smiles at the latter in late July.
Fans spotted the former Canadian leader, who resigned in January after nearly a decade in power, dancing and singing at Perry’s tour stop in Montreal. Earlier this month paparazzi snapped pictures of the then-rumored couple packing on the PDA on the singer’s yacht off the coast of Santa Barbara, Perry’s hometown.
Trudeau began his romance with Perry after he and ex-wife Sophie Gregoire Trudeau announced their separation in 2023. The Trudeaus were married for 18 years and share three children. Though they are legally separated, their divorce is not yet final.
Neither Trudeau nor Perry has publicly addressed their relationship, save for one cheeky comment the singer made during a concert in London this month. When a fan tried shooting his shot and proposed to the singer, she responded, “You know you really should have asked me about 48 hours ago,” seemingly referring to her yacht outing with her new beau.
Perry continues the European leg of her Lifetimes tour Monday, performing at the MVM Dome in Budapest. Information about her remaining tour stops and future gigs can be found on her website.
Welcome to Screen Gab, the newsletter for everyone who wore out their remote’s fast-forward button while watching the Season 9 finale of “Love Is Blind.”
In the wake of the news that Lauren Speed-Hamilton and Cameron Hamilton, the inaugural couple to get engaged on “Love is Blind,” welcomed their first child earlier this month (raising the already high bar their rom-com coded relationship had set), the latest season of Netflix’s addictive and maddening social experiment concluded with a dramatic first in the reality franchise’s history. And while the “Sparkle Megan” nickname reveal early in the season still feels like the biggest shock to our system, the outcomes of this season’s weddings will hopefully make next week’s reunion special interesting to watch. But maybe our “Love Is Blind” correspondent Kaitlyn Huamani was onto something when she chose to add some intrigue to her binge of the show. She leaned into the mystery the singles experience in the pods by obscuring her screen and strictly listening to the participants during that critical phase of the experiment to test her assessment of the matches.
But don’t fret, lovers of love. “Nobody Wants This” is back for its second season to help maintain Adam Brody’s grip on GIF-able kisses. For the uninitiated, the L.A.-set series revolves around the will-they/won’t-they relationship between Joanne (Kristen Bell), a woman who often regales about her single life on a podcast, who falls in love with Noah (Brody), a progressive rabbi. But can their relationship make it past hurdles that include their careers, family and religion? The new season takes us on their ongoing journey to figure that out. But there’s another complicated relationship coming into focus too. Joanne’s sister and podcast co-host, Morgan (Justine Lupe), has a boundary-pushing friendship with Noah’s married brother, Sasha (Timothy Simons), that continues to cause tension with his longtime wife, Esther (Jackie Tohn) — and unlocks some other issues about their union in process. Simons stopped by Guest Spot to discuss his character’s approach to marriage and platonic friendships.
Also in this week’s Screen Gab, our recommendations are a light comedy caper that’s a spinoff of the long-running British crime series “Death in Paradise,” and a documentary that gives an intimate look at the life and career of award-winning Deaf actor Marlee Matlin.
ICYMI
Must-read stories you might have missed
Actor Aidan Delbis, photographed in Beverly Hills in October. Delbis has a breakout role in Yorgos Lanthimos’ upcoming “Bugonia.”
Recommendations from the film and TV experts at The Times
Kris Marshall as Humphrey Goodman and Zahra Ahmadi as DS Esther Williams in “Beyond Paradise.”
(Joss Barrett / BritBox / Red Planet Pictures)
“Beyond Paradise” (BritBox)
The third season of this spinoff from the island-set “Death in Paradise” has arrived. Following tall, awkward detective inspector Humphrey Goodman (Kris Marshall), transplanted from the Caribbean back to a small seaside town in Devon, England, trading blue skies for gray, it’s the coziest of cozy mysteries. Comedy and romance thread their way among its apparently impossible murders, always solved with a sudden inspiration in the final minutes of an episode. Sally Bretton plays Martha, Humphrey’s possibly permanent fiancee, who has moved her cafe to larger quarters; they’re still hoping to foster a child. Meanwhile, Martha’s previous fiance, Archie (Jamie Bamber), a well-heeled wine merchant, has crept back into the story, projecting a vibe of “I’m not your rival, rival” toward Humphrey. (I don’t trust him.) At the police station, in an old church, we find Zahra Ahmadi as Sgt. Esther Williams (not awkward), Dylan Llewellyn as PC Kelby Hartford (a puppy dog), and the great Felicity Montagu (known for playing Alan Partridge’s long-suffering assistant Lynne) as office manager Margo, uninhibited. Watch with a cup of something warm, with a shot of something stronger. — Robert Lloyd
Marlee Matlin in “Marlee Matlin: Not Alone Anymore.”
(Courtesy of Sundance Institute)
“Marlee Matlin: Not Alone Anymore” (PBS.org)
She didn’t set out to be a groundbreaker or an activist, but Matlin became both. This intimate documentary directed by Shoshannah Stern (who is Deaf like Matlin) that premiered at Sundance earlier this year provides a showcase for a talented woman whose star rose quickly, thanks to a breakout performance in 1986’s “Children of a Lesser God.” The role won her an Oscar, making her the youngest person to receive the actress award at 21 — a distinction she still holds — and the first Deaf performer to win an Academy Award. (Her “CODA” co-star Troy Kotsur would become the second, 35 years later.) The film examines her upbringing in a hearing family; how a meeting with Henry Winkler led to a lifelong friendship and a path to Hollywood; and how she became a spokesperson and activist for the Deaf community after her Oscar win. (Matlin lobbied Congress for closed captioning on televisions; the first time she watched “The Wizard of Oz” with captions, she says, was a “revelation.”) While she garnered success, she struggled to get more acting roles despite her Oscar win, but more came over time, including parts in “Picket Fences,” “Seinfeld” and, later, “The West Wing.” The film also details her battle with addiction and leaving an abusive relationship with actor William Hurt, her “Children” co-star. However, what makes the film unique is how it places its Deaf subject first, largely using sign language and captions to communicate to viewers. It’s an inclusive look at one of America’s most inspiring actors. — Maira Garcia
Guest spot
A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching
Timothy Simons as Sasha and Justine Lupe as Morgan in Season 2 of “Nobody Wants This.”
(Netflix)
Can men and women be just friends? It’s a question that has long been dissected, debated and downplayed by couples and friends — and in plenty of movies and TV shows. “Nobody Wants This,” the Netflix romantic comedy, offers its own complex and controversial portrayal of such a dynamic. While the show swirls around the hurdles in the love journey of its main characters — Joanne (Bell) and Noah (Brody) — the relationship triangle that’s been brewing between its supporting players comes more sharply into focus in Season 2, now streaming. As Sasha, Noah’s brother who is played by Timothy Simons, tries to place better boundaries with Joanne’s sister, Morgan (Lupe), their friendship places a strain on his marriage to wife Esther (Tohn), leading to more hard truths. Simons stopped by Guest Spot to discuss what interests him about exploring a lived-in marriage at a breaking point, his go-to L.A. spots for a perfect day and the unconventional movie picks on his comfort-watch roster. — Yvonne Villarreal
The season dives into the tough decisions or sacrifices people make when being part of a relationship, and the potential long-term resentments or buried feelings that may resurface later. In this challenging time in Sasha and Esther’s marriage, we get more insight into what those issues are for them. What intrigues you about exploring the rough patches of a lived-in relationship?
I think there’s something interesting about examining those challenges for both actor and audience because it reflects broadly what a lot of people go through as they age in a relationship. People grow and change and can learn to grow and change together, and it’s hard to ask a question like, “Would I choose this person or this life if I met them now,” because what if the answer is no? That’s a rough one to face. Falling in love is somewhat easy, but staying in love is hard. Specific answers to Esther and Sasha aside, I think it’s interesting for an audience to grapple with that question, cause they’ve probably asked some form of it in their real lives.
The bond between Sasha and Morgan has been controversial from the start, with viewers wondering if it was going to evolve into an affair or remain a questionable approach to a platonic relationship. What do you think is going on there and what has it revealed to you about Sasha and what he’s seeking or lacking at this stage in his life? Are there things Sasha and Morgan do or discuss that would be a hard no for you as a married person?
I think that there is a kinship with Morgan and Sasha that, despite very different upbringings, is based on a similar worldview and station in their respective families. I think they get each other in a lot of ways despite not fitting in with most of the world. They are misfits and I think they connect in that. As long as the communication is good and boundaries aren’t crossed, finding someone to discuss issues or seek advice from, I don’t think is a betrayal.
The show is set in L.A. What are three go-to spots you’d recommend to an out-of-towner for the perfect day in L.A.?
Oh man. A lot of ways to go here, but taking a hike in Elysian Park and then going to Jitlada and Jumbo’s Clown Room would be a fun day for everyone. I think with those three you get a wonderful cross-section about what makes the city so rad to live in day-to-day.
You appeared in the final season of “The Handmaid’s Tale” as loathsome Commander Bell. When I spoke with the showrunners, they said when they conceived that character, they used your “Veep” character, the incompetent and insufferable Jonah Ryan, as a model. What’s it like to be synonymous with a character like Jonah and to see how his name gets invoked in discussions of both fictional and real life matters of governance?
Hopefully I can convince people that I’m not as big of a scumbag in real life as those characters, and I love that I got to be a part of something that people hold as fondly in their hearts as I do. That was an incredible experience and a wonderful ensemble of writers, actors and crew all working together. It’s wild, though, to live in a world where Jonah Ryan seems somewhat aspirational.
What have you watched recently that you are recommending to everyone you know?
It’s horror movie season, so I’ve been recommending everyone watch “Pieces”(1982) [AMC+], which is my favorite slasher. A truly wild film with the best ending to any horror movie I’ve ever seen (and that includes “Sleepaway Camp” [Peacock, Prime Video, Tubi]). Also, no surprise here that I’m quite high on “One Battle After Another,” which I’ve seen three times and will go back for a fourth cause I haven’t been able to see it in VistaVision yet.
What’s your go-to “comfort watch,” the movie or TV show you go back to again and again?
Comfort films are an odd thing for me because I find myself rewatching movies like “Sicario” [Peacock] and “Zero Dark Thirty” [Paramount+], which you can’t argue are comforting in their subject matter. But they are so perfectly constructed, shot and performed that it’s comforting to watch them.
Welcome to Screen Gab, the newsletter for everyone who spent the week belting “You Don’t Own Me” with the same gusto as an empowered ex-wife dressed in white.
Diane Keaton died this week at age 79 at her Los Angeles home. The L.A. native had a career that spanned more than five decades and included a wide-ranging and indelible list of performances in films such as “The Godfather” saga, “Annie,” Baby Boom,” “Father of the Bride” (and its sequel), “The First Wives Club,” “Something’s Gotta Give,” “The Family Stone” — the list goes on and on. Take a moment to read film editor Joshua Rothkop’s illuminating snapshot of Keaton’s life. Of course, her legacy goes far beyond the performance. Times film critic Amy Nicholson wrote how Keaton showed us how to dress up our insecurities and embrace the kooky. And if you want to take a dive into her oeuvre, we have a roundup of 10 Keaton performances worth watching. Pluto TV is featuring an on-demand collection called “Remembering Diane Keaton,” with 15 of her most beloved films available to stream anytime.
And speaking of women who leave a lasting impression — this week saw the return of Keri Russell as Kate Wyler, the highly competent seasoned foreign service officer, with the arrival of “The Diplomat’s” third season. The Netflix series has spent its time tracking the career diplomat’s journey being primed to assume the role of vice president. Its backdrop storyline of an aging president who is expected to pass the torch to a younger female vice president — and the chaos that ensues when the plan is upended — may have real-world parallels, but the show’s creator, Debora Cahn, whose other credits include “The West Wing” and “Homeland,” insists the series is not a commentary. She stopped by Guest Spot to discuss the political thriller.
Also in this week’s Screen Gab, our streaming recommendations are an eclectic pair: a documentary that chronicles the 60-year movement to convert abandoned railroads into public spaces around America and, for those looking to make their viewing of Guillermo Del Toro’s take on “Frankenstein” a double-feature kind of night, we make the case for a ‘90s gory horror-comedy twist on the legend.
ICYMI
Must-read stories you might have missed
Diane Keaton arrives at a news conference at the 40th Cannes Film Festival to introduce her feature directorial debut, “Heaven,” in 1987.
Recommendations from the film and TV experts at The Times
A view of the Island Line Trail in “From Rails to Trails.”
(PBS)
“From Rails to Trails” (PBS.org)
Trains ran close to where I grew up, and I’m still stupidly excited whenever I see one in action. There are fewer now than there were then, but part of their romance is the alternative routes they carved through the land. “From Rails to Trails” documents the 60-year movement to transform abandoned rail lines — which is to say, most rail lines — into paths for biking and hiking, turning them into linear public parks, making the countryside accessible but also remaking urban spaces. It’s a movement not without its opponents, its reversals and consequences, including the gentrification that can follow them. But this often moving hour-long documentary is a paean to old-fashioned coalition building and community activism — needed now more than ever — and the success of a new idea many now take for granted. Former Vermont governor Howard Dean and former Secretary of Transportation Pete Buttigieg chime in. New voice of the everyman Edward Norton narrates. — Robert Lloyd
“Frankenhooker” (Pluto TV, Tubi)
The lament of “The Bride of Frankenstein” is that the heroine herself is only onscreen for a few minutes. Get your fix by watching Frank Henenlotter’s “Frankenhooker.” This sleazy-brilliant 1990 romp is so clever it ranks (severed) head and shoulders with the black-and-white classics. An inventor, Jeffrey (James Lorinz), is bereft over losing his fiancée Elizabeth (Patty Mullen) to a freak lawnmower accident. He vows to rebuild his future bride — but hotterr. “I can make you the centerfold goddess of the century,” Jeffrey says with a leer. The real vanity is his. He wants a sexy, mindless babe. Henenlotter (also of the schlock hit “Basket Case”) claimed he didn’t think deeply about the subtext of his horror movies, a feint that dates back farther than George A. Romero pretending “Night of the Living Dead’s” martyred Black hero wasn’t a comment on race. They’re both fibbers. “Frankenhooker” is a giddy, popcorn-chomping comment on the disposability of women, especially the sex workers Jeffrey murders for spare parts. But what brings it to life is Mullen’s uproarious resurrected sexpot. Stomping around wearing a purple bra and a ghastly sneer, she belongs to no man — ring on her finger or not. Make it a double feature with Guillermo Del Toro’s terrific new “Frankenstein” in theaters this week. — Amy Nicholson
Guest spot
A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching
Allison Janney as Grace, Rufus Sewell as Hal Wyler and Keri Russell as Kate Wyler in Season 3 scene from “The Diplomat.”
(Alex Bailey / Netflix)
Will the U.S. ever be ready for a female president? Time will tell. But “The Diplomat” has provided its contribution to the list of fictional ones. The Netflix drama, a fast-paced look at the art of diplomacy, stars Keri Russell as Kate Wyler, a newly-appointed U.S. ambassador to the United Kingdom who is tapped from the ranks of career diplomats to be quietly prepped to become vice president. The plan, of course, hasn’t gone as expected. In the whirlwind final moments of last season, the president dies and suddenly the person Kate was enlisted to push out, Vice President Grace Penn (Allison Janney), is whisked into duty — just as Kate has discovered the VP is responsible for hatching a terrorist plot. The show returned for its third season earlier this week and explores the aftermath as Penn is sworn in as president. Here, creator Debora Cahn shares what she was interested in unpacking in Season 3’s marriage dynamics, orchestrating a “West Wing” reunion and the time she met former Vice President Kamala Harris. There are some mild spoilers ahead, so bookmark for later if you haven’t begun the season! — Yvonne Villarreal
What did you want out of Kate’s journey this season? Her professional ambitions are once again tested by her marriage. Hal keeps claiming it’s Kate’s time to be in the spotlight and yet he manages to steal it.
We wanted to look at how it happens that someone like Hal winds up in the spotlight even when he’s desperately trying not to; the circumstances that surround decisions like this, which make it such that even the people in the middle of them don’t really have any control over it. You can look at what Grace is doing, and you can understand why she thinks Kate is fantastic, but that the choice, in terms of what’s going to make it easier for her to get through the day, is Hal. And we didn’t want to have a science fiction White House where there are two women happily running the country. That’s just not the world that we’re living in. And it felt like the most honest thing that we could do is tell a story about what it means to be really qualified and really experienced and really ready, and then watch it all slip away at the last second.
The season includes a delightful “West Wing” reunion, a show you wrote for. Allison Janney returns as VP-turned-President Grace Penn and Bradley Whitford portrays her husband, Todd. What was it like to see them back together onscreen? And what did you want their marriage dynamic to say?
It was like first day of school jitters for the first day that each of them was on set. We really wanted to make sure that this was something new and it wasn’t a reference to the work that we’d done together in the past. And the second they started, it was just clear that we were watching a new relationship that these two great actors were building together and informed by the fact that they know each other quite well and that they’ve been good friends for 20 years, but using that to create something new and fresh and really, really satisfying.
This is a marriage that has some very similar structural dynamics to Kate and Hal, but there are some fundamental differences, which is, there was never an assumption that Todd’s career could continue to function alongside Grace’s once she became vice president; and certainly when she becomes president, there’s no question that will become the focus for both of them. And so there are dynamics that Kate and Hal still wrestle with, which we see are kind of absolved with Todd and Grace. And in some ways that helps, and in some ways it doesn’t help.
We’re looking at a couple that’s 10 years farther down the road in their marriage and have made, in some ways, a more pragmatic decision about what it means to have two smart, capable people with careers existing at the same time. Their decision is that one of them isn’t going to exist right now. I think the thing that I enjoy most about both Hal and Todd is that these are people who really, really, really love their wives and really want to be supportive and they still fail or they struggle so, so mightily. We’ve talked about this before: I don’t like writing villains. I don’t want to write politicians that have bad values or selfish goals. I also don’t want to write people in a marriage who don’t give a s— about each other. I would much rather look at the much larger problem, which is, you do really care about each other. You do really want the best for each other, and you still can’t manage to make it happen.
Allison Janney as President Grace Penn and Bradley Whitford as First Gentleman Todd Penn in “The Diplomat.”
(Clifton Prescod / Netflix)
“The Diplomat” premiered in a different political climate from the one it’s in now. The show is not a direct commentary on what’s happening now, but how does the current reality, particularly as it relates to what those in civil service are facing, inform how you think about or build stories moving forward? What sorts of questions are you asking now of people who work in the government?
We write a story two years before the audience watches it, so we we don’t want to be making a direct commentary. Even if we did, the world is moving so fast, we couldn’t try and keep up. But we do want to be in the foreign policy headspace that the world is in, and try to be looking at what are the bigger questions and bigger conflicts that face people who are working in this field. We think a lot about the fact that 300,000 people were fired from the federal government. We think a lot about what it’s like to work for this administration and — I’m trying to figure out what to say without getting into Season 4, which I don’t want to do. It doesn’t inform the specifics of any of the stories that we’re telling, but it does inform the worldview and the bigger questions that face people in this field as the field changes. As the world changes.
You’re writing about people whose job it is to make hard decisions every day. What was the hardest decision you had to make for this third season — either in the writing phase or the production phase?
We moved the base of production from the UK back to New York. The first two seasons we were based in the UK, and then for Season 3, we did half and half. There were a lot of really good reasons for that. It also meant that we had a crew that grew this organism with us — and we were very close to them; they had huge influence on the show — and leaving them behind was really, really terrible. It’s a tough time in the film and television industry right now, and we felt pretty good about bringing jobs back to this community. That was something that was important to us and we really wanted to do. So, we are comfortable with the decision that we made, but, boy, it sure wasn’t fun making it and going through it. It’s people’s livelihood. It’s not a small thing.
Former Vice President Kamala Harris recently released a book chronicling her whirlwind and brief campaign as a 2024 presidential candidate. Have you read it?
I have not read it. But did I tell you about when we met her?
No. Tell me. You were also filming this third season during the election, right?
We were we were shooting it during the election. We were writing it during the election. And we we were worried about how it was going to look. We didn’t want it to look like a commentary on this presidency. But we did have a female vice president that we liked a whole lot, and a male president that we really loved and was of a certain age and didn’t make it through the process — the dynamics kept getting more and more troubling.
Keri and I were at the [White House Correspondents’] Dinner. And there was a receiving line, and we met and shook hands with the president and the first lady and the vice president and the second gentleman. And I said, “Ma’am, I’m writing a story about what it’s like for a woman who’s really experienced and really smart and really capable and really ready to do a job who then gets passed over for someone who is perhaps less qualified.” And she laughed. Then she said, “Call me.”
Have you called?
I have not called. I felt like she had some stuff going on. I didn’t really want to bother her and say, “Heyyyyy … let’s talk about how that went …”
What have you watched recently that you are recommending to everyone you know?
“Dying for Sex” [Hulu, Disney+]. It was brutal and intense and very funny and extremely well-written. And I just thought what they did from a public health service perspective, sharing practical information about what it actually means to go through the process of death, I thought it was just a huge public service.
What’s your go-to “comfort watch,” the movie or TV show you go back to again and again?
“Postcards from the Edge” [VOD] — it is just so smart and so funny and both Shirley MacLaine and Meryl Streep are just absolutely to die for.
Britney Spears will not stand for ex-husband Kevin Federline’s scathing claims about how she raised their two sons, writing on social media that the allegations in his upcoming book are part of his “constant gaslighting.”
The “Stronger” and “Oops!… I Did It Again” pop star hit back at her ex-husband Wednesday evening in a statement shared to X and Instagram, writing that confronting his latest revelations has been “extremely hurtful and exhausting.” The 43-year-old singer, whose conservatorship ended four years ago, said she has “always pleaded and screamed to have a life with [her] boys.”
“Relationships with teenage boys is complex,” her statement continued. “I have felt demoralized by this situation and have always asked and almost begged for them to be a part of my life.”
Spears and Federline, 47, married in 2004 and divorced three years later after welcoming boys Sean Preston and Jayden James. Federline, a dancer, was awarded sole custody in 2008 when Spears was placed under a conservatorship. In excerpts from his incoming book “You Thought You Knew,” Federline accuses Spears of consuming cocaine while she was still breastfeeding their second son. He also accuses her of holding a knife while she watched her sons sleeping and raises claims about the singer’s alleged cheating and a physical incident.
Federline wrote that the alleged cocaine incident occurred in 2006 during the release party for his album, according to an excerpt shared with Us Weekly. “The first thing I saw was Britney and her young starlet friend snorting a fat line of coke off the table,” he said in his book. He said he urged the pop star not to “feed the kids like this” and that she responded by allegedly throwing a cocktail in his face.
“That’s what ended us,” he wrote, according to Us Weekly.
In a memoir excerpt published by the New York Times, Federline alleged that their sons would awake “sometimes to find her standing silently in the doorway, watching them sleep” with a knife in her hand. “Then she’d turn around and pad off without explanation,” he wrote.
In her social media retort, Spears said their sons “have always witnessed the lack of respect show by [their] own father for me” and added “they need to take responsibility for themselves.” She claimed that she had seen one son for only “45 min in the past 5 years” and that the other has visited only four times since 2021. A judge terminated Spears’ controversial conservatorship in November 2021.
“I have pride too,” the Grammy-winning vocalist said, adding she intends to make herself more available to her sons.
Federline’s book isn’t the first time he dropped bold claims about Spears. He claimed in a 2022 interview with the Daily Mail that their sons had “decided they are not seeing her right now” and opted not to attend her marriage to Sam Asghari, whom she has since divorced. At the time, Federline also claimed the boys had taken issue with her scantily-clad Instagram posts.
“I try to explain to them, ‘Look, maybe that’s just another way she tries to express herself.’ But that doesn’t take away from the fact of what it does to them,” he said. “It’s tough … I can’t imagine how it feels to be a teenager having to go to high school” with those posts existing.
In response to those comments, Spears said she gave her sons “everything” and found Federline’s claims “HURTFUL.”
Federline’s “You Thought You Knew” comes out Tuesday, two years after Spears published her memoir “The Woman in Me.” Her book dished on topics including her struggles with drugs, her relationship with ex-boyfriend Justin Timberlake and her conservatorship.
Spears said on Wednesday that her ex-husband’s “white lies in that book, they are going straight to the bank.” She also urged followers to take tabloid reports about her mental health and drinking with a grain of salt.
“I am actually a pretty intelligent woman who has been trying to live a sacred and private life the past 5 years,” she concluded her statement. “I speak on this because I have had enough and any real woman would do the same.”
T.J. Holmes and Amy Robach, the former “Good Morning America” co-anchors who were embroiled in a cheating scandal in late 2022, are ready to tie the knot.
“We are sharing with all of you that we are engaged and we’ve been engaged for a month now,” Robach, 52, announced Tuesday on their “Amy & T.J.” podcast.
“We’re actually surprised we’re just now talking about it,” Holmes, 48, added. “We wanted to let you all know before anybody was able to. We learned that lesson I guess in the past about our relationship: We want to be the first to talk about it.”
The former ABC News personalities infamously found themselves at the center of controversy in December 2022, when several outlets reported they had engaged in a monthslong affair while they were still with their respective partners. Both Holmes and Robach began their ABC News tenures in 2014 and co-hosted the daily program “GMA3: What You Need to Know” starting in 2020. They were known among viewers for their playful interactions and onscreen chemistry.
News of the affair dominated headlines, prompting ABC to bench the anchors. Weeks after news of the scandal broke, ABC News parted ways with both Holmes and Robach. “We all agreed it’s best for everyone that they move on from ABC News,” a representative for the news division said at the time.
ABC filled the former co-anchors’ positions, and Holmes and Robach went Instagram official. Their respective ex-spouses also found comfort in their shared experiences and sparked up a romance of their own.
In December 2023, Holmes and Robach finally broke their silence together about their “year of hell.” The pair said they wanted to disclose their relationship before outlets including Page Six and the Daily Mail ultimately beat them to the punch. They also discussed the scandal’s toll on their mental health.
“We have had each other through it all,” Robach said during the debut of their podcast. “It has been the most beautiful relationship I have had in my life.”
British vloggers Dan Howell and Phil Lester — known for their gaming and comedic slice-of-life style videos — are taking ownership of their long-rumored romance after more than a decade of incessant fan “shipping” online.
The longtime collaborators revealed Monday that they have been dating for more than a decade, pretty much since they gained popularity in the late aughts. The YouTubers confirmed they have been an item in a 46-minute video titled “Are Dan and Phil in a Relationship?”
“We fell into it hard and fast in 2009,” Howell, 34, said. “And here we are almost 16 years later.”
Before Howell and Lester, 38, spoke about the origins of their couple-dom, the YouTubers— who both came outas gay in 2019 — talked extensively about why they waited go public with their relationship. First, they tackled some fans’ obsessive behavior.
Howell and Lester began appearing in each other’s YouTube videos in the late aughts and eventually, in 2014, launched their shared gaming channel — that page currently boasts 2.95 million subscribers. The pair documented their lives together, opening the door for fans to speculate on their relationship and foster a parasocial connection, Howell explained in the video. Among the most prominent internet personalities at the time, Howell and Lester often became the subject of fan fiction and fan edits on Tumblr.
“Some think that shipping real-life people is problematic. I think that humans cannot stop this natural tendency,” Howell said, later adding that “a line gets crossed” when fan speculation turns into investigation.
The pair recalled fans combing through their old social media posts, reaching out to their loved ones and filming them out in the real world. “If all this digging, investigating was small it could’ve been ignored,” Lester said.
“The problem is this became so big we could not ignore it,” Howell continued.
Howell and Lester also recalled fans dissecting their on-camera interactions and spreading the romance rumors during live events. Ultimately, the rumors became “too loud to ignore,” Lester said.
Howell said he was wary about how going public with Lester would impact their professional dynamic and spoke candidly about how his struggles with his sexuality affected their relationship.
“I had an extremely homophobic childhood,” Howell said, adding that the constant fan pressure to address the rumors took a toll on his mental health. He said that when he and Lester gained popularity he felt he “had to hide the relationship because I was still hiding who I was to my friends, family, myself.”
Online chatter didn’t help and “hit a nerve,” he said. Howell said Lester was “like a literal ray of light in my life back then” and committed to protecting their relationship.
“So when other people tried to grab it and drag it into the light, I felt completely violated,” Howell continued. “Having all of these people trying to out us and being so hostile to me when I tried to hide it was so triggering. Honestly, it could’ve killed me.”
Lester added: “It’s sad because those should’ve been the happiest times of our life. It was so amazing and we were having so much fun personally.”
Invasive fan behavior hung over their success “like a curse” and that led to anxiety and panic attacks, Howell said. Lester also recalled a “breaking point” in their relationship where a personal video leaked on YouTube and spread online, with re-posters refusing to take it down.
As they acknowledged the negative impact of some fans’ invasive behavior, the YouTubers said they don’t hold a grudge. Howell said the skeptics “were just young people that had absolutely no idea what the effects of their actions were.”
“In the same way that we all want people in our lives to give us patience and grace and benefit of the doubt if we ever make a mistake, I have to extend that to the world in regards to this story,” he added. “So I understand and I forgive.”
Howell and Lester, whose work also includes BBC Radio programming and several live tours, ended their video announcing the launch of a new podcast.
“Monster,” the gruesome and graphic anthology series from longtime collaborators Ryan Murphy and Ian Brennan, has dramatized the chilling story of serial killer Jeffrey Dahmer and the highly publicized and complex case of Lyle and Erik Menendez, brothers who were convicted for the 1989 murder of their parents. The third installment of the Netflix series, which was released last week, puts its twist on the legend of Gein, a killer who inspired fictional villains like Norman Bates and Leatherface. Brennan, who wrote the season, stopped by Guest Spot to discuss the fantastical approach to the season and that “Mindhunter” hat tip.
Also in this week’s Screen Gab, our streaming recommendations include a “Frontline” documentary that continues its chronicle on the lingering impact of poverty and a spinoff of “The Boys” set at America’s only college for superheroes.
ICYMI
Must-read stories you might have missed
Illustration of John Candy with his hands on his cheeks.
Recommendations from the film and TV experts at The Times
A still from “Frontline: Born Poor,” which filmed over 14 years with kids from three families, from adolescents to adults, to explore how poverty has affected them.
(Frontline PBS)
“Frontline: Born Poor” (PBS.org)
Television is glutted with “reality,” but there are still filmmakers who prefer to look at how people live when they’re not contestants in a dating game or bunked up with competitive strangers. Jezza Neumann’s “Born Poor” is the third installment in a moving documentary series that began 14 years ago with “Poor Kids,” and, like Michael Apted’s “7 Up” films, has visited its subjects in intervals over the years since. Set in the Quad Cities area, where Illinois meets Iowa along the Mississippi River, it follows Brittany, Johnny and Kayli from bright-eyed childhood into chastened, though still optimistic adulthood, as they deal with life on the margins — power lost, houses lost, school impossible, food unpredictable. Now, with kids of their own, all are concerned to provide them a better life than the ones they had. With Washington waging a war on the poor to protect the rich, it’s a valuable watch. — Robert Lloyd
Derek Luh (Jordan Li), from left, Jaz Sinclair (Marie Moreau), Keeya King (Annabeth Moreau), Lizze Broadway (Emma Meyer) in “Gen V.”
(Jasper Savage / Prime)
“Gen V” (Prime Video)
Just two weeks out from its Season 2 finale and the satirical superhero series continues to deliver merciless dark humor and sharp topical commentary on America’s great crumble — inside of a tale about misfits enduring the rigors of college life.
Spun off from the brilliant “The Boys” franchise, this series from Eric Kripke, Craig Rosenberg and Evan Goldberg follows a group of students at Godolkin University, an institution designed to identify and train the next generation of superheroes. But the co-eds soon discover that their supposed higher education is in fact a clandestine operation to create “Supe” soldiers for an impending war between the super-powered and non-powered humans. Returning to the fold is Marie Moreau (Jaz Sinclair), who emerges as the rebel group’s most powerful weapon against the school’s nefarious plot. Working alongside her are Emma (Lizze Broadway), Cate (Maddie Phillips), Jordan (London Thor and Derek Luh) and Sam (Asa Germann). The wonderfully unnerving Hamish Linklater (“Midnight Mass”) joins the cast as the school’s new dean.
Is “Gen V” just as gory as “The Boys”? Absolutely. Watch with caution. But nothing else is quite as fearless in calling out the contradictions and absurdities of our times, be it corrupt politics, corporate domination or false religiosity. — Lorraine Ali
Guest spot
A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching
Charlie Hunnam as Ed Gein in an episode of “Monster: The Ed Gein Story.”
(Netflix)
“Monster: The Ed Gein Story” stars Charlie Hunnam as the so-called “Butcher of Plainfield,” whose gruesome crimes in 1950s small-town Wisconsin went on to inspire pop culture classics like “Psycho” and “The Texas Chain Saw Massacre.” The season leans into Gein’s diagnosed schizophrenia and his legacy in Hollywood to present a deeply fictionalized version of his horrifying activities. All eight episodes of the season are now streaming. Ian Brennan, who co-created the anthology series with Ryan Murphy and helmed the latest installment, stopped by Guest Spot to discuss the season’s approach to fact vs. fiction, that “Mindhunter” nod and the documentary that earns his rewatch time. — Yvonne Villarreal
We often hear from actors about the roles that stay with them long after they’re done filming. Are there elements of “Monster: The Ed Gein Story” that you still can’t shake?
Ed Gein was schizophrenic, and I find the internal life he would have suffered through for decades — alone and hearing voices, primarily that of his dead mother — completely harrowing. He wasn’t medicated until late in his life, and until he was, his mind was a hall of mirrors of images he saw and couldn’t unsee — most shockingly photos of Nazi atrocities during the Holocaust. I believe the only way he could cope was to try to normalize these things — digging up bodies, skinning them, making things from them — and the nagging voice of his mother ultimately drove him to murder at least two women, Mary Hogan and Bernice Worden, maybe more. Ed Gein wasn’t the local boogeyman — his neighbors didn’t find him scary — he was the guy you’d have watch your kids if the babysitter canceled last-minute. And yet, in those four inches between his ears there existed a bizarre, terrifying hellscape of profound loneliness and total confusion. Every day in this country we see what happens when the lethal combination of male loneliness and mental illness goes ignored. The thought of an Ed Gein living just down the street from me is chilling.
“Based on a true story” depictions typically have a loose relationship with the truth due to storytelling needs. This season of “Monster” bakes that idea into the narrative — whether because of Ed’s understanding of events or the way in which he, or his crimes, inspired deeply fictionalized villains like Norman Bates (“Psycho”), Leatherface (“The Texas Chain Saw Massacre”) and Buffalo Bill (“The Silence of the Lambs”) — in trying to unpack the “Who is the monster?” question. What questions were swirling in your head as you tried to weave this story together? And how did that inform where and how you took your liberties?
Ed’s story is, in many ways, fragmented — he didn’t remember many details of the acts he committed, and he passed polygraph tests when interrogated about cold cases police suspected he may have perpetrated. So we knew from the very beginning that there would be gaps to fill in when telling his story — and it seemed the obvious way to do it was to let the true story interplay with the fictionalized versions of Ed Gein that he inspired. There’s a subtle thematic bleed between the versions of Ed we see in the series and the monsters in the movies he inspired — in the first three episodes, we see a “Psycho”-inflected Ed Gein obsessed with his mother; next a much more sexualized, violent Ed Gein that would become “Leatherface”; then an Ed Gein who so fetishized the female body and who was made so ill by the repression of that urge that he became obsessed with building a suit made from women’s bodies. These versions of Ed, to me, are like the blind men feeling different parts of the elephant in the parable — each true in their own way, but each also just a fragment of a shattered whole that will probably never be fully understood.
The season finale features a “Mindhunter” nod. Happy Anderson, who played serial killer Jerry Brudos on that show, reprises his role as the Shoe Fetish Slayer, talking to characters meant to be Holden Ford and Bill Tench, though they’re named John Douglas and Robert Ressler, the real FBI agents who inspired the fictional ones. When and why did you realize you wanted to have that hat tip? Was there an attempt to try to get Jonathan Groff or Holt McCallany?
Having written three seasons of this anthology so far, we’ve realized each time that the emotional climax always comes in the penultimate episode and the finales are always particularly difficult to figure out. We knew we needed to top the episodes that had preceded it by shifting the show’s look and tone — and we had in our hands the nugget that John Douglas and Robert Ressler had, indeed, interviewed Ed Gein in person. Ryan and I both find David Fincher’s oeuvre almost uniquely inspiring, so once we pictured an episode that played as an homage to Fincher’s tone and style and narrative approach, it was something I, at least, just couldn’t unsee. If we were going to go down the rabbit hole of what this chapter of Ed’s story might have looked like, I could only really picture it in Fincher’s terms — so your guess is as good as mine as to why casting the “Mindhunter” pair of Jonathan Groff and Holt McCallany in the roles didn’t feel right (we both love both of those actors), but it just didn’t.
There are so many dark moments for the actors. What scene struck you as especially difficult to write and shoot?
I was at once excited and terrified by the challenge of depicting necrophilia on our show. I’m fairly certain it’s never been done before on TV, and I knew it ran the risk of seeming arbitrarily shocking or exploitative (though I think choosing to tell Ed’s story in an easier manner by avoiding this chapter and not showing it would be the actually exploitative choice). Needless to say, even after I’d written the scene, it preoccupied me, as I had to also direct it. I felt greatly helped by the new industry standard of intimacy coordinators on set — and ours, Katie Groves, was spectacular — but still I worried about the scene just playing as cringey or unwatchable. But Charlie Hunnam, as with every scene he acted in on the show, came at the sequence with honesty and deep concern to capture all of the strangeness of the bizarre, disturbing act we were depicting — and what it said about what was going on inside Ed to lead him to commit such an act.
What have you watched recently that you are recommending to everyone you know?
I just saw PT Anderson’s “One Battle After Another” — which was shot by one of our two directors of photography, Michael Bauman — and was just completely floored and delighted. I’m sure it’s rife with homage to films that have gone before, but I could detect no inheritance at all; it felt like a genre to itself — completely original and new. And I still find the time I watched Jonathan Glazer’s “Zone of Interest” to be among the most profound experiences of my life. He took what is maybe cinema’s most settled, well-trodden genres and turned it on its head in a way I found shocking and revelatory. If there is a better portrait of the proximity and ubiquity and the banality of human evil, I haven’t seen it. I think it is as brilliant a slice of human ingenuity as has ever been crafted. I have thought about that movie every day since I first saw it.
What’s your go-to “comfort watch,” the movie or TV show you go back to again and again?
It’s annoying to say it, but I don’t watch a lot of television. It’s like spending all day at the sausage factory then coming home to watch sausage footage. But the big exception is Peter Jackson’s Beatles documentary “Get Back” [Disney+] chronicling the making of the film and album “Let it Be.” I basically just watch it over and over again. I came late to the Beatles (I loved the Who and resented that they always sat squarely in the Beatles’ shadow), but when they hit me, they hit me hard, and watching them in this documentary at the height of their powers is a master class in the craft of collaboration and the hard work of genius. Also, everything I thought I knew about the Beatles at the end of their stretch as a band is wrong — fighting all the time? A bit but not really. Paul hated Yoko? He actually seems to really like her. I don’t know how many hours the documentary clocks in at, but I wish it were 10 times as long.
Victoria Beckham’s Netflix documentary has given fans a look at her life and career, including her mentor Roland Mouret.
WARNING: This article contains spoilers from Victoria Beckham on Netflix.
Netflix’s Victoria Beckham documentary is now available to stream, but who exactly is Roland Mouret?
The three-part Netflix docu-series offers viewers an intimate glimpse into Victoria Beckham’s professional and personal journey, with considerable emphasis on her transition into the fashion world.
Years after feeling uncertain about her next move following the Spice Girls’ split, Victoria chose to pursue her passion for fashion and sought guidance from French designer Roland Mouret.
In the Netflix programme, he revealed: “To make the dream become reality, we have to kill the WAG”, alluding to the 51 year old shedding her footballers’ wives persona.
She continues by stating that Roland “saw something and believed in me”, prompting fans to discover more about the designer who guided Victoria Beckham.
Who is Roland Mouret?
French designer Roland Mouret didn’t enjoy the most promising beginning as he abandoned fashion college after merely three months.
However, he subsequently worked as both a model and stylist in Paris after allegedly being discovered in a nightclub and recruited by Jean Paul Gaultier to style his debut menswear presentation.
He relocated to London in his thirties and established a café before securing financial support to become the creative director of People Corporation, a range influenced by his café’s patrons.
But when his funding was pulled, Roland took the bold step of launching his own label, which he successfully showcased at London Fashion Week.
Over time, his designs have graced the likes of Scarlett Johansson, Nicole Kidman, Gwyneth Paltrow and, naturally, Victoria Beckham.
He and the ex-Spice Girl became acquainted through their mutual manager Simon Fuller, famed for creating American Idol, Pop Idol and managing the iconic 90s girl band.
As revealed in the Netflix series, Victoria felt she wouldn’t be taken seriously by the fashion industry and sought Roland’s expertise to teach her the basics of fashion design.
She confessed: “Roland saw something, I don’t know what, but we connected, and he believed in me.
“He was very very honest, and he was really tough. He didn’t care if I liked what he said or not; he just said it.”
She added: “He really challenged me. I don’t sketch, but I did start by draping on myself.
“I remember standing there in the mirror, in my underwear, with Roland and just bits of fabric.
“And he just kept saying, ‘perfect the dress.’ He gave me the tools that I needed to create.”
Victoria then launched her first collection of 10 dresses, but whispers circulated that they were actually designed by Roland.
Both Victoria and Roland challenge this in the Netflix documentary, with a Beckham representative at the time clarifying that he had introduced her to his pattern cutter, fabric suppliers and seamstress atelier, which could explain any similarities with his own work.
Victoria Beckham is available to watch on Netflix.
Billionaire Larry Ellison ponied up the money for his family to acquire the controlling stake in Paramount two months ago, and the tech titan would need to write another huge check should Paramount buy Warner Bros. Discovery.
So, in Hollywood circles, the question has been: How involved is the elder Ellison in Paramount’s strategy and operations?
Paramount Chief Executive David Ellison said he speaks with his father every day, but he drew an important distinction:
“Look, I run the company day to day. Make no mistake about that,” David Ellison said Thursday at Bloomberg’s Screentime media conference in Hollywood, adding that his father had been a “phenomenal” mentor and “we couldn’t have a better relationship.”
“He is the largest shareholder in the business,” Ellison said. “What’s important for everybody to know is the way he approaches this is: How do we maximize value for our shareholders? … I think he’s best in the world for doing that.”
Since the Ellison family and RedBird Capital Partners acquired Paramount in August, its stock is up more than 50%. Much of the run-up came last month after news leaked that Paramount was interested in acquiring Warner Bros. Discovery, which owns CNN, TBS, Food Network and one of Hollywood’s most prolific film and television studios.
Ellison refused to comment on Paramount’s pursuit of Warner Bros. Discovery or whether his team had already made a bid.
But he did shed light on the business strategy behind any pursuit, while trying to tamp down fears that another big merger would result in more cost-cutting, more job losses and a reduction in content spending.
“The way we approach everything is, first and foremost: What’s good for the talent community, what’s good for our shareholders and value creation, and what’s good for basically storytelling at large?” Ellison said. “We’re looking at actually producing more movies [and] more television series … because you need that content.”
Paramount staffers are bracing for a massive workforce reduction next month, part of the company’s goal of finding more than $2 billion in spending cuts.
The company also invested in the construction of a Texas-based production hub for prolific “Yellowstone” creator Taylor Sheridan and agreed to pay $1.5 billion over five years for streaming rights for “South Park,” the Comedy Central cartoon. And Paramount lured Matt and Ross Duffer, who created “Stranger Things,” away from Netflix with an exclusive four-year television, streaming and film deal.
Warner Bros. Discovery, led by Chief Executive David Zaslav, also has declined to discuss Paramount’s interest, although people close to the company have suggested Zaslav would like to see bidding war.
No other studios have publicly expressed interest and, on Wednesday, Netflix Co-Chief Executive Greg Peters downplayed such speculation.
“We come from a deep heritage of being builders rather than buyers,” Peters said during a separate appearance at the Screentime conference, adding the track record for big mergers was not great.
But Wall Street widely expects more consolidation among entertainment firms.
“Ironically, it was David Zaslav last year who said that consolidation in the media business is important,” Ellison said, adding “there are a lot of options out there.” But he declined to elaborate.
Analysts have speculated that, beyond Paramount, few other media companies have financial firepower to pull off a bid. And Paramount has an “in” that several other media companies, including Brian Roberts’ Comcast, lack: a good relationship with President Trump and his administration.
Trump has called Larry Ellison a good friend. After David Ellison spoke with Trump at a June UFC fight, the previous managers of Paramount got traction in their efforts to settle Trump’s lawsuit over a “60 Minutes” interview last fall with Kamala Harris. Paramount paid $16 million in July to settle the suit and weeks later the Federal Communications Commission approved the Ellison takeover of Paramount.
“We have a good relationship with the administration,” David Ellison said.
WASHINGTON — The State Department said Wednesday that it has fired a U.S. diplomat over a romantic relationship he admitted having with a Chinese woman alleged to have ties to the Chinese Communist Party.
The dismissal is believed to be the first of its kind for violating a ban on such relationships that was introduced late last year under the Biden administration.
The Associated Press reported earlier this year that in the waning days of President Biden’s presidency, the State Department imposed a ban on all American government personnel in China, as well as family members and contractors with security clearances, from any romantic or sexual relationships with Chinese citizens.
Tommy Pigott, a State Department spokesman, said in a statement that the diplomat in question was dismissed from the foreign service after President Trump and Secretary of State Marco Rubio reviewed the case and determined that he had “admitted concealing a romantic relationship with a Chinese national with known ties to the Chinese Communist Party.”
“Under Secretary Rubio’s leadership, we will maintain a zero-tolerance policy for any employee who is caught undermining our country’s national security,” Pigott said.
The statement did not identify the diplomat, but he and his girlfriend had been featured in a surreptitiously filmed video posted online by conservative firebrand James O’Keefe.
In Beijing, a Chinese government spokesperson declined to comment on what he said is a domestic U.S. issue. “But I would like to stress that we oppose drawing lines based on ideological difference and maliciously smearing China,” the Foreign Ministry’s Guo Jiakun said at a daily briefing.
Lee writes for the Associated Press. AP writer Ken Moritsugu in Beijing contributed to this report.
Welcome to Screen Gab, the newsletter for everyone who loves Saturday college football games and … catfish?
This week saw the premiere of “Chad Powers,” Hulu’s new comedy starring Glen Powell, who co-created and co-wrote the series with Michael Waldron. It’s based on a viral sketch by former NFL Giants quarterback Eli Manning (he’s a producer on “Chad Powers” as well), who birthed the character. But Powell and Waldron have expanded the premise and backstory of a man named Russ Holliday who makes another go at playing college football by donning a disguise à la “Mrs. Doubtfire.” In a conversation with reporter Kaitlyn Huamani, Powell said the show was an attempt at making the “greatest football experience, whether in movies or TV shows, that people have ever seen.” Times TV critic Robert Lloyd says while the show has some tropes, characters played by Steve Zahn, Perry Mattfeld and Wynn Everett add drama and laughs. Waldron, whose previous TV work is instrumental to the show’s ethos, stopped by Guest Spot this week to talk more about “Chad Powers,” and what he’s watching lately.
Meanwhile, if you’ve been staying up this week, late-night TV has been not only a hotbed of laughs, but also political discourse. On Tuesday, Jimmy Kimmel, who has been taping his L.A.-based show in Brooklyn this week, and Stephen Colbert took turns as guests on each other’s shows, creating a memorable crossover event thanks to some fortuitous timing. It was the first time either has discussed in detail how their shows were disrupted this year — Colbert’s “Late Show” was canceled in July (it will air through May 2026) and Kimmel was suspended by Disney for several days in September. We have a rundown of the conversations along with clips of their visits, which are worth watching. And don’t forget “Saturday Night Live,” another late-night show that’s been in the crosshairs of politicians, returns this weekend for its 51st season, with Bad Bunny as host and Doja Cat as musical guest (we’ll be recapping the show again this season).
This week, our streaming recommendations include films from a master of horror, who is much more multifaceted than he might get credit for, and a new action-packed film on Prime Video.
ICYMI
Must-read stories you might have missed
Loren Bouchard, creator of the adult animated comedy series “Bob’s Burgers.”
Recommendations from the film and TV experts at The Times
Jeff Bridges in John Carpenter’s 1984 movie, “Starman.”
(Sony Pictures)
John Carpenter (Criterion Channel)
An extensive October series on the director who redefined the season of the witch — but one without “Halloween” or “The Thing”? We love it. John Carpenter contains multitudes and it’s high time people began thinking beyond his twin horror landmarks. You could think of these collected movies as being about antiheroes navigating a broken America (“Escape from New York,” “They Live,” “Assault on Precinct 13”). Or maybe they’re cracked romances (the Oscar-nominated “Starman,” “Christine”). Vicious comedies? (“Dark Star” and “Vampires” both have their share of laughs.) One thing they’re decidedly not is boring. And if you let a more metaphysical dimension in (“Prince of Darkness,” “In the Mouth of Madness”), Carpenter suddenly becomes profound. I’m stoked to return to the ones that let me down at first — looking at you, “Memoirs of an Invisible Man” — because I know I’ve grown up since. This is a filmmaker who was always a few steps ahead of me. — Joshua Rothkopf
Chai Hansen, left, Mark Wahlberg and LaKeith Stanfield in “Play Dirty.”
(Jasin Boland / Prime)
‘Play Dirty’ (Prime Video)
It’s Christmas in New York, and one pack of amoral thieves with little regard for human life are at odds with another pack of amoral thieves also with little regard for human life in this action film based on Parker, the Donald E. Westlake character. The inspiration under another name (Walker) for John Boorman’s “Point Blank” and (in a very roundabout way) Jean-Luc Godard’s “Made in USA,” the character is played here by Mark Wahlberg, with a cast that includes LaKeith Stanfield, Rosa Salazar, Tony Shalhoub, Keegan-Michael Key and Gretchen Mol dignifying the violent fluff. (Shootings, crashes, runaway subway train and the like.) Many things go wrong before they go (sort of) right, heists follow heists, and there’s a high body count, mostly of characters without names, but some with. (You do need to be in the right mood for this.) I am here above all for “Atlanta’s” Stanfield, as Parker’s laconic partner, who brings spacey warmth to the icy goings-on. — Robert Lloyd
Guest spot
A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching
Glen Powell, left, with Michael Waldron on the set of “Chad Powers.”
(Daniel Delgado Jr./Disney)
How do you attempt to create a show that you hope is the best depiction of college football ever? Well, it helps to be a superfan of the sport, which is precisely what Waldron and Powell are (ESPN’s Tori Petry even spoke to Powell on the sidelines of the Texas vs. Sam Houston game last week). Deep knowledge of college football was essential because Waldron wanted to convey to fans that they were not going to leave any detail untouched. While the school the show is set at, South Georgia, is fictional, the rest of the world on “Chad Powers” is not. “We always wanted real schools to be the teams that they were playing, just to ground our show and the world in authenticity, the real world of college football,” Waldron told The Times this week. “I think that’s what fans want to see.”
But even if you aren’t a superfan of college football or sports in general, Waldron, whose work on television includes creating Marvel’s “Loki” on Disney+ and “Heels” on Starz, a short-lived but critically acclaimed show about pro wrestling, knows that the writing on a TV show is key to getting viewers hooked and wanting more. “Chad Powers” is infused with references to internet personalities and memes, which anyone who is very online will understand and relate to, giving the series an opportunity to spark interest with a more expansive audience. And it works, especially if you are a looking for a comedy that will deliver some easy belly laughs. The Hulu series drops new episodes every Tuesday through Oct. 28, easily filling the time between the next Saturday game. Here, Waldron tells us about how he and Powell first connected, a special cameo on the series and a couple of films you should watch. — Maira Garcia
How did you and Glen Powell first meet and how did it lead to your new show? Are you big followers of sports or football?
Like all legendary Hollywood friendships, ours began on a Zoom general meeting during a pandemic. We hit it off talking about our mutual love of college football (I went to UGA [University of Georgia] and Glen went to [University of] Texas), which is why we were both excited to do a series set in this world.
You were a writer on “Community” and “Rick and Morty,” both shows that have reverberated among millennial viewers because of their self-awareness and/or pop culture references. Did either of those shows inform your approach to “Chad Powers”?
Well, to be clear, I was just the writers’ PA on “Community,” but that show might have been where I learned the most. Dan Harmon is one of the best writers alive and was doing “meta” before we had a word for that. In writing stuff that is “self-aware,” there’s an instinct to be cynical. Dan runs in the opposite direction, and he taught me that genuine earnestness can be a very subversive tool.
A very surprising and funny moment we get right at the start of the show is a cameo from Haliey Welch, aka Hawk Tuah Girl. How did that come about?
We were reshooting the nightclub sequence in Act 1 of the pilot to get more comedy and L.A. scope, and include the character of Russ’ agent. We wanted to populate his world with other people who felt defined by a singular viral moment, and for a show set in 2025, who better than Haliey?
What have you watched recently that you are recommending to everyone you know?
Welcome to Screen Gab, the newsletter for everyone who feels as cantankerous as Jackson Lamb by the end of the workweek.
The fifth season of “Slow Horses” premiered this week. And everyone’s favorite team of disgraced British spies are back to connect the dots of a new mysterious threat. Once an underrated gem, the spy thriller’s move into the awards spotlight has brought more attention to the critical darling. But in following the very British model of releasing six-episode seasons, the entertaining ride can feel fleeting — luckily, two more seasons are already in the works. Will Smith, the show’s head writer, who is stepping down after this current season, stopped by Guest Spot to talk about the sleeper hit.
Also in this week’s Screen Gab, our streaming recommendations include an Italian-set action-drama about a fixer at a luxury resort and a beloved baking competition series that always serves up a refreshing dose of wholesome goodness and showstopping sweet treats.
P.S.: Last week’s newsletter incorrectly stated that new episodes of ABC’s “High Potential” air on Wednesdays. They air on Tuesdays, and are available to stream on Hulu and Disney+ the next day. Don’t tell Morgan or she’ll add us to the murder board!
ICYMI
Must-read stories you might have missed
Tim Curry, center, as Dr. Frank-N-Furter in 1975’s “The Rocky Horror Picture Show.”
How Beyond Fest became L.A.’s best film festival: An event that started off as a bluff has outgrown its genre roots to become a legitimate destination for rabid film fans, boasting rarities and prestige titles alike.
Recommendations from the film and TV experts at The Times
Jordan Alexandra as Genny and Jesse Williams as Daniel De Luca in a scene from “Hotel Costeria.”
(Virginia Bettoja / Prime)
“Hotel Costiera” (Prime Video)
A charming Jesse Williams, the “Grey’s Anatomy” alum, plays Daniel De Luca, a sort of action concierge at a high-end boutique hotel on the Amalfi Coast in this easygoing mix of “The White Lotus” and a midcentury Continental adventure show, like “The Saint” or “The Protectors.” A long-arc plot involving the missing daughter (Amanda Campana) of Daniel’s hotelier boss (Tommaso Ragno) runs alongside episodic stories — the search for a missing guest, sourcing a flight-worthy coffin, stealing an important bracelet from a local crime figure — mixing mysteries with human interest and a lot of local color. (Williams speaks Italian with persuasive fluency.) Assisting Daniel in his investigations is a team of classic types — a beautiful yet brainy woman (Jordan Alexandra); a comical aristocrat (Sam Haygarth), like Bertie Wooster by way of Mr. Bean; and a rotund restaurateur Bigné (Antonio Gerardi), at whose trattoria they all hang out, plotting whatever needs to be plotted. It’s saying nothing against the rest of this pleasantly diverting series that these scenes are the heart of the show, and, yes, I would like a cappuccino, grazie. — Robert Lloyd
Paul Hollywood, left, Alison Hammond, Prue Leith and Noah Fielding in a promotional still from “The Great British Baking Show.”
(Mark Bourdillon / Channel 5 / Netflix)
“Great British Baking Show,” Collection 13 (Netflix)
September means the arrival of fall and another season of the best baking show on TV. Over the years, the series has stuck to a simple yet effective recipe of beautiful bakes, friendly competition and soothing voiceovers (thanks to Noel Fielding). This season’s contestants are just as talented and endearing as previous ones, but now that we’re three episodes in — and past the dreaded Bread Week — we’re down to nine bakers. Among them are Nataliia, a Ukrainian immigrant living in East Yorkshire; Iain, a short king and self-proclaimed “yeastie boy” from Belfast; and Jasmine, an ever-smiling 23-year-old medical student. In this week’s back-to-school-themed episode, the bakers’ challenges include making flapjacks (in the U.K., they’re like a granola bar) and school cake (a sponge with icing and sprinkles). They sound simple, but no recipe is what it seems on this show. And those low-stakes surprises and competition are precisely what makes “Baking Show” a balm for the soul right now. — Maira Garcia
Guest spot
A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching
Rosalind Eleazar, left, Christopher Chung, Saskia Reeves, Aimee-Ffion Edwards and Jack Lowden in “Slow Horses.”
(Jack English / Apple TV+)
Do you ever look at your boss and feel both deep gratitude and disappointment because they’re not Jackson Lamb? There’s at least a new season of “Slow Horses” to vicariously experience the walking HR nightmare and his joyously rumpled, smelly and messy leadership style, as expertly portrayed by Gary Oldman. Based on Mick Herron’s “Slough House” novels, the espionage thriller/workplace dramedy centers on a misfit crew of MI5 outcasts — led by Lamb — who’ve blown their careers and now find themselves banished to Slough House, a dumping ground where the agency hopes they’ll be forgotten. The Apple TV+ series returned this week with its eponymous group of spies investigating a series of coordinated terror attacks that have struck London. A new episode will be released every Wednesday until the season finale on Oct. 29. In his last season as head writer, Will Smith stopped by Guest Spot to discuss his creative collaboration with Oldman, his pick for most the competent agent and the best show he’s seen in years. — Yvonne Villarreal
This once–sleeper hit has become such a force with critics and fans. Knowing Season 5 would be your last as head writer, did it feel any different writing this first episode? What was the most important decision you made in this season opener?
You just always want to make it the best it can be and you don’t want to repeat. You need to give the audience enough of what drew them to the show in the first place without making them think, “I’ve seen this,” and you need to give them enough that’s new without them going, “This isn’t the show any more.” The same goes for the cast, by the way; they have to feel their characters are moving on but in an organic way, that you’re acknowledging what went before and building on it. Luckily, that’s Mick’s approach with the books too. And it really helps having the same crew and returning director Saul Metzstein (from Season 3) — Saul and the camera team know what’s gone before and are continually finding new ways to shoot in our existing locations. A really obvious example of how we try to move things on but keep it all connected is Slough House itself. I know it’s a cliche, but it really is a character in the series; to me, it’s an embodiment of Lamb, it reflects so much about him, but it’s never the same. We establish it in Season 1, in Season 2 it’s a discomforting sweatbox, in Season 3 it’s full of boxes of files, which completely changes how people move around it. In Season 4 it’s shot to pieces, and in Season 5 we see the cheap repairs have been started and left. So I hope we’ve hit that same sweet spot with this series, that it gives you exactly what you want and then some things you didn’t know you wanted but feel totally in keeping with the show.
The episode opens with both a mass shooting and a fatal sniper shot in London. While it’s a sequence in the books and was written months ago, it could feel all too timely and provoking depending on the news cycle in which it’s being viewed. How do you decide what to show, how much is enough, what will engage and what will overwhelm?
This weighed quite heavily on us as we sadly knew that some horrific event could happen around the launch of the show that could affect how it was viewed. We actually had a version that cut out after he first opened fire, but felt that that didn’t go far enough. So we went and filmed a pickup where we stayed with the shooter and see his victims fall in the distance. We didn’t want the horror to be overwhelming, although being with him and his blank detachment in this version is disturbingly chilling. And then we took it as far as the assassin himself being killed out of nowhere. Which is a shock and a twist — what the hell is going on? The audience are confused in a good way. I hope by now they trust that all will be explained.
How involved is Gary in terms of script and character development? Can you give an example of a detail or moment over the run of the series that he advocated for or against that proved valuable to the story?
Gary is an incredibly generous and deferential collaborator. As I’ve said before, he’s not just one of the greatest actors of his generation, he’s also a hugely talented writer and director, and he’s completely respectful of myself and Saul Metzstein and the other directors. I think it helps that we’re very in tune creatively. Gary and I both have a love and respect for the source material, so he knows I’m not going to junk the book — we’re going to work on it and bring a version of it to life. The other brilliant thing about Gary is that he’s not intimidated by the fact that Lamb’s arc is all in the backstory. He absorbs and plays that, even if he doesn’t know the specifics. You just get the sense that Lamb has been through some bad stuff. Lamb is a cautionary tale, a smoking ruin; he’s not going to change now. The changes come to our perspective when we learn a little bit more about him and what he’s been through. The moment he was most involved in I can’t talk about in detail because it’s a spoiler. But it came from an idea his wife, Gisele, had. Gary and I then discussed the best version of it in story terms, and then we shot it twice as Saul had an even better idea as to how to make it land. We put an awful lot of thought into it, and actually it’s the one area where we do depart from the book (with Mick’s blessing). I’m very excited about it and what it can lead to in future series that I’m looking forward to watching as a fan.
If you were running the spies, who would you say is the most competent agent? And what have you learned about how to walk the line between keeping the “misfits and losers” bit believable but also allowing the Slow Horses to actually triumph in the end?
After Lamb, Catherine is the smartest agent in the building, although River is the most effective field agent. Catherine is not trained as a spy but has been around them most of her adult life. She’s incredibly bright and perceptive but lacks confidence. She’s often the person putting the pieces together but never gets the credit. I think Lamb wants her around for that reason, as well as the twisted mix of protecting her and goading her and having her as a living reminder of his own fallibility — they were both betrayed by Charles Partner (Catherine’s boss, Lamb’s friend and mentor) and Lamb had to execute him. I’m not saying Lamb was sunshine and light before that, I think he’s always been a hard-living cynic, but that really did break something in him. And yes, it’s a delicate balance maintaining the premise of the show — these people are useless yet every season they save the day but are still not allowed out of exile. I think the compromise and unfairness is what makes it believable. Although at some point I feel they either have to redeem themselves or accept that it’s fruitless and move on. But again, usually Mick will kill them off before they reach that crossroads.
In “Clown Town,” Herron’s latest installment in the book series, he references the language of the show. There’s a line — “It’s like explaining Denmark to a cat”— that feels like a direct reference to the Season 1 line, “It’s like explaining Norway to a dog.” As a writer, what’s it like to see the way he has acknowledged and tipped his hat to the show?
One of the things I’m proudest of is how much Mick and his readers love the show. Sometimes I think a line is Mick’s and it turns out to be mine or vice versa, and Mick has the same confusion. He’s also read out the opening scene of Season 4 at events and said he didn’t write it, but he would have done [it] if he’d thought of it. Knowing I’m in tune with him and his characters and stories has been absolutely wonderful because I started this and finish it as a huge fan of his work.
What have you watched recently that you are recommending to everyone you know?
“Lost Boys and Fairies” by Daf James on the BBC [available to stream on Britbox] is the best show I’ve seen in years. It’s about a gay couple going through the adoption process and is charming, tragic, playful, sad and uplifting. It’s so deftly written by Daf and wonderfully directed by James Kent and stars one of my favorite actors, Sion Daniel Young, whom “Slow Horses fans” will know as Douglas from Season 3.
What’s your go-to “comfort watch,” the movie or TV show you go back to again and again?
I will always watch Michael Mann’s “Heat” [Prime Video] whenever I chance upon it, and watch it by choice at least one a year. It’s perfect. But for true comfort, I return again and again to the Hal Roach-era comedies of Laurel and Hardy, which have brought me unlimited joy throughout my life.
FROM competitiveness to narcissism – if Noel and Liam have what it takes to patch things up, you have no excuse!
WITH the whole world watching, the Gallagher brothers have been taking to the stage for the Oasis reunion tour – and off the back of their 16-year feud, have proven sibling reconciliation is possible for anyone (though the jury is still out on Princes William and Harry. . .).
1
Just because you have the same parents, it doesn’t mean you had the same experience growing up
One of the most impactful relationships you will ever have is with a sibling, who can be a best friend and confidante from day one to the end.
But the dynamic is complex.
Just because you have the same parents, it doesn’t mean you had the same experience growing up.
Likewise, you can share DNA, but not the same outlook on life or values.
Fallouts will occur, and that can lead to long-held feuds.
In fact, one study found 28% of people had experienced at least one estrangement episode with a sibling.*
“Our siblings have known us in our formative years in deeply intimate ways, sharing baths, bedrooms, road trips and battles over broccoli,” says Ali Ross from the UK Council for Psychotherapy.
“During this time, there’s a tension between them being your closest allies and greatest threats.”
How do you navigate tensions when they reach boiling point, or bring up long-standing resentments that are now having a big impact?
“Those conversations can be painful and difficult, especially if this is unprecedented for you in your relationship,” says Ali.
Rhasidat Adeleke teases ‘brother-sister duo’ for 2028 Olympics in exciting training video
“But they can also be helpful to establish a new way of relating as siblings. It can also be a relief to name the elephant in the room, or to expose that you’ve been misinterpreting something and dispel long-held assumptions.”
But sometimes forgiveness feels impossible, and the healthiest thing to do is to walk away.
Exhausting, right? Often it’s just light-hearted banter, but if micro-aggressions are thrown around by your sibling, it can put a strain on your relationship.
“The truth is, people like to be in charge of their narrative and identity – and the way people see themselves within the family, or when compared to siblings, can challenge both those things,” says Ali.
“It is how much you want to buy into that game.”
WHAT NEXT?
When you feel the competitive urge, acknowledge it’s just a reflex, then redirect your energy.
“If you’re casting judgements about a sibling without attempting to understand what it’s like to live their life, challenge yourself to genuinely, compassionately understand them better, then do this for yourself,” says Ali.
He suggests imagining a version of yourself that doesn’t have a sibling to compete with. What would you care about?
“Once you understand the context, the desire to compare and compete diminishes,” he says.
Fallouts will occur, and that can lead to long-held feuds
The Narcissistic Sibling
However much you want to forge a stronger relationship with your sibling, the reality is that sometimes it’s near-impossible.
Does it feel like they won’t take any responsibility for their actions, and don’t seem to be capable of any empathy for you or your viewpoint?
“These are signs of narcissistic behaviour,” says Ali.
“But rather than writing your sibling off as a narcissist and trying to change this other person’s way of being, it is more empowering to understand what you are encountering, what that means for you, and to consider how you are going to navigate that.”
“If they don’t, do you really want to have a relationship with them?
“The answer may be hard and upsetting, but it means you can move forward from a more informed position,” says Ali.
There’s a tension between them being your closest allies and greatest threats
Ali Ross
The Peter Pan Sibling
Some people might describe your sibling as a “free spirit”, but you only see them as a big kid.
Ali suggests thinking about why your sibling’s Peter Pan energy irritates you so much.
“Do you feel like you got too old, too soon, or took on more responsibility and feel resentment?” says Ali.
Perhaps you took on caring responsibilities for other family members.
“Ask yourself honestly if there are feelings of being a martyr on your part,” says Ali.
“Have you rushed straight in to put out the fire before anybody else smelled something was burning?”
WHAT NEXT?
Try telling your sibling how much you are struggling.
“Say something like: ‘This is the burden I’m carrying, and you’re not helping,’ and follow it up with some actual strategising to prompt a practical shift,” Ali says.
Our siblings have known us in our formative years in deeply intimate ways, sharing baths, bedrooms, road trips and battles over broccoli
Ali Ross
The Controlling Sibling
Is your sibling overbearing or dictatorial? It’s likely to come from a fear of being vulnerable, says Ali.
“They’re taking power in a situation because they can’t bear the idea of not being in control. However, this feeling is often buried so deep that your sibling won’t recognise it for what it is.”
People under control can end up feeling resentment, but may be too oppressed to express their true feelings.
WHAT NEXT?
“Be aware that calling it out is a threat to their control in itself,” Ali warns.
“It is why they are likely to double-down on their control, or find another insidious way to try to resume or re-establish control.
“It is much better if the controlling person is left to try to figure it out for themselves, and you spend as little time as you can in their orbit.”
It can also be a relief to name the elephant in the room, or to expose that you’ve been misinterpreting something and dispel long-held assumptions
Ali Ross
The Disengaged Sibling
Of course, not all siblings are close.
Or perhaps you once were, but can’t make sense of how your friendship fizzled out.
“Too often, we draw conclusions too early, then base our response on that,” says Ali. There can be a multitude of reasons why your sibling is being elusive.
“Let’s say someone has been abused or neglected in some way [by the family], and they just want out. You cannot force someone to confront something if they do not want to, and you need to respect their space.”
Maybe you’re their problem, in which case, are you ready for some criticism?
“It might be that you are both very different people, and they’re just not that interested in having a relationship with you.
“This will hurt, but at least you’ll hear it for what it is and know what you are dealing with.”
WHAT NEXT?
It’s a tricky conversation, especially if it comes after years of distance.
“Say to them: ‘I feel sad that we don’t have much of a relationship, as far as I see it, and I don’t know why that is. Do you want to feel closer, because I do?’” says Ali.
“You can then try to suggest ways you can bridge that gap or, even better, leave it with them.”
Welcome to Screen Gab, the newsletter for everyone who wasn’t expecting to hear this much about “Celebrity Family Feud” in 2025.
The talk around Hollywood on Wednesday — and beyond — has centered on late night after Walt Disney Co.-owned broadcaster ABC said it was suspending “Jimmy Kimmel Live!” indefinitely over the host’s remarks about right-wing activist Charlie Kirk and his accused killer. (Airing in its place so far? You guessed it, “Celebrity Family Feud.”) Let us help you get up to speed on the situation. Media reporters Stephen Battaglio and Meg James have an inside look behind the decision to bench Kimmel. The decision, of course, has rocked the late-night circuit, and Kimmel’s colleagues didn’t shy away from using their own platforms to address the matter — here’s what they had to say. And does Kimmel’s suspension have echoes to ABC’s firing of Roseanne Barr? Culture and representation reporter Greg Braxton explains the parallels and differences here. Our reporters were also at the demonstration that took place outside the El Capitan Entertainment Centre in Hollywood, where Kimmel tapes his show.
For the record:
3:09 p.m. Sept. 19, 2025An earlier version of this newsletter said ABC’s “High Potential” airs on Wednesdays. It airs on Tuesdays.
That wasn’t the only shocking news to hit Hollywood this week. Robert Redford, a generational movie star and titan of filmmaking, died Tuesday at the age of 89. If you haven’t already, take a moment to read our obituary that captures why he was one of Hollywood’s most influential figures. Film reporter Mark Olsen also dives into the legendary actor’s impact on independent cinema through the Sundance Institute. And members of the film team explain Redford’s legacy through 10 essential films.
Also in this week’s Screen Gab, Judy Reyes stops by Guest Spot to discuss her role as tough but compassionate Lt. Selena Soto in ABC’s hit “High Potential,” which returned for Season 2 this week, and how she’s feeling about reprising one of her most well-known characters, Carla Espinosa, in the upcoming “Scrubs” reboot. Plus, our streaming recommendations include a documentary telling the remarkable true story of four Colombian children who survived a plan crash and 40 days alone in the Amazon rainforest, and a Redford classic.
ICYMI
Must-read stories you might have missed
Filmmaker Paul Thomas Anderson is poised to release his latest film, “One Battle After Another,” an action thriller starring Leonardo DiCaprio, Sean Penn, Benicio del Toro, Regina Hall, Teyana Taylor and Chase Infiniti.
Recommendations from the film and TV experts at The Times
A scene from “Lost in the Jungle.”
(National Geographic / Anit)
“Lost in the Jungle” (Disney+, Hulu)
If you haven’t canceled your Disney+ and/or Hulu subscriptions yet, I highly recommend this riveting, complex, exquisitely made documentary about the survival of, and search for, four Indigenous children in the Colombian jungle after the crash of a small plane that killed their mother and the pilot — and the fraught family history that brought them there. Proceeding with the force of a fairy tale, including an evil stepfather, incidentally helpful monkeys and confounding forest spirits, it on the one hand focuses on a resourceful 13-year-old who keeps three younger siblings, including a baby, alive in a dangerous world for 40 days, and on the other, the military and Indigenous searchers who learn to cooperate as they navigate weather, illness, “things that can’t be seen, not with human eyes” and a history of distrust marked by narco-guerillas, industrial exploitation and state neglect. Directors E. Chai Vasarhelyi, Jimmy Chin and Juan Camilo Cruz combine interviews with family members, searchers and soldiers, with footage from the forest and line animations illustrating the children’s experience into something suspenseful, strange and beautiful. — Robert Lloyd
Robert Redford, right, with Dustin Hoffman in a scene from “All The President’s Men.”
(Sunset Boulevard / Corbis via Getty Images)
“All the President’s Men” [VOD]
It’s stands as one of the most discerning and potent films ever made about the crucial and essential role of journalism as a public watchdog in holding political leaders accountable and protecting democracy. Based on the book by Bob Woodward and Carl Bernstein, the 1976 film chronicles the unearthing of the Watergate scandal, tracking the duo’s time as Washington Post reporters — with Robert Redford as Woodward and Dustin Hoffman as Bernstein — trying to pin down the connection between Robert Nixon’s reelection campaign and the burglary and wiretapping at the Democratic National Committee headquarters in the Watergate complex that ultimately brought down Nixon’s presidency. It plays as a deeply engrossing thriller, and every scene between Redford and Hoffman, as dogged journalists whose work became enormously consequential and a turning point in American history, is gripping to watch. It’s a fitting film to screen this week — to reflect alone on one of Redford’s most powerful performances. — Yvonne Villarreal
Guest spot
Judy Reyes in a scene from Season 2 of “High Potential”
(Jessica Perez / Disney)
A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching
Every genius needs a little structure and guidance to keep them on course. In “High Potential,” Morgan Gillory (Kaitlin Olson) is a single mom with an exceptional mind who works as a cleaner at the police department and finds her way into detective work after successfully examining some evidence during her shift. But putting her unique talent to effective use couldn’t have happened if Lt. Selena Soto, the head of the major crimes division played by Judy Reyes, didn’t see Morgan’s potential and nurture it.
The quirky crime procedural has been a breakout hit for ABC since its launch last year and it returned this week for its second season; new episodes air Tuesdays, and are available to stream on Hulu and Disney+ the next day. Here, Reyes discusses how Soto’s approach as a boss came into focus this season and how she’s feeling about revisiting “Scrubs” 15 years after the comedy ended its run. — Yvonne Villarreal
How has Selena Soto come into focus for you this season? And can you share an anecdote of a boss looking out for you — however small or big — that has stood out to you during your time in the industry?
I think Soto saw herself in Morgan: someone for whom truly being themselves takes a lot of risks. She can’t be anything else, and the expectations from the world create a lot of problems with others who can’t handle the burden of those being completely unique.
My first manager took a huge chance on me at the restaurant I worked in as a hostess for years in NYC. She and her husband were regulars, and her husband chatted me up one night, and when I confessed that I was an actor, he convinced his wife to take a meeting with me, and she convinced her associates to give me a chance, and the rest is history.
Morgan is a cleaner with an exceptional mind who found her way into detective work after examining some evidence during her shift at the police department. What’s a career you’d love to pivot to if given the chance?
I always wanted to be a gymnast. Or some kind of athlete … tennis! You asked …
You’ll be reprising your role as Carla in the new “Scrubs” series. What does this moment bring up for you? What intrigues you about revisiting this character 15 years later?
I’m filled with gratitude and appreciation. I recognize how in my youth I took for granted the adventure and opportunity. I’m moved by how much people love the show and Carla, and how much all of it mattered to fans in different stages of their lives. I’m overwhelmed with the gift of being part of a magical moment in TV, and to get to revisit it as adults with the same folks is exciting because Bill and the writers are so daring with their humor and drama. I just know Turk and Carla keep going strong in their marriage and continue in their friendship. I’m honored by what this character continues to mean to Latinos, especially in this time.
What have you watched recently that you are recommending to everyone you know?
I’ve watched “Hacks” [HBO Max] because I’m obsessed with Jean Smart. I’ve watched “The Summer I Turned Pretty” [Prime Video] because I need to connect to my teenager and it’s a fun love/hate watch. I watch “Abbott Elementary” [Hulu, Disney+, HBO Max] because it’s f— funny and you can’t go wrong with it; it reminds me of “Scrubs” [Peacock, Hulu, Disney+] in a lot of ways. I just started watching “Severance” and “Shrinking” [both Apple TV+]. “Severance” because it’s so original and “Shrinking” for the same reason; it also feels so familiar … and Harrison Ford and Jessica Williams.
What’s your go-to “comfort watch,” the movie or TV show you go back to again and again?
“The Devil Wears Prada” [Hulu, Disney+], “Girls Trip” [Tubi, Prime Video], “Bridesmaids” [Netflix], “Love & Basketball” [VOD] [and] any of “The Matrix” movies [VOD].
But he wouldn’t listen and in the end the manager felt the Argentine youngster was bringing a negative vibe to the dressing room.
And his regular outbursts on social media – as well as the mainstream media – also riled the former Sporting Lisbon coach.
Amorim was looking forward to working with the winger when he took over in November but that all changed after his conduct in Plzen in December.
The coach also tired of Garnacho’s moodiness and temper tantrums when things were not going his way.
So in the end a parting of the ways became inevitable and sources close to Amorim say he has not regretted his stance once.
Could that change if the Carrington graduate inspires a Chelsea win at the Theatre of Dreams this weekend though?
Battle to keep ‘Kid Messi’
UNITED starlet JJ Gabriel continues to catch the eye with his performances both within the club’s academy and further afield.
A host of German clubs are understood to have made their interest in him clear should he and his family wish to follow in the footsteps of Jude Bellingham and Jadon Sancho by leaving England to further his career in the Bundesliga.
The 14-year-old, who recently enjoyed a holiday in Barcelona, is contracted with United until the end of next season, and has produced a string of impressive performances after being promoted to the U18s.
A source said: “The success of the likes of Bellingham and Sancho in Germany is a big selling point for German clubs trying to poach some of the Premier League’s best young talents.
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JJ Gabriel has drawn interest from GermanyCredit: Getty
“They can offer them first team football at an earlier age than a lot of clubs in the UK.”
United remain convinced they gave JJ and his family compelling reasons why Carrington remains the best place for him to continue his development.
The teenager has met with manager Amorim and could well spend time training with the first team squad this season.
His development is being closely monitored by United U18s boss Darren Fletcher.
Under the knife
SPEAKING of Fletcher, his success as U18s academy boss has been noted with four wins out of four so far this season.
It’s all the more impressive given the former midfielder injured himself during a United v Celtic legends game earlier this month raised money for both clubs’ foundations.
Fletcher opened the scoring in the game which ended 2-2 before Celtic clinched victory on penalties.
Fletcher, 41, underwent an operation on his knee this week as a result, but refused to take time off and has been on the sidelines for each game.
A source said: “He’s Scottish. He’s made of tough stuff.”
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Darren Fletcher had surgery after damaging his knee during the United Legends game at Celtic ParkCredit: Kenny Ramsay
Denis Irwin’s sweet return
UNITED fans are invited to engage with three organisations doing big work to improve men’s mental health at Old Trafford this Saturday.
Representatives from ‘Andy’s Man Club’ will be stationed within the Pop-Up Pub by the Stretford End, inviting supporters to learn more about the suicide prevention charity.
The group offers free peer-to-peer support groups across the UK and online, as part of their mission to end the stigma surrounding men’s mental health through the power of conversation.
Fans with tickets to the game can enjoy live music, fast pours, local food and a Q&A with club legends Denis Irwin and Gary Pallister.
Salford-based charity ‘Talk About It Mate’ will also have a space in the East Stand forecourt from 2pm before kick-off.
CHIDO Obi enjoyed a meteoric rise last season, signing for United from Arsenal and quickly making his first team debut under Amorim.
The 17-year-old went on to make seven first team appearances but has found himself back down the pecking order after United splashed out £74m on Slovenian target man Benjamin Sesko.
And while Danish international Chido hasn’t been on the bench for any first team games this season, his development – in both size and skill – are continuing at the academy.
A source said: “Chido is still sometimes involved in first team training now but the noticeable development for him is his size.
“He is a tall boy but has started to put on some significant muscle on his frame, which he needs.”
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Chido Obi is continuing to develop in the academyCredit: Getty
Chido is working under the guidance of United’s sharpest academy coaches who regularly provide updates to Amorim.
United’s U21 boss Travis Binnion said earlier this season: “We have not even scraped the top of the iceberg with him yet. There is loads to come.
“He is dying to be a footballer. He is hungry. He is learning the game. He is learning how to project himself and how to play in a team.
“For us, he is a priority. He is 17. He needs to understand this is a golden period to develop his game.”
Hitman tribute
RICKY HATTON may have been a Blue, but United’s players, staff and fans were equally as devastated by news of his passing before Sunday’s derby.
Many of the first team had met the boxer at big fights and were admirers of his hugely successful career, which delighted fans from both sides of Manchester.
The club intends to mark his tragic passing in the programme for the clash against Chelsea.
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Ricky Hatton was found dead in his Manchester home last Sunday
WASHINGTON — At a banquet table fit for a king, but set specially for him, President Trump called his state visit to the United Kingdom this week “one of the highest honors of my life.”
He then proceeded to tell guests at the white tie event that the United States was “a very sick country” last year before becoming “the hottest” again under his rule.
During a news conference with British Prime Minister Keir Starmer at the Chequers estate Thursday, hailing a bilateral deal on artificial intelligence investments said to be worth hundreds of billions of dollars, Trump called America’s relationship with Britain “unbreakable,” bigger than any single esoteric policy disagreement.
But he quickly pivoted from magnanimity on the world stage, denying the results of his 2020 election defeat and calling exclusively on conservative reporters, who asked questions about Britain’s Christian nature and his predecessor’s alleged use of an autopen.
It was a familiar study in contrasts from the president, who routinely mixes diplomacy with domestic politics in his meetings with foreign leaders. Yet the sound of Trump engaging in fractious political discourse — not at the White House or a political event in Florida or Missouri, but inside Britain’s most revered halls — struck a discordant tone.
The Mirror, a national British tabloid aligned with Starmer’s Labour Party, wrote that Trump’s “wild … political rant” at Windsor Castle alongside King Charles III “seriously broke royal protocol.”
On Wednesday evening, as the formal banquet concluded, Trump took to his social media platform to designate a far left-wing political movement called Antifa as “a major terrorist organization,” describing the group as “A SICK, DANGEROUS, RADICAL LEFT DISASTER.”
President Trump appears with British Prime Minister Keir Starmer at a news conference Thursday at Chequers near Aylesbury, England.
(Evan Vucci / Associated Press)
The move prompted a question to Starmer at the Chequers news conference from a right-ring reporter on whether he would consider taking similar action against leftist British groups.
“We obviously will take decisions for ourselves. I don’t want to comment on the decisions of the president,” Starmer said. “But we take our decisions ourselves.”
In another exchange, Trump repeated dramatically exaggerated figures on the number of undocumented migrants who entered the United States during the Biden administration, as well as false claims about the 2020 presidential election.
“I don’t want to be controversial, but you see what’s happened, and you see all the information that’s come out,” Trump said. “We won in 2020, big. And I said, let’s run. We gotta run. Because I saw what’s happening.”
The Royal Family went beyond its own rule book to show Trump extraordinary hospitality, honoring the president’s arrival with a 41-gun salute typically reserved for special, domestic occasions, such as the king’s birthday.
King Charles was hosting Trump for an unprecedented second state visit — a gesture never before extended to an American president — after the king’s mother, Queen Elizabeth II, greeted him at Windsor in 2019.
“That’s a first and maybe that’s going to be the last time. I hope it is, actually,” Trump said in his banquet speech, prompting the king to chuckle and balk.
At the stunning dinner, along a table seating 160 people in St. George’s Hall, guests were offered a 1912 cognac honoring the birth year of the president’s Scottish-born mother, as well as a whiskey cocktail inspired by his heritage. The president, for his part, does not drink.
First Lady Melania Trump, left, President Trump, U.K. Prime Minister Keir Starmer and Lady Victoria Starmer watch the Red Devils parachute display team at Chequers, the country home of the British prime minister, on Thursday.
(Anna Moneymaker / Getty Images)
But it is unclear whether the king’s soft-power diplomacy helped shift Trump closer to London’s priorities on foreign affairs. A growing chorus in Britain opposes Israel’s continued military operations in Gaza, and major U.K. parties are aligned on a moral and strategic need to support Ukraine against Russia’s invasion.
“Our countries have the closest defense, security and intelligence relationship ever known,” Charles said at the dinner. “In two world wars, we fought together to defeat the forces of tyranny.
“Today, as tyranny once again threatens Europe, we and our allies stand together in support of Ukraine, to deter aggression and secure peace,” the king added.
A king’s request for Europe
Trump’s reciprocal remarks did not mention Ukraine. But at Chequers, the president repeated his general disappointment with Russian President Vladimir Putin over the ongoing war, a conflict Putin has escalated with attacks on civilians and the British Council building in Kyiv since meeting with Trump in Alaska a month ago.
“He’s let me down. He’s really let me down,” said Trump, offering no details on what steps he might take next.
Starmer, pressing to leverage the pomp of Trump’s state visit for actionable policy change, said that a coordinated response to Putin’s aggression would be forthcoming and “decisive.”
“In recent days, Putin has shown his true face, mounting the biggest attack since the invasion began, with yet more bloodshed, yet more innocents killed, and unprecedented violations of NATO airspace,” Starmer said, referencing Russia’s Sept. 9 drone flights over Poland. “These are not the actions of someone who wants peace.”
“It’s only when the president has put pressure on Putin,” Starmer added, “that he’s actually shown any inclination to move.”
Manager Eddie Howe says his relationship with Alexander Isak changed after the former Newcastle striker went on “strike” to force through a move to Liverpool.
Gogglebox favourites Roisin Kelly and Joe Kyle have revealed a major milestone in their relationship – just months after being axed from the Channel 4 show.
The couple announced they’re moving out of their flat in Glasgow as Roisin, 26, took to Instagram to share a heartfelt reel.
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Gogglebox favourites Roisin and Joe have announced a huge milestone in their relationshipCredit: PA
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The pair have revealed they’ve moved out of their flat in GlasgowCredit: Instagram
In the short clip, significant moments flashed up on-screen including when the pair first moved into the flat as well as decorating a Christmas tree.
This was followed by shots of the empty flat after they moved all of their belongings out of the home they once shared.
A background voice is heard saying: “It was official, a new season had begun. After all, seasons change, so do cities, people come into your life and people go but it’s comforting to know the ones you love are always in your heart and if you’re very lucky, a plane ride away.”
She captioned the post: “Oh I will miss you flat #movingout.”
In July, the two took to social media to share: “After three and a half years of sitting on the sofa channel 4 have decided it’s time for Joe and I to stretch our legs and have not asked us back for season 26. Therefore, we are leaving the Gogglebox family.
“We couldn’t be more grateful to Studio Lambert for the opportunity, the experience has actually been so mad and we will miss watching TV with you all on Friday nights!”
They added: “It’s been an honour to represent Scotland as some of the first Scottish people on the show and prove we don’t actually need subtitles.”
“We have made friends for life and after filming every week for years you have become like our family!
“We could not have asked for better people to work with and we will miss you immensely. It for sure has been a once in a lifetime opportunity.”
Gogglebox favourites reveal major milestone in relationship – after being brutally axed from show
A spokesperson for Channel 4 said at the time: “We thank Joe and Roisin for their contributions to Gogglebox over the years, and wish them all the best for the future.”
The new series of Gogglebox kicked off last night but fans were left fuming after Roisin and Joe weren’t included in the line-up.
Taking to X, one raged: “What’s happened to Joe and Roisin, they were the funniest ffs.”
Another added: “Can’t believe they got rid of Roisin and Joe, some of the boring b******s on this they could of p***ed off.”
A third tweeted: “I’m missing Roisin and Joe already.”
Meanwhile a fourth begged: “Can someone explain why have we replaced the lovely Scottish couple with pretentious posh p****s who aren’t even funny. just noo f*** off!!”
Sisters from Edinburgh, a family from Surrey, friends from Glasgow, a married couple from the Cotswolds, and a mother and daughter-in-law from Yorkshire all joined the show in last night’s instalment.
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The pair previously revealed they weren’t asked to return for series 26 of GoggleboxCredit: Rex
