relationship

WARNING: Contains spoilers about the Handcuffed final.

The sheer number of people who pulled out proves just how hard Channel 4’s Handcuffed: Last Pair Standing was: challenging 18 Brits to remain handcuffed to a total stranger. And not just any total stranger – one a team of producers have judged will create the most explosive TV possible.

Tonight, viewers saw Staffordshire porn star Rob, 32, and West Sussex homemaker Charlie, 44, make it all the way to the end, winning the show and a suitcase bulging with £100,000. Now, after the pre-recorded series, they explain whether they stayed in touch and just what they plan to do with the winnings.

The reality is quite sweet – with the pair very much in each other’s lives. Speaking about the moment they were uncuffed, Rob said: “It felt great! I just wanted to shout “FREEDOM” at the top of my lungs. It was a nice moment, but also a little sad moment knowing that my partner has now got to go.”

Charlie added: “It was a huge relief. We actually had to wait quite a long time! It wasn’t like we were instantly un-handcuffed. It was a crazy experience but a huge relief. It took a while to get used to doing things on my own, but that’s maybe because I was very overtired.”

But fans of the couple will be pleased to hear that they have stayed in touch in a major way. Charlie explained: “I’ve learned so much from Rob. He’s such a gentle giant and a kind person. It’s lovely now that we don’t have to keep our friendship secret.

“We can meet up and we’ve been texting a lot. He’s been chatting to my husband Simon! I’ve been chatting to his mum! He and his family are coming over to our house this Friday night to celebrate. I learned so much from walking beside him.

“It was a once in a lifetime experience. Rob was really keen that I didn’t put everyone else’s needs first and I’ve tried to implement that since. We talked about a lot of things! Rob is a very deep person and he’s a very good listener.”

Rob said: “One of the first things I’m going to do is a huge Costco run of food and drink and go out with Tilly to feed the homeless. I was very inspired watching what she did on the programme – I’d like to do a few acts of kindness. I’m also going travelling round South East Asia and investing in a new business. And then I’ll put the rest in savings for a rainy day.”

He added: “I learned a lot. I learned that money doesn’t always buy happiness. It’s important to spend a lot of time with your friends and family, and that I was putting work before everything. I was working too hard and not having an equal balance. And Charlie taught me how to make sourdough!”

Speaking about what they learnt about themselves during the programme, Rob said: “I learned that I need to take a little bit of a step back and prioritise different things in my life. And I want to get a bit more into baking and cooking.”

Charlie said: “That I can slow down, and be a bit more patient. And that I can take some time to rest and recharge, so then I can be my best for myself and others.”

Tonight viewers saw host Jonathan Ross taking the final pairings to Loch Lomond in Scotland to take part in a Mr & Mrs quiz to see who knew each other best. The final three – Charlie and Rob, Tilly and Anthony and Morag and Angie – all then competed in a handcuffed race from Scotland, to Wales and on to London.

Viewers saw Charlie and Rob scramble onto a bus where Jonathan was waiting with the key to unlock them – and a case full of the cash.

The 10th season of “Love Is Blind” ventured to Ohio, yielded a record seven engaged couples and made structured cape blazers and the idea of daily Pilates classes feel like rage bait.

With the season over, and just two couples saying “I do,” the cast of the popular Netflix dating series came together for this week’s reunion special to share updates on their lives since the cameras went down — and to unpack the twists, turns and lies that played out over the season. The result was a reunion that finally provided (mostly) satisfying questions and answers about participants’ pasts and presents instead of dancing around topics.

Unable to budget the time for a trip to Cabo — or even Malibu — to process it all, TV editor Maira Garcia and I have brought our running “LIB” thread out of our Slack DMs to unpack our thoughts in this safe place.

Also in this week’s Screen Gab, our streaming recommendations include a spray-tan crime comedy and a Morgan Freeman-narrated mind trip about the rise and fall of dinosaurs. Plus, we tell you where you can stream the slate of best picture nominees ahead of this Sunday’s Academy Awards ceremony.

This is your cue to block off some “couch time” in your calendar this weekend.

— Yvonne Villarreal

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Recommendations from the film and TV experts at The Times

Will Forte as Martin and D’Arcy Carden as Vicki in a scene from “Sunny Nights.”

(Lisa Tomasetti / Hulu)

“Sunny Nights” (Hulu)

D’Arcy Carden fans, and I can’t imagine anyone who’s ever seen her work isn’t one, will be elated to find her at full force starring in this dark, sometimes violent Australian crime comedy alongside Will Forte, who, yes, has fans of his own. They play brother Martin (cautious) and sister Vicki (impulsive), who have traveled to Sydney to flog a tanning spray at a lifestyle convention, though Martin has an ulterior motive, to win back his wife, Joyce (Ra Chapman). What with one thing and another, they find themselves repeatedly in need of cash and mixed up with a panoply of criminals, some fairly sympathetic (former rugby star Willie Mason, excellent as former rugby star Terry; Jessica De Gouw as Susi), and others not at all (Rachel House as kingpin Mony, just out of the jug). All are trying to change their lives, or at least their business plan, including Joyce, a journalist stuck writing clickbait articles for an editor who doesn’t want to know, and Megan Wilding as Nova, an animal control worker who knows something important about an exploding crocodile. — Robert Lloyd

A still from “The Dinosaurs.”

(Netflix)

“The Dinosaurs” (Netflix)

This four-part series will have you mentioning the Carnian pluvial episode in every conversation. Aptly narrated by Morgan Freeman and executive produced by Steven Spielberg, the sweeping CGI-enhanced nature documentary traces the evolutionary history of dinosaurs, from their origins in the Triassic period to their extinction 66 million years ago. And it’s more proof that attention spans, no matter a person’s age, will always lock in for dinosaurs. Before morning, your Google search history will include terms like “Marasuchus,” “Vulcanodon,” “Heterodontosaurus” and that Carnian pluvial episode (a.k.a. the longest downpour in history, which lasted more than a million years). Prepare to have your perception of time forever altered. Still, it’s a surefire way to give your mental health a break from current events — though, for a certain generation, it may also unlock those “Land Before Time” memories. — Y.V.

Catch up

Everything you need to know about the film or TV series everyone’s talking about

Scenes from “One Battle After Another,” left, “Hamnet” and “Sinners.”

(Warner Bros. Pictures; Focus Features)

The 98th Academy Awards will broadcast Sunday at 4 p.m. Pacific. How many of the best picture nominees have you seen? Is it less than the number of think pieces you’ve read on Timothée Chalamet’s comments on ballet and opera? We’re here to help. If you’re feeling inspired to be a studious viewer ahead of film’s big night, here’s where you can stream the best picture nominees:

• “Bugonia” (Peacock): Directed by Yorgos Lanthimos, the surreal comedy thriller follows a paranoid bee keeper (Jesse Plemons) who kidnaps a pharmaceutical CEO (Emma Stone), convinced she is an alien responsible for destroying humanity. The film received four Oscar nominations.
• “F1” (Apple TV): From “Top Gun: Maverick” director Joseph Kosinski, the sports drama stars Brad Pitt as retired F1 driver Sonny Hayes, who agrees to compete in the globe’s most prestigious racing event to salvage his reputation and the failing team of his buddy. The film received four Oscar nominations.
• “Frankenstein” (Netflix): Guillermo del Toro’s adaptation of the classic horror tale transforms Jacob Elordi into the tragic monster, known here as The Creature, and features Oscar Isaac as its titular mad maker. The film received nine Oscar nominations.
• “Hamnet” (Peacock): Based on Maggie O’Farrell’s novel, Chloé Zhao’s historical drama explores the grief, love and strained marriage of William Shakespeare (Paul Mescal) and his wife, Agnes (Jessie Buckley). The film received eight Oscar nominations.
• “Marty Supreme” (Available to rent or buy on platforms like Prime Video and Apple TV): Directed and co-written by Josh Safdie, the film is loosely based on the life of American table tennis player Marty Reisman, here called Marty Mauser and played by Timothée Chalamet. It is expected to be released on HBO Max later this spring. The film received nine Oscar nominations.
• “One Battle After Another” (HBO Max): Paul Thomas Anderson’s satirical political thriller, a loose adaptation of Thomas Pynchon’s “Vineland,” follows a paranoid ex-revolutionary (Leonardo DiCaprio) trying to save his daughter when an old enemy (Sean Penn) resurfaces. The film received 13 Oscar nominations.
• “Sentimental Value” (Available to rent or buy on platforms like Prime Video and Apple TV): Joachim Trier’s Norwegian drama follows two sisters (played by Renate Reinsve and Inga Ibsdotter Lilleaas) as they reunite with their estranged filmmaker father (Stellan Skarsgard). The film received nine Oscar nominations. It is expected to be released on Hulu later this month.
• “Sinners” (HBO Max): Ryan Coogler’s gothic horror drama is set in 1932 Mississippi and follows twin brothers (played by Michael B. Jordan) who, trying to leave their troubled past behind them, return to their hometown to start anew — only to face new horrors. It became the most-nominated film in Academy Awards history with 16 total nominations.
• “The Secret Agent” (Hulu, Disney+): Directed by Kleber Mendonça Filho, the Brazilian historical political thriller stars Wagner Moura as a former professor fleeing persecution during the 1970s military dictatorship while trying to protect his son. The film received four Oscar nominations.
• “Train Dreams” (Netflix): Based on Denis Johnson’s 2011 novella of the same name, the film is an intimate birth-to-death portrait of a quiet railway laborer (Joel Edgerton) as he watches the world change around him. The film received four Oscar nominations.

Break down

Times staffers chew on the pop culture of the moment — love it, hate it or somewhere in between

It’s crazy to think that about six years ago, golden goblets, pods and “the experiment” were disparate ideas and objects that were on the precipice of infiltrating the culture. Now, you can’t think of one without the others. “Love Is Blind,” the reality dating show that tests the premise of whether singles can find love sight unseen and marry at the end, marked a milestone this year with its 10th season, filmed in Ohio.

While the series has produced a number of marriages and engagements, some have ended in breakups and divorce, as we saw on Wednesday’s Season 10 reunion. So while the answer to the question “Is love blind?” seems to be no, the series has nonetheless made for entertaining television for viewers who have made dissecting the people, fights and makeups a sport. Why are we so invested? Because it’s a reflection of where we are as a society when it comes to relationships and what we expect from partners emotionally, politically, physically and financially. With that in mind, Yvonne and I sat down with our golden goblets to unpack the Season 10 reunion. Here are five moments that stood out. — M.G.

Jordan and Amber are now divorced

Jordan Faeth and Amber Morrison were one of two couples to say “I do” at the altar. Morrison, a single mom, discussed with Faeth over the course of the show if he was ready to be a stepparent and where they would live, given that Morrison owned a home and her daughter was happy at her school. At the reunion, the couple revealed that they never moved in together and that they divorced after four months. Morrison talked about how her daughter was distraught after the breakup, leading to an emotional moment where Morrison ran offstage in tears. It raised an important question that fans have debated closely: Should parents be on the show? Seasons 6 and 9 also featured single parents, neither of whom made it to the altar. Given the compressed timeline of when people meet, become engaged and head to the altar, deciding whether marriage should include parenthood at the start adds another layer of complexity, not to mention how it could affect a child, who suddenly has a stranger in their life. The outcome wasn’t necessarily surprising, but it was sad.

Vic and Christine: boring but perfect. More, please

The other couple to make it down the aisle was Vic St. John and Christine Hamilton, who hit it off from the get-go and seemed to exist in their own blissful bubble. According to Netflix production, the show only budgets for six couples to go on a trip after the reveal and engagement. But they continued to track them, with St. John and Hamilton spending time in Malibu instead, taping dispatches together and getting to know each other without the rest of the cast in proximity. Throughout the course of the show, you see their connection grow. Their mature and thoughtful conversations about being an interracial couple and potentially raising biracial children were exactly the type of discussions you would hope they’d have before proceeding down the aisle. It may not make for dramatic TV, but it was genuinely thrilling to see a couple so well-suited for each other continuing to thrive. And in an effort to make up for not getting to go to Cabo, Mexico, with everyone else, the show offered them a trip paid by … Turbo Tax? It was an odd product placement, but if they want to foot the bill for their honeymoon, no one’s complaining. As long as it’s somewhere tropical on a beach — and not Lake Erie.

Who took accountability?

Despite not making it to the altar on screen after the blazer cape breakup, Connor Spies and Bri McNees are still together. But the bigger record-scratch moment arrived later, when it was revealed that Devonta Anderson broke up with Brittany Wicker a few days after what he told her was a work trip but was actually a getaway to Austin, Texas, to attend a concert with McNees, Ashley Carpenter and Priyanka Grandhi. Wicker didn’t seem thrilled that she had to find out about the trip from Amber (who found out from Jordan, who can’t remember that he even knew about it). McNees didn’t like the implication that she may have broken “girl code” with the whole fiasco — but if all the women are as close as they say they are, why wouldn’t you check in about such an arrangement regardless of the relationship status? (It was weird, too, that Connor thought it was a girls’ trip.) And the fact that it was the same three women who listened to Chris Fusco talk poorly about his former fiancée Jess Barrett — giant sigh. During the reunion, after Barrett voiced her disappointment in her friends about that incident, Carpenter apologized for not doing more to defend her in the moment.

Meanwhile, Nick unleashed his best attempt to channel Andy Cohen and grilled Fusco about his highly questionable behavior and the backlash over his comments to Barrett about her body, specifically stating he usually dates women who do Pilates or workout daily, and for trying to make the moves on McNees. Fusco, mostly quiet and stone-faced (could it be the shame?), acknowledged he was not proud of the moments he watched back and apologized to Barrett. His seat mate, goalkeeper Alex Henderson, was also on the defense. The self-proclaimed nomad never fully seem to vibe with his fiancée, Carpenter. He admitted she’s not his usual type. She still maintained he wasn’t telling the whole truth about his job or dating history, and overall lifestyle. Throughout his segment, Henderson was noticeably irritated by the insinuation that his stories didn’t add up. But he did seem to enjoy being asked to describe his relationship with Carpenter as if it was a soccer match, prompting him to cite a Liverpool game that ended in a tie. Are you laughing too?

Can this be a TikTok?

To commemorate the milestone season, the audience for the reunion special consisted of 150 former participants of the series. And while the time spent getting life updates with some of them throughout the show felt less forced and time-consuming than reunions past, it still felt like an add-on better suited to live in a separate (shorter) special or as social media content. If we wanted an update on these people’s lives, we can find them on social media. A gender reveal courtesy of someone’s dead grandmother, as sweet and touching and lovely as that may for an expectant couple, is not the sort of jaw-dropping moment a show like this needs. And maybe the money saved — assuming production footed the bill for those flights — could have sent every couple to Cabo.

Did you hear? Nick Lachey is from Ohio, guys.

His constant mention of his hometown roots was unquestionably the biggest declaration of love in the 90-minute special. Sorry, Vanessa.

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Stating that she fears for her life, Sparks forward Rickea Jackson has filed a petition for protection against her ex-boyfriend, Atlanta Falcons edge rusher James Pearce Jr.

Miami-Dade (Fla.) County Judge Heloiza Correa granted Jackson’s initial request for protection Feb. 9, and a permanent injunction hearing is set for April 21. Pearce is under order not to have contact with Jackson or come within 500 feet of her home or place of employment.

“James has threatened to kill me, James has threatened to harm me, James has threatened to injure me, James has threatened to place a bag over my head, and James has verbally and physically abused me on more than one occasion,” Jackson wrote in her statement to the court.

Jackson, 24, also filed notice with the court that she is willing to testify against Pearce. Her original petition for injunction for protection against dating violence — essentially a restraining order — was filed two days after Pearce’s arrest Feb. 7 for allegedly ramming his Lamborghini SUV into her car more than once, and doing the same to a police car in Doral, Fla.

Pearce, 22, faces felony charges of aggravated battery with a deadly weapon, aggravated stalking, aggravated battery and fleeing from a police officer. He also faces a misdemeanor charge of resisting an officer and nine traffic violations.

“Mr. Pearce maintains his innocence and urges the public to understand that while allegations have the power to shape a narrative, that it is hardly the full, complete story,” Pearce’s attorney, Jacob Nunez, told AP shortly after the arrest. “We look forward to vigorously defending our client.”

In a court filing, Jackson said that she broke up with Pearce weeks before the incident that led to his arrest. She said Pearce offered her $200,000 to remain in a relationship with him and that his behavior toward her became increasingly alarming. According to ESPN, at least seven other 911 calls to police ⁠in the months before the Feb. 7 incident reported Pearce to be stalking or harassing an unnamed girlfriend.

A police report says the relationship between Jackson and Pearce began three years ago when both were star athletes at Tennessee.

Pearce was taken by the Falcons in the first round of the 2025 draft with a pick acquired from the Rams. The 6-foot-5, 243-pound edge rusher finished third for AP Defensive Rookie of the Year after recording 10.5 sacks.

Jackson was a first-round pick of the Sparks in 2024. The 6-2 forward emerged as a star in her second season, picking up MVP votes after averaging 14.7 points, 3.2 rebounds and 1.7 assists.

“She’s a smooth person, smooth athlete, smooth basketball player,” Sparks coach Lynne Roberts said in 2025. “She makes hard things look really easy … she makes things look effortless, and I know they’re not.”

The relationship between Jackson and Pearce became volatile in January when the Falcons star admitted in a police report obtained by ESPN that he thought Jackson was cheating on him.

The Feb. 7 incident was described in Jackson’s court filing and a police report. Jackson was attempting to get away from Pearce, who followed her in his car, tried to open her car door at a stop and slammed into her car more than once while she tried to enter the Doral Police Department parking lot “because I knew James was going to hurt me,” Jackson said.

An officer pulled a gun on Pearce and ordered him to get on the ground. However, Pearce jumped back into his car. The officer attempted to open the door, but Pearce shut it and drove away, his car clipping an officer’s left knee.

Police gave chase and Pearce crashed at an intersection before fleeing on foot. Officers said that they caught up with him and he resisted arrest. He was released after posting a $20,500 bond.

In its second week of release, the sophomore season of “Paradise” is already at its midpoint. And it just delivered one of the season’s shocking twists with the death of — don’t worry, we won’t spoil it for you.

The post-apocalyptic drama, which dropped its fourth episode this week, has ventured outside bunker life this season as our Secret Service protagonist Xavier (Sterling K. Brown) continues his journey through Atlanta to find his wife — and now, he’s got a baby to keep safe in the process. Meanwhile, back inside the idyllic simulated town in the depths of Colorado, which anchored the first season, things have started to unravel and the fight for control intensifies. And the mastermind behind it all — Samantha “Sinatra” Redmond (Julianne Nicholson), the tech billionaire who set up the bunker town after a massive catastrophe threatened the extinction of the human race — isn’t MIA anymore. Last seen unconscious in a hospital bed after being shot, she’s awake and ready to regain order and control. Nicholson stopped by Guest Spot to talk about what she finds intriguing about her character’s motivations.

Also in this week’s Screen Gab, our recommendations include an ever timely reminder from Anthony Bourdain on the gift and privilege of discovering a new culture and engaging it without judgment, as well as a suburban noir starring a trio of TV heavyweights that spins middle-age malaise, swinging and murder into an addictive tale.

Read on. Then press play and give your thumb a break from all the fast-forwarding you did while watching the wedding episode of this season’s “Love is Blind.” See you next week.

— Yvonne Villarreal

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Recommendations from the film and TV experts at The Times

Anthony Bourdain visits Havana in 2015 for an episode of “Anthony Bourdain: Parts Unknown.”

(David Scott Holloway / CNN / Turner Entertainment)

“Anthony Bourdain: Parts Unknown” (HBO Max)

It was Bourdain’s masterpiece, the last and best of his several series, and arguably the greatest travel show ever. Bourdain will occasionally fetch up at some fancy eatery, but the heart of any cuisine is formed on the street, or in the country, or along the sea. As a story of how people live, with a good bit of historical context thrown in, the series is explicitly and implicitly political, philosophical and autobiographical; Bourdain has no time for bigots, fascists or bullies — or, one would imagine, McDonald’s cheeseburgers — but he revels in complexity and contradiction. (See Season 4, Episode 6, “Iran.”) The episode on Massachusetts encompasses clambakes and heroin. “I visited and learned to love many places not my own,” says the host, “cultures and beliefs very different from the Upper East Side of Manhattan.” They include, among many other places, Cuba, Ethiopia, Beirut, Buenos Aires, Hanoi, Sri Lanka, Puerto Rico, Scotland, Borneo, Los Angeles and Hanoi, where he sits down with then-president Barack Obama in a family-run noodle shop. Gorgeously filmed, the series can be heartbreakingly beautiful, and sometimes plain heartbreaking. There are 12 seasons running from 2014 to Bourdain’s death in 2018, and I can’t help but believe that anyone who watches them attentively will come out a better person. — Robert Lloyd

Jason Bateman, Linda Cardellini and David Harbour in “DTF St. Louis.”

(Tina Rowden / HBO)

“DTF St. Louis” (HBO Max)

The true-ish crime series about a deadly love triangle is so wonderfully twisted and unexpectedly deep, it’d be criminal to miss this dark comedy starring David Harbour, Jason Bateman and Linda Cardellini. Initially inspired by a real scandal (covered in the 2017 New Yorker article “My Dentist’s Murder Trial: Adultery, False Identities, and a Lethal Sedation”), it evolved into something else. Set in the suburbs of St. Louis, the seven-part series follows fastidious local news weatherman Clark (Bateman), the TV station’s guileless sign language interpreter Floyd (Harbour) and Floyd’s calculating wife, Carol (Cardellini), as each grapples with a middle-age identity crisis. Seeking to spice up their sex life, the men join the discreet, eponymous hook-up app, and one of them ends up dead. Solving this peculiar whodunit is anything but predictable, and the case consumes seasoned detective Homer (Richard Jenkins) as well as young crimes officer Jodie (Joy Sunday). But it’s the quest for connection among all these misfit characters, including Floyd and Carol’s troubled son Richard (Arlan Ruf ) and an unlikely hookup (Peter Sarsgaard), that makes this series so powerful. — Lorraine Ali

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Julianne Nicholson as Sinatra in a scene from Season 2 of “Paradise.”

(Ser Baffo / Disney)

If you see Nicholson on screen, you know things are about to get good. She consistently and compellingly delivers strong performances in some of your favorite films and TV shows, whether she’s expressing both quiet strength and palpable desperation as a mother in “Mare of Easttown” or bringing comedic pizzazz as a social media star in “Hacks.” Her latest captivating performance, in Hulu’s “Paradise,” brings power to a complicated character. She plays Samantha “Sinatra” Redmond, a deeply emotional and eerily ruthless billionaire mastermind responsible for the underground bunker city that grounds the series. Driven by the intense grief of losing a son and a desire to control her environment to protect her family, the character is faced with trying to regain order of the simulated utopia after tension and chaos erupts. Over email, Nicholson shared her thoughts on the morally ambiguous character and the Dustin Hoffman film that brings her comfort. — Yvonne Villarreal

Sinatra is not the usual “villain” in a post-apocalyptic story. Despite her approach, there is an altruistic motive, at least initially, that drives her actions. Which version of her fascinates you the most: pre-global disaster Samantha, who is trying to figure out a way to protect her remaining family, or post-apocalyptic Sinatra, who is closer to facing a reckoning in the aftermath of what she’s created?

I am especially interested in Sinatra after she wakes from the coma. Finding the balance between vulnerability and control. Taking back her power while also recognizing no amount of it or money will necessarily keep herself/her family safe. And then the idea that the bigger picture she’s been working towards the whole time may actually be coming true with the introduction of Link [Thomas Doherty], and who he may be to her, cracks her wide open.

There have been real-life assessments of the power billionaires wield and their influence in the White House — those figures are primarily men. How have those conversations shaped your performance or how you think about the power dynamics of “Paradise’s” fictional world?

I love that Dan Fogelman wrote the most powerful person in the room as a woman. Normalizing women in power can only be a good thing. Even if we don’t necessarily agree with her tactics, she sure is fun to play. I love her take no prisoners/no apologies attitude.

This season Sinatra wakes from her coma and faces a new obstacle in Jane (Nicole Brydon Bloom). What intrigues you about how they play off each other and how Sinatra is navigating the threat Jane may pose?

One of the most fun scenes to play in Season 2 was when Jane is trying to find out what Sinatra remembers of the shooting. The wonderful director, Ken Olin, really encouraged us to make a cat and mouse game of it with neither giving anything away. And I love we don’t ever find out what Sinatra remembers. I think it’s a real case of keep your friend close here. Sinatra realizes Jane is much more valuable as an ally than an adversary.

In “Paradise,” Sinatra (Julianne Nicholson), left, was last seen in a coma after being shot.

(Ser Baffo / Disney)

You delivered a brilliant performance in Season 4 of “Hacks” as TikTok sensation “Dance Mom.” What’s a memory that stands out from filming those scenes? And did you find yourself giving a dance lesson on the set of “Paradise”?

I loved every moment of working on “Hacks.” I loved having dance/choreography sessions with Cory Baker in the run up to filming and the utter absurdity of the “boofing” scene. I also almost lost it when DM was passed out on the stoop on Wisteria Lane and Jimmy [Paul W. Downs] and Kayla [Megan Stalter] come driving around in the golf cart looking for her and shouting, “Dance Mom!” That name alone is so funny to me. Alas, there were no dance lessons in “Paradise.”

What have you watched recently that you are recommending to everyone you know?

I was blown away this year by the film “Sirât.” I recommend but also warn as it is a deeply affecting, intense film and not for the faint of heart. I love its exploration of a world I know nothing about (a traveling rave culture set in Morocco), the humanity in it and the real faces and performances of the actors. [And] its originality and bravery.

What’s your go-to “comfort watch,” the movie or TV show you go back to again and again?

“Tootsie” is one of my favorite films and I can watch that any time. It’s partially nostalgic as I remember watching it in the theater when it came out and I was so taken with NYC at that time. The tall buildings, yellow cabs and hustle and bustle. It’s such a smart comedy with brilliant performances across the board, starting with Dustin Hoffman but each actor is as perfect as the next! So much heart and depth without ever taking itself too seriously. And just very, very funny.

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Mexican writer-director Michel Franco (“Memory”) explores dynamics of money, class and the border through the spiky, unsettling erotic drama “Dreams,” starring Jessica Chastain and Isaac Hernández, a Mexican ballet dancer and actor.

In the languidly paced movie, Franco presents two individuals in love (or lust?) who experiment with wielding the power at their fingertips against each other. The film examines the push-pull of attraction and rejection on a scope that’s both intimate and global, finding the uneasy space where the two meet.

Chastain stars as Jennifer McCarthy, a wealthy San Francisco philanthropist and socialite who runs a foundation that supports a ballet school in Mexico City. But Franco does not center on her experience, but that of Fernando (Hernández), whom we meet first escaping from the back of a box truck filled with migrants crossing the U.S.–Mexico border. He’s abandoned in San Antonio on a 100-degree day.

His journey is one of extreme survival, but his destination is the lap of luxury: a modernist San Francisco mansion where he makes himself at home and where he’s clearly been before. A talented ballet dancer who has already once been deported, he’s risked everything to be with his lover, Jennifer, though, as a high-profile figure, she’d rather keep her affair with Fernando under wraps. He’s her dirty little secret but he’s also a human being who refuses to be kept in the shadows.

As Jennifer and Fernando attempt to navigate what it looks like for them to be together, it seems that larger forces will shatter their connection. In reality, the only real danger is each other.

The storytelling logic of “Dreams” is predicated on watching these characters move through space, the way we watch dancers do. Franco offers some fascinating parallels to juxtapose the wildly varying experiences of Fernando and Jennifer — he almost dies of thirst and heat stroke; she arrives in Mexico on a private plane, but both enter empty homes alone, melancholy. During a rift in their relationship, Fernando retreats to a motel, drinking red wine out of plastic cups with a friend in his humble room, ignoring Jennifer’s calls, while she eats alone in her darkened dining room, sipping out of crystal.

These comparisons aren’t exactly nuanced but they are stark and, for most of the film, Franco just asks us to watch them move together and apart, in a strange, avoidant pas de deux. Often dwarfed by architecture, their distinctive bodies in space are more important than the sparse dialogue that only serves to fill in crucial gaps in storytelling.

Cinematographer Yves Cape captures it all in crisp, saturated images. The lack of musical score (beyond diegetic music in the ballet scenes) contributes to the dry, flat affect and tone, as these characters enact increasing cruelties — both emotional and physical — upon each other as a means of trying to contain each other, until it escalates into something truly dark and disturbing.

Franco loses the plot of “Dreams” in the third act. What is a rather staid drama about the weight of social expectations on a relationship becomes a dramatically unexpected game of vengeance as Jennifer and Fernando grasp at any power they have over the other. She fetishizes him and he returns the favor, violently.

Ultimately, Franco jettisons his characters for the sake of unearned plot twists that leave the viewer feeling only icky. These events aren’t illuminating and feel instead like a bleak betrayal. The circumstances of the story might be timely, but “Dreams” doesn’t help us understand the situation better, leaving us in the dark about what we’re supposed to take away from this story of sex, violence, money and liberty. Anything it suggests we already know.

Katie Walsh is a Tribune News Service film critic.

Welcome to Screen Gab, the newsletter for everyone who is feeling mighty nostalgic about the ’90s and early aughts.

On Thursday night, we learned that Eric Dane died at 53 after a battle with ALS, also known as amyotrophic lateral sclerosis or Lou Gehrig’s disease. The actor was known for his mid-2000s role on ABC’s medical drama “Grey’s Anatomy,” where he earned the moniker “McSteamy” as Dr. Mark Sloan, a plastic surgeon. Coincidentally, yesterday marked the 20th anniversary of his first appearance on “Grey’s.” More recently, he appeared in HBO’s teen drama “Euphoria” as Cal Jacobs, a very complex father to Nate (Jacob Elordi), one of the central characters. The actor will appear posthumously in the show’s third season when it returns in April. Dane remained busy in the past couple of years, having also appeared in the one-season action series “Countdown” on Prime Video and in an episode of ABC’s “Brilliant Minds.” If you want to go further on Dane, Netflix announced this morning that an episode of the docuseries “Famous Last Words” featuring the actor was available. The show consists of an interview with a notable subject, and is only released posthumously.

If you want another trip down memory lane, last week saw the arrival of FX’s “Love Story: John F. Kennedy Jr. & Carolyn Bessette,” which takes a closer look at the famous couple who unexpectedly met a tragic end. The show fully immerses you in the culture of New York in the ’90s, complete with Calvin Klein ads, tabloid magazines with zany headlines and partying at the Roxy nightclub. Connor Hines, the creator of “Love Story,” spoke to us about the show, which you can read below.

Also in this week’s Screen Gab, we recommend an Irish series on Netflix from the creator of “Derry Girls” and another nostalgic docuseries about “America’s Next Top Model.”

ICYMI

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Grace Van Patten and Jackson White of “Tell Me Lies” at American Quick Start & Gas Inc. in Brooklyn, N.Y.

(Dutch Doscher / For The Times)

On ‘Tell Me Lies,’ Grace Van Patten and Jackson White’s toxic (onscreen) relationship ends: After three seasons, “Tell Me Lies” comes to an end. Creator Meaghan Oppenheimer unpacks the series finale alongside stars Grace Van Patten and Jackson White.

Missed ‘Scrubs’? They did too, and now they’re back making the rounds: Donald Faison, Zach Braff and Sarah Chalke spoke about reuniting for the revival of the beloved medical comedy created by Bill Lawrence and now helmed by Aseem Batra.

‘Baywatch’ casting call brings back ’90s with in-person auditions, red suits and ripped bods: About 2,000 people flocked to Marina del Rey on Wednesday in hopes of landing a role in the upcoming “Baywatch” reboot, which the production hopes will be a boon for Hollywood.

How ‘The Pitt’ portrayed a rape kit exam sensitively with the help of experts: To portray the exam shown in Episode 7 accurately, the show’s writers and actors consulted with experts from the UCLA Health Rape Treatment Center and Pittsburgh Action Against Rape.

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Bronagh Gallagher, back left, as Booker, Shauna Bray as Midwife, Saoirse-Monica Jackson as Feeney in “How To Get To Heaven From Belfast.”

(Christopher Barr / Netflix)

“How to Get to Heaven From Belfast” (Netflix)

Lisa McGee, whose “Derry Girls” was the toast of 2018, returns with another comedy of Irish women in a mad place. Three friends since school travel to a one-taxi, one-hotel town for the wake of an estranged fourth: Saoirse (Roisin Gallagher), an award-winning television writer who can’t seem to keep her engagement ring on her finger; Robyn (Sinéad Keenan), a busy, bored rich wife and mother; and Dara (Caoilfhionn Dunne), who has been stuck, or has stuck herself, caring for her mother. All share a dark secret they hope to keep buried, but which has begun to poke its head above ground. What, and who, they find, and don’t find, kicks off a manic mystery, served with a side of car trouble, hangovers, a storm, a blackout, oddball supporting characters and a little romance, not necessarily in that order, with sharp, funny dialogue driving it along. And that’s just the beginning. — Robert Lloyd

A still of “America’s Next Top Model” contestants, clockwise from far left, Nicole Panattoni, Adrianne Curry, Elyse Sewell, Kesse Wallace, Robbyne Manning, Giselle Samson, Shannon Stewart and Ebony Haith as featured in “Reality Check: Inside America’s Next Top Model.”

(Courtesy of Netflix)

“Reality Check: America’s Next Top Model” (Netflix)

“We were all rooting for you!” was the cry heard ‘round the world from Tyra Banks, the host and creator of the reality TV series that aimed to find the next fresh face of magazine covers and fashion runways. But viewers learn in this docuseries that what we saw on screen didn’t tell the whole story. From allegations of sexual assault to discord among the judges, “America’s Next Top Model” had a lot of problems, many of them relating to the fact that a show like it hadn’t been done and producers were inexperienced in handling serious issues on set. “Reality Check” features candid interviews with former contestants including Shandi Sullivan, Keenyah Hill, Tiffany Richardson (recipient of that famous “rooting” speech) and Banks herself. — Maira Garcia

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Sarah Pidgeon as Carolyn Bessette Kennedy and Paul Kelly as John F. Kennedy Jr. in “Love Story: John F. Kennedy Jr. & Carolyn Bessette.”

(FX)

The latest anthology series produced by Ryan Murphy dramatizes the true-life romance between John F. Kennedy Jr. and Carolyn Bessette that gripped the culture in the ’90s. Nearly three decades after their tragic deaths, FX’s “Love Story” revisits the tumultuous seven-year relationship between the pair. JFK Jr. (Paul Anthony Kelly) spent his life navigating the public spotlight as the son and namesake of an assassinated (and beloved) president, and Bessette (Sarah Pidgeon) was a publicist working at Calvin Klein. Inspired by Elizabeth Beller’s book “One Upon a Time: The Captivating Life of Carolyn Bessette-Kennedy,” the nine-episode series chronicles the couple’s whirlwind romance and their struggle to maintain their relationship under intense media scrutiny before their deaths in a 1999 plane crash. The first four episodes are streaming now on Hulu and Disney+, with new episodes released weekly on Thursdays. Connor Hines, who created the series, stopped by Guest Spot to discuss what intrigued him about the couple’s plight and the early aughts rom-com that he admires. — Yvonne Villarreal

You were a child when the love story of John F. Kennedy Jr. and Carolyn Bessette — as well as that fateful flight — generated intense media attention. What do you remember about their story? What stood out then?

My father commuted into Manhattan every day for work and always brought home the New York Post. I have vivid memories of seeing photos of them splashed across the cover. I knew about the Kennedy family, of course, but I couldn’t fully grasp the choke hold John F. Kennedy Jr. had on the country at the time. The scale of the fascination was something I only truly understood later.

Why does this story feel worth revisiting now? And did any modern couples in the spotlight become reference points as you unpacked questions about public fascination while weaving together this story?

We’re living in an attention economy, so a couple beset by obsession and scrutiny feels especially resonant right now. There are, unfortunately, far too many examples of women who marry high-profile figures only to be harangued for expressing anything other than gratitude and graciousness. That dynamic hasn’t disappeared — it’s simply evolved.

The series grapples with the media invasion that swirled around them. Some critics contend that dramatizing their story for television reignites it. How do you see it? And how did that inform your approach to telling this story?

They’ve been memorialized as these beautiful, one-dimensional fashion figures whose marriage buckled under immense pressure. The series felt like an opportunity to course-correct a dated and misogynistic narrative, especially surrounding Carolyn — and to add dimension to two people who were far more complex than the images and tabloid stories written about them.

You seemingly had a lot of material to draw from and public moments in their relationship timeline to focus on. What was a moment that most fascinated you?

I was personally drawn to Carolyn’s rich life before she became a public figure. She was incredibly sharp, savvy and dynamic — she ascended from folding sweaters at a Calvin Klein store in the mall to becoming a muse and trusted advisor to Calvin Klein himself. I don’t think people fully appreciate how much she gave up to be with John.

What have you watched recently that you are recommending to everyone you know?

“Dying for Sex” [Hulu, Disney+]. “Adolescence” [Netflix].

What’s your go-to “comfort watch,” the movie or TV show you go back to again and again?

“Something’s Gotta Give” [Tubi], or anything by Nora Ephron. I’m also an unapologetic champion of the Bravo network.

Gogglebox was back this week with plenty of memorable TV moments and a sweet relationship update from Ellie Warner.

Gogglebox was back tonight (February 20) on Channel 4 in the wake of what sounded like a romantic Valentine’s Day for one star.

During the show, fans may have missed a sweet relationship insight from show favourite Ellie Warner, who shares a two-year-old son with her partner Nat Eddleston.

As the song Love Is In The Air by John Paul Young and Milk & Sugar, the Gogglebox cast recalled that the romantic holiday was on the horizon.

Reflecting on her upcoming Valentine’s Day celebrations last weekend, Ellie admitted: “I don’t know what has got into Nat lately.

“Bought all my perfume for Valentine’s Day, wants to take me out for a meal, said I deserve a treat…

“What’s he after? Baby number two?” she teased, as her sister Izzie Warner shot back: “You wish.”

After that, the case watched a This Morning segment on what to cook for Valentine’s Night, with TV chef John Torode stepping in to demonstrate how to cook a steak and chips.

Tonight’s episode of Gogglebox features plenty of big TV moments from the past week, including the finale of The Masked Singer on ITV.

The final episode saw all of the Gogglebox cast trying to guess the identity of the mysterious Moth, who won over the audience with her sensational vocals.

Some guessed she was a “member of a UK girl band” while Sophie even narrowed it down to a member of The Sugababes, and in the end it turned out to be Sugababes legend Keisha Buchanan.

Elsewhere in the episode, A Place in the Sun star Jasmine Harman spoke to an expert about the best way to eat at an all-inclusive holiday buffet, earning a decidedly mixed reaction for the niche topic.

There was also a fun news segment on Number 10 Downing Street’s famous resident, Larry the cat, and a look inside the high-octane new Prime Video drama, Steal.

Gogglebox airs Fridays at 9pm on Channel 4.

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Actor Eric Dane, best known for wooing “Grey’s Anatomy” audiences as plastic surgeon Dr. Mark “McSteamy” Sloan, has died following a public battle with ALS.

A TV star whose career spanned from “Saved by the Bell” to “Euphoria” and beyond, Dane died Thursday, his publicist announced in a statement. He was 53.

“With heavy hearts, we share that Eric Dane passed on Thursday afternoon following a courageous battle with ALS. He spent his final days surrounded by dear friends, his devoted wife, and his two beautiful daughters, Billie and Georgia, who were the center of his world,” the statement reads. “Throughout his journey with ALS, Eric became a passionate advocate for awareness and research, determined to make a difference for others facing the same fight. He will be deeply missed, and lovingly remembered always. Eric adored his fans and is forever grateful for the outpouring of love and support he’s received. The family has asked for privacy as they navigate this impossible time.”

Dane publicized his ALS diagnosis in April 2025. A former competitive swimmer and water polo player, he said ALS — also known as amyotrophic lateral sclerosis or Lou Gehrig’s disease — initially caused the right side of his body to stop working. Prior to his death, the actor channeled his personal experiences with the condition to portray a firefighter living with ALS on TV and advocated for legislation related to the condition.

In Shonda Rhimes’ “Grey’s Anatomy,” Dane’s Sloan was a welcome addition to Seattle Grace Hospital’s staff of heartthrobs who couldn’t seem to keep their gloved hands off each other amid shifts of wild and dramatic cases. He first appeared in Season 2 of “Grey’s Anatomy” in 2006. Sloan, within minutes of his arrival, takes a punch to the face from Patrick Dempsey’s Dr. Derek Shepherd and introduces himself to Ellen Pompeo’s Meredith Grey as one of the fellow “dirty mistresses” who broke up Shepherd’s marriage to ex-wife Dr. Addison Montgomery (Kate Walsh).

Dane had initially agreed to appear in only one episode of the long-running ABC drama, but remained a fixture — and eye candy for fans — for more than 130 episodes until 2012. Nicknamed “McSteamy” for his looks, Sloan pursued relationships with Drs. Lexie Grey (Chyler Leigh), Callie Torres (Sara Ramirez) and Teddy Altman (Kim Raver) over the course of Dane’s tenure. His character was killed off early in Season 9 after a devastating Season 8 plane crash that also claimed the life of Leigh’s Lexie.

In 2021, Dane returned to “Grey’s Anatomy” for a cameo in Meredith’s COVID-19-induced dreams.

Prior to breaking out with “Grey’s,” Dane played minor roles in series including “Saved by the Bell, “Roseanne,” “Gideon’s Crossing” and “Charmed.” Dane followed up his “Grey’s Anatomy” tenure with appearances on the ABC spinoff “Private Practice,” a leading role in TNT’s “The Last Ship” and a stint as a secretive real estate developer and dad in HBO’s teen drama “Euphoria.”

He also appeared in several movies following “Grey’s Anatomy,” including “X-Men: The Last Stand,” “Marley & Me,” “Burlesque” and Garry Marshall’s “Valentine’s Day,” which reunited him with co-star Dempsey.

Dane did not plan to be an actor until he unexpectedly landed a role in his high school’s production of Arthur Miller’s “All My Sons,” but he “fell in love with it,” he told the Gulf Times in 2014.

“I was like this is the greatest feeling ever,” he added.

Eric William Dane was born Nov. 9, 1972, in San Francisco. His father, a Navy man-turned-architect, died of a gunshot wound when the actor was 7, leaving his mother to raise her two children with assistance from her parents.

Dane attended Sequoia High School and San Mateo High School but dropped out prior to graduation to pursue acting in Los Angeles.

He partied often in his 20s and first entered rehab at age 26. Amid his “Grey’s Anatomy” fame, Dane struggled with addition to painkillers and prescription medicine. He relapsed in 2007 during the Writer’s Guild of America strike, he recalled in 2024.

Eric Dane and Rebecca Gayheart bring their daughters to the March 2015 world premiere of “Cinderella” in L.A.

(Richard Shotwell / Invision / Associated Press)

“If you take the whole eight years I was on ‘Grey’s Anatomy,’ I was f— up longer than I was sober and that was when things started going sideways for me,” he said at the time. Notably, he entered rehab again in 2011 to address issues with prescription drugs he had been prescribed for a sports injury.

Dane also spoke openly about his struggles with depression, which reached a head in 2017 amid production on his series “The Last Ship.” During a 2017 “Today” appearance, Dane explained that he was taking medication to manage the disorder, which he said hit him “like a truck.”

“I had to take some time off,” he said at the time. “I went away, I took care of it, and I’m feeling great.”

Dane married “Loving” actor and model Rebecca Gayheart in 2004 in Las Vegas the same day he proposed to her. Infamously, their relationship was subject to scrutiny when in 2009 leaked video showed the spouses in the nude and intoxicated lounging in a bathtub with actor Kari Ann Peniche. Marty Singer, attorney for the spouses at the time, dismissed the controversy.

However, the couple separated in 2017 and Gayheart filed to divorce Dane in 2018, but the split was never finalized. Then in March 2025, right before he went public with his ALS, she filed a request to dismiss the original petition.

In Dane’s role after revealing his diagnosis, he appeared in an episode of the NBC medical drama “Brilliant Minds” as a heroic firefighter struggling to tell his family he has ALS. The episode aired in late November; Gayheart revealed in a late December New York magazine essay that the actor was receiving 24/7 nursing care and she was covering most of the caregivers’ missed shifts.

“We haven’t lived in the same home for eight years; he’s dated other people, I’ve dated someone,” Gayheart wrote in the essay, which discussed Dane’s diagnosis and how it had affected the family. “It’s a very complicated relationship, one that’s confusing for people. Our love may not be romantic, but it’s a familial love. Eric knows that I am always going to want the best for him. That I’m going to do my best to do right by him. And I know he would do the same for me.

“So whatever I can do or however I can show up to make this journey better for him or easier for him, I want to do that,” she continued. “And I want to model that for my girls: That’s what you do. That’s the right thing to do.”

Dane is survived by daughters Billie, 15, and Georgia, 14, whom he shares with Gayheart.