Emergency services were on the scene, while National Highways traffic officers diverted road users and urged those travelling to plan ahead before embarking on their journeys
Source link
Since her breakout into the mainstream last year for her scorched-Earth set on “The Roast of Tom Brady” and a top-notch comedy special “Someday You’ll Die,” Nikki Glaser has become an A-lister in the stand-up comedy world. But did that success translate for her first time as “Saturday Night Live” host?
Not too surprisingly, Glaser did well given that her best qualifications for the gig are that she’s very good at delivering jokes for a living and that she’s not shy about pushing the boundaries of taste in her comedy. That’s a good fit for the current incarnation of “SNL,” which tends to have at least one gross-out scatological sketch per episode and lots of “Weekend Update” segments and jokes that either land in the “just dirty enough” or “way over the line” camp.
Apart from her go-for-broke monologue, Glaser’s sensibility locked in on sketches including one about family members performing karaoke who seem way too intimate with each other, a commercial about grown men obsessed with life-sized American Girl dolls, and a bizarre musical number about a mechanical bull that rides away with Glaser and Sarah Sherman. These, along with a funny ad for a Jennifer Hudson spirit tunnel drug and one about characters in a children’s book, were pieces that aligned well with what Glaser does and that she performed exceptionally well.
A sketch about a stalled plane and a chatty pilot (James Austin Johnson) was good, but only because of Johnson’s perfect impression of flight intercom chatter.
Less successful were a half-baked mashup, “Beauty and Mr. Beast,” about the popular YouTuber, and a sorority sketch with Mikey Day as an interloping man wearing a bad facial disguise.
Glaser’s lengthy monologue may not have been as perfect a fit as it should have been, but her sketch performances were spot-on.
Musical guest Sombr performed “12 to 12” and “Back to Friends.” There was also a sweet and funny animated short, “Brad and His Dad,” about a divorced father trying to connect with his video game-obsessed 11-year-old.
In this week’s cold open, President Trump (James Austin Johnson) commented on the bizarre White House incident where a pharmaceutical representative (Jeremy Culhane) collapsed in the Oval Office while Trump was captured on camera looking away. As Trump put it in the sketch, “Someone dying in my office, I stand there and stare like a sociopath.” “Each week I try to create a visual,” he said, that represents what’s going on in the country like last week’s White House demolition. Trump walked over the fallen man to deliver a monologue on the week’s events, starting with the New York City mayoral election and concluding with SNAP benefit cuts and rising food prices. He offered that the cancellation of flights caused by the government shutdown will help by keeping families apart for Thanksgiving. “Killing two birds with one bird. Can’t afford food? Have some cheap Ozempic,” he said. Next up: stealing Christmas. “We’re doing Grinch!” Trump said.
Like a lot of “SNL” monologues from stand-up comics, Glaser’s was a microdose of her comedy act. As such, it was full of jokes about race, politics, sex acts and, for one uncomfortable stretch, the idea that someone (not Glaser, but maybe!) might suddenly realize they’re a pedophile. Glaser began by calling New York City “Epstein’s original island” before discussing white women being cultural appropriators by spray tanning, Robert F. Kennedy Jr. (“I’m no health expert, but neither is he”), dating a short man with anger issues and PSAs in public bathrooms about human trafficking. In her 20s, Glaser joked, the only fear she had was “good old-fashioned rape.” The barrage of jokes was exactly what you expect from Glaser, but some of the jokes didn’t seem to land as well on the “SNL” stage as they typically would on roasts or in her own comedy specials.
“The Jennifer Hudson Show’s” signature bit, in which guests dance through a hallway while staffers clap and cheer them on, has become such a big deal that celebrities like Glaser, playing herself in this commercial, have major anxiety about their dancing. Glaser, a self-described “uncoordinated white woman” claims her dance moves are so bad they’re potentially career-ending. “I even tried to put my ass into it. But I don’t have one,” she laments. But luckily there’s a drug, Hudsacillin, that makes you so violently ill that the celebrity in question has to cancel their appearance. “What’s the alternative?” the ad asks, “lightening up and being fun?”
With all the flight delays and cancellations happening, this topical sketch was about a couple (Sherman and Andrew Dismukes) sitting on an airport runway waiting for their flight to take off while their pilot (Johnson) announces delays and also shares updates about a woman he’s texting that he met on a dating app. What really sells the piece is Johnson’s delivery as the pilot, but also the funny interactions he has with the co-pilot (Kam Patterson), Glaser as the disaffected flight attendant and a set of passengers who argue nonverbally about whether or not to get involved (Kenan Thompson and Bowen Yang).
As the only guest segment on “Weekend Update” this week, Pete Davidson’s check-in on the Staten Island Ferry he purchased a few years ago with Colin Jost wins by default. Davidson referenced a New York Times article about trouble with their business venture, but said, “I cant spend $5 on a paywall when I have a kid on the way.” He promised to give parenting, “all the enthusiasm I never had for this show.” Davidson revealed that the new plan for the ferry is to convert it to a city on the water, New Staten Island, with all the things that make Staten Island great: pizza (it turns out it’s just one thing). Davidson couldn’t resist getting in a dig at his old boss after saying he’s not giving up on the ferry. “If Lorne Michaels has taught us anything, it’s never give up even if everyone says the time has come and Tina Fey is ready to take over.”
As we mentioned last time when Sabrina Carpenter hosted “Saturday Night Live,” there’s no substitute for a host who fully throws themselves into “SNL.”
He may not have done double duty as host and musical guest the way Carpenter did, but Miles Teller appeared to fully embrace the challenge of returning to host for a second time (the first was in 2022). The “Top Gun 2: Maverick” star, who’ll next be appearing in the movie “Eternity,” gave a solid performance, appearing in nearly every sketch, including the cold open and two pre-recorded videos.
He first appeared as former Gov. Andrew Cuomo, a candidate for New York mayor, in the cold open with help from Ramy Youssef and Shane Gillis as opponents Zohran Mamdani and Curtis Sliwa.
After that, Teller played a hungover game show contestant recovering from Halloween, a hockey player shooting a public service announcement for the unfortunately named Nashville Predators and both twin Property Brothers in a video sketch about the current White House renovation.
Teller was also in a sketch about a TV newsroom that decides to show viewers what its background employees are doing, a Netflix promo for a true crime story about husbands who don’t know where their wives went, one about a police press conference that takes a turn and a show closer about a silly Italian restaurant in Nebraska.
Teller handled it all well; he’s good with accents and earned strong laughs, especially playing two characters at the same time in the “Property Brothers” sketch and as Cuomo in the cold open.
Musical guest Brandi Carlile performed “Church & State” and “Human.”
This week’s cold open was one of the stronger (or at least funnier) political sketches of the season so far, tackling the New York mayoral race. As hosted by Errol Louis (Kenan Thompson), “the least famous person to be impersonated on ‘SNL,’ ” the debate sketch portrayed Cuomo (Teller) as a sexually harassing (“Yadda yadda yadda, honk honk, squeeze squeeze) panderer to Jewish voters; Mamdani (Youssef) as a force-smiling, TikTok-flirting candidate who’s pretty sure he won’t be able to implement his promises; and long-shot candidate Sliwa (Gillis) as an “old-fashioned New York nut” with one traumatic story after another to recount. The biggest surprise may have been Gillis, who as Sliwa recounted stories about being hung by his testicles and getting assaulted by a Times Square Spider-Man. Where was this energy when Gillis hosted “SNL”? As has been the habit on many a cold open, President Trump (James Austin Johnson) interrupts the proceedings to mock the candidates and insert his own commentary. This time, that included singing a song from “Phantom of the Opera” to conclude the sketch.
Teller’s monologue was short and simple, relaying how as a kid who moved around most of his childhood, “SNL” was a constant. He shared a photo of himself and his sisters dressed up as the “Night at the Roxbury” characters from the show and then made up a list of memories from the show, like having his first beer in the audience and falling over after having a few beers. Teller mentioned that he and his wife lost their Palisades home in January’s Los Angeles fires. As such, he made sure to point out the fire exits for the audience.
The Property Brothers Jonathan and Drew Scott (Teller times two) meet their toughest clients yet: Trump and First Lady Melania Trump (Chloe Fineman) who need help with their current renovation of the White House to make room for a new ballroom. Melania shared her skeleton and withered tree decorations (“They are for Christmas,” she said), and the couple complained that 55,000 square feet and 132 rooms just isn’t enough space. With a budget of “$350 million to infinity” the brothers get to work with the help of park rangers and astronauts working through the government shutdown. But when it comes to getting paid for their work, there’s a problem. “Aren’t you guys from Canada?” the president asks. Then he calls ICE on them.
On a show called Newspoint, the host (Fineman) and her guest (Thompson) are trying to have a serious news discussion, but because the show has opened up its full newsroom to viewers, all the workers in the background draw attention. Among them are Mikey Day, who awkwardly notices the cameras are on him before spilling a carrier of drinks, Bowen Yang as a worker who gets electrocuted by a copy machine and Teller, who has manga erotica up on his work screen. It’s nice to see some physical comedy from Day in particular and the sketch’s visual gags work nicely.
Andrew Dismukes and Ashley Padilla (who should be a full cast member at this point instead of a featured player) played a couple who just made out but are trying to discuss the government shutdown. But it was Yang as chronic liar George Santos who stole “Update” (and some jewels) after Yang missed an opportunity on the last “SNL” episode to play the former representative, whose prison term was commuted by Trump. Santos claimed he finished the New York marathon, which hadn’t happened yet, and kept interrupting his chat with “Update” co-host Colin Jost to take calls with prisoners with a jail window and phone he brought with him. He purported to speak with Ghislaine Maxwell, Luigi Mangione and Sean “Diddy” Combs before revealing that the key to making prison rice pudding is preheating the toilet to 350 degrees. Santos ended the segment by revealing the necklace he stole from the Louvre and insisting that he’d just won the World Series.