rape

For years, Magaluf has been a go-to party resort for Brits seeking fun in the sun. But a darker side to the tourist spot has emerged, with reports of spiked drinks, sexual assaults, and rape

With the promise of sun, sand, booze, and parties, Magaluf is a major party resort – but beneath it hides a dark underbelly. Popular amongst a younger demographic, it’s been seen to epitomise a typical ‘lads holiday’ or girls’ trip abroad, with tens of thousands of British 18 to 30-year-olds flocking there each summer.

Dubbed ‘Shagaluf’, alcohol-sodden tourists descend on the ‘strip’ in their droves, lured through the promise of cheap accommodation, cheap booze, and no-strings sex. However, it hides a seedier scene where vulnerable young girls are being exploited – duped into drinking too much and pressured into sex acts.

In 2014, viral mobile phone footage showed a British 18-year-old giving oral sex to 24 men on a Carnage Magaluf pub crawl, egged on by a DJ who called her a ‘slag’. The ‘prize’ was a free drink. In the horrifying video obtained by our newspaper, the vile music host is seen shouting: “This is Carnage and this is what we do” as a no-holds-barred sex act takes place in the middle of a bar. When the girl appears to stop, the DJ – who has a Geordie accent – bellows: “You little sl*g, stop f****** about. This is Carnage and this is what we do. We need to see someone get b*nged here don’t we? Who wants to see someone get sh**ged?”

And this week, eight men were jailed after a British teenager was filmed being gang-raped at a hotel in Magaluf. The accused, seven French nationals and one man from Sweden, subjected the 18-year-old to a sickening attack in at the BH Mallorca Resort on August 14, 2023.

The men agreed to plead guilty in exchange for reduced sentences. The five rapists accepted jail terms of nine to 11 years for sexual assault, with three receiving higher prison sentences because they repeated their crimes. The three men who didn’t take part in the sex attack but filmed it were handed prison sentences of two years and three months.

Reports at the time said three of the suspects had met the girl hours earlier while partying in Magaluf. After sexually attacking her, one went out into the hotel corridor to encourage strangers returning from their own night out to have ‘free sex’ with her.

“There, the accused men, during approximately half an hour, aware of the semi-conscious state the young woman was in and at one point seeing she had fallen in a state of unconsciousness, and taking advantage of the closed room she had been taken into, stripped her naked leaving her with only her bra on,” a 14-page indictment laying out the public prosecution case read.

“They then carried out different sexual acts on her, acting by common consent and without her consent.” The indictment further detailed how the woman had been raped, spat on, and “hit and smacked”.

“The accused men, each one with a mobile phone, throughout the actions previously described, recorded several videos focusing on the young woman’s private parts in which they appeared forcing her to to carry out sexual acts,” it added. One of the suspects was accused of filming 14 videos lasting 170 seconds, and another of filming five videos lasting 142 seconds.

Sadly, it’s not an unusual story. The dark underbelly of Magaluf was explored in the 2024 Channel 4 documentary Magaluf Undercover: Predators and Parties. It followed journalists Ellie Flynn and Emily Birtley as they went undercover for three nights, posing as drunk or vulnerable tourists to expose the predatory behaviour on the strip, in clubs, and on the beach.

In one instance, footage saw Ellie pretend to be drunk and slump on a sun lounger before being approached by two men. One asks: “Are you good? Do you want to talk for a little bit?” When she replies, “I’m good”, he continues to bombard her, saying: “You are my last chance, do you want to kiss a little bit?”

Ellie tells him “No”, and secret cameras, hidden around the lounger, show the man walking away. But instead of leaving, he goes to recruit another man. “She’s completely wasted,” he tells him in Spanish, before calling out “Let’s go for it.” A third man then moves in beside Ellie on the sun lounger saying: “If you want, I can keep you company.”

Reflecting on the encounter, Ellie said: “The arrival of the third male ­startled and genuinely scared me. I had seen the first two together, but the sudden appearance of another – and having no idea at the time if they were together – was enough for me to signal security to get me out.

“I leave the beach upset and frightened, feeling like I’ve experienced an orchestrated attempt to target drunk women alone on a night out in Magaluf. Shockingly, this was not an ­isolated incident, but a pattern that emerged across my three nights in the resort town.”

Another young woman, meanwhile, said she ended up alone on the beach after her drink was spiked. “I just started to feel worse and worse. I could barely speak, I could barely walk,” she said.

We spoke to Ellie about the latest arrest of the eight men – and the dangers that women can face abroad. She told the Mirror: “It’s just so horrifying, isn’t it? I guess first impressions are just, I’m so, so sorry for that girl, what she’s been through.

“I think having been on these holidays when I was younger myself – I went to Magaluf when I was younger – and similar places, I think I really understand some of the problematic culture there.

“I think that these holidays, unfortunately, can create a breeding ground for this kind of behaviour, because you have young people who are particularly vulnerable, perhaps away from home for the first time, with their friends, trying to have a good time, drinking, trying to party.

“And unfortunately, there are predatory people there who are looking to take advantage of those vulnerabilities. I think what’s so shocking about this case [is that] it’s not even the first or the only one of these kind of horrific group rapes. It says so much, I think, about this toxic culture that eight people got involved with that.”

Dr Charlotte Proudman, a barrister and academic who specialises in women’s rights, echoes these concerns, and believes the problem has been fuelled by the so-called ‘manosphere’ – an online space that often champions masculinity to the extreme. The online space includes content creators with huge followings, such as HS Tikky Tokky, who promote the ideals of masculinity – and even misogyny – via YouTube videos and podcasts.

“What we are seeing in places like Magaluf is the collision of toxic online misogyny with a holiday culture of excess, where alcohol, group dynamics and anonymity embolden some men to act with shocking entitlement towards women’s bodies,” she tells The Mirror.

“The influence of the ‘manosphere’ has normalised the dehumanisation of women and the idea that sexual aggression is a form of male bonding or status,” Dr Proudman explains. “The fact that some perpetrators even film these attacks is profoundly disturbing; it shows that for some men, sexual violence is not only committed but performed for an audience for entertainment.

“This is not about lowered inhibitions on holiday, it is about a culture that still allows misogyny and sexual violence to be trivialised, excused and, in some cases, celebrated.”

Indeed, an independent survey undertaken as part of the documentary exposed disturbing levels of predatory behaviour and sexual abuse – primarily toward women – on party holidays. The survey, which asked over 500 men and women aged 18 to 35 about their experience on party holidays, revealed:

• Almost of quarter of those surveyed said they’d experienced sexual assault with almost 1 in 10 women reporting experience of a sex act – including rape – without consent
• Nearly 35 percent of women reported unwanted sexual touching whilst on a party holiday
• 1 in 5 of the men surveyed admitting to touching a stranger in an intimate area without their consent
• More than 30 percent of the men surveyed admitted they had kissed someone without their consent during a night out on holiday
• Nearly a quarter of men believed that someone dancing or standing alone indicated they were looking for a sexual partner
• 33 percent of the women reported they had been followed whilst on holiday
• Nearly 40 percent of women surveyed felt that they had been taken advantage of whilst being alone on a party holiday
• More than 1 in 4 of the men believed that someone chatting to them on a night out meant that person wanted to be sexually intimate with them

In an effort to take control back on the streets of Magaluf, the government passed a new law in January 2020 to target “tourism of excesses and for the improvement of quality in tourist zones”.

At the time of the approval of the decree, Balearic tourism minister Iago Negueruela stated that it represented “one more commitment to a sustainable tourism of quality” and that it was part of “the fight against anti-social behaviour caused by excessive consumption of alcohol”.

Key rules include a six-drink limit per day for all-inclusive guests, a ban on shop alcohol sales between 9:30 PM and 8 AM, and prohibitions on pub crawls. There are also fines for being topless and naked in public, and the police presence has increased.

Ellie added that “it’s really hard to imagine and it’s horrifying” that one of the men went into the corridor and offered ‘free sex’ with the teenager, saying: “It’s almost difficult to um comprehend that anybody would respond to that in any way other than calling the police.

“I think it’s really symptomatic of how dangerous these holidays or these kind of environments can be, not just for women but you know mostly for young women.

“What I find the most shocking about it is the fact that they were, it’s such a bleak fact that this group of men who did not know each other, thought that this was something they would get involved in and I think that it shows how pervasive this kind of this culture of abuse of women is because you know in that environment people were willing to get involved in the most horrific crime.

“There’s something about these holidays, I think, where hedonism and abuse, the lines become so blurred and I think that people kind of go in with these attitudes of wanting to have sex, wanting to meet people, and unfortunately what we see in a society where, like, women are systematically abused and often used for kind of male gratification is this blurring of lines between sort of hedonism and trying to have fun and then really really serious abuse.”

When making her own documentary and surveying holidaymakers, Ellie noted, “a huge percentage of the men that we surveyed thought that someone standing near you was an indication that they might be interested in sex”. She added, “it was so shocking and I think there is this assumption that if you are on these holidays, if you’re out with your friends having a good time, having a drink that somehow that that makes you you know constantly available for sex – you know even if you’re unconscious”. Een if someone is “showing no signs at all that is what you want, there are people out there who will take advantage of the fact that you that you were just there”.

She added, “That was what really shocked me about the documentary,” pointing out that some people responded to the documentary in bizarre ways, “there were people who were replying to me on Instagram who were like, ‘Well you know, why would you go somewhere like Magaluf if you weren’t prepared to experience something like that?’ And I think it shows that we have such a long way to go in terms of actually stopping Violence against women and girls.”

Discussing the algorithmic silos that see totally different conversations about gender, sexual violence, and abuse taking place at once, Ellie said: “We’ve never seen a further divide between young men and young women and their views and their experiences.

“And there was a period in time where I think it felt like things were moving in the right direction. You know, we were taking women seriously, and we were listening to their stories and we were, saying all the right things to try and combat violence against women and girls and stop this kind of insidious abuse, but you know at the same time you have the rise of, you know, certain influencers and the manosphere and this kind of narrative that young boys are isolated and don’t know how to treat girls and are scared of kind of making any approaches, and and we have these kind of two conversations happening simultaneously and taking people down in completely different directions and I think that is where things are now particularly concerning.”

She added that “on one side you have young men,” hearing one message and “almost being justified in some cases in the abuse of women and in this mistreatment of women and in degrading women, because there are people, there are high profile figures, who have made them feel like it’s okay to do that.”

Ellie continued, “It’s clear that we need to be having conversations that include both sides of this argument.” She adds, “I have two sons and I don’t want them to grow up feeling like they are inherently bad because they are male, that’s not true, and I think that somewhere along the way that’s a narrative that some young boys have learned to believe, and so things have gone wrong in a sense that things have gone that way, but also ignoring the very real epidemic of violence against women and girls and highlighting those issues isn’t the answer. We should be able to do both at the same time.”

As court documents tied to the late financier Jeffrey Epstein continue to surface, the scandal has become an international embarrassment, exposing how quickly powerful men can turn into reputational liabilities. That discomfort reached New Delhi, where Microsoft cofounder Bill Gates was expected to deliver the keynote address at the AI Impact Summit but ultimately did not attend amid criticism and apparent unease within the Modi government over his past meetings with Epstein. The spectacle was revealing. Public moral outrage travels swiftly when scandal threatens reputations and diplomatic optics. Yet that sensitivity to association sits uneasily beside a domestic reality in which sexual violence against women unfolds with brutal regularity, drawing neither comparable embarrassment nor consequence. The contrast is grotesque. A political culture capable of signalling discomfort towards a global scandal remains strikingly untroubled by the everyday brutality faced by women at home.

Under the Modi administration, the news cycle churns with reports of gang rapes like factory output — steady, relentless, and numbing in repetition. The rapes have become so common that they are reported like the weather. Heatwave deaths. Flash flood. Five-year-old abducted, raped, murdered. And like the weather, only God is responsible. Not the rapist. Not the court. Not the police. Definitely not the prime minister.

Between the time this piece was commissioned and published, a five-year-old was gang-raped in Meerut, a 26-year-old was gang-raped in Faridabad, and a 17-year-old was gang-raped in Odisha. A 42-year-old was gang-raped in Delhi’s suburbs. A 12-year-old girl was kidnapped and gang-raped in Bikaner. There were more gang rapes in Bihar, Chhattisgarh, Rajasthan, and Kanpur. I could give you statistics, but numbers could never convey the larger, all-encompassing terror of living with predators. The threat of sexual violence is as constant as gravity. The cases are gruesome — intestines pulled out, rods inserted, tongues cut out, acid thrown, decapitation, strangulation, and burning. When I look at government data about rape — an average of 86 women are raped every day — it feels as grisly as stumbling upon a mass grave in Excel sheets.

Prime Minister Narendra Modi and his home minister, Amit Shah, ostensibly obsessed with restoring law and order at any cost, seem entirely unconcerned that India is the gang rape capital of the world on their watch.

The most alarming instance of this was when convicted rapist and Bharatiya Janata Party politician Kuldeep Singh Sengar, found guilty of raping a minor in 2017 and a native of Makhi village in Unnao district of Uttar Pradesh, was granted bail by a high court, raising the possibility of his reintegration into the very social and political landscape that had once enabled his impunity. A high court granted him bail in December. Thankfully, it was stayed by the Supreme Court, but only after infuriated women gathered in Delhi to protest. Sengar had raped a teenager, who was also gang-raped by his associates. Her father was murdered in police custody. A case was registered only after she threatened to burn herself in front of the chief minister’s residence. Her tragic story showcases how Indian men, like the Modi administration, remain remarkably unembarrassed about the state of affairs.

Sadly, this is not an aberration; it is the system speaking in its mother tongue.

Public memory matters because each new case unfolds against the residue of the ones we were told would change everything. In 2012, I read about the “Nirbhaya” gang rape three days after the incident, on my way from the airport. I had been deliberately avoiding the news until she ended up at Safdarjung Hospital, and my editor needed a health update from me. After I learned all the details of what men had done to this young woman, I thought the world would stand still. A threshold had been crossed. Something told me the world would start anew. There were protests, and people everywhere would know her name, and something like this would never happen again.

All of my naivety was drowned in a chorus of “Not All Men”, as the gang rape was turned into something viral to hang a hashtag on. The refrain did not defend innocence so much as redirect attention away from accountability and back towards male comfort.

It is impossible for me to hear of such cases and not think: What if it were me? My body. That rod. Those men. The suffering and mutilation of women’s bodies is so reliable that there is now a market to help ease our fear. Security apps. Pepper sprays and wearable panic alarms. Every time I write about this subject, I sit with the absolute inadequacy of the written word in the face of men who film the rapes, brag about them, and get rehabilitated nevertheless.

It wouldn’t be out of place to call this moment unprecedented, but it is beyond that. It is existential. Whether it is the United States or India, women are watching the same choreography of power protecting itself, as men of consequence close ranks and wait out the storm. The similarity lies not in scale or context, but in the recurring spectacle of institutions cushioning powerful men while survivors fight alone. For a while now, both countries — allegedly the biggest and the oldest democracies — have been on a trajectory of self-destruction, with men leading the way. Under Modi as well as Trump, rape has become an extension of politics. Women are violated no longer by men alone, but by courts, hospitals, and newsrooms, too. It is the age of monsters. It did not begin with Epstein, Gates, or Sengar, of course, but they are the symbols of it.

While the middle class was busy buying into the dream of upward mobility, careerism, and two bedrooms in a gated suburb, we let thugs cultivate a wholesale misogynist empire that runs on hate for women. I do not know what to do with the rage I feel. What do you do when you are constantly told that your body, your people, your gender are disposable? I don’t know.

What I do know is that the teenager who survived Sengar is still fighting for justice. I know that the survivors of Epstein’s sex trafficking network are fighting for justice, too. These women are fighting with heart and soul and sweat and muscle. I know that I have no right to be despondent while they stand tall, looking every inch the hero they are. I also know that nobody puts up a fight like that unless you love your sisters.

At this dark hour, it feels important to place on record that as the Modi administration recoils theatrically from the shadow of the Epstein scandal at the summit stage, the satire writes itself. A government that cannot, or will not, protect its women should be far more ashamed of what is ordinary than of what is scandalous.

The views expressed in this article are the author’s own and do not necessarily reflect Al Jazeera’s editorial stance.

Paris St-Germain defender Achraf Hakimi says he is set to face trial after an allegation of rape was made against him.

A woman has accused the Morocco captain of raping her at his home in the French capital in 2023, when she was aged 24. He denies the allegations.

The public prosecutor’s office in Nanterre, a western suburb of Paris, began a preliminary investigation in March 2023.

“Today, a rape accusation is enough to justify a trial,” Hakimi posted on X, external.

“This is as unjust to the innocent as it is to the genuine victims. I calmly await this trial, which will allow the truth to come out publicly.”

No date has been set for the trial.

Hakimi’s lawyer confirmed in a statement that a “trial has been ordered” and that “it is with determination and resolve that we await this trial so that justice may be served”.

BBC Sport has contacted the Nanterre prosecutor’s office for comment.

Paris St-Germain host Monaco in the second leg of their Champions League knockout round play-off tie on Wednesday.

Hakimi was named in PSG’s initial squad, published last Tuesday.

The 27-year-old was born in Spain but represents Morocco and has made 194 appearances for Paris St-Germain, winning the Champions League and Ligue 1 titles last season.

His performances led to him being honoured at the Best Fifa Football Awards ceremony held in Paris on Monday, where he was named in the Fifpro men’s world team of the year.

Morocco will face Scotland, Haiti and Brazil at the World Cup in the USA, Mexico and Canada this summer.

Appearing in a London court, Brand denies accusations of raping one woman ​and sexually assaulting another in 2009.

British comedian and actor Russell Brand ⁠has pleaded not guilty to two further charges of rape and sexual assault nearly ⁠two decades ago.

Brand appeared at Southwark Crown ⁠Court in London on Tuesday and denied accusations of raping one woman and sexually assaulting a second woman in 2009.

Once one of the United Kingdom’s most high-profile broadcasters, he was charged last year with two counts of rape, one count of indecent assault and two ‌counts of sexual assault against four women between 1999 and 2005.

Brand pleaded not guilty in May last year to those five charges and is due to stand trial in June. A hearing will be held next month to decide whether the new allegations should be joined to that case, with Brand’s lawyer ⁠saying his client needs more time to address ⁠the latest offences.

“These new charges are in relation to two further women and are in addition to the charges issued to Brand in April 2025, which involved four women,” London’s Metropolitan Police said in a statement in December.

Brand, 50, arrived at court wearing a white cowboy hat and sunglasses. Asked how he was feeling, the actor, who said in 2024 he had become ⁠a Christian, told reporters he was feeling “blessed”.

Born in 1975 to working-class parents in Essex, east of London, Brand began his stand-up career as a teenager, eventually working as an MTV presenter and host of a reality TV series.

A regular on British screens in the ⁠2000s, he was known for his flamboyant ⁠style and appearance. He also worked as a radio presenter for the BBC.

Brand starred in several films, including Get Him to the Greek in 2010, the ‌same year he married American pop star Katy Perry. They divorced in 2012 after 14 months of marriage.

By the early 2020s, Brand had faded from ‌mainstream ‌culture and has since largely appeared online, airing his views on US politics and free speech.

The following article contains spoilers for Episode 7, “1:00 P.M.,” of “The Pitt” Season 2.

The education begins almost immediately. A young woman who has just experienced a sexual assault is in triage, and “The Pitt’s” Dr. Robby (Noah Wyle) enlists Dr. Al-Hashimi (Sepideh Moafi) to assist charge nurse Dana Evans (Katherine LaNasa) with the patient.

“We can call for a SANE,” another nurse suggests when Dana says she’ll be occupied.

“On a holiday? Could be hours,” responds Dana, a veteran who knows better, as the Fourth of July shift enters afternoon hours. “We’re not going to make this patient wait. And since I’m the only SANE on staff …”

A what? The quick reference sets in motion what “The Pitt” aims to shed light on: a sexual assault forensic exam, also known as a rape kit exam. The episode delves into the confidential medical procedure to collect DNA and evidence and gives one of the most detailed depictions of the process for television.

But before cameras venture into the room with the patient, Dana gives recent nursing school graduate Emma (Laëtitia Hollard) — and the audience — an overview. A SANE is a sexual assault nurse; they perform forensic exams, collect evidence and hand it over to the police, if a report is made. They also provide resources, support and may even testify in court.

The storyline serves a dual purpose, according to Kirsten Pierre-Geyfman, who co-wrote the episode with the show’s creator, R. Scott Gemmill. “We wanted to highlight the very important and incredible work of a SANE, especially in the department setting,” she says. “And we also wanted to see the bravery it takes for a survivor to come forward, let alone do a rape kit … It’s not an easy decision for somebody to make, and it’s not an easy process for somebody to go through.”

To help construct a realistic and sensitive portrayal of the exam process, “The Pitt’s” writing team and actors worked with a number of consultants, including the UCLA Health Rape Treatment Center and Pittsburgh Action Against Rape (PAAR).

“I wanted people to understand the extent of the exam, I think that’s a misconception among a lot of people,” said Dr. Kathleen Sekula, a SANE at Duquesne University in Pittsburgh who also consulted the show’s team.

Ilana (Tina Ivlev) arrives at the ER in Episode 7 of “The Pitt.”

(HBO)

The case in Episode 7, “1:00 P.M.,” involves a visibly shaken young woman, Ilana, played by Tina Ivlev. The writing team knew they wanted to detail the process, not the trauma, Pierre-Geyfman said, so the information about what Ilana experienced is minimal: She was at a barbecue with friends when she was assaulted by a male friend.

“The thing that struck me was the fact the other shows might focus on what happened and then dive into that,” Ivlev said. “What I loved about this, the minute she starts talking about it, they cut [away]. There’s so much underneath it. I wanted it to be similar to real life when you have a traumatic situation happen — sometimes you can be hyperfocused on certain details, then other things are cloudy. Her head is spinning. She’s in shock.”

As with many of “The Pitt’s” cases, the story serves to bolster the emotional arc of the show’s healthcare providers, in this case Dana, who assists with the exam from start to finish as the department’s certified SANE nurse. Last season, she was brutally punched in the face by a disgruntled patient while taking a smoke break. That violent attack left her rattled and contemplating an exit from the job, but after taking a few weeks off, she ultimately returned to work — though the assault’s lingering impact has sharpened her edges.

“With Dana’s arc and her own assault last season, she’s definitely calcified a little this season,” Pierre-Geyfman said. “She’s trying to create a little bit of distance between her and her patients, and is really trying to prioritize her nurse’s safety. You see her struggle a little bit with that with this patient. She’s wanting to do more for her.”

On screen, the assessment begins with Dr. Al-Hashimi checking to see if Ilana has any injuries that need immediate attention and getting an intake of prescription medications and any known allergies to medications. Securing two triage rooms to complete the exam as a way to ensure privacy in the busy emergency department, Dana, with help from Emma, begins the evidence collection while carefully outlining the process to Ilana. For starters, once Dana opens the kit, Ilana cannot leave the room but is free to take a break as needed.

To avoid contamination, Dana puts on a face shield and opens the kit, which is a rectangle-shaped box that contains items like paper bags to store evidence and swabs for collecting biological samples. The first step requires Ilana to change into a robe, undressing on top of pads placed on the floor so each item of clothing can be packaged into separate bags and collected as evidence. She’ll be given new clothes, Dana assures her. Dana raises a large piece of cloth to give Ilana privacy as she completes the process.

Eventually Dr. Al-Hashimi returns to examine Ilana, checking for any pain on her body or need for X-rays or imaging — she notes two areas of bruising to be documented by Dana with photos. Dana seals the camera’s memory card in an evidence envelope. Next, with the lights off, Dana runs a black light over Ilana’s body. Dana relays that if there’s a part of Ilana’s skin that glows, she’ll swab it with a wet, then dry, cotton swab. Dana next swabs Ilana’s mouth — the inside of her cheek and along the gum line — and her finger nails. At various points, Dana is careful to assess Ilana’s comfort with each step and uses statements like “This will not define you,” while Ilana shows signs of stress about the length of the process.

Emma (Laëtitia Hollard) assists Dana (Katherine LaNasa), who leads the exam as the SANE (sexual assault nurse) on duty.

(HBO)

At one juncture, an advocate from Pittsburgh Action Against Rape, otherwise known as PAAR, arrives to further detail the resources and assistance they can offer, a service that’s available regardless of whether a patient decides not to complete the rape kit exam. Throughout the process, Ilana is assured that she can complete the exam even if she’s vacillating on whether to file a police report — that decision can be made at a later time and none of it goes on her permanent medical record. But when the exam pivots to external and internal vaginal collection, Ilana panics once she’s instructed to place her feet in stirrups to get into position. Dana suggests a break.

“I don’t want a break, I want to stop,” Ilana proclaims. “He’s my friend. He knows all my friends. It was just a dumb — he was drunk. He didn’t mean — it didn’t mean anything.”

It brings a pause to the process, which will carry over into Episode 8. In trying to show the scope of the exam, the medical drama takes liberties in its completion time. Sekula said it’s rare for an exam to be completed in under three to four hours.

Not all nurses are certified to be a SANE, and certification requirements vary by state, according to Sekula. It’s a role that requires extreme attention to detail and thoroughness, as their work bridges the healthcare and legal systems. While preparing for the episode, Hollard said she marveled at the precise protocols involved and the support that’s provided.

“On a technical level, it’s so meticulous,” Hollard said. “There’s so many parts, so many envelopes. You have to take these swabs and they can’t touch each other. And the legality of it all — the way this kit is happening is how they would do it with PAAR in Pittsburgh, but that’s not the same way they do it in California, or [the way] they do it in different states.”

While “The Pitt” is frequently recognized for its hyperrealistic medical procedures, the episode’s director, Uta Briesewitz, knew she wanted to film the exam in a way that mirrored the sensitivity healthcare professionals strive to exhibit, with shots that weren’t invasive or fixated on Ilana’s body. For example, when Ilana is undressing, the camera is fixed on Dana being mindful to give her privacy even in their close proximity — an out of focus glimpse of Ilana’s bare backside comes only when getting a reaction of Emma taking in the weight of the moment. Later, when the blue light is being run down Ilana’s body, her hospital gown is carefully place to avoid exposure. In addition to a SANE consultant being on set to assist with queries about the process, there was also an intimacy coordinator to help with the comfort level of filming the scenes.

“On a technical level, it’s so meticulous,” said Laëtitia Hollard of the process. “There’s so many parts, so many envelopes. You have to take these swabs and they can’t touch each other.”

(HBO)

“It was a very sensitive line because women can get re-traumatized,” Briesewitz said. “I remember one of our more detailed conversations with our SANE nurse was about when Dana had to look with the black light for bodily fluid. How do we make sure she would not miss anything but, at the same time, give the victim the feeling that they’re still protected? It was super helpful to have our SANE advisor on set to say the way she would do it. ‘One arm comes out of the sleeve, then I hold up her gown this way, and I would do it like that …’”

LaNasa found her time at the UCLA Health Rape Treatment Center crucial to chart both her character’s ease in the room and her sensitivity to the task at hand: “I went back a second time because I knew I was going to have to use the kit … I wanted it to look like I had used the kit many times and I knew what I was doing.”

Reflecting on the case as a mirror to her character’s journey, LaNasa pointed out that Dana never pressed charges against Doug Driscoll, the man who assaulted her.

“It’s different in this situation,” LaNasa acknowledged. “I thought it was great information that we got out of this, which is that you can go and do a rape kit, you can have the evidence collected, and you don’t have to decide on that day when you’re traumatized if you want to press charges or not. I think that part of Dana’s hypervigilance is probably because there was no justice for her. I think why she’s cracked this season is because she didn’t take care of herself. She’s reeling from that. She let him beat her up. At the same time, she doesn’t want Tina’s character to feel any pressure, but I think she wants it for her. She wants her to have the ability to change her mind later.”

“We’re going to hear Dana, later in the season, refer back to this process that these people have to go through, in defense of a sexual assault victim,” LaNasa teased. “It’s big on her mind. She’s been doing it quite a while.”

Brigham Young receiver Parker Kingston has been charged with first-degree felony rape by prosecutors in Utah.

The Washington County Attorney’s Office announced the charges on Wednesday, almost a year after a 20-year-old woman told officers at St. George Regional Hospital that Kingston had sexually assaulted her on Feb. 23, 2025.

The St. George Police Department gathered digital and forensic evidence and interviewed the involved parties and other witnesses before turning the information over to the Washington County Attorney’s Office for review.

Kingston, 21, is being held without bail and is scheduled to appear in Utah’s Fifth Judicial District Court on Friday afternoon.

Kingston has been with the Cougars for four years and has one season of college eligibility remaining. In a breakout 2025 season, he had 67 receptions for 928 yards and five touchdowns with 119 yards and three touchdowns rushing. Over the past two seasons, Kingston has also returned three punts for touchdowns.

“BYU became aware today of the arrest of Parker Kingston,” the school said Wednesday in a statement. “The university takes any allegation very seriously, and will cooperate with law enforcement. Due to federal and university privacy laws and practices for students, the university will not be able to provide additional comment.”

Last year, then-BYU quarterback Jake Retzlaff was accused in a civil lawsuit of raping a woman in November 2023. Retzlaff contended that the sex was consensual, and the parties agreed to dismiss the case with prejudice in June. Facing suspension for violating a BYU honor code that requires students to abstain from premarital sex, Retzlaff transferred to Tulane.