Prize

In a squeaker race for Cannes’ top prize, Romanian director Cristian Mungiu prevailed on Saturday, taking the Palme d’Or for his tense community drama “Fjord.”

The movie, a widely admired conversation-starter at the festival, stars Sebastian Stan and Renate Reinsve as religious parents who come into conflict with the child protection services of their tiny Norwegian town where they have relocated with their family.

Mungiu, a previous winner of the Palme for his controversial 2007 abortion drama “4 Months, 3 Weeks and 2 Days,” now joins an exclusive group of 10 filmmakers who have won the Palme twice — an achievement shared by Francis Ford Coppola (1974’s “The Conversation” and 1979’s “Apocalypse Now”) and Ruben Östlund (2017’s “The Square” and 2022’s “Triangle of Sadness”), among others. No one has ever won a third Palme d’Or.

Another record, maybe even more impressive, was set by distributor Neon, which, with “Fjord,” extends its streak of Palme wins to an unprecedented seven in a row. Those previous six Neon winners, many of which eventually claimed Oscars, are “Parasite,” “Titane,” “Triangle of Sadness,” “Anatomy of a Fall,” “Anora” and last year’s “It Was Just an Accident.”

Neon will release “Fjord” in the fall, with an extensive awards campaign to follow.

This year’s nine-member main competition jury, led by Korean director Park Chan-wook and studded with notables including “The Substance” star Demi Moore, Stellan Skarsgård and “Hamnet” director Chloé Zhao, seemed intent on spreading the wealth among as many winners as possible. There were three ties at Saturday’s awards ceremony.

The award for actress was shared by Virginie Efira and Tao Okamoto, co-stars of Ryusuke Hamaguchi’s “All of a Sudden,” a movie pegged by many to potentially go all the way. Similarly, the prize for actor was bestowed on both Emmanuel Macchia and Valentin Campagne, co-stars of Lukas Dhont’s World War I romantic drama “Coward.”

The prize for directing went to three people — and two movies — with a joint win for Javier Calvo and Javier Ambrossi (better known as Los Javis) for their century-spanning queer historical drama “The Black Ball,” as well as to director Paweł Pawlikowski for his exquisite post-World War II psychodrama “Fatherland.” (Pawlikowski half-joked at the podium, “This was a disastrous piece of mise-en-scène” after the awkward award presentation had him waiting in the wings.)

Claiming this year’s Grand Prize (essentially second place) was “Minotaur,” the rapturously received comeback film of Andrey Zvyagintsev, a Russian director who had been sidelined with a near-fatal bout of long COVID that put him in a coma. His new movie, about a wealthy Moscow family, is both an erotic thriller and an indictment of amoral oligarchy detached from the war with Ukraine.

The festival’s third-place Jury Prize went to the borderland German drama “The Dreamed Adventure,” directed by Valeska Grisebach.

Who Wants To Be A Millionaire? player who scooped £500,000 explains how it will make a huge difference to their lives after tough times

Andrew Fanko missed out on the chance to take the jackpot on Who Wants To Be A Millionaire? – but insisted his £500,000 prize had still saved his family financially.

The 44-year-old and his wife Frankie, who live in Market Harborough in Leicestershire with their six-year-old daughter, both work as translators. Andrew admitted work has been thin on the ground recently, as AI was putting them out of business, putting him under further pressure on him to do well on the show.

He made it to the million pound question but decided against answering it as he couldn’t be certain – and if he had gone with the ITV audience he would have been WRONG. It still meant he walked away with half a million pounds and played one of the best games in the show’s history.

Asked how the money will change his life, Andrew said: “It’s come at a really, really lovely time. First because our work has been kind of thrown under the bus a bit in the last few years because of AI. We are both translators and the freelance translation market has pretty much died to death in the last five to 10 years so although I’m lucky enough to have an in-house position at the moment, I don’t know how long that’s going to last, and Frankie’s work has dried up quite a lot so this will really make a huge difference to us.

“If either of us want to retrain or anything like that, it gives us the chance to be able to do that and I don’t think early retirement is a possibility, but it certainly makes our lives a lot easier.

“We genuinely were getting pretty concerned about the work situation. It was getting pretty stressful. Knowing that it is gonna come in fairly soon has been absolutely massive for us. It’s made a huge difference. We both feel a lot lighter, a lot more positive.”

Andrew sailed through the ITV show until hesitating on Question 12 for £125,000 about which cell type does not have a nucleus. He phoned his friend Jonathan who was 60 percent sure it is bacteria, and after using his 50-50 went with this correct answer.

He stumbled again on a question 14 for £500,000 about which character is killed in Murder on the Orient Express. He tried to get help from host Jeremy Clarkson but when that failed, correctly guessed Sam Ratchett.

His final question for £1 million was to name which one out of the four people named was an EGOT winner, meaning having scooped four different arts prizes including an Emmy and an Oscar.

He didn’t know the answer and asked the audience but the majority of them thought it was Bette Midler. After taking the £500,000 and not answering, Andrew was told the correct answer was Andrew Loyd Webber.

Reflecting on missing out on the big prize, Andrew said: “I’m fine with it. Honestly. The only way I wouldn’t have been fine with just missing out is if I had known the answer to the million pound question and not gone for it, but I just didn’t know it. So it is the best of all worlds really because I’ve been able to win a really life changing sum of money, genuinely life changing, and I know I couldn’t have done any better. So yeah, I have no regrets at all.

“The main pressure I felt was on the half a million pound question. So the Agatha Christie question, Frankie(wife) is a massive Agatha Christie fan. So I was like I could feel the eyes kind of burning into the back of my head. I knew that she would know it in a heartbeat. But I had to think about it, quite a lot before I was confident enough to go for it.”

Andrew and his wife are both big quiz fans and he has previously been on MasterMind, 15-1, Only Connect, and Brain of Britain. The couple also won on Eggheads with two friends, taking a £33,000 prize between them.

His big win has not put him off having a go at other TV quizzes.

He revealed: “I probably will do stuff in the future. Just because I absolutely love it. It might be harder to get on now, I guess, but you know… Mastermind. I got to the semi final four years ago and I still have ambitions to do well on Mastermind.. perhaps not immediately because I do want to take a little break from it, but yeah, I think Mastermind in the future is the one that I want another crack at. So the last time I did Britain at the Winter Olympics and African World Heritage sites.. so quite a range. I’d maybe do something like the TV show Spooks or perhaps something to do with Liverpool Football Club, although that’s been done loads of times. Something else sporty, I think.”

Now the episode has aired his long wait for the money is now almost over, having filmed the show last year, and once paid he will take his daughter Jemima to Disneyland and to buy his wife a new car.

He speaks French, Italian and Spanish but the first holiday they take will actually be a cruise to the Norwegian fjords with extended family.

Andrew said: “I wasn’t really nervous in the chair itself. I enjoyed it. I love answering quiz questions and it is what I spend most of my time doing. But the actual win with the lights and Jeremy and the audience and everything.. you do sort of lose a bit of perspective of where you are.

“I would say, the biggest tip I’ve got is probably to practise the fastest figure first – because that’s the key. I think once you get in the chair, that’s the great thing about Millionaire and the format is that once you get in the chair, anyone can win a huge amount of money because I don’t think they ever ask you sort of really, really genuinely very hard questions.

“It’s just such a wide range of things that that’s what makes it hard to progress quite a long way, but they can just fall for you. “But I would definitely practise faster than the first at home before you go and also while you’re practising in ‘the millionaire’s row’ where you sit before you go on, you get a chance to sort of get your fingers ready and practise on.”

Last month viewers saw Roman Dubowski win £1million in the opening episode of the series. He told the Mirror he celebrated with a cup of tea after he correctly answered that a Bass Ale logo appeared in the novel ‘Ulysses’ and paintings by Picasso and Manet.

There have been a total of seven winners of the £1million in the UK since the show began in 1998. Clarkson replaced Chris Tarrant as the host when the show returned in 2018 after a four year break.

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Poland’s Swiatek said she would prefer continued discussions and negotiations with the majors instead of a boycott.

“I think the most important thing is to have proper communication and discussions with the governing bodies so we have some space to talk and maybe negotiate,” the Wimbledon champion said.

“Hopefully before Roland Garros there’s going to be opportunity to have these type of meetings and we’ll see how they go.

“But boycotting the tournament, it’s a bit extreme kind of situation.

“I guess we as players are here to play as individuals, and we’re competing against each other.

“So it’s really hard for me to say how it would work, if it’s even there on the picture. For now, I haven’t heard anything.”

But French Open champion Gauff thinks strike action would be a genuine possibility if the players come together as one.

“If we all collectively agree, then yes,” the American said.

“I wouldn’t want to be the only one, but we definitely can move more as a collective.

“From the things I’ve seen with other sports, usually to make massive progress and things like this, it takes a union. We have to become unionised in some way.”

World number two Elena Rybakina says she has not been involved in the campaign, but would go with the majority.

“If the majority say we are boycotting, then of course I’m up for it. It’s not an issue,” the Australian Open champion said.

World number five Jessica Pegula has been an articulate advocate of the players’ campaign, but virtually ruled out strike action during a BBC Sport interview in Indian Wells in March.

“We love playing the Slams – I don’t think anyone’s going to strike against the Slams,” the American said.

“I just think it’s us asking for what we think we deserve, but I do think that if the men and the women can come together – which we have on that front – and keep pushing, there’s nothing wrong with us just asking for what we think is right.”

As artificial intelligence becomes more embedded in film production, the Academy of Motion Picture Arts and Sciences is drawing a clearer line around it.

In new rules announced Friday for next year’s 99th Academy Awards, the academy said screenplays must be “human-authored” to be eligible for awards consideration, and that only performances “demonstrably performed by humans with their consent” will qualify for acting prizes. The group also reserved the right to request additional information about how AI tools were used in a film and the extent of human involvement.

The academy’s Board of Governors reviews its rules annually.This year’s revisions arrive as the industry continues to grapple with how AI tools are reshaping the creative process — and how institutions like the Oscars should reward that work, if at all.

The new changes build on guidance introduced a year ago, when the academy said that the use of AI would “neither help nor harm” a film’s chances of receiving a nomination, while emphasizing that voters should consider “the degree to which a human was at the heart of the creative authorship.” At the time, the organization stopped short of requiring formal disclosure of AI use, even as the technology became a flash point across Hollywood.

Taken together, the updated language suggests an effort to more clearly define the boundaries of authorship at a moment when tools such as voice cloning, digital doubles and AI-assisted writing are becoming more common in film production. The emergence of synthetic performers such as Tilly Norwood reflects how quickly those questions have moved from theoretical to practical.

In announcing the new rules, the academy framed the changes as part of an effort to reflect the current state of filmmaking, while maintaining what it called a “commitment to honoring human authorship and artistry.”

Beyond the AI provisions, academy leaders approved several structural changes across different categories.

In acting, performers may now receive multiple nominations in the same category if their performances rank among the top vote-getters, aligning the category with other branches.

The international feature film category also saw a notable shift. In addition to the traditional submission process through individual countries, non-English-language films can now qualify by winning top prizes at select major festivals, including Cannes, Berlin and Sundance. The award will be credited to the film itself, with the director accepting on behalf of the creative team, rather than to a submitting country or region.

Other changes — including updates to voting procedures in categories such as cinematography, visual effects and makeup and hairstyling — were largely technical in nature.

The new rules will take effect with next year’s Oscars, scheduled for March 14, 2027.

The AIG Women’s Open has increased its prize fund for a sixth successive year despite not being a profitable tournament to stage.

This year’s championship, which is being held from 30 July – 2 August at Royal Lytham & St Annes on the Lancashire coast, will have a record purse of $10m (£7.4m).

It is not the only one of the five annual women’s majors taking advantage of sponsorship deals to offer increasing prize money. The US Women’s Open – which last year had the largest prize fund in the women’s game at $12m – has the backing of Ally Financial.

“At the moment it’s not profitable,” said R&A chief executive Mark Darbon.

“We treat it as an investment into the game, but an absolutely critical investment.

“Our focus actually is around audience growth. We think if we’re going to be true to that notion of inspiring millions of people around the world, we need to grow the audience for this championship and the women’s game more broadly.”

Around 50,000 spectators are expected to attend across the week of what will be the 50th Women’s Open, while Darbon pointed to increased television coverage as a way of boosting the game’s profile.

The $10m prize fund lags behind the $17m shared out between the players at last year’s Open Championship and while Darbon would like to see that levelled in the future, he said the R&A had to “think sustainably”.

“There is a commercial reality. We’re investing collectively, AIG and the R&A, significant sums into the championship, and we want to do that in a responsible way.

“So we’re not in a position to have equal prize funds at the moment, but we will look to continue to elevate our prize fund over time.

“We want to reward the stars of our sport. We have to do that in a sustainable fashion.”

Darbon said it would be possible to make the championship profitable by cutting back on the spend but that was not on his agenda.

“If profitability was our number one ambition for this event, there are a number of things we could do to put us on a path to achieving that result.

“At the moment, profitability is not a principal target for us. We want to deliver brilliant venues and a wonderful experience for the players.

“We want to have a meaningful and growing prize pot, and we want to deliver a spectator experience both live and through broadcast and digital channels that inspires and excites people.”

Darbon also announced that the 2028 Women’s Open would be held at Sunningdale’s Old Course in Surrey.

Unlike the men’s Open Championship, the women’s visits inland courses as well as links courses on the coast.

“The Open and Women’s Open have their own discrete identities,” he said.

“We don’t treat them as one, and therefore we don’t treat the venue selection process as one either.

“We are very focused on taking this event to what we regard as some of the world’s very best courses.”

The Neighbourhood is an ever-revolving door as another household will be moving into “KeepYourEnemies” Close.

The Neighbourhood’s latest residents have opened up on the real reason they want to win the massive cash prize.

Situated in the stunning Peak District, Graham Norton’s family-friendly reality game show returned tonight, Sunday, April 26, where another household was brutally kicked off.

But their home won’t be empty for long as three sisters from Bradford, known as The Khans, are moving in, describing themselves as “competitive and tactical”.

Community engagement worker Maryam, 24, is the eldest of the three, followed by Oxford University student Iman, 21, and 19-year-old Tara who is an aesthetics practitioner.

Despite their “feisty” personalities, they shared with ITV why they wanted to star on The Neighbourhood and for them, it’s all about providing for their loved ones.

Iman explained: “We’d want to help out our family. Like we said, we’re from a single-parent household and my mum as of now is a carer for our nan.

“I think even for my mum to have a bit of money to do whatever she would want to do with it.

“She has always spent her time, her energy and her own money on us and my nan.

“If she wants to splash it on a holiday or get a new house, buy a car – genuinely just invest it in her.”

Tara then went on to elaborate that they would want a “more accessible house”.

She continued: “We currently live in a four-storey house, so it’s a bit tricky getting about if you’ve got mobility issues.

“If we win the £250,000 then we’ll definitely use it on a more accessible house.”

The Neighbourhood fans are going to have to wait a little while longer before they get to see how the Khans fare in the show though.

While the ITV series has been airing consecutively over the past few nights, The Neighbourhood will be taking a break, returning on Thursday, April 30.

The Neighbourhood is available to watch on ITV and ITVX.

First all-women cohort of winners hails from Colombia, Nigeria, Papua New Guinea, South Korea, the UK and the US.

This year’s prestigious Goldman Environmental Prize has been awarded to six grassroots environmental activists from around the world for their efforts to fight climate change and save biodiversity.

For the first time since the prize was created in 1989 by philanthropists Richard and Rhoda Goldman, all recipients of the award are women: Iroro Tanshi, from Nigeria; Borim Kim, from South Korea; Sarah Finch, from the United Kingdom; Theonila Roka Matbob, from Papua New Guinea; Alannah Acaq Hurley, from the United States; and Yuvelis Morales Blanco, from Colombia.

Sometimes described as the “Green Nobel”, the Goldman Prize recipients are chosen from each of the world’s six primary regions. They each receive $200,000 in prize money.

“While we continue to fight uphill to protect the environment and implement lifesaving climate policies – in the US and globally – it is clear that true leaders can be found all around us,” said John Goldman, vice president of the Goldman Environmental Foundation.

“The 2026 Prize winners are proof positive that courage, hard work, and hope go a long way toward creating meaningful progress.”

Morales Blanco, the winner for the region of South and Central America, fought some of the world’s biggest oil companies to successfully stop the introduction of commercial fracking into Colombia.

The 24-year-old grew up in a family of fishermen along the banks of the Magdalena River in the Afro-Colombian community of Puerto Wilches. “We had nothing but the river – she was like a mother who took care of me,” she said.

She began organising protests after a major oil spill in 2018, which forced the relocation of dozens of local families and killed thousands of animals. Her activism, which made her a target for intimidation and forced her to temporarily relocate, helped halt projects and elevate fracking as an issue in Colombia’s 2022 election.

Two of the other five recipients of this year’s prize have also focused their efforts on fighting fossil fuels, which are causing both global climate change and more localised pollution around the world.

Borim, the winner for Asia who started the Youth 4 Climate Action organisation, won a ruling from South Korea’s Constitutional Court that the government’s climate policy violated the constitutional rights of future generations, the first successful youth-led climate litigation in the continent.

Finch, Europe’s winner, told The Times newspaper she will use her prize money to keep fighting fossil fuels.

Together with the Weald Action Group, she fought oil drilling in southeastern England for more than a decade, securing the “Finch ruling” from the Supreme Court in June 2024, stating that authorities must consider fossil fuels’ impacts on the global climate before granting permission to extract them.

Two other recipients have fought against the destructive environmental impact of mining projects.

Papua New Guinea’s Roka Matbob, winner for Islands and Island Nations, led a successful campaign that saw the world’s second-largest mining company, Rio Tinto, agree to address environmental and social devastation caused by its Panguna copper mine, 35 years after it was closed following an uprising.

And the award recipient for North America, Acaq Hurley, from the Yup’ik nation in the US, successfully fought alongside 15 tribal nations to stop a mega- copper and gold mining project that threatened ecosystems in Alaska’s Bristol Bay region, including the largest wild salmon runs in the world.

Meanwhile, Nigeria’s Tanshi, Africa’s winner, rediscovered the endangered short-tailed roundleaf bat and has been working to save its refuge, the Afi Mountain Wildlife Sanctuary, from human-induced wildfires.

Some of our finest contemporary writers got their laurels Friday night at the 46th Los Angeles Times Book Prizes ceremony at USC’s Bovard Auditorium.

At the awards ceremony, which opens the annual L.A. Times Festival of Books weekend, Oakland-born writer Amy Tan and literary nonprofit We Need Diverse Books received achievement honors, and finalists in 13 other categories became prize winners.

The presenters and awardees who took the stage balanced a spirit of playfulness — Times senior editor Sophia Kercher called the weekend’s festival “my personal Coachella” and Times columnist LZ Granderson saluted his fellow “booktroverts” — and one of reverence as they celebrated writing as an instrument for advocacy, imagination and history-keeping.

As Bench Ansfield virtually accepted his award in the history category for “Born in Flames: The Business of Arson and the Remaking of the American City,” which exposes a pattern of landlords setting residential fires to collect insurance payouts, he said, “It’s a scary time to be a historian in the United States.”

“Our field, like so many other fields, is under attack,” Ansfield said. “To understand the crises in front of us, we have to understand our history.”

Among the crises highlighted was AI encroachment, the subject of science and technology category winner Karen Hao’s “Empire of AI: Dreams and Nightmares in Sam Altman’s OpenAI.” The AI expert and investigative journalist’s book is a critical investigation into the rise of OpenAI and its impact on society.

In Hao’s acceptance speech, read by presenter Jia-Rui Cook in her absence, the author said she “can’t help but be disturbed by how the themes of this book have grown more relevant by the day.”

“That said, I have never been more hopeful of our chance to advance a different future,” the author said, adding that L.A.’s history of resistance movements — including the recent Hollywood strikes — made it an apt place to accept her award.

“Gatherings like this are one of many radical acts of resistance against the imperial project that seeks to strip us of our meaning and our humanity,” Hao said. “Let us continue to resist defiantly together and let us remember lessons in history: When people rise, empires always fall.”

Tan echoed Hao’s sentiments as she accepted the Robert Kirsch Award, which celebrates literature with regional and thematic connections to the Western United States, for her acclaimed portfolio of writing exploring identity and cultural inheritance — often through the lens of the immigrant experience.

In her speech, “The Joy Luck Club” writer said that while she never particularly considered herself a “political writer,” her stance on that has changed as government actions have made her think critically about her own identities.

“My birthright and that of millions of others is now being argued before the Supreme Court, and no matter what the outcome is, it’s been a kick in the gut to know that those in the highest echelons of government and those who support them believe that we don’t belong.”

As an author, Tan said, “I imagine the lives of the people I write about,” and that act of compassion, for writers, inherently “reflects our politics and our beliefs. And so yes, I am a political writer.”

Later, Caroline Richmond, executive director of We Need Diverse Books, celebrated the work of her nonprofit — the recipient of this year’s Innovator’s Award — which has made it so her daughter “has never really had to look that far to find herself on the page.”

Still, she said ongoing book bans are threatening those strides toward a more diverse literary marketplace.

“The work is very much far from over,” Richmond said, “but I have to remind myself that the people banning books are never the good guys in history, and it’s up to us in this room and beyond — as readers, as book lovers — to fight back because diverse books, we really need them now more than ever.”

As the ceremony wore on, the room was as charged with celebration as it was with resistance.

When writer-editor and former child actor Adam Ross accepted the Christopher Isherwood Prize for “Playworld,” a semi-autobiographical novel about a teen growing up in 1980s New York, he gleamed with joy about his second novel being out in the world and finding readers.

“When it became clear to me that I was writing something that was going to be a lot bigger and take a lot longer than I planned, I promised myself I would use all of my ability to capture my experience of a particular era in an enduringly magical city, and to hopefully express it in such a way that any reader willing to embark on a journey with me, but upon finishing close the book and say, ‘Yes, I know exactly what that was like,’” Ross said in his acceptance speech.

“Winning this award makes me feel like I succeeded in that endeavor,” the author said.

Other winners included Ekow Eshun, who topped the biography category for “The Strangers: Five Extraordinary Black Men and the Worlds That Made Them,” which parses Black masculinity as embodied by various civil rights activists, philosophers and other visionaries, and Bryan Washington, who accepted the fiction award for “Palaver,” which details the tense reunion of a Jamaican-born mother and her queer son, who are navigating years of estrangement in Tokyo.

The 31st annual L.A. Times Festival of Books will host 500-plus authors and celebrities and 300-plus exhibitors across more than 200 events including panels, book signings and cooking demonstrations. Top-billed guests include musician-memoirist Lionel Richie, veteran actor and recent Golden Globe Carol Burnett Award honoree Sarah Jessica Parker, and the mastermind behind “Curb Your Enthusiasm,” Larry David.

The schedule for the Saturday-Sunday event can be found here.

Here’s the full list of finalists and winners for the Book Prizes.

Robert Kirsch Award

Amy Tan

Innovator’s Award

We Need Diverse Books

The Christopher Isherwood Prize for Autobiographical Prose

Adam Ross, “Playworld: A Novel”

The Art Seidenbaum Award for First Fiction

Andy Anderegg, “Plum”

Krystelle Bamford, “Idle Grounds: A Novel”

Addie E. Citchens, “Dominion: A Novel”

Justin Haynes, “Ibis: A Novel” | WINNER

Saou Ichikawa translated by Polly Barton, “Hunchback: A Novel”

Achievement in Audiobook Production, presented by Audible

Molly Jong-Fast (narrator), Matie Argiropoulos (producer); “How to Lose Your Mother”

Jason Mott, Ronald Peet, and JD Jackson (narrators), Diane McKiernan (producer); “People Like Us: A Novel”

James Aaron Oh (narrator), Linda Korn (producer); “The Emperor of Gladness: A Novel”

Imani Perry (narrator), Suzanne Mitchell (producer); “Black in Blues”

Maggi-Meg Reed, Jane Oppenheimer, Carly Robins, Jeff Ebner, David Pittu, Chris Andrew Ciulla, Mark Bramhall, Petrea Burchard, Robert Petkoff, Kimberly Farr, Cerris Morgan-Moyer, Peter Ganim, Jade Wheeler, Steve West, and Jim Seybert (narrators), Kelly Gildea (producer); “The Correspondent: A Novel” | WINNER

Biography

Joe Dunthorne, “Children of Radium: A Buried Inheritance”

Ekow Eshun, “The Strangers: Five Extraordinary Black Men and the Worlds That Made Them” | WINNER

Ruth Franklin, “The Many Lives of Anne Frank”

Beth Macy, “Paper Girl: A Memoir of Home and Family in a Fractured America”

Amanda Vaill, “Pride and Pleasure: The Schuyler Sisters in an Age of Revolution”

Current Interest

Jeanne Carstensen, “A Greek Tragedy: One Day, a Deadly Shipwreck, and the Human Cost of the Refugee Crisis”

Stefan Fatsis, “Unabridged: The Thrill of (and Threat to) the Modern Dictionary”

Brian Goldstone, “There Is No Place for Us: Working and Homeless in America” | WINNER

Gardiner Harris, “No More Tears: The Dark Secrets of Johnson & Johnson”

Jordan Thomas, “When It All Burns: Fighting Fire in a Transformed World”

Fiction

Tod Goldberg, “Only Way Out: A Novel”

Stephen Graham Jones, “The Buffalo Hunter Hunter”

Mia McKenzie, “These Heathens: A Novel”

Andrés Felipe Solano translated by Will Vanderhyden, “Gloria: A Novel”

Bryan Washington, “Palaver: A Novel” | WINNER

Graphic Novel/Comics

Eagle Valiant Brosi, “Black Cohosh”

Jaime Hernandez, “Life Drawing: A Love and Rockets Collection” | WINNER

Michael D. Kennedy, “Milk White Steed”

Lee Lai, “Cannon”

Carol Tyler, “The Ephemerata: Shaping the Exquisite Nature of Grief”

History

Char Adams, “Black-Owned: The Revolutionary Life of the Black Bookstore”

Bench Ansfield, “Born in Flames: The Business of Arson and the Remaking of the American City” | WINNER

Jennifer Clapp, “Titans of Industrial Agriculture: How a Few Giant Corporations Came to Dominate the Farm Sector and Why It Matters”

Eli Erlick, “Before Gender: Lost Stories from Trans History, 1850-1950”

Aaron G. Fountain Jr., “High School Students Unite!: Teen Activism, Education Reform, and FBI Surveillance in Postwar America”

Mystery/Thriller

Megan Abbott, “El Dorado Drive” | WINNER

Ace Atkins, “Everybody Wants to Rule the World: A Novel”

Lou Berney, “Crooks: A Novel About Crime and Family”

Michael Connelly, “The Proving Ground: A Lincoln Lawyer Novel”

S.A. Cosby, “King of Ashes: A Novel”

Poetry

Gabrielle Calvocoressi, “The New Economy”

Chet’la Sebree, “Blue Opening: Poems”

Richard Siken, “I Do Know Some Things”

Devon Walker-Figueroa, “Lazarus Species: Poems”

Allison Benis White, “A Magnificent Loneliness” | WINNER

Science Fiction, Fantasy & Speculative Fiction

Stephen Graham Jones, “The Buffalo Hunter Hunter”

Jordan Kurella, “The Death of Mountains”

Nnedi Okorafor, “Death of the Author: A Novel”

Adam Oyebanji, “Esperance”

Silvia Park, “Luminous: A Novel” | WINNER

Science & Technology

Mariah Blake, “They Poisoned the World: Life and Death in the Age of Forever Chemicals”

Peter Brannen, “The Story of CO2 Is the Story of Everything: How Carbon Dioxide Made Our World”

Karen Hao, “Empire of AI: Dreams and Nightmares in Sam Altman’s OpenAI” | WINNER

Laura Poppick, “Strata: Stories from Deep Time”

Jordan Thomas, “When It All Burns: Fighting Fire in a Transformed World”

Young Adult Literature

K. Ancrum, “The Corruption of Hollis Brown”

Idris Goodwin, “King of the Neuro Verse”

Jamie Jo Hoang, “My Mother, the Mermaid Chaser”

Trung Le Nguyen, “Angelica and the Bear Prince” | WINNER

Hannah V. Sawyerr, “Truth Is: A Novel in Verse”