LAS VEGAS — Kelsey Plum scored a season-high 38 points, Erica Wheeler hit the go-ahead three-pointer late in the fourth quarter, and the Sparks defeated the Las Vegas Aces 101-95 on Saturday night.
A three-pointer by Wheeler capped an 8-0 run for the Sparks in the first minute of the fourth quarter that gave the Sparks a 80-73 lead. The Aces battled back and tied it at 90 on a jumper in the lane by Chelsea Gray and again at 94 on two free throws by A’ja Wilson.
Wheeler then took a pass from Plum and hit a 27-foot three-pointer with 1:15 remaining, giving the Sparks a 97-94 lead. The Aces missed a couple of three-pointers and a free throw on their final possessions while Dearica Hamby and Plum sealed the win with two free throws each.
Hamby and Cameron Brink each scored 16, Ariel Atkins had 11, and Rae Burrell added 10 for the Sparks (3-3). Wheeler had 10 points, seven rebounds and six assists, and Plum had nine assists.
Wilson scored 24 points and grabbed 15 rebounds for the Aces (4-2). Carter scored 23 points off the bench. NaLyssa Smith added 22 points, Gray 12 and Jewell Loyd 10.
A three-pointer by Smith gave the Aces a 57-48 lead early in the third quarter but Plum rallied the Sparks with five points and three assists as the Sparks surged ahead 60-57. Neither team led by more than three points the rest of the quarter and Las Vegas took a 73-72 lead to the final period.
Las Vegas, the reigning WNBA champions, saw a four-game winning streak end. The Aces had won 20 of their last 21 regular-season games after finishing the 2025 regular season on a 16-game winning streak.
The Sparks were determined to end a season-opening four-game homestand with their second straight win against Toronto. Instead, the expansion Tempo avenged a four-point defeat two days earlier with a 106-96 victory Sunday afternoon at Crypto.com Arena.
Guard Kelsey Plum, who started the day tied for the WNBA lead in scoring at 26.3 points per game, paced the Sparks with 28, Dearica Hamby scored 21 and Nneka Ogwumike added 17 points and seven rebounds.
Trailing by 13 at one point in the fourth quarter, the Sparks cut the deficit to six on Plum’s two free throws with 4:27 left, but they got no closer. The Sparks fell to 1-3 (tied with Seattle for last place in the Western Conference) while Toronto improved to 2-2.
“We’re four games in so it would be immature to panic,” coach Lynne Roberts said. “It’s a long season but we do need to have urgency out there.”
The Tempo outscored the Sparks 9-3 in the last three minutes of the first quarter to take a 27-21 lead and widened the gap to 14 points on Laura Juskaite’s jumper with 4:28 left in the second. A Hamby three-point shot at the halftime buzzer rimmed out and the Sparks headed to the locker room down 49-40.
Rae Burrell committed her fifth personal with 4:33 left in the third and Kia Nurse made both free throws to give the Tempo their largest lead, 65-49. The margin grew to 17 before the Sparks closed the quarter with a 13-8 run.
After a 27-point performance in the first game, Brittney Sykes had 14 points by halftime in the rematch and finished with a career-high 38. Guard Kiki Rice, who led UCLA to the national championship in early April, added 19.
Toronto won the game at the foul line, making 39 of 42 attempts (92.9%) compared to 23 of 30 for the Sparks, who held a 26-25 edge in rebounding, a 48-38 advantage in points in the paint and outscored the visitors 20-12 on second-chance points.
“That was ugly… hard to watch,” Roberts said of the free throw discrepancy. “Seventy-two [total] free throws? I get it, they’re trying to clean it up but it’s painful. I’m not saying we weren’t fouling just that it’s challenging.”
The Sparks are still missing offseason acquisition Ariel Atkins (concussion protocol) and forward Sania Feagin has been out with a left leg strain since Wednesday. Atkins, a two-time All-Star, was traded from Chicago for Rickea Jackson on April 12.
“We’re going to have to have resilience,” said Plum, who had 27 points, nine assists and three steals in Friday’s win. “This league is tough. You’re going to get punched but you have to take it and punch back.”
Guard Erica Wheeler made her second start, contributing four points and seven assists and Hamby grabbed a game-high nine rebounds.
“It felt good… my teammates made it an easy transition,” said guard Kate Martin, who joined the Sparks one week prior after being cut by Golden State and got her first points with her new team, netting 11 in 18 minutes of action. “I don’t care how many points I score, I just want to win.”
Kelsey Plum drives to the basket during the game against Toronto on Sunday.
(Juan Ocampo / Getty Images)
In their first year under Roberts the Sparks finished 21-23 last season — a 13-game improvement from 2024 — but they missed the playoffs for a fifth straight time, marking the longest postseason drought in franchise history. Plum averaged 19.5 points and 5.7 assists per game.
“The beauty of this is that it’s a process,” Roberts added. “We opened up with four games at home and we didn’t take care of business. We can feel sorry for ourselves or we can fix it.”
The Sparks begin a four-game trip Thursday in Phoenix, then travel to Las Vegas on May 23, Washington on May 29 and Connecticut on May 30 before returning home to host Las Vegas on June 2.
“It’s so intimidating to walk through here,” says an arena staffer as she scurries under the sight line of a video camera on a tall tripod. It’s a couple of hours before the Sparks’home opener against the Las Vegas Aces on Mother’s Day. None of the photographers or videographers or security guards respond. She says it again. Still they don’t react, but they’re not being rude. They’re just all laser-focused on a 6-foot-4 blond wearing a stunning white Alaïa runway set that happens to be both a perfect ab showcase and an unmistakable style gauntlet thrown.
As every WNBA fashion watcher already knows, the blond can only be Sparks forward Cameron Brink, a Vogue favorite and a staple on LeagueFits, the Instagram account that has amassed a million followers since 2018 with a curated stream of tunnel fits. How do they differ from regular off-court attire? These are highly stylized, high-stakes pregame outfits that many professional athletes wear when arriving at the stadium or arena, capitalizing on the opportunity to get seen on their own terms.
Cameron Brink wears an Alaïa top and skirt and Louboutin shoes.
The popular images share a common visual language: The players show up in outfits so expressive they raise an exhilarating middle finger to the very idea of quiet luxury. The backdrops are always drab; concrete floors and metal doors. The stark contrast between the two, and the suggestion of backstage access, make the photos irresistible to fans.
No one skips the tunnel walk. The Sparks rookies are here early, Ta’Niya Latson first, followed by Ji-Hyun Park and then Chance Gray, all arriving while the last section of sparkly black carpet is still being laid down on the literal tunnel, which is finally emblazoned with the team logo. That’s the one they’ll all walk in uniform to get onto the court. We are in the proverbial tunnel, it is the bustling back-of-house that players must traverse on their way to the locker room, which means that all around us the enormous task of staging a pro ballgame is unfolding in a practiced frenzy.
Less than a month ago, Latson went classic Hollywood at the WNBA draft with a glamour girl dress, meticulously laid spit curl and elbow gloves, but today she comes in sporty and fun, in a Puma top and jeans with a folded-down waistband. It’s her very first league game, and the moment is surreal, joyful. “It doesn’t even feel like I’m here, but I am,” she says.
A team staffer pulls a forgotten wad of blue painter’s tape off the floor. A photographer checks her light levels. Three gaffers rush by with heavy coils of electric cord slung over their shoulders. Park is next to arrive. A basketball star in Korea, she’s new to L.A. but already wearing a sweatshirt from a local brand, Madhappy, and does not seem at all intimidated by the cameras, giving them a playful pose, head cocked and leg kicked out. Not long after, Gray, in a plaid mini, is also posing at the photographers’ request, switching effortlessly between signature Gen Z stances, chin resting atop a bent hand. She, too, showed up at the draft in a flawless gown, but today all three rookies seem to have wisely cast themselves in a sort of spirited younger sibling role.
Ta’Niya Latson wears a Puma top and Louis Vuitton bag.
Jihyun Park arrives for her tunnel walk in a Madhappy sweatshirt and Nike sneakers.
Chance Gray wears a Revolve top and shoes, I.am.Gia. skirt and Ganni bag.
Word spreads that Sparks starter Kelsey Plum will be there soon and everyone straightens up. More team staffers rush by. To play basketball you need only a ball and a basket. To magic a WNBA production into existence, you need so much more. A man bearing a dozen brand new jerseys, designed as a callback to the original 1997 uniform, weaves past a line of people going the other way, carrying orange Gatorade coolers and stacks of branded blankets wrapped in thin plastic. An assistant speeds back and forth, loaded down with pallets of snacks, her long hair streaming behind her.
And then Nneka Ogwumike steps into view. After two seasons in Seattle, her return to L.A. is triumphant. As president of the Women’s National Basketball Players Assn., she helped secure a historic new agreement, signed March 24, with salary numbers that mean real money across the board. And in case there were any lingering doubts about her loyalty, she’s made a pointed clothing choice: a pair of custom tapestry pants constructed from a Lakers logo blanket, created by KA Originals designer and former player Kristine Anigwe. The message is simple. “L.A. for life,” says Ogwumike.
Nneka Ogwumike wears custom KA Originals tapestry pants constructed from a Lakers blanket.
Now the rush begins. As we’re talking to Ogwumike, Sania Feagin slips by in a multicolored knit beanie, smile unmissable, holding a bouquet of Mother’s Day flowers from one of the league’s social media managers. Then Emma Cannon embraces the holiday by pulling her son and twin daughters behind her in a wagon. As the family is photographed, several Aces members come in and pause for a brief hug and coo before ducking quickly out of frame. The energy could not be more different from a boxing weigh-in. No spotlight stealing. No antagonistic peacocking.
It is, indisputably, the home team’s turf. And Plum, next to arrive, treats it like her runway. Willy Chavarria sunglasses on, textured Ferragamo trousers glittering with each camera flash, she strides through without pausing. The look has her signature rebel edge, but the guard is working with a new stylist, Karla Welch, who’s known for transforming actors into fashion darlings — her client Greta Lee (“Past Lives”) is the face of Dior’s latest campaign.
Soon after, we get another speed strut from guard Erica Wheeler, whose giant “EW” initial chain from the GLD Shop is the iced out topper to an outfit that’s a master class in artful layering, composed with the assistance of stylist Miguel Moss. Wheeler dipped into Willy Chavarria’s Adidas collab with both her shorts and a pair of black sneakers with a metal-tooled toe in a floral pattern that the designer named after the Compton Cowboys.
WNBA LA Sparks player Emma Cannon with her three children.
Kelsey Plum wears Ferragamo top and pants, Willy Chavarria sunglasses and Jude boots.
The entire time players are walking through, music has been booming through the hallways. Gradually, it becomes clear that the game DJ and host are also getting ready, running through their playlists and patter. When Rae Burrell enters, the game announcer is rehearsing, exhorting the not-yet-arrived crowd to cheer for their team. Burrell may have worked with a shopper to procure options, but she styled herself in this cheer-worthy outfit — a gray minidress that satisfyingly contrasts with a pair of bright white Moon Boots, all pulled together the night before.
Star stylist Brittany Hampton, who has worked with Brink and Plum, says, “historically, [the players] were told to kind of put themselves in a box … to shrink themselves.” The league had very narrow standards for how women were expected to look. But now, according to Hampton, their fashion choices are a projection of power: “It’s an act of their own ownership.”
Before she headed to the locker room, Burrell thanked everyone and called out a cheerful invocation, “Successful first game!” That’s the appeal of the tunnel walk. You cannot stay suspended in pure potential. There is always a ticking clock. A game will be played. Someone will win and someone will lose. None of us know yet that the Sparks are about to get trounced by the Aces, losing by 27 points. It might seem like it would be more sensible for this ritual to take place after the game, for the victors to stage a triumphant, high-style parade and for everyone else to slink out, unnoticed. But where’s the glory in that? To be an athlete is to prove yourself constantly, to always be risking your ego and your body. Without these stakes, without the backdrop of the tunnel and the promise of the competition, it would just be a runway.
In the third quarter, as the Aces’ points keep piling up, the Jumbotron lingers on a fan wearing a simple white T-shirt, probably self-made, emblazoned with an iconic 2024 image of Kelsey Plum in black sunglasses and head-to-toe black leather. Plum is braless, her vest open to reveal a shimmery pile of silver chains, her abs on defiant display. It is a potent, and lasting, assertion of self. The fan in the T-shirt smiles as their image, and Plum’s, looms over the arena.
Dearica Hamby poses with her daughter, Amaya, and wears an Ottolinger set, Steve Madden shoes and Balenciaga.
Rae Burrell wears Prada sunglasses and Diesel bag.
Ariel Atkins wears Zara pants, Charles Keith top, Bape shoes and Ganni bag.
Sania Feagin wears Mnml pants and jacket and Supreme beanie.
Head coach Lynne Roberts.
Jade Chang is the author of the novel “What a Time to Be Alive.”
On a rare off day in Los Angeles, Sparks guard Kelsey Plum settles into a quieter rhythm. She brings a book to a dog park near her home, finds a spot, and reads. But even here, the stillness is partial at best. Her mind keeps working, circling the same question that has followed her through every stage of her career. What does greatness actually require?
Right now, Plum is reading “The Talent Code,” a book that digs into the tension between nature and nurture. It’s not exactly light reading for a day off, but then again, she isn’t really wired for off days.
“Talent,” she says, “takes countless hours of practice. Sure, you have some natural ability, but you have to train it. You look at like a Russian tennis player, why are they good? Is it random? The similarity with greatness is practice.”
That idea, practice as the great equalizer, shapes how Plum sees her career now, in a moment that demands more from her than ever before.
Sparks guard Kelsey Plum moved to L.A. because she wanted to play a bigger role than she did on the Las Vegas Aces title-winning teams.
(Jason Armond/Los Angeles Times)
In the week before the WNBA season, she’s no longer in the calm of the park but inside the controlled chaos of media day at El Camino College’s gym. Between photo shoots, she sits on a green room couch in a makeshift makeup area, the morning already filled with obligations: a news conference, cameras, questions about what comes next. Beside her earlier was Ariel Atkins, one of the veterans she helped bring to Los Angeles, a signal that this next chapter is meant to be different.
“Have you ever driven a really expensive car, but didn’t have good insurance?” Plum asked. “When you have great coverage, you can relax a little bit. That’s what it feels like now, there’s so many people paddling in the boat with me.”
That sense of shared momentum didn’t come immediately. Not long ago, there was doubt.
Until a few weeks ago, Plum wasn’t entirely sure she had made the right decision to join the Sparks. After being traded from the Aces in 2025, she knew she wanted more responsibility, more ownership and the chance to be the face of a team. But belief in a vision is one thing; living through the roughest stretches of the transformation is another.
The Sparks went 21-23 last season, finishing two wins short of reaching the postseason. There were flashes, particularly late in the year when Cameron Brink, the No. 2 overall pick in 2024, returned from injury. Still, the result was familiar in L.A.: another year without a playoff berth.
For a player like Plum, that kind of outcome lingers.
Sparks guard Kelsey Plum feared she might have made a mistakes during some difficult moments early in her tenure in L.A., but free agents’ decision to join her boosted her confidence.
(Jason Armond/Los Angeles Times)
“I don’t think that last year I realized how big of a decision I made,” she said. “Obviously there’s a you don’t understand the gravity of it till you’re in it. I think when Nneka [Ogwumike] signed this year, I was like, ‘OK, I’m not crazy. They’re seeing the vision I am seeing.’”
That validation mattered. It reframed the risk as something shared.
The Sparks leaned into the direction Plum believed in during the offseason. Some of that came directly from her influence and some of it came from the example she set.
“KP came here because she wanted to test herself on how she impacts winning,” said Sparks general manager Raegan Pebley. “And there’s a lot of things that go into impacting winning. It’s on the [score]board, but it’s also, are you a leader? Can you influence other people to come along with you? And she’s been able to do that. She’s been a great, great person to partner with.”
Plum understands that distinction well. She’s been on championship teams before with back-to-back titles in Las Vegas in 2022 and 2023, but this is different. In Los Angeles, she’s helping define what the organization will become.
The franchise hasn’t reached the postseason since 2020, the longest active drought in the WNBA. For a team in a major market, the absence has been noticeable, even as individual pieces hinted at potential.
Plum, in her first season away from the franchise that drafted her No. 1 overall in 2017 after her record-setting run at Washington, produced immediately: 19.5 points and 5.7 assists per game. But numbers alone weren’t the point.
“I felt like I can be the connector,” she said. “When you’re part of a championship culture, you get to see what goes into it. And it’s way more than just basketball. It’s like the business, the operations of it all. They all work together. Obviously, what Mark Davis has done is tremendous in Las Vegas, and really investing in that team. So, yeah, coming here definitely, I learned a lot more than basketball, right? About what goes into building a championship team, a roster, what goes into investing in players and making it feel like a destination where players are like, ‘Ooh, I want to go play there.’”
Sparks guard Kelsey Plum accepted a lower salary so that the team could pursue key free agents capable of helping win a championship.
(Jason Armond/Los Angeles Times)
That perspective shaped her decisions this offseason in tangible ways. Despite being eligible for a $1.4 million supermax contract after her core designation, Plum chose to sign at a lower number, giving the Sparks flexibility to build around her.
They used that space to add Ogwumike and Erica Wheeler, while still leaving $1,468,650 in cap space for a potential in-season move. They also traded for Atkins from Chicago, parting with 2024 first-round pick Rickea Jackson to ease the pressure in the backcourt.
“I want to really help transform an organization,” Plum said. “As a player, you don’t really know how good you are, or how much you can handle, capacity wise, until put in a situation that’s maybe a little over your head.”
Belief, in this case, became contagious. Plum helped recruit Wheeler. Ogwumike, already familiar with the franchise, pointed to broader changes as part of her decision to return.
With key pieces in play, Sparks guard Kelsey Plum said the team must embrace high expectations. “We’re no longer the cute, young tadpole team,” she said. “We have to win.”
(Jason Armond/Los Angeles Times)
“The last couple years have strategically been very, very focused with our ownership and improving the player experience,” Pebley said. “We’ve got a practice facility that is being built. … Players are experiencing a much more consistent and high level, just player experience. And I think they can now look at their peers eye to eye and say, ‘This is where you need to be. you’re going to be treated really well here.’”
All of it builds toward a simple, unavoidable truth: this version of the Sparks can’t afford to linger in potential.
Plum’s legacy in Los Angeles will hinge on whether this reset becomes a turning point or just another chapter in a long rebuild. The expectations have shifted, internally and externally.
“Last year was tough,” Plum said. “We were right there at the end. But I think this year is different. Obviously, with all the free agency acquisitions, this is very exciting. We’re no longer the cute, young tadpole team. We have to win.”
Teams have had a little more than a week to prepare their training camp rosters between free agency, the league’s primary draft and an expansion draft. The Sparks have one of the more notable roster transformations in the league, adding Nneka Ogwumike, Erica Wheeler and Ariel Atkins.
On Sunday at the start of training camp in San Diego, Wheeler said Sparks returning guard Kelsey Plum sold her on the vision of the organization, and Ogwumike’s signing cemented it.
“KP played a big role in having me here,” she said, describing a lunch last season when Plum told Wheeler she wanted her to sign with the Sparks. “I think Nneka just was like the tip of the iceberg, like it was a no brainer. Once Nneka decides she wants to come here, because, as you know, president [of the WNBPA], life is always easier around her.
“We want to win the championship.”
Ogwumike’s return to Los Angeles was just one indicator that the Sparks are, as Wheeler put it, “going for gold.”
This year’s Sparks roster looks a lot more intentional than a couple of years ago. General manager Raegan Pebley said Atkins’ addition helps establish a deeper offense, while Rae Burrell playing at the three gives them more versatility.
There are still question marks. They don’t have a ton of ball-handling depth or much true-center play after Cameron Brink.
But Ogwumike has seen the changes internally and from afar, and she thinks the Sparks are ready to compete now.
“I didn’t actually want to leave, but I felt like I needed to, considering the growth that we wanted to see further in the organization, and I really wanted to come back,” she said. “… The timeline of a lot of things [in the offseason] accelerated, me narrowing down certain organizations, but L.A. was in the mix not because, not just because of the time that I’ve had here, but because of the amazing progress that I’ve seen in just the two years in my absence.”
Ogwumike said part of that was the investment in a practice facility, set to debut in 2027, and that the front office, led by Pebley, had a plan to build a winning team.
But the most important thing in bringing in the veteran trio was that the Sparks had a plan on the court, too.
“It’s really exciting when you can be in a place where everybody has the main thing being the main thing,” Atkins said. “And that’s not to say it wasn’t like that in the past, but it’s different when you have older players and vets around you that have done it before, because the way that they walk in, the way that they talk, there’s no uncertainty there, right? It’s like, this is how we need to get through, this is what we need to do, get it done so it really just be on us.”
Wheeler has only played in the WNBA postseason a handful of times between Indiana and Seattle and at 36 years old, she joined the Sparks led by coach Lynne Roberts with the intention of playing for a winner.
“I tell people all the time, I’m a businesswoman,” she said. “I have money. … So money don’t move me, [there] was a lot more money out there for me to go after. But I felt like Lynne is building a championship rock, and I want to be a part of that.”
Atkins was traded from Chicago for Rickea Jackson, a controversial move that shipped one of the best young players in the game away from the Sparks. On draft night, Pebley said the move helped them win games now and she reiterated that on Sunday.
“We were really aware of is that we were missing another counter punch with KP, she needed some support in terms of somebody that can take some pressure off of her, to have to score it, or to have to create for someone else to score it, that was a big reason of why Ariel, we feel, is a great fit,” she said. “And then Erica Wheeler is just a winner, and she’s going to bring some toughness and leadership there. So I think with those three at the one-two spot, we’re super excited about that.”
Atkins adds a defensive layer alongside Ogwumike for a team that was dead last in the WNBA in defensive points per game last season, and that’s one of those intentional, win-now kind of moves that has everyone in the organization excited.
The Sparks finished just two games out of a playoff spot last season. This year, expectations are far more than just finishing as a playoff team, and that messaging brought in one of the most cohesive rosters in the WNBA.
“I always say that the killer combination is investment and engagement, and so I’m seeing both at very high levels, and it permeates every aspect of the organization,” Ogwumike said. “Whether it’s basketball ops, front office, player experience, practice facility, it’s just something that I’ve always believed was our standard, and not only have we matched what our expectations were, but we’re now exceeding it in a timeline that I think is much faster than I ever expected.”
