Bill Plaschke writes, “If the Trojans truly want to return to greatness, being selected for the CFP is the goal. Not beating Notre Dame. Not even beating UCLA.” That’s 100% wrong.
As a USC alum (1965) and longtime fan, those are the only things that do matter. I have often said that if USC beats UCLA or Notre Dame, the coach deserves another season. To give up this grand tradition in pursuit of the arguably artificial and profit-driven CFP would be an unforgivable sin.
Noel Park Rancho Palos Verdes
A USC national football championship without playing Notre Dame rings hollow — an asterisked title, a meal that never satisfies, a taste you can’t quite wash away. It may shine in the record books, but it will always feel unfinished to those who know what real college football tradition demands. Earth to Lincoln Riley: an undefeated season is still a loss without playing the Fighting Irish. What’s next? If UCLA becomes competitive, then there will be no crosstown game?
Jeff Black Los Angeles
So the Fighting Irish own a series edge of 53-37, have won 3 in a row, 7 of the last 8, and 11 of the last 15 games. Yet Bill Plaschke now claims that Notre Dame is running away from the series and is afraid of “Ole SC.” To paraphrase the late, great Jim Healy, Plaschke is on the Leonard Tose highway!
Jerome M. Jackson El Segundo
Notre Dame is the Burger King of college football — always having it their way. From backdoor deals with the corrupt [CFP] guaranteeing a playoff spot if they finish ranked in the top 12 to refusing to join a conference so that they can pocket all bowl game money, the Irish are treated like college football royalty. Glad USC told the Irish toddlers they can’t have ice cream for breakfast!
Mark S. Roth Playa Vista
“USC and Notre Dame recognize how special our rivalry is to our fans …” A joint statement by the athletic directors of the two schools. Really? Fake news!
Wayne Muramatsu Cerritos
No USC-Notre Dame football game! Who’s next to be cut from the Notre Dame football schedule, Navy? Oh wait, the Irish can’t afford to drop Navy. That might hurt their chance$ at a playoff berth.
Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.
Even as the year winds down, there are still some exciting new releases hitting theaters.
Few films this year are arriving on quite the wave of expectation behind Josh Safdie’s “Marty Supreme,” in part because of the unhinged, go-for-broke promo push from its star Timothée Chalamet. The film tells the story of Marty Mauser, a shoe salesman in 1950s New York who dreams of becoming a champion table tennis player and will stop at nothing to make it happen.
As Amy Nicholson put it in her review, “Like Marty, Chalamet was raised in New York City, and since he arrived on the scene, there’s never been a doubt he’ll win an Oscar. The only question is, when? To Chalamet’s credit, he’s doing it the hard way, avoiding sentimental pictures for pricklier roles about his own naked ambitions. … The movie’s moxie makes it impossible not to get caught up in Marty’s crusade. We’re giddy even when he’s miserable.”
The surprise winner of the Golden Lion at this year’s Venice Film Festival, Jim Jarmusch’s “Father Mother Sister Brother” is a gently enigmatic film revolving around, as the title suggests, parents and siblings. Told in three separate stories — set in New Jersey, Dublin and Paris — the film stars Adam Driver, Tom Waits, Mayim Bialik, Cate Blanchett, Vicky Krieps, Charlotte Rampling, Luka Sabbat and Indya Moore.
Tom Waits in Jim Jarmusch’s movie “Father Mother Sister Brother.”
(Atsushi Nishijima / Mubi)
In his review, Tim Grierson wrote, “The film’s persistent brittleness may make some viewers antsy. That’s partly the point, but hopefully, they’ll soon be swept away by the movie’s melancholy undertow. … Eventually, we learn to look past Jarmusch’s deceptively mundane surfaces to see the fraught, unresolved issues within these guarded families. The characters occasionally expose their true selves, then just as quickly retreat, fearful of touching on real conflict.”
Tim Grieving spoke to composer Daniel Blumberg, who won an Oscar earlier this year for “The Brutalist,” about his work on “The Testament of Ann Lee,” director Mona Fastvold’s portrait of the founder of the Shaker religious movement. Singing and dance were an integral part of the Shakers’ spiritual practice, so the music for the film was of special importance.
“Ann Lee was very radical and extreme,” said Blumberg, “and Mona is as well.”
De Los also recently published a list of the 25 best Latino films of 2025 as picked by Carlos Aguilar. His favorites include Amalia Ulman’s “Magic Farm,” Pasqual Gutierrez and Ben Mullinkosson’s “Serious People,” Diego Céspedes’ “The Mysterious Gaze of the Flamingo,” Petra Costa’s “Apocalypse in the Tropics” and Kleber Mendonça Filho’s “The Secret Agent.”
All three of this year’s Envelope roundtables are now available to watch: actors, actresses and directors.
New Year’s Eve at the movies
Daniel Day-Lewis and Vicky Krieps in the movie “Phantom Thread.”
(Laurie Sparham / Focus Features)
When people talk about holiday films, they typically mean Christmas. But what if the movies that featured a New Year’s Eve scene were sneakily better? To judge by the titles playing around town this week, an argument could be made.
Take for example Kathryn Bigelow’s “Strange Days.” An exciting techno-thriller set during the last two days of then-future 1999, it’s about a hustler (Ralph Feinnes) who finds himself in way over his head. The film builds to a huge millennial New Year’s Eve street party filmed in downtown Los Angeles. Still something of a rarity on streaming, “Strange Days” will be showing in 35mm at the New Beverly on Friday afternoon and then at the Aero on Wednesday 31, early enough in the evening to leave time for more fun after.
Then there is Paul Thomas Anderson’s achingly romantic and bitingly funny “Phantom Thread,” in which the controlling fashion designer Reynolds Woodcock (Daniel Day-Lewis) initially refuses to leave the house on New Year’s Eve, but then races to be with his muse and lover Alma Elson (Vicky Krieps) after she goes out without him. The movie will be showing on New Year’s Day in 70mm at the Aero.
Anderson’s 1997 “Boogie Nights,” which will show in 35mm at Vidiots on the afternoon of Dec. 31, features a very different take on New Year’s Eve. In a pivotal sequence, many of the film’s characters converge on a NYE party to ring in the transition form 1979 to 1980. It does not go well.
jack Lemmon and Shirley MacLaine in 1960’s “The Apartment.”
(Bettmann Archive / Getty Images)
Billy Wilder’s “The Apartment” will play in 35mm at the New Beverly on Saturday and Sunday and also at the American Cinematheque’s Los Feliz Theater on Dec. 30. In the film Jack Lemmon is a lonely office drone who finds his complex relationship with a co-worker (Shirley MacLaine) ultimately coming to a head on a fateful New Year’s Eve.
Rob Reiner’s 1989 “When Harry Met Sally…” will likely be playing several times over the next weeks in tribute to the filmmaker. Starring Meg Ryan and Billy Crystal as two friends trying to figure out if their relationship can (or should) be something more, the film features not one but two memorable New Year’s Eve scenes. It will be playing at the New Beverly on Tuesday, Wednesday and Thursday.
Katie Holmes, left, and Sarah Polley in the movie “Go.”
(Tracy Bennett / Columbia Pictures)
Doug Liman’s “Go,” from a screenplay by John August, is not strictly speaking a New Year’s Eve movie, but it does take place in the sort of liminal zone of ongoing partying that occurs during holiday time. With a cast that includes Sarah Polley, Katie Holmes, Timothy Olyphant and many more, the film revolves around a few grocery store co-workers, some low-stakes drug dealing, questionable choices and a lot of miscommunication. The movie shows at Vidiots on Tuesday.
In a review of the film, Kevin Thomas wrote, “When all is said and done, ‘Go’ is a film about people going too far, which works precisely because its makers know when to hold back. ‘Go’ keeps us guessing … but it never forgets it’s a comedy; if it was too serious it would burst like a bubble. So uniformly skilled and talented is the film’s cast, which has 15 featured players, that it is impossible to single out any one. ‘Go’ is perfectly titled: Exhilarating and sharp, it never stops for a second.”
Points of interest
The Marx Brothers’ eternal comic mayhem
Chico Marx, left, Groucho Marx, Harpo Marx and Margaret Dumont in the movie “Animal Crackers.”
(Universal)
It has become a tradition around town for theaters to show Marx Brothers movies at the holidays, and who are we to argue with that? For pure whimsy and comedy that hits somewhere deep in the unconscious, the Marx Brothers are still pretty much unbeatable.
The New Beverly played some Marx Brothers movies on Christmas Day. For those who still want more, Vidiots will be showing 1935’s “A Night at the Opera,” directed by Sam Wood and including the famous stateroom scene in which more and more people cram into a single room on an ocean liner.
On New Year’s Day, the Aero will show 1933’s “Duck Soup,” directed by Leo McCarey, in which the brothers take over the fictional nation of Freedonia. That will be followed by 1930’s “Animal Crackers,” directed by Victor Heerman, in which Groucho Marx plays African explorer Rufus T. Firefly.
Eric Rohmer’s ‘The Green Ray’
A scene from Eric Rohmer’s “The Green Ray.”
(Janus Films)
Initially released as “Summer” in the U.S., Eric Rohmer’s “The Green Ray” won Venice’s Golden Lion in 1986. The film follows Delphine (Marie Rivière, who co-wrote the script with Rohmer), a single woman in Paris, as she struggles to find someone to go on a holiday trip with her, leading to a series of serio-comic misadventures. The film will show Thursday in 35mm at the American Cinematheque’s Los Feliz Theater.
Reviewing the film in 1986, Michael Wilmington asked if watching a Rohmer film is really, to quote Gene Hackman on Rohmer movies in “Night Moves,” like watching paint peel? “Not at all,” Wilmington wrote. “‘Summer’ is one of the masterpieces of 1986. It’s one of the most finely wrought, stimulating films of an erratic year. It’s intellectual in the best sense: engaging you emotionally and mentally. It moves faster, wastes less time, and has more to offer than most movies now on view — and those who are skipping it are missing one of the year’s real treats.”
Jordan Eberle scored the tiebreaking goal midway through the third period and added an empty-netter in the final minute, and the Seattle Kraken beat the Ducks 3-1 on Monday night.
Frederick Gaudreau also scored and Kaapo Kakko had two assists for the Kraken. Philipp Grubauer stopped 39 shots.
Matty Beniers set up the go-ahead goal when he slid the puck past defender Radko Gudas and onto the stick of a wide-open Eberle, who snapped a shot from the left circle into the upper-right corner of the net for a 2-1 Kraken lead with 9:56 left.
Eberle then sealed the win with an empty-netter with 36 seconds remaining.
Grubauer had 16 saves in the second period and 15 in the third.
Seattle took a 1-0 lead 4:49 into the second when Gaudreau gathered the rebound of Shane Wright’s shot and flipped the puck into a near-open net for a power-play goal.
The Ducks tied it with 4:20 left in the second when Granlund battled Vince Dunn for position in the slot and redirected Jacob Trouba’s shot from above the right circle past Grubauer for his fourth goal in four games.
Granlund, who has missed 18 games because of injuries, has seven goals and four assists in his last 13 games.
The Ducks played without leading scorer Leo Carlsson, who missed his first game of the season because of a lower-body injury. Seattle played without top defenseman Brandon Montour, who underwent hand surgery Monday and will be out for four weeks. Montour was injured in last week’s fight against Colorado.
Linesman Ryan Gibbons departed with 53 seconds left in the first after tripping in front of the Seattle bench and hitting the back of his head on the ice. He did not return.
Up next for the Ducks: vs. Kings at Crypto.com Arena on Saturday.
DENVER — Colorado Gov. Jared Polis accused President Trump of playing “political games” Sunday after the federal government denied disaster declaration requests after wildfires and flooding in the state earlier this year.
Polis’ office said he received two denial letters from the Federal Emergency Management Agency late Saturday. The letters are in response to requests for major disaster declarations following wildfires and mudslides in August and what Polis had described as “historic flooding” across southwestern Colorado in October.
Polis and Colorado’s U.S. senators, fellow Democrats Michael Bennet and John Hickenlooper, decried the denials. Polis said the state would appeal.
“Coloradans impacted by the Elk and Lee fires and the flooding in Southwestern Colorado deserve better than the political games President Trump is playing,” he said in a statement.
Abigail Jackson, a White House spokesperson, said Trump responds to each request for federal disaster assistance “with great care and consideration, ensuring American tax dollars are used appropriately and efficiently by the states to supplement — not substitute — their obligation to respond to and recover from disasters.”
Jackson said there is “no politicization” in Trump’s decisions on disaster aid.
The Trump administration has also yet to act on California’s request for $33.9 million in long-term disaster assistance nearly a year after the Palisades and Eaton fires in Los Angeles. Gov. Gavin Newsom said FEMA officials refused his request for a meeting when he visited Washington a few weeks ago.
Trump has raised the idea of “phasing out” FEMA, saying he wants states to take more responsibility. States already take the lead in disasters, but federal assistance comes into play when the needs exceed what they can manage on their own.
A fan has been left stunned after they spotted an Oscar-nominated actor alongside his huge popstar girlfriend at a London pub.
The pair were filmed in a busy boozer playing cards and ordering drinks, going seemingly unnoticed by the other punters around them.
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A fan has been left stunned after they spotted an Oscar-nominated actor alongside his huge popstar girlfriend at a London pubCredit: tiktok/@izabelle29012Paul Mescal and Gracie Abrams were filmed in a busy boozer playing cards and ordering drinksCredit: tiktok/@izabelle29012The pair went seemingly unnoticed by the other punters around themCredit: tiktok/@izabelle29012
The VIP guests, were none other than actor Paul Mescal and his popstar girlfriend Gracie Abrams, who were sat in the middle of a busy North London pub.
In a video uploaded to TikTok the pair can be seen playing cards on a table together, in the beer garden of The Canonbury Tavern at night.
Paul looked inconspicuous in a cap whilst ordering drinks for the pair inside at the bar.
The fan took pics of the star as he ordered seemingly going unnoticed by the other punters around him.
The eagle-eyed fan captioned the video: “Paul Mescal & Gracie Abrams playing cards in Canonbury.”
In the second clip which showed the pics of the A-lister at the bar, she wrote: “Part two of seeing Paul Mescal, Got to keep one of the cards they were playing with.”
Fans flocked to the comments in disbelief over the pair’s unexpected appearance, one user penned: “NO WAY.”
A second added: “Is that really them ??? when was this omg.”
A worker of the pub revealed that she’s even served the star before, they wrote: “ I work at this pub and I’ve served him before (crying laughing emoji).”
They were spotted again this year having picnics and drinks in a park in June, before they were snapped getting close at Glastonbury ahead of Gracie’s set, that same month.
An insider said: “Obviously there weren’t really gyms around in the Sixties.
“The Beatles weren’t dead-lifting between gigs.
“Macca was always pretty lean and flexible — he has always been really into yoga — but this is a very different aesthetic to that of a burly gladiator, and Paul has been keeping his body pretty ripped, even after filming stopped.
“Sir Paul McCartney is also famously a vegetarian, whereas Paul mainly lives on a high protein steak, chicken and eggs diet.
“There also weren’t whey protein shakes back in the Beatles’ day.”
Oscar-nominated actor Paul was ordered to lose some muscle and put on some fat for his next big roleCredit: APThe couple were first linked in June 2024 when they were snapped having a romantic dinner date at celebrity haunt BRAT RestaurantCredit: GettyPaul attended Gracie’s Glastonbury set back in JuneCredit: stellamccartney/Instagram
The new rule is based on the Wet Bulb Globe Temperature (WBGT), which measures heat stress in direct sunlight. It involves observing temperature, humidity, wind speed, sun angle, and cloud cover.
If the WBGT reaches 30.1C or higher during the first two sets of a best-of-three match, either player can request a break of 10 minutes to cool off.
Under the supervision of ATP medical staff, players can hydrate, change clothing, shower and receive coaching.
Play will be suspended when the WBGT exceeds 32.2C.
“The new heat rule provides a structured, medically supported approach to managing extreme heat, with the objective of safeguarding player health, while also improving conditions for spectators, officials, ball persons and tournament staff,” the statement added.
USC (9-3), ranked No. 16 in the AP poll, is preparing to play Texas Christian (9-4) on Dec. 30 in the Alamo Bowl in San Antonio. USC finished 7-2 in its second season in the Big Ten and won four of its last five games, the only setback during that stretch being a 42-27 loss to Oregon, which is the No. 5 seed in the College Football Playoff.
Asked about signing the No. 1 recruiting class for 2026, Riley said: “It was a great day. We tried to keep the focus on building next year’s team. The amount of guys that we signed is a big portion of it and as we start to look ahead … half of our day and maybe even more is pointing towards next year and coming years. Meanwhile, obviously getting ready for this bowl game. It was a lot of hard work to add talent and people who care about this place and starting to put next year’s team together has been exciting here these last few weeks.”
Riley has a 35-27 record in his four seasons at USC and is hoping to improve his bowl record to 3-1. He guided the Trojans to wins in the 2023 Holiday Bowl and 2024 Las Vegas Bowl.
Riley watched the CIF state Open Division bowl game between Santa Margarita (coached by former Trojans quarterback and Heisman Trophy winner Carson Palmer) and De La Salle on Saturday and was impressed by the performance of USC commit Trent Mosley, who had 11 catches for 183 yards and two touchdowns and a rushing touchdown in the Eagles’ 47-13 win.
“He was someone we targeted very early on,” Riley said. “I thought he was super impressive and it was important. He’s one of the best receivers in the country. He’s proven that and he just played out of his mind. It’s a great family and he’s a really smart kid.”
Asked what advice he gives to players who are deciding what to do next in their careers, Riley said: “Yes, it’s an important decision. The guys that make the right decision no matter what it is get a leg up on the rest of their lives. Consequently, a wrong decision can be catastrophic. That’s the world we all live in. I just try to educate them on their options. I don’t like telling guys you should do this or you shouldn’t do that. It’s more about, here’s this option, this is what it would look like, here’s what you need to consider. Sometimes the decision’s pretty clear one way or another, other times it’s not. I try to give them as much guidance as I possibly can.”
Given that USC will be missing quite a few players who were key contributors throughout the season, Riley is not ruling out the possibility of younger players seeing action against TCU.
“There’s gonna be guys all over the place who are going to have opportunities,” Riley said. “All sides of the ball, all position groups, maybe it’s some of the guys you saw a little bit during the season and in some instances you’ll see guys get some burn in this game that haven’t played at all or very little. Bowl games are great, but days like this are the most valuable part of it because we’re just pouring reps into all of these guys, it’s super competitive and the energy level is just different. All these guys feel it’s their time.”
Riley admitted he and his staff had to make hard decisions based on the incoming freshmen, a majority of whom are spring enrollees.
“It’s huge, it’s a high, high number that are going to be here and it’s important,” he said. “We’ve had to make a bunch of roster decisions in the last couple of weeks. We have a large number of players who have already signed and some of the decisions we had to make were based on knowing what we have coming in, and when you sign as many as we did, you’re going to have tough decisions to make.”
