Peter

If our waking hours are a canvas, the art is how one fills it: tightly packed, loosely, a little of both. At a time when they were both 40 and the art scene in ’70s New York was in thrall to street-centered youth of all stripes, real-life writer Linda Rosenkrantz asked her close friend, photographer Peter Hujar, to make a record of his activities on one day — Dec. 18, 1974 — and then narrate those details into her tape recorder the following day at her apartment.

The goal was a book about the great mundane, the stuff of life as experienced by her talented confidants. In Hujar’s case, an uncannily observant queer artist and key gay liberation figure planning his first book, what emerged was a wry narrative of phone calls (Susan Sontag), freelancing woes (is this gig going to pay?), celebrity encounters (he does an Allen Ginsberg shoot for the New York Times) and chance meetings (some guy waiting for food at the Chinese restaurant). The Hujar transcript, recovered in 2019 sans the tape, was ultimately published as “Peter Hujar’s Day.”

Now director Ira Sachs, who came across the text while filming his previous movie “Passages,” has given this quietly mesmerizing, diaristic conversation cinematic life as a filmed performance of sorts, with “Passages” star Ben Whishaw perfectly cast as Hujar and Rebecca Hall filling out the room tone as Rosenkrantz. (They also go to the roof a couple of times, which offers enough of an exterior visual to remind us that New York is the third character getting the time-capsule treatment.)

From the whistle of a tea kettle in the daylight as Hujar amusingly feels out from Rosenkrantz what’s required of him, to twilight’s more honest self-assessments and a supine cuddle between friends who’ve spent many hours together, “Peter Hujar’s Day” captures something beautifully distilled about human experience and the comfort of others. For each of us, any given day — maybe especially a day devoid of the extraordinary — is the culmination of all we’ve been and whatever we might hope to be. That makes for a stealthy significance considering that Hujar would only live another 13 years, succumbing to AIDS-related complications in 1987. It was a loss of mentorship, aesthetic brilliance and camaraderie felt throughout the art world.

Apart from not explaining Hujar for us (nor explaining his many name drops), Sachs also doesn’t hide the meta-ness of his concept, occasionally offering glimpses of a clapperboard or the crew, or letting us hear sound blips as it appears a reel is ending. There are jump cuts too, and interludes of his actors in close-up that could be color screen tests or just a nod to Hujar’s aptitude for portraits. It’s playful but never too obtrusive, approaching an idea of how art and movies play with time and can conjure their own reality.

The simple, sparsely elegant split-level apartment creates the right authenticity for Alex Ashe’s textured 16mm cinematography. The interior play of light from day to night across Whishaw and Hall’s faces is its own dramatic arc as Hujar’s details become an intimate testimony of humor, rigor and reflection. It’s not meant to be entirely Whishaw’s show, either: As justly compelling as he is, Hall makes the act of listening (and occasionally commenting or teasing) a steady, enveloping warmth. The result is a window into the pleasures of friendship and those days when the minutiae of your loved ones seems like the stuff that true connection is built on.

AS the car turned, there it was – a towering island next to an isolated and ruined castle, emerging from the water – it truly was a real-life Neverland.

Located in the Inner Hebrides in Scotland is a tiny island with a population of just nine people.

Known as Eilean Shona, this tidal island is completely car-free and was the inspiration behind J.M Barrie’s creation of Neverland in Peter Pan.

As my boat approached the shores of the island, it was obvious why.

Towering green trees and serene still waters were both welcoming and peaceful.

Once I reached the island, the soft soil, earthy smells, chimes of birds and light breaking through the trees made it feel magical.

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The island is littered with a number of houses and cabins for visitors to stay in – for my stay, I was in the main manor house.

Stepping inside, I found myself in a Traitors-like castle, decked out with tartan features, roaring fireplaces and cosy corners with well-read books.

The feeling of being somewhere else continued when I found my room – a plush bed stood proud in the centre, and old-style windows looked out onto fresh green grass just as if I was in my own magical bubble.

The main house sleeps up to 18 people and inside has a number of spaces including nine bedrooms, six bathrooms, a dining room, library with a full-size billiards table, a drawing room, and a large kitchen.

Guests can either book the house as catered or self-catered, and for prices, you will need to contact the island (though split between 18 people it wouldn’t work out too expensive per night).

Whilst there isn’t much to do on the island, it is the perfect retreat away from the modern world and the stresses of day to day life.

Thanks to there being no shops, no restaurants and patchy phone signal, it really helps you disconnect from your mobile (and consequently social media).

This particularly hit me when I ran a bath, and the water ran yellow-brown.

Initially, I was disgusted, thinking it was dirt, and reached for my phone to do a quick Google search.

But I stopped myself.

Instead, I embraced it and later asked one of my hosts why it was that colour.

Turns out the water is in fact so clean – cleaner than most places in the UK – and the colour comes from the peat found in the surrounding landscape.

I was told it is perfectly safe to drink and bathe in, and in fact carries minerals that are good for you.

One of the activities to do on the island that is well worth experiencing, though, is taking a cold water plunge or swim – the scenery is stunning and the water is serenely calm.

Heading off the pier, I floated for a few minutes in the water, taking in the smell of the fresh, earthy air and noting the silence around me.

For those who aren’t too fond of a cold dip or want to warm up quickly afterwards, there is also a sauna near the water’s edge.

During the evening, I headed to the Village Hall, which is the island’s social hub.

Here you can enjoy a weekly pub night, table tennis, wildlife books and board games.

After enjoying my dinner, I snuggled up to the fire cocktail made from a Sapling Spirits – a climate-positive vodka brand that first started on the island.

For each bottle sold, the brand plants a tree, something I even got to do with my own tree sapling – perhaps it will be used by the Lost Boys to find their way home.

Obviously, the island has an endless amount of walks you can take, and a couple of mine included heading to the summit and to the opposite side of the island where I found Shoe Bay, with a white sand beach and crystal clear waters.

For guests who want to venture around the island’s shores, there are kayaks, canoes and paddleboards available for hire.

And whilst exploring the island, make sure to keep an eye out for wildlife as birds of prey often circle overhead.

In less than 24 hours I had completely fallen in love with the island.

It really did feel like Neverland for adults wanting to escape the modern world and I cannot wait to go back.

There are a few ways to get to the island, including via the Caledonian Sleeper to Fort William.

From there, Eilean Shona is about an hour’s drive or in a taxi.

Alternatively, you could fly to Glasgow Airport, then hire a car and make the three-hour trip to Eilean Shona.

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For more hidden UK islands, here are the best in the UK, and they look more like the Caribbean and Maldives.

Plus, five islands off the coast of the UK you can visit without needing your passport.

AN ELDERLY Brit couple wrongfully jailed by the Taliban for eight months have finally been freed.

Peter Reynolds, 80, and his wife Barbie, 76, were snatched by Taliban thugs and tossed into Afghanistan’s most notorious prison.

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The parents-of-four had lived in Afghanistan for 18 years managing training projects – but were kidnapped on February 1 with no explanation.

They were locked up separately at the maximum security Pul-e-Charkhi in Kabul, and later moved to an underground cell beneath the Taliban‘s intelligence HQ.

More to follow… For the latest news on this story keep checking back at The Sun Online

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