Pete Finney, a steel guitarist who toured with Patty Loveless for more than 20 years and recorded with Reba McEntire, the Chicks, Vince Gill, the Judds and more, has died. He was 70.
Confirmation came via a statement earlier this week from Nashville’s Country Music Hall of Fame and Museum, which said Finney died Saturday. No cause of death was provided.
Calling him “a widely admired Nashville musician,” the museum said Finney “exemplified how top instrumentalists can adapt to a remarkable range of styles and settings, whether in a recording studio, a concert stage, or the corner of a small nightclub.”
Finney was born in Maryland in September 1955 and played his first gigs in Washington, D.C., with singer-songwriter Liz Meyer before Meyer moved to the Netherlands in the mid-1980s. He relocated to Austin, Texas, in the late 1970s and then moved to Nashville in the mid-1980s.
Upon his arrival in Tennessee, Finney toured with Foster & Lloyd and later contributed to the solo careers of Radney Foster and Bill Lloyd. His career would take him in diverse directions: He recorded with Beck, Jon Byrd, Shemekia Copeland, Justin Townes Earle, Jon Langford, Jim Lauderdale, Allison Moorer, Ron Sexsmith, Candi Staton and scores of other artists.
“RIP old friend!” wrote Asleep at the Wheel frontman Ray Benson in a comment on a Facebook post announcing Finney’s death. His was one of hundreds of comments, many left by those who had known Finney. “Pete came to a concert in 1970 and saw Asleep at the Wheel he told me that was when he decided to play pedal steel… and play he did with style grace and total command of that instrument! Hard to lose a great friend who was there at the beginning of it all for me and so many in those early Wash DC days.”
Finney was something of a music historian as well, co-curating the Hall of Fame museum’s 2015-2018 exhibition “Dylan, Cash, and the Nashville Cats: A New Music City” and co-writing the exhibit’s accompanying book, which won the 2016 Chet Flippo Award for excellence in country music journalism from the International Country Music Conference.
“The idea for the exhibit came from Finney’s research on the many non-country artists from North America and England who came to Nashville in the 1960s and 1970s to record with the city’s talented and fast-working studio musicians,” the museum said.
Finney hosted programs at the Hall of Fame museum and participated in panel discussions frequently over the years.
The musician married singer Carol Tully on Oct. 15, 2017.
He was touring with Reba McEntire in 1991 when one of the tour’s planes crashed into a mountain near San Diego, claiming the lives of eight band members on their way to a show in Fort Wayne, Ind. Finney was traveling in the second plane to take off from a municipal airport that night; the first was the one that went down. McEntire was not on either plane.
“The planes took off three minutes apart,” a spokeswoman for McEntire told The Times after the March 1991 crash. “The plane that crashed took off first. The pilot of the second plane didn’t see anything. They just knew that they had lost radio contact with the other. They continued flying and were diverted to Nashville.”
Years later, when he was recruited by Mike Nesmith in 2017 to join the revival of the Monkees singer-songwriter’s country-rock group the First National Band, Finney stepped up to replace founding member Red Rhodes, who died in 1995.
“Finney often used Rhodes’ innovative parts from the recordings as his starting point, but frequently added dimensions of his own to prevent the set from simply replicating the original versions,” detailed former Times music writer Randy Lewis in a feature on a 2018 show by the reconstituted group. “Rhodes — and Finney — employ the steel guitar inventively, not just to evoke notes of melancholy often found in country music, but to bring an orchestra’s worth of color, texture and shading to the arrangements.”
In 2021, Finney joined the final Monkees tour, which included Mickey Dolenz as well as Nesmith and wrapped before Nesmith’s death that December.
The Hall of Fame said Finney “frequently performed in pickup bands in small Nashville clubs, where he might be seen with top-flight players such as Mac Gayden, Jen Gunderman, Jimmy Lester, Chris Scruggs, Kenny Vaughan, and others.”
Singer-songwriter and podcaster Otis Gibbs, who had Finney on his show several times, remembered frequently seeing the steel guitarist out on the Nashville music scene.
“I’d sometimes run into him 4, or 5 nights a week at shows,” Gibbs wrote Tuesday on his website. “If there were 9 people in attendance, Pete would usually be one of them. He’d joke that he liked seeing me at shows because he’d know it must be the place to be.”
Gibbs said he saw Finney just three weeks ago at a Jon Byrd show in East Nashville.
“I snuck up next to him and whispered, ‘I must be at the right show because Pete Finney’s here,’” he wrote. “That was the last time I saw him.”
Finney is survived by his wife. Friends and family are invited to a remembrance gathering Sunday at the Country Music Hall of Fame and Museum’s Ford Theater in Nashville.
Cubs’ Pete Crow-Armstrong disses Dodgers fans with a curious comment
What’s not to love about Pete Crow-Armstrong? The young, talented Chicago Cubs center fielder is somehow simultaneously super cool and fiery. Nicknamed simply PCA, he should be an entertaining and accomplished player to watch for many years.
And he’s Southern California born and bred, the product of esteemed diamond factory Harvard-Westlake High.
So why oh why did these words come out of his mouth during an interview for a 4,500-word article published Monday in Chicago Magazine?
“I love Chicago more and more,” he said. “It’s just an incredible city. The people are great. They give a [crap]. They aren’t just baseball fans who go to the game like Dodgers fans to take pictures and whatever. They are paying attention. They care.”
The love of Chicago and Cubs fans? Understood.
The dissing of all Dodgers fans as photo-obsessed, uncaring whatevers? Laughable.
The Dodgers became the first team to draw four million fans in 2025 and have exceeded 3.7 million paying customers every non-COVID season since 2013.
And it’s a false narrative to suggest the devotion is merely a byproduct of back-to-back World Series titles and a star-studded lineup. Remember, the Dodgers didn’t win a title from 1989 through 2019, a 31-year drought during which their attendance exceeded 3 million 25 times.
So, where did a baseball-loving future MLB star growing up in Sherman Oaks come to such a contorted conclusion?
Blame it on dad.
PCA penned a first-person article for the Player’s Tribune in September that spelled it out:
“Growing up in L.A., my dad gave me a couple of rules. 1) I couldn’t root for the Dodgers. 2) I couldn’t root for the Cardinals.
“He’s from Naperville, just outside Chicago. He didn’t force me to be a Cubs fan, but let’s just say it was heavily encouraged.”
The Cubs won the World Series for the first time in 108 years in 2016. PCA was 14, and he and his dad, actor Matthew John Armstrong, watched Game 7 together on television. Dad cried.
“I don’t think I fully got it in the moment, you know?” PCA wrote. “I was like, Dad, don’t be weird … stop crying. But I’m sure almost every Cub fan of a certain age had tears in their eyes that night. And now, a bit older, I get it.”
PCA signed with the New York Mets after being drafted 19th overall out of high school in 2020. He was traded to the Cubs a year later for Javier Báez, Trevor Williams and cash and swiftly rose through the minor leagues, making his Cubs debut in 2023.
Last season he broke out as a bona fide star, becoming the first MLB player to accumulate 25 home runs, 25 stolen bases and 70 runs batted in during the first half of a season. He also cemented himself as the top center fielder in the game.
PCA slumped during the second half and finished with 31 homers and 35 stolen bases to go with a .247 batting average. Although the fans might not have noticed with all the picture-taking and whatever, he has done well in six games at Dodger Stadium, batting .333 with a home run and five RBIs.
But according to his teammate and close friend Nico Hoerner, PCA feels at home in the friendly confines of Wrigley Field.
“That’s one thing that is very cool about him that not a lot of younger players get,” Hoerner said. “He couldn’t have more of an appreciation for the history of the game and playing in Wrigley Field. He’s excited to be a part of the city of Chicago in a way a lot of guys don’t really understand.”
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Pete Finney dead: Steel guitarist and Nashville staple was 70
Pete Finney, a steel guitarist who toured with Patty Loveless for more than 20 years and recorded with Reba McEntire, the Chicks, Vince Gill, the Judds and more, has died. He was 70.
Confirmation came via a statement earlier this week from Nashville’s Country Music Hall of Fame and Museum, which said Finney died Saturday. No cause of death was provided.
Calling him “a widely admired Nashville musician,” the museum said Finney “exemplified how top instrumentalists can adapt to a remarkable range of styles and settings, whether in a recording studio, a concert stage, or the corner of a small nightclub.”
Finney was born in Maryland in September 1955 and played his first gigs in Washington, D.C., with singer-songwriter Liz Meyer before Meyer moved to the Netherlands in the mid-1980s. He relocated to Austin, Texas, in the late 1970s and then moved to Nashville in the mid-1980s.
Upon his arrival in Tennessee, Finney toured with Foster & Lloyd and later contributed to the solo careers of Radney Foster and Bill Lloyd. His career would take him in diverse directions: He recorded with Beck, Jon Byrd, Shemekia Copeland, Justin Townes Earle, Jon Langford, Jim Lauderdale, Allison Moorer, Ron Sexsmith, Candi Staton and scores of other artists.
“RIP old friend!” wrote Asleep at the Wheel frontman Ray Benson in a comment on a Facebook post announcing Finney’s death. His was one of hundreds of comments, many left by those who had known Finney. “Pete came to a concert in 1970 and saw Asleep at the Wheel he told me that was when he decided to play pedal steel… and play he did with style grace and total command of that instrument! Hard to lose a great friend who was there at the beginning of it all for me and so many in those early Wash DC days.”
Finney was something of a music historian as well, co-curating the Hall of Fame museum’s 2015-2018 exhibition “Dylan, Cash, and the Nashville Cats: A New Music City” and co-writing the exhibit’s accompanying book, which won the 2016 Chet Flippo Award for excellence in country music journalism from the International Country Music Conference.
“The idea for the exhibit came from Finney’s research on the many non-country artists from North America and England who came to Nashville in the 1960s and 1970s to record with the city’s talented and fast-working studio musicians,” the museum said.
Finney hosted programs at the Hall of Fame museum and participated in panel discussions frequently over the years.
The musician married singer Carol Tully on Oct. 15, 2017.
He was touring with Reba McEntire in 1991 when one of the tour’s planes crashed into a mountain near San Diego, claiming the lives of eight band members on their way to a show in Fort Wayne, Ind. Finney was traveling in the second plane to take off from a municipal airport that night; the first was the one that went down. McEntire was not on either plane.
“The planes took off three minutes apart,” a spokeswoman for McEntire told The Times after the March 1991 crash. “The plane that crashed took off first. The pilot of the second plane didn’t see anything. They just knew that they had lost radio contact with the other. They continued flying and were diverted to Nashville.”
Years later, when he was recruited by Mike Nesmith in 2017 to join the revival of the Monkees singer-songwriter’s country-rock group the First National Band, Finney stepped up to replace founding member Red Rhodes, who died in 1995.
“Finney often used Rhodes’ innovative parts from the recordings as his starting point, but frequently added dimensions of his own to prevent the set from simply replicating the original versions,” detailed former Times music writer Randy Lewis in a feature on a 2018 show by the reconstituted group. “Rhodes — and Finney — employ the steel guitar inventively, not just to evoke notes of melancholy often found in country music, but to bring an orchestra’s worth of color, texture and shading to the arrangements.”
In 2021, Finney joined the final Monkees tour, which included Mickey Dolenz as well as Nesmith and wrapped before Nesmith’s death that December.
The Hall of Fame said Finney “frequently performed in pickup bands in small Nashville clubs, where he might be seen with top-flight players such as Mac Gayden, Jen Gunderman, Jimmy Lester, Chris Scruggs, Kenny Vaughan, and others.”
Singer-songwriter and podcaster Otis Gibbs, who had Finney on his show several times, remembered frequently seeing the steel guitarist out on the Nashville music scene.
“I’d sometimes run into him 4, or 5 nights a week at shows,” Gibbs wrote Tuesday on his website. “If there were 9 people in attendance, Pete would usually be one of them. He’d joke that he liked seeing me at shows because he’d know it must be the place to be.”
Gibbs said he saw Finney just three weeks ago at a Jon Byrd show in East Nashville.
“I snuck up next to him and whispered, ‘I must be at the right show because Pete Finney’s here,’” he wrote. “That was the last time I saw him.”
Finney is survived by his wife. Friends and family are invited to a remembrance gathering Sunday at the Country Music Hall of Fame and Museum’s Ford Theater in Nashville.
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