patch

The exotic planform configuration concept of Boeing’s Next Generation Air Dominance (NGAD) classified demonstrator aircraft that led to the F-47 looks indeed to have been hiding in plain sight on an F-47 Systems Management Office patch. The first actual imagery of this aircraft appears to have leaked this week. Interestingly enough, another exotic stealth demonstrator aircraft that was once also highly classified and directly related to the design of the F-47, Boeing’s Bird of Prey, also featured its planform cryptically on a patch in a very similar manner.

Inside the firebird motif of the F-47 patch, there is an exaggerated planform of what we see in Project Fear’s video of what is very likely Boeing’s NGAD demonstrator shot outside of Area 51. It also aligns with what we can extrapolate from the concept renderings of the F-47 that have been released.

Mainly, the design includes forward canard foreplanes with a tapered central fuselage, rear-set and highly-swept wings, and no traditional tails. The wings have a high dihedral before drooping toward their tips, creating an appearance akin to the Klingon Bird of Prey from the world of Star Trek. That reference isn’t just my own. Boeing’s Bird of Prey from the 1990s clearly shares design similarities, especially in the wing area, as we originally stated after the first official concept art’s release. The Bird of Prey’s patch also cryptically shared its basic planform.

On the Bird of Prey patch, we see a traditional Klingon knife, made famous by Star Trek, with the blade’s hilt making up the Bird of Prey’s planform. In fact, the only detail to throw it off is the t-guard at the bottom of the handle, which appears like canards. Even the cockpit is there. Of course, it isn’t clear at this time when this patch began to circulate in the public domain or if it was after the Bird of Prey was declassified in late 2002. Regardless, in the F-47’s case, the demonstrator’s exact features remain closely guarded secrets, at least officially.

Boeing Bird of Prey Technology Demonstrator

Attempting to decode or draw insights into the military’s notoriously cryptic classified program patches is hardly a new practice. Books like Trevor Paglen’s I Could Tell You but Then You Would Have to Be Destroyed by Me is an excellent example of this and the fascination around this unique blending of art, technology, and national security.

In years of reporting on these topics, I have been told multiple times that there is more in patches than many realize, including hints at designs of classified aircraft. This runs pretty counterintuitive considering the government’s extreme protocol for classification, but vague representations of general design concepts are far from giving up an actual blueprint of a classified aircraft. Nonetheless, it is fascinating to see the practice occur for two highly classified aircraft that are directly related, and it’s something we keep an eye on regularly, as well.

Still, with all this in mind, it may be time to take a look back at some of the most interesting patches floating around to see if an exotic planform of an aircraft could be hiding amongst their stitches.

Contact the author: Tyler@twz.com

Clarence Carter, the blues and soul singer famous for songs including the raunchy hit “Strokin’” featured in Eddie Murphy’s “The Nutty Professor,” has died.

Fame Recording Studios in Carter’s native Alabama announced the singer-songwriter’s death Thursday morning. In a statement shared to Facebook, the studio said Carter “was more than an artist to us,” adding he “was family.” The post did not disclose additional details about Carter’s passing, including the cause of death. Carter was 90.

The Grammy-nominated musician, who was blind since age 1, was most popular in the late 1960s and early ’70s, with chart-busting hits including 1968’s romantic “Slip Away,” 1970’s “Patches” and the Christmas hit “Back Door Santa.” He released a steady stream of music through the ’90s — Carter released 22 studio albums over the course of his career — and earned two Grammy Award nominations.

Carter received his first nod in 1970 for composing ex-wife Candi Staton’s single “I’d Rather Be an Old Man’s Sweetheart,” which was nominated for the rhythm & blues song category. He received his own nomination in R&B vocal performance the following year for his story-driven “Patches,” about a young man fulfilling his father’s expectations.

Former Times pop music critic Robert Hilburn wrote in 1992: “Clarence Carter is one of the most overlooked soul stylists of the modern pop era.”

Among Carter’s musical talents was a knack for descriptive lyricism, which he channeled for unapologetically sexual songs “G Spot” and “Strokin’.” In these numbers, Carter spares no detail in his approach to lovemaking. “Strokin’,’” released in 1986, notably received play in 1996‘s “The Nutty Professor” as Murphy’s titular character drives over to a date.

Born in 1936 in Montgomery, Ala., Carter took an interest in music in his youth, enjoying the blues records his stepfather bought and learning to play the guitar. “I would lie in my bed and hear those bands playing and say to myself, ‘One of these days I’m going to play just like that,’” he told The Times in 1987.

He graduated from Alabama State College in 1960 with a bachelor’s in music and worked briefly as a schoolteacher before beginning his professional music career. Carter formed a duo with friend and singer Calvin Scott, but his collaborator was later seriously injured in an automobile accident. Carter then went solo and began recording music with producer Rick Hall and Fame in Muscle Shoals, amid the late-’60s soul boom.

After the success of his early hits in the ’70s, Carter struggled to find the same chart success amid disco’s popularity. “Nobody’s gonna keep a hit record all the time,” he told The Times. In the early ’80s, his “Working on a Love Building” was a moderate hit. Carter signed to Ichiban Records to record his 1986 album “Dr. C.C.,” which featured “Strokin’” among its tracks.

“By the time I finished doing that song and walked back up to the control room, [the engineer] was laughing so hard he hadn’t even turned the tape machine off,” he said a year after the hit’s release.

Carter released his final studio album, “Sing Along With Clarence Carter,” in 2011 but continued to release live albums and compilations until 2020. He also continued performing live through the 2010s.

The singer-songwriter was married to Staton from 1970 to 1973 and they share a son, Clarence Carter Jr. He married Joyce Jenkins in 2001 and has lived in DeKalb County, Ga., since 1983.

“Clarence Carter leaves behind a legacy of timeless music, unforgettable performances, and a friendship we will always cherish,” Fame Studios said in its statement. “We extend our love and prayers to his family, friends, and fans around the world.”

The International Alliance of Theatrical Stage Employees is striking against “CoComelon: The Melon Patch” in protest over wages and working conditions.

The union representing crew members working on the live-action YouTube series said the workers are being overworked and that the production is understaffed.

The crew, which consists of 22 workers, recently signed cards seeking the International Alliance of Theatrical Stage Employees, or IATSE, to represent them in collective bargaining. The production’s management refused to bargain, according to the workers.

“The crew on this project experienced firsthand what working conditions can be like on a non-union production and organized for fair wages and industry-standard benefits after they started the second season,” IATSE said in a statement to The Times.

The strike began on Wednesday, halfway through the series’ shoot. The workers are currently picketing outside the Stage This studio in Sun Valley.

Moonbug Entertainment, the company behind the “CoComelon” franchise, declined to comment on the matter.

“The Melon Patch” first launched in 2025 and is a spinoff of the original “CoComelon” on YouTube. Over the last several years, “CoComelon” has become a staple in households with young children, known for its brightly colored 3D animation style. The franchise has spawned many spinoffs including Netflix’s “CoComelon Lane.” Universal Pictures is set to release a full-length feature in early 2027.

Several previous “CoComelon” productions have successfully been unionized and covered by IATSE’s contract, including the Netflix series.

Chris Roberts worked as an art director on the first season, but says he was initially offered a lower rate for season two. Though the project is non-union, he said it’s ironic to have to picket a company that makes kids’ content, as he’s unable to support his own family.

“It’s a little disheartening to be offered less money than we were paid in the first season and then have less staff, a heavier workload, and not be able to provide for my kids,” said Roberts, who has been a member of IATSE since 2016.