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Great writing, even when an author sets a story in early 20th century Maine or during ancient uprisings, often sheds light on our own era. From a novel starring a sentient gale-force wind, on to a memoir from a leading African American writer, this month’s titles provide illumination as we lose daylight.

FICTION

Helm: A Novel
By Sarah Hall
Mariner Books: 368 pages, $30
(Nov. 4)

U.K. inhabitants of Hall’s native Cumbria region have grappled for centuries with a wind known as “The Helm.” Different eras have deemed it a measure of divine anger or human sin, and more recently, as one of earth’s vital signs. Helm’s narration alternates with chapters from perspectives including an astrologer, an astronomer, a Crusader, an herbalist and a climatologist, each adding to the strength of the immortal force.

Palaver: A Novel
By Bryan Washington
Farrar, Straus & Giroux: 336 pages, $28
(Nov. 4)

As in his first two novels “Memorial” and “Family Meal,” Houston-based Washington weaves scenes of Americans at home and in Japan with exquisite attention both to queer culture and to emotions. “The mother” and “the son” are never named; her Jamaican origins affect his upbringing, as well as his identity. When she makes an unannounced visit to see him in Japan, the title’s gentle irony becomes apparent.

Queen Esther: A Novel
By John Irving
Simon & Schuster: 432 pages, $30
(Nov. 4)

Readers will recall Dr. Wilbur Larch from “The Cider House Rules.” Here he is the 1919 go-between for Esther Nacht, a 14-year-old Jewish refugee whom he places with the Winslow family as an au pair. Like so many women through the ages, that role results in a different kind of labor for her, one that turns this most Irving-esque (wrestling! sex!) book into writer Jimmy Winslow’s origin story.

The Silver Book: A Novel
By Olivia Laing
Farrar, Straus & Giroux: 256 pages, $27
(Nov. 11)

The 1975 murder of Italian subversive film director Pier Paolo Pasolini forms the tortured heart of Laing’s first historical novel. In 1974 protagonist Nicholas Wade leaves England and lands in Venice, where he meets Danilo Donati, costume designer for Pasolini as well as Fellini and others. Their relationship reflects those auteurs’ themes, especially those of fascism’s rebirth in Pasolini’s “Salò, or the 120 Days of Sodom.”

The White Hot: A Novel
By Quiara Alegría Hudes
One World: 176 pages, $26
(Nov. 11)

Noted playwright Hudes pens a stunning debut novel that rends conventional notions of motherhood. Years after disappearing from her child’s life, April Soto writes her daughter Noelle a letter to read on her 18th birthday. Less apology than explanation, and less explanation than soul-searching screed, this novel has a huge voice, a woman’s attempt to create meaning from the depths of family trauma.

NONFICTION

Book of Lives: A Memoir of Sorts
By Margaret Atwood
Doubleday: 624 pages, $35
(Nov. 4)

Only Margaret Atwood could write a debut memoir at age 85 and make it significantly different from her previous work while at the same time infusing it with her droll wit and many passions, literary, environmental and familial. While she has always combined public and private in her acclaimed and groundbreaking novels, essays, and poetry, this volume beautifully fuses Atwood the person, and Atwood the writer.

Front Street: Resistance and Rebirth in the Tent Cities of Techlandia
By Brian Barth
Astra House: 304 pages, $29
(Nov. 11)

Barth, a freelance journalist, spent time in three different Bay Area encampments of unhoused people, including Oakland’s Wood Street Commons, and, as Gov. Gavin Newsom moves forward on a new task force targeting these areas for removal, he argues that solutions to homelessness should come from the ground up, with the involvement of those most affected.

Without Consent: A Landmark Trial and the Decades-Long Struggle to Make Spousal Rape a Crime
By Sarah Weinman
Ecco: 320 pages, $32
(Nov. 11)

Until the 1970s in most states, a married woman could not legally refuse to have sex with her husband. The 1978 Oregon trial of John Rideout for marital rape of his wife Greta — despite his then-acquittal — raised awareness of this legislation and led to Rideout’s conviction for rape and sodomy nearly four decades later in a case involving two other partners. Weinman (“The Real Lolita”) writes with energy about a case with present-day ramifications.

Revolutions: A New History
By Donald Sassoon
Verso: 432 pages, $40
(Nov. 18)

You say you want a revolution — and historian Sassoon says: Consider your predecessors. Although we focus on hot-button moments, the long tale of these uprisings can lead to long-term instability and injustice (e.g., the young United States choosing to persist with enslavement). What is the real price of transformation? Is it worth considering when people unite against tyranny and oppression?

Languages of Home: Essays on Writing, Hoop, and American Lives 1975–2025
By John Edgar Wideman
Scribner: 400 pages, $29
(Nov. 18)

Wideman’s 1985 essay “The Language of Home” was about the power of words to capture our foundations, so it’s fitting that his new collection covering 50 years of his powerful prose mimics that essay’s title. The new title’s plural refers to the author’s constant themes, which aren’t surprising. What does surprise is his prescience about still-relevant concerns, from a disappearing middle class to police brutality.

“Bread of Angels,” Patti Smith’s mesmerizing new memoir, only deepens the mystery of who this iconic artist is and where her singular vision originated. I’ve long been struck by her magnetism on stage, her fearless approach to her craft, and the stark beauty of her words on the page, including the National Book Award-winning “Just Kids.” She has a preternatural belief in her own instincts and a boundless curiosity that, taken together, help explain the extraordinarily rich life and oeuvre she’s constructed. This transcendent — and at times terrifying — account of that evolution enriches that understanding. And yet, Smith’s persona remains veiled — sphinx-like — an ethereal presence whose journey to fame was fueled by her questing spirit and later detoured by tragedy.

Like Jeanette Walls’ classic, “The Glass Castle,” Smith’s saga begins with a hard-scrabble childhood she relates as if narrating a Dickensian fairy tale. In the first four years of her life, her family relocated 11 times, moving in with relatives after evictions, or into rat-infested Philadelphia tenements. Smith’s mother was a waitress who also took in ironing. Her father was a factory worker, a World War II veteran scarred by his experience abroad. They shared their love of poetry, books and classical music with their daughter, who was reading Yeats by kindergarten.

Smith, who was born in 1946, was often bed-ridden as a young girl, afflicted with tuberculosis and scarlet fever, along with all the usual childhood ailments. She writes: “Mine was a Proustian childhood, one of intermittent quarantine and convalescence.” When she contracted Asian flu, the virus paralyzed her with “a vise cluster of migraines.” She credits a boxed set of Puccini’s “Madame Butterfly” recordings her mother bought with tip money for her return to health.

As a 3-year-old, Smith recalls grilling her mother during evening prayers, posing metaphysical questions about Jesus and the soul, immersing herself in Bible study and later joining her mother as a Jehovah’s Witness. She didn’t confine herself to a single religious discipline, though. For example, while still a young child, she saw the movie “Lost Horizons” and became entranced by Tibet and the teachings of Buddhism — “an awareness of the interconnectedness of all things.” While “this seemed beautiful,” she writes, “it nonetheless troubled me.”

There is a romantic quality even to the deprivations Smith chronicles, an effect heightened by what she chooses to highlight or withhold. With little money for toys, she and her siblings entertained themselves using the knobs on a dresser as instruments on a ship, sailing on faraway seas. She and her younger siblings regularly set out with their mother to the nearby railroad tracks, where they harvested leftover lumps of coal to fuel their pot-bellied stove — the apartment’s sole source of heat. Under the floorboards of her closet, Smith conceals “glittering refuse I had scavenged from trash bins, fragments of costume jewelry, rosary beads,” along with a blue toothbrush she’s invested with magical powers.

Their apartment building overlooks a trash-strewn area dubbed “the Patch,” which is bordered by “the Rat House.” There, Smith proclaims herself general of the neighborhood’s Buddy Gang, fearlessly fending off bullies twice her size, while at school, she was viewed as odd by her teachers, “like something out of Hans Christian Andersen.”

Within this urban setting, Smith often paused to marvel at nature. Taking a short cut on the long walk to school, she stumbles on a pond in a wooded area. A snapping turtle emerges and settles a few feet away. “He was massive,” she recalls, “with ancient eyes, surely a king.”

It’s impossible to know if Smith was really this self-possessed and ruminative as a child or if nostalgia has altered her perspective. What’s undeniable, though, is that her extraordinary artist’s eye and soulful nature emerged at an age when the rest of us were still content to simply play in our sandboxes. She recollects fishing Vogue magazines out of trash cans around age 6 and feeling “a deep affinity” with the images on their pages. She’s immersed in Yeats and Irish folk tales while being bored at school reading “Fun With Dick and Jane.” On her first visit to an art museum, viewing Picasso’s work produces an epiphany: She was born to be an artist. A decade later, she boards a bus bound for New York City.

At this point, about a third of the way into the book, we enter the vortex that is Patti Smith’s talent and ambition on fire. The pace of the memoir accelerates. An alchemy infuses each chance encounter. Opportunities abound. Everywhere she turns there are talented photographers, poets, playwrights and musicians encouraging and supporting her. She writes poetry and finds a soulmate in Robert Mapplethorpe. She meets Sam Shepard, who features her poem in a play he’s writing. She meets William Burroughs, performs a reading with Allen Ginsberg. She forms a musical partnership with Lenny Kaye, and begins performing her poetry, with the 19th century French poet Arthur Rimbaud as her spiritual inspiration.

Smith’s story unfolds as a bohemian fairy tale. Luck is with her, bolstered by a fierce conviction in her own bespoke vision. “There was no plan, no design,” she writes of that time, “just an organic upheaval that took me from the written to the spoken word.” Bob Dylan becomes a mentor. Her fame grows enormous with the 1975 release of “Horses” and the international touring that followed, yet she retains the bearing of an ascetic. She writes: “We hadn’t made our record to garner fame and fortune. We made it for the art rats known and unknown, the marginalized, the shunned, the disowned.”

Smith’s rock star trajectory is diverted by her love affair with Fred Sonic Smith, for whom she ditches her career at its height, against the advice of many of those closest to her. But as with every decision she’s ever made, she can’t be dissuaded. In this intimate portion of the book, we receive glimpses of two passionate artists hibernating, in love. They marry, have two children, and cultivate an eccentric version of domestic bliss. But harsh reality intervenes and the losses begin to accumulate. One after the other, Smith loses the men she loves most — Robert, then Fred, then her beloved brother, Todd. These losses haunt the memoir; she grapples with them by returning to the stage with a fierce new hunger.

The book’s final pages reveal Smith continuing to grieve, mourning the loss of other loved ones — her parents, Susan Sontag, Sam Shepard. I wish I could simply reprint those pages here — they moved me deeply. At 78, she reflects on the process of “shedding” — which she describes as one of life’s most difficult tasks. “We plunge back into the abyss we labored to exit and find ourselves within another turn of the wheel,” she writes. “And then having found the fortitude to do so, we begin the excruciating yet exquisite process of letting go.”

“All must fall away,” she concludes. “The precious bits of cloth folded away in a small trunk like an abandoned trousseau, the books of my life, the medals in their cases.” What will she retain? “But I will keep my wedding ring,” she writes, “and my children’s love.”

Haber is a writer, editor and publishing strategist. She was director of Oprah’s Book Club and books editor for O, the Oprah Magazine.

After taking his normal round of infield grounders during the Dodgers’ off-day workout Sunday, Kiké Hernández jogged to center field and spent a noticeable amount of time fielding fly balls there.

On the eve of Game 3 of the World Series, it might not have been a coincidence.

After using the same nine players in their starting lineup in six straight games since the start of the National League Championship Series, the Dodgers have been considering a change for Monday — one that could drop struggling second-year slugger Andy Pages to the bench.

While the Dodgers’ overall offense has been inconsistent this postseason, Pages has endured the most glaring slump. He has collected just four hits in 43 at-bats, registering a .093 average. He has 11 strikeouts, no walks, and only one extra-base knock, providing little pop or spark from the No. 9 spot.

Manager Dave Roberts acknowledged before Game 2 that he was mulling whether to keep Pages in the lineup. And though the 24-year-old outfielder, who had 27 home runs and 86 RBIs in the regular season, had a hit and run scored on Saturday, Roberts reiterated Sunday that making a move with Pages was “still on the table” and “front of mind.”

“Just trying to figure out where he’s at mentally, physically,” Roberts said. “The performance hasn’t been there. So thinking of other options, yeah.”

One reason the Dodgers have stuck with Pages is because of their limited defensive alternatives — including, first and foremost, utilityman Tommy Edman being restricted to only second base this October because of a lingering ankle injury.

Edman, who split time last postseason between center field and shortstop, did say this weekend that his ankle was feeling better (even though he didn’t close the door on potentially needing surgery this offseason). But Roberts noted that Edman “hasn’t taken a fly ball out there in a month,” casting continued doubt over his ability to play anywhere else.

Without Edman, Hernández is the only other true center-field option for the Dodgers to use in their starting lineup, having also played there during the team’s World Series run last year. This postseason, Hernández has been a fixture in left (while also mixing in at third base). But if he were to slide to center field for Game 3, it could open left field for someone like Alex Call.

Call, a trade deadline acquisition who was a part-time player down the stretch in the regular season, does not represent as much of a power threat as Pages, but is a better contact hitter with more on-base ability.

Of course, the Dodgers’ offensive inconsistencies have gone beyond Pages.

They have not topped five runs in a game since the wild-card round. They have hit just .216 as a team since the start of the division series. Shohei Ohtani and Freddie Freeman are still batting under .225 in the playoffs. Mookie Betts is batting .136 since the start of the NLCS.

During their Game 2 win, Roberts felt the club missed a lot of hittable pitches against Blue Jays starter Kevin Gausman, before Will Smith and Max Muncy finally broke through with home runs in the seventh.

That, Roberts felt, was a sign his lineup was “a little bit in between” in its approach, squandering opportunities to do damage against fastballs over the plate while also trying to protect against breaking stuff out of the zone.

“They have made good pitches, but we have missed pitches as well,” Roberts said. “I do think that coming home, I feel that we’re back into a little bit of a rhythm offensively.”

Perhaps shaking up the lineup will help, as well.

With next week’s publication of his ninth novel, “Shadow Ticket,” Thomas Pynchon’s secret 20th century is at last complete.

For many of us, Pynchon is the best American writer since F. Scott Fitzgerald. Since the arrival in 1963 of his first novel, “V.,” he has loomed as the presiding colossus of our literature — revered as a Nobel-caliber genius, reviled as impenetrable and reviewed with increasing condescension since his turn toward detective fiction with “Inherent Vice” in 2009.

Now comes “Shadow Ticket,” and it’s late Pynchon at his finest. Dark as a vampire’s pocket, light-fingered as a jewel thief, “Shadow Ticket” capers across the page with breezy, baggy-pants assurance — and then pauses on its way down the fire escape just long enough to crack your heart open.

Only now can we finally see that Pynchon has been quietly assembling — one novel at a time, in no particular order — an almost decade-by-decade chronicle no less ambitious than Balzac’s “La Comédie Humaine,” August Wilson’s Century Cycle or the 55 years of Garry Trudeau’s “Doonesbury.” This is his Pynchoniad, a zigzagging epic of America and the world through our bloodiest, most shameful hundred years. Perhaps suffering from what Pynchon called in “V.” our “great temporal homesickness for the decade we were born in,” he has now filled in the only remaining blank spot on his 20th century map: the 1930s.

A photograph of Thomas Pynchon in 1955. The elusive novelist has avoided nearly all media for more than 50 years.

(Bettmann Archive)

It all begins in Depression-era Milwaukee as a righteously funny gangster novel. In a scenario straight out of Dashiell Hammett’s early stories, a detective agency operative named Hicks McTaggart gets an assignment to chase down the runaway heiress to a major cheese fortune. Roughly midway through, Pynchon’s characters hightail it all the way to proto-fascist Budapest, where shadows more lethal than any Tommy gun begin to encroach. By the end, this novel has become at once a requiem, a farewell, an old soft-shoe number — and a warning.

When Pynchon’s jacket summary of this tale of two cities first surfaced six months ago, cynics could be forgiven for wondering whether an 88-year-old man, hearing time’s winged chariot idling at the curb, hadn’t just taken two half-completed works in progress and spot-welded them together. Younger people are forever wondering — in whispers, and never for general consumption — whether some person older than they might have, you know, lost a step.

Well, buzz off, kids. Thomas Pynchon’s voice on the page still sings, clarion strong. Unlike most novelists, his voice has two distinct but overlapping registers. The first is Olympian, polymathic, erudite, antically funny, often beautiful, at times gross, at others incredibly romantic, never afraid to challenge or even confound, and unmistakably worked at. The second, audible less frequently until 1990’s “Vineland,” sounds looser, freer, warmer, more improvisational, more curious about love and family, increasingly wistful, all but twilit with rue. He still brakes for bad puns and double-negative understatements, but he avoids the kind of under-metabolized research that sometimes alienated his early readers.

“Shadow Ticket’s” structure turns the current film adaptation of “Vineland” inside out — that would be “One Battle After Another,” whose thrilling middle more than redeems an only slightly off-key beginning and end. By contrast, “Shadow Ticket” offers a wildly seductive overture, a companionable but occasionally slack midsection, and a haunting sucker punch of an ending.

Mercifully, having already set “The Crying of Lot 49” and “Inherent Vice” largely in L.A., Pynchon still hasn’t lost his nostalgia for Los Angeles, a place where he lived and wrote for a while in the ’60s and ’70s. “Shadow Ticket” marks Pynchon’s third book to take place mostly on the other side of the world, but then — like so many New Yorkers — the novel finds its denouement in what Pynchon here calls “that old L.A. vacuum cleaner.”

Pynchon may not have lost a step in “Shadow Ticket,” but sometimes he seems to be conserving his energy. His signature long, comma-rich sentences reach their periods a little sooner now. His chapters end with a wink as often as a thunderclap. Sometimes he sounds almost rushed, peppering his narration with “so forths,” and making his readers play odds-or-evens to attribute long stretches of dialogue.

Maybe only on second reading do we realize that we’ve been reading a kind of Dear John letter to America. Nobody else writing today can begin a final chapter as elegiacally as Pynchon does here: “Somewhere out beyond the western edge of the Old World is said to stand a wonder of our time, a statue hundreds of meters high, of a masked woman. … Like somebody we knew once a long time ago.”

Is this the Statue of Liberty, turning her back at last on the huddled masses she once welcomed? One character immediately suggests yes, another denies it. Either way, it’s a sobering way to introduce an ending as compassionately doom-laden as any Pynchon has ever given us.

Bear in mind, this is the same Pynchon who, a hundred pages earlier, has raffishly referred to sex as “doing the horizontal Peabody.” (Don’t bother Googling. This one’s his.) One early reviewer has compared “Shadow Ticket’s” shaggy charm to cold pizza, and readers will know what he means. Who’s ever sorry to see a flat box in the fridge the next morning?

For most of the way, though, “Shadow Ticket” may remind you of an exceptionally tight tribute band, playing the oldies so lovingly that you might as well be listening to your old, long-since-unloaded vinyl. The catch is, for an encore — just when you could swear the band might actually be improving on the original — the musicians turn around and blow you away with a lost song that nobody’s ever heard before.

Thus, with a flourish, Pynchon types fin to his secret 20th century. But what does he do now? The man’s only 88. (Anybody who finds the phrase “only 88” amusing is welcome to laugh, but plenty of people thought Pynchon was hanging it up at 76 with “Bleeding Edge.” Plenty of people were mistaken.)

So, will Pynchon stand pat with his 20th century now secure, and take his winnings to the cashier’s window? Or will he, as anyone who roots for American literature might devoutly wish, hold out for blackjack?

Hit him.

Kipen is a contributor to Cambridge Pynchon in Context, a former NEA Director of Literature, a full-time member UCLA’s writing faculty and founder of the Libros Schmibros Lending Library and the just-birthed 21st Century Federal Writers’ Project.

GAVIN & Stacey star Joanna Page says she did not complain about being groped by a TV presenter because she “did not want to make a fuss”.

The Welsh actress, 48, who played Stacey Shipman in the hit BBC sitcom has written about it in her new memoir Lush.

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She recalled the female producer of an entertainment show telling her the presenter could be “very handsy with the women”.

He started groping her and she had to knock his hand away.

Joanna said: “There are always going to be predators in an environment like this when you’ve got young, beautiful girls who are desperate to get a job.

“It is so hard to get that job.”

“Most of the time the people who are giving you those jobs are older men and they know that you want the job and there’s a million girls out there trying to get the job.”

She continued: “You don’t ever go, ‘Oh God, I’m going to report this’, because in those days you kind of didn’t, you just got on with it, it was what happened at work.

“It wasn’t every single job I went into, but in lots of different jobs there would be one type of thing.”

Mum-of-four Joanna, who is promoting her memoir Lush!, does not name the perpetrator ­­as she says: “The legal people said, ‘Be careful’.”

Earlier this year, Joanna and Natalie Cassidy were dealt a blow when the Beeb failed to recommission their show, leaving it axed just one year after launching.

A BBC spokesperson told The Sun earlier this year: “What started as a six month project turned into more than a year of joyous TV chatter, and over 80 heart-warming episodes.

“Though they both loved making the series, Natalie Cassidy and Joanna Page have very busy schedules and on the 21st May, the final episode of Off the Telly will be released on BBC Sounds.

“Thank you to Nat and Jo for their warm recommendations and insider analysis, and to the whole team for keeping listeners in the loop with what to watch.

“We look forward to working with Nat and Jo again soon!”

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Mark Selby made a superb 131 break in the deciding frame of his 5-4 win over Jackson Page to move into the semi-finals of the English Open.

The four-time world champion trailed 2-1 and 3-2 against Welshman Page before levelling the match with a run of 111.

Selby, who is aiming to capture his 25th ranking title, took frame seven only for Page to knock in his fourth half century of the match to ensure it went the distance before the Englishman sealed his success.

China’s Zhou Yuelong awaits Selby in the last four after he battled back from 4-2 down to beat 2023 world champion Luca Brecel 5-4.

Breaks of 94 and 113 enabled Zhou to get back to 4-4 before he edged a tense 52-minute ninth frame after Brecel left him a routine black to the yellow pocket.

Meanwhile, former Crucible finalist Jak Jones completed a 5-2 triumph over Aaron Hill, while Elliot Slessor established a 4-0 lead over Mark Allen, before the Northern Irishman rallied.

England’s Slessor looked on course to complete a 5-0 whitewash but missed a difficult black off its spot as Allen got a frame on the board with a 55.

Another missed black to the same corner pocket cost Slessor the sixth frame in a match that went on late into Friday evening.

ST. PETERSBURG, Fla.  — A Florida federal judge on Friday tossed out a $15-billion defamation lawsuit filed by President Trump against The New York Times.

U.S. District Judge Steven Merryday ruled that Trump’s 85-page lawsuit was overly long and full of “tedious and burdensome” language that had no bearing on the legal case.

“A complaint is not a megaphone for public relations or a podium for a passionate oration at a political rally,” Merryday wrote in a four-page order. “This action will begin, will continue, and will end in accord with the rules of procedure and in a professional and dignified manner.”

The judge gave Trump 28 days to file an amended complaint that should not exceed 40 pages.

The lawsuit named four Times journalists and cited a book and three articles published within a two-month period before the last election.

The Times had said it was meritless and an attempt to discourage independent reporting. “We welcome the judge’s quick ruling, which recognized that the complaint was a political document rather than a serious legal filing,” spokesman Charlie Stadtlander said Friday.

Merryday noted that the lawsuit did not get to the first defamation count until page 80. The lawsuit delves into Trump’s work on “The Apprentice” TV show and an “extensive list” of Trump’s other media appearances.

“As every lawyer knows (or is presumed to know), a complaint is not a public forum for vituperation and invective — not a protected platform to rage against an adversary,” wrote Merryday, an appointment of former President George H.W. Bush. “Although lawyers receive a modicum of expressive latitude in pleading the claim of a client, the complaint in this action extends far beyond the outer bound of that latitude.”

The lawsuit named a book and an article written by Times reporters Russ Buettner and Susanne Craig that focuses on Trump’s finances and his pre-presidency role in “The Apprentice.”

Trump said in the lawsuit that they “maliciously peddled the fact-free narrative” that television producer Mark Burnett turned Trump into a celebrity — “even though at and prior to the time of publications defendants knew that President Trump was already a mega-celebrity and an enormous success in business.”

The lawsuit also attacked claims the reporters made about Trump’s early business dealings and his father, Fred.

Trump also cited an article by Peter Baker last Oct. 20 headlined “For Trump, a Lifetime of Scandals Heads Toward a Moment of Judgment.” He also sued Michael S. Schmidt for a piece two days later featuring an interview with Trump’s first-term chief of staff, John Kelly, headlined “As Election Nears, Kelly Warns Trump Would Rule Like a Dictator.”

Trump has also sued ABC News and CBS News’ “60 Minutes,” both of which were settled out of court by the news organizations’ parent companies. Trump also sued The Wall Street Journal and media mogul Rupert Murdoch in July after the newspaper published a story reporting on his ties to wealthy financier and convicted sex offender Jeffrey Epstein.

Anderson writes for the Associated Press.

WASHINGTON — The House Oversight Committee on Tuesday publicly posted the files it had received from the Justice Department on the sex trafficking investigations into Jeffrey Epstein and his former girlfriend Ghislaine Maxwell, responding to mounting pressure in Congress to force more disclosure in the case.

Still, the files mostly contain information that was already publicly known or available. The folders — posted on Google Drive — contained hundreds of image files of years-old court filings related to Epstein, who died in a New York jail cell in 2019 as he faced charges for sexually abusing teenage girls, and Maxwell, who is serving a lengthy prison sentence for assisting him.

The files also included video appearing to be body cam footage from police searches as well as recordings and summaries of law enforcement interviews with victims detailing the abuse they said they suffered.

The committee’s release of the files showed how lawmakers are eager to act on the issue as they return to Washington after a monthlong break. They quickly revived a political clash that has flummoxed House Republican leadership and roiled President Trump’s administration.

House Republican Speaker Mike Johnson is trying to quell an effort by Democrats and some Republicans to force a vote on a bill that would require the Justice Department to release all the information in the so-called Epstein files, with the exception of the victims’ personal information.

What’s in the released files

If the purpose of the release was to provide answers to a public still curious over the long concluded cases, the raw mechanics of the clunky rollout made that a challenge.

The committee at 6 p.m. released thousands of pages and videos via the cumbersome Google Drive, leaving it to readers and viewers to decipher new and interesting tidbits on their own.

The files released Tuesday included audio of an Epstein employee describing to a law enforcement official how “there were a lot of girls that were very, very young” visiting the home but couldn’t say for sure if they were minors.

Over the course of Epstein’s visits to the home, the man said, more than a dozen girls might visit, and he was charged with cleaning the room where Epstein had massages, twice daily.

Some pages were almost entirely redacted. Other documents related to Epstein’s Florida prosecution that led to a plea deal that has long been criticized as too lenient, including emails between the defense and prosecutors over the conditions of his probation after his conviction. Barbara Burns, a Palm Beach County prosecutor, expressed frustration as the defense pushed for fewer restrictions on their client: “I don’t know how to convey to him anymore than I already have that his client is a registered sex offender that was fortunate to get the deal of the century.”

Some of the interviews with officers from the Palm Beach Police Department date to 2005, according to timestamps read out by officials at the beginning of the files.

Most, if not all, of the text documents posted Tuesday had already been public. Notably, the probable cause affidavit and other records from the 2005 investigation into Epstein contained a notation indicating that they’d been previously released in a 2017 public records request. An internet search showed those files were posted to the website of the Palm Beach County State Attorney’s Office in July 2017.

Rep. Robert Garcia, the top Democrat on the House Oversight Committee, chided Republicans on the panel for releasing material that he said consisted almost entirely of already available information.

“The 33,000 pages of Epstein documents James Comer has decided to ‘release’ were already mostly public information. To the American people — don’t let this fool you,” Garcia said in a statement.

The disclosure also left open the question of why the Justice Department did not release the material directly to the public instead of operating through Capitol Hill.

Survivors meet with lawmakers

On Capitol Hill onTuesday, the House speaker and a bipartisan group of lawmakers met with survivors of abuse by Epstein and Maxwell.

“The objective here is not just to uncover, investigate the Epstein evils, but also to ensure that this never happens again and ultimately to find out why justice has been delayed for these ladies for so very long,” said Johnson, R-La., after he emerged from a two-hour meeting with six of the survivors.

“It is inexcusable. And it will stop now because the Congress is dialed in on this,” he added.

But there are still intense disagreements on how lawmakers should proceed. Johnson is pressing for the inquiry to be handled by the House Oversight Committee and supporting the committee as it releases its findings.

Push for disclosure continues

Meanwhile, Democrats and some Republicans were still trying to maneuver around Johnson’s control of the House floor to hold a vote on their bill to require the Justice Department to publicly release files. Democrats lined up in the House chamber Tuesday evening to sign a petition from Rep. Thomas Massie, a Kentucky Republican, to force a vote. Three other Republicans also supported the maneuver, but Massie would need two more GOP lawmakers and every Democrat to be successful.

If Massie, who is pressing for the bill alongside Rep. Ro Khanna (D-Calif.), is able to force a vote — which could take weeks — the legislation would still need to pass the Senate and be signed into law by Trump.

The clash suggests little has changed in Congress since late July, when Johnson sent lawmakers home early in hopes of cooling the political battle over the Epstein case. Members of both parties remain dissatisfied and are demanding more details on the years-old investigation into Epstein, the wealthy and well-connected financier whose 2019 death has sparked wide-ranging conspiracy theories and speculation.

“We continue to bring the pressure. We’re not going to stop until we get justice for all of the survivors and the victims,” Garcia told reporters.

Groves writes for the Associated Press. AP writers Eric Tucker, Kevin Freking and Alanna Durkin Richer in Washington, Mike Sisak in New York and Meg Kinnard in Chapin, S.C., contributed.

The Dodgers continued their season-long celebration of last year’s World Series triumph by handing out championship rings Monday. The 49,702 people who bought tickets got replicas while Gavin Lux, who played for the Dodgers last season and is now with the Cincinnati Reds, got a real one.

If the team hopes to win more jewelry again this fall, the next five weeks will be key. Because after Monday’s 7-0 win over the Reds, the Dodgers lead San Diego by a game in the National League West with just 30 more left in the regular season for both teams.

However, if the Dodgers (75-57) continue to play as they did Monday, when Andy Pages homered twice, driving in four runs, and Emmet Sheehan threw a career-high seven scoreless innings, they’ll be tough to catch.

“The defense was just engaged, every single guy out there. The at-bats, one through nine, were great,” Dodgers manager Dave Roberts said. “It’s probably one of the better games, complete games, that we’ve played in months. I’m really, really excited about the way we played.”

Excited, too, because what started as a marathon six months ago is now a different kind of race.

“We’re in a sprint now,” said Michael Conforto, who had two hits and made two outstanding plays in left field. “We’re in a race for the division.”

And they’re a step ahead in that race with the Padres, who, like the Dodgers, have 10 series remaining, five at home and five on the road. But San Diego has the easier schedule, based on the combined winning percentage of its opponents (.474) entering the week. The Dodgers have the fourth-easiest schedule.

For Roberts, his team’s narrow margin for error is something to be embraced since it has the potential to steel his team for the postseason, as opposed to simply coasting into the playoffs.

“Competition should bring out the best in you,” he said. “So where the margins are smaller and everything matters more versus you have a big lead and you’re not playing with urgency because you don’t need to, and then have to kind of flip the switch, that’s tough.”

The Dodgers also are rapidly adding reinforcements for their playoff push. Over the weekend, relievers Tanner Scott and Kirby Yates returned from the injured list and utility player Kiké Hernández was activated Monday. Third baseman Max Muncy and infielder/outfielder Hyeseong Kim could be back by the next road trip, if not before. Utilityman Tommy Edman and pitcher Roki Sasaki likely aren’t far behind.

Then there’s Sheehan (5-2), who was brilliant Monday, pitching a career-best seven innings and matching a career high with 10 strikeouts to win his third straight decision. Sheehan gave up just two hits and walked one.

“I definitely have to build on it. Try to just keep the same progress we’ve been doing, keep that going for the next one,” Sheehan said. “It’s pretty fun. It’s a lot more fun than watching the ball go over the fence, for sure.”

For Roberts, it’s as if his team acquired a half-dozen new players.

Dodgers shortstop Mookie Betts, left, celebrates with right fielder Teoscar Hernández after hitting a home run in the seventh inning against the Reds on Monday.

(Carlin Stiehl / Los Angeles Times)

“Those are kind of deadline trades in themselves,” he said. “I do appreciate the guys that have been here, kind of grinding through. But it’s nice looking out on the horizon, seeing the guys that we got coming.”

Pages put the Dodgers in front to stay in the third Monday, driving a 102-mph fastball from Hunter Greene into the bullpen in left field. He hit another in the fifth inning for his 23rd homer of the season, second-most on the team behind Shohei Ohtani’s 45.

In the sixth, a double by Freddie Freeman and walks to Will Smith and Teoscar Hernández loaded the bases for Pages, whose two-out grounder to short got under Elly De La Cruz for a two-run error. A Mookie Betts’ homer, his second hit of the game, with one out in the seventh and a Pages’ sacrifice fly in the eighth closed out the scoring.

Relievers Jack Dreyer and Anthony Banda followed Sheehan, pitching an inning each to complete the shutout, the team’s fourth in the last 23 games.

The Dodgers had only three shutouts in the first 109 games.

Now come the reinforcements, although Kiké Hernández said he almost didn’t make it. After going on the injured list July 6 with left elbow inflammation, he tried three injections and non-invasive rehab procedures, but nothing seemed to work.

“I got to a point where I didn’t know if it was going to happen. We were pretty close to it not happening,” he said of his return. “There are some procedures that I went through that didn’t do anything. I went through four shots in a month, and [the] first three didn’t do anything, and luckily the fourth one was the answer.

“After the last shot, I was pain free.”

Hernández said he expected to start in left field Tuesday. He joins the Dodgers just in time for their sprint to the finish.

“It’s playoff-atmosphere games from here on out,” he said. “Hopefully it brings out the best in people and also teaches the younger guys that when the time comes and we’re in October, the moment doesn’t get too big for them.”

MANCHESTER UNITED are so desperate for a new midfielder that one fan has launched a GoFundMe to raise money to sign Carlos Baleba.

United have reportedly made contact with Brighton to explore a potential deal for Baleba though it will prove difficult.

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Brighton could potentially ask for as much as £100m for Baleba, who still has three years remaining on his contract.

Other Cameroonian reports have suggested Amex chiefs want £87m on the table to even consider opening talks over Baleba.

The 21-year-old enjoyed an impressive season for the Seagulls, featuring 34 times in the Premier League and scoring three goals for Fabian Hurzeler‘s side.

According to The Athletic, the Red Devils have expressed their interest in the central midfielder.

And, while United may be struggling for money as they flirt with PSR amid the arrivals of Matheus Cunha and Bryan Mbeumo for £133m combined, one fan has taken things into his own hands to try and raise some cash.

Supporter Ian M organised the fundraiser on Wednesday night, titled Baleba to ‘Man Utd fund’.

Alongside a picture of Baleba in a Brighton shirt, the description reads: “We need this to happen we need this to happen we need this to happen we need this to happen.”

The post set an ambitious target of raising 120million.

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BEST ONLINE CASINOS – TOP SITES IN THE UK

At the time of writing, there has been one £5 donation from an anonymous user.

United will need all the help they can get ahead of the pending £74million arrival RB Leipzig striker Benjamin Sesko.

Although a No9 is a clear must, many fans think new midfielder is an even bigger priority.

United are on the hunt for a dynamic midfielder to go in Ruben Amorim’s 3-4-3 pivot after unconvincing displays by Manuel Ugarte in pre-season, with his display against Everton facing scrutiny.

Baleba was one of the Premier League’s top ranked midfielders last season for tackles, blocks, interceptions and recoveries, while his progressive carries and forward passing numbers were also impressive.

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His stock is rising fast, and he’s already been linked with Liverpool and Manchester City.

The Brighton star’s journey is nothing short of remarkable so far. Just three years ago, he was still in Cameroon, uncertain about his future. 

When he finally got his breakthrough move to Lille, tragedy struck, he lost his mother, he says it was sudden and quick. It’s a pain that still drives him.

Baleba previously told SunSport: “It was very difficult for me because I didn’t see my mum. I wanted her next to me, but when I signed for Brighton, she wasn’t here.

“That’s why the first season was really hard. I thought about her a lot. But I vowed that I would be the best version of myself and go as far as I can in my career.”

Brighton have made an incredible profit off the traditional ‘Big Six’ in recent years.

A switch to United would see Baleba follow in the footsteps of midfield stars like Alexis Mac Allister, Yves Bissouma, and Moises Caicedo – who all left the Amex for Prem giants.

Contrary to some recent media chatter, the novel isn’t dead: A glance at this month’s choices, which include quirky robot sci-fi, an artist’s tale set in 1950s Mexico and a dysfunctional family’s reckoning with addiction, proves that imaginative storytelling has a strong heartbeat. Meanwhile, whether you’re looking for history or current events, check out an oral history of the atomic bomb, an expert’s thoughts on climate change and a thorough tribute to the writer James Baldwin. Happy reading!

FICTION

Automatic Noodle: A Novel
By Annalee Newitz
Tordotcom: 176 pages, $25
(Aug. 5)

Late 21st-century San Francisco: California has seceded from the United States, and robots serve humans like crypto money launderer Fritz Co, whose Burgers N More is a front. He absconds and leaves four robots adrift, but with aid from unhoused human “robles,” they reconfigure the joint as a ramen shop — until robophobes launch a campaign to shut them down. Robots Staybehind, Sweetie, Cayenne and Hands will capture readers’ hearts.

People Like Us: A Novel
By Jason Mott
Dutton: 288 pages, $30
(Aug. 5)

Soot, one of the protagonists of Mott’s funny and affecting new book, also appeared in 2021’s “Hell of a Book.” Like the (at first) unnamed narrator, Soot is now a middle-aged writer from North Carolina (Mott originally intended this story to be in memoir form), and both men’s paths illustrate the difficulty of reconciling being Black with being American. While the theme of gun violence plays an important role, Mott is ultimately concerned with how and where his characters find safety.

Fonseca: A Novel
By Jessica Francis Kane
Penguin Press: 272 pages, $28
(Aug. 12)

In this fictionalized version of British novelist Penelope Fitzgerald’s real-life trip to Saltillo, Mexico, in 1952, she arrives pregnant with her son Valpy in tow, hoping eccentric, elderly sisters might keep their promise to leave Valpy their silver mine. “Fonseca” (“dry well” in Latin) is how Fitzgerald always referred to Saltillo, but Kane’s remarkable excavation of this interlude, including real letters from Valpy, drips with juicy conflict and detail.

The Frequency of Living Things: A Novel
By Nick Fuller Googins
Atria: 336 pages, $29
(Aug. 12)

Three sisters make up the band name “Jojo and the Twins” — but Jojo, younger sister to identical twins Emma and Araminta (Ara), isn’t in the band. Instead, she’s the caretaker for her siblings, who made a fortune with their blockbuster hit “American Mosh,” then lost that fortune, in part due to Ara’s substance addictions. Chapters alternate between Jojo, Emma, Ara and their absentee mother Bertie, who all discover that big love has big costs.

Katabasis: A Novel
By R. F. Kuang
Harper Voyager: 560 pages, $32
(Aug. 26)

Alice Law and Peter Murdoch, Cambridge University doctoral fellows in Magick, wind up in Hell looking for their adviser in a dark academia thriller whose title is the Greek word for “downward journey.” This version of Hell closely resembles Dante’s “Inferno,” with many circles leading toward the very worst human actions. There’s a great deal of doubling back and a lot of incantatory action, both of which sci-fi/fantasy stans will appreciate.

NONFICTION

The Devil Reached Toward the Sky: An Oral History of the Making and Unleashing of the Atomic Bomb
By Garrett M. Graff
Avid Reader Press: 608 pages, $35
(Aug. 5)

Many accounts of the unusual and unholy circumstances that led to the atomic bombs dropped on Japan at the end of World War II center on scientific discovery, neglecting the enormous human and environmental toll involved. Not so with journalist Graff’s (“When the Sea Came Alive”) approach, in which everyone from theoreticians to site managers on to survivors of all ages share first-person stories of what they did, saw and understood.

Putting Myself Together: Writing 1974–
By Jamaica Kincaid
Farrar, Straus and Giroux: 336 pages, $30
(Aug. 5)

Since her 1985 debut novel, “Annie John,” the Antiguan-born Kincaid has been impossible to ignore, and this collection of essays and journalism shows why: Even as some critics have found her prose too personal or political, Kincaid knows she meant it to be so. Ranging from her famed “Biography of a Dress” to pieces for the New Yorker on to essays on gardening, the works speak of a person who has refused to be defined by any kind of constraints.

Greyhound: A Memoir
By Joanna Pocock
Soft Skull: 400 pages, $19
(Aug. 12)

The Great American Road Trip, that idealized trek heading west, might be different now, according to author Pocock, who first made that journey in 2006 from Detroit to Los Angeles in the wake of grief after several miscarriages. In 2023, retracing her steps via Greyhound bus like French writer Simone de Beauvoir (“America Day by Day,” 1948), she discovers fewer humans, more dirt and less safety — but the same magical “sense of no longer existing.”

Baldwin: A Love Story
By Nicholas Boggs
Farrar, Straus and Giroux: 720 pages, $36
(Aug. 19)

James Baldwin’s four great affairs (intellectual, romantic, platonic and artistic) provide a beautiful structure for this biography, which includes careful research into the writer/activist’s upbringing and political formation as well as his widespread influence. Beauford Delaney’s creative guidance, Lucien Happersberger’s intimacy, Engin Cezzar’s call to activism and French painter Yoran Cazac’s artistic collaboration — each forms a polished facet of Baldwin’s gem-like dazzle.

Here Comes the Sun: A Last Chance for the Climate and a Fresh Chance for Civilization
By Bill McKibben
W. W. Norton: 224 pages, $30
(Aug. 19)

Since McKibben’s 1989 “The End of Nature,” the world’s temperature has risen by at least 1 degree Fahrenheit. Now the author and environmental activist wants to wake everyone up to the fact that we can’t stop global warming, but we can stave off reaching the next degrees if we enact the kind of political change necessary to use new technologies (like photovoltaic devices) that, instead of draining our planet’s resources, harness those beaming down daily.

ARLINGTON, Va. — Atty. Gen. Pam Bondi suggested Tuesday that she has no plans to step down as she dodged questions about Jeffrey Epstein and her clash with a top FBI official, seeking to press ahead with a business-as-usual approach in the face of right-wing outrage that has plunged the Justice Department into turmoil.

Pressed by reporters during an announcement touting drug seizures, Bondi sidestepped questions about the fallout of the Trump administration’s decision not to release more records related to the wealthy financier’s sex trafficking investigation that has angered high profile members of President Trump’s base. With some calling for her resignation, Bondi made clear she intends to remain attorney general.

“I’m going to be here for as long as the president wants to be here,” Bondi said. “And I believe he’s made that crystal clear.”

The announcement at the Drug Enforcement Administration headquarters of recent methamphetamine and fentanyl seizures represents an effort by Bondi to turn the page on the Epstein controversy and show that the Justice Department is forging ahead after days of mounting criticism from figures in the MAGA movement furious over the administration’s failure to deliver long-sought government secrets about Epstein. But her refusal to address the turmoil may only further frustrate conservative influencers who have been calling for transparency and accountability over the wealthy financier’s case.

“This today is about fentanyl overdoses throughout our country and people who have lost loved ones to fentanyl,” Bondi said in response to a question from a reporter about the Epstein files. “That’s the message that we’re here to send today. I’m not going to talk about Epstein.”

Trump has been seeking to tamp down criticism of his attorney general and defended her again earlier Tuesday, saying she handled the matter “very well.” Trump said it’s up to her whether to release any more records, adding that “whatever she thinks is credible, she should release.”

Asked about Trump’s comment, Bondi said the Justice Department memo released last week announcing that no additional evidence would become public “speaks for itself and we’ll get back to you on anything else.”

The turmoil over the department’s handling of the Epstein matter spilled into public view last week with reports of a internal clash between Bondi and FBI Deputy Director Dan Bongino. Part of the dispute centered on a story from the news organization NewsNation that cited a “source close to the White House” as saying the FBI would have released the Epstein files months ago if it could have done so on its own. The story included statements from Bondi, Deputy Atty. Gen. Todd Blanche and FBI Director Kash Patel refuting the premise, but not Bongino.

Asked Tuesday whether she believes Bongino should remain in his role, Bondi said only that she would not discuss personnel matters. Bondi stressed that she had spent the morning with Patel, adding that: “I think we all are committed to working together now to make America safe again and that’s what we’re doing.”

Bondi had already been under scrutiny after an earlier document release in February that she hyped and handed out in binders to conservative influencers at the White House lacked any new revelations. When that first release flopped, Bondi accused officials of withholding files from her and claimed that the FBI later turned over a “truckload” of evidence with thousands of pages of additional documents.

Despite promises that more files were on their way to the public, however, the Justice Department determined after a months-long review that no “further disclosure would be appropriate or warranted,” according to the memo released last week.

Richer writes for the Associated Press.

It seems Elmo’s world recently included vitriolic racist, antisemitic and foul-mouthed social media posts.

“Sesame Street’s” perpetually 3½-year-old mascot caught his social media fans off guard over the weekend as he seemingly traded in his wholesome tweets on X for hateful posts, including calling for violence against the Jewish community and others using lewd language to demand that President Trump release Jeffrey Epstein’s “client list,” alleging he was involved in the late financier’s sex trafficking operation. The obscenity-laden posts shared Sunday went viral, with screenshots also making the rounds. As of Monday morning, the posts had been scrubbed from Elmo’s page.

A spokesperson for Sesame Workshop, the organization behind “Sesame Street” and Elmo, told the Associated Press in a statement, “Elmo’s X account was compromised by an unknown hacker who posted disgusting messages including antisemitic and racist posts.”

“We are working to restore full control of the account,” the spokesperson added.

A representative for X did not immediately confirm the alleged hack or provide additional information to The Times on Monday.

In addition to the problematic tweets, the alleged hacker left a mysterious link on the beloved puppet’s page. The link, which has since been removed, redirected followers and internet sleuths to a user’s Telegram channel. On Telegram, the user appears to take credit for the hack. “Thanks Elmo,” reads one Telegram message shared Sunday, the same day Elmo’s odd posts hit the timeline.

In another Telegram message, the user praises Adolf Hitler and rapper Ye (formerly Kanye West), who has his own handful of controversies involving antisemitism and hateful comments.

The since-deleted tweets presented a very dramatic tone shift in the red furball’s online presence. Elmo, whose X activity mostly consists of photos with friends and wholesome greetings, notably broke the internet last year with an innocuous post: “Elmo is just checking in! How is everybody doing?”

The tweet, which is pinned to the top of Elmo’s profile, prompted some brutal honesty from a range of followers. “Resisting the urge to tell Elmo that I am kinda sad,” replied “West Side Story” star Rachel Zegler.

Fielding online confessions of existential dread and general anxiety, Elmo responded to fans that he “learned that it is important to ask a friend how they are doing.”

He added: “Elmo will check in again soon, friends! Elmo loves you.”

In the wake of the viral tweet, Sesame Workshop also offered fans and followers a mental health resource guide on its website, reminding users on X that “Mental health is health!”

Clearly, the alleged hacker didn’t get the memo on Elmo’s longstanding agenda of kindness and compassion.

Former Times staff writer Nardine Saad contributed to this report.

After announcing they would disarm, the Kurdistan Workers Party (PKK) destroyed their weapons in northern Iraq.

Turkish President Recep Tayyip Erdogan has said the country has begun a new era as the Kurdistan Workers Party (PKK) began to disarm after a four-decade armed conflict that killed more than 40,000 people.

In an address to his party, Justice and Development (AKP), Erdogan said on Saturday that the “scourge of terrorism has entered the process of ending”.

“Decades of sorrow, tears and distress came to an end. Turkiye turned that page as of yesterday,” Erdogan said.

“Today is a new day; a new page has opened in history. Today, the doors of a great, powerful Turkiye have been flung wide open,” the president added.

In a cave in northern Iraq on Friday, 30 PKK members burned their weapons, marking a hugely symbolic step towards ending their armed campaign against Turkiye.

During Friday’s ceremony, senior PKK figure Bese Hozat read out a statement at the Jasana cave in the town of Dukan, 60 km (37 miles) northwest of Sulaymaniyah in the Kurdish of Iraq’s north, announcing the group’s decision to disarm.

“We voluntarily destroy our weapons, in your presence, as a step of goodwill and determination,” she said.

Since 1984, the PKK has been locked in armed conflict with the Turkish state and decided in May to disarm and disband after a public call from the group’s long-imprisoned leader, Abdullah Ocalan.

Ocalan said in a video earlier this week, which was recorded in June by the groups affiliated with Firat News Agency, that the move to disarm was a “ voluntary transition from the phase of armed conflict to the phase of democratic politics and law” calling it a “historic gain”.

Further disarmament is expected to take place at a designated locations, which involves the coordination between Turkiye, Iraq and the Kurdish regional government in Iraq.

Critic Bethanne Patrick recommends 10 promising titles, fiction and nonfiction, to consider for your July reading list.

It’s officially beach-reads season: Whether you do your reading outdoors or inside in air-conditioned comfort, July’s hot new releases will help you stay cool. Topics range from analog memories of Golden Age Hollywood to a maverick female athlete. Happy reading!

FICTION

In Pursuit of Beauty: A Novel
By Gary Baum
Blackstone: 256 pages, $29
(July 1)

Baum, a journalist for the Hollywood Reporter, draws on knowledge he has gleaned about cosmetic surgery, the profession of his protagonist, Dr. Roya Delshad. Dr. Delshad, who is multiracial and once supposedly plain, remakes herself into a glorious bombshell — but then lands in prison. She’s agreed to consider interviews with a ghostwriter named Wes Easton, who will soon discover why she’s called “the Robin Hood of Roxbury Drive.”

Typewriter Beach: A Novel
By Meg Waite Clayton
Harper: 320 pages, $30
(July 1)

Like the carriage of a well-oiled Olivetti, this novel moves between Carmel and Hollywood, in two different centuries, with ease. In 1957, actress Isabella Giori hopes to land a career-making role in a Hitchcock film; when her circumstances change and she winds up secluded in a tiny cottage in Carmel-on-the-Sea, a blacklisted emigre screenwriter named Léon Chazan saves her. In 2018, his screenwriter granddaughter finally learns how and why.

Vera, or Faith: A Novel
By Gary Shteyngart
Random House: 256 pages, $28
(July 8)

Vera, the child narrator of this wry and relevant new novel from Shteyngart (“Our Country Friends”), brings a half-Korean heritage to the Russian-Jewish-WASP Bradford-Shmulkin family. Between Daddy, Anne Mom, and her longing for her unknown bio Mom Mom, Vera has a lot to handle, while all she really wants is to help her dad and stepmom stay married — and to make a friend at school. It’s a must-read.

Mendell Station: A Novel
By J. B. Hwang
Bloomsbury: 208 pages, $27
(July 22)

In the wake of her best friend Esther’s 2020 death, Miriam loses faith in almost everything, including the God that made her job teaching Christian scripture at a San Francisco private school bearable. She quits and takes a job as a mail carrier (as the author also did), not only finding moments of grace from neighborhood to neighborhood but also writing letters to Esther in an effort to understand the childhood difficulties that bonded them.

Necessary Fiction: A Novel
By Eloghosa Osunde
Riverhead: 320 pages, $28
(July 22)

The title tells so much about how queer people must live in Nigeria, and so does the structure: Osunde (“Vagabonds!”) calls it a novel, although its chapters read more like short stories. If it doesn’t hang together like a traditional novel, that may be part of the point. Characters like May, struggling with gender identity, or Ziz, a gay man in Lagos, know that their identities don’t always hang together in traditional ways — and that’s definitely the point.

NONFICTION

The CIA Book Club: The Secret Mission to Win the Cold War With Forbidden Literature
By Charlie English
Random House: 384 pages, $35
(July 1)

Decades of Cold War espionage between the United States and the Soviet Union included programs that leveraged cultural media. The Central Intelligence Agency’s Manhattan-based “book club” office was run by an emigre from Romania named George Midden, who managed to send 10 million books behind the Iron Curtain. Some of them were serious tomes, yes, but there were Agatha Christie novels, Orwell’s “1984” and art books too.

The Hiroshima Men: The Quest to Build the Atomic Bomb, and the Fateful Decision to Use It
By Iain MacGregor
Scribner: 384 pages, $32
(July 8)

Crucially, MacGregor’s painstakingly researched history of the atomic bombs dropped on Japan at the end of World War II includes Japanese perspectives. The historian (“Checkpoint Charlie”) treats the atomic bomb more as a weapon of mass murder and less as a scientific breakthrough, while managing to convey the urgency behind its development for the Allied forces.

On Her Game: Caitlin Clark and the Revolution in Women’s Sports
By Christine Brennan
Scribner: 272 pages, $30
(July 8)

Let this sink in (basketball pun very much intended): Caitlin Clark has scored more points than any player in major college basketball history. Not just the female players — the male players too. Now that she’s in the WNBA as a rookie for the Indiana Fever, Clark is attracting the kind of fan base once reserved for male basketball stars like Michael Jordan and LeBron James. Brennan’s longtime coverage of Clark’s career makes this book a slam dunk.

Strata: Stories From Deep Time
By Laura Poppick
W. W. Norton & Co.: 288 pages, $30
(July 15)

Each stratum, or layer, of our planet tells a story. Science writer Poppick explains what those millions of strata can tell us about four instances that changed life dramatically, from oxygen entering the atmosphere all the way to the dinosaur era. Ultimately, she argues that these strata show us that when stressed, the earth reacts by changing and moving toward stability. It’s a fascinating peek into the globe’s core that might offer clues about sustainability.

The Feather Detective: Mystery, Mayhem, and the Magnificent Life of Roxie Laybourne
By Chris Sweeney
Avid Reader Press: 320 pages, $30
(July 22)

The once-unassuming Roxie Laybourne became the world’s first forensic ornithologist in 1960, when the FAA asked the Smithsonian — where Laybourne was an avian taxidermist — to help them identify shredded feathers from a fatal airplane crash in Boston. She analyzed specimens that contributed to arrests in racial attacks, as well as in catching game poachers and preventing deaths of fighter pilots. In her way, Laybourne was a badass.

Fifteen minutes before first pitch on Sunday, Giants catcher Logan Porter trotted in from the visitor’s bullpen. He’d usually be accompanied by the starting pitcher, which was set to be left-hander Kyle Harrison.

Instead, Porter stood on the first-base line for the national anthem, turned to his left and whispered to his teammates. As they all received the information from Porter — reminiscent of the children’s game “Telephone” — other Giants teammates likely learned one-by-one that Harrison had been traded.

“It was crazy,” Dodgers second baseman Tommy Edman said. “You don’t expect a trade like that this time of year and just getting the pitching change at the last minute.”

The odd scene at Dodger Stadium was because of a reported blockbuster trade that involved the Boston Red Sox sending infielder Rafael Devers to the Giants in exchange for Harrison, right-hander Jordan Hicks and two prospects — a move that further bolsters the talent in the L.A.-San Francisco rivalry.

“Those guys over there are doing a great job of putting a team together and obviously, they want to win,” said shortstop Mookie Betts, who was teammates with Devers in Boston from 2017 to 2019.

San Francisco manager Bob Melvin was forced to turn to long reliever Sean Hjelle, who rapidly warmed up for the start, against a Dodgers offense that had scored 11 runs Saturday night. As Betts said after the game, no matter who the Giants were going to throw at them in response, they were prepared. The Dodgers had done their “homework,” he said.

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It was more of the same from the Dodgers’ offense in a 5-4 victory Sunday. The top of the order manufactured a run via an Andy Pages sacrifice fly in the first inning. Edman hit a solo home run — his 10th — in the second. Pages put a cherry on top in the fifth after Shohei Ohtani (three for three, one walk) and Mookie Betts set the table with singles.

The Cuban slugger’s three-run home run helped the Dodgers (43-29) restore a two-game lead over the Giants (41-31) in the NL West standings.

“It’s really emotional, a special moment to hit a home run in that situation because I haven’t seen him,” Pages said through an interpreter, speaking about his father back in Cuba. “It’s hard sometimes. But it was really special to hit a home run on Father’s Day.”

On the mound, Dustin May was looking to get back on track.

May’s recent starts left more to be desired from the former top prospect who had been struggling with his command and not tallying many swinging strikes. He had struck out just six batters across his last 11 innings — striking out just one in his last outing.

Although May couldn’t find his strikeout pitch, his start Sunday was the sixth time he had pitched through the sixth inning in 2025. He walked four batters for the second time in as many starts — the only time he’s issued at least four free passes in back-to-back games in his career — and struck out three batters. He didn’t have his best stuff, but showed his mettle in the fifth inning.

Dodgers pitcher Dustin May delivers against the Giants at Dodger Stadium on Sunday.

(Luke Johnson / Los Angeles Times)

Whereas he crumbled in the fourth, giving up a two-RBI triple to Jung Hoo Lee to give the Giants a 3-2 lead, he battled out of a bases-loaded jam to keep San Francisco at bay, inducing Porter into an inning-ending groundout.

After Pages further strengthened his All-Star case with his 13th home run, the Dodgers’ bullpen took care of business. Alex Vesia tossed a shutout seventh, while Kirby Yates (one run) and Tanner Scott (zero runs and struck out the side) finished it off in the eighth and ninth, respectively.

“It was good to see us find a way to win a ballgame,” manager Dave Roberts said. “Dustin got a little traffic there in the fourth but he finds a way, as he has shown, to still manage to get through six and to use the guys we wanted to and win a ballgame.”

Sasaki’s status uncertain

Ohtani will start Monday against the San Diego Padres, but it’s still not clear when right-hander Roki Sasaki will return. Roberts said Sasaki (right shoulder impingement) recently halted his throwing program.

“There was some rubbing, is the word he used,” Roberts said. “He’s pain-free. When we start that build-up, it should be soon. He’s already moving around. We all feel encouraged where he’s at right now, as far as the pain.”

The Dodgers placed the 23-year-old rookie on the injured list May 13. Roberts did not specify what Sasaki’s condition is other than that he’s out indefinitely.

Piecing together the starting rotation for the week ahead, Emmet Sheehan is set to be activated Tuesday or Wednesday, Roberts said.

ST. LOUIS — Growing up on the western tip of Cuba, Andy Pages excelled at every sport he played.

He was good at soccer and volleyball, arguably better at basketball. But he loved baseball for reasons that weren’t necessarily limited to the game.

Pages’ father, Liban, a carpenter who had a job repairing wooden boats, helped make his son’s first bats by hand, using leftover lumber given to him by friends. Soon baseball became the boy’s favorite pastime.

“When I was starting to play baseball in Cuba, when things were really bad, there were no bats. There weren’t things like that,” Pages said in Spanish. “So he always tried to make me a bat so I could play.

“I became more motivated, and from that point on, we’ve been playing baseball.”

The sport eventually proved to be a way off the island for Pages, who has emerged as one of the Dodgers’ brightest stars in just his second season with the team.

He entered the start of a three-game series Monday in San Diego hitting .288 with 12 home runs and 39 RBIs, trailing only Shohei Ohtani in homers and matching Ohtani for third on the team in RBIs. He’s also tied for second in stolen bases with six and has yet to be thrown out.

If he can stay consistent, he has a chance to become the first Dodger center fielder to hit better than .250 with 25 homers since Matt Kemp in 2011.

Although Pages never played in Cuba’s elite Serie Nacional, the proving ground for stars such as Yuli Gurriel, Yunel Escobar and Orlando “El Duque” Hernández, he became one of the country’s top prospects after hitting .364/.484/.581 in a under-15 league.

Dodgers outfielder Andy Pages rifles the ball to second base to prevent Arizona’s Ketel Marte from advancing on a single at Dodger Stadium on May 20.

(Gina Ferazzi/Los Angeles Times)

That convinced Pages (pronounced PAH-hays) he had a chance to be a big leaguer some day. So at 16, the Athletic reported, he arranged to be spirited off the island alongside Jairo Pomares, another young Cuban star, traveling through Guyana, Curacao and Haiti before crossing in the Dominican Republic. He then waited eight months before the Dodgers signed him as an international free agent in March 2018, giving him a $300,000 bonus, more than 1,500 times the average annual wage in Cuba, according to CiberCuba.

Pomares signed with the San Francisco Giants at about the same time, but while he remains in the minors, Pages’ climb to the majors was steady. He reached triple A by the start the 2024 season. He didn’t stay at Oklahoma City long, however, hitting .371/.452/.694 with 15 RBIs in 15 games to earn a call-up to the Dodgers.

Before his rookie season was over, Pages was a World Series champion. He paid a heavy price for that though, going seven years without seeing his family in person.

“It was emotional since I hadn’t seen them for a long time,” said Pages, 24, who returned to Cuba for the first time the winter before his big-league debut.

His sister, Elaine, a child when he left “was already a full-grown woman.”

“So those memories came back to me, and they were quite — how should I say it? — quite strong for me,” said Pages, who brought his father a few of the machine-made bats he used in the minor leagues.

But if his father provided the spark that made his son a baseball player, teammate Teoscar Hernández provided the help, guidance and mentoring that made Pages an everyday major leaguer.

“He’s played in the major leagues for a long time now,” Pages said of Hernández, a 10-year veteran who signed with the Dodgers months before Pages made his big-league debut. “He’s been through a lot of bad times. I went through that at the beginning of the season, for example, and last year too. And he’s given me advice that’s helped me a lot to get through that time.”

With Pages’ family still in Cuba, Hernández has become a big brother as well as a teammate, taking him out for dinner on off days or just getting together to play video games.

Andy Pages runs the bases after hitting a solo home run against the Athletics at Dodger Stadium on May 14.

(Gina Ferazzi/Los Angeles Times)

“Getting through bad times is sometimes a little difficult when you’re alone, when you don’t have anyone to help you, to give you good advice, and to make you understand that sometimes things don’t happen when you want them to,” Pages said.

And that’s worked out well for Pages. Three games after Hernández returned from a rehab assignment last month, Pages started a streak that would see him hit in 13 of his next 14 starts, including 11 in a row, raising his average 24 points to .293. He’s batting .379 with a team-high 11 hits in seven games this month.

“We try to go out to my house. We go out to a restaurant with my wife, his wife. Just so we can get together, have time to enjoy and not think about baseball,” Hernández said.

Pages isn’t the first player to benefit from Hernández’s mentorship. During his six seasons in Toronto, Hernández took another talented rookie, fellow Dominican Vladimir Guerrero Jr., under his wing. Guerrero is now a four-time All-Star.

Hernández is still so respected in Toronto when the Dodgers played there last season, some Blue Jays players wore his old uniform number during batting practice. Earlier this year Guerrero offered to buy him a $300,000 Richard Mille watch; Hernández joked he’d rather have money instead.

As the quiet Pages has grown more confident and comfortable with the Dodgers, his play has improved. A speedy outfielder with a plus arm, he also can play all three positions.

And while he left Cuba, he never fully left it behind, having expressed interest in representing the country in next year’s World Baseball Classic. The decision to go to the Dominican Republic as a teenager, after all, was a business one, not a personal one.

Pages would also like to bring his family to U.S. some day, though that dream was dealt a setback last week when President Trump signed an executive order restricting access to Cubans hoping to come to the U.S.

“Hope is always there,” said Pages, who has beaten impossibly long odds once. “But you have to follow the rules, get the papers, do whatever it takes to make sure everything’s OK. And then get here and stay here.

“I’m just trying, trying until they can leave.”

Homeland Security Secretary Kristi Noem says the US president ‘wants peace’ but will not allow Iran to obtain a nuclear weapon.

Washington, DC – United States Secretary of Homeland Security Kristi Noem says she delivered a message from President Donald Trump to Israeli Prime Minister Benjamin Netanyahu that the two countries should be aligned on how to approach Iran.

Noem, who concluded a visit to Israel on Monday, told Fox News that her talks with Netanyahu were “candid and direct”. Her comments come days after US and Iranian officials held their fifth round of nuclear talks in Rome.

“President Trump specifically sent me here to have a conversation with the prime minister about how those negotiations are going and how important it is that we stay united and let this process play out,” she said.

On Sunday, Trump suggested that the talks were progressing well.

“We’ve had some very, very good talks with Iran,” the US president told reporters. “And I don’t know if I’ll be telling you anything good or bad over the next two days, but I have a feeling I might be telling you something good.”

Last week, CNN reported, citing unidentified US officials, that Israel was preparing for strikes against Iran’s nuclear facilities, despite the US-led talks.

Iran has promised to respond forcefully to any Israeli attack, and accused Netanyahu of working to undermine US diplomacy.

Iranian Minister of Foreign Affairs Abbas Araghchi said last week that the Israeli prime minister is “desperate to dictate what the US can and cannot do”.

Israel has been sceptical about the nuclear negotiations, and Netanyahu has been claiming for years that Iran is on the cusp of acquiring a nuclear bomb. Israeli officials portray Iran – which backs regional groups engaged in armed struggle against Israel – as a major threat.

On Monday, Noem said that the US understands that Netanyahu does not trust Iran.

“The message to the American people is: We have a president that wants peace, but also a president that will not tolerate nuclear Iran capability in the future. They will not be able to get a nuclear weapon, and this president will not allow it,” she said.

“But he also wants this prime minister, Benjamin Netanyahu, to be on the same page with him.”

A major sticking point in the talks has been whether Iran would be allowed to enrich its own uranium.

US officials have said they want Iran not just to scale back its nuclear programme, but also to completely stop enriching uranium – a position that Tehran has said is a nonstarter.

Enrichment is the process of altering the uranium atom to create nuclear fuel.

Iranian officials say enrichment for civilian purposes is a sovereign right that is not prohibited by the Nuclear Non-Proliferation Treaty (NPT).

Tehran denies seeking a nuclear weapon, while Israel is widely believed to have an undeclared nuclear arsenal.

During his first term, in 2018, Trump nixed the Joint Comprehensive Plan of Action (JCPOA), which had seen Iran scale back its nuclear programme in exchange for the lifting of international sanctions against its economy.

Since then, the US has been piling sanctions on Iran. Tehran has responded by escalating its nuclear programme.

On Monday, Iran ruled out temporarily suspending uranium enrichment to secure an interim deal with the US.

Iranian Foreign Ministry spokesperson Esmaeil Baqaei stressed that Iran is not buying time with the talks.

“We have entered the course of talks seriously and purposefully with the intention of reaching a fair agreement. We have proved our seriousness,” Baqaei was quoted as saying by the Tasnim news agency.

ACTRESS Madeline Brewer makes a splash — in a dress made from a Sun front page.

Redhead Madeline, 33, star of Netflix hit You, wore it for Behind the Blinds magazine.

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It features a January 1986 edition of The Sun — the first printed at Wapping.

The style resembles the John Galliano newspaper dress worn by Sex and The City star Sarah Jessica Parker in the popular series.

Madeline starred alongside actor Penn Badgley in popular series You.

In the fifth and final series, which is now streaming, viewers will see Joe embarking on an affair with a young woman named Bronte, played by Madeline.

They meet after she gains employment at his bookstore but it soon becomes clear that she has an ulterior motive after she developed suspicions that Joe was responsible for the death of her close friend.

Penn has led the show since its inception on the streaming service but has shied away from getting down and dirty on-camera for the past two series.

However, he has since decided that in order to give the show a “proper conclusion,” he needs to head back to the bedroom to spice things up for the final series.

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• @behindtheblinds. Madeline is wearing @vetements_official on the cover. She’s captured by @foxhunter & styled by @orettac. Shot for Behind The Blinds Magazine.